{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=38","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=37","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=39","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=51"},"meta":{"pages":{"current_page":38,"next_page":39,"prev_page":37,"total_pages":51,"limit_value":10,"offset_value":370,"total_count":504,"first_page?":false,"last_page?":false}},"data":[{"id":"vino_repositories_5_resources_218_c06_c02","type":"Sub-Series","attributes":{"title":"Sub-Series B: Action, 1957/2021","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_218_c06_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains information about LWV action on political issues. Included are Action guides, pamphlets, tips on lobbying and writing legislators, correspondence and memos, newspaper clippings, letters to newspaper editors, committee reports and updates, LWV positions to act on, action alerts, and various testimonies and other presentations made by League members on issues. A variety of issues are covered in this section, including the 1968 Bond Issue, the Civil Rights Restoration Act, the preservation of Assateague, the Equal Rights Amendment, Motor Voter, the Superfund program to clean up waste sites, and the Bill of Rights.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_218_c06_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_218_c06_c02","ref_ssm":["vino_repositories_5_resources_218_c06_c02"],"id":"vino_repositories_5_resources_218_c06_c02","ead_ssi":"vino_repositories_5_resources_218","_root_":"vino_repositories_5_resources_218","_nest_parent_":"vino_repositories_5_resources_218_c06","parent_ssi":"vino_repositories_5_resources_218_c06","parent_ssim":["League of Women Voters of Hampton Roads Records, 1940/2014","Series VI: Programs and Projects, 1950/2023"],"parent_ids_ssim":["vino_repositories_5_resources_218","vino_repositories_5_resources_218_c06"],"title_filing_ssi":"Sub-Series B: Action","title_ssm":["Sub-Series B: Action"],"title_tesim":["Sub-Series B: Action"],"normalized_title_ssm":["Sub-Series B: Action, 1957/2021"],"text":["Sub-Series B: Action, 1957/2021","League of Women Voters of Hampton Roads Records, 1940/2014","Series VI: Programs and Projects, 1950/2023","This sub-series contains information about LWV action on political issues. Included are Action guides, pamphlets, tips on lobbying and writing legislators, correspondence and memos, newspaper clippings, letters to newspaper editors, committee reports and updates, LWV positions to act on, action alerts, and various testimonies and other presentations made by League members on issues. A variety of issues are covered in this section, including the 1968 Bond Issue, the Civil Rights Restoration Act, the preservation of Assateague, the Equal Rights Amendment, Motor Voter, the Superfund program to clean up waste sites, and the Bill of Rights."],"parent_unittitles_ssm":["League of Women Voters of Hampton Roads Records, 1940/2014","Series VI: Programs and Projects, 1950/2023"],"parent_unittitles_tesim":["League of Women Voters of Hampton Roads Records, 1940/2014","Series VI: Programs and Projects, 1950/2023"],"normalized_date_ssm":["1957/2021"],"unitdate_other_ssim":["circa 1957-2021, undated"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":730,"repository_ssim":["Old Dominion University"],"collection_ssim":["League of Women Voters of Hampton Roads Records, 1940/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains information about LWV action on political issues. Included are Action guides, pamphlets, tips on lobbying and writing legislators, correspondence and memos, newspaper clippings, letters to newspaper editors, committee reports and updates, LWV positions to act on, action alerts, and various testimonies and other presentations made by League members on issues. A variety of issues are covered in this section, including the 1968 Bond Issue, the Civil Rights Restoration Act, the preservation of Assateague, the Equal Rights Amendment, Motor Voter, the Superfund program to clean up waste sites, and the Bill of Rights.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains information about LWV action on political issues. Included are Action guides, pamphlets, tips on lobbying and writing legislators, correspondence and memos, newspaper clippings, letters to newspaper editors, committee reports and updates, LWV positions to act on, action alerts, and various testimonies and other presentations made by League members on issues. A variety of issues are covered in this section, including the 1968 Bond Issue, the Civil Rights Restoration Act, the preservation of Assateague, the Equal Rights Amendment, Motor Voter, the Superfund program to clean up waste sites, and the Bill of Rights."],"_nest_path_":"/components#5/components#1","timestamp":"2026-08-14T22:39:29.346Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_218","ead_ssi":"vino_repositories_5_resources_218","_root_":"vino_repositories_5_resources_218","_nest_parent_":"vino_repositories_5_resources_218","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_218.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/218","title_filing_ssi":"League of Women Voters of Hampton Roads","title_ssm":["League of Women Voters of Hampton Roads Records"],"title_tesim":["League of Women Voters of Hampton Roads Records"],"unitdate_ssm":["circa 1940-2014, undated","Date acquired: 01/10/2000"],"unitdate_inclusive_ssm":["circa 1940-2014, undated"],"unitdate_other_ssim":["Date acquired: 01/10/2000"],"normalized_date_ssm":["1940/2014"],"normalized_title_ssm":["League of Women Voters of Hampton Roads Records, 1940/2014"],"text":["League of Women Voters of Hampton Roads Records, 1940/2014","MG 72","/repositories/5/resources/218","Norfolk (Va.)--Politics and government--20th century","Women--Suffrage--United States","Virginia--Politics and government","Open to researchers without restrictions.","Additional accessions from Susan L. Goranson and Jeannette Franklin.","The collection is organized into eleven series: Series I: Business and Organization; Series II: Meetings and Conventions; Series III: Events and Workshops; Series IV: Correspondence; Series V: Newsletters; Series VI: Programs and Projects; Series VII: Voter's Service; Series VIII: Issues and Studies; Series IX: Know Your Government; Series X: Photographs; and Series XI: Artifacts.","The League of Women Voters (LWV) was established in 1920, the year that women's suffrage was finally incorporated into the Constitution of the United States. The League was originally part of the National American Women's Suffrage Association, which led the 72-year drive for full and equal suffrage for women of the United States. The League was founded primarily to help 20 million newly enfranchised women carry out their new responsibilities as voters.","The Norfolk League of Women Voters was begun in the fall of 1955. Mrs. Clement Kester was elected president of the Provisional League. In the 1930s a League had been active in Norfolk, but was disbanded at the beginning of World War II. In March 1957, Norfolk was recognized as an official League. Mrs. Hugh Fortescue was elected the first president with a membership of 85. This was the 11th Virginia League.","The Virginia Beach membership in the League became stronger after the merger of old Princess Anne County and the city of Virginia Beach in 1962. A unit of the Norfolk League began to meet regularly there in the winter of 1963. In 1964, the State Board Organizational Committee agreed that Norfolk and Virginia Beach should become an area League.","The modern day League of Women Voters is a nonpartisan, volunteer organization, established to promote political responsibility through informed and active participation in government. The League holds regular monthly meetings to informally discuss common concerns and periodic full membership meetings with speakers on topics of interest. Members include teachers, housewives, and women of various backgrounds, who are interested in good government. Some members are well informed in certain areas because of special interest or training.","The League cannot work for candidates or political parties as a group, though it encourages each member to work for the candidate of her choice. The League does take stands on issues, once they have studied the issues thoroughly and achieved a consensus among members, or when the issue is pertinent to the statement of principles of the national League.","League action includes testifying at public hearings, the use of television, radio, and newspapers, public forums and panel discussions to inform voters, and letters to local, state, and national officials. The League's two most prominent programs are the Voters Service and the League Program.","The primary concern of the League is service to the voter. The Voters Service program serves this purpose by informing the public about registration, voting procedures, and voting calendars; urging citizens to vote, explaining proposed amendments and referenda appearing on the ballot; giving factual information about the candidates based on their records and opinions on important issues; holding candidate meetings, forums, and debates; and publishing candidate questionnaires and voting records.","In the League Program, members select an issue of interest from local, state, and national levels of government. Two national, two state, and two local issues are selected for study each year at the League of Women Voters Annual Meeting and at State and National Conventions. Committees throughout the year study these items and the committees prepare information to keep members informed on the issues.\n    More information about the organization can be found on their website.Abbreviations:LWV – League of Women VotersLWV-US – League of Women Voters - United States (National Organization)LWV-VA – League of Women Voters – Virginia (State Organization)LWV-SHR – League of Women Voters – South Hampton Roads (Local Organization)","Note written by Special Collections Staff","This collection contains records of the League of Women Voters (LWV) of Hampton Roads, an organization dedicated tto provide information and programs to encourage women to vote. Included in the collection is information about the business and organization of the group, finances, correspondence, newspaper clippings, newsletters, projects, programs, and studies. The bulk of this collection falls under three main categories: meeting agendas and minutes; the Voter's Service program; as well as studies and publications produced by the organization.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Includes handbooks, correspondence, newsletters, agendas, minutes, membership lists, and financial records of the League of Women Voters of Hampton Roads. Contains information on the action program, education fund, speakers bureau, voters service, and studies on various issues.","ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)","English"],"collection_title_tesim":["League of Women Voters of Hampton Roads Records, 1940/2014"],"collection_ssim":["League of Women Voters of Hampton Roads Records, 1940/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 72","/repositories/5/resources/218"],"unitid_tesim":["MG 72","/repositories/5/resources/218"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"geogname_ssm":["Norfolk (Va.)--Politics and government--20th century"],"geogname_ssim":["Norfolk (Va.)--Politics and government--20th century"],"places_ssim":["Norfolk (Va.)--Politics and government--20th century"],"creator_ssm":["League of Women Voters of Hampton Roads"],"creator_ssim":["League of Women Voters of Hampton Roads"],"creator_corpname_ssim":["ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)"],"creators_ssim":["ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Susan L. Goranson, President LWVSHR","Gift. Accession #A2000-1"],"access_subjects_ssim":["Women--Suffrage--United States","Virginia--Politics and government"],"access_subjects_ssm":["Women--Suffrage--United States","Virginia--Politics and government"],"has_online_content_ssim":["false"],"extent_ssm":["19.95 Linear Feet","32 Hollinger document cases and 2 oversize boxes boxes"],"extent_tesim":["19.95 Linear Feet","32 Hollinger document cases and 2 oversize boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eAdditional accessions from Susan L. Goranson and Jeannette Franklin.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Additional accessions from Susan L. Goranson and Jeannette Franklin."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series: Series I: Business and Organization; Series II: Meetings and Conventions; Series III: Events and Workshops; Series IV: Correspondence; Series V: Newsletters; Series VI: Programs and Projects; Series VII: Voter's Service; Series VIII: Issues and Studies; Series IX: Know Your Government; Series X: Photographs; and Series XI: Artifacts.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into eleven series: Series I: Business and Organization; Series II: Meetings and Conventions; Series III: Events and Workshops; Series IV: Correspondence; Series V: Newsletters; Series VI: Programs and Projects; Series VII: Voter's Service; Series VIII: Issues and Studies; Series IX: Know Your Government; Series X: Photographs; and Series XI: Artifacts."],"bioghist_html_tesm":["\u003cp\u003eThe League of Women Voters (LWV) was established in 1920, the year that women's suffrage was finally incorporated into the Constitution of the United States. The League was originally part of the National American Women's Suffrage Association, which led the 72-year drive for full and equal suffrage for women of the United States. The League was founded primarily to help 20 million newly enfranchised women carry out their new responsibilities as voters.\u003c/p\u003e","\u003cp\u003eThe Norfolk League of Women Voters was begun in the fall of 1955. Mrs. Clement Kester was elected president of the Provisional League. In the 1930s a League had been active in Norfolk, but was disbanded at the beginning of World War II. In March 1957, Norfolk was recognized as an official League. Mrs. Hugh Fortescue was elected the first president with a membership of 85. This was the 11th Virginia League.\u003c/p\u003e","\u003cp\u003eThe Virginia Beach membership in the League became stronger after the merger of old Princess Anne County and the city of Virginia Beach in 1962. A unit of the Norfolk League began to meet regularly there in the winter of 1963. In 1964, the State Board Organizational Committee agreed that Norfolk and Virginia Beach should become an area League.\u003c/p\u003e","\u003cp\u003eThe modern day League of Women Voters is a nonpartisan, volunteer organization, established to promote political responsibility through informed and active participation in government. The League holds regular monthly meetings to informally discuss common concerns and periodic full membership meetings with speakers on topics of interest. Members include teachers, housewives, and women of various backgrounds, who are interested in good government. Some members are well informed in certain areas because of special interest or training.\u003c/p\u003e","\u003cp\u003eThe League cannot work for candidates or political parties as a group, though it encourages each member to work for the candidate of her choice. The League does take stands on issues, once they have studied the issues thoroughly and achieved a consensus among members, or when the issue is pertinent to the statement of principles of the national League.\u003c/p\u003e","\u003cp\u003eLeague action includes testifying at public hearings, the use of television, radio, and newspapers, public forums and panel discussions to inform voters, and letters to local, state, and national officials. The League's two most prominent programs are the Voters Service and the League Program.\u003c/p\u003e","\u003cp\u003eThe primary concern of the League is service to the voter. The Voters Service program serves this purpose by informing the public about registration, voting procedures, and voting calendars; urging citizens to vote, explaining proposed amendments and referenda appearing on the ballot; giving factual information about the candidates based on their records and opinions on important issues; holding candidate meetings, forums, and debates; and publishing candidate questionnaires and voting records.\u003c/p\u003e","\u003cp\u003eIn the League Program, members select an issue of interest from local, state, and national levels of government. Two national, two state, and two local issues are selected for study each year at the League of Women Voters Annual Meeting and at State and National Conventions. Committees throughout the year study these items and the committees prepare information to keep members informed on the issues.\n    \u003cp\u003e\u003c/p\u003e\u003cp\u003eMore information about the organization can be found on their \u003ca href=\"https://my.lwv.org/virginia/south-hampton-roads\"\u003ewebsite\u003c/a\u003e.\u003c/p\u003e\u003cp\u003e\u003cemph render=\"bold\"\u003eAbbreviations:\u003c/emph\u003e\u003c/p\u003e\u003cp\u003eLWV – League of Women Voters\u003c/p\u003e\u003cp\u003eLWV-US – League of Women Voters - United States (National Organization)\u003c/p\u003e\u003cp\u003eLWV-VA – League of Women Voters – Virginia (State Organization)\u003c/p\u003e\u003cp\u003eLWV-SHR – League of Women Voters – South Hampton Roads (Local Organization)\n    \u003c/p\u003e\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The League of Women Voters (LWV) was established in 1920, the year that women's suffrage was finally incorporated into the Constitution of the United States. The League was originally part of the National American Women's Suffrage Association, which led the 72-year drive for full and equal suffrage for women of the United States. The League was founded primarily to help 20 million newly enfranchised women carry out their new responsibilities as voters.","The Norfolk League of Women Voters was begun in the fall of 1955. Mrs. Clement Kester was elected president of the Provisional League. In the 1930s a League had been active in Norfolk, but was disbanded at the beginning of World War II. In March 1957, Norfolk was recognized as an official League. Mrs. Hugh Fortescue was elected the first president with a membership of 85. This was the 11th Virginia League.","The Virginia Beach membership in the League became stronger after the merger of old Princess Anne County and the city of Virginia Beach in 1962. A unit of the Norfolk League began to meet regularly there in the winter of 1963. In 1964, the State Board Organizational Committee agreed that Norfolk and Virginia Beach should become an area League.","The modern day League of Women Voters is a nonpartisan, volunteer organization, established to promote political responsibility through informed and active participation in government. The League holds regular monthly meetings to informally discuss common concerns and periodic full membership meetings with speakers on topics of interest. Members include teachers, housewives, and women of various backgrounds, who are interested in good government. Some members are well informed in certain areas because of special interest or training.","The League cannot work for candidates or political parties as a group, though it encourages each member to work for the candidate of her choice. The League does take stands on issues, once they have studied the issues thoroughly and achieved a consensus among members, or when the issue is pertinent to the statement of principles of the national League.","League action includes testifying at public hearings, the use of television, radio, and newspapers, public forums and panel discussions to inform voters, and letters to local, state, and national officials. The League's two most prominent programs are the Voters Service and the League Program.","The primary concern of the League is service to the voter. The Voters Service program serves this purpose by informing the public about registration, voting procedures, and voting calendars; urging citizens to vote, explaining proposed amendments and referenda appearing on the ballot; giving factual information about the candidates based on their records and opinions on important issues; holding candidate meetings, forums, and debates; and publishing candidate questionnaires and voting records.","In the League Program, members select an issue of interest from local, state, and national levels of government. Two national, two state, and two local issues are selected for study each year at the League of Women Voters Annual Meeting and at State and National Conventions. Committees throughout the year study these items and the committees prepare information to keep members informed on the issues.\n    More information about the organization can be found on their website.Abbreviations:LWV – League of Women VotersLWV-US – League of Women Voters - United States (National Organization)LWV-VA – League of Women Voters – Virginia (State Organization)LWV-SHR – League of Women Voters – South Hampton Roads (Local Organization)","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], League of Women Voters of Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], League of Women Voters of Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains records of the League of Women Voters (LWV) of Hampton Roads, an organization dedicated tto provide information and programs to encourage women to vote. Included in the collection is information about the business and organization of the group, finances, correspondence, newspaper clippings, newsletters, projects, programs, and studies. The bulk of this collection falls under three main categories: meeting agendas and minutes; the Voter's Service program; as well as studies and publications produced by the organization.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains records of the League of Women Voters (LWV) of Hampton Roads, an organization dedicated tto provide information and programs to encourage women to vote. Included in the collection is information about the business and organization of the group, finances, correspondence, newspaper clippings, newsletters, projects, programs, and studies. The bulk of this collection falls under three main categories: meeting agendas and minutes; the Voter's Service program; as well as studies and publications produced by the organization."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8a3c4a6163715bd0dfb2babafce897cb\" label=\"Abstract\"\u003eIncludes handbooks, correspondence, newsletters, agendas, minutes, membership lists, and financial records of the League of Women Voters of Hampton Roads. Contains information on the action program, education fund, speakers bureau, voters service, and studies on various issues.\u003c/abstract\u003e\n    "],"abstract_tesim":["Includes handbooks, correspondence, newsletters, agendas, minutes, membership lists, and financial records of the League of Women Voters of Hampton Roads. Contains information on the action program, education fund, speakers bureau, voters service, and studies on various issues."],"corpname_ssim":["ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)"],"names_coll_ssim":["League of Women Voters of Virginia","League of Women Voters (U.S.)","League of Women Voters of Hampton Roads"],"names_ssim":["ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1431,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:29.346Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_218_c06_c02"}},{"id":"vino_repositories_5_resources_37_c01_c02","type":"Sub-Series","attributes":{"title":"Sub-Series B: Administrative, 1910/2010","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_37_c01_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series pertains to the administrative records of the Unitarian Universalist Church of Norfolk. Includes materials such as financial reports, by-laws, meeting agendas and minutes, directories, and information regarding church buildings.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_37_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_37_c01_c02","ref_ssm":["vino_repositories_5_resources_37_c01_c02"],"id":"vino_repositories_5_resources_37_c01_c02","ead_ssi":"vino_repositories_5_resources_37","_root_":"vino_repositories_5_resources_37","_nest_parent_":"vino_repositories_5_resources_37_c01","parent_ssi":"vino_repositories_5_resources_37_c01","parent_ssim":["Unitarian Universalist Church of Norfolk Records, 1866/2011, bulk 1950/1990","Series I: Norfolk Unitarian Universalist Church of Norfolk, 1871/2011"],"parent_ids_ssim":["vino_repositories_5_resources_37","vino_repositories_5_resources_37_c01"],"title_filing_ssi":"Sub-Series B: Administrative","title_ssm":["Sub-Series B: Administrative"],"title_tesim":["Sub-Series B: Administrative"],"normalized_title_ssm":["Sub-Series B: Administrative, 1910/2010"],"text":["Sub-Series B: Administrative, 1910/2010","Unitarian Universalist Church of Norfolk Records, 1866/2011, bulk 1950/1990","Series I: Norfolk Unitarian Universalist Church of Norfolk, 1871/2011","This sub-series pertains to the administrative records of the Unitarian Universalist Church of Norfolk. Includes materials such as financial reports, by-laws, meeting agendas and minutes, directories, and information regarding church buildings."],"parent_unittitles_ssm":["Unitarian Universalist Church of Norfolk Records, 1866/2011, bulk 1950/1990","Series I: Norfolk Unitarian Universalist Church of Norfolk, 1871/2011"],"parent_unittitles_tesim":["Unitarian Universalist Church of Norfolk Records, 1866/2011, bulk 1950/1990","Series I: Norfolk Unitarian Universalist Church of Norfolk, 1871/2011"],"normalized_date_ssm":["1910/2010"],"unitdate_other_ssim":["1910-2010, undated"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":49,"repository_ssim":["Old Dominion University"],"collection_ssim":["Unitarian Universalist Church of Norfolk Records, 1866/2011, bulk 1950/1990"],"has_online_content_ssim":["false"],"child_component_count_isi":24,"parent_access_restrict_tesm":["Open to researchers without restriction."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series pertains to the administrative records of the Unitarian Universalist Church of Norfolk. Includes materials such as financial reports, by-laws, meeting agendas and minutes, directories, and information regarding church buildings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series pertains to the administrative records of the Unitarian Universalist Church of Norfolk. Includes materials such as financial reports, by-laws, meeting agendas and minutes, directories, and information regarding church buildings."],"_nest_path_":"/components#0/components#1","timestamp":"2026-08-14T22:39:36.932Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_37","ead_ssi":"vino_repositories_5_resources_37","_root_":"vino_repositories_5_resources_37","_nest_parent_":"vino_repositories_5_resources_37","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_37.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/37","title_filing_ssi":"Unitarian Universalist Church of Norfolk","title_ssm":["Unitarian Universalist Church of Norfolk Records"],"title_tesim":["Unitarian Universalist Church of Norfolk Records"],"unitdate_ssm":["1866-2011, undated","1950-1990","Date acquired: 05/20/2008"],"unitdate_inclusive_ssm":["1866-2011, undated"],"unitdate_bulk_ssim":["1950-1990"],"unitdate_other_ssim":["Date acquired: 05/20/2008"],"normalized_date_ssm":["1866/2011, bulk 1950/1990"],"normalized_title_ssm":["Unitarian Universalist Church of Norfolk Records, 1866/2011, bulk 1950/1990"],"text":["Unitarian Universalist Church of Norfolk Records, 1866/2011, bulk 1950/1990","MG 122","/repositories/5/resources/37","Unitarian Universalist churches--Virginia--Norfolk","Unitarian Universalists","African American Unitarian Universalists","African American schools","Open to researchers without restriction.","An addition to the collection was given in 2011.","The collection is organized into three series: Series I: Norfolk Unitarian Universalist Church of Norfolk; Series II: Black Universalism in Tidewater; and Series III: Other Unitarian Universalist Churches/General Assembly.","Unitarianism originally started in Transylvania during the 1500s and spread to the United States in 1700s. The belief centers around an open-minded philosophy based on values that are similar to Christianity excluding the belief of a trinity sovereign. Unitarians believe in a single, aspect of God focusing on a personal, direct relationship with that deity and exuding examples of rational thinking.  Unitarian believers began to accept elements of transcendentalism and humanist thought throughout the later years of the nineteenth century creating a more flexible faith. Famous Unitarians include Thomas Jefferson, John Quincy Adams, Dorothea Dix, and Ralph Waldo Emerson.","Unitarianism and Universalism in the Tidewater Area of Virginia; the Jordan School","In 1793, the Reverend Harry Toulmin, the first ordained minister in Norfolk preached briefly in the borough church (Saint Paul's Episcopal Church), before settling in Kentucky. Throughout the early 1800s, intermittent ministerial leadership and not enough congregants, prevented a permanent church from being formed. In 1848, Reverend Hope Bain preached to congregations in Norfolk and Portsmouth, while the Reverends Edwin H. Lake and Alden Bosserman preached to a congregation in the small village of Kempsville.","The Unitarian movement in Virginia stalled during the Civil War (1861-1865), but after the war, the belief of Universalism grew within the free black community, in which it is a religious belief that religion is open to all and that God accepts all types of races of people.  Reverend Joseph Jordan, who was the first black to be ordained as a Universalist minister, established a mission in Huntersville in 1887. In 1894, he built a chapel and school on Princess Anne Avenue (Road) and Wide Street. At the same time, under the Reverend Thomas F. Wise, a chapel and school was started in Suffolk (St. Paul's Universalist Church and Suffolk Normal Training School). Jordan died in 1901, and three years later the chapel and school in Norfolk folded. However, the chapel and school in Suffolk was going strong under the guidance of Joseph Fletcher Jordan (no relation to the previous Jordan).  The school under Jordan, had a student body over 300 students with grades first through eight, with ninth grade being added in after 1913. The church also succeeded under Jordan's career as minister allowing for the publication of \"The Colored Universalist,\" a monthly newspaper tailored for African-American readership. In 1929, Jordan died and his daughter Annie Bissell Jordan Willis became principal of the school which was later renamed the Jordan Neighborhood House (\"Jordan's School\"). In 1930 the St. Paul's Universalist Church folded, and due to the increase in public education for African-American students, the school became more focused on preschool and kindergarten. After the Second World War (1939-1945), the school started to provide services, such as childcare, prenatal care, after school activities for children, and counseling services. The school closed in 1984.","The First Unitarian Church of Norfolk","The First Unitarian Church of Norfolk was established in 1912 under the sponsorship of the American Unitarian Association in Boston. The church was led by the pastorates of the Reverends Julian R. Pennington, Frank W. Pratt, and John L. Einstein, and met in various buildings and then the former Disciples of Christ Church at 306 East Freemason Street. Sadly due to internal problems within the congregation and the First World War (1915-1918) caused the church to fold.","The Unitarian Church of Norfolk","In 1930 the Unitarian Church of Norfolk was reestablished with the help of the National Unitarian Laymen's League. The new church acquired the former home of the First Lutheran Church on 15th Street and Moran Avenue, across from Maury High School. The Reverend Harry Lutz was the first minister to serve the congregation. However church growth was slow due to the Great Depression and the Second World War. In the late 1940s and early 1950s, there was controversy within the church due to two ministers leaving over the issues of interracial relationships (Frank G. White) and bisexuality (Aubrey C. Todd).","Social Change within the Unitarian Church of Norfolk","In the mid to late 1950s, social change within the country through the Brown vs. Board of Education decision rendering \"separate but equal\" unconstitutional and the growing civil-rights movement had an impact on the church. Under the leadership of Reverend James C. Brewer, the church became vocal for the end of segregation and for the reopening of Norfolk schools in 1959 which were closed under the state mandate of \"Massive Resistance\" the year before. During the 1960s into the 1970s, under the Reverends James H. Curtis and Carl L. Esenwein , the church became more involved in social issues including fair housing, ending poverty, welfare rights, multiethnic textbooks, and the ending of American involvement in the Vietnam War. The church helped found the Norfolk chapter of the VISTA program, which was designed as a domestic peace corps and part of President Lyndon Johnson's war on poverty, as well as the chapter of the American Civil Liberties Union.","The involvement in these social issues were influenced by the belief of Universalism, and in 1961, the Unitarian Universalist Association and the American Unitarian Association consolidated to form the Unitarian Universalist Church.","In the 1970s and the 1980s, the church became active in women's and LGBTQ (lesbian, gay, bisexual, transgender, queer) rights with chapters of the National Organization for Women and the Unitarian Universalist Gay Caucus were founded there.","The church continues to be very active in social and political issues whether it is local, national, or worldwide.","The Growth of the Unitarian Church of Norfolk and its Future","In 1961 the church congregation outgrew the 15th Street and Moran Avenue location and moved to 902 Graydon Avenue (The Unitarian Center) where church social and educational activities were held, but worship services were held in a variety of places including the Little Theatre of Norfolk. This put a huge strain on the congregation and potential church growth. A search for a new church building begun, there was consideration to move to the suburbs, but the church chose to stay in a urban setting where its true \"mission lay in bearing witness in the city.\" Finally in 1972 the congregation found a permanent home in the former Second Presbyterian Church building at Yarmouth Street across from The Hague. Besides being a place of worship, the Yarmouth Street church has held concerts, recitals, educational, and social activities. Despite being a thriving place, the Yarmouth Street church has been prone to severe flooding from The Hague over the years and a new place was sought. A building formerly used by the Sanska Engineering Offices at 809 South Military Highway was purchased in 2017. The building is not affected by storm surge flooding, and will have more space for church activities. In July 2018, the new building opened for services. To conicide with the new location, the Norfolk congregation changed their name to the Coastal Virginia Unitarian Universalists (CVUU).","List of Pastors","Harry Lutz: 1930-1934","Gerald R. Fitzpatrick: 1934-1938","Robert W. Sonen: 1939-1944","William W. Peck: 1944","Frank G. White: 1944-1945","Douglas Angell: 1946-1948","Aubrey C. Todd: 1950-1955","Mary C. Lane: 1956 (Not a pastor, but a lay person who helped with services)","James C. Brewer: 1956-1961","James H. Curtis: 1961-1966","Carl L. Esenwein: 1966-1974","Arthur Graham: 1976-1981","Gary M. Gallum: 1981-1984","Peter Lee Scott: 1984-1987","Douglas Morgan Strong: 1987-1988","James Dittmer Roche: 1988-1989","Fern Cowan Stanley: 1990-1992","Janet Newman: 1992-1993","Maj-Britt Johnson: 1993-2000","Judith Morris: 2000-2001","Danny R. Reed: 2002-2005","Paul Boothby: 2005-2007","Pam Allen-Thompson: 2007-2008","Don Beaudreault: 2009","Phyllis Hubbell: 2009-2010","John Manwell: 2010-2011","Cyndi Simpson: 2011-2013","Jennifer Slade: 2013-2014","Charlie Dietrich: 2015-","Note written by Special Collections Staff","Some of the materials are aged and brittle, please handle with care.","This collection was reprocessed by Kathleen Smith, Metadata and Digital Services Specialist, from April 2017 to March 2018.","Willard C. Frank, Jr. Papers (RG 17-5B4)","The records of the Unitarian Universalist Church of Norfolk includes administrative materials, publications, articles, research materials, photographs, and audio-visual items regarding the history of the church. While the bulk of the records concern the Unitarian Universalist Church of Norfolk, the collection also contains material related to African American Universalism in the Tidewater region as well as Unitarian Universalist churches from across the United States.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","The collection contains administrative materials, publications, articles, research materials, photographs, and audio-visual items pertaining to the Unitarian Universalist Church of Norfolk.","ODU Community Collections","Unitarian Church of Norfolk (Norfolk, Va.)","Frank, Willard C., Jr. (1936-2011)","English"],"collection_title_tesim":["Unitarian Universalist Church of Norfolk Records, 1866/2011, bulk 1950/1990"],"collection_ssim":["Unitarian Universalist Church of Norfolk Records, 1866/2011, bulk 1950/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 122","/repositories/5/resources/37"],"unitid_tesim":["MG 122","/repositories/5/resources/37"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Unitarian Church of Norfolk (Norfolk, Va.)","Frank, Willard C., Jr. (1936-2011)"],"creator_ssim":["Unitarian Church of Norfolk (Norfolk, Va.)","Frank, Willard C., Jr. (1936-2011)"],"creator_persname_ssim":["Frank, Willard C., Jr. (1936-2011)"],"creator_corpname_ssim":["ODU Community Collections","Unitarian Church of Norfolk (Norfolk, Va.)"],"creators_ssim":["Frank, Willard C., Jr. (1936-2011)","ODU Community Collections","Unitarian Church of Norfolk (Norfolk, Va.)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Willard C. Frank, Jr.","Gift. Accession #A2008-04"],"access_subjects_ssim":["Unitarian Universalist churches--Virginia--Norfolk","Unitarian Universalists","African American Unitarian Universalists","African American schools"],"access_subjects_ssm":["Unitarian Universalist churches--Virginia--Norfolk","Unitarian Universalists","African American Unitarian Universalists","African American schools"],"has_online_content_ssim":["false"],"extent_ssm":["38.40 Linear Feet","91 Hollinger document cases; 1 card box; 1 media box; 1 oversized box boxes"],"extent_tesim":["38.40 Linear Feet","91 Hollinger document cases; 1 card box; 1 media box; 1 oversized box boxes"],"date_range_isim":[1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restriction.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restriction."],"accruals_html_tesm":["\u003cp\u003eAn addition to the collection was given in 2011.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["An addition to the collection was given in 2011."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Norfolk Unitarian Universalist Church of Norfolk; Series II: Black Universalism in Tidewater; and Series III: Other Unitarian Universalist Churches/General Assembly.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Norfolk Unitarian Universalist Church of Norfolk; Series II: Black Universalism in Tidewater; and Series III: Other Unitarian Universalist Churches/General Assembly."],"bioghist_html_tesm":["\u003cp\u003eUnitarianism originally started in Transylvania during the 1500s and spread to the United States in 1700s. The belief centers around an open-minded philosophy based on values that are similar to Christianity excluding the belief of a trinity sovereign. Unitarians believe in a single, aspect of God focusing on a personal, direct relationship with that deity and exuding examples of rational thinking.  Unitarian believers began to accept elements of transcendentalism and humanist thought throughout the later years of the nineteenth century creating a more flexible faith. Famous Unitarians include Thomas Jefferson, John Quincy Adams, Dorothea Dix, and Ralph Waldo Emerson.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003e\u003cemph render=\"underline\"\u003eUnitarianism and Universalism in the Tidewater Area of Virginia; the Jordan School\u003c/emph\u003e\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIn 1793, the Reverend Harry Toulmin, the first ordained minister in Norfolk preached briefly in the borough church (Saint Paul's Episcopal Church), before settling in Kentucky. Throughout the early 1800s, intermittent ministerial leadership and not enough congregants, prevented a permanent church from being formed. In 1848, Reverend Hope Bain preached to congregations in Norfolk and Portsmouth, while the Reverends Edwin H. Lake and Alden Bosserman preached to a congregation in the small village of Kempsville.\u003c/p\u003e","\u003cp\u003eThe Unitarian movement in Virginia stalled during the Civil War (1861-1865), but after the war, the belief of Universalism grew within the free black community, in which it is a religious belief that religion is open to all and that God accepts all types of races of people.  Reverend Joseph Jordan, who was the first black to be ordained as a Universalist minister, established a mission in Huntersville in 1887. In 1894, he built a chapel and school on Princess Anne Avenue (Road) and Wide Street. At the same time, under the Reverend Thomas F. Wise, a chapel and school was started in Suffolk (St. Paul's Universalist Church and Suffolk Normal Training School). Jordan died in 1901, and three years later the chapel and school in Norfolk folded. However, the chapel and school in Suffolk was going strong under the guidance of Joseph Fletcher Jordan (no relation to the previous Jordan).  The school under Jordan, had a student body over 300 students with grades first through eight, with ninth grade being added in after 1913. The church also succeeded under Jordan's career as minister allowing for the publication of \"The Colored Universalist,\" a monthly newspaper tailored for African-American readership. In 1929, Jordan died and his daughter Annie Bissell Jordan Willis became principal of the school which was later renamed the Jordan Neighborhood House (\"Jordan's School\"). In 1930 the St. Paul's Universalist Church folded, and due to the increase in public education for African-American students, the school became more focused on preschool and kindergarten. After the Second World War (1939-1945), the school started to provide services, such as childcare, prenatal care, after school activities for children, and counseling services. The school closed in 1984.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003e\u003cemph render=\"bold\"\u003eThe First Unitarian Church of Norfolk\u003c/emph\u003e\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThe First Unitarian Church of Norfolk was established in 1912 under the sponsorship of the American Unitarian Association in Boston. The church was led by the pastorates of the Reverends Julian R. Pennington, Frank W. Pratt, and John L. Einstein, and met in various buildings and then the former Disciples of Christ Church at 306 East Freemason Street. Sadly due to internal problems within the congregation and the First World War (1915-1918) caused the church to fold.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003e\u003cemph render=\"underline\"\u003eThe Unitarian Church of Norfolk\u003c/emph\u003e\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIn 1930 the Unitarian Church of Norfolk was reestablished with the help of the National Unitarian Laymen's League. The new church acquired the former home of the First Lutheran Church on 15\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street and Moran Avenue, across from Maury High School. The Reverend Harry Lutz was the first minister to serve the congregation. However church growth was slow due to the Great Depression and the Second World War. In the late 1940s and early 1950s, there was controversy within the church due to two ministers leaving over the issues of interracial relationships (Frank G. White) and bisexuality (Aubrey C. Todd).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003e\u003cemph render=\"underline\"\u003eSocial Change within the Unitarian Church of Norfolk\u003c/emph\u003e\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIn the mid to late 1950s, social change within the country through the Brown vs. Board of Education decision rendering \"separate but equal\" unconstitutional and the growing civil-rights movement had an impact on the church. Under the leadership of Reverend James C. Brewer, the church became vocal for the end of segregation and for the reopening of Norfolk schools in 1959 which were closed under the state mandate of \"Massive Resistance\" the year before. During the 1960s into the 1970s, under the Reverends James H. Curtis and Carl L. Esenwein , the church became more involved in social issues including fair housing, ending poverty, welfare rights, multiethnic textbooks, and the ending of American involvement in the Vietnam War. The church helped found the Norfolk chapter of the VISTA program, which was designed as a domestic peace corps and part of President Lyndon Johnson's war on poverty, as well as the chapter of the American Civil Liberties Union.\u003c/p\u003e","\u003cp\u003eThe involvement in these social issues were influenced by the belief of Universalism, and in 1961, the Unitarian Universalist Association and the American Unitarian Association consolidated to form the Unitarian Universalist Church.\u003c/p\u003e","\u003cp\u003eIn the 1970s and the 1980s, the church became active in women's and LGBTQ (lesbian, gay, bisexual, transgender, queer) rights with chapters of the National Organization for Women and the Unitarian Universalist Gay Caucus were founded there.\u003c/p\u003e","\u003cp\u003eThe church continues to be very active in social and political issues whether it is local, national, or worldwide.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003e\u003cemph render=\"underline\"\u003eThe Growth of the Unitarian Church of Norfolk and its Future\u003c/emph\u003e\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIn 1961 the church congregation outgrew the 15\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street and Moran Avenue location and moved to 902 Graydon Avenue (The Unitarian Center) where church social and educational activities were held, but worship services were held in a variety of places including the Little Theatre of Norfolk. This put a huge strain on the congregation and potential church growth. A search for a new church building begun, there was consideration to move to the suburbs, but the church chose to stay in a urban setting where its true \"mission lay in bearing witness in the city.\" Finally in 1972 the congregation found a permanent home in the former Second Presbyterian Church building at Yarmouth Street across from The Hague. Besides being a place of worship, the Yarmouth Street church has held concerts, recitals, educational, and social activities. Despite being a thriving place, the Yarmouth Street church has been prone to severe flooding from The Hague over the years and a new place was sought. A building formerly used by the Sanska Engineering Offices at 809 South Military Highway was purchased in 2017. The building is not affected by storm surge flooding, and will have more space for church activities. In July 2018, the new building opened for services. To conicide with the new location, the Norfolk congregation changed their name to the \u003ca href=\"https://c-vuu.org/\"\u003eCoastal Virginia Unitarian Universalists (CVUU)\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003e\u003cemph render=\"underline\"\u003eList of Pastors\u003c/emph\u003e\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eHarry Lutz: 1930-1934\u003c/p\u003e","\u003cp\u003eGerald R. Fitzpatrick: 1934-1938\u003c/p\u003e","\u003cp\u003eRobert W. Sonen: 1939-1944\u003c/p\u003e","\u003cp\u003eWilliam W. Peck: 1944\u003c/p\u003e","\u003cp\u003eFrank G. White: 1944-1945\u003c/p\u003e","\u003cp\u003eDouglas Angell: 1946-1948\u003c/p\u003e","\u003cp\u003eAubrey C. Todd: 1950-1955\u003c/p\u003e","\u003cp\u003eMary C. Lane: 1956 (Not a pastor, but a lay person who helped with services)\u003c/p\u003e","\u003cp\u003eJames C. Brewer: 1956-1961\u003c/p\u003e","\u003cp\u003eJames H. Curtis: 1961-1966\u003c/p\u003e","\u003cp\u003eCarl L. Esenwein: 1966-1974\u003c/p\u003e","\u003cp\u003eArthur Graham: 1976-1981\u003c/p\u003e","\u003cp\u003eGary M. Gallum: 1981-1984\u003c/p\u003e","\u003cp\u003ePeter Lee Scott: 1984-1987\u003c/p\u003e","\u003cp\u003eDouglas Morgan Strong: 1987-1988\u003c/p\u003e","\u003cp\u003eJames Dittmer Roche: 1988-1989\u003c/p\u003e","\u003cp\u003eFern Cowan Stanley: 1990-1992\u003c/p\u003e","\u003cp\u003eJanet Newman: 1992-1993\u003c/p\u003e","\u003cp\u003eMaj-Britt Johnson: 1993-2000\u003c/p\u003e","\u003cp\u003eJudith Morris: 2000-2001\u003c/p\u003e","\u003cp\u003eDanny R. Reed: 2002-2005\u003c/p\u003e","\u003cp\u003ePaul Boothby: 2005-2007\u003c/p\u003e","\u003cp\u003ePam Allen-Thompson: 2007-2008\u003c/p\u003e","\u003cp\u003eDon Beaudreault: 2009\u003c/p\u003e","\u003cp\u003ePhyllis Hubbell: 2009-2010\u003c/p\u003e","\u003cp\u003eJohn Manwell: 2010-2011\u003c/p\u003e","\u003cp\u003eCyndi Simpson: 2011-2013\u003c/p\u003e","\u003cp\u003eJennifer Slade: 2013-2014\u003c/p\u003e","\u003cp\u003eCharlie Dietrich: 2015-\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Unitarianism originally started in Transylvania during the 1500s and spread to the United States in 1700s. The belief centers around an open-minded philosophy based on values that are similar to Christianity excluding the belief of a trinity sovereign. Unitarians believe in a single, aspect of God focusing on a personal, direct relationship with that deity and exuding examples of rational thinking.  Unitarian believers began to accept elements of transcendentalism and humanist thought throughout the later years of the nineteenth century creating a more flexible faith. Famous Unitarians include Thomas Jefferson, John Quincy Adams, Dorothea Dix, and Ralph Waldo Emerson.","Unitarianism and Universalism in the Tidewater Area of Virginia; the Jordan School","In 1793, the Reverend Harry Toulmin, the first ordained minister in Norfolk preached briefly in the borough church (Saint Paul's Episcopal Church), before settling in Kentucky. Throughout the early 1800s, intermittent ministerial leadership and not enough congregants, prevented a permanent church from being formed. In 1848, Reverend Hope Bain preached to congregations in Norfolk and Portsmouth, while the Reverends Edwin H. Lake and Alden Bosserman preached to a congregation in the small village of Kempsville.","The Unitarian movement in Virginia stalled during the Civil War (1861-1865), but after the war, the belief of Universalism grew within the free black community, in which it is a religious belief that religion is open to all and that God accepts all types of races of people.  Reverend Joseph Jordan, who was the first black to be ordained as a Universalist minister, established a mission in Huntersville in 1887. In 1894, he built a chapel and school on Princess Anne Avenue (Road) and Wide Street. At the same time, under the Reverend Thomas F. Wise, a chapel and school was started in Suffolk (St. Paul's Universalist Church and Suffolk Normal Training School). Jordan died in 1901, and three years later the chapel and school in Norfolk folded. However, the chapel and school in Suffolk was going strong under the guidance of Joseph Fletcher Jordan (no relation to the previous Jordan).  The school under Jordan, had a student body over 300 students with grades first through eight, with ninth grade being added in after 1913. The church also succeeded under Jordan's career as minister allowing for the publication of \"The Colored Universalist,\" a monthly newspaper tailored for African-American readership. In 1929, Jordan died and his daughter Annie Bissell Jordan Willis became principal of the school which was later renamed the Jordan Neighborhood House (\"Jordan's School\"). In 1930 the St. Paul's Universalist Church folded, and due to the increase in public education for African-American students, the school became more focused on preschool and kindergarten. After the Second World War (1939-1945), the school started to provide services, such as childcare, prenatal care, after school activities for children, and counseling services. The school closed in 1984.","The First Unitarian Church of Norfolk","The First Unitarian Church of Norfolk was established in 1912 under the sponsorship of the American Unitarian Association in Boston. The church was led by the pastorates of the Reverends Julian R. Pennington, Frank W. Pratt, and John L. Einstein, and met in various buildings and then the former Disciples of Christ Church at 306 East Freemason Street. Sadly due to internal problems within the congregation and the First World War (1915-1918) caused the church to fold.","The Unitarian Church of Norfolk","In 1930 the Unitarian Church of Norfolk was reestablished with the help of the National Unitarian Laymen's League. The new church acquired the former home of the First Lutheran Church on 15th Street and Moran Avenue, across from Maury High School. The Reverend Harry Lutz was the first minister to serve the congregation. However church growth was slow due to the Great Depression and the Second World War. In the late 1940s and early 1950s, there was controversy within the church due to two ministers leaving over the issues of interracial relationships (Frank G. White) and bisexuality (Aubrey C. Todd).","Social Change within the Unitarian Church of Norfolk","In the mid to late 1950s, social change within the country through the Brown vs. Board of Education decision rendering \"separate but equal\" unconstitutional and the growing civil-rights movement had an impact on the church. Under the leadership of Reverend James C. Brewer, the church became vocal for the end of segregation and for the reopening of Norfolk schools in 1959 which were closed under the state mandate of \"Massive Resistance\" the year before. During the 1960s into the 1970s, under the Reverends James H. Curtis and Carl L. Esenwein , the church became more involved in social issues including fair housing, ending poverty, welfare rights, multiethnic textbooks, and the ending of American involvement in the Vietnam War. The church helped found the Norfolk chapter of the VISTA program, which was designed as a domestic peace corps and part of President Lyndon Johnson's war on poverty, as well as the chapter of the American Civil Liberties Union.","The involvement in these social issues were influenced by the belief of Universalism, and in 1961, the Unitarian Universalist Association and the American Unitarian Association consolidated to form the Unitarian Universalist Church.","In the 1970s and the 1980s, the church became active in women's and LGBTQ (lesbian, gay, bisexual, transgender, queer) rights with chapters of the National Organization for Women and the Unitarian Universalist Gay Caucus were founded there.","The church continues to be very active in social and political issues whether it is local, national, or worldwide.","The Growth of the Unitarian Church of Norfolk and its Future","In 1961 the church congregation outgrew the 15th Street and Moran Avenue location and moved to 902 Graydon Avenue (The Unitarian Center) where church social and educational activities were held, but worship services were held in a variety of places including the Little Theatre of Norfolk. This put a huge strain on the congregation and potential church growth. A search for a new church building begun, there was consideration to move to the suburbs, but the church chose to stay in a urban setting where its true \"mission lay in bearing witness in the city.\" Finally in 1972 the congregation found a permanent home in the former Second Presbyterian Church building at Yarmouth Street across from The Hague. Besides being a place of worship, the Yarmouth Street church has held concerts, recitals, educational, and social activities. Despite being a thriving place, the Yarmouth Street church has been prone to severe flooding from The Hague over the years and a new place was sought. A building formerly used by the Sanska Engineering Offices at 809 South Military Highway was purchased in 2017. The building is not affected by storm surge flooding, and will have more space for church activities. In July 2018, the new building opened for services. To conicide with the new location, the Norfolk congregation changed their name to the Coastal Virginia Unitarian Universalists (CVUU).","List of Pastors","Harry Lutz: 1930-1934","Gerald R. Fitzpatrick: 1934-1938","Robert W. Sonen: 1939-1944","William W. Peck: 1944","Frank G. White: 1944-1945","Douglas Angell: 1946-1948","Aubrey C. Todd: 1950-1955","Mary C. Lane: 1956 (Not a pastor, but a lay person who helped with services)","James C. Brewer: 1956-1961","James H. Curtis: 1961-1966","Carl L. Esenwein: 1966-1974","Arthur Graham: 1976-1981","Gary M. Gallum: 1981-1984","Peter Lee Scott: 1984-1987","Douglas Morgan Strong: 1987-1988","James Dittmer Roche: 1988-1989","Fern Cowan Stanley: 1990-1992","Janet Newman: 1992-1993","Maj-Britt Johnson: 1993-2000","Judith Morris: 2000-2001","Danny R. Reed: 2002-2005","Paul Boothby: 2005-2007","Pam Allen-Thompson: 2007-2008","Don Beaudreault: 2009","Phyllis Hubbell: 2009-2010","John Manwell: 2010-2011","Cyndi Simpson: 2011-2013","Jennifer Slade: 2013-2014","Charlie Dietrich: 2015-","Note written by Special Collections Staff"],"phystech_html_tesm":["\u003cp\u003eSome of the materials are aged and brittle, please handle with care.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Access Requirements"],"phystech_tesim":["Some of the materials are aged and brittle, please handle with care."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Unitarian Universalist Church of Norfolk Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Unitarian Universalist Church of Norfolk Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed by Kathleen Smith, Metadata and Digital Services Specialist, from April 2017 to March 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was reprocessed by Kathleen Smith, Metadata and Digital Services Specialist, from April 2017 to March 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eWillard C. Frank, Jr. Papers (RG 17-5B4)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Willard C. Frank, Jr. Papers (RG 17-5B4)"],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Unitarian Universalist Church of Norfolk includes administrative materials, publications, articles, research materials, photographs, and audio-visual items regarding the history of the church. While the bulk of the records concern the Unitarian Universalist Church of Norfolk, the collection also contains material related to African American Universalism in the Tidewater region as well as Unitarian Universalist churches from across the United States.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The records of the Unitarian Universalist Church of Norfolk includes administrative materials, publications, articles, research materials, photographs, and audio-visual items regarding the history of the church. While the bulk of the records concern the Unitarian Universalist Church of Norfolk, the collection also contains material related to African American Universalism in the Tidewater region as well as Unitarian Universalist churches from across the United States."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1b0f52c7e47797c7ddd90658c4ed987b\" label=\"Abstract\"\u003eThe collection contains administrative materials, publications, articles, research materials, photographs, and audio-visual items pertaining to the Unitarian Universalist Church of Norfolk.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains administrative materials, publications, articles, research materials, photographs, and audio-visual items pertaining to the Unitarian Universalist Church of Norfolk."],"corpname_ssim":["ODU Community Collections","Unitarian Church of Norfolk (Norfolk, Va.)"],"names_coll_ssim":["Unitarian Church of Norfolk (Norfolk, Va.)"],"persname_ssim":["Frank, Willard C., Jr. (1936-2011)"],"names_ssim":["ODU Community Collections","Unitarian Church of Norfolk (Norfolk, Va.)","Frank, Willard C., Jr. (1936-2011)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":788,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:36.932Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_37_c01_c02"}},{"id":"vino_repositories_3_resources_300_c04_c02","type":"Sub-Series","attributes":{"title":"Sub-Series B: Articles and Essays, 1991/2010","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_300_c04_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains articles and essays written by Richards, as well as correspondence related to the publishing of his articles in magazines, journals, and other media. Materials are arranged alphabetically and date from 1991-2010.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_300_c04_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_3_resources_300_c04_c02","ref_ssm":["vino_repositories_3_resources_300_c04_c02"],"id":"vino_repositories_3_resources_300_c04_c02","ead_ssi":"vino_repositories_3_resources_300","_root_":"vino_repositories_3_resources_300","_nest_parent_":"vino_repositories_3_resources_300_c04","parent_ssi":"vino_repositories_3_resources_300_c04","parent_ssim":["Jeffrey Richards Papers, 1972/2011","Series IV: Research and Writing, 1980/2011"],"parent_ids_ssim":["vino_repositories_3_resources_300","vino_repositories_3_resources_300_c04"],"title_filing_ssi":"Sub-Series B: Articles and Essays","title_ssm":["Sub-Series B: Articles and Essays"],"title_tesim":["Sub-Series B: Articles and Essays"],"normalized_title_ssm":["Sub-Series B: Articles and Essays, 1991/2010"],"text":["Sub-Series B: Articles and Essays, 1991/2010","Jeffrey Richards Papers, 1972/2011","Series IV: Research and Writing, 1980/2011","This sub-series contains articles and essays written by Richards, as well as correspondence related to the publishing of his articles in magazines, journals, and other media.  Materials are arranged alphabetically and date from 1991-2010."],"parent_unittitles_ssm":["Jeffrey Richards Papers, 1972/2011","Series IV: Research and Writing, 1980/2011"],"parent_unittitles_tesim":["Jeffrey Richards Papers, 1972/2011","Series IV: Research and Writing, 1980/2011"],"normalized_date_ssm":["1991/2010"],"unitdate_other_ssim":["1991-2010, undated"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":198,"repository_ssim":["Old Dominion University"],"collection_ssim":["Jeffrey Richards Papers, 1972/2011"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains articles and essays written by Richards, as well as correspondence related to the publishing of his articles in magazines, journals, and other media.  Materials are arranged alphabetically and date from 1991-2010.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains articles and essays written by Richards, as well as correspondence related to the publishing of his articles in magazines, journals, and other media.  Materials are arranged alphabetically and date from 1991-2010."],"_nest_path_":"/components#3/components#1","timestamp":"2026-08-14T22:39:17.098Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_300","ead_ssi":"vino_repositories_3_resources_300","_root_":"vino_repositories_3_resources_300","_nest_parent_":"vino_repositories_3_resources_300","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_300.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/300","title_filing_ssi":"Richards, Jeffrey","title_ssm":["Jeffrey Richards Papers"],"title_tesim":["Jeffrey Richards Papers"],"unitdate_ssm":["1972-2011, undated","Date acquired: 08/12/2011"],"unitdate_inclusive_ssm":["1972-2011, undated"],"unitdate_other_ssim":["Date acquired: 08/12/2011"],"normalized_date_ssm":["1972/2011"],"normalized_title_ssm":["Jeffrey Richards Papers, 1972/2011"],"text":["Jeffrey Richards Papers, 1972/2011","RG 17-3B6","/repositories/3/resources/300","Old Dominion University--Faculty","Open to researchers without restrictions.","This collection is arranged into four series: Series I: Personal Education Materials; Series II: Professional and Departmental Materials; Series III: ODU Course Materials; and Series IV: Research and Writing.","Jeffrey H. Richards was a professor and eminent scholar of English at Old Dominion University. During his nineteen years at Old Dominion, Richards taught early and 19th century American literature and American drama and served two terms as department chair. He received the university's Doctoral Mentoring Award in 2011.","Richards was born on December 4, 1948 in Libertyville, Illinois to Fenton Omar and Betty Quantz Richards. He graduated with bachelor's degree in English from Yale University in 1971 and received a doctorate in American literature and drama from the University of North Carolina at Chapel Hill in 1982. Prior to joining the Old Dominion University faculty in 1992, Richards taught at Duke University, North Carolina State University, University of North Carolina at Chapel Hill, Lakeland College, and Beijing Normal University.","Besides teaching, Richards wrote numerous essays and articles, as well as authored publications on American literature and drama. His areas of research were on Calvinism in the Colonial South, early American literature, and American drama.","Richards died on May 30, 2011 at the age of 62 after a long battle with brain cancer. The conference room for the university's English Department located on the fifth floor of the Batten Arts and Letters Building has been re-dedicated as the Jeffrey H. Richards Conference Room.","References:","\"Jeffrey Richards, Department Chair and Eminent Professor, Literature.\" http://al.odu.edu/english/faculty/jrichards.shtml","Bross, Kristina; Sweet Timothy. \"In Memoriam: Jeffrey H. Richards.\" Early American Literature, Vol. 47. No. 1, 2012, pp. 257-260.  [url=https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf]https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf[/url]","\"In Memoriam, Jeffrey H. Richards.\" The Scrivener: The Alumni Newsletter of the ODU English Department. http://oduscrivener.wordpress.com/issues/2010-2011-issue/in-memoriam-jeffrey-h-richards/","\"Memorial Service is June 5 for Professor Jeffrey Richards.\"  News @ Old Dominion. May 26, 2011.","Note written by Kathleen Smith","The collection was processed by Joseph Smith in July 2013.","This collection documents the professional life of Jeffrey Richards and his work in the English Department at Old Dominion University. This collection consists of articles and essays written by Richards, lecture notes, correspondence, course listings, and syllabi.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","This collection documents the professional life of Jeffrey Richards and his development of the English Department at Old Dominion University.","ODU University Archives","Old Dominion University","Old Dominion University. Department of English","Richards, Jeffrey H. (1948-2011)","English"],"collection_title_tesim":["Jeffrey Richards Papers, 1972/2011"],"collection_ssim":["Jeffrey Richards Papers, 1972/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-3B6","/repositories/3/resources/300"],"unitid_tesim":["RG 17-3B6","/repositories/3/resources/300"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Richards, Jeffrey H. (1948-2011)"],"creator_ssim":["Richards, Jeffrey H. (1948-2011)"],"creator_persname_ssim":["Richards, Jeffrey H. (1948-2011)"],"creator_corpname_ssim":["ODU University Archives","Old Dominion University","Old Dominion University. Department of English"],"creators_ssim":["Richards, Jeffrey H. (1948-2011)","ODU University Archives","Old Dominion University","Old Dominion University. Department of English"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift from the Estate of Jeffrey Richards","Gift."],"access_subjects_ssim":["Old Dominion University--Faculty"],"access_subjects_ssm":["Old Dominion University--Faculty"],"has_online_content_ssim":["false"],"extent_ssm":["9.60 Linear Feet","12 Hollinger document cases, 1 half Hollinger document case, and 5 notebooks boxes"],"extent_tesim":["9.60 Linear Feet","12 Hollinger document cases, 1 half Hollinger document case, and 5 notebooks boxes"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series: Series I: Personal Education Materials; Series II: Professional and Departmental Materials; Series III: ODU Course Materials; and Series IV: Research and Writing.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into four series: Series I: Personal Education Materials; Series II: Professional and Departmental Materials; Series III: ODU Course Materials; and Series IV: Research and Writing."],"bioghist_html_tesm":["\u003cp\u003eJeffrey H. Richards was a professor and eminent scholar of English at Old Dominion University. During his nineteen years at Old Dominion, Richards taught early and 19th century American literature and American drama and served two terms as department chair. He received the university's Doctoral Mentoring Award in 2011.\u003c/p\u003e","\u003cp\u003eRichards was born on December 4, 1948 in Libertyville, Illinois to Fenton Omar and Betty Quantz Richards. He graduated with bachelor's degree in English from Yale University in 1971 and received a doctorate in American literature and drama from the University of North Carolina at Chapel Hill in 1982. Prior to joining the Old Dominion University faculty in 1992, Richards taught at Duke University, North Carolina State University, University of North Carolina at Chapel Hill, Lakeland College, and Beijing Normal University.\u003c/p\u003e","\u003cp\u003eBesides teaching, Richards wrote numerous essays and articles, as well as authored publications on American literature and drama. His areas of research were on Calvinism in the Colonial South, early American literature, and American drama.\u003c/p\u003e","\u003cp\u003eRichards died on May 30, 2011 at the age of 62 after a long battle with brain cancer. The conference room for the university's English Department located on the fifth floor of the Batten Arts and Letters Building has been re-dedicated as the Jeffrey H. Richards Conference Room.\u003c/p\u003e","\u003cp\u003eReferences:\u003c/p\u003e","\u003cp\u003e\"Jeffrey Richards, Department Chair and Eminent Professor, Literature.\" \u003cextref href=\"http://al.odu.edu/english/faculty/jrichards.shtml\"\u003ehttp://al.odu.edu/english/faculty/jrichards.shtml\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eBross, Kristina; Sweet Timothy. \"In Memoriam: Jeffrey H. Richards.\" Early American Literature, Vol. 47. No. 1, 2012, pp. 257-260.  [url=https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf]https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf[/url]\u003c/p\u003e","\u003cp\u003e\"In Memoriam, Jeffrey H. Richards.\" The Scrivener: The Alumni Newsletter of the ODU English Department. \u003cextref href=\"http://oduscrivener.wordpress.com/issues/2010-2011-issue/in-memoriam-jeffrey-h-richards/\"\u003ehttp://oduscrivener.wordpress.com/issues/2010-2011-issue/in-memoriam-jeffrey-h-richards/\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\"Memorial Service is June 5 for Professor Jeffrey Richards.\"  News @ Old Dominion. May 26, 2011.\u003c/p\u003e","\u003cp\u003eNote written by Kathleen Smith\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jeffrey H. Richards was a professor and eminent scholar of English at Old Dominion University. During his nineteen years at Old Dominion, Richards taught early and 19th century American literature and American drama and served two terms as department chair. He received the university's Doctoral Mentoring Award in 2011.","Richards was born on December 4, 1948 in Libertyville, Illinois to Fenton Omar and Betty Quantz Richards. He graduated with bachelor's degree in English from Yale University in 1971 and received a doctorate in American literature and drama from the University of North Carolina at Chapel Hill in 1982. Prior to joining the Old Dominion University faculty in 1992, Richards taught at Duke University, North Carolina State University, University of North Carolina at Chapel Hill, Lakeland College, and Beijing Normal University.","Besides teaching, Richards wrote numerous essays and articles, as well as authored publications on American literature and drama. His areas of research were on Calvinism in the Colonial South, early American literature, and American drama.","Richards died on May 30, 2011 at the age of 62 after a long battle with brain cancer. The conference room for the university's English Department located on the fifth floor of the Batten Arts and Letters Building has been re-dedicated as the Jeffrey H. Richards Conference Room.","References:","\"Jeffrey Richards, Department Chair and Eminent Professor, Literature.\" http://al.odu.edu/english/faculty/jrichards.shtml","Bross, Kristina; Sweet Timothy. \"In Memoriam: Jeffrey H. Richards.\" Early American Literature, Vol. 47. No. 1, 2012, pp. 257-260.  [url=https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf]https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf[/url]","\"In Memoriam, Jeffrey H. Richards.\" The Scrivener: The Alumni Newsletter of the ODU English Department. http://oduscrivener.wordpress.com/issues/2010-2011-issue/in-memoriam-jeffrey-h-richards/","\"Memorial Service is June 5 for Professor Jeffrey Richards.\"  News @ Old Dominion. May 26, 2011.","Note written by Kathleen Smith"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Jeffrey Richards Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Jeffrey Richards Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed by Joseph Smith in July 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed by Joseph Smith in July 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional life of Jeffrey Richards and his work in the English Department at Old Dominion University. This collection consists of articles and essays written by Richards, lecture notes, correspondence, course listings, and syllabi.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the professional life of Jeffrey Richards and his work in the English Department at Old Dominion University. This collection consists of articles and essays written by Richards, lecture notes, correspondence, course listings, and syllabi."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_78e4fc6f23c1a19ddbf089956e10823f\" label=\"Abstract\"\u003eThis collection documents the professional life of Jeffrey Richards and his development of the English Department at Old Dominion University.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents the professional life of Jeffrey Richards and his development of the English Department at Old Dominion University."],"corpname_ssim":["ODU University Archives","Old Dominion University","Old Dominion University. Department of English"],"names_coll_ssim":["Old Dominion University","Old Dominion University. Department of English"],"persname_ssim":["Richards, Jeffrey H. (1948-2011)"],"names_ssim":["ODU University Archives","Old Dominion University","Old Dominion University. Department of English","Richards, Jeffrey H. (1948-2011)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":301,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:17.098Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_3_resources_300_c04_c02"}},{"id":"vino_repositories_5_resources_198_c05_c02","type":"Sub-Series","attributes":{"title":"Sub-Series B: Board, 1975/2011","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_198_c05_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_198_c05_c02","ref_ssm":["vino_repositories_5_resources_198_c05_c02"],"id":"vino_repositories_5_resources_198_c05_c02","ead_ssi":"vino_repositories_5_resources_198","_root_":"vino_repositories_5_resources_198","_nest_parent_":"vino_repositories_5_resources_198_c05","parent_ssi":"vino_repositories_5_resources_198_c05","parent_ssim":["Peter Mark Papers, 1953/2014, bulk 1980/2010","Series V: Virginia Opera Association (VOA), 1974/2012"],"parent_ids_ssim":["vino_repositories_5_resources_198","vino_repositories_5_resources_198_c05"],"title_filing_ssi":"Sub-Series B: Board","title_ssm":["Sub-Series B: Board"],"title_tesim":["Sub-Series B: Board"],"normalized_title_ssm":["Sub-Series B: Board, 1975/2011"],"text":["Sub-Series B: Board, 1975/2011","Peter Mark Papers, 1953/2014, bulk 1980/2010","Series V: Virginia Opera Association (VOA), 1974/2012"],"parent_unittitles_ssm":["Peter Mark Papers, 1953/2014, bulk 1980/2010","Series V: Virginia Opera Association (VOA), 1974/2012"],"parent_unittitles_tesim":["Peter Mark Papers, 1953/2014, bulk 1980/2010","Series V: Virginia Opera Association (VOA), 1974/2012"],"normalized_date_ssm":["1975/2011"],"unitdate_other_ssim":["1975-2011"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":258,"repository_ssim":["Old Dominion University"],"collection_ssim":["Peter Mark Papers, 1953/2014, bulk 1980/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"parent_access_restrict_tesm":["Portions of this collection are restricted. 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Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow","The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.","Virginia Opera Papers (MG 85).","This collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. 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Please consult a staff member for assistance.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are restricted. Please consult a staff member for assistance."],"accruals_html_tesm":["\u003cp\u003eAn addition to the collection was given in 2014.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["An addition to the collection was given in 2014."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material."],"bioghist_html_tesm":["\u003cp\u003ePeter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026amp; Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.\u003c/p\u003e","\u003cp\u003eNote written by Mona Farrow\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Peter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Opera Papers (MG 85).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Opera Papers (MG 85)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. 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Overall the Cultural Alliance of Greater Hampton Roads assisted more than 350 arts and cultural organizations; individual artists, writers, dancers, and arts professionals; museums; opera and symphony organizations; a theater; a ballet academy, and a variety of dance troupes, choral groups, art centers, galleries, and so forth in the Hampton Roads area.","The Cultural Alliance was formed in 1983, out of two separate community arts groups: Metropolitan Arts Congress of Tidewater and the Peninsula Council of the Arts. 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The alliance's mission was to stimulate cultural vitality and to facilitate the development of healthy and dynamic cultural institutions throughout the region.  The Cultural Alliance served as a \"Chamber of Culture\" for the Hampton Roads area by gathering information, coordinating efforts, and raising awareness of cultural opportunities. The alliance achieved this through by advocating public and private financial investments into the arts and into cultural organizations, encouraging community participation in the arts and in cultural activities, and providing forums and programs for communication and collaboration. Overall the Cultural Alliance of Greater Hampton Roads assisted more than 350 arts and cultural organizations; individual artists, writers, dancers, and arts professionals; museums; opera and symphony organizations; a theater; a ballet academy, and a variety of dance troupes, choral groups, art centers, galleries, and so forth in the Hampton Roads area.\u003c/p\u003e","\u003cp\u003eThe Cultural Alliance was formed in 1983, out of two separate community arts groups: Metropolitan Arts Congress of Tidewater and the Peninsula Council of the Arts. The process leading to the formation of the Cultural Alliance, began in 1981 when the Metropolitan Arts Congress published, a study on the cultural needs of South Hampton Roads, titled \"Blueprint for a Rainbow.\" The study was funded by the Norfolk Foundation, and it recommended major cultural planning involving Southside Hampton Roads cultural institutions.  In 1982, Southside and Peninsula cultural organizations embarked on a seven month planning process led by the nationally known arts planner Ralph Burgard.  The process was led by a citizen's planning committee made up of leaders from the local business, culture, education, government, and public service sectors. 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The alliance was also a major protector of arts funding, and was very active in trying to prevent further national and state funding cuts.\u003c/p\u003e","\u003cp\u003eOn April 30, 2018, the Cultural Alliance of Greater Hampton Roads dissolved and ceased operations, due to declining membership and that arts advocacy programs were now offered by other resources in Hampton Roads.\u003c/p\u003e","\u003cp\u003eThe Cultural Alliance of Greater Hampton Roads will always be remembered as a \"unifying voice\" for arts and culture within the Hampton Roads area.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSources: \u003c/emph\u003e\"\"Press Release\" Cultural Alliance of Greater Hampton Roads webpage, March 26, 2018. http://www.culturalli.org/index.html.\u003c/p\u003e","\u003cp\u003eNote written by Kathleen Smith\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Cultural Alliance of Greater Hampton Roads was a non-profit organization that advocated for and encouraged the arts in the Hampton Roads Region. 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Overall the Cultural Alliance of Greater Hampton Roads assisted more than 350 arts and cultural organizations; individual artists, writers, dancers, and arts professionals; museums; opera and symphony organizations; a theater; a ballet academy, and a variety of dance troupes, choral groups, art centers, galleries, and so forth in the Hampton Roads area.","The Cultural Alliance was formed in 1983, out of two separate community arts groups: Metropolitan Arts Congress of Tidewater and the Peninsula Council of the Arts. The process leading to the formation of the Cultural Alliance, began in 1981 when the Metropolitan Arts Congress published, a study on the cultural needs of South Hampton Roads, titled \"Blueprint for a Rainbow.\" The study was funded by the Norfolk Foundation, and it recommended major cultural planning involving Southside Hampton Roads cultural institutions.  In 1982, Southside and Peninsula cultural organizations embarked on a seven month planning process led by the nationally known arts planner Ralph Burgard.  The process was led by a citizen's planning committee made up of leaders from the local business, culture, education, government, and public service sectors. Former Virginia Beach mayor, Dr. Clarence Holland, chaired this committee.  The result of this process was the founding of the Cultural Alliance of Greater Hampton Roads and the publishing of the \"Greater Hampton Roads Cultural Action Plan\" in June 1983.","Throughout the years the Cultural Alliance of Greater Hampton Roads played an active role in carrying out its mission within the Hampton Roads cultural and arts community. This was done through numerous community events, concerts, award programs, conferences and workshops. The alliance was also a major protector of arts funding, and was very active in trying to prevent further national and state funding cuts.","On April 30, 2018, the Cultural Alliance of Greater Hampton Roads dissolved and ceased operations, due to declining membership and that arts advocacy programs were now offered by other resources in Hampton Roads.","The Cultural Alliance of Greater Hampton Roads will always be remembered as a \"unifying voice\" for arts and culture within the Hampton Roads area.","Sources: \"\"Press Release\" Cultural Alliance of Greater Hampton Roads webpage, March 26, 2018. http://www.culturalli.org/index.html.","Note written by Kathleen Smith"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Cultural Alliance of Greater Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Cultural Alliance of Greater Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mel Frizzell, Special Collections Assistant, in 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mel Frizzell, Special Collections Assistant, in 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, a non-profit organization founded in 1983 that advocated and encouraged the arts in the Hampton Roads Region. The records consist of reports, meeting minutes, grant applications and materials, correspondence, newspaper clippings, announcements, brochures, newsletters, directories, and photographs.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, a non-profit organization founded in 1983 that advocated and encouraged the arts in the Hampton Roads Region. The records consist of reports, meeting minutes, grant applications and materials, correspondence, newspaper clippings, announcements, brochures, newsletters, directories, and photographs."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4b0938163f6f1212397542742e4b1385\" label=\"Abstract\"\u003eThe collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, whose mission was to stimulate cultural vitality and to facilitate the development of healthy and dynamic cultural institutions throughout the region.. Records consist of reports, meeting minutes, grant applications and materials, correspondence, newspaper clippings, announcements, brochures, newsletters, directories, and photographs from 1972-2018.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, whose mission was to stimulate cultural vitality and to facilitate the development of healthy and dynamic cultural institutions throughout the region.. Records consist of reports, meeting minutes, grant applications and materials, correspondence, newspaper clippings, announcements, brochures, newsletters, directories, and photographs from 1972-2018."],"corpname_ssim":["ODU Community Collections","Cultural Alliance of Greater Hampton Roads"],"names_coll_ssim":["Cultural Alliance of Greater Hampton Roads"],"names_ssim":["ODU Community Collections","Cultural Alliance of Greater Hampton Roads"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":287,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:23.934Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_172_c01_c02"}},{"id":"vino_repositories_3_resources_300_c02_c02","type":"Sub-Series","attributes":{"title":"Sub-Series B: Committees, 1998/2010","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_300_c02_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series has material related to committees and working groups that Richards served on or worked with at ODU. Materials are arranged alphabetically and date from 1998-2010.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_300_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_3_resources_300_c02_c02","ref_ssm":["vino_repositories_3_resources_300_c02_c02"],"id":"vino_repositories_3_resources_300_c02_c02","ead_ssi":"vino_repositories_3_resources_300","_root_":"vino_repositories_3_resources_300","_nest_parent_":"vino_repositories_3_resources_300_c02","parent_ssi":"vino_repositories_3_resources_300_c02","parent_ssim":["Jeffrey Richards Papers, 1972/2011","Series II: Professional and Departmental Materials, 1988/2011"],"parent_ids_ssim":["vino_repositories_3_resources_300","vino_repositories_3_resources_300_c02"],"title_filing_ssi":"Sub-Series B: Committees","title_ssm":["Sub-Series B: Committees"],"title_tesim":["Sub-Series B: Committees"],"normalized_title_ssm":["Sub-Series B: Committees, 1998/2010"],"text":["Sub-Series B: Committees, 1998/2010","Jeffrey Richards Papers, 1972/2011","Series II: Professional and Departmental Materials, 1988/2011","This sub-series has material related to committees and working groups that Richards served on or worked with at ODU.  Materials are arranged alphabetically and date from 1998-2010."],"parent_unittitles_ssm":["Jeffrey Richards Papers, 1972/2011","Series II: Professional and Departmental Materials, 1988/2011"],"parent_unittitles_tesim":["Jeffrey Richards Papers, 1972/2011","Series II: Professional and Departmental Materials, 1988/2011"],"normalized_date_ssm":["1998/2010"],"unitdate_other_ssim":["1998-2010"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":27,"repository_ssim":["Old Dominion University"],"collection_ssim":["Jeffrey Richards Papers, 1972/2011"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series has material related to committees and working groups that Richards served on or worked with at ODU.  Materials are arranged alphabetically and date from 1998-2010.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series has material related to committees and working groups that Richards served on or worked with at ODU.  Materials are arranged alphabetically and date from 1998-2010."],"_nest_path_":"/components#1/components#1","timestamp":"2026-08-14T22:39:17.098Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_300","ead_ssi":"vino_repositories_3_resources_300","_root_":"vino_repositories_3_resources_300","_nest_parent_":"vino_repositories_3_resources_300","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_300.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/300","title_filing_ssi":"Richards, Jeffrey","title_ssm":["Jeffrey Richards Papers"],"title_tesim":["Jeffrey Richards Papers"],"unitdate_ssm":["1972-2011, undated","Date acquired: 08/12/2011"],"unitdate_inclusive_ssm":["1972-2011, undated"],"unitdate_other_ssim":["Date acquired: 08/12/2011"],"normalized_date_ssm":["1972/2011"],"normalized_title_ssm":["Jeffrey Richards Papers, 1972/2011"],"text":["Jeffrey Richards Papers, 1972/2011","RG 17-3B6","/repositories/3/resources/300","Old Dominion University--Faculty","Open to researchers without restrictions.","This collection is arranged into four series: Series I: Personal Education Materials; Series II: Professional and Departmental Materials; Series III: ODU Course Materials; and Series IV: Research and Writing.","Jeffrey H. Richards was a professor and eminent scholar of English at Old Dominion University. During his nineteen years at Old Dominion, Richards taught early and 19th century American literature and American drama and served two terms as department chair. He received the university's Doctoral Mentoring Award in 2011.","Richards was born on December 4, 1948 in Libertyville, Illinois to Fenton Omar and Betty Quantz Richards. He graduated with bachelor's degree in English from Yale University in 1971 and received a doctorate in American literature and drama from the University of North Carolina at Chapel Hill in 1982. Prior to joining the Old Dominion University faculty in 1992, Richards taught at Duke University, North Carolina State University, University of North Carolina at Chapel Hill, Lakeland College, and Beijing Normal University.","Besides teaching, Richards wrote numerous essays and articles, as well as authored publications on American literature and drama. His areas of research were on Calvinism in the Colonial South, early American literature, and American drama.","Richards died on May 30, 2011 at the age of 62 after a long battle with brain cancer. The conference room for the university's English Department located on the fifth floor of the Batten Arts and Letters Building has been re-dedicated as the Jeffrey H. Richards Conference Room.","References:","\"Jeffrey Richards, Department Chair and Eminent Professor, Literature.\" http://al.odu.edu/english/faculty/jrichards.shtml","Bross, Kristina; Sweet Timothy. \"In Memoriam: Jeffrey H. Richards.\" Early American Literature, Vol. 47. No. 1, 2012, pp. 257-260.  [url=https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf]https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf[/url]","\"In Memoriam, Jeffrey H. Richards.\" The Scrivener: The Alumni Newsletter of the ODU English Department. http://oduscrivener.wordpress.com/issues/2010-2011-issue/in-memoriam-jeffrey-h-richards/","\"Memorial Service is June 5 for Professor Jeffrey Richards.\"  News @ Old Dominion. May 26, 2011.","Note written by Kathleen Smith","The collection was processed by Joseph Smith in July 2013.","This collection documents the professional life of Jeffrey Richards and his work in the English Department at Old Dominion University. This collection consists of articles and essays written by Richards, lecture notes, correspondence, course listings, and syllabi.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","This collection documents the professional life of Jeffrey Richards and his development of the English Department at Old Dominion University.","ODU University Archives","Old Dominion University","Old Dominion University. Department of English","Richards, Jeffrey H. 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Richards was a professor and eminent scholar of English at Old Dominion University. During his nineteen years at Old Dominion, Richards taught early and 19th century American literature and American drama and served two terms as department chair. He received the university's Doctoral Mentoring Award in 2011.\u003c/p\u003e","\u003cp\u003eRichards was born on December 4, 1948 in Libertyville, Illinois to Fenton Omar and Betty Quantz Richards. He graduated with bachelor's degree in English from Yale University in 1971 and received a doctorate in American literature and drama from the University of North Carolina at Chapel Hill in 1982. Prior to joining the Old Dominion University faculty in 1992, Richards taught at Duke University, North Carolina State University, University of North Carolina at Chapel Hill, Lakeland College, and Beijing Normal University.\u003c/p\u003e","\u003cp\u003eBesides teaching, Richards wrote numerous essays and articles, as well as authored publications on American literature and drama. His areas of research were on Calvinism in the Colonial South, early American literature, and American drama.\u003c/p\u003e","\u003cp\u003eRichards died on May 30, 2011 at the age of 62 after a long battle with brain cancer. The conference room for the university's English Department located on the fifth floor of the Batten Arts and Letters Building has been re-dedicated as the Jeffrey H. Richards Conference Room.\u003c/p\u003e","\u003cp\u003eReferences:\u003c/p\u003e","\u003cp\u003e\"Jeffrey Richards, Department Chair and Eminent Professor, Literature.\" \u003cextref href=\"http://al.odu.edu/english/faculty/jrichards.shtml\"\u003ehttp://al.odu.edu/english/faculty/jrichards.shtml\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eBross, Kristina; Sweet Timothy. \"In Memoriam: Jeffrey H. Richards.\" Early American Literature, Vol. 47. No. 1, 2012, pp. 257-260.  [url=https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf]https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf[/url]\u003c/p\u003e","\u003cp\u003e\"In Memoriam, Jeffrey H. Richards.\" The Scrivener: The Alumni Newsletter of the ODU English Department. \u003cextref href=\"http://oduscrivener.wordpress.com/issues/2010-2011-issue/in-memoriam-jeffrey-h-richards/\"\u003ehttp://oduscrivener.wordpress.com/issues/2010-2011-issue/in-memoriam-jeffrey-h-richards/\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\"Memorial Service is June 5 for Professor Jeffrey Richards.\"  News @ Old Dominion. May 26, 2011.\u003c/p\u003e","\u003cp\u003eNote written by Kathleen Smith\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jeffrey H. Richards was a professor and eminent scholar of English at Old Dominion University. During his nineteen years at Old Dominion, Richards taught early and 19th century American literature and American drama and served two terms as department chair. He received the university's Doctoral Mentoring Award in 2011.","Richards was born on December 4, 1948 in Libertyville, Illinois to Fenton Omar and Betty Quantz Richards. He graduated with bachelor's degree in English from Yale University in 1971 and received a doctorate in American literature and drama from the University of North Carolina at Chapel Hill in 1982. Prior to joining the Old Dominion University faculty in 1992, Richards taught at Duke University, North Carolina State University, University of North Carolina at Chapel Hill, Lakeland College, and Beijing Normal University.","Besides teaching, Richards wrote numerous essays and articles, as well as authored publications on American literature and drama. His areas of research were on Calvinism in the Colonial South, early American literature, and American drama.","Richards died on May 30, 2011 at the age of 62 after a long battle with brain cancer. The conference room for the university's English Department located on the fifth floor of the Batten Arts and Letters Building has been re-dedicated as the Jeffrey H. Richards Conference Room.","References:","\"Jeffrey Richards, Department Chair and Eminent Professor, Literature.\" http://al.odu.edu/english/faculty/jrichards.shtml","Bross, Kristina; Sweet Timothy. \"In Memoriam: Jeffrey H. Richards.\" Early American Literature, Vol. 47. No. 1, 2012, pp. 257-260.  [url=https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf]https://muse.jhu.edu/journals/early_american_literature/v047/47.1.bross.pdf[/url]","\"In Memoriam, Jeffrey H. Richards.\" The Scrivener: The Alumni Newsletter of the ODU English Department. http://oduscrivener.wordpress.com/issues/2010-2011-issue/in-memoriam-jeffrey-h-richards/","\"Memorial Service is June 5 for Professor Jeffrey Richards.\"  News @ Old Dominion. May 26, 2011.","Note written by Kathleen Smith"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Jeffrey Richards Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Jeffrey Richards Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed by Joseph Smith in July 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed by Joseph Smith in July 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional life of Jeffrey Richards and his work in the English Department at Old Dominion University. This collection consists of articles and essays written by Richards, lecture notes, correspondence, course listings, and syllabi.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the professional life of Jeffrey Richards and his work in the English Department at Old Dominion University. This collection consists of articles and essays written by Richards, lecture notes, correspondence, course listings, and syllabi."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_78e4fc6f23c1a19ddbf089956e10823f\" label=\"Abstract\"\u003eThis collection documents the professional life of Jeffrey Richards and his development of the English Department at Old Dominion University.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents the professional life of Jeffrey Richards and his development of the English Department at Old Dominion University."],"corpname_ssim":["ODU University Archives","Old Dominion University","Old Dominion University. Department of English"],"names_coll_ssim":["Old Dominion University","Old Dominion University. Department of English"],"persname_ssim":["Richards, Jeffrey H. (1948-2011)"],"names_ssim":["ODU University Archives","Old Dominion University","Old Dominion University. Department of English","Richards, Jeffrey H. (1948-2011)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":301,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:17.098Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_3_resources_300_c02_c02"}},{"id":"vino_repositories_5_resources_172_c02_c02","type":"Sub-Series","attributes":{"title":"Sub-Series B: Community Events, 1974/2018","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_172_c02_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series pertains to local community events given or sponsored by the Cultural Alliance of Greater Hampton Roads.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_172_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_172_c02_c02","ref_ssm":["vino_repositories_5_resources_172_c02_c02"],"id":"vino_repositories_5_resources_172_c02_c02","ead_ssi":"vino_repositories_5_resources_172","_root_":"vino_repositories_5_resources_172","_nest_parent_":"vino_repositories_5_resources_172_c02","parent_ssi":"vino_repositories_5_resources_172_c02","parent_ssim":["Cultural Alliance of Greater Hampton Roads Records, 1972/2018","Series II: Activities, 1979/2018"],"parent_ids_ssim":["vino_repositories_5_resources_172","vino_repositories_5_resources_172_c02"],"title_filing_ssi":"Sub-Series B: Community Events","title_ssm":["Sub-Series B: Community Events"],"title_tesim":["Sub-Series B: Community Events"],"normalized_title_ssm":["Sub-Series B: Community Events, 1974/2018"],"text":["Sub-Series B: Community Events, 1974/2018","Cultural Alliance of Greater Hampton Roads Records, 1972/2018","Series II: Activities, 1979/2018","This sub-series pertains to local community events given or sponsored by the Cultural Alliance of Greater Hampton Roads."],"parent_unittitles_ssm":["Cultural Alliance of Greater Hampton Roads Records, 1972/2018","Series II: Activities, 1979/2018"],"parent_unittitles_tesim":["Cultural Alliance of Greater Hampton Roads Records, 1972/2018","Series II: Activities, 1979/2018"],"normalized_date_ssm":["1974/2018"],"unitdate_other_ssim":["1974-2018"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":177,"repository_ssim":["Old Dominion University"],"collection_ssim":["Cultural Alliance of Greater Hampton Roads Records, 1972/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["This collection is open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series pertains to local community events given or sponsored by the Cultural Alliance of Greater Hampton Roads.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series pertains to local community events given or sponsored by the Cultural Alliance of Greater Hampton Roads."],"_nest_path_":"/components#1/components#1","timestamp":"2026-08-14T22:39:23.934Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_172","ead_ssi":"vino_repositories_5_resources_172","_root_":"vino_repositories_5_resources_172","_nest_parent_":"vino_repositories_5_resources_172","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_172.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/172","title_filing_ssi":"Cultural Alliance of Greater Hampton Roads","title_ssm":["Cultural Alliance of Greater Hampton Roads Records"],"title_tesim":["Cultural Alliance of Greater Hampton Roads Records"],"unitdate_ssm":["circa 1972-2018, undated","Date acquired: 09/11/2014"],"unitdate_inclusive_ssm":["circa 1972-2018, undated"],"unitdate_other_ssim":["Date acquired: 09/11/2014"],"normalized_date_ssm":["1972/2018"],"normalized_title_ssm":["Cultural Alliance of Greater Hampton Roads Records, 1972/2018"],"text":["Cultural Alliance of Greater Hampton Roads Records, 1972/2018","MG 120","/repositories/5/resources/172","Nonprofit organizations--Virginia--Hampton Roads (Region)","Arts--Virginia--Hampton Roads (Region)","minutes (administrative records)","letters (correspondence)","photographs","administrative reports","This collection is open to researchers without restrictions.","Acc. 2018.007 was received by Special Collections and University Archives from the donor on 4/23/2018.","The collection is arranged into four series (administrative, activities, media/publicity, and miscellaneous) reflecting the facets of the Cultural Alliance of Greater Hampton Roads.","The Cultural Alliance of Greater Hampton Roads was a non-profit organization that advocated for and encouraged the arts in the Hampton Roads Region. The alliance's mission was to stimulate cultural vitality and to facilitate the development of healthy and dynamic cultural institutions throughout the region.  The Cultural Alliance served as a \"Chamber of Culture\" for the Hampton Roads area by gathering information, coordinating efforts, and raising awareness of cultural opportunities. The alliance achieved this through by advocating public and private financial investments into the arts and into cultural organizations, encouraging community participation in the arts and in cultural activities, and providing forums and programs for communication and collaboration. Overall the Cultural Alliance of Greater Hampton Roads assisted more than 350 arts and cultural organizations; individual artists, writers, dancers, and arts professionals; museums; opera and symphony organizations; a theater; a ballet academy, and a variety of dance troupes, choral groups, art centers, galleries, and so forth in the Hampton Roads area.","The Cultural Alliance was formed in 1983, out of two separate community arts groups: Metropolitan Arts Congress of Tidewater and the Peninsula Council of the Arts. The process leading to the formation of the Cultural Alliance, began in 1981 when the Metropolitan Arts Congress published, a study on the cultural needs of South Hampton Roads, titled \"Blueprint for a Rainbow.\" The study was funded by the Norfolk Foundation, and it recommended major cultural planning involving Southside Hampton Roads cultural institutions.  In 1982, Southside and Peninsula cultural organizations embarked on a seven month planning process led by the nationally known arts planner Ralph Burgard.  The process was led by a citizen's planning committee made up of leaders from the local business, culture, education, government, and public service sectors. Former Virginia Beach mayor, Dr. Clarence Holland, chaired this committee.  The result of this process was the founding of the Cultural Alliance of Greater Hampton Roads and the publishing of the \"Greater Hampton Roads Cultural Action Plan\" in June 1983.","Throughout the years the Cultural Alliance of Greater Hampton Roads played an active role in carrying out its mission within the Hampton Roads cultural and arts community. This was done through numerous community events, concerts, award programs, conferences and workshops. The alliance was also a major protector of arts funding, and was very active in trying to prevent further national and state funding cuts.","On April 30, 2018, the Cultural Alliance of Greater Hampton Roads dissolved and ceased operations, due to declining membership and that arts advocacy programs were now offered by other resources in Hampton Roads.","The Cultural Alliance of Greater Hampton Roads will always be remembered as a \"unifying voice\" for arts and culture within the Hampton Roads area.","Sources: \"\"Press Release\" Cultural Alliance of Greater Hampton Roads webpage, March 26, 2018. http://www.culturalli.org/index.html.","Note written by Kathleen Smith","Processed by Mel Frizzell, Special Collections Assistant, in 2016.","The collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, a non-profit organization founded in 1983 that advocated and encouraged the arts in the Hampton Roads Region. The records consist of reports, meeting minutes, grant applications and materials, correspondence, newspaper clippings, announcements, brochures, newsletters, directories, and photographs.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","The collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, whose mission was to stimulate cultural vitality and to facilitate the development of healthy and dynamic cultural institutions throughout the region.. 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Rhodes-Copeland, Executive Director of the Cultural Alliance of Hampton Roads.","Gfit. Accession #A2014-33"],"access_subjects_ssim":["Nonprofit organizations--Virginia--Hampton Roads (Region)","Arts--Virginia--Hampton Roads (Region)","minutes (administrative records)","letters (correspondence)","photographs","administrative reports"],"access_subjects_ssm":["Nonprofit organizations--Virginia--Hampton Roads (Region)","Arts--Virginia--Hampton Roads (Region)","minutes (administrative records)","letters (correspondence)","photographs","administrative reports"],"has_online_content_ssim":["false"],"extent_ssm":["13.20 Linear Feet","29 Hollinger cases, 1 oversize folder boxes"],"extent_tesim":["13.20 Linear Feet","29 Hollinger cases, 1 oversize folder boxes"],"genreform_ssim":["minutes (administrative records)","letters (correspondence)","photographs","administrative reports"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eAcc. 2018.007 was received by Special Collections and University Archives from the donor on 4/23/2018.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Acc. 2018.007 was received by Special Collections and University Archives from the donor on 4/23/2018."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series (administrative, activities, media/publicity, and miscellaneous) reflecting the facets of the Cultural Alliance of Greater Hampton Roads.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into four series (administrative, activities, media/publicity, and miscellaneous) reflecting the facets of the Cultural Alliance of Greater Hampton Roads."],"bioghist_html_tesm":["\u003cp\u003eThe Cultural Alliance of Greater Hampton Roads was a non-profit organization that advocated for and encouraged the arts in the Hampton Roads Region. The alliance's mission was to stimulate cultural vitality and to facilitate the development of healthy and dynamic cultural institutions throughout the region.  The Cultural Alliance served as a \"Chamber of Culture\" for the Hampton Roads area by gathering information, coordinating efforts, and raising awareness of cultural opportunities. The alliance achieved this through by advocating public and private financial investments into the arts and into cultural organizations, encouraging community participation in the arts and in cultural activities, and providing forums and programs for communication and collaboration. Overall the Cultural Alliance of Greater Hampton Roads assisted more than 350 arts and cultural organizations; individual artists, writers, dancers, and arts professionals; museums; opera and symphony organizations; a theater; a ballet academy, and a variety of dance troupes, choral groups, art centers, galleries, and so forth in the Hampton Roads area.\u003c/p\u003e","\u003cp\u003eThe Cultural Alliance was formed in 1983, out of two separate community arts groups: Metropolitan Arts Congress of Tidewater and the Peninsula Council of the Arts. The process leading to the formation of the Cultural Alliance, began in 1981 when the Metropolitan Arts Congress published, a study on the cultural needs of South Hampton Roads, titled \"Blueprint for a Rainbow.\" The study was funded by the Norfolk Foundation, and it recommended major cultural planning involving Southside Hampton Roads cultural institutions.  In 1982, Southside and Peninsula cultural organizations embarked on a seven month planning process led by the nationally known arts planner Ralph Burgard.  The process was led by a citizen's planning committee made up of leaders from the local business, culture, education, government, and public service sectors. Former Virginia Beach mayor, Dr. Clarence Holland, chaired this committee.  The result of this process was the founding of the Cultural Alliance of Greater Hampton Roads and the publishing of the \"Greater Hampton Roads Cultural Action Plan\" in June 1983.\u003c/p\u003e","\u003cp\u003eThroughout the years the Cultural Alliance of Greater Hampton Roads played an active role in carrying out its mission within the Hampton Roads cultural and arts community. This was done through numerous community events, concerts, award programs, conferences and workshops. The alliance was also a major protector of arts funding, and was very active in trying to prevent further national and state funding cuts.\u003c/p\u003e","\u003cp\u003eOn April 30, 2018, the Cultural Alliance of Greater Hampton Roads dissolved and ceased operations, due to declining membership and that arts advocacy programs were now offered by other resources in Hampton Roads.\u003c/p\u003e","\u003cp\u003eThe Cultural Alliance of Greater Hampton Roads will always be remembered as a \"unifying voice\" for arts and culture within the Hampton Roads area.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSources: \u003c/emph\u003e\"\"Press Release\" Cultural Alliance of Greater Hampton Roads webpage, March 26, 2018. http://www.culturalli.org/index.html.\u003c/p\u003e","\u003cp\u003eNote written by Kathleen Smith\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Cultural Alliance of Greater Hampton Roads was a non-profit organization that advocated for and encouraged the arts in the Hampton Roads Region. 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Overall the Cultural Alliance of Greater Hampton Roads assisted more than 350 arts and cultural organizations; individual artists, writers, dancers, and arts professionals; museums; opera and symphony organizations; a theater; a ballet academy, and a variety of dance troupes, choral groups, art centers, galleries, and so forth in the Hampton Roads area.","The Cultural Alliance was formed in 1983, out of two separate community arts groups: Metropolitan Arts Congress of Tidewater and the Peninsula Council of the Arts. The process leading to the formation of the Cultural Alliance, began in 1981 when the Metropolitan Arts Congress published, a study on the cultural needs of South Hampton Roads, titled \"Blueprint for a Rainbow.\" The study was funded by the Norfolk Foundation, and it recommended major cultural planning involving Southside Hampton Roads cultural institutions.  In 1982, Southside and Peninsula cultural organizations embarked on a seven month planning process led by the nationally known arts planner Ralph Burgard.  The process was led by a citizen's planning committee made up of leaders from the local business, culture, education, government, and public service sectors. Former Virginia Beach mayor, Dr. Clarence Holland, chaired this committee.  The result of this process was the founding of the Cultural Alliance of Greater Hampton Roads and the publishing of the \"Greater Hampton Roads Cultural Action Plan\" in June 1983.","Throughout the years the Cultural Alliance of Greater Hampton Roads played an active role in carrying out its mission within the Hampton Roads cultural and arts community. This was done through numerous community events, concerts, award programs, conferences and workshops. The alliance was also a major protector of arts funding, and was very active in trying to prevent further national and state funding cuts.","On April 30, 2018, the Cultural Alliance of Greater Hampton Roads dissolved and ceased operations, due to declining membership and that arts advocacy programs were now offered by other resources in Hampton Roads.","The Cultural Alliance of Greater Hampton Roads will always be remembered as a \"unifying voice\" for arts and culture within the Hampton Roads area.","Sources: \"\"Press Release\" Cultural Alliance of Greater Hampton Roads webpage, March 26, 2018. http://www.culturalli.org/index.html.","Note written by Kathleen Smith"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Cultural Alliance of Greater Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Cultural Alliance of Greater Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mel Frizzell, Special Collections Assistant, in 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mel Frizzell, Special Collections Assistant, in 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, a non-profit organization founded in 1983 that advocated and encouraged the arts in the Hampton Roads Region. The records consist of reports, meeting minutes, grant applications and materials, correspondence, newspaper clippings, announcements, brochures, newsletters, directories, and photographs.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, a non-profit organization founded in 1983 that advocated and encouraged the arts in the Hampton Roads Region. The records consist of reports, meeting minutes, grant applications and materials, correspondence, newspaper clippings, announcements, brochures, newsletters, directories, and photographs."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4b0938163f6f1212397542742e4b1385\" label=\"Abstract\"\u003eThe collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, whose mission was to stimulate cultural vitality and to facilitate the development of healthy and dynamic cultural institutions throughout the region.. Records consist of reports, meeting minutes, grant applications and materials, correspondence, newspaper clippings, announcements, brochures, newsletters, directories, and photographs from 1972-2018.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains materials concerning the activities of the Cultural Alliance of Greater Hampton Roads, whose mission was to stimulate cultural vitality and to facilitate the development of healthy and dynamic cultural institutions throughout the region.. Records consist of reports, meeting minutes, grant applications and materials, correspondence, newspaper clippings, announcements, brochures, newsletters, directories, and photographs from 1972-2018."],"corpname_ssim":["ODU Community Collections","Cultural Alliance of Greater Hampton Roads"],"names_coll_ssim":["Cultural Alliance of Greater Hampton Roads"],"names_ssim":["ODU Community Collections","Cultural Alliance of Greater Hampton Roads"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":287,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:23.934Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_172_c02_c02"}},{"id":"viblbv_repositories_2_resources_1750_c04_c02","type":"Sub-Series","attributes":{"title":"Subseries B: Conferences and Symposia, 1967/2020","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750_c04_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1750_c04_c02","ref_ssm":["viblbv_repositories_2_resources_1750_c04_c02"],"id":"viblbv_repositories_2_resources_1750_c04_c02","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750_c04","parent_ssi":"viblbv_repositories_2_resources_1750_c04","parent_ssim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","Series IV: Office Files, 1967/1994"],"parent_ids_ssim":["viblbv_repositories_2_resources_1750","viblbv_repositories_2_resources_1750_c04"],"title_filing_ssi":"Subseries B: Conferences and Symposia","title_ssm":["Subseries B: Conferences and Symposia"],"title_tesim":["Subseries B: Conferences and Symposia"],"normalized_title_ssm":["Subseries B: Conferences and Symposia, 1967/2020"],"text":["Subseries B: Conferences and Symposia, 1967/2020","Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","Series IV: Office Files, 1967/1994","box 17","folder 21-33","box 19","folder 15"],"parent_unittitles_ssm":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","Series IV: Office Files, 1967/1994"],"parent_unittitles_tesim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","Series IV: Office Files, 1967/1994"],"normalized_date_ssm":["1967/2020"],"unitdate_inclusive_ssm":["1967-1990, 2020"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":366,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"containers_ssim":["box 17","folder 21-33","box 19","folder 15"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"_nest_path_":"/components#3/components#1","timestamp":"2026-08-14T22:30:00.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"unitdate_bulk_ssim":["1967-2003"],"normalized_date_ssm":["1830/2003, bulk 1967/2003"],"normalized_title_ssm":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"text":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","Ms.1990.016","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically.","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it.","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990.","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"collection_title_tesim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"collection_ssim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"unitid_tesim":["Ms.1990.016"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Torre, Susana, 1944-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it."],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e\n    "],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750_c04_c02"}},{"id":"vino_repositories_5_resources_198_c01_c02","type":"Sub-Series","attributes":{"title":"Sub-Series B: Correspondence, 1953/2010","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_198_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_198_c01_c02","ref_ssm":["vino_repositories_5_resources_198_c01_c02"],"id":"vino_repositories_5_resources_198_c01_c02","ead_ssi":"vino_repositories_5_resources_198","_root_":"vino_repositories_5_resources_198","_nest_parent_":"vino_repositories_5_resources_198_c01","parent_ssi":"vino_repositories_5_resources_198_c01","parent_ssim":["Peter Mark Papers, 1953/2014, bulk 1980/2010","Series I: Peter Mark, 1953/2010"],"parent_ids_ssim":["vino_repositories_5_resources_198","vino_repositories_5_resources_198_c01"],"title_filing_ssi":"Sub-Series B: Correspondence","title_ssm":["Sub-Series B: Correspondence"],"title_tesim":["Sub-Series B: Correspondence"],"normalized_title_ssm":["Sub-Series B: Correspondence, 1953/2010"],"text":["Sub-Series B: Correspondence, 1953/2010","Peter Mark Papers, 1953/2014, bulk 1980/2010","Series I: Peter Mark, 1953/2010"],"parent_unittitles_ssm":["Peter Mark Papers, 1953/2014, bulk 1980/2010","Series I: Peter Mark, 1953/2010"],"parent_unittitles_tesim":["Peter Mark Papers, 1953/2014, bulk 1980/2010","Series I: Peter Mark, 1953/2010"],"normalized_date_ssm":["1953/2010"],"unitdate_other_ssim":["1953-2010, undated"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":39,"repository_ssim":["Old Dominion University"],"collection_ssim":["Peter Mark Papers, 1953/2014, bulk 1980/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"parent_access_restrict_tesm":["Portions of this collection are restricted. Please consult a staff member for assistance."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"_nest_path_":"/components#0/components#1","timestamp":"2026-08-14T22:39:29.346Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_198","ead_ssi":"vino_repositories_5_resources_198","_root_":"vino_repositories_5_resources_198","_nest_parent_":"vino_repositories_5_resources_198","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_198.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/198","title_filing_ssi":"Mark, Peter","title_ssm":["Peter Mark Papers"],"title_tesim":["Peter Mark Papers"],"unitdate_ssm":["1953-2014, undated","1980-2010","Date acquired: 12/20/2012"],"unitdate_inclusive_ssm":["1953-2014, undated"],"unitdate_bulk_ssim":["1980-2010"],"unitdate_other_ssim":["Date acquired: 12/20/2012"],"normalized_date_ssm":["1953/2014, bulk 1980/2010"],"normalized_title_ssm":["Peter Mark Papers, 1953/2014, bulk 1980/2010"],"text":["Peter Mark Papers, 1953/2014, bulk 1980/2010","MG 114","/repositories/5/resources/198","Conductors (Music)--United States","Musicians--United States","Portions of this collection are restricted. Please consult a staff member for assistance.","An addition to the collection was given in 2014.","The collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material.","Peter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow","The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.","Virginia Opera Papers (MG 85).","This collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance","Mark, Peter (1940-)","English"],"collection_title_tesim":["Peter Mark Papers, 1953/2014, bulk 1980/2010"],"collection_ssim":["Peter Mark Papers, 1953/2014, bulk 1980/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 114","/repositories/5/resources/198"],"unitid_tesim":["MG 114","/repositories/5/resources/198"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Mark, Peter (1940-)"],"creator_ssim":["Mark, Peter (1940-)"],"creator_persname_ssim":["Mark, Peter (1940-)"],"creator_corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"creators_ssim":["Mark, Peter (1940-)","ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Peter Mark","Gift. Accession #A2013-09"],"access_subjects_ssim":["Conductors (Music)--United States","Musicians--United States"],"access_subjects_ssm":["Conductors (Music)--United States","Musicians--United States"],"has_online_content_ssim":["false"],"extent_ssm":["82.60 Linear Feet","76 Hollinger document cases, 3 audiovisual boxes, 10 oversize boxes boxes"],"extent_tesim":["82.60 Linear Feet","76 Hollinger document cases, 3 audiovisual boxes, 10 oversize boxes boxes"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are restricted. Please consult a staff member for assistance.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are restricted. Please consult a staff member for assistance."],"accruals_html_tesm":["\u003cp\u003eAn addition to the collection was given in 2014.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["An addition to the collection was given in 2014."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material."],"bioghist_html_tesm":["\u003cp\u003ePeter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026amp; Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.\u003c/p\u003e","\u003cp\u003eNote written by Mona Farrow\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Peter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Opera Papers (MG 85).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Opera Papers (MG 85)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"names_coll_ssim":["Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"persname_ssim":["Mark, Peter (1940-)"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance","Mark, Peter (1940-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1022,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:29.346Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_198_c01_c02"}},{"id":"vino_repositories_5_resources_201_c02_c02","type":"Sub-Series","attributes":{"title":"Sub-Series B: Correspondence, 1979/2012","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_201_c02_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains correspondence to and from the Virginia Stage Company. Material is arranged chronologically and dates from 1979 to 2012.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_201_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_201_c02_c02","ref_ssm":["vino_repositories_5_resources_201_c02_c02"],"id":"vino_repositories_5_resources_201_c02_c02","ead_ssi":"vino_repositories_5_resources_201","_root_":"vino_repositories_5_resources_201","_nest_parent_":"vino_repositories_5_resources_201_c02","parent_ssi":"vino_repositories_5_resources_201_c02","parent_ssim":["Virginia Stage Company Records, 1968/2014","Series II: Virginia Stage Company, 1978/2014"],"parent_ids_ssim":["vino_repositories_5_resources_201","vino_repositories_5_resources_201_c02"],"title_filing_ssi":"Sub-Series B: Correspondence","title_ssm":["Sub-Series B: Correspondence"],"title_tesim":["Sub-Series B: Correspondence"],"normalized_title_ssm":["Sub-Series B: Correspondence, 1979/2012"],"text":["Sub-Series B: Correspondence, 1979/2012","Virginia Stage Company Records, 1968/2014","Series II: Virginia Stage Company, 1978/2014","This sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012."],"parent_unittitles_ssm":["Virginia Stage Company Records, 1968/2014","Series II: Virginia Stage Company, 1978/2014"],"parent_unittitles_tesim":["Virginia Stage Company Records, 1968/2014","Series II: Virginia Stage Company, 1978/2014"],"normalized_date_ssm":["1979/2012"],"unitdate_other_ssim":["1979-2012"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":193,"repository_ssim":["Old Dominion University"],"collection_ssim":["Virginia Stage Company Records, 1968/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012."],"_nest_path_":"/components#1/components#1","timestamp":"2026-08-14T22:39:29.346Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_201","ead_ssi":"vino_repositories_5_resources_201","_root_":"vino_repositories_5_resources_201","_nest_parent_":"vino_repositories_5_resources_201","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_201.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/201","title_filing_ssi":"Virginia Stage Company","title_ssm":["Virginia Stage Company Records"],"title_tesim":["Virginia Stage Company Records"],"unitdate_ssm":["circa 1968-2014, undated","Date acquired: 02/05/2016"],"unitdate_inclusive_ssm":["circa 1968-2014, undated"],"unitdate_other_ssim":["Date acquired: 02/05/2016"],"normalized_date_ssm":["1968/2014"],"normalized_title_ssm":["Virginia Stage Company Records, 1968/2014"],"text":["Virginia Stage Company Records, 1968/2014","MG 123","/repositories/5/resources/201","Arts--Virginia--Hampton Roads (Region)","Theatrical companies--Virginia--Norfolk","Nonprofit organizations--Virginia--Norfolk","Theater","Acting","programs (documents)","Open to researchers without restrictions.","Series Descriptions:","Series I: Norfolk Theater Center / Stage Down Under (1968-78)","Sub-series A: Business and Organization. This sub-series contains business and organizational materials for the Norfolk Theater Center and the Stage Downunder.  Included are reports, meeting minutes and agendas, personnel and committee information, handbooks, and similar items.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1968 to 1980.","Sub-series B: Correspondence.  This sub-series contains correspondence to and from the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1974 to 1979.","Sub-series C: Finance / Fundraising. This sub-series contains materials related to the finances and fundraising efforts of the Norfolk Theater Center and the Stage Downunder.  Included materials are related to fundraising campaigns, budgets, bank statements, grants, receipts and invoices, and financial reports.  Also included are production cost analyses for a handful of productions.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1979.","Sub-series D: Events/ programming. This sub-series contains materials related to events and programming hosted by the Norfolk Theater Center and the Stage Downunder.  Included are invitations, programs, and planning materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1978.","Sub-series E: Marketing / Publicity. This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series F: Membership.  This sub-series contains materials related to membership in the Norfolk Theater Center and the Stage Downunder.  Included are membership brochures, membership campaign materials, and other member related items. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series G: Miscellaneous.  This sub-series contains materials related to the Norfolk Theater Center and the Stage Downunder that do not fit under other sub-series.  This includes notes, discount cards, tickets, notices, memorabilia, and other materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1974 to 1978.","Series II: Virginia Stage Company (1978 to Present)","Sub-series A: Business and Organization. This sub-series contains business and organizational materials for the Virginia Stage Company.  Materials include bylaws, mission and purpose statements, meeting agendas and minutes, committee information, personnel information, reports, handbooks, agreements, resolutions, and similar items.  Materials are arranged alphabetically by topic and chronologically within topics.  Materials date from 1978 to 2010.","Sub-series B: Correspondence.  This sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.","Sub-series C: Finance / Fundraising. This sub-series contains materials related to the finances and fundraising efforts of the Virginia Stage Company.  Included are materials related to fundraising campaigns, budgets, grants, receipts and invoices, and financial reports.  Materials are arranged alphabetically by topic and are arranged chronologically within topics. Materials date from 1980 to 2009.","Sub-series D: Events/ programming. This sub-series contains materials related to events and programming hosted by the Virginia Stage Company.  Included are invitations, programs, and planning materials.  Material is arranged alphabetically and then by date or season.  Dates of materials range from 1980 through 2009","Sub-series E: Marketing / Publicity. This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Virginia Stage Company.  Material dates from 1980 to 2006. Folders are arranged alphabetically by subject and chronologically within each subject.","Sub-series F: Personnel. This sub-series contains materials related to Virginia Stage Company Personnel.  Included are resumes, search committees, evaluations, and other such information.  Also included is information on interns and volunteers.  Most of the materials are from the 1990s and early 2000s, though some material from the 1980s is included in the folders.  Many items are not dated.  Material is arranged alphabetically.","Sub-series G: Miscellaneous.  This sub-series contains materials related to the Virginia Stage Company that do not fit under other sub-series.  This includes notes, photos, lists, speeches, and other items.  Most materials are not dated.  They are arranged alphabetically.","Sub-series H: Wells Theater, Monroe Building, and Other Venues. This sub-series contains materials related to buildings and spaces associated with the Virginia Stage Company.  The majority of the materials related to the purchase and renovation of the Wells Theater.  Other venues include the Monroe Building and the Stage Downunder.  Materials are arranged chronologically and date from 1979 through 2011.","Series III: News Clippings. This series contains newspaper and magazine clippings related to the Virginia Stage Company, Norfolk Theater Center, and related topics.  Material is arranged chronologically and dates from 1975 through 2014.","Series IV: Other Organizations.  This series contains information related to a handful of other organizations related to the Virginia Stage Company and its members.  This includes the Metropolitan Arts Congress of Tidewater, the Norfolk Commission on the Arts and Humanities, the Virginia Commission for the Arts, the Virginia Opera Association, and the Virginia Orchestra group among others. Most materials date from the late 1970s through the 1990s.  Material is arranged alphabetically by the name of the organization and then chronologically if there is more than one folder for an organization.","Series V: Posters. This series contains oversize posters related to the Virginia Stage Company and the Wells Theater.  Materials are undated and are arranged alphabetically.","The Virginia Stage Company (VSC) was originally founded as the Norfolk Theater Center in 1968. Originally, theater productions took place in a 120 seat space at the Norfolk Public Library on Freemason Street. In the mid-1970s, productions were moved to a space under Chrysler Hall.  At that time, the Norfolk Theater Center became the Stage Downunder at Scope.  In a move to develop the organization into a professional theater, the organization's Board of Trustees adopted the name \"Virginia Stage Company\" and began hiring professional staff in 1978.  Planning was aided by the National Foundation for the Expansion and Development of American Theater.  With expansion plans in place, the Virginia Stage Company needed to find a venue for productions.  Out of 49 possible venues, the Norfolk Wells Theater was chosen. With the help of the Norfolk Redevelopment and Housing Authority, funds were raised for the purchase of the Wells Theater.  In October 1979, the lease was purchased and initial renovations were begun.  The Virginia Stage Company premiered its opening season at the Wells on February 7, 1980.  In 1986, the Wells Theater was fully restored and became a National Historic Landmark.","The Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","References:","http://www.vastage.org/","[url=https://en.wikipedia.org/wiki/Virginia_Stage_Company]https://en.wikipedia.org/wiki/Virginia_Stage_Company[/url]","Note written by Mel Frizzell","The collection was processed and the finding aid was created by Mel Frizzell, Special Collections Assistant, from May 2016 to March 2017.","The collection includes materials related to the Virginia Stage Company and its predecessors - the Norfolk Theater Center and the Stage Down Under.  Materials include organizational records, correspondence, budgets and financial records, event flyers and programs, personnel and membership records, marketing materials, and news clippings.  Records related to the Wells Theater, the Monroe Building, and other venues and spaces owned or leased by the organization are also included.  Materials date from 1968 to 2014.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Originally founded as the Norfolk Theater Center in 1968 and later renamed in 1978, the Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","ODU Community Collections","Virginia Stage Company","English"],"collection_title_tesim":["Virginia Stage Company Records, 1968/2014"],"collection_ssim":["Virginia Stage Company Records, 1968/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 123","/repositories/5/resources/201"],"unitid_tesim":["MG 123","/repositories/5/resources/201"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Virginia Stage Company"],"creator_ssim":["Virginia Stage Company"],"creator_corpname_ssim":["ODU Community Collections","Virginia Stage Company"],"creators_ssim":["ODU Community Collections","Virginia Stage Company"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Robert E. Brown","Acc. 2016.005 was given to Special Collections and University Archives from the donor on 2/5/2016."],"access_subjects_ssim":["Arts--Virginia--Hampton Roads (Region)","Theatrical companies--Virginia--Norfolk","Nonprofit organizations--Virginia--Norfolk","Theater","Acting","programs (documents)"],"access_subjects_ssm":["Arts--Virginia--Hampton Roads (Region)","Theatrical companies--Virginia--Norfolk","Nonprofit organizations--Virginia--Norfolk","Theater","Acting","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["8.5 Linear Feet","20 Hollinger document cases and 1 oversized folder boxes"],"extent_tesim":["8.5 Linear Feet","20 Hollinger document cases and 1 oversized folder boxes"],"genreform_ssim":["programs (documents)"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2016],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries Descriptions: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Norfolk Theater Center / Stage Down Under (1968-78)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series A: Business and Organization. \u003c/emph\u003eThis sub-series contains business and organizational materials for the Norfolk Theater Center and the Stage Downunder.  Included are reports, meeting minutes and agendas, personnel and committee information, handbooks, and similar items.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1968 to 1980. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series B: Correspondence.  \u003c/emph\u003eThis sub-series contains correspondence to and from the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1974 to 1979. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series C: Finance / Fundraising. \u003c/emph\u003eThis sub-series contains materials related to the finances and fundraising efforts of the Norfolk Theater Center and the Stage Downunder.  Included materials are related to fundraising campaigns, budgets, bank statements, grants, receipts and invoices, and financial reports.  Also included are production cost analyses for a handful of productions.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1979.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series D: Events/ programming. \u003c/emph\u003eThis sub-series contains materials related to events and programming hosted by the Norfolk Theater Center and the Stage Downunder.  Included are invitations, programs, and planning materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1978.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series E: Marketing / Publicity. \u003c/emph\u003eThis sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series F: Membership.  \u003c/emph\u003eThis sub-series contains materials related to membership in the Norfolk Theater Center and the Stage Downunder.  Included are membership brochures, membership campaign materials, and other member related items. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.\u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSub-series G: Miscellaneous. \u003c/emph\u003e This sub-series contains materials related to the Norfolk Theater Center and the Stage Downunder that do not fit under other sub-series.  This includes notes, discount cards, tickets, notices, memorabilia, and other materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1974 to 1978.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: Virginia Stage Company (1978 to Present)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series A: Business and Organization. \u003c/emph\u003eThis sub-series contains business and organizational materials for the Virginia Stage Company.  Materials include bylaws, mission and purpose statements, meeting agendas and minutes, committee information, personnel information, reports, handbooks, agreements, resolutions, and similar items.  Materials are arranged alphabetically by topic and chronologically within topics.  Materials date from 1978 to 2010.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series B: Correspondence.  \u003c/emph\u003eThis sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series C: Finance / Fundraising. \u003c/emph\u003eThis sub-series contains materials related to the finances and fundraising efforts of the Virginia Stage Company.  Included are materials related to fundraising campaigns, budgets, grants, receipts and invoices, and financial reports.  Materials are arranged alphabetically by topic and are arranged chronologically within topics. Materials date from 1980 to 2009.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series D: Events/ programming. \u003c/emph\u003eThis sub-series contains materials related to events and programming hosted by the Virginia Stage Company.  Included are invitations, programs, and planning materials.  Material is arranged alphabetically and then by date or season.  Dates of materials range from 1980 through 2009\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series E: Marketing / Publicity. \u003c/emph\u003eThis sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Virginia Stage Company.  Material dates from 1980 to 2006. Folders are arranged alphabetically by subject and chronologically within each subject.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series F: Personnel. \u003c/emph\u003eThis sub-series contains materials related to Virginia Stage Company Personnel.  Included are resumes, search committees, evaluations, and other such information.  Also included is information on interns and volunteers.  Most of the materials are from the 1990s and early 2000s, though some material from the 1980s is included in the folders.  Many items are not dated.  Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series G: Miscellaneous.  \u003c/emph\u003eThis sub-series contains materials related to the Virginia Stage Company that do not fit under other sub-series.  This includes notes, photos, lists, speeches, and other items.  Most materials are not dated.  They are arranged alphabetically.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series H: Wells Theater, Monroe Building, and Other Venues. \u003c/emph\u003eThis sub-series contains materials related to buildings and spaces associated with the Virginia Stage Company.  The majority of the materials related to the purchase and renovation of the Wells Theater.  Other venues include the Monroe Building and the Stage Downunder.  Materials are arranged chronologically and date from 1979 through 2011.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: News Clippings. \u003c/emph\u003eThis series contains newspaper and magazine clippings related to the Virginia Stage Company, Norfolk Theater Center, and related topics.  Material is arranged chronologically and dates from 1975 through 2014.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Other Organizations.  \u003c/emph\u003eThis series contains information related to a handful of other organizations related to the Virginia Stage Company and its members.  This includes the Metropolitan Arts Congress of Tidewater, the Norfolk Commission on the Arts and Humanities, the Virginia Commission for the Arts, the Virginia Opera Association, and the Virginia Orchestra group among others. Most materials date from the late 1970s through the 1990s.  Material is arranged alphabetically by the name of the organization and then chronologically if there is more than one folder for an organization.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Posters. \u003c/emph\u003eThis series contains oversize posters related to the Virginia Stage Company and the Wells Theater.  Materials are undated and are arranged alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Series Descriptions:","Series I: Norfolk Theater Center / Stage Down Under (1968-78)","Sub-series A: Business and Organization. This sub-series contains business and organizational materials for the Norfolk Theater Center and the Stage Downunder.  Included are reports, meeting minutes and agendas, personnel and committee information, handbooks, and similar items.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1968 to 1980.","Sub-series B: Correspondence.  This sub-series contains correspondence to and from the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1974 to 1979.","Sub-series C: Finance / Fundraising. This sub-series contains materials related to the finances and fundraising efforts of the Norfolk Theater Center and the Stage Downunder.  Included materials are related to fundraising campaigns, budgets, bank statements, grants, receipts and invoices, and financial reports.  Also included are production cost analyses for a handful of productions.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1979.","Sub-series D: Events/ programming. This sub-series contains materials related to events and programming hosted by the Norfolk Theater Center and the Stage Downunder.  Included are invitations, programs, and planning materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1978.","Sub-series E: Marketing / Publicity. This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series F: Membership.  This sub-series contains materials related to membership in the Norfolk Theater Center and the Stage Downunder.  Included are membership brochures, membership campaign materials, and other member related items. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series G: Miscellaneous.  This sub-series contains materials related to the Norfolk Theater Center and the Stage Downunder that do not fit under other sub-series.  This includes notes, discount cards, tickets, notices, memorabilia, and other materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1974 to 1978.","Series II: Virginia Stage Company (1978 to Present)","Sub-series A: Business and Organization. This sub-series contains business and organizational materials for the Virginia Stage Company.  Materials include bylaws, mission and purpose statements, meeting agendas and minutes, committee information, personnel information, reports, handbooks, agreements, resolutions, and similar items.  Materials are arranged alphabetically by topic and chronologically within topics.  Materials date from 1978 to 2010.","Sub-series B: Correspondence.  This sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.","Sub-series C: Finance / Fundraising. This sub-series contains materials related to the finances and fundraising efforts of the Virginia Stage Company.  Included are materials related to fundraising campaigns, budgets, grants, receipts and invoices, and financial reports.  Materials are arranged alphabetically by topic and are arranged chronologically within topics. Materials date from 1980 to 2009.","Sub-series D: Events/ programming. This sub-series contains materials related to events and programming hosted by the Virginia Stage Company.  Included are invitations, programs, and planning materials.  Material is arranged alphabetically and then by date or season.  Dates of materials range from 1980 through 2009","Sub-series E: Marketing / Publicity. This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Virginia Stage Company.  Material dates from 1980 to 2006. Folders are arranged alphabetically by subject and chronologically within each subject.","Sub-series F: Personnel. This sub-series contains materials related to Virginia Stage Company Personnel.  Included are resumes, search committees, evaluations, and other such information.  Also included is information on interns and volunteers.  Most of the materials are from the 1990s and early 2000s, though some material from the 1980s is included in the folders.  Many items are not dated.  Material is arranged alphabetically.","Sub-series G: Miscellaneous.  This sub-series contains materials related to the Virginia Stage Company that do not fit under other sub-series.  This includes notes, photos, lists, speeches, and other items.  Most materials are not dated.  They are arranged alphabetically.","Sub-series H: Wells Theater, Monroe Building, and Other Venues. This sub-series contains materials related to buildings and spaces associated with the Virginia Stage Company.  The majority of the materials related to the purchase and renovation of the Wells Theater.  Other venues include the Monroe Building and the Stage Downunder.  Materials are arranged chronologically and date from 1979 through 2011.","Series III: News Clippings. This series contains newspaper and magazine clippings related to the Virginia Stage Company, Norfolk Theater Center, and related topics.  Material is arranged chronologically and dates from 1975 through 2014.","Series IV: Other Organizations.  This series contains information related to a handful of other organizations related to the Virginia Stage Company and its members.  This includes the Metropolitan Arts Congress of Tidewater, the Norfolk Commission on the Arts and Humanities, the Virginia Commission for the Arts, the Virginia Opera Association, and the Virginia Orchestra group among others. Most materials date from the late 1970s through the 1990s.  Material is arranged alphabetically by the name of the organization and then chronologically if there is more than one folder for an organization.","Series V: Posters. This series contains oversize posters related to the Virginia Stage Company and the Wells Theater.  Materials are undated and are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Virginia Stage Company (VSC) was originally founded as the Norfolk Theater Center in 1968. Originally, theater productions took place in a 120 seat space at the Norfolk Public Library on Freemason Street. In the mid-1970s, productions were moved to a space under Chrysler Hall.  At that time, the Norfolk Theater Center became the Stage Downunder at Scope.  In a move to develop the organization into a professional theater, the organization's Board of Trustees adopted the name \"Virginia Stage Company\" and began hiring professional staff in 1978.  Planning was aided by the National Foundation for the Expansion and Development of American Theater.  With expansion plans in place, the Virginia Stage Company needed to find a venue for productions.  Out of 49 possible venues, the Norfolk Wells Theater was chosen. With the help of the Norfolk Redevelopment and Housing Authority, funds were raised for the purchase of the Wells Theater.  In October 1979, the lease was purchased and initial renovations were begun.  The Virginia Stage Company premiered its opening season at the Wells on February 7, 1980.  In 1986, the Wells Theater was fully restored and became a National Historic Landmark.\u003c/p\u003e","\u003cp\u003eThe Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.\u003c/p\u003e","\u003cp\u003eReferences:\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"http://www.vastage.org/\"\u003ehttp://www.vastage.org/\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e[url=https://en.wikipedia.org/wiki/Virginia_Stage_Company]https://en.wikipedia.org/wiki/Virginia_Stage_Company[/url]\u003c/p\u003e","\u003cp\u003eNote written by Mel Frizzell\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Virginia Stage Company (VSC) was originally founded as the Norfolk Theater Center in 1968. Originally, theater productions took place in a 120 seat space at the Norfolk Public Library on Freemason Street. In the mid-1970s, productions were moved to a space under Chrysler Hall.  At that time, the Norfolk Theater Center became the Stage Downunder at Scope.  In a move to develop the organization into a professional theater, the organization's Board of Trustees adopted the name \"Virginia Stage Company\" and began hiring professional staff in 1978.  Planning was aided by the National Foundation for the Expansion and Development of American Theater.  With expansion plans in place, the Virginia Stage Company needed to find a venue for productions.  Out of 49 possible venues, the Norfolk Wells Theater was chosen. With the help of the Norfolk Redevelopment and Housing Authority, funds were raised for the purchase of the Wells Theater.  In October 1979, the lease was purchased and initial renovations were begun.  The Virginia Stage Company premiered its opening season at the Wells on February 7, 1980.  In 1986, the Wells Theater was fully restored and became a National Historic Landmark.","The Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","References:","http://www.vastage.org/","[url=https://en.wikipedia.org/wiki/Virginia_Stage_Company]https://en.wikipedia.org/wiki/Virginia_Stage_Company[/url]","Note written by Mel Frizzell"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Stage Company Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Stage Company Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed and the finding aid was created by Mel Frizzell, Special Collections Assistant, from May 2016 to March 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed and the finding aid was created by Mel Frizzell, Special Collections Assistant, from May 2016 to March 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes materials related to the Virginia Stage Company and its predecessors - the Norfolk Theater Center and the Stage Down Under.  Materials include organizational records, correspondence, budgets and financial records, event flyers and programs, personnel and membership records, marketing materials, and news clippings.  Records related to the Wells Theater, the Monroe Building, and other venues and spaces owned or leased by the organization are also included.  Materials date from 1968 to 2014.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes materials related to the Virginia Stage Company and its predecessors - the Norfolk Theater Center and the Stage Down Under.  Materials include organizational records, correspondence, budgets and financial records, event flyers and programs, personnel and membership records, marketing materials, and news clippings.  Records related to the Wells Theater, the Monroe Building, and other venues and spaces owned or leased by the organization are also included.  Materials date from 1968 to 2014."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bc2fd5aff53ac6e30a77ff65500bf224\" label=\"Abstract\"\u003eOriginally founded as the Norfolk Theater Center in 1968 and later renamed in 1978, the Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.\u003c/abstract\u003e\n    "],"abstract_tesim":["Originally founded as the Norfolk Theater Center in 1968 and later renamed in 1978, the Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp."],"corpname_ssim":["ODU Community Collections","Virginia Stage Company"],"names_coll_ssim":["Virginia Stage Company"],"names_ssim":["ODU Community Collections","Virginia Stage Company"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":456,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:29.346Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_201_c02_c02"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria 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