{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026page=22\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026page=21\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026page=23\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026page=1328\u0026view=compact"},"meta":{"pages":{"current_page":22,"next_page":23,"prev_page":21,"total_pages":1328,"limit_value":10,"offset_value":210,"total_count":13273,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_488_c03_c35","type":"Subseries","attributes":{"title":"73 Poems for 73 Years","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c03_c35#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c03_c35","ref_ssm":["vihart_repositories_4_resources_488_c03_c35"],"id":"vihart_repositories_4_resources_488_c03_c35","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c03","parent_ssi":"vihart_repositories_4_resources_488_c03","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c03"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c03"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Events, Programs, and Workshops"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Events, Programs, and Workshops"],"text":["Furious Flower Poetry Center Records","Events, Programs, and Workshops","73 Poems for 73 Years"],"title_filing_ssi":"73 Poems for 73 Years","title_ssm":["73 Poems for 73 Years"],"title_tesim":["73 Poems for 73 Years"],"unitdate_bulk_ssim":["2010"],"unitdate_inclusive_ssm":["2004-2011"],"normalized_date_ssm":["2004/2011, bulk 2010"],"normalized_title_ssm":["73 Poems for 73 Years"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"has_online_content_ssim":["false"],"child_component_count_isi":32,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":291,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2004,2005,2006,2007,2008,2009,2010,2011],"_nest_path_":"/components#2/components#34","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c03_c35"}},{"id":"vifgm_repositories_2_resources_381_c05_c21","type":"File","attributes":{"title":"7521-7702 Elba Road","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c21#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_381_c05_c21","ref_ssm":["vifgm_repositories_2_resources_381_c05_c21"],"id":"vifgm_repositories_2_resources_381_c05_c21","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381_c05","parent_ssi":"vifgm_repositories_2_resources_381_c05","parent_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_ids_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review","7521-7702 Elba Road","box 53","folder 5"],"title_filing_ssi":"7521-7702 Elba Road","title_ssm":["7521-7702 Elba Road"],"title_tesim":["7521-7702 Elba Road"],"unitdate_other_ssim":["1996-2009"],"normalized_date_ssm":["1996/2009"],"normalized_title_ssm":["7521-7702 Elba Road"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":293,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 53","folder 5"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#4/components#20","timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_381","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_381.xml","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231","/repositories/2/resources/381"],"text":["C0231","/repositories/2/resources/381","Civic Association of Hollin Hills records","Hollin Hills (Va.)","Regional planning -- Virginia","Housing","Architecture -- Designs and plans","There are no access restrictions.","This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5","George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills","English"],"unitid_tesim":["C0231","/repositories/2/resources/381"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Hollin Hills (Va.)"],"geogname_ssim":["Hollin Hills (Va.)"],"creator_ssm":["Civic Association of Hollin Hills"],"creator_ssim":["Civic Association of Hollin Hills"],"creator_corpname_ssim":["Civic Association of Hollin Hills"],"creators_ssim":["Civic Association of Hollin Hills"],"places_ssim":["Hollin Hills (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"access_subjects_ssm":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["36.5 Linear Feet (73 boxes)"],"extent_tesim":["36.5 Linear Feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n      \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n      \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e\n","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e\n","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e\n","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e\n","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e\n","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e\n","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. 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It also contains records from the community board meetings.\u003c/p\u003e","\u003cp\u003eThis series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005 \u003c/p\u003e\n","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e\n","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e\n","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f11857ba58224a8b7c3c698cf2f251d5\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_906970ce956a95a6f5dd00741ceed53f\"\u003eR47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5\u003c/physloc\u003e"],"physloc_tesim":["R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5"],"names_coll_ssim":["Civic Association of Hollin Hills"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c21"}},{"id":"vifgm_hollinhills_c05_c21","type":"File","attributes":{"title":"7521-7702 Elba Road,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c21#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c21#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_hollinhills_c05_c21","ref_ssm":["vifgm_hollinhills_c05_c21"],"id":"vifgm_hollinhills_c05_c21","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills_c05","parent_ssi":"vifgm_hollinhills_c05","parent_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_ids_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review,","7521-7702 Elba Road,","Box 53","Folder 5",""],"title_filing_ssi":"7521-7702 Elba Road, \n","title_ssm":["7521-7702 Elba Road,"],"title_tesim":["7521-7702 Elba Road,"],"unitdate_other_ssim":["1996-2009\n"],"normalized_date_ssm":["1996/2009"],"normalized_title_ssm":["7521-7702 Elba Road,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":293,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["Box 53","Folder 5"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#4/components#20","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_hollinhills","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills","ead_source_url_ssi":"data/gmu/hollinhills.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/hollinhills.html","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231"],"text":["C0231","Civic Association of Hollin Hills records","Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern.","There are no access restrictions.","This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills.","English\n\t\t"],"unitid_tesim":["C0231"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Civic Association of Hollin Hills."],"creator_ssim":["Civic Association of Hollin Hills."],"creator_corpname_ssim":["Civic Association of Hollin Hills."],"creators_ssim":["Civic Association of Hollin Hills."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"access_subjects_ssm":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"has_online_content_ssim":["false"],"extent_ssm":["36.5 linear feet (73 boxes)"],"extent_tesim":["36.5 linear feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n        \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n        \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. 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copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the 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It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\n\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005\n\u003c/p\u003e","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref8\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"names_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"corpname_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c21"}},{"id":"vifgm_repositories_2_resources_381_c05_c22","type":"File","attributes":{"title":"7704-7809 Elba Road","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_381_c05_c22","ref_ssm":["vifgm_repositories_2_resources_381_c05_c22"],"id":"vifgm_repositories_2_resources_381_c05_c22","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381_c05","parent_ssi":"vifgm_repositories_2_resources_381_c05","parent_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_ids_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review","7704-7809 Elba Road","box 53","folder 6"],"title_filing_ssi":"7704-7809 Elba Road","title_ssm":["7704-7809 Elba Road"],"title_tesim":["7704-7809 Elba Road"],"unitdate_other_ssim":["1996-2009"],"normalized_date_ssm":["1996/2009"],"normalized_title_ssm":["7704-7809 Elba Road"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":294,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 53","folder 6"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#4/components#21","timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_381","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_381.xml","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231","/repositories/2/resources/381"],"text":["C0231","/repositories/2/resources/381","Civic Association of Hollin Hills records","Hollin Hills (Va.)","Regional planning -- Virginia","Housing","Architecture -- Designs and plans","There are no access restrictions.","This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5","George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills","English"],"unitid_tesim":["C0231","/repositories/2/resources/381"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Hollin Hills (Va.)"],"geogname_ssim":["Hollin Hills (Va.)"],"creator_ssm":["Civic Association of Hollin Hills"],"creator_ssim":["Civic Association of Hollin Hills"],"creator_corpname_ssim":["Civic Association of Hollin Hills"],"creators_ssim":["Civic Association of Hollin Hills"],"places_ssim":["Hollin Hills (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"access_subjects_ssm":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["36.5 Linear Feet (73 boxes)"],"extent_tesim":["36.5 Linear Feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n      \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n      \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e\n","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e\n","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e\n","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e\n","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e\n","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e\n","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and bulletins.\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.\u003c/p\u003e","\u003cp\u003eThis series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.\u003c/p\u003e","\u003cp\u003eThis series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005 \u003c/p\u003e\n","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e\n","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e\n","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f11857ba58224a8b7c3c698cf2f251d5\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_906970ce956a95a6f5dd00741ceed53f\"\u003eR47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5\u003c/physloc\u003e"],"physloc_tesim":["R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5"],"names_coll_ssim":["Civic Association of Hollin Hills"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c22"}},{"id":"vifgm_hollinhills_c05_c22","type":"File","attributes":{"title":"7704-7809 Elba Road,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c22#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_hollinhills_c05_c22","ref_ssm":["vifgm_hollinhills_c05_c22"],"id":"vifgm_hollinhills_c05_c22","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills_c05","parent_ssi":"vifgm_hollinhills_c05","parent_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_ids_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review,","7704-7809 Elba Road,","Box 53","Folder 6",""],"title_filing_ssi":"7704-7809 Elba Road, \n","title_ssm":["7704-7809 Elba Road,"],"title_tesim":["7704-7809 Elba Road,"],"unitdate_other_ssim":["1996-2009\n"],"normalized_date_ssm":["1996/2009"],"normalized_title_ssm":["7704-7809 Elba Road,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":294,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["Box 53","Folder 6"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#4/components#21","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_hollinhills","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills","ead_source_url_ssi":"data/gmu/hollinhills.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/hollinhills.html","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231"],"text":["C0231","Civic Association of Hollin Hills records","Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern.","There are no access restrictions.","This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills.","English\n\t\t"],"unitid_tesim":["C0231"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Civic Association of Hollin Hills."],"creator_ssim":["Civic Association of Hollin Hills."],"creator_corpname_ssim":["Civic Association of Hollin Hills."],"creators_ssim":["Civic Association of Hollin Hills."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"access_subjects_ssm":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"has_online_content_ssim":["false"],"extent_ssm":["36.5 linear feet (73 boxes)"],"extent_tesim":["36.5 linear feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n        \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n        \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and 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copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the 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series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. 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It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\n\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005\n\u003c/p\u003e","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref8\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"names_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"corpname_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c22"}},{"id":"vircu_repositories_5_resources_600_c06_c04_c25","type":"File","attributes":{"title":"8 DVDs, including Resource Kits, PSAs and Presentations, and Award Recordings","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_600_c06_c04_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_600_c06_c04_c25","ref_ssm":["vircu_repositories_5_resources_600_c06_c04_c25"],"id":"vircu_repositories_5_resources_600_c06_c04_c25","ead_ssi":"vircu_repositories_5_resources_600","_root_":"vircu_repositories_5_resources_600","_nest_parent_":"vircu_repositories_5_resources_600_c06_c04","parent_ssi":"vircu_repositories_5_resources_600_c06_c04","parent_ssim":["vircu_repositories_5_resources_600","vircu_repositories_5_resources_600_c06","vircu_repositories_5_resources_600_c06_c04"],"parent_ids_ssim":["vircu_repositories_5_resources_600","vircu_repositories_5_resources_600_c06","vircu_repositories_5_resources_600_c06_c04"],"parent_unittitles_ssm":["Girl Scouts of the Commonwealth of Virginia records","Series 6: Photographs, Scrapbooks, Audio/Visual","6.4 Audio-Visual"],"parent_unittitles_tesim":["Girl Scouts of the Commonwealth of Virginia records","Series 6: Photographs, Scrapbooks, Audio/Visual","6.4 Audio-Visual"],"text":["Girl Scouts of the Commonwealth of Virginia records","Series 6: Photographs, Scrapbooks, Audio/Visual","6.4 Audio-Visual","8 DVDs, including Resource Kits, PSAs and Presentations, and Award Recordings","box 42"],"title_filing_ssi":"8 DVDs, including Resource Kits, PSAs and Presentations, and Award Recordings","title_ssm":["8 DVDs, including Resource Kits, PSAs and Presentations, and Award Recordings"],"title_tesim":["8 DVDs, including Resource Kits, PSAs and Presentations, and Award Recordings"],"unitdate_other_ssim":["circa 2006-2011, undated"],"normalized_date_ssm":["2006/2011"],"normalized_title_ssm":["8 DVDs, including Resource Kits, PSAs and Presentations, and Award Recordings"],"component_level_isim":[3],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Girl Scouts of the Commonwealth of Virginia records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1307,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[2006,2007,2008,2009,2010,2011],"containers_ssim":["box 42"],"_nest_path_":"/components#5/components#3/components#24","timestamp":"2026-05-21T04:37:44.566Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_600","ead_ssi":"vircu_repositories_5_resources_600","_root_":"vircu_repositories_5_resources_600","_nest_parent_":"vircu_repositories_5_resources_600","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_600.xml","title_ssm":["Girl Scouts of the Commonwealth of Virginia records"],"title_tesim":["Girl Scouts of the Commonwealth of Virginia records"],"unitdate_ssm":["1910-2012"],"unitdate_inclusive_ssm":["1910-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 400","/repositories/5/resources/600"],"text":["M 400","/repositories/5/resources/600","Girl Scouts of the Commonwealth of Virginia records","The collection is open for research.","The collection has been arranged into nine series. Further information on the series, their contents and organization can be found in the Scope and Content note.","Series 1: Council and Administrative Materials \n Subseries:\n 1.1 Policies, Procedures, and Administrative Documents  1.2 Reports 1.3 Meeting Materials and Minutes 1.4 Financial 1.5 United Way of Greater Richmond 1.6 Correspondence and Printed Administrative Materials 1.7 History 1.8 Administrator's Materials 1.9 Other Councils","\nSeries 2: Camps\n Subseries:\t\n 2.1 Camp Administration Materials 2.2 General Camp Materials 2.3 Camp Materials \nSeries 3: Troop Records and Related Materials","Series 4: Programming and Events\n Subseries:\n 4.1 Anniversary Materials  4.2 Regional Conferences  4.3 National Conferences and Conventions  4.4 General Event Programs and Related Materials  \nSeries 5: Awards, Recognitions, and Related Materials","Series 6: Photographs, Slides, and A/V\n Subseries:\n 6.1 Photographs and Photograph Albums  6.2 Slides  6.3 Scrapbooks  6.4 Audio-Visual \n \nSeries 7: Textiles and Related Materials\n Subseries:\n 7.1 Textile and Uniform Information and Records  7.2 Uniforms and Textiles  \t\nSeries 8: Artifacts and Ephemera\nSubseries: \n 8.1 Artifacts 8.2Ephemera","Series 9: Printed Materials","The Girl Scouts of the Commonwealth of Virginia Council began in 1963 following a merger between the Girl Scouts of Richmond and the Girl Scouts of Southside Virginia councils to provide more extensive services to Scouts in central Virginia. However, neither this council nor the two preceding it was the start of Girl Scouting in the area. There has been active Girl Scouting in Richmond prior to the official establishment of a council, though few records of the earliest days remain. Using Boy Scout manuals and enlisting the guidance of the director of the Richmond Boy Scouts, area girls recruited adult leaders and began informal scouting groups. In November 1913, the first official Girl Scout troop in Virginia, Pansy Troop Number 1, was formed in Highland Springs. Sponsored by the Women's Study Club for Right Living of Highland Springs, the troop was founded by Mrs. Kate G. Read and Mrs. Marion T. Read. This troop eventually split into two: Pansy Troop no. 1 and Pansy Troop no. 2, due to demand from local girls for membership.","The Girl Scouts of Richmond Council was formally organized on April 12, 1921 when the first Council Meeting was held at the Jefferson Hotel with 35 adult members, 11 troops, and 75 girls. The council received its official charter on May 10 of that year as the second chartered council in Virginia. Because of the Highland Springs troop's formation in 1913 and their inclusion in the Richmond Council, 1913 is commonly used for the date of inception for the Richmond Girl Scouts. In 1928, under the leadership of Commissioner Ruth Robertson McGuire, the Richmond Council was incorporated by the Girl Scouts of the United States of America.\nInitially, the Girl Scouts of Richmond was a racially exclusive organization, open only to white girls and women. Black Scouting in Richmond did not begin until 1932, when Troop 34, the first African American Girl Scout troop south of the Potomac River, was established. Mrs. Lena B. Watson of Virginia Union University (VUU) was instrumental in the group's formation  when she approached the Richmond council for permission to form a Black troop. Some council members  were supportive, but the council as a whole ultimately refused to consider it. The National Girl Scouting Headquarters became involved, forcing the Richmond council to allow the troop to form. In June 1932, the first Black troop formed at Hartshorn Hall at VUU with high school teacher Lavinia Banks as their leader.\nWhile Scouting in Richmond was developing, so too was Scouting in the southern part of Virginia. Hopewell formed its first troop in 1917, and many other troops in rural, semi-rural, and smaller urban areas followed. By 1942, the Petersburg Council organized, and the Hopewell Council formed in 1956, bringing many of the lone rural troops under the umbrella of a council. In 1958, the Hopewell Council merged with the Petersburg Council to form the Southside Council, bringing all troops in Southside Virginia Council services and support.","In response to rethinking the organization of Scouting in Virginia, the Richmond Council merged with the Southside Council to form the Commonwealth Council or the Girl Scouts of the Commonwealth of Virginia in 1962. During this time, troop integration became a reality for Virginia Girl Scouts. Integration began in 1963 with the Fort Lee troop. Black Scouts were allowed to participate at Camp Holly Dell for the first time, and by 1968 segregated troops were no more. \nOver the years, the councils that became the Commonwealth Council have provided programs and opportunities for girls to explore, learn, and build character through STEM, environmental stewardship, financial literacy, camping events, homemaking, and first aid. Citizenship was integral to Scouting from its inception. During World War I, Scouts entertained military troops at Fort Lee, and visited hospitals in morale-boosting calls. At least one scouting troop was so beloved for their service, that they were deemed honorary members of one of the units stationed at Fort Lee. In the Second World War, Scouts led scrap drives and defense preparedness activities. In addition to citizenship, Scouts raised awareness as well as money for their organization. In the earliest years of Scouting in Richmond, Scouts solicited donations by going door-to-door or having booths at fairs. In 1925, the Richmond Council became a member of the Community Chest, and could focus on other ways to fundraise. One successful fundraiser occurred when the troops brought John Philip Sousa and his band to Richmond, which raised a large amount of money for the organization and allowed the expansion of programs for the girls. The first cookie sale was in 1936, and approximately 11,694 pounds of cookies were sold, which allowed for expanded services, camping activities, and improved camping facilities. The annual event has been popular ever since, and continues to raise money for troop activities and support into the present day.","Camps have always been an important part of Girl Scouting. In the earliest years of the Richmond Council, white Girl Scouts used the Boy Scout camps for a few weeks every summer, but it soon became apparent that the girls needed their own camps. Eventually, the Richmond Council settled on a property in Bon Air, VA, that became Camp Pocahontas in 1928. Day Camps, held in conjunction with the YWCA, began in 1932.  Camp Pinoaka for Black Girl Scouts in Pocahontas State Park followed in 1936, and the Petersburg Council purchased Camp Holly Dell in Chesterfield in 1951. All three camps were eventually sold, and resources put into two other camps- Camp Kittamaqund, established in 1964 in the Northern Neck, and Camp Pamunkey Ridge in Hanover County. Smaller sleep-away camps, as well as day camps, were also scattered across the tri-city area and the state.","As of 2021, the Commonwealth Council, or the Girl Scouts of the Commonwealth of Virginia, is one of four councils in the state and serves over 17,500 girls and women in central Virginia, stretching from the cities of Emporia to Fredericksburg, with its headquarters in the greater Richmond area. It is governed by a Board of Directors, which is elected by delegates from the council membership. The Board is responsible for establishing policies, approving budgets, and setting the direction for the Council. The board consists of a Chair, Vice-Chair, Secretary, Treasurer, Chief Executive Officer (CEO), Members-at-Large, and two girl board members. The CEO and girl members are ex-officio, non-voting members. All serve two-year terms, and may not serve more than three consecutive terms, though the Chair is eligible to serve an additional three successive terms in another position. The Board conducts its business as the entire unit and in smaller committees, such as the Executive Committee, Finance Committee, Membership, and Program Committees. An Annual Meeting of the Board is held, and the Board continues to meet throughout the year, as do committees, as needed.","This collection contains many different formats. Negatives will need a scanner or light box to be properly accessed. Video formats include 35 and 78mm film, BetaCam, VHS, and U-Matic video and will need the proper video players to access them. CDs and DVDs, as well as audio cassette, reel-to-reel tape, 78 and 45 rpm records, and mini-cassette are included for audio formats.","2022: The collection was minimally processed prior to 2014. Beginning in 2020 and finishing in 2022, the collection was fully processe. This included consolidating materials, removing duplicates, deaccessioning widely-available publications, and processing the two accessions into one collection.","The Girl Scouts of the Commonwealth of Virginia (GSCV) records are composed of documents, correspondence, photographs, audio-visual materials, textiles, and artifacts that chronicle the evolution of Girl Scouting in the greater Richmond, Virginia area and the creation of the Commonwealth Council. The collection ranges in date from approximately 1913 through 2012, with the bulk of the materials falling within 1924-2005.  The collection has been arranged into nine series.","Series 1: Council and Administrative Materials","Materials related to the running and administration of the GSCV are located in this series. These items include policies and procedures, financial records, GSCV and Girl Scouting history in VA, and correspondence. This series also contains policies and procedures as outlined by both the Girl Scouts of the USA and GSCV and its preceding entities.\nSeries 1 comprises nine subseries.","1.1 Policies, Procedures, and Administrative Documents.","1.2 Reports: \nSeries 1.2 contains reports written by, about, or for the Richmond/ Commonwealth Council of VA Girl Scouts. They are arranged by author type and chronologically therein. Self-reports are first, followed by National Girl Scout reports, and reports about but not by Girl Scout entities are last.","1.3 Meeting Materials and Minutes: \nMaterials pertaining to meetings are kept with their respective meetings. This includes notes, minutes, correspondence, and other meeting items. Additionally, information on the formation of Black troops in Richmond can be found in the minutes starting in 1931. These materials are arranged by Council/Board/Annual Meetings, which may have committee materials included in chronological order, followed by solo committee materials, arranged alphabetically and then chronologically.","1.4 Financial: \nIncludes financial records and audits, both for the Council, as well as local troops. Series 1.4 is arranged chronologically.","1.5 United Way of Greater Richmond.","1.6 Correspondence and Printed Administrative Materials.","1.7 History: \nMany materials relate to the history of Black Scouting in Richmond, the earliest records of Girl Scouting in Richmond, general history, and the records of the councils that preceded the Girl Scouts of the Commonwealth of Virginia.","1.8 Administrator's Materials: \nThese materials contain the individual correspondence and effects of administrators in their work as scouts or representatives of the GSCV.","1.9 Other Councils: \nMaterials from Councils outside of GSCV and its preceding councils are included here.","Series 2: Camps","\nMost materials relating to camps run by GSVA are maintained in this series. Items like photographs and scrapbooks relating to camping or specific camps are listed in their respective subseries, but housed with other photographs and scrapbooks. Slides, books, as well as photographs that may pertain to a camp, but are not identified as such may be listed or found in Series 6: A/V or in Series 9: Printed.","The Series has been broken into nine subseries, most of which pertain to individual camps.","2.1 Camp Administration Materials: \nAdditional materials relating to the administration of camps may also be found in Series 1.","2.2 General Camp Materials:\nGeneral materials not related to the administration of camps as a whole, or of individual camps without their own subseries are contained here.","2.3 Camp Materials:\nContains materials from individual camps. This series is arranged alphabetically by camp, and chronologically therein. Camps include: Day Camps, Holly Dell, Kittamaqund, Pamunkey Ridge, Pine Grove, Pinoaka, Pocahontas.","Series 3: Troop Records and Related Materials ","\nMaterials that are related to specific troops are housed in this series. These items in this series include correspondence, financial records, speeches, clippings, photographs, and scrapbooks. Materials related to finances are contained in series 1.4: Financial. The bulk of Dorothy Armstrong's donation to the GSCV is housed in this series. Materials such as clippings, scrapbooks, and photographs are physically housed with like-materials.","Series 4: Programming and Events","\nThese materials relate to programs and events created or attended by GSCV troops or members. These include regional and national conferences and conventions, Girl Scout Week, \"Wider Opportunity,\" and GS Cookie Week, as well as events like Youth Expos, fashion shows, visits by dignitaries, and breakfasts. This series and its subseries are arranged alphabetically and chronologically therein.\n    \nThis series has been divided into four subseries as follows:","4.1 Anniversary Materials.","4.2 Regional Conferences.","4.3 National Conferences and Conventions.","4.4 General Event Programs and Related Materials.","Series 5: Awards, Recognitions, and Related Materials ","\nMaterials that document awards and recognitions received or given by GSCV and its members are kept in this series. This includes awards-related correspondence, applications, and the award, certificate, or proclamation itself.  This series is arranged chronologically.","Series 6: Photographs, Slides, and Audio-Visual Material","\nThis series contains photographs and scrapbooks that did not fit with other series. It also contains slides and audio-visual materials consisting of audio cassettes, 45 and 33 rpm records, compact disks, DVDs, VHS, and film reels. Scrapbooks can contain photographs, newspaper clippings, article clippings, pamphlets, and tickets. Materials are grouped by type, and an effort has been made to arrange them in chronological order; many dates are approximate. \t\t\n    Photographs are in black and white unless otherwise noted until approximately 1962; after 1992, photographs are in color unless noted.\n    \nThis series is arranged into five subseries.","6.1 Photographs and Photograph Albums.","6.2 Slides: \nThis subseries contains slides from the 1950s through the 2000s. They are arranged alphabetically, and chronologically therein.","6.3 Scrapbooks.","6.5 Audio-Visual: \nThis subseries contains film reels, video cassettes, DVDs, audio CDs and audiocassettes, and 45 and 33 rpm records.","Series 7: Textiles and Related Materials","\nTextiles and related materials such as hats, belts, shoes, catalogs, and information on uniforms are kept in this series. There are multiple complete Brownie and Girl Scouts uniforms from various points in the history of the Scouts maintained in this series. Some patches, pins, and badges that are attached to sashes are in this series. Individual patches and some older textiles may also be located in Series 8: Artifacts and Ephemera.\n    \n7.1 Textile and Uniform Information and Records: \nThis subseries contains materials that relay information about the uniforms: their evolution, their production, and items such as catalogs and patterns.\n    \n7.2 Uniforms and Textiles.","Series 8: Artifacts and Ephemera","\nThis series houses artifacts from the history of the Girl Scouts in Virginia. Of particular interest are items like Girl Scout paper dolls, a branded Brownie Camera, canteens and collapsible camping cups, patches and badges, and Girl Scout pins. There are also multiple items of ephemera such as Girl Scout cookie boxes and stationery.\n    ","Series 9: Printed Materials","\nThis series contains books, magazines, newspapers, pamphlets, newsletters and other printed items, loose newspaper and magazine clippings. The publisher is either the Girl Scouts, the GSCV, or an outside entity. This series is arranged alphabetically by topic (annual events, Cookie Sale, handbooks, etc.) and/or title and chronologically therein. Of particular note is the wide array of Girl Scout booklets and the \"Newsletters\" section, which contains an early extended run of \"The Girl Scout Leader\" from approximately 1932-1940, as well as runs of \"Trefoil,\" \"Girl Scout News,\" \"Images,\" and \"LEaDS\" from 1982-1999.","Award for outstanding achievement in environmental Protection services, Ronald Reagan.","There are no restrictions.","VCU James Branch Cabell Library","Commonwealth Council of the Girl Scouts of Virginia","English"],"unitid_tesim":["M 400","/repositories/5/resources/600"],"normalized_title_ssm":["Girl Scouts of the Commonwealth of Virginia records"],"collection_title_tesim":["Girl Scouts of the Commonwealth of Virginia records"],"collection_ssim":["Girl Scouts of the Commonwealth of Virginia records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Commonwealth Council of the Girl Scouts of Virginia"],"creator_ssim":["Commonwealth Council of the Girl Scouts of Virginia"],"creator_corpname_ssim":["Commonwealth Council of the Girl Scouts of Virginia"],"creators_ssim":["Commonwealth Council of the Girl Scouts of Virginia"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["This collection was donated by The Commonwealth Council of Virginia Girl Scouts in two batches in 2011 and 2014."],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 118 Boxes"],"extent_tesim":["130 Linear Feet 118 Boxes"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged into nine series. Further information on the series, their contents and organization can be found in the Scope and Content note.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Council and Administrative Materials \n\u003cul\u003eSubseries:\n\u003cli\u003e1.1 Policies, Procedures, and Administrative Documents \u003c/li\u003e\n\u003cli\u003e1.2 Reports\u003c/li\u003e \n\u003cli\u003e1.3 Meeting Materials and Minutes\u003c/li\u003e\n\u003cli\u003e1.4 Financial\u003c/li\u003e\n\u003cli\u003e1.5 United Way of Greater Richmond\u003c/li\u003e\n\u003cli\u003e1.6 Correspondence and Printed Administrative Materials\u003c/li\u003e\n\u003cli\u003e1.7 History\u003c/li\u003e\n\u003cli\u003e1.8 Administrator's Materials\u003c/li\u003e\n\u003cli\u003e1.9 Other Councils\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\nSeries 2: Camps\n\u003cul\u003eSubseries:\t\n\u003cli\u003e2.1 Camp Administration Materials\u003c/li\u003e\n\u003cli\u003e2.2 General Camp Materials\u003c/li\u003e\n\u003cli\u003e2.3 Camp Materials\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Troop Records and Related Materials\u003c/p\u003e\n","\u003cp\u003eSeries 4: Programming and Events\n\u003cul\u003eSubseries:\n\u003cli\u003e4.1 Anniversary Materials \u003c/li\u003e\n\u003cli\u003e4.2 Regional Conferences \u003c/li\u003e\n\u003cli\u003e4.3 National Conferences and Conventions \u003c/li\u003e\n\u003cli\u003e4.4 General Event Programs and Related Materials \u003c/li\u003e\n\u003c/ul\u003e\nSeries 5: Awards, Recognitions, and Related Materials\u003c/p\u003e\n","\u003cp\u003eSeries 6: Photographs, Slides, and A/V\n\u003cul\u003eSubseries:\n\u003cli\u003e6.1 Photographs and Photograph Albums \u003c/li\u003e\n\u003cli\u003e6.2 Slides \u003c/li\u003e\n\u003cli\u003e6.3 Scrapbooks \u003c/li\u003e\n\u003cli\u003e6.4 Audio-Visual\u003c/li\u003e\n\u003c/ul\u003e\n \nSeries 7: Textiles and Related Materials\n\u003cul\u003eSubseries:\n\u003cli\u003e7.1 Textile and Uniform Information and Records \u003c/li\u003e\n\u003cli\u003e7.2 Uniforms and Textiles \u003c/li\u003e\n\u003c/ul\u003e\t\nSeries 8: Artifacts and Ephemera\nSubseries: \n\u003cli\u003e8.1 Artifacts\u003c/li\u003e\n\u003cli\u003e8.2Ephemera\u003c/li\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 9: Printed Materials\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged into nine series. Further information on the series, their contents and organization can be found in the Scope and Content note.","Series 1: Council and Administrative Materials \n Subseries:\n 1.1 Policies, Procedures, and Administrative Documents  1.2 Reports 1.3 Meeting Materials and Minutes 1.4 Financial 1.5 United Way of Greater Richmond 1.6 Correspondence and Printed Administrative Materials 1.7 History 1.8 Administrator's Materials 1.9 Other Councils","\nSeries 2: Camps\n Subseries:\t\n 2.1 Camp Administration Materials 2.2 General Camp Materials 2.3 Camp Materials \nSeries 3: Troop Records and Related Materials","Series 4: Programming and Events\n Subseries:\n 4.1 Anniversary Materials  4.2 Regional Conferences  4.3 National Conferences and Conventions  4.4 General Event Programs and Related Materials  \nSeries 5: Awards, Recognitions, and Related Materials","Series 6: Photographs, Slides, and A/V\n Subseries:\n 6.1 Photographs and Photograph Albums  6.2 Slides  6.3 Scrapbooks  6.4 Audio-Visual \n \nSeries 7: Textiles and Related Materials\n Subseries:\n 7.1 Textile and Uniform Information and Records  7.2 Uniforms and Textiles  \t\nSeries 8: Artifacts and Ephemera\nSubseries: \n 8.1 Artifacts 8.2Ephemera","Series 9: Printed Materials"],"bioghist_html_tesm":["\u003cp\u003eThe Girl Scouts of the Commonwealth of Virginia Council began in 1963 following a merger between the Girl Scouts of Richmond and the Girl Scouts of Southside Virginia councils to provide more extensive services to Scouts in central Virginia. However, neither this council nor the two preceding it was the start of Girl Scouting in the area. There has been active Girl Scouting in Richmond prior to the official establishment of a council, though few records of the earliest days remain. Using Boy Scout manuals and enlisting the guidance of the director of the Richmond Boy Scouts, area girls recruited adult leaders and began informal scouting groups. In November 1913, the first official Girl Scout troop in Virginia, Pansy Troop Number 1, was formed in Highland Springs. Sponsored by the Women's Study Club for Right Living of Highland Springs, the troop was founded by Mrs. Kate G. Read and Mrs. Marion T. Read. This troop eventually split into two: Pansy Troop no. 1 and Pansy Troop no. 2, due to demand from local girls for membership.\u003c/p\u003e\n","\u003cp\u003eThe Girl Scouts of Richmond Council was formally organized on April 12, 1921 when the first Council Meeting was held at the Jefferson Hotel with 35 adult members, 11 troops, and 75 girls. The council received its official charter on May 10 of that year as the second chartered council in Virginia. Because of the Highland Springs troop's formation in 1913 and their inclusion in the Richmond Council, 1913 is commonly used for the date of inception for the Richmond Girl Scouts. In 1928, under the leadership of Commissioner Ruth Robertson McGuire, the Richmond Council was incorporated by the Girl Scouts of the United States of America.\nInitially, the Girl Scouts of Richmond was a racially exclusive organization, open only to white girls and women. Black Scouting in Richmond did not begin until 1932, when Troop 34, the first African American Girl Scout troop south of the Potomac River, was established. Mrs. Lena B. Watson of Virginia Union University (VUU) was instrumental in the group's formation  when she approached the Richmond council for permission to form a Black troop. Some council members  were supportive, but the council as a whole ultimately refused to consider it. The National Girl Scouting Headquarters became involved, forcing the Richmond council to allow the troop to form. In June 1932, the first Black troop formed at Hartshorn Hall at VUU with high school teacher Lavinia Banks as their leader.\nWhile Scouting in Richmond was developing, so too was Scouting in the southern part of Virginia. Hopewell formed its first troop in 1917, and many other troops in rural, semi-rural, and smaller urban areas followed. By 1942, the Petersburg Council organized, and the Hopewell Council formed in 1956, bringing many of the lone rural troops under the umbrella of a council. In 1958, the Hopewell Council merged with the Petersburg Council to form the Southside Council, bringing all troops in Southside Virginia Council services and support.\u003c/p\u003e\n","\u003cp\u003eIn response to rethinking the organization of Scouting in Virginia, the Richmond Council merged with the Southside Council to form the Commonwealth Council or the Girl Scouts of the Commonwealth of Virginia in 1962. During this time, troop integration became a reality for Virginia Girl Scouts. Integration began in 1963 with the Fort Lee troop. Black Scouts were allowed to participate at Camp Holly Dell for the first time, and by 1968 segregated troops were no more. \nOver the years, the councils that became the Commonwealth Council have provided programs and opportunities for girls to explore, learn, and build character through STEM, environmental stewardship, financial literacy, camping events, homemaking, and first aid. Citizenship was integral to Scouting from its inception. During World War I, Scouts entertained military troops at Fort Lee, and visited hospitals in morale-boosting calls. At least one scouting troop was so beloved for their service, that they were deemed honorary members of one of the units stationed at Fort Lee. In the Second World War, Scouts led scrap drives and defense preparedness activities. In addition to citizenship, Scouts raised awareness as well as money for their organization. In the earliest years of Scouting in Richmond, Scouts solicited donations by going door-to-door or having booths at fairs. In 1925, the Richmond Council became a member of the Community Chest, and could focus on other ways to fundraise. One successful fundraiser occurred when the troops brought John Philip Sousa and his band to Richmond, which raised a large amount of money for the organization and allowed the expansion of programs for the girls. The first cookie sale was in 1936, and approximately 11,694 pounds of cookies were sold, which allowed for expanded services, camping activities, and improved camping facilities. The annual event has been popular ever since, and continues to raise money for troop activities and support into the present day.\u003c/p\u003e\n","\u003cp\u003eCamps have always been an important part of Girl Scouting. In the earliest years of the Richmond Council, white Girl Scouts used the Boy Scout camps for a few weeks every summer, but it soon became apparent that the girls needed their own camps. Eventually, the Richmond Council settled on a property in Bon Air, VA, that became Camp Pocahontas in 1928. Day Camps, held in conjunction with the YWCA, began in 1932.  Camp Pinoaka for Black Girl Scouts in Pocahontas State Park followed in 1936, and the Petersburg Council purchased Camp Holly Dell in Chesterfield in 1951. All three camps were eventually sold, and resources put into two other camps- Camp Kittamaqund, established in 1964 in the Northern Neck, and Camp Pamunkey Ridge in Hanover County. Smaller sleep-away camps, as well as day camps, were also scattered across the tri-city area and the state.\u003c/p\u003e\n","\u003cp\u003eAs of 2021, the Commonwealth Council, or the Girl Scouts of the Commonwealth of Virginia, is one of four councils in the state and serves over 17,500 girls and women in central Virginia, stretching from the cities of Emporia to Fredericksburg, with its headquarters in the greater Richmond area. It is governed by a Board of Directors, which is elected by delegates from the council membership. The Board is responsible for establishing policies, approving budgets, and setting the direction for the Council. The board consists of a Chair, Vice-Chair, Secretary, Treasurer, Chief Executive Officer (CEO), Members-at-Large, and two girl board members. The CEO and girl members are ex-officio, non-voting members. All serve two-year terms, and may not serve more than three consecutive terms, though the Chair is eligible to serve an additional three successive terms in another position. The Board conducts its business as the entire unit and in smaller committees, such as the Executive Committee, Finance Committee, Membership, and Program Committees. An Annual Meeting of the Board is held, and the Board continues to meet throughout the year, as do committees, as needed.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["The Girl Scouts of the Commonwealth of Virginia Council began in 1963 following a merger between the Girl Scouts of Richmond and the Girl Scouts of Southside Virginia councils to provide more extensive services to Scouts in central Virginia. However, neither this council nor the two preceding it was the start of Girl Scouting in the area. There has been active Girl Scouting in Richmond prior to the official establishment of a council, though few records of the earliest days remain. Using Boy Scout manuals and enlisting the guidance of the director of the Richmond Boy Scouts, area girls recruited adult leaders and began informal scouting groups. In November 1913, the first official Girl Scout troop in Virginia, Pansy Troop Number 1, was formed in Highland Springs. Sponsored by the Women's Study Club for Right Living of Highland Springs, the troop was founded by Mrs. Kate G. Read and Mrs. Marion T. Read. This troop eventually split into two: Pansy Troop no. 1 and Pansy Troop no. 2, due to demand from local girls for membership.","The Girl Scouts of Richmond Council was formally organized on April 12, 1921 when the first Council Meeting was held at the Jefferson Hotel with 35 adult members, 11 troops, and 75 girls. The council received its official charter on May 10 of that year as the second chartered council in Virginia. Because of the Highland Springs troop's formation in 1913 and their inclusion in the Richmond Council, 1913 is commonly used for the date of inception for the Richmond Girl Scouts. In 1928, under the leadership of Commissioner Ruth Robertson McGuire, the Richmond Council was incorporated by the Girl Scouts of the United States of America.\nInitially, the Girl Scouts of Richmond was a racially exclusive organization, open only to white girls and women. Black Scouting in Richmond did not begin until 1932, when Troop 34, the first African American Girl Scout troop south of the Potomac River, was established. Mrs. Lena B. Watson of Virginia Union University (VUU) was instrumental in the group's formation  when she approached the Richmond council for permission to form a Black troop. Some council members  were supportive, but the council as a whole ultimately refused to consider it. The National Girl Scouting Headquarters became involved, forcing the Richmond council to allow the troop to form. In June 1932, the first Black troop formed at Hartshorn Hall at VUU with high school teacher Lavinia Banks as their leader.\nWhile Scouting in Richmond was developing, so too was Scouting in the southern part of Virginia. Hopewell formed its first troop in 1917, and many other troops in rural, semi-rural, and smaller urban areas followed. By 1942, the Petersburg Council organized, and the Hopewell Council formed in 1956, bringing many of the lone rural troops under the umbrella of a council. In 1958, the Hopewell Council merged with the Petersburg Council to form the Southside Council, bringing all troops in Southside Virginia Council services and support.","In response to rethinking the organization of Scouting in Virginia, the Richmond Council merged with the Southside Council to form the Commonwealth Council or the Girl Scouts of the Commonwealth of Virginia in 1962. During this time, troop integration became a reality for Virginia Girl Scouts. Integration began in 1963 with the Fort Lee troop. Black Scouts were allowed to participate at Camp Holly Dell for the first time, and by 1968 segregated troops were no more. \nOver the years, the councils that became the Commonwealth Council have provided programs and opportunities for girls to explore, learn, and build character through STEM, environmental stewardship, financial literacy, camping events, homemaking, and first aid. Citizenship was integral to Scouting from its inception. During World War I, Scouts entertained military troops at Fort Lee, and visited hospitals in morale-boosting calls. At least one scouting troop was so beloved for their service, that they were deemed honorary members of one of the units stationed at Fort Lee. In the Second World War, Scouts led scrap drives and defense preparedness activities. In addition to citizenship, Scouts raised awareness as well as money for their organization. In the earliest years of Scouting in Richmond, Scouts solicited donations by going door-to-door or having booths at fairs. In 1925, the Richmond Council became a member of the Community Chest, and could focus on other ways to fundraise. One successful fundraiser occurred when the troops brought John Philip Sousa and his band to Richmond, which raised a large amount of money for the organization and allowed the expansion of programs for the girls. The first cookie sale was in 1936, and approximately 11,694 pounds of cookies were sold, which allowed for expanded services, camping activities, and improved camping facilities. The annual event has been popular ever since, and continues to raise money for troop activities and support into the present day.","Camps have always been an important part of Girl Scouting. In the earliest years of the Richmond Council, white Girl Scouts used the Boy Scout camps for a few weeks every summer, but it soon became apparent that the girls needed their own camps. Eventually, the Richmond Council settled on a property in Bon Air, VA, that became Camp Pocahontas in 1928. Day Camps, held in conjunction with the YWCA, began in 1932.  Camp Pinoaka for Black Girl Scouts in Pocahontas State Park followed in 1936, and the Petersburg Council purchased Camp Holly Dell in Chesterfield in 1951. All three camps were eventually sold, and resources put into two other camps- Camp Kittamaqund, established in 1964 in the Northern Neck, and Camp Pamunkey Ridge in Hanover County. Smaller sleep-away camps, as well as day camps, were also scattered across the tri-city area and the state.","As of 2021, the Commonwealth Council, or the Girl Scouts of the Commonwealth of Virginia, is one of four councils in the state and serves over 17,500 girls and women in central Virginia, stretching from the cities of Emporia to Fredericksburg, with its headquarters in the greater Richmond area. It is governed by a Board of Directors, which is elected by delegates from the council membership. The Board is responsible for establishing policies, approving budgets, and setting the direction for the Council. The board consists of a Chair, Vice-Chair, Secretary, Treasurer, Chief Executive Officer (CEO), Members-at-Large, and two girl board members. The CEO and girl members are ex-officio, non-voting members. All serve two-year terms, and may not serve more than three consecutive terms, though the Chair is eligible to serve an additional three successive terms in another position. The Board conducts its business as the entire unit and in smaller committees, such as the Executive Committee, Finance Committee, Membership, and Program Committees. An Annual Meeting of the Board is held, and the Board continues to meet throughout the year, as do committees, as needed."],"phystech_html_tesm":["\u003cp\u003eThis collection contains many different formats. Negatives will need a scanner or light box to be properly accessed. Video formats include 35 and 78mm film, BetaCam, VHS, and U-Matic video and will need the proper video players to access them. CDs and DVDs, as well as audio cassette, reel-to-reel tape, 78 and 45 rpm records, and mini-cassette are included for audio formats.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This collection contains many different formats. Negatives will need a scanner or light box to be properly accessed. Video formats include 35 and 78mm film, BetaCam, VHS, and U-Matic video and will need the proper video players to access them. CDs and DVDs, as well as audio cassette, reel-to-reel tape, 78 and 45 rpm records, and mini-cassette are included for audio formats."],"prefercite_html_tesm":["\u003cp\u003eCommonwealth Council of the Girl Scouts of Virginia records, 1910-2012, Collection number M 400, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Commonwealth Council of the Girl Scouts of Virginia records, 1910-2012, Collection number M 400, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003e2022: The collection was minimally processed prior to 2014. Beginning in 2020 and finishing in 2022, the collection was fully processe. This included consolidating materials, removing duplicates, deaccessioning widely-available publications, and processing the two accessions into one collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["2022: The collection was minimally processed prior to 2014. Beginning in 2020 and finishing in 2022, the collection was fully processe. This included consolidating materials, removing duplicates, deaccessioning widely-available publications, and processing the two accessions into one collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Girl Scouts of the Commonwealth of Virginia (GSCV) records are composed of documents, correspondence, photographs, audio-visual materials, textiles, and artifacts that chronicle the evolution of Girl Scouting in the greater Richmond, Virginia area and the creation of the Commonwealth Council. The collection ranges in date from approximately 1913 through 2012, with the bulk of the materials falling within 1924-2005.  The collection has been arranged into nine series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 1: Council and Administrative Materials\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials related to the running and administration of the GSCV are located in this series. These items include policies and procedures, financial records, GSCV and Girl Scouting history in VA, and correspondence. This series also contains policies and procedures as outlined by both the Girl Scouts of the USA and GSCV and its preceding entities.\nSeries 1 comprises nine subseries.\u003c/p\u003e\n","\u003cp\u003e1.1 Policies, Procedures, and Administrative Documents.\u003c/p\u003e\n","\u003cp\u003e1.2 Reports: \nSeries 1.2 contains reports written by, about, or for the Richmond/ Commonwealth Council of VA Girl Scouts. They are arranged by author type and chronologically therein. Self-reports are first, followed by National Girl Scout reports, and reports about but not by Girl Scout entities are last.\u003c/p\u003e\n","\u003cp\u003e1.3 Meeting Materials and Minutes: \nMaterials pertaining to meetings are kept with their respective meetings. This includes notes, minutes, correspondence, and other meeting items. Additionally, information on the formation of Black troops in Richmond can be found in the minutes starting in 1931. These materials are arranged by Council/Board/Annual Meetings, which may have committee materials included in chronological order, followed by solo committee materials, arranged alphabetically and then chronologically.\u003c/p\u003e\n","\u003cp\u003e1.4 Financial: \nIncludes financial records and audits, both for the Council, as well as local troops. Series 1.4 is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003e1.5 United Way of Greater Richmond.\u003c/p\u003e\n","\u003cp\u003e1.6 Correspondence and Printed Administrative Materials.\u003c/p\u003e\n","\u003cp\u003e1.7 History: \nMany materials relate to the history of Black Scouting in Richmond, the earliest records of Girl Scouting in Richmond, general history, and the records of the councils that preceded the Girl Scouts of the Commonwealth of Virginia.\u003c/p\u003e\n","\u003cp\u003e1.8 Administrator's Materials: \nThese materials contain the individual correspondence and effects of administrators in their work as scouts or representatives of the GSCV.\u003c/p\u003e\n","\u003cp\u003e1.9 Other Councils: \nMaterials from Councils outside of GSCV and its preceding councils are included here.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2: Camps\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nMost materials relating to camps run by GSVA are maintained in this series. Items like photographs and scrapbooks relating to camping or specific camps are listed in their respective subseries, but housed with other photographs and scrapbooks. Slides, books, as well as photographs that may pertain to a camp, but are not identified as such may be listed or found in Series 6: A/V or in Series 9: Printed.\u003c/p\u003e\n","\u003cp\u003eThe Series has been broken into nine subseries, most of which pertain to individual camps.\u003c/p\u003e\n","\u003cp\u003e2.1 Camp Administration Materials: \nAdditional materials relating to the administration of camps may also be found in Series 1.\u003c/p\u003e\n","\u003cp\u003e2.2 General Camp Materials:\nGeneral materials not related to the administration of camps as a whole, or of individual camps without their own subseries are contained here.\u003c/p\u003e\n","\u003cp\u003e2.3 Camp Materials:\nContains materials from individual camps. This series is arranged alphabetically by camp, and chronologically therein. Camps include: Day Camps, Holly Dell, Kittamaqund, Pamunkey Ridge, Pine Grove, Pinoaka, Pocahontas.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3: Troop Records and Related Materials \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nMaterials that are related to specific troops are housed in this series. These items in this series include correspondence, financial records, speeches, clippings, photographs, and scrapbooks. Materials related to finances are contained in series 1.4: Financial. The bulk of Dorothy Armstrong's donation to the GSCV is housed in this series. Materials such as clippings, scrapbooks, and photographs are physically housed with like-materials.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 4: Programming and Events\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nThese materials relate to programs and events created or attended by GSCV troops or members. These include regional and national conferences and conventions, Girl Scout Week, \"Wider Opportunity,\" and GS Cookie Week, as well as events like Youth Expos, fashion shows, visits by dignitaries, and breakfasts. This series and its subseries are arranged alphabetically and chronologically therein.\n    \nThis series has been divided into four subseries as follows:\u003c/p\u003e\n","\u003cp\u003e4.1 Anniversary Materials.\u003c/p\u003e\n","\u003cp\u003e4.2 Regional Conferences.\u003c/p\u003e\n","\u003cp\u003e4.3 National Conferences and Conventions.\u003c/p\u003e\n","\u003cp\u003e4.4 General Event Programs and Related Materials.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 5: Awards, Recognitions, and Related Materials \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nMaterials that document awards and recognitions received or given by GSCV and its members are kept in this series. This includes awards-related correspondence, applications, and the award, certificate, or proclamation itself. \u003cbr\u003eThis series is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 6: Photographs, Slides, and Audio-Visual Material\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nThis series contains photographs and scrapbooks that did not fit with other series. It also contains slides and audio-visual materials consisting of audio cassettes, 45 and 33 rpm records, compact disks, DVDs, VHS, and film reels. Scrapbooks can contain photographs, newspaper clippings, article clippings, pamphlets, and tickets. Materials are grouped by type, and an effort has been made to arrange them in chronological order; many dates are approximate. \t\t\n    Photographs are in black and white unless otherwise noted until approximately 1962; after 1992, photographs are in color unless noted.\n    \nThis series is arranged into five subseries.\u003c/p\u003e\n","\u003cp\u003e6.1 Photographs and Photograph Albums.\u003c/p\u003e\n","\u003cp\u003e6.2 Slides: \nThis subseries contains slides from the 1950s through the 2000s. They are arranged alphabetically, and chronologically therein.\u003c/p\u003e\n","\u003cp\u003e6.3 Scrapbooks.\u003c/p\u003e\n","\u003cp\u003e6.5 Audio-Visual: \nThis subseries contains film reels, video cassettes, DVDs, audio CDs and audiocassettes, and 45 and 33 rpm records.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 7: Textiles and Related Materials\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nTextiles and related materials such as hats, belts, shoes, catalogs, and information on uniforms are kept in this series. There are multiple complete Brownie and Girl Scouts uniforms from various points in the history of the Scouts maintained in this series. Some patches, pins, and badges that are attached to sashes are in this series. Individual patches and some older textiles may also be located in Series 8: Artifacts and Ephemera.\n    \n7.1 Textile and Uniform Information and Records: \nThis subseries contains materials that relay information about the uniforms: their evolution, their production, and items such as catalogs and patterns.\n    \n7.2 Uniforms and Textiles.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 8: Artifacts and Ephemera\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nThis series houses artifacts from the history of the Girl Scouts in Virginia. Of particular interest are items like Girl Scout paper dolls, a branded Brownie Camera, canteens and collapsible camping cups, patches and badges, and Girl Scout pins. There are also multiple items of ephemera such as Girl Scout cookie boxes and stationery.\n    \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 9: Printed Materials\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nThis series contains books, magazines, newspapers, pamphlets, newsletters and other printed items, loose newspaper and magazine clippings. The publisher is either the Girl Scouts, the GSCV, or an outside entity. This series is arranged alphabetically by topic (annual events, Cookie Sale, handbooks, etc.) and/or title and chronologically therein. Of particular note is the wide array of Girl Scout booklets and the \"Newsletters\" section, which contains an early extended run of \"The Girl Scout Leader\" from approximately 1932-1940, as well as runs of \"Trefoil,\" \"Girl Scout News,\" \"Images,\" and \"LEaDS\" from 1982-1999.\u003c/p\u003e","\u003cp\u003eAward for outstanding achievement in environmental Protection services, Ronald Reagan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Girl Scouts of the Commonwealth of Virginia (GSCV) records are composed of documents, correspondence, photographs, audio-visual materials, textiles, and artifacts that chronicle the evolution of Girl Scouting in the greater Richmond, Virginia area and the creation of the Commonwealth Council. The collection ranges in date from approximately 1913 through 2012, with the bulk of the materials falling within 1924-2005.  The collection has been arranged into nine series.","Series 1: Council and Administrative Materials","Materials related to the running and administration of the GSCV are located in this series. These items include policies and procedures, financial records, GSCV and Girl Scouting history in VA, and correspondence. This series also contains policies and procedures as outlined by both the Girl Scouts of the USA and GSCV and its preceding entities.\nSeries 1 comprises nine subseries.","1.1 Policies, Procedures, and Administrative Documents.","1.2 Reports: \nSeries 1.2 contains reports written by, about, or for the Richmond/ Commonwealth Council of VA Girl Scouts. They are arranged by author type and chronologically therein. Self-reports are first, followed by National Girl Scout reports, and reports about but not by Girl Scout entities are last.","1.3 Meeting Materials and Minutes: \nMaterials pertaining to meetings are kept with their respective meetings. This includes notes, minutes, correspondence, and other meeting items. Additionally, information on the formation of Black troops in Richmond can be found in the minutes starting in 1931. These materials are arranged by Council/Board/Annual Meetings, which may have committee materials included in chronological order, followed by solo committee materials, arranged alphabetically and then chronologically.","1.4 Financial: \nIncludes financial records and audits, both for the Council, as well as local troops. Series 1.4 is arranged chronologically.","1.5 United Way of Greater Richmond.","1.6 Correspondence and Printed Administrative Materials.","1.7 History: \nMany materials relate to the history of Black Scouting in Richmond, the earliest records of Girl Scouting in Richmond, general history, and the records of the councils that preceded the Girl Scouts of the Commonwealth of Virginia.","1.8 Administrator's Materials: \nThese materials contain the individual correspondence and effects of administrators in their work as scouts or representatives of the GSCV.","1.9 Other Councils: \nMaterials from Councils outside of GSCV and its preceding councils are included here.","Series 2: Camps","\nMost materials relating to camps run by GSVA are maintained in this series. Items like photographs and scrapbooks relating to camping or specific camps are listed in their respective subseries, but housed with other photographs and scrapbooks. Slides, books, as well as photographs that may pertain to a camp, but are not identified as such may be listed or found in Series 6: A/V or in Series 9: Printed.","The Series has been broken into nine subseries, most of which pertain to individual camps.","2.1 Camp Administration Materials: \nAdditional materials relating to the administration of camps may also be found in Series 1.","2.2 General Camp Materials:\nGeneral materials not related to the administration of camps as a whole, or of individual camps without their own subseries are contained here.","2.3 Camp Materials:\nContains materials from individual camps. This series is arranged alphabetically by camp, and chronologically therein. Camps include: Day Camps, Holly Dell, Kittamaqund, Pamunkey Ridge, Pine Grove, Pinoaka, Pocahontas.","Series 3: Troop Records and Related Materials ","\nMaterials that are related to specific troops are housed in this series. These items in this series include correspondence, financial records, speeches, clippings, photographs, and scrapbooks. Materials related to finances are contained in series 1.4: Financial. The bulk of Dorothy Armstrong's donation to the GSCV is housed in this series. Materials such as clippings, scrapbooks, and photographs are physically housed with like-materials.","Series 4: Programming and Events","\nThese materials relate to programs and events created or attended by GSCV troops or members. These include regional and national conferences and conventions, Girl Scout Week, \"Wider Opportunity,\" and GS Cookie Week, as well as events like Youth Expos, fashion shows, visits by dignitaries, and breakfasts. This series and its subseries are arranged alphabetically and chronologically therein.\n    \nThis series has been divided into four subseries as follows:","4.1 Anniversary Materials.","4.2 Regional Conferences.","4.3 National Conferences and Conventions.","4.4 General Event Programs and Related Materials.","Series 5: Awards, Recognitions, and Related Materials ","\nMaterials that document awards and recognitions received or given by GSCV and its members are kept in this series. This includes awards-related correspondence, applications, and the award, certificate, or proclamation itself.  This series is arranged chronologically.","Series 6: Photographs, Slides, and Audio-Visual Material","\nThis series contains photographs and scrapbooks that did not fit with other series. It also contains slides and audio-visual materials consisting of audio cassettes, 45 and 33 rpm records, compact disks, DVDs, VHS, and film reels. Scrapbooks can contain photographs, newspaper clippings, article clippings, pamphlets, and tickets. Materials are grouped by type, and an effort has been made to arrange them in chronological order; many dates are approximate. \t\t\n    Photographs are in black and white unless otherwise noted until approximately 1962; after 1992, photographs are in color unless noted.\n    \nThis series is arranged into five subseries.","6.1 Photographs and Photograph Albums.","6.2 Slides: \nThis subseries contains slides from the 1950s through the 2000s. They are arranged alphabetically, and chronologically therein.","6.3 Scrapbooks.","6.5 Audio-Visual: \nThis subseries contains film reels, video cassettes, DVDs, audio CDs and audiocassettes, and 45 and 33 rpm records.","Series 7: Textiles and Related Materials","\nTextiles and related materials such as hats, belts, shoes, catalogs, and information on uniforms are kept in this series. There are multiple complete Brownie and Girl Scouts uniforms from various points in the history of the Scouts maintained in this series. Some patches, pins, and badges that are attached to sashes are in this series. Individual patches and some older textiles may also be located in Series 8: Artifacts and Ephemera.\n    \n7.1 Textile and Uniform Information and Records: \nThis subseries contains materials that relay information about the uniforms: their evolution, their production, and items such as catalogs and patterns.\n    \n7.2 Uniforms and Textiles.","Series 8: Artifacts and Ephemera","\nThis series houses artifacts from the history of the Girl Scouts in Virginia. Of particular interest are items like Girl Scout paper dolls, a branded Brownie Camera, canteens and collapsible camping cups, patches and badges, and Girl Scout pins. There are also multiple items of ephemera such as Girl Scout cookie boxes and stationery.\n    ","Series 9: Printed Materials","\nThis series contains books, magazines, newspapers, pamphlets, newsletters and other printed items, loose newspaper and magazine clippings. The publisher is either the Girl Scouts, the GSCV, or an outside entity. This series is arranged alphabetically by topic (annual events, Cookie Sale, handbooks, etc.) and/or title and chronologically therein. Of particular note is the wide array of Girl Scout booklets and the \"Newsletters\" section, which contains an early extended run of \"The Girl Scout Leader\" from approximately 1932-1940, as well as runs of \"Trefoil,\" \"Girl Scout News,\" \"Images,\" and \"LEaDS\" from 1982-1999.","Award for outstanding achievement in environmental Protection services, Ronald Reagan."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Commonwealth Council of the Girl Scouts of Virginia"],"names_ssim":["VCU James Branch Cabell Library","Commonwealth Council of the Girl Scouts of Virginia"],"corpname_ssim":["VCU James Branch Cabell Library","Commonwealth Council of the Girl Scouts of Virginia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:37:44.566Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_600_c06_c04_c25"}},{"id":"viu_repositories_7_resources_112","type":"collection","attributes":{"title":"8th Evacuation Hospital collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_112#abstract_or_scope","type":"document_value","attributes":{"value":"Of unique relevance to the University of Virginia Health System is the 8th Evacuation Hospital Collection. The \"8th Evac.\" was organized and staffed primarily by University of Virginia physicians and nurses during World War II. The collection contains scrapbooks, memoirs, reports, and numerous photographs that recall the experiences of the men and women who provided medical and nursing care in North Africa and Italy during the war.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_112#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_7_resources_112","ead_ssi":"viu_repositories_7_resources_112","_root_":"viu_repositories_7_resources_112","_nest_parent_":"viu_repositories_7_resources_112","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_112.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/134031","title_ssm":["8th Evacuation Hospital collection"],"title_tesim":["8th Evacuation Hospital collection"],"unitdate_ssm":["1941-2011"],"unitdate_inclusive_ssm":["1941-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/112"],"text":["MS.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/112","8th Evacuation Hospital collection","18.25 linear ft. (38 boxes, ca. 18,000 items); correspondence, reports, photographs, 5 boxes of Byrd Stuart Leavell's manuscript, scrapbooks, and other archival material.","There are no restrictions.","\nThe 8th Evacuation Hospital was organized and staffed by University of Virginia physicians and nurses during World War II. In February of 1942, University President John L. Newcomb and Dean of the School of Medicine, Harvey E. Jordan, gave permission for the organization of a medical unit for war service designed to be an evacuation hospital for emergency surgical cases. In March of 1942, Dr. Staige D. Blackford was made director of the unit. Dr. E. Cato Drash assisted Dr. Blackford in organizing a staff of over four hundred people for the 750-bed evacuation hospital, including 47 commissioned officers and 52 commissioned nurses. Ruth Beery, a former instructor at the School of Nursing, was made the principal chief nurse. Organization was completed by May of 1942.\n","\nThe unit went through basic training during the summer of 1942 and was activated on August 19, 1942 under the command of Lieutenant Colonel Lincoln F. Putnam. In November of 1942, the men of the 8th Evacuation Hospital shipped out on the U.S.S. Santa Paula and went ashore at Casablanca where they set up a provisional general hospital at the former Italian consulate. Colonel John W. McKoan took over as commanding officer and oversaw the closing of the hospital four months after its establishment. During that time there were nearly 4,200 admissions and thousands of outpatients were treated in outpatient departments and the dental clinic.\n","\nOn March 14, 1943 the 8th Evacuation Hospital moved to a new location on Anfa Hill where they were joined by 51 nurses and began to function as a convalescent hospital, caring for nearly 1,460 inpatients before being dismantled and parked in early June. The unit moved to a bivouac area at Camp Matifou, Algiers for six weeks until they were assigned to Salerno, Italy. After their arrival in Italy, they learned that all the hospital equipment had been lost, but they quickly managed to procure tents, a telephone system, generator and laboratory equipment. The hospital moved to Caserta and stayed there from October until December of 1943, and then spent three months in Teano functioning as a field hospital for combat operation. In Italy the hospital became very efficient at following the moving front line of the Allied forces. The Allied advance slowed in the fall of 1944 and the 8th Evac. was assigned to a muddy field in Pietramala, a mountainous area north of Florence, where they stayed for six months. The fall was wet and muddy and the winter cold and snowy. During this time the unit treated over 9,000 inpatients, of whom half were injured and wounded.\n","\nThe end of fighting in Italy in the spring of 1945 meant that some members of the 8th Evac. were sent home, others to the Pacific, and others set up hospitals near Verona and Lake Garda. E. Cato Drash was made commanding officer as the 8th Evac. spent four months at Lake Garda treating almost 5,000 inpatients, mostly for disease. In the fall of 1945 the 8th Evacuation Hospital was demobilized after three and a half years of active duty. Over 48,000 patients, twice as many as were admitted to the University of Virginia Hospital in 1942-1944, were admitted to the 8th Evacuation Hospital in Africa and Italy over the three year period. Of those patients fourteen percent were injured, twenty-two percent were wounded, and sixty-four percent were sick. There were 253 deaths, or about half of one percent. More than 53,000 outpatients were seen in clinics.\n","\nThe Hospital functioned in the heat of North Africa and southern Italy and in the rain, snow, and cold of the Italian mountains. At times the operating areas were all in use with a hundred men waiting for surgery, and at other times the staff had time on their hands and little to entertain themselves with. The unit received more awards, commendations, and decorations than most similar units and served longer in North Africa and Italy than any other American hospital. The men and women of the 8th Evacuation Hospital served their country well and were excellent representatives of the University of Virginia.\n","Processed by: Historical Collections Staff","Finding Aid by M. Alison White; 2006, 2012, 2014 revisions by Janet Pearson.","Archivist Amanda Greenwood interfiled this file into the collection on June 29, 2025.","This item was processed as an addition to the 8th Evacuation Hospital Collection (MS-5) on 10/28/2025.","\nRelated materials catalogued individually at the Claude Moore Health Sciences Library:\n","The 8th Evac: A History of the University of Virginia Hospital Unit in World War II, by Byrd Stuart Leavell, [1970]; 260 p.; Health Sciences Rare Shelves: D807.U722 NO. 8 .L4 1970 C'est le Garre: Reminiscenses of a World War II Army Nurse, by Elizabeth Engleman Carter [edited by Caroline Carter Jones], 1992?; Typescript, 39 p.; Health Sciences Rare Oversize Shelves: D807.U722 NO.8 .C3 1992 UVA Goes to War: The Story of the 8th Evacuation Hospital in World War II, [sound recording]; Panelists: John L. Guerrant, M.D.; Elizabeth Drash, R.N.; William N. Thornton, M.D.; Moderator: John F. Harlan, 1989; Health Sciences Rare Shelves: D807.U722 NO. 8 U93 1989 [audio/visual material] Also see other materials at the Albert and Shirley Small Special Collections Library","The 8th Evacuation Hospital collection includes photographs, personal and official correspondence, reports, notebooks, purchase orders, citations, certificates, scrapbooks, newsclippings, insignia, and a manuscript of Byrd Stuart Leavell's book: The 8th Evac.: a History of the University of Virginia Hospital Unit in World War II (1970). Additional artifacts, including uniforms, plaques, and a replica set of Roman instruments, are in the artifact collection at the Claude Moore Health Sciences Library, Historical Collections, University of Virginia. A web exhibit on the 8th Evacuation Hospital, featuring content and images from the collection is available here: http://exhibits.hsl.virginia.edu/8thevacuation/","THE DIETZ PRESS","J. PAUL WINTHROP OBITUARY, ELIZABETH ENGLEMAN, CATO DRASH","AMERICAN LEGION MAGAZINE, ARMY DIGEST, ARMY TIMES","INCLUDES A SHEET WITH THE LAST NAMES OF 72 MEN WHO WERE EVIDENTLY PATIENTS AT THE 8TH EVAC. MANY NAMES CORRESPOND WITH THOSE IN RUTH BEERY'S NOTEBOOK OF THE MEN WHO DIED AT THE 8TH EVAC. THE NAMES ARE LISTED ALPHABETICALLY BUT ONLY GO PARTWAY THROUGH THE LETTER H. THE STATISTICAL REPORT GIVES INFO ON ADMISSIONS DIAGNOSES, FRACTURES, CAUSATIVE AGENTS OF WOUNDED PATIENTS, DEATHS, AND VARIOUS CLINICS.","ELIZABETH ENGLEMAN, CATO DRASH, STAIGE D. BLACKORD","8th Evac. Hospital in Anfa Hill, Casablanca, and Italy","8th Evac. in Casablanca, Italian Consulate in Casablanca and Pietramala, Spring, 1945","8th Evac. in Pietremala, and Teano; Mud, Operating Tent, X-Ray Area","8th Evac. in Pietramala; Dispensary, Operating Tent, X-Ray Dark Room, Mess Tent, Ward, Latrines, Operating Theaters, Tent Construction","8th Evac. in Casablanca, Italian Consulate in Casablanca, and Ravello; Purple Heart Ceremony; Tents; Vehicles","8th Evac. in Pietramala, Teano, and Montecatini Area; Mess Tent, Shock Tent, Water Truck and Tank, Blood Bank, Utility Tent, Operating Room, X-Ray Department, Ambulance Turnabout, Lt. Gen. Mark Clark, Immunization Shots","Casablanca, and Marrakesh; Rocks, Allied Parade, Set-Up at Anfa, Purple Heart Ceremony","Pietramala seen from Mt. Beni, Ambulances, Major John O. Mcneel, M. C., Registrar, 8th Evac. Hospital with Secretary of War Stimson","8th Evac. in Pietramala, and Teano; Snow, Wood Cutting, Mess Tent, Operating Theater, Wards, Aid Station","8th Evac. in Capua Area, and Teano Area; Wood Cutting, Water Supply, Hospital Lab, X-Ray Tent, Operating Room, Utilities Tent, Winterization, Ward Building","8th Evac. in Teano, and Carinola; USO Show, Various Individuals","8th Evac. in Caserta, Carinola, Teano, Riardo","8th Evac. in Teano, Santa Maria, Cellole, Beach below Minturno; Stretching Tent, German prisoner patient, Marlene Dietrich Show","June 1944 - Rome, Grosseto, Cisterna, Le Ferriere","June 1944 - Cisterna, Le Ferriere, Rome, Cecina","Galluzzo, Cecina, Naples, Volterra - Supply Tent, Enlisted Mens' Mess, Ward Tents, Post Office, USO performers, Generators, WACs and Nurses","Cecina, and Volterra; Laboratory, Refrigerators, Secretary of Navy Forrestal, Clinic, Dispensary, and Dental Clinic","Cecina, Galluzzo, Castiglioncello, San Gimignano; General Giraud, Captain Wharton, General Clark, General Alexander, King George VI","San Gimignano, Galluzzo, Pietramala, Siena; Red Cross Workers, Laundry Tent, Offices, Congresswoman Mary Nourse Rogers","Florence, and Pietremala; Winterization, Clare Booth Luce","Pietremala; Winterization, Wood Supply, Water Tower, Enlisted Mens' Quarters, Dental Clinic, Mess Hall, Ward Tents, Pre-Fabs","Pietremala, Cecina, and Florence; Secretary of War Stimson, Ward Tents","Pietramala, Florence, Pisa, Lucca, and Futa Pass","Pietramala, Buttapietra, Verona, Salo, and Carinola","1945 - Buttapietra, Pietramala, Verona, Mt. Beni, Venice; Ambulance Convoy, German Prison Camp Refugees, Chaplains' Tents, Red Cross Tent","May, 1945 - Venice","May 1945 - Venice, Buttapietra, Milan and Alassio","Genoa, Lake Garda and Fasano","Fasano, Dezanzano, and Gardano","Po River, Gibraltar, and Dezanzano","1. Italian consulate building where McKoan took command Feb. 1943 2. Ward at 8th Evac. in Casablanca","1. Ward tents, 8th EVAC. (on roof), Casablanca, Mar. 1943 2. 8th EVAC. at roof of Italian consulate, Casablanca","1. Maj. Wintrop at work in dental clinic, Casablanca, Feb. 1943 2. Clean-up prior to move to Anfa Hill, March 1943","1. Tents 2. Enlisted men pack bags, March 1943","1. View from Anfa Hill 2. Col. McKoan and driver at President Roosevelt's villa, Casablanca, May 1943","1. Capt. \"Big\" Kincopf, Asst. 2. Anfa Hotel, Casablanca, across street from 8th Evac.","1. Col. McKoan leaving for Anfa Hill 2. Enlisted men packing for Anfa Hill","1. Enlisted men cleaning area prior to move to Anfa Hill 2. 8th Evac. as it was set up on Anfa Hill, Casablanca, March 1943","1. 8th Evac. 1st tents up at Anfa Hill, boxes contain ward supplies, X-ray equipment, etc. March 14, 1943 2. Ward tents being set up March 14, 1943","1. 8th Evac. Anfa Hill from Anfa Hotel 2. Col. McKoan awarding 1st Purple Hearts to wounded from 1st U.S. Infantry Division","1. General Wilson seated far left, 2nd Armd. Div. 2. Officers' tents, Anfa Hill","1. McKoan outside French Naval Headquarters, June 1943 2. McKoan with Dutch Consul Cabos, outside McKoan's tent on Anfa Hill, June 1943","1. Funeral for PFC Harold C. Phillips who drowned 6/10/43 at Casablanca","2. Funeral for Harold C. Phillips","Mechanics salvaging lumber in Casablanca from shipping crates","Arab children in North Africa","Leaving Anfa Hill for Algiers: Loading trucks","1. Algiers 2. Country scene en route to Algiers","Cathedral of the Black Virgin, Algiers","Col. Radke and John McKoan at Cap Matifou, Algiers","Cap Matifou","Packing to leave Cap Matifou","Goat Hill, Oran, Algeria; Lt. Col. Staige D. Blackford","1. British motor boat, Oran, Algeria 2. Downed plane at Paestum, Italy - used as Nurses' Latrine","Naples","Pompeii","1. Cassino, Italy 2. Battapaglia - Refugees headed south","1. McKoan and General Martin 2. Mary Jane McCone","Air Raid on Naples, Searchlights","Caserta","Windham and Robinson","Haverty (killed at Anzio), Bruce, Huffman, Martin, McKoan, Galvin, Sullivan","McKoan directing operations at Teano","Commanding General of U.S. Air Force in Italy and McKoan","McKoan looking over German battle plans captured by Pvt. John Deringer of the 6th Armored Infantry","Teano","Teano, Italy - Ambulance Turnabout, Armed Forces Institute of Pathology Neg. No. MM-5-44-100390","Teano","Tin Shop also known as Holmboe's Machine Shop, Capua Area","Teano; McKoan and Buffington","Men with jeep","Teano","Teano","1. Litter with wounded from front 2. Tank headed for Cassino","Alfred Den, Radiologist; X-ray apparatus","Teano; X-ray darkroom","Teano; Margaret McGowan demonstrates new holder for IV anesthesia syringe","Teano","Teano","Sterilization Room; Operating Room","Capua; Surgical Tent","Teano; Chapel and Red Cross Unit; Operating Room","Carinola","Carinola","Teano; Face injury case","Cassino; Front line","Soldiers on tank","Caserta; Italian Army Camouflage School","Casablanca","Capua; Clinical Laboratory","Pignataro","Soldier who stepped on a mine","8th EVAC. Sign on road to Rome, Route 6","San Pietro; Front line","Capua; Surgical Tent","Teano; Shock equipment","Teano; Sterilizing Room","Caserta","Latrine in use","Cassino; Wounded being carried from ambulance into receiving tent","Teano","Casualties in receiving tent","The newsletter lists nurses, including Ruth Beery, who contributed to the Clara Josephine McLeod portrait fund.","The newsletter contains an article and photos concerning the presentation by Ruth Beery of a portrait of Clara Josephine McLeod.","Ruth Beery was chair of the portrait committee and gave the remarks at the presentation.","\"Roosevelt Dies\"","\"Hostilities Ended at 12:01 AM","\"Japs Say They Accept\"","\"Peace at Last\"","\"Picture Story of the Ruined Town of Cassino\"","Baskin describes in words and drawings the two years spent as a soldier in Italy during WWII.","personnel are listed within states by enlisted men, officers, and nurses","photo and write-up on the occasion of the presentation of Byrd Leavell's book \"The 8th Evac\" to the McIntire Library","personnel are listed within states by enlisted men, officers, and nurses","photo and names of the members of 8th Evac Hospital staff and list of nurses","shows Drash being interviewed at Anzio, Italy","Includes how tents were decorated and heated, recreation, clothing, also description of indoor ward latrines, medical cases, war campaign, nurse staffing, nurse illness, and military occupational specialties of nurses by name.","Palazzo uses material from Leavell's book \"The 8th Evac\" but adds new information based on his interview with Leavell and Beery. In particular he adds the experiences of the nurses.","The drawing shows exactly where various supplies such as bed pans, buckets, pitchers, stool, table, narcotic lock box, and cups were packed.","The hospital layout includes quarters for the officers, nurses, enlisted men and civilian labor. Also included are the various wards, latrines, dining areas, labs, etc.","This report is a history of the activities of the 8th Evac for 1944 and includes patients, types of injuries, housing, recreation, distinguished visitors and moves.","These orders list military personnel and their arm of service and address of record.","Statues, children and soldiers in Rome","Winterized ward tent","Dish-washing tent, patients' mess","Ward sterilization room; Noon and Robinson","Casablanca; Anfa Hill","Laird, William","Anfa Hill","Anfa Hotel","Casablanca; 66th Station Hospital","Horwath","Bara, Morton","Chaplains' tents","Randal Luscombe supervising the erecting of a tent, the frame of which he helped design","Irving Berlin with a group of officers","Stimson and General Clark visiting camp","Army Surgeons Congress C.M.F. Rome","Left to right, First row: John Dempsey, Harry Dumbleton, Ruth Buffington, Cathleene Carter, Minnie Lee Dozier, Ruth Eastman Sholars, Frances Thomas, Betty Wiseman Throop, Lallah Edwards Anderson, Dorothy Sandridge Gloor, Emma Garland, Ruth Beery, Nick Iannuzzelli, Frank Johnson, Sally Brightman van Zalis, Horace Downing, Addie Roadcap, Langhorne Cloyd Iseman, Mary Jane McCone, Jean William Gray. Second row: Edward Denny, Kate Robinson Thornton, William Summers, Thomas Petty, John Guerrant, Robert Meckel, Thelma Mathews, Elizabeth Engleman Carter, Elizabeth Johnson, Helen Berkeley, Walter Blackston, Sue Hornberger Kroll, Norris Philbeck, Hylton Crotts, Edward Deegan, Beverley Tucker, Jane Anderson McBride, Ray Monin, James Bigger, William R. Hill, Alice Huffman Bugel, Maurice LeBauer, Hilda Franklin Bell, Beverly Hairfield, Elizabeth Harlin Drash, Hubert Holsinger, Charles Capenter. Third row: McKelden Smith, Robert Mitchell, Norman Thornton, Lowell Gram, Kenneth Fradenburg, Randal Luscombe, James D. Ferguson, Raymond Canipe, William Snavely, Harold Bjorklund, Fred Johnson, Byrd Leavell, John R. Morris, Wilbur Northrup, Donald Marshall, E. Cato Drash, John Haley, Andrew Rabuck, Morrell Pratt, John Alexevich, John Gordon.","Blackford, Payne, Haley, Hairfield, Guerrant, Holmboe, Bell, Leavell,Eagle, Wright, Thomas, Dofflemeyer, Franklin, Carter, Mills, Dozier, Berkeley, Drash, Gilkerson, Wiseman, Cloyd, Anderson, Beery, Matthews, Roadcap, McNeel, Hill, Lebauer, Mitchell, Monin, Snavely","Pietramala","Anfa Hill; McNeel","Teano; Ward boxes with supplies for 40 bed ward","Lake Garda","Goat Hill; Oran; Algeria","Men shaving","Harbor at Oran, Algeria","Goat Hill; Oran; Algeria; Showering outside","Anfa Hill; Jenkins","Baldwin","Pietramala; Martin","Interior of shock ward","Stimson; Drash","Clark; Stimson","Clark; Stimson","Erk","Tucker; Glazer; Johnsmeyer","Geeslin","Glazer","Drash","Bara; Rosumny; Geeslin; Erk; Pratt; Johnson; Glazer","Kinkopf, McKoan, Snavely","Pratt; Bara; Johnsmeyer; Glazer; Meckel; Padula","From left to right, starting with the top row and then 2nd, 3rd, and bottom rows: Margaret Sue Hornbarger, Frances Houston, Rebecca Dofflemeyer, Alice Eagle, Mayme Griffitts, Alice Huffman, Hilda Franklin, F. Jean Williams, Kate Robinson, Lelia Langhorne Cloyd, Thelma Matthews, Frances Thomas, Alice Law, Angela Brusati, Nova Dowd, Dora Guglielmetti, Elizabeth (Betty) Wiseman, C. Elizabeth (Betsy) Johnson, Lottie B.(Billy) Gibson, Helen Gilkerson, Mabel Ayers, Mamie Kidd, Ruth Eastman, Ella Gillespie, Jane Anderson, Beatrice Ramsey, Lallah Edwards, Margaret Petersen, Clara Orsini, Lucille White, Dorothy Sandridge, Ann Mickle, Ruth Beery, Mary Jane McCone, Madge Darden, Christine Mills, Mamie Donley, Elizabeth Harlin, Mary Ellen Gibson, Addie Roadcap, M. Cathleene Carter, Mildred Smith, Helen Berkeley, Ruby Armstrong, Annie Laura Dickson, Minnie Lee, Emma Garland, Myrtle Hatcher, Margaret Phillips, Eula Wright, Elizabeth (Betty) Engleman, Margaret McGown","Armed Forces Institute of Pathology Neg. No. MM-45-777","Armed Forces Institute of Pathology Neg. No. MM-45-2928","Armed Forces Institute of Pathology Neg. No. C-44-576","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-44-588","Armed Forces Institute of Pathology photo","Top Row: Margaret Ford, Mary Ellen Gibson, Elizabeth Wiseman, Alice Huffman, Langhorne Cloyd, Mayme Griffitts, Ruth Eastman, Eula Wright, Minnie Lee Dozier, Mamie Donley, Margery Stulting, Frances Thomas, Addie Roadcap, Nova Dowd. Second Row: Mamie Kidd, Ella Gillespie, Kenneth Grim, Preston Trousdale, William Norman Thornton, Beverley Hairfield, William Edgar Waddell, Ruth Beery, James Richmond Low, John Coleman, John Rogers Mapp, William Laird, Jane Anderson, Helen Gilkerson. Bottom Row: Henry Mayo, Leon Culbertson, H. B. Holsinger, E. Cato Drash, Staige D. Blackford, John McNeel, Byrd S. Leavell, Edwin Shearburn, John Guerrant, Albert Gillespie","Armed Forces Institute of Pathology photo","left to right: John Makley (?), Betty Wiseman, Alice Law, William Snavely, unidentified man, Dick Bell, Hilda Franklin, Tom Payne, Bea Ramsey","Armed Forces Institute of Pathology photo","note entrances that can hide light of O.R., so called \"black out entrances\"","Armed Forces Institute of Pathology photo","left to right: Kinkopf, McNeel, Winthrop, Drash, Beery, McKoan, McCone, Blackford, Holmboe, Suhling","Armed Forces Institute of Pathology Neg. No. C-44-58","Lewis Kirkman in the center","Ted Laird, unidentified woman, Staige Blackford, Frances Wells Broadfoot (bride), Fred Broadfoot (groom), Ted Marks (best man) in Florence, Italy","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-44-590","Armed Forces Institute of Pathology Neg. No. C-44-594","Women L-R: Beery, Robinson, Matthews, bridal couple, Wiseman, Franklin, Brusati; Men L-R: unidentified man, Martin, unidentified man, Leavell, Marshall, Ted Laird","photograph taken and donated by William Snavely","Armed Forces Institute of Pathology Neg. No. C-44-551","Armed Forces Institute of Pathology Neg. No. C/MM-5-44-100403","Left to right: Kidd, unidentified woman, Dofflemeyer, unidentified woman, Huffman, unidentified man","Left to right: Hornbarger, Ramsey, Canniff","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-44-5","Left to right: Corpsman, patient, patient, Wiseman, Blackford, Beery","far left: Hornbarger, far right: Sandridge","Armed Forces Institute of Pathology Neg. No. C-45-754","Smith, Linus Miller, Leavell, Northrup, Gilkerson, Beery, Boston (not 8th Evac), Tolliver(not 8th Evac), Dick Morris (?)","Armed Forces Institute of Pathology Neg. No. C-44-","Monin, Canniff, Laird, Wiseman, Ramsey, Weller, Blackford, Culbertson, Hrejsa, Miller identified as being in photo","Armed Forces Institute of Pathology Neg. No. C-45-739-3","Armed Forces Institute of Pathology Neg. No. C-44-586","Kirkman (on right), Mapp to the left of Kirkman, packing boxes made by 8th Evac shop were also used as desks","3rd from left: Holmboe, 5th from left: Drash, others are unidentified","Tim Holt (?), Guerrant, Shearburn, Al Den (?), Holsinger, Eula Wright and Ted Laird in photo","designed by Randal Luscombe","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photos","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Blackford, Wray, Michie, Laird, all facing camera","Colonel Bruce, Asst. Surgeon, 5th Army, 1 unidentified man, Forrestal, Kirkman, unidentified man, Drash in Cecina, Italy","Armed Forces Institute of Pathology Neg. No. C-45-739-3","Left to right: McNeel, unidentified man, Forrestal, Drash; Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-45-739-","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","left to right: John McKoan, unidentified man, Angela Brusati (bridesmaid), Marie Galvin (first 8th Evac nurse to become a bride \"in the field\"); Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-45-739-4","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","left to right: Blackford, Wray, Michie, Laird","Blackford, Wray, Michie, Laird at table",": Bell, first man on left; Alice Huffman, facing camera to left of woman in white; Sherman, first on right in front group","Blackford, Wray, Michie and Laird at table","McKoan, Kinkopf, Blackford, McNeel, Gillespie (?), Suhling present but not specifically identified in photo","left to right: unidentified woman, Hornbarger, unidentified woman, Wiseman in front of tent at Anfa Hill near Casablanca","Northrup on far left, Jane Anderson second from left, Holsinger on right with pipe","Harry Dumbleton second from right in back row, John Mapp bottom row in middle","left to right: patient, George Northrup, Frederick Neumeister","\"Les Poseurs\" The Posers","shows ward boxes designed and organized by the 8th Evac; Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Fletcher Spann and John Dawson at work (unclear which man is which)","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-44-558","left to right: Hilda Franklin, unidentified woman, and F. Jean Williams","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","J. L. Knight, an X-ray technician, gives a chest X-ray; Armed Forces Institute of Pathology Neg. No. 5/MM-45-767","left to right: Kate Robinson, Byrd Leavell, Betty Johnson, John Guerrant, Bea Ramsey","seated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, Hubert Holsinger, James Culberton, John Morris, Al Gillespie, Rich Low. Photographed by Ralph Thompson","Armed Forces Institute of Pathology Neg. No. MM-5-44-2179","left to right: Wray, Blackford, Michie, William Laird","Luce visits patient Julius Hartfell during her tour of the Fifth Army Front; Armed Forces Institute of Pathology Neg. No. 5/MM-45-4984","Left to right: Angela Brusati (bridesmaid), John McKoan, Marie Galvin, the first 8th Evac nurse to become a bride \"in the field\"","Armed Forces Institute of Pathology C-44-552","Armed Forces Institute of Pathology Neg. No. MM-5-44-2178","Armed Forces Institute of Pathology Neg. No. C-44-555","A ward tent was located here during the siege","left to right: unidentified man, McNeel, Mark Clark, Stimson (pith helmet) 2 unidentified men, Drash, unidentified man","photo by Instituto Nazionale per le Relazioni Culturali con L'estero (National Institute for cultural Relations with Foreign Countries)","Armed Forces Institute of Pathology Neg. No. C-44-579","This photo shows the new braces which replaced the old tepee poles and also shows the instrument bundle stands that were stackable. The note on one photo is by Randal Luscombe and says, \"Stand - made - 10 of them.\" Armed Forces Institute of Pathology photo","Shaffer writes about his camera surviving a 1000 foot fall from an airplane and its risky rescue. The photo shows the 8th Evac north of Naples in 1943 where the inspiration for the shower scene in the movie \"MASH\" occurred.","Shaffer writes about filming a surgical procedure at the 8th Evac and includes photos that were used as a guide for the movie \"MASH.\"","Shaffer writes about how to make a heater from a 500 pound bomb casing and encloses a photo of Shaffer on a cot in his tent and a photo of tents in the wet spring of 1945.","The transparency is of the 8th Evac at Pietramala, Italy, and was made in the winter of 1944-45.","The photo shows from left to right: McNeel, Secretary of War Stimson (pith helmet), an unidentified man, and General Mark Clark and was taken in September 1944.","The photos show tents, patients, and military personnel at the 8th Evac's Lake Garda location in the summer of 1945.","The photo is of the area near the 8th Evac camp at Pietramala in the winter of 1944-45 and shows the Brenner Pass. Senator Bob Dole was severely wounded here.","Top row: 1st Lts. Low, Mapp, Miller, Monin, Hairfield, Driscoll, Mayo, Mulford, Smith, Northrup, Casscells, Laird, W., Ross, Morris, Kinkoff, Scarborough; Third row: Capts. Grim, Waddell, Shearburn, Gillespie, Beck, Haley, Suhling, Leavell, Windham, Payne, Marshall, Culbertson, L., Guerrant, Culbertson, J., Thornton, Bell, Den; 2nd row: Majs. Holsinger, Hill, Laird, E., Holmboe, Lt. Cols. Blackford, Putnam, Drash, Majs. McNeel, Siersema, Kinser, LeBauer, Winthrop; bottom row: 2nd Lts. Lynch, Jenkins, 1st Lts. Churchill, Blessing, 2nd Lts. Snavely, Weller, Murrian","The photo is of the 8th Evac staff in the summer of 1944.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","These are updated copies of the 1990 address list. Autograph notes on the original are from 1995. The photocopy includes autograph notes from 2000. Names marked \"returned\" refer to a mailing sent in 2000.","Guerrant solicits personal recollections for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","8th Evac camp was across the street from the Anfa Hotel where Roosevelt, Stalin and Churchill met.","Holsinger bottom right with pipe","left to right: Kirkman, Blackford, two unidentified men","left to right: Blackford, Wray, Michie, Laird at table","Clark is tall man in center, King George is 2nd from the right, others are unidentified","Armed Forces Institute of Pathology Neg. No. 5-44-100394","Armed Forces Institute of Pathology Neg. No. 5-44-589","One end of the building sets several feet off the ground on stilts and is anchored to the ground by steel cables. Armed Forces Institute of Pathology Neg. No. 5/MM-45-772","Armed Forces Institute of Pathology Neg. No. C--44-556","Armed Forces Institute of Pathology 5/MM-45-4982","This photo shows the center portion of a standard ward.","Scrapbook photographs include those of Pageland, South Carolina; Halloran General Hospital, Staten Island, New York; Casablanca; Cairo; Switzerland; Italy: Caserta, Teano, Carinola, Cellole, Cecina, Anzio, Le Ferriero, Pietramala, Po River, Pisa, Venice, Gardone, and Milan; and 1950 reunion","Commendation is for meritorious service during January 1944","Alumnae Association of the Training School for Nurses of the Garfield memorial Hospital, Washington D.C.","Letter concerns Red Cross surgical dressings sent to the 8th Evac","Drash and Shearburn ordered to report for duty","operating tent had 8 operating tables and 2 sterile supply tables","Wiel and Harlin were directors of the Home for Convalescing Nurses","Probably Drash and Harlin on right","2nd, 3rd, and 4th photos show nurses Hornbarger (on left) and Dorothy Sandridge (on right). Ruth Beery is in front in the 2nd photo.","Notation on back: \"Una difficile curva in Montagna.\"","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12328 - Battelli armati dell'Armata Italiana in Russia in perlustrazione lungo un corso d'acqua sul fronte orientale.","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12057 - Una nave nemica centrata dal siluro di un sommergibile italiano operante nell'Atlantico mentre affonda lentamente.","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 11423 - Treno blindato sovietico caduto intatto nelle mani delle truppe italiane nell'ansa del Don.","Notation on back: ISTITUTO NAZIONALS LUCE = ROMA 21/6/42 XX RG. 6093, Tobruch e il suo porto, [?] dalle truppe italiane e germaniche","Notation on back: Fiosole","Notation on back: Interior of the post-operative tent","Notation on back: Interior of post-operative tent","Nurses, patients and tents in the background","Beery in checkered dress","Notation on back of photo: showers - Rockingham, N. C.","Notation on back: \"Alumni News: April 1963, page 9","Armed Forces Institute of Pathology Neg. No. C-44-557, Notation on back: \"Alumni News: April 1963, page 9","Left to right: Elizabeth Harlin Drash, Jane Anderson, 2 unidentified women, e. Cato Drash, unidentified woman","Armed Forces Institute of Pathology Neg. No. C-44-593","Armed Forces Institute of Pathology Neg. No. C-44-565","Armed Forces Institute of Pathology Neg. No. C-44-567","Armed Forces Institute of Pathology Neg. No. C-44-588","Armed Forces Institute of Pathology Neg. No. C-44-571","from left to right: Wray, Blackford, Michie, William Laird","Notation on back: Setting up operating room supplies. Italian women","Notation on back: Washing operating room supplies","Randal Luscombe or Maurice LeBauer supervises the erection","Left to right: Sue Hornbarger, Elizabeth Wiseman, Jane Anderson, civilian, unidentified people","McKoan facing nurse (Ruth Beery?) with Blackford behind nurse","The belts contain recordings of Byrd Leavell dictating his wartime journal","The red belts contain recordings of Byrd Leavell dictating his wartime journal and the blue belts are of Leavell dictating a draft of portions of his book The 8th Evac.","left to right: Ned Waddell, Betsy Johnson, Kate Robinson, Alice Huffman, Alice Law, Billie Gibson","M. Cathleene Carter is standing with her back to the camera","Notation of back: Castel Falconera, near Licata, Sicily - my first billet in Sicily - Headquarters 1st Engineer Special Brigade","Notation of back: Rest camp","Notation on back: Paris, night celebration in the street","Dorothy Sandridge is giving anesthesia to the left, Armed Forces Institute of Pathology photo C44-549","Left to right: Helen Berkeley, 2 unidentified women, Hilda Franklin, Lelia Cloyd","Drash is pinning a medal on an unidentified man","Left to right: first woman is Addie Roadcap, Holmboe sitting on first end seat to left, Mulford behind Holmboe. The two kneeling men are Snavely (on left) and Casscells taking photos. Monin is above and slightly to the left of Snavely.","Notation on back: Fotocelere di A. Campassi - Terino - Via Marochetti 41 - 1933 X 1","Notation of back: A \"flashlight\" photo of a typical evening \"in the field\" except that this happened on VE day - night. We were having a drink and toasting the gallant lads who cracked the Nazi Super Man myth.","Notation of back: We have our less serious moments too. This is at a division clearing station up front; Blackford, Barker Long and I were showing Turner, from the SGO, a glimpse of the war from a safe distance.","Left to right: Kirkman, Reyer, Carmaak, Long, Sturgeon; second row: Generals Martin, Davis, Stayer, 300th QH","Notation of back: ?, General MC Stayer, General Joe I. Martin, The Brazilian Surgeon General and assistant Major Buchanan LWK [Kirkman]; Above does not appear to be in order left to right. Martin is 2nd from left and Stayer is 3rd from left, Kirkman is to the far right.","Notation on back: Fifth Army Medical Dept. Rest Center at Castiglioncello, between Cecina and Leghorn, August 1944","Notation on back: A most informal pose \"cocktails before the showers\" at the 170th [Evac] near Treviso. Jack Donaguy, Bang (John O.) McNeel, LWK [Kirkman]. The guy peeking from behind the tent door is [ ] French, one of the [ ] original O'Reilly [ ]","Notation on back: An early AM shot showing the basketball court we fashioned beneath the rugged peak called Mount Beni at Pietramala, Italy, on Highway 65 halfway between Florence and Bologna","Notation of back: Casson Studio, 1305 Connecticut Ave, Washington D.C.","Notation of back includes: Studio of Hear's Inc. Springfield Mo.","Two men are wearing sweaters with big initial H and all wearing hiking boots","Articles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later","Articles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later","Photo shows changes made in operating light to eliminate cumbersome legs and braces formerly used. Armed Forces Institute of Pathology 5 MM-45-1812","Left to right: Cato Drash, John Guerrant, Ruth Beery, Norman Thornton, Byrd Leavell with Italian flag from Casablanca. Photo taken at an 8th Evac reunion in Charlottesville. Flag was later returned to Italy.","The letter was written on the occasion of the presentation of the Wendal Waddell portrait to UVa School of Medicine. Left to right, bottom row: Jack Humphries, Bob Hightower, Reed Hopkins, THE CHIEF, Bill Wray, Mac Birdsong, Betty Whitehead, Willie Grossman; second row: Nat Ewell, Charlie Gleason, Harry Austin, Bill Harman, Page Booker, Jim Stone, Warren Gregory, Andy Townes, Joe Mitchell; top row: Dan Anderson, Jimmy Etheridge, Jimmy Wood, Julia Edmunds, Morris Lambdin, Fred Mitchell, Bill Thomnpson, Bill Liddle, Cam L'Engle, Gene Frame, Wiltsie Young, Fletcher Harrell","The note indicates the New Testament was given on Feb. 8, 1943 and carried and used throughout WW II. The flag was given to Anderson by Myrtle Hall from UVa who used it throughout WW I.","donated by Cathleene Carter","donated by Cathleene Carter","Enclosed are the names and addresses of all who attended as well as those that did not attend the 1960 reunion","donated by Cathleene Carter","Left to right: Betsy, Billie, Cathleene Carter, Madge, and Northrup","Notation on back: What we came home on","Notation on back includes: Streasa [Stresa?]","Notation on back: [Camp] Kilmer","Same building as 23-031 identified as [Camp] Kilmer; Notation on back: Ex 451 C-6 Annex","Photos taken by U.S. Signal Corps, includes mess hall, reception room, auditorium, kitchen, bakery equipment, x-ray unit, ward scene, nurses' quarters, and acute medical and surgical building","Cadesus pin with eagle and the letter \"N,\" clutch back post attachment, donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","48554 on back of pin, donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","Many photographs are of buildings and the ruins of buildings, interiors, towns, the countryside, and non-military people, including children. There are photos of the 8th Evac, but they do not predominate.","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Medical Class of 1943, left to right, First row: John Dean Adams, Margaret Alford Barnes, Walter Prothro Barnes, Jr., Monte Leroy Binder, Oliver Beirne Bobbitt, Jr., Armistead Page Booker, Richard Booth, Jr., Eugene Calloway, Jr., Joshua Fry Bullitt Camblos, Donal Paul Chance, Sidney William Cohen, James Thomas Colley Second row: William Cassius Cook, Jr., Lewis Franklin Cosby, Jr., Thomas Stilwell Edwards, George Bleecker Ely, Thomas Carter Fowlkes, Irvin Galin, Giles Quarles Gilmer, Milton Sidney Goldman, William Dandridge Haden, Jr., William Gletcher Harrell, Jr., Edward Roberts Hawkins, Charles Herbert Henderson, Jr. Third row: Charles Albert Hudson, Carl William Irwin, Eugene Rhodes Johnston, George Barnard Kegley, Eusebius Milton Kellam, Joseph Kessler, Camillus Saunders L'Engle, Jr., Carl Jay Levine, Myrtle Evelyn Logan, Frank Armstrong McCue, Donald David Markowitz, Samuel Percy Marshall Fourth row: John William Henry Morgan, Raney Archer Oven, John Brewer Petter, Carol LeVan Plott, James Guy Price, George Nicholas Psimas, Charles Frederick Schneider, Nelson Montgomery Smith, Joshua Price Sutherland, Robert McKinney Tankesley, John Covington Tinsley, Jr. Fifth row: Mary Martin Wade, Donald Walters, Walter Motley White, Jr., Harold Stanley Yood, Eugene James Yorkoff","Certificate from the Nurses Examining Board for the State of Virginia states that Matthews is entitled to show she is a registered nurse.","Certificate certifies that Matthews has completed three years course of instruction at the University of Virginia Hospital School of Nursing.","Many photographs are of buildings, interiors, towns, the countryside, and non-military people. Many, if not all, appear to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.","Many photographs are of buildings, interiors, towns, the countryside, a parade, and non-military people, including children. All seem to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.","The certificate was presented to the University of Virginia for its sponsorship, organization, and staffing of the 8th Evacuation Hospital.","Notation on back: I recognize Ted Laird, Norm Thornton, Jim Culbertson, Prentice Kinser, John Haley (hat) Capt. Windham, Lt. Snavely","William Laird is on the far left, Staige Blackford 3rd from left","Notation on back includes: Two of them got married! Frankie and Dick, Lt. Monin, Don Watson? Peterson?, Orsini?","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Hilton Nau behind the counter dispenses goods to Joseph Dziuba. Harry Wright is in the background. Armed Forces Institute of Pathology photo 5/MM-45-762","Armed Forces Institute of Pathology photo 5/MM-45-769","The enclosed papers about Sebastian who died in World War II include his poetry.","includes dates of religious services, movement and location of 8th Evac, books read by Laird, addresses, and discretionary fund account; donated by his daughter, Marion Laird Gould","The article is about Alice Huffman Bugel","Macey writes concerning her uncle, Joseph Crouch, who was buried at Pietramala, Italy","enclosed with letter is \"Personal Reflections of the 8th Evac. Hospital\" by Beverley D. Tucker, Jr.","This copy was used to make spiral bound books.","This book was printed from the web exhibit for the UVa Medical Alumni Association Annual Advisory Meeting, January 26-28, 2001.","Guerrant writes about the 8th Evac web exhibit and solicits personal recollections from the former members.","left to right: Alice Huffman, Ella Gillespie, Thelma Matthews and Kate Robinson","left to right: Alice Law, Thelma Matthews, Lelia Langhorne Cloyd, Hilda Franklin, Alice Huffman (?), Ella Gillespie, Kate Robinson","note prefabricated house in background; left to right: unidentified man, Huffman (?), Gillespie, Robinson, Beverly Hairfield","left to right: Lelia Langhorne Cloyd, Kate Robinson, Alice Huffman (?), Hilda Franklin","left to right: Dick Bell, McKelden Smith, Pat Driscoll, Ned Waddell, John Guerrant, Al Gillespie","left to right: Alice Law, sue Hornbarger, Emma Garland, Mildred Smith, Alice Huffman","left to right: Beverly Hairfield, Hubert Holsinger, James Low, Norman Thornton, E. Cato Drash","left to right women: Kate Robinson, Biddie (Emma Gillespie), Lelia Langhorne Cloyd, Hilda Franklin, Thelma Matthews, Alice Huffman, Alice Law; left to right men: Byrd Leavell, William Driscoll, H. St. George Tucker, Mckelden Smith, Richard Bell, S. Ward Casscells, Frank Wray, William Laird, Beverley Tucker","left to right: Kate Robinson, William D. R. Driscoll (the psycho team), Dorothy Sandridge and Edwin Mulford; Allen Hrejsa has his back to the tent","photo shows the 8th Evac near Florence, Italy in 1944","photo shows destruction seen as the unit left Tierno, Italy","personnel are listed within states by enlisted men, officers, and nurses","letter informs reader of the death of Everett Cato Drash and includes his obituary","book review of \"The 8th Evac\" by Byrd Leavell","book review of \"The 8th Evac\" by Byrd Leavell","book review of \"The 8th Evac\" by Byrd Leavell","includes appointments of Byrd Leavell, William Norman Thornton, John Guerrant","book review of Byrd Leavell's \"The 8th Evac\" by John A. Owen","describes the Po Valley campaign in words, maps and photos","Norman Thornton is standing on the far left of the photo, John Guerrant is standing fourth from the left","a paper about Horace Downing","photo is of the 8th Evac at Cap Matifou, near Algiers in 1943","photo is of the 8th Evac arriving at Anzio in June 1944","photo is of Pageland Gym, Nurses' Home, and the Officer's Club","photo is of the kitchen and mess hall near Teano in 1943","photo is of Naples harbor in 1943","notation on back: ...who built our ward boxes and numerous gadgets that made for success of 8th Evac Hospital in Africa \u0026 Italy","the Santa Paula is the troopship which carried the 8th Evac to Africa","\"Army Nurse fought battle on tow fronts\": the story of Elizabeth Engleman Carter","Luscombe includes photos of his shop and land in Missouri and relates several incidents from the 8th Evac","Marshall recounts how he joined the 8th Evac","Hilda Franklin Bell","notes for talk to the UVa History (Medical) Society","John Guerrant's notes for a medical history talk","This detachment took part in the initial invasion of Sicily by men on 10 LSTs (landing ship, tank)","donated by son of Norman Thornton","1943 photo of the first Purple Heart at Anfa Hill","Enclosure is a reprint from \"The Journal of Urology\" Vol. 55, No. 1, January 1946, \"Urogenital Wounds in an Evacuation Hospital\" by Donald Forbes Marshall","The letter is in regard to Sampas's uncle, Sampatis Sampatacacus, a member of the 8th Evac. He encloses two papers about his uncle and his uncle's poetry. Last known address for Tony Sampas: 51 West St., Pepperell, MA 01463","contains updates of former 8th Evac officers and nurses","John Guerrant on the far right looking at camera with his wife, Laura, beside him","seated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, James Culberton, John Morris, Al Gillespie. Photographed by Ralph Thompson","left to right: Walter Blackston, Norman Thornton, James Biggar, John Dempsey, Mrs. Dempsey","left to right: Lelia Langhorne Cloyd, unidentified man, Colonel Michie (not 8th Evac), Minnie Lee dozier, unidentified woman","left to right: Mrs. Ray Monin, Ray Monin, unidentified man","Armed Forces Institute of Pathology photo MM-5-44 2180","party given for John McKoan, departing commanding officer at the 8th Evac","Many people are identified in the photo itself: Waddell, Bill Laird, Weller, LeBauer, Marshall, Haley, Lallah Edwards Anderson, Ted Laird, Cathleene Carter, Mamie Donley Bryant, Mulford, Hairfield, Den, McKelden Smith, Rich Low, Thornton, Lelia Cloyd Iseman","Armed Forces Institute of Pathology photo","left to right on page 13: three unidentified, Linus Miller, Madge Darden, Prentice Kinser, Don Marshall, Ed Shearburn","left to right and clockwise: Ray Monin (with cigarette in mouth), Beverly Hairfield, William Waddell, Harris Holmboe, John Morris, James Low and unidentified man","Documents are in regard to Lallah Edwards Anderson, Hilda Franklin Bell, Raymond Canipe, S. Ward Casscells, Francis Churchill, J. Walter Dempsey, Edward Denny, Horace Downing, John Gordon, Kenneth Grim, Byrd Leavell, Maruice LeBauer, Donald Marshall, Bob Mitchell, Edwin Mulford, Addie Roadcap, William Pennington Snavely (Bill Snavely), Kate Robinson Thornton, William Norman Thornton","Betty Wiseman Throop is on the cover.","left to right: Byrd Leavell, Addie Roadcap, Mrs. Ray Monin, Nancy Leavell, Bill Suhling","Minnie Lee Dozier second from right, Mrs. Gilkerson (?) and Beverley Tucker (?) also in photo","left to right: Al Gillespie, Dick Morris, Beverley Tucker (?), Dick Bell","left to right: McKelden Smith, Anne Smith, Dick Morris, Lucy Morris, Hilda Franklin Bell, Dick Bell","Beverley Tucker (?) in middle with tie","left to right: Dick Bell, Jim Boston, Maurice LeBauer, Beatrice Ramsey Boston","left to right: Montey Wray (not an 8th Evac member), Rich Low, Bill Suhling","seven men at the bar, Byrd Leavell second from left, Dick Morris 5th from left,","left to right: Cato Drash, Montey Wray (not an 8th Evac member), Lottie Gibson, Walter Blackston","The article details the various inventions by Holmboe that improved life at the 8th Evac: tents without center-poles, sinks from German bomb cases, water-heating system, running water, flexible operating lamps, adjustable operating tables, drinking fountains, ice cream freezer.","Clipping includes photo of Drash, Guerrant, Thornton, and Leavell holding the flag taken from the Italian Consulate in Casablanca","Berkeley presents materials regarding his aunt Helen Berkeley's service with the 8th Evac to the Health Sciences Library","includes separation record, certificate of service, appointment to captain, and immunization registers","donated by Helen Berkeley's nephew, Edmund Berkeley, Jr.","donated by Helen Berkeley's nephew, Edmund Berkeley, Jr.","Volume I (blue cover) includes photographs taken in Pageland, SC; Casablanca, Morocco; Caserta, Naples, Pompei, Capri, Teano, Rome, Grosetto, Cecina, Castiglioncella, Florence, Pietramala, Verona, Venice, and Stressa, Italy. Also included are the August 1942 and October 1942 issues of the Evacu-Eighter, 8th Evacuation Hospital Layout, \"Mud, Mules, and Mountains: Cartoons of the A. E. F. in Italy\" by Bill Mauldin, \"Road to Rome\" a pamphlet addressed to the Officers and Men of the Fifth Army from Lt. General Mark W. Clark, and assorted and mementos from Gillespie's service as an army nurse during World War II.","Volume II (brown cover) includes reunion photos from the 1950s, 1980, 1985, and 1995, and photographs taken at Lake Garda, Florence, Italy, and Switzerland. Also included are an informational bulletin from the University Study Center, Mtousa, Caserta, Italy; mementos from the ship \"Vulcania\" which sailed from Naples, Italy to New York, and whose passengers included nurses; welcome back brochures from Camp Kilmer, New Jersey; November 1943, October 1944, and December 1945 issues of the \"University of Virginia Alumni News;\" Spring 1946 issue of the \"Bulletin of the University of Virginia Medical School and Hospital\" which gives a brief history of the 8th Evac Hospital and was devoted to the military service of faculty and alumni; May 1990 issue of \"House Organ\" by Vanderbilt University Medical Center with an article about 8th Evac nurse Alice Bugel; newsletters from 1946(?), 1947, 1948(?), 1949, 1950, 1951 with updates on the officers and nurses; original drawings by Bing Brown; poems; notes; reunion mementos; and postcards.","Included are photos of John Guerrant, the 8th Evac labs, Jefferson Day celebration, views of the 8th Evac camps, hanging of Mussolini, and postcards of Casablanca, Napoli, Rome, and Capri","The notebook contains the names of deceased soldiers and includes rank, injury, address for next of kin, date of death, and date of Beery's letter to next kin. After the war Beery wrote letters to the next of kin of those who died in the 8th Evac Hospital or who were dead on arrival.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Guerrant writes that after the war Beery wrote to the families of those who died at the 8th Evac Hospital. Beery saved the letters she received in response.","contains chapters on general information; military discipline and courtesy; insignia; organization; clothing; arms and equipment; school of the soldier with and without arms; squad and platoon drill; interior guard duty; marches, camps, and bivouacs; use of compasses and maps; security and protection; military sanitation and first aid; the ration; pay and allowances; and the last will and testament","This arm band was used by U. S. Air Borne Paratroopers","Letters written on these specially designed letter sheets were microfilmed. The microfilmed copies were sent instead of the letters and then \"blown up\" at an overseas destination before being delivered to military personnel, thereby saving valuable cargo space.","These are facsimiles of the reduced-in-size V mail letter sheets.","Cards include fingerprints and photo.","This card was used as a meal ticket throughout the soldier's voyage.","Includes a list of special equipment for medical and surgical wards, plan for bed ward, and a guide to the hospital plan.","Includes letters from Mark Clark and Joseph Martin, a special feature by Bill Laird on the presentation to UVa of the portrait of Dr. Staige Davis Blackford, and names and addresses.","Suspended for three years, this issue of the Bulletin gives priority to the military service of alumni and faculty, including a record of the 8th Evac.","Includes the dinner menu and a list of personnel.","The article describes Langhorne Cloyd Iseman's experience with the 8th Evac.","The unidentified women are probably all 8th Evac nurses as the notation on the back states \"6 of the 8 Frankie [Hilda Franklin?] and Huffie [Alice Huffman?] missing.\" The women appear to be the same as in Box 34, Folder 33.","The unidentified women are probably all 8th Evac nurses. The women appear to be the same as in Box 34, Folder 32.","The maps are Island of Hawaii, Island of Kauai, Island of Oahu, and Island of Maui and were issued by the Hawaii Tourist Bureau. Matthews was stationed at Tripler in Honolulu.","Brusati encloses 3 photographs: one of his sister Angela Brusati who was with the 8th Evac and two of her classmates. They called themselves with one other nurse, \"The California Commandos.\"","The letters from Prentice Kinser to his wife and other members of his family were stored in a small suitcase. This suitcase is now in Historical Collections' artifact collection. It is artifacts01230.","2 letters in envelopes, 2 postcards, 9 photographs","Some of the 8th Evac patients were returned to receive treatment at Halloran Hospital.","The photo of the graduating class includes Prentice Kinser.","Monument inscription IOANNES BAPTISTA REZZONICO ...; ISTITUTO NAZIONALE PER LE RELAZIONI CULTURALI CON L'ESTERO ROMA Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO 12150 Reparti italinai di guastatori attaccano un capo saldo nemico sul fronte egiziano; Venice, May 8, 1945; Panorama of Venice from Campanile, May 8, 1945; Prentice Kinser, Venice, May 8, 1945; King Victor Emmanuel Memorial; Easter Sunday, Pietramala, Ruth Buffington and Prentice Kinser; Palazzo delle Assicurazioni Generali di Venezia; building with quote from Mussolini: ... vostra madre, dovete, con la stessa purezza di sentimento, amare la madre comune: la Patria nostra; Levin Islands from Super Cannes; funiculare going to Super Cannes, June 1945; beach at Cannes; Walk along waterfront in Cannes; Hotel Carlton and waterfront at Cannes; Monaco France where Monte Carlo is located; Filling station in Milan, Italy where Mussolini and henchman were hung","6 photos from Portici, Italy, some dated March 1945, 2 of Prentice Kinser; waterfall and statuary in gardens; Prentice Kinser amongst the Cupids, February 1945; the 1st Christian church in Italy (Rome); Mussolini's balcony, Piazza Venezia, Rome; the Roman Forum; map in stone on old Roman wall of Holy Roman empire at its height; a pagan temple?; Roman amphitheater or Colosseum; photo of woman and 2 little girls with notation on back: You can't tell who I am but notice the high sign given by Carolyn.","Photos all include Prentice Kinser, one shows him having an award pinned on, another is the officers of the 8th Evac at the Italian consulate in Casablance in December 1942","Some photos taken in Pompeii.","3 photos of Jungfraujoch inside the Gletscherpalast or ice palace, one outside, A. G. Wehrli; Signpost to Rothorn, Kunstverlag H.C. Maeder; Wagenbachbrunne, Luzern, Wehrli \u0026 Vouga \u0026 Co.; Brienz, Dorfpartie, Kunstverlag H.C. Maeder; Thun und die Alpen, Wehrli \u0026 Vouga \u0026 Co.; Polarhunde auf dem Jungfraujoch, Wehrli \u0026 Vouga \u0026 Co.; Oberried a. Brienzersee, Verlag Schild-Bichsel; Thun, Schloss, Wehrli \u0026 Vouga \u0026 Co.; Thun, Hauptgasse, Wehrli \u0026 Vouga \u0026 Co.; Roma - Piazza di Spagna; Roma - Piazza Venezia; Luzern. Museggtrume, Wehrli \u0026 Vouga \u0026 Co.; L. Thomann Brienz","Some photos taken in Pompeii.","Diary was given to Prentice Kinser by his wife just before leaving Fort Benning on Sept. 15, 1942. First entry is September 15, 1942 and continues into 1943. Inside the front cover is written: \"Note Made Oct. 11, 1943 Bet made with Maury Lebauer in presence of J.O. McNeil, John Guerrant, Calvin Drayer in front of J.O's tent night of Oct. 10, 1943 ... in Paestum in Italy. If war is over Jan 1st 1944 I owe him 10.00. If war is not over by June 30, 1944 he owes me $15.00. On continent of Europe 5.00 even on War is over Jan 1st 1944, 5.00. 2 to one its over by June 30 1944.\"","Napoli map and excursions, Church of Santa Croce, Florence, A Soldier's Guide to Florence, Soldier's Guide to Italy","Maps and guidebooks to Switzerland in general and Berne, Lucerne, and Jungfrau","The bills are marked Casablanca, Nov. 18, 1942; Marrakeich, Jan. 15, 1943; Rabat, Feb. 15, 1943; Port Lyautey, Feb. 1943; Algiers, Maison Blanche, Cap Matifou, Oran, Aug. 1943","Page 6 (top) of the pamphlet has instructions for Maj. Prentice Kinser to be moved from the 3d Evac Hosp., Wadesboro, NC, effective about Aug. 24, 1942 to the 8th Evac Hosp. at Ft. Benning, Ga.","Kinser was the investigating officer for a case which resulted in a Summary Court Martial.","Patricia Kinser's paper \"explore[s] the history of the 8th Evacuation Hospital in World War II within a narrative describing the experiences of Dr. Prentice Kinser Jr., an orthopedic surgeon, and Dorothy Sandridge Gloor, a surgical nurse in the unit.\" The paper is in partial fulfillment of requirements for GNUR 8230: Historical Inquiry in Nursing. The invitation is to an open house in Historical Collections on November 15, 2011 where Patricia Kinser presented her paper and the donation of her grandfather's paper was celebrated.","The Shock Team is shown sitting on stairs. top row: Mallow, Holsinger, Morris; bottom row: Ward, Kidd. The receiving team is from left to right: Didier, Buonovicino, Wanderer, Horwath, De Ross, Salmon. The third group shot shows top row: Bara, Erk, Johnsmeyer, Padula; bottom row: Johnson, Meckle, Pratt, Glaser.","The photos all show Pietramala in the winter snow. Also included is the crest of Radicosa Pass, tents, Mt Beni, Chapel tent, Christmas wine barrel, town of Pietramala, winterized ward tents","The storm pictures include the wreck of the mess hall. One Christmas picture shows three women; the other shows a man in front of an evergreen tree.","The wedding took place in the American Episcopal Church in FLorence. Chaplain Laird performed the ceremony.","Shows altar, congregants and clergy.","Text of a presentation given in Historical Collections for the Sloane Society by Dr. Reynolds.","Reprint of the article in the Transactions of the American Clinical and Climatological Association, Vol. 125.","The album contains photographs, list of rations for their wedding reception, and some of her parent's memories of serving overseas. Wells served with the 8th Evac as a nurse. Broadfoot was a captain with the Cryptography Unit of the Signal Corps.","7 unframed paintings, 1 pencil sketch, 1 photograph. Paintings by Major Edwin Shearburn, an officer in the U.S. Army's Eighth Evacuation Hospital Unit who created a series of paintings that documented his life in the unit during World War II. The pencil sketch of Shearburn was created by Sgt. Brumment Echohawk, also of the unit.","The folder in this item contains photographs and governmental documents related to the 8th Evac Hospital and John W. McKoan's activity as General there.","There are also 27 artifacts that were donated along with the folder that were cataloged and are stored in a separate location within the department with other artifacts. The materials are in good condition but should be handled with care. The items are:","(1) one uniform with side cap, (1) one helmet, (1) one sabre, (1) one set of cowbells, (2) two photographs, (1) one folder of correspondence, letters, and battle reports spanning 1943-1944, (2) rounds of Western Cartridge Company 1942 ammunition marked \"WCC 42,\" (1) one metal canteen, (1) one metal military flashlight, (1) one can of rations, (2) two metal folding cutlery kits, (1) one thermometer, (1) wooden block with a \"J\" and \"W\" on the sides, (1) one pocket nail file with a clip, (1) one metal German military belt buckle with the words \"Gott Mit Uns\" (confirmed Nazi buckle), (1) one pair of dog tags, (1) one metal ID bracelet, (1) one mother-of-pearl cuff link (other pair missing), (1) one metal cuff link (pair missing), (1) one 1920 koninkrijk der nederlanden coin 1 cent, (1) one iron cross medal, (1) one American Legion heart medal, (14) fourteen pins of various sizes and materials, (9) nine large brass US Military buttons, (11) eleven small brass US Military buttons, (8) eight military bar pins, some with metal stars, (6) six military patches, and (1) one trophy in honor of a fallen soldier from 1943.","This item consists of one 16mm film featuring members of the US Army Signal Corps engaged in training exercises at the 8th Evacuation Hospital in Italy.","This item consists of one (1) 8mm film reel and two (2) digitized copies of the 8 mm film produced by Hilda Franklin and Dick Bell of the U.S. Army 8th Evacuation Hospital Unit. The file depicts the couple's wedding, members of the 8th Evacuation Hospital Unit, and Italian landmarks and scenery.","Copyright restrictions may apply.","Of unique relevance to the University of Virginia Health System is the 8th Evacuation Hospital Collection. The \"8th Evac.\" was organized and staffed primarily by University of Virginia physicians and nurses during World War II. The collection contains scrapbooks, memoirs, reports, and numerous photographs that recall the experiences of the men and women who provided medical and nursing care in North Africa and Italy during the war.","Claude Moore Health Sciences Library","Guerrant, John","English"],"unitid_tesim":["MS.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/112"],"normalized_title_ssm":["8th Evacuation Hospital collection"],"collection_title_tesim":["8th Evacuation Hospital collection"],"collection_ssim":["8th Evacuation Hospital collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Copyright restrictions may apply."],"has_online_content_ssim":["false"],"physdesc_tesim":["18.25 linear ft. (38 boxes, ca. 18,000 items); correspondence, reports, photographs, 5 boxes of Byrd Stuart Leavell's manuscript, scrapbooks, and other archival material."],"extent_ssm":["25 Linear Feet"],"extent_tesim":["25 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions."],"bioghist_html_tesm":["\u003cp\u003e\nThe 8th Evacuation Hospital was organized and staffed by University of Virginia physicians and nurses during World War II. In February of 1942, University President John L. Newcomb and Dean of the School of Medicine, Harvey E. Jordan, gave permission for the organization of a medical unit for war service designed to be an evacuation hospital for emergency surgical cases. In March of 1942, Dr. Staige D. Blackford was made director of the unit. Dr. E. Cato Drash assisted Dr. Blackford in organizing a staff of over four hundred people for the 750-bed evacuation hospital, including 47 commissioned officers and 52 commissioned nurses. Ruth Beery, a former instructor at the School of Nursing, was made the principal chief nurse. Organization was completed by May of 1942.\n\u003c/p\u003e","\u003cp\u003e\nThe unit went through basic training during the summer of 1942 and was activated on August 19, 1942 under the command of Lieutenant Colonel Lincoln F. Putnam. In November of 1942, the men of the 8th Evacuation Hospital shipped out on the U.S.S. Santa Paula and went ashore at Casablanca where they set up a provisional general hospital at the former Italian consulate. Colonel John W. McKoan took over as commanding officer and oversaw the closing of the hospital four months after its establishment. During that time there were nearly 4,200 admissions and thousands of outpatients were treated in outpatient departments and the dental clinic.\n\u003c/p\u003e","\u003cp\u003e\nOn March 14, 1943 the 8th Evacuation Hospital moved to a new location on Anfa Hill where they were joined by 51 nurses and began to function as a convalescent hospital, caring for nearly 1,460 inpatients before being dismantled and parked in early June. The unit moved to a bivouac area at Camp Matifou, Algiers for six weeks until they were assigned to Salerno, Italy. After their arrival in Italy, they learned that all the hospital equipment had been lost, but they quickly managed to procure tents, a telephone system, generator and laboratory equipment. The hospital moved to Caserta and stayed there from October until December of 1943, and then spent three months in Teano functioning as a field hospital for combat operation. In Italy the hospital became very efficient at following the moving front line of the Allied forces. The Allied advance slowed in the fall of 1944 and the 8th Evac. was assigned to a muddy field in Pietramala, a mountainous area north of Florence, where they stayed for six months. The fall was wet and muddy and the winter cold and snowy. During this time the unit treated over 9,000 inpatients, of whom half were injured and wounded.\n\u003c/p\u003e","\u003cp\u003e\nThe end of fighting in Italy in the spring of 1945 meant that some members of the 8th Evac. were sent home, others to the Pacific, and others set up hospitals near Verona and Lake Garda. E. Cato Drash was made commanding officer as the 8th Evac. spent four months at Lake Garda treating almost 5,000 inpatients, mostly for disease. In the fall of 1945 the 8th Evacuation Hospital was demobilized after three and a half years of active duty. Over 48,000 patients, twice as many as were admitted to the University of Virginia Hospital in 1942-1944, were admitted to the 8th Evacuation Hospital in Africa and Italy over the three year period. Of those patients fourteen percent were injured, twenty-two percent were wounded, and sixty-four percent were sick. There were 253 deaths, or about half of one percent. More than 53,000 outpatients were seen in clinics.\n\u003c/p\u003e","\u003cp\u003e\nThe Hospital functioned in the heat of North Africa and southern Italy and in the rain, snow, and cold of the Italian mountains. At times the operating areas were all in use with a hundred men waiting for surgery, and at other times the staff had time on their hands and little to entertain themselves with. The unit received more awards, commendations, and decorations than most similar units and served longer in North Africa and Italy than any other American hospital. The men and women of the 8th Evacuation Hospital served their country well and were excellent representatives of the University of Virginia.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["\nThe 8th Evacuation Hospital was organized and staffed by University of Virginia physicians and nurses during World War II. In February of 1942, University President John L. Newcomb and Dean of the School of Medicine, Harvey E. Jordan, gave permission for the organization of a medical unit for war service designed to be an evacuation hospital for emergency surgical cases. In March of 1942, Dr. Staige D. Blackford was made director of the unit. Dr. E. Cato Drash assisted Dr. Blackford in organizing a staff of over four hundred people for the 750-bed evacuation hospital, including 47 commissioned officers and 52 commissioned nurses. Ruth Beery, a former instructor at the School of Nursing, was made the principal chief nurse. Organization was completed by May of 1942.\n","\nThe unit went through basic training during the summer of 1942 and was activated on August 19, 1942 under the command of Lieutenant Colonel Lincoln F. Putnam. In November of 1942, the men of the 8th Evacuation Hospital shipped out on the U.S.S. Santa Paula and went ashore at Casablanca where they set up a provisional general hospital at the former Italian consulate. Colonel John W. McKoan took over as commanding officer and oversaw the closing of the hospital four months after its establishment. During that time there were nearly 4,200 admissions and thousands of outpatients were treated in outpatient departments and the dental clinic.\n","\nOn March 14, 1943 the 8th Evacuation Hospital moved to a new location on Anfa Hill where they were joined by 51 nurses and began to function as a convalescent hospital, caring for nearly 1,460 inpatients before being dismantled and parked in early June. The unit moved to a bivouac area at Camp Matifou, Algiers for six weeks until they were assigned to Salerno, Italy. After their arrival in Italy, they learned that all the hospital equipment had been lost, but they quickly managed to procure tents, a telephone system, generator and laboratory equipment. The hospital moved to Caserta and stayed there from October until December of 1943, and then spent three months in Teano functioning as a field hospital for combat operation. In Italy the hospital became very efficient at following the moving front line of the Allied forces. The Allied advance slowed in the fall of 1944 and the 8th Evac. was assigned to a muddy field in Pietramala, a mountainous area north of Florence, where they stayed for six months. The fall was wet and muddy and the winter cold and snowy. During this time the unit treated over 9,000 inpatients, of whom half were injured and wounded.\n","\nThe end of fighting in Italy in the spring of 1945 meant that some members of the 8th Evac. were sent home, others to the Pacific, and others set up hospitals near Verona and Lake Garda. E. Cato Drash was made commanding officer as the 8th Evac. spent four months at Lake Garda treating almost 5,000 inpatients, mostly for disease. In the fall of 1945 the 8th Evacuation Hospital was demobilized after three and a half years of active duty. Over 48,000 patients, twice as many as were admitted to the University of Virginia Hospital in 1942-1944, were admitted to the 8th Evacuation Hospital in Africa and Italy over the three year period. Of those patients fourteen percent were injured, twenty-two percent were wounded, and sixty-four percent were sick. There were 253 deaths, or about half of one percent. More than 53,000 outpatients were seen in clinics.\n","\nThe Hospital functioned in the heat of North Africa and southern Italy and in the rain, snow, and cold of the Italian mountains. At times the operating areas were all in use with a hundred men waiting for surgery, and at other times the staff had time on their hands and little to entertain themselves with. The unit received more awards, commendations, and decorations than most similar units and served longer in North Africa and Italy than any other American hospital. The men and women of the 8th Evacuation Hospital served their country well and were excellent representatives of the University of Virginia.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e8th Evacuation Hospital Collection, MS-5, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["8th Evacuation Hospital Collection, MS-5, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid by M. Alison White; 2006, 2012, 2014 revisions by Janet Pearson.\u003c/p\u003e","\u003cp\u003eArchivist Amanda Greenwood interfiled this file into the collection on June 29, 2025.\u003c/p\u003e","\u003cp\u003eThis item was processed as an addition to the 8th Evacuation Hospital Collection (MS-5) on 10/28/2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Finding Aid by M. Alison White; 2006, 2012, 2014 revisions by Janet Pearson.","Archivist Amanda Greenwood interfiled this file into the collection on June 29, 2025.","This item was processed as an addition to the 8th Evacuation Hospital Collection (MS-5) on 10/28/2025."],"relatedmaterial_html_tesm":["\u003cp\u003e\nRelated materials catalogued individually at the Claude Moore Health Sciences Library:\n\u003c/p\u003e","\u003cul\u003e\n\u003cli\u003eThe 8th Evac: A History of the University of Virginia Hospital Unit in World War II, by Byrd Stuart Leavell, [1970]; 260 p.; Health Sciences Rare Shelves: D807.U722 NO. 8 .L4 1970\u003c/li\u003e\n\u003cli\u003eC'est le Garre: Reminiscenses of a World War II Army Nurse, by Elizabeth Engleman Carter [edited by Caroline Carter Jones], 1992?; Typescript, 39 p.; Health Sciences Rare Oversize Shelves: D807.U722 NO.8 .C3 1992\u003c/li\u003e\n\u003cli\u003eUVA Goes to War: The Story of the 8th Evacuation Hospital in World War II, [sound recording]; Panelists: John L. Guerrant, M.D.; Elizabeth Drash, R.N.; William N. Thornton, M.D.; Moderator: John F. Harlan, 1989; Health Sciences Rare Shelves: D807.U722 NO. 8 U93 1989 [audio/visual material]\u003c/li\u003e\n\u003cli\u003eAlso see other materials at the Albert and Shirley Small Special Collections Library\u003c/li\u003e\n\u003c/ul\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["\nRelated materials catalogued individually at the Claude Moore Health Sciences Library:\n","The 8th Evac: A History of the University of Virginia Hospital Unit in World War II, by Byrd Stuart Leavell, [1970]; 260 p.; Health Sciences Rare Shelves: D807.U722 NO. 8 .L4 1970 C'est le Garre: Reminiscenses of a World War II Army Nurse, by Elizabeth Engleman Carter [edited by Caroline Carter Jones], 1992?; Typescript, 39 p.; Health Sciences Rare Oversize Shelves: D807.U722 NO.8 .C3 1992 UVA Goes to War: The Story of the 8th Evacuation Hospital in World War II, [sound recording]; Panelists: John L. Guerrant, M.D.; Elizabeth Drash, R.N.; William N. Thornton, M.D.; Moderator: John F. Harlan, 1989; Health Sciences Rare Shelves: D807.U722 NO. 8 U93 1989 [audio/visual material] Also see other materials at the Albert and Shirley Small Special Collections Library"],"scopecontent_html_tesm":["\u003cp\u003eThe 8th Evacuation Hospital collection includes photographs, personal and official correspondence, reports, notebooks, purchase orders, citations, certificates, scrapbooks, newsclippings, insignia, and a manuscript of Byrd Stuart Leavell's book: The 8th Evac.: a History of the University of Virginia Hospital Unit in World War II (1970). Additional artifacts, including uniforms, plaques, and a replica set of Roman instruments, are in the artifact collection at the Claude Moore Health Sciences Library, Historical Collections, University of Virginia. A web exhibit on the 8th Evacuation Hospital, featuring content and images from the collection is available here: http://exhibits.hsl.virginia.edu/8thevacuation/\u003c/p\u003e","\u003cp\u003eTHE DIETZ PRESS\u003c/p\u003e","\u003cp\u003eJ. PAUL WINTHROP OBITUARY, ELIZABETH ENGLEMAN, CATO DRASH\u003c/p\u003e","\u003cp\u003eAMERICAN LEGION MAGAZINE, ARMY DIGEST, ARMY TIMES\u003c/p\u003e","\u003cp\u003eINCLUDES A SHEET WITH THE LAST NAMES OF 72 MEN WHO WERE EVIDENTLY PATIENTS AT THE 8TH EVAC. MANY NAMES CORRESPOND WITH THOSE IN RUTH BEERY'S NOTEBOOK OF THE MEN WHO DIED AT THE 8TH EVAC. THE NAMES ARE LISTED ALPHABETICALLY BUT ONLY GO PARTWAY THROUGH THE LETTER H. THE STATISTICAL REPORT GIVES INFO ON ADMISSIONS DIAGNOSES, FRACTURES, CAUSATIVE AGENTS OF WOUNDED PATIENTS, DEATHS, AND VARIOUS CLINICS.\u003c/p\u003e","\u003cp\u003eELIZABETH ENGLEMAN, CATO DRASH, STAIGE D. BLACKORD\u003c/p\u003e","\u003cp\u003e8th Evac. Hospital in Anfa Hill, Casablanca, and Italy\u003c/p\u003e","\u003cp\u003e8th Evac. in Casablanca, Italian Consulate in Casablanca and Pietramala, Spring, 1945\u003c/p\u003e","\u003cp\u003e8th Evac. in Pietremala, and Teano; Mud, Operating Tent, X-Ray Area\u003c/p\u003e","\u003cp\u003e8th Evac. in Pietramala; Dispensary, Operating Tent, X-Ray Dark Room, Mess Tent, Ward, Latrines, Operating Theaters, Tent Construction\u003c/p\u003e","\u003cp\u003e8th Evac. in Casablanca, Italian Consulate in Casablanca, and Ravello; Purple Heart Ceremony; Tents; Vehicles\u003c/p\u003e","\u003cp\u003e8th Evac. in Pietramala, Teano, and Montecatini Area; Mess Tent, Shock Tent, Water Truck and Tank, Blood Bank, Utility Tent, Operating Room, X-Ray Department, Ambulance Turnabout, Lt. Gen. Mark Clark, Immunization Shots\u003c/p\u003e","\u003cp\u003eCasablanca, and Marrakesh; Rocks, Allied Parade, Set-Up at Anfa, Purple Heart Ceremony\u003c/p\u003e","\u003cp\u003ePietramala seen from Mt. Beni, Ambulances, Major John O. Mcneel, M. C., Registrar, 8th Evac. Hospital with Secretary of War Stimson\u003c/p\u003e","\u003cp\u003e8th Evac. in Pietramala, and Teano; Snow, Wood Cutting, Mess Tent, Operating Theater, Wards, Aid Station\u003c/p\u003e","\u003cp\u003e8th Evac. in Capua Area, and Teano Area; Wood Cutting, Water Supply, Hospital Lab, X-Ray Tent, Operating Room, Utilities Tent, Winterization, Ward Building\u003c/p\u003e","\u003cp\u003e8th Evac. in Teano, and Carinola; USO Show, Various Individuals\u003c/p\u003e","\u003cp\u003e8th Evac. in Caserta, Carinola, Teano, Riardo\u003c/p\u003e","\u003cp\u003e8th Evac. in Teano, Santa Maria, Cellole, Beach below Minturno; Stretching Tent, German prisoner patient, Marlene Dietrich Show\u003c/p\u003e","\u003cp\u003eJune 1944 - Rome, Grosseto, Cisterna, Le Ferriere\u003c/p\u003e","\u003cp\u003eJune 1944 - Cisterna, Le Ferriere, Rome, Cecina\u003c/p\u003e","\u003cp\u003eGalluzzo, Cecina, Naples, Volterra - Supply Tent, Enlisted Mens' Mess, Ward Tents, Post Office, USO performers, Generators, WACs and Nurses\u003c/p\u003e","\u003cp\u003eCecina, and Volterra; Laboratory, Refrigerators, Secretary of Navy Forrestal, Clinic, Dispensary, and Dental Clinic\u003c/p\u003e","\u003cp\u003eCecina, Galluzzo, Castiglioncello, San Gimignano; General Giraud, Captain Wharton, General Clark, General Alexander, King George VI\u003c/p\u003e","\u003cp\u003eSan Gimignano, Galluzzo, Pietramala, Siena; Red Cross Workers, Laundry Tent, Offices, Congresswoman Mary Nourse Rogers\u003c/p\u003e","\u003cp\u003eFlorence, and Pietremala; Winterization, Clare Booth Luce\u003c/p\u003e","\u003cp\u003ePietremala; Winterization, Wood Supply, Water Tower, Enlisted Mens' Quarters, Dental Clinic, Mess Hall, Ward Tents, Pre-Fabs\u003c/p\u003e","\u003cp\u003ePietremala, Cecina, and Florence; Secretary of War Stimson, Ward Tents\u003c/p\u003e","\u003cp\u003ePietramala, Florence, Pisa, Lucca, and Futa Pass\u003c/p\u003e","\u003cp\u003ePietramala, Buttapietra, Verona, Salo, and Carinola\u003c/p\u003e","\u003cp\u003e1945 - Buttapietra, Pietramala, Verona, Mt. Beni, Venice; Ambulance Convoy, German Prison Camp Refugees, Chaplains' Tents, Red Cross Tent\u003c/p\u003e","\u003cp\u003eMay, 1945 - Venice\u003c/p\u003e","\u003cp\u003eMay 1945 - Venice, Buttapietra, Milan and Alassio\u003c/p\u003e","\u003cp\u003eGenoa, Lake Garda and Fasano\u003c/p\u003e","\u003cp\u003eFasano, Dezanzano, and Gardano\u003c/p\u003e","\u003cp\u003ePo River, Gibraltar, and Dezanzano\u003c/p\u003e","\u003cp\u003e1. Italian consulate building where McKoan took command Feb. 1943 2. Ward at 8th Evac. in Casablanca\u003c/p\u003e","\u003cp\u003e1. Ward tents, 8th EVAC. (on roof), Casablanca, Mar. 1943 2. 8th EVAC. at roof of Italian consulate, Casablanca\u003c/p\u003e","\u003cp\u003e1. Maj. Wintrop at work in dental clinic, Casablanca, Feb. 1943 2. Clean-up prior to move to Anfa Hill, March 1943\u003c/p\u003e","\u003cp\u003e1. Tents 2. Enlisted men pack bags, March 1943\u003c/p\u003e","\u003cp\u003e1. View from Anfa Hill 2. Col. McKoan and driver at President Roosevelt's villa, Casablanca, May 1943\u003c/p\u003e","\u003cp\u003e1. Capt. \"Big\" Kincopf, Asst. 2. Anfa Hotel, Casablanca, across street from 8th Evac.\u003c/p\u003e","\u003cp\u003e1. Col. McKoan leaving for Anfa Hill 2. Enlisted men packing for Anfa Hill\u003c/p\u003e","\u003cp\u003e1. Enlisted men cleaning area prior to move to Anfa Hill 2. 8th Evac. as it was set up on Anfa Hill, Casablanca, March 1943\u003c/p\u003e","\u003cp\u003e1. 8th Evac. 1st tents up at Anfa Hill, boxes contain ward supplies, X-ray equipment, etc. March 14, 1943 2. Ward tents being set up March 14, 1943\u003c/p\u003e","\u003cp\u003e1. 8th Evac. Anfa Hill from Anfa Hotel 2. Col. McKoan awarding 1st Purple Hearts to wounded from 1st U.S. Infantry Division\u003c/p\u003e","\u003cp\u003e1. General Wilson seated far left, 2nd Armd. Div. 2. Officers' tents, Anfa Hill\u003c/p\u003e","\u003cp\u003e1. McKoan outside French Naval Headquarters, June 1943 2. McKoan with Dutch Consul Cabos, outside McKoan's tent on Anfa Hill, June 1943\u003c/p\u003e","\u003cp\u003e1. Funeral for PFC Harold C. Phillips who drowned 6/10/43 at Casablanca\u003c/p\u003e\n","\u003cp\u003e2. Funeral for Harold C. Phillips\u003c/p\u003e","\u003cp\u003eMechanics salvaging lumber in Casablanca from shipping crates\u003c/p\u003e","\u003cp\u003eArab children in North Africa\u003c/p\u003e","\u003cp\u003eLeaving Anfa Hill for Algiers: Loading trucks\u003c/p\u003e","\u003cp\u003e1. Algiers 2. Country scene en route to Algiers\u003c/p\u003e","\u003cp\u003eCathedral of the Black Virgin, Algiers\u003c/p\u003e","\u003cp\u003eCol. Radke and John McKoan at Cap Matifou, Algiers\u003c/p\u003e","\u003cp\u003eCap Matifou\u003c/p\u003e","\u003cp\u003ePacking to leave Cap Matifou\u003c/p\u003e","\u003cp\u003eGoat Hill, Oran, Algeria; Lt. Col. Staige D. Blackford\u003c/p\u003e","\u003cp\u003e1. British motor boat, Oran, Algeria 2. Downed plane at Paestum, Italy - used as Nurses' Latrine\u003c/p\u003e","\u003cp\u003eNaples\u003c/p\u003e","\u003cp\u003ePompeii\u003c/p\u003e","\u003cp\u003e1. Cassino, Italy 2. Battapaglia - Refugees headed south\u003c/p\u003e","\u003cp\u003e1. McKoan and General Martin 2. Mary Jane McCone\u003c/p\u003e","\u003cp\u003eAir Raid on Naples, Searchlights\u003c/p\u003e","\u003cp\u003eCaserta\u003c/p\u003e","\u003cp\u003eWindham and Robinson\u003c/p\u003e","\u003cp\u003eHaverty (killed at Anzio), Bruce, Huffman, Martin, McKoan, Galvin, Sullivan\u003c/p\u003e","\u003cp\u003eMcKoan directing operations at Teano\u003c/p\u003e","\u003cp\u003eCommanding General of U.S. Air Force in Italy and McKoan\u003c/p\u003e","\u003cp\u003eMcKoan looking over German battle plans captured by Pvt. John Deringer of the 6th Armored Infantry\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eTeano, Italy - Ambulance Turnabout, Armed Forces Institute of Pathology Neg. No. MM-5-44-100390\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eTin Shop also known as Holmboe's Machine Shop, Capua Area\u003c/p\u003e","\u003cp\u003eTeano; McKoan and Buffington\u003c/p\u003e","\u003cp\u003eMen with jeep\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003e1. Litter with wounded from front 2. Tank headed for Cassino\u003c/p\u003e","\u003cp\u003eAlfred Den, Radiologist; X-ray apparatus\u003c/p\u003e","\u003cp\u003eTeano; X-ray darkroom\u003c/p\u003e","\u003cp\u003eTeano; Margaret McGowan demonstrates new holder for IV anesthesia syringe\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eSterilization Room; Operating Room\u003c/p\u003e","\u003cp\u003eCapua; Surgical Tent\u003c/p\u003e","\u003cp\u003eTeano; Chapel and Red Cross Unit; Operating Room\u003c/p\u003e","\u003cp\u003eCarinola\u003c/p\u003e","\u003cp\u003eCarinola\u003c/p\u003e","\u003cp\u003eTeano; Face injury case\u003c/p\u003e","\u003cp\u003eCassino; Front line\u003c/p\u003e","\u003cp\u003eSoldiers on tank\u003c/p\u003e","\u003cp\u003eCaserta; Italian Army Camouflage School\u003c/p\u003e","\u003cp\u003eCasablanca\u003c/p\u003e","\u003cp\u003eCapua; Clinical Laboratory\u003c/p\u003e","\u003cp\u003ePignataro\u003c/p\u003e","\u003cp\u003eSoldier who stepped on a mine\u003c/p\u003e","\u003cp\u003e8th EVAC. Sign on road to Rome, Route 6\u003c/p\u003e","\u003cp\u003eSan Pietro; Front line\u003c/p\u003e","\u003cp\u003eCapua; Surgical Tent\u003c/p\u003e","\u003cp\u003eTeano; Shock equipment\u003c/p\u003e","\u003cp\u003eTeano; Sterilizing Room\u003c/p\u003e","\u003cp\u003eCaserta\u003c/p\u003e","\u003cp\u003eLatrine in use\u003c/p\u003e","\u003cp\u003eCassino; Wounded being carried from ambulance into receiving tent\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eCasualties in receiving tent\u003c/p\u003e","\u003cp\u003eThe newsletter lists nurses, including Ruth Beery, who contributed to the Clara Josephine McLeod portrait fund.\u003c/p\u003e","\u003cp\u003eThe newsletter contains an article and photos concerning the presentation by Ruth Beery of a portrait of Clara Josephine McLeod.\u003c/p\u003e","\u003cp\u003eRuth Beery was chair of the portrait committee and gave the remarks at the presentation.\u003c/p\u003e","\u003cp\u003e\"Roosevelt Dies\"\u003c/p\u003e","\u003cp\u003e\"Hostilities Ended at 12:01 AM\u003c/p\u003e","\u003cp\u003e\"Japs Say They Accept\"\u003c/p\u003e","\u003cp\u003e\"Peace at Last\"\u003c/p\u003e","\u003cp\u003e\"Picture Story of the Ruined Town of Cassino\"\u003c/p\u003e","\u003cp\u003eBaskin describes in words and drawings the two years spent as a soldier in Italy during WWII.\u003c/p\u003e","\u003cp\u003epersonnel are listed within states by enlisted men, officers, and nurses\u003c/p\u003e","\u003cp\u003ephoto and write-up on the occasion of the presentation of Byrd Leavell's book \"The 8th Evac\" to the McIntire Library\u003c/p\u003e","\u003cp\u003epersonnel are listed within states by enlisted men, officers, and nurses\u003c/p\u003e","\u003cp\u003ephoto and names of the members of 8th Evac Hospital staff and list of nurses\u003c/p\u003e","\u003cp\u003eshows Drash being interviewed at Anzio, Italy\u003c/p\u003e","\u003cp\u003eIncludes how tents were decorated and heated, recreation, clothing, also description of indoor ward latrines, medical cases, war campaign, nurse staffing, nurse illness, and military occupational specialties of nurses by name.\u003c/p\u003e","\u003cp\u003ePalazzo uses material from Leavell's book \"The 8th Evac\" but adds new information based on his interview with Leavell and Beery. In particular he adds the experiences of the nurses.\u003c/p\u003e","\u003cp\u003eThe drawing shows exactly where various supplies such as bed pans, buckets, pitchers, stool, table, narcotic lock box, and cups were packed.\u003c/p\u003e","\u003cp\u003eThe hospital layout includes quarters for the officers, nurses, enlisted men and civilian labor. Also included are the various wards, latrines, dining areas, labs, etc.\u003c/p\u003e","\u003cp\u003eThis report is a history of the activities of the 8th Evac for 1944 and includes patients, types of injuries, housing, recreation, distinguished visitors and moves.\u003c/p\u003e","\u003cp\u003eThese orders list military personnel and their arm of service and address of record.\u003c/p\u003e","\u003cp\u003eStatues, children and soldiers in Rome\u003c/p\u003e","\u003cp\u003eWinterized ward tent\u003c/p\u003e","\u003cp\u003eDish-washing tent, patients' mess\u003c/p\u003e","\u003cp\u003eWard sterilization room; Noon and Robinson\u003c/p\u003e","\u003cp\u003eCasablanca; Anfa Hill\u003c/p\u003e","\u003cp\u003eLaird, William\u003c/p\u003e","\u003cp\u003eAnfa Hill\u003c/p\u003e","\u003cp\u003eAnfa Hotel\u003c/p\u003e","\u003cp\u003eCasablanca; 66th Station Hospital\u003c/p\u003e","\u003cp\u003eHorwath\u003c/p\u003e","\u003cp\u003eBara, Morton\u003c/p\u003e","\u003cp\u003eChaplains' tents\u003c/p\u003e","\u003cp\u003eRandal Luscombe supervising the erecting of a tent, the frame of which he helped design\u003c/p\u003e","\u003cp\u003eIrving Berlin with a group of officers\u003c/p\u003e","\u003cp\u003eStimson and General Clark visiting camp\u003c/p\u003e","\u003cp\u003eArmy Surgeons Congress C.M.F. Rome\u003c/p\u003e","\u003cp\u003eLeft to right, First row: John Dempsey, Harry Dumbleton, Ruth Buffington, Cathleene Carter, Minnie Lee Dozier, Ruth Eastman Sholars, Frances Thomas, Betty Wiseman Throop, Lallah Edwards Anderson, Dorothy Sandridge Gloor, Emma Garland, Ruth Beery, Nick Iannuzzelli, Frank Johnson, Sally Brightman van Zalis, Horace Downing, Addie Roadcap, Langhorne Cloyd Iseman, Mary Jane McCone, Jean William Gray. Second row: Edward Denny, Kate Robinson Thornton, William Summers, Thomas Petty, John Guerrant, Robert Meckel, Thelma Mathews, Elizabeth Engleman Carter, Elizabeth Johnson, Helen Berkeley, Walter Blackston, Sue Hornberger Kroll, Norris Philbeck, Hylton Crotts, Edward Deegan, Beverley Tucker, Jane Anderson McBride, Ray Monin, James Bigger, William R. Hill, Alice Huffman Bugel, Maurice LeBauer, Hilda Franklin Bell, Beverly Hairfield, Elizabeth Harlin Drash, Hubert Holsinger, Charles Capenter. Third row: McKelden Smith, Robert Mitchell, Norman Thornton, Lowell Gram, Kenneth Fradenburg, Randal Luscombe, James D. Ferguson, Raymond Canipe, William Snavely, Harold Bjorklund, Fred Johnson, Byrd Leavell, John R. Morris, Wilbur Northrup, Donald Marshall, E. Cato Drash, John Haley, Andrew Rabuck, Morrell Pratt, John Alexevich, John Gordon.\u003c/p\u003e","\u003cp\u003eBlackford, Payne, Haley, Hairfield, Guerrant, Holmboe, Bell, Leavell,Eagle, Wright, Thomas, Dofflemeyer, Franklin, Carter, Mills, Dozier, Berkeley, Drash, Gilkerson, Wiseman, Cloyd, Anderson, Beery, Matthews, Roadcap, McNeel, Hill, Lebauer, Mitchell, Monin, Snavely\u003c/p\u003e","\u003cp\u003ePietramala\u003c/p\u003e","\u003cp\u003eAnfa Hill; McNeel\u003c/p\u003e","\u003cp\u003eTeano; Ward boxes with supplies for 40 bed ward\u003c/p\u003e","\u003cp\u003eLake Garda\u003c/p\u003e","\u003cp\u003eGoat Hill; Oran; Algeria\u003c/p\u003e","\u003cp\u003eMen shaving\u003c/p\u003e","\u003cp\u003eHarbor at Oran, Algeria\u003c/p\u003e","\u003cp\u003eGoat Hill; Oran; Algeria; Showering outside\u003c/p\u003e","\u003cp\u003eAnfa Hill; Jenkins\u003c/p\u003e","\u003cp\u003eBaldwin\u003c/p\u003e","\u003cp\u003ePietramala; Martin\u003c/p\u003e","\u003cp\u003eInterior of shock ward\u003c/p\u003e","\u003cp\u003eStimson; Drash\u003c/p\u003e","\u003cp\u003eClark; Stimson\u003c/p\u003e","\u003cp\u003eClark; Stimson\u003c/p\u003e","\u003cp\u003eErk\u003c/p\u003e","\u003cp\u003eTucker; Glazer; Johnsmeyer\u003c/p\u003e","\u003cp\u003eGeeslin\u003c/p\u003e","\u003cp\u003eGlazer\u003c/p\u003e","\u003cp\u003eDrash\u003c/p\u003e","\u003cp\u003eBara; Rosumny; Geeslin; Erk; Pratt; Johnson; Glazer\u003c/p\u003e","\u003cp\u003eKinkopf, McKoan, Snavely\u003c/p\u003e","\u003cp\u003ePratt; Bara; Johnsmeyer; Glazer; Meckel; Padula\u003c/p\u003e","\u003cp\u003eFrom left to right, starting with the top row and then 2nd, 3rd, and bottom rows: Margaret Sue Hornbarger, Frances Houston, Rebecca Dofflemeyer, Alice Eagle, Mayme Griffitts, Alice Huffman, Hilda Franklin, F. Jean Williams, Kate Robinson, Lelia Langhorne Cloyd, Thelma Matthews, Frances Thomas, Alice Law, Angela Brusati, Nova Dowd, Dora Guglielmetti, Elizabeth (Betty) Wiseman, C. Elizabeth (Betsy) Johnson, Lottie B.(Billy) Gibson, Helen Gilkerson, Mabel Ayers, Mamie Kidd, Ruth Eastman, Ella Gillespie, Jane Anderson, Beatrice Ramsey, Lallah Edwards, Margaret Petersen, Clara Orsini, Lucille White, Dorothy Sandridge, Ann Mickle, Ruth Beery, Mary Jane McCone, Madge Darden, Christine Mills, Mamie Donley, Elizabeth Harlin, Mary Ellen Gibson, Addie Roadcap, M. Cathleene Carter, Mildred Smith, Helen Berkeley, Ruby Armstrong, Annie Laura Dickson, Minnie Lee, Emma Garland, Myrtle Hatcher, Margaret Phillips, Eula Wright, Elizabeth (Betty) Engleman, Margaret McGown\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. MM-45-777\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. MM-45-2928\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-576\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-588\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eTop Row: Margaret Ford, Mary Ellen Gibson, Elizabeth Wiseman, Alice Huffman, Langhorne Cloyd, Mayme Griffitts, Ruth Eastman, Eula Wright, Minnie Lee Dozier, Mamie Donley, Margery Stulting, Frances Thomas, Addie Roadcap, Nova Dowd. Second Row: Mamie Kidd, Ella Gillespie, Kenneth Grim, Preston Trousdale, William Norman Thornton, Beverley Hairfield, William Edgar Waddell, Ruth Beery, James Richmond Low, John Coleman, John Rogers Mapp, William Laird, Jane Anderson, Helen Gilkerson. Bottom Row: Henry Mayo, Leon Culbertson, H. B. Holsinger, E. Cato Drash, Staige D. Blackford, John McNeel, Byrd S. Leavell, Edwin Shearburn, John Guerrant, Albert Gillespie\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right: John Makley (?), Betty Wiseman, Alice Law, William Snavely, unidentified man, Dick Bell, Hilda Franklin, Tom Payne, Bea Ramsey\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003enote entrances that can hide light of O.R., so called \"black out entrances\"\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right: Kinkopf, McNeel, Winthrop, Drash, Beery, McKoan, McCone, Blackford, Holmboe, Suhling\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-58\u003c/p\u003e","\u003cp\u003eLewis Kirkman in the center\u003c/p\u003e","\u003cp\u003eTed Laird, unidentified woman, Staige Blackford, Frances Wells Broadfoot (bride), Fred Broadfoot (groom), Ted Marks (best man) in Florence, Italy\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-754\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-754\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-590\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-594\u003c/p\u003e","\u003cp\u003eWomen L-R: Beery, Robinson, Matthews, bridal couple, Wiseman, Franklin, Brusati; Men L-R: unidentified man, Martin, unidentified man, Leavell, Marshall, Ted Laird\u003c/p\u003e","\u003cp\u003ephotograph taken and donated by William Snavely\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-551\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C/MM-5-44-100403\u003c/p\u003e","\u003cp\u003eLeft to right: Kidd, unidentified woman, Dofflemeyer, unidentified woman, Huffman, unidentified man\u003c/p\u003e","\u003cp\u003eLeft to right: Hornbarger, Ramsey, Canniff\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-754\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-5\u003c/p\u003e","\u003cp\u003eLeft to right: Corpsman, patient, patient, Wiseman, Blackford, Beery\u003c/p\u003e","\u003cp\u003efar left: Hornbarger, far right: Sandridge\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-754\u003c/p\u003e","\u003cp\u003eSmith, Linus Miller, Leavell, Northrup, Gilkerson, Beery, Boston (not 8th Evac), Tolliver(not 8th Evac), Dick Morris (?)\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-\u003c/p\u003e","\u003cp\u003eMonin, Canniff, Laird, Wiseman, Ramsey, Weller, Blackford, Culbertson, Hrejsa, Miller identified as being in photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-739-3\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-586\u003c/p\u003e","\u003cp\u003eKirkman (on right), Mapp to the left of Kirkman, packing boxes made by 8th Evac shop were also used as desks\u003c/p\u003e","\u003cp\u003e3rd from left: Holmboe, 5th from left: Drash, others are unidentified\u003c/p\u003e","\u003cp\u003eTim Holt (?), Guerrant, Shearburn, Al Den (?), Holsinger, Eula Wright and Ted Laird in photo\u003c/p\u003e","\u003cp\u003edesigned by Randal Luscombe\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photos\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eBlackford, Wray, Michie, Laird, all facing camera\u003c/p\u003e","\u003cp\u003eColonel Bruce, Asst. Surgeon, 5th Army, 1 unidentified man, Forrestal, Kirkman, unidentified man, Drash in Cecina, Italy\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-739-3\u003c/p\u003e","\u003cp\u003eLeft to right: McNeel, unidentified man, Forrestal, Drash; Armed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-739-\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right: John McKoan, unidentified man, Angela Brusati (bridesmaid), Marie Galvin (first 8th Evac nurse to become a bride \"in the field\"); Armed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-739-4\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right: Blackford, Wray, Michie, Laird\u003c/p\u003e","\u003cp\u003eBlackford, Wray, Michie, Laird at table\u003c/p\u003e","\u003cp\u003e: Bell, first man on left; Alice Huffman, facing camera to left of woman in white; Sherman, first on right in front group\u003c/p\u003e","\u003cp\u003eBlackford, Wray, Michie and Laird at table\u003c/p\u003e","\u003cp\u003eMcKoan, Kinkopf, Blackford, McNeel, Gillespie (?), Suhling present but not specifically identified in photo\u003c/p\u003e","\u003cp\u003eleft to right: unidentified woman, Hornbarger, unidentified woman, Wiseman in front of tent at Anfa Hill near Casablanca\u003c/p\u003e","\u003cp\u003eNorthrup on far left, Jane Anderson second from left, Holsinger on right with pipe\u003c/p\u003e","\u003cp\u003eHarry Dumbleton second from right in back row, John Mapp bottom row in middle\u003c/p\u003e","\u003cp\u003eleft to right: patient, George Northrup, Frederick Neumeister\u003c/p\u003e","\u003cp\u003e\"Les Poseurs\" The Posers\u003c/p\u003e","\u003cp\u003eshows ward boxes designed and organized by the 8th Evac; Armed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eFletcher Spann and John Dawson at work (unclear which man is which)\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-558\u003c/p\u003e","\u003cp\u003eleft to right: Hilda Franklin, unidentified woman, and F. Jean Williams\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eJ. L. Knight, an X-ray technician, gives a chest X-ray; Armed Forces Institute of Pathology Neg. No. 5/MM-45-767\u003c/p\u003e","\u003cp\u003eleft to right: Kate Robinson, Byrd Leavell, Betty Johnson, John Guerrant, Bea Ramsey\u003c/p\u003e","\u003cp\u003eseated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, Hubert Holsinger, James Culberton, John Morris, Al Gillespie, Rich Low. Photographed by Ralph Thompson\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. MM-5-44-2179\u003c/p\u003e","\u003cp\u003eleft to right: Wray, Blackford, Michie, William Laird\u003c/p\u003e","\u003cp\u003eLuce visits patient Julius Hartfell during her tour of the Fifth Army Front; Armed Forces Institute of Pathology Neg. No. 5/MM-45-4984\u003c/p\u003e","\u003cp\u003eLeft to right: Angela Brusati (bridesmaid), John McKoan, Marie Galvin, the first 8th Evac nurse to become a bride \"in the field\"\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology C-44-552\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. MM-5-44-2178\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-555\u003c/p\u003e","\u003cp\u003eA ward tent was located here during the siege\u003c/p\u003e","\u003cp\u003eleft to right: unidentified man, McNeel, Mark Clark, Stimson (pith helmet) 2 unidentified men, Drash, unidentified man\u003c/p\u003e","\u003cp\u003ephoto by Instituto Nazionale per le Relazioni Culturali con L'estero (National Institute for cultural Relations with Foreign Countries)\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-579\u003c/p\u003e","\u003cp\u003eThis photo shows the new braces which replaced the old tepee poles and also shows the instrument bundle stands that were stackable. The note on one photo is by Randal Luscombe and says, \"Stand - made - 10 of them.\" Armed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eShaffer writes about his camera surviving a 1000 foot fall from an airplane and its risky rescue. The photo shows the 8th Evac north of Naples in 1943 where the inspiration for the shower scene in the movie \"MASH\" occurred.\u003c/p\u003e","\u003cp\u003eShaffer writes about filming a surgical procedure at the 8th Evac and includes photos that were used as a guide for the movie \"MASH.\"\u003c/p\u003e","\u003cp\u003eShaffer writes about how to make a heater from a 500 pound bomb casing and encloses a photo of Shaffer on a cot in his tent and a photo of tents in the wet spring of 1945.\u003c/p\u003e","\u003cp\u003eThe transparency is of the 8th Evac at Pietramala, Italy, and was made in the winter of 1944-45.\u003c/p\u003e","\u003cp\u003eThe photo shows from left to right: McNeel, Secretary of War Stimson (pith helmet), an unidentified man, and General Mark Clark and was taken in September 1944.\u003c/p\u003e","\u003cp\u003eThe photos show tents, patients, and military personnel at the 8th Evac's Lake Garda location in the summer of 1945.\u003c/p\u003e","\u003cp\u003eThe photo is of the area near the 8th Evac camp at Pietramala in the winter of 1944-45 and shows the Brenner Pass. Senator Bob Dole was severely wounded here.\u003c/p\u003e","\u003cp\u003eTop row: 1st Lts. Low, Mapp, Miller, Monin, Hairfield, Driscoll, Mayo, Mulford, Smith, Northrup, Casscells, Laird, W., Ross, Morris, Kinkoff, Scarborough; Third row: Capts. Grim, Waddell, Shearburn, Gillespie, Beck, Haley, Suhling, Leavell, Windham, Payne, Marshall, Culbertson, L., Guerrant, Culbertson, J., Thornton, Bell, Den; 2nd row: Majs. Holsinger, Hill, Laird, E., Holmboe, Lt. Cols. Blackford, Putnam, Drash, Majs. McNeel, Siersema, Kinser, LeBauer, Winthrop; bottom row: 2nd Lts. Lynch, Jenkins, 1st Lts. Churchill, Blessing, 2nd Lts. Snavely, Weller, Murrian\u003c/p\u003e","\u003cp\u003eThe photo is of the 8th Evac staff in the summer of 1944.\u003c/p\u003e","\u003cp\u003eThis recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003eThis recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003eThis recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003eThis recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003eThese are updated copies of the 1990 address list. Autograph notes on the original are from 1995. The photocopy includes autograph notes from 2000. Names marked \"returned\" refer to a mailing sent in 2000.\u003c/p\u003e","\u003cp\u003eGuerrant solicits personal recollections for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003e8th Evac camp was across the street from the Anfa Hotel where Roosevelt, Stalin and Churchill met.\u003c/p\u003e","\u003cp\u003eHolsinger bottom right with pipe\u003c/p\u003e","\u003cp\u003eleft to right: Kirkman, Blackford, two unidentified men\u003c/p\u003e","\u003cp\u003eleft to right: Blackford, Wray, Michie, Laird at table\u003c/p\u003e","\u003cp\u003eClark is tall man in center, King George is 2nd from the right, others are unidentified\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. 5-44-100394\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. 5-44-589\u003c/p\u003e","\u003cp\u003eOne end of the building sets several feet off the ground on stilts and is anchored to the ground by steel cables. Armed Forces Institute of Pathology Neg. No. 5/MM-45-772\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C--44-556\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology 5/MM-45-4982\u003c/p\u003e","\u003cp\u003eThis photo shows the center portion of a standard ward.\u003c/p\u003e","\u003cp\u003eScrapbook photographs include those of Pageland, South Carolina; Halloran General Hospital, Staten Island, New York; Casablanca; Cairo; Switzerland; Italy: Caserta, Teano, Carinola, Cellole, Cecina, Anzio, Le Ferriero, Pietramala, Po River, Pisa, Venice, Gardone, and Milan; and 1950 reunion\u003c/p\u003e","\u003cp\u003eCommendation is for meritorious service during January 1944\u003c/p\u003e","\u003cp\u003eAlumnae Association of the Training School for Nurses of the Garfield memorial Hospital, Washington D.C.\u003c/p\u003e","\u003cp\u003eLetter concerns Red Cross surgical dressings sent to the 8th Evac\u003c/p\u003e","\u003cp\u003eDrash and Shearburn ordered to report for duty\u003c/p\u003e","\u003cp\u003eoperating tent had 8 operating tables and 2 sterile supply tables\u003c/p\u003e","\u003cp\u003eWiel and Harlin were directors of the Home for Convalescing Nurses\u003c/p\u003e","\u003cp\u003eProbably Drash and Harlin on right\u003c/p\u003e","\u003cp\u003e2nd, 3rd, and 4th photos show nurses Hornbarger (on left) and Dorothy Sandridge (on right). Ruth Beery is in front in the 2nd photo.\u003c/p\u003e","\u003cp\u003eNotation on back: \"Una difficile curva in Montagna.\"\u003c/p\u003e","\u003cp\u003eNotation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12328 - Battelli armati dell'Armata Italiana in Russia in perlustrazione lungo un corso d'acqua sul fronte orientale.\u003c/p\u003e","\u003cp\u003eNotation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12057 - Una nave nemica centrata dal siluro di un sommergibile italiano operante nell'Atlantico mentre affonda lentamente.\u003c/p\u003e","\u003cp\u003eNotation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 11423 - Treno blindato sovietico caduto intatto nelle mani delle truppe italiane nell'ansa del Don.\u003c/p\u003e","\u003cp\u003eNotation on back: ISTITUTO NAZIONALS LUCE = ROMA 21/6/42 XX RG. 6093, Tobruch e il suo porto, [?] dalle truppe italiane e germaniche\u003c/p\u003e","\u003cp\u003eNotation on back: Fiosole\u003c/p\u003e","\u003cp\u003eNotation on back: Interior of the post-operative tent\u003c/p\u003e","\u003cp\u003eNotation on back: Interior of post-operative tent\u003c/p\u003e","\u003cp\u003eNurses, patients and tents in the background\u003c/p\u003e","\u003cp\u003eBeery in checkered dress\u003c/p\u003e","\u003cp\u003eNotation on back of photo: showers - Rockingham, N. C.\u003c/p\u003e","\u003cp\u003eNotation on back: \"Alumni News: April 1963, page 9\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-557, Notation on back: \"Alumni News: April 1963, page 9\u003c/p\u003e","\u003cp\u003eLeft to right: Elizabeth Harlin Drash, Jane Anderson, 2 unidentified women, e. Cato Drash, unidentified woman\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-593\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-565\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-567\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-588\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-571\u003c/p\u003e","\u003cp\u003efrom left to right: Wray, Blackford, Michie, William Laird\u003c/p\u003e","\u003cp\u003eNotation on back: Setting up operating room supplies. Italian women\u003c/p\u003e","\u003cp\u003eNotation on back: Washing operating room supplies\u003c/p\u003e","\u003cp\u003eRandal Luscombe or Maurice LeBauer supervises the erection\u003c/p\u003e","\u003cp\u003eLeft to right: Sue Hornbarger, Elizabeth Wiseman, Jane Anderson, civilian, unidentified people\u003c/p\u003e","\u003cp\u003eMcKoan facing nurse (Ruth Beery?) with Blackford behind nurse\u003c/p\u003e","\u003cp\u003eThe belts contain recordings of Byrd Leavell dictating his wartime journal\u003c/p\u003e","\u003cp\u003eThe red belts contain recordings of Byrd Leavell dictating his wartime journal and the blue belts are of Leavell dictating a draft of portions of his book The 8th Evac.\u003c/p\u003e","\u003cp\u003eleft to right: Ned Waddell, Betsy Johnson, Kate Robinson, Alice Huffman, Alice Law, Billie Gibson\u003c/p\u003e","\u003cp\u003eM. Cathleene Carter is standing with her back to the camera\u003c/p\u003e","\u003cp\u003eNotation of back: Castel Falconera, near Licata, Sicily - my first billet in Sicily - Headquarters 1st Engineer Special Brigade\u003c/p\u003e","\u003cp\u003eNotation of back: Rest camp\u003c/p\u003e","\u003cp\u003eNotation on back: Paris, night celebration in the street\u003c/p\u003e","\u003cp\u003eDorothy Sandridge is giving anesthesia to the left, Armed Forces Institute of Pathology photo C44-549\u003c/p\u003e","\u003cp\u003eLeft to right: Helen Berkeley, 2 unidentified women, Hilda Franklin, Lelia Cloyd\u003c/p\u003e","\u003cp\u003eDrash is pinning a medal on an unidentified man\u003c/p\u003e","\u003cp\u003eLeft to right: first woman is Addie Roadcap, Holmboe sitting on first end seat to left, Mulford behind Holmboe. The two kneeling men are Snavely (on left) and Casscells taking photos. Monin is above and slightly to the left of Snavely.\u003c/p\u003e","\u003cp\u003eNotation on back: Fotocelere di A. Campassi - Terino - Via Marochetti 41 - 1933 X 1\u003c/p\u003e","\u003cp\u003eNotation of back: A \"flashlight\" photo of a typical evening \"in the field\" except that this happened on VE day - night. We were having a drink and toasting the gallant lads who cracked the Nazi Super Man myth.\u003c/p\u003e","\u003cp\u003eNotation of back: We have our less serious moments too. This is at a division clearing station up front; Blackford, Barker Long and I were showing Turner, from the SGO, a glimpse of the war from a safe distance.\u003c/p\u003e","\u003cp\u003eLeft to right: Kirkman, Reyer, Carmaak, Long, Sturgeon; second row: Generals Martin, Davis, Stayer, 300th QH\u003c/p\u003e","\u003cp\u003eNotation of back: ?, General MC Stayer, General Joe I. Martin, The Brazilian Surgeon General and assistant Major Buchanan LWK [Kirkman]; Above does not appear to be in order left to right. Martin is 2nd from left and Stayer is 3rd from left, Kirkman is to the far right.\u003c/p\u003e","\u003cp\u003eNotation on back: Fifth Army Medical Dept. Rest Center at Castiglioncello, between Cecina and Leghorn, August 1944\u003c/p\u003e","\u003cp\u003eNotation on back: A most informal pose \"cocktails before the showers\" at the 170th [Evac] near Treviso. Jack Donaguy, Bang (John O.) McNeel, LWK [Kirkman]. The guy peeking from behind the tent door is [ ] French, one of the [ ] original O'Reilly [ ]\u003c/p\u003e","\u003cp\u003eNotation on back: An early AM shot showing the basketball court we fashioned beneath the rugged peak called Mount Beni at Pietramala, Italy, on Highway 65 halfway between Florence and Bologna\u003c/p\u003e","\u003cp\u003eNotation of back: Casson Studio, 1305 Connecticut Ave, Washington D.C.\u003c/p\u003e","\u003cp\u003eNotation of back includes: Studio of Hear's Inc. Springfield Mo.\u003c/p\u003e","\u003cp\u003eTwo men are wearing sweaters with big initial H and all wearing hiking boots\u003c/p\u003e","\u003cp\u003eArticles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later\u003c/p\u003e","\u003cp\u003eArticles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later\u003c/p\u003e","\u003cp\u003ePhoto shows changes made in operating light to eliminate cumbersome legs and braces formerly used. Armed Forces Institute of Pathology 5 MM-45-1812\u003c/p\u003e","\u003cp\u003eLeft to right: Cato Drash, John Guerrant, Ruth Beery, Norman Thornton, Byrd Leavell with Italian flag from Casablanca. Photo taken at an 8th Evac reunion in Charlottesville. Flag was later returned to Italy.\u003c/p\u003e","\u003cp\u003eThe letter was written on the occasion of the presentation of the Wendal Waddell portrait to UVa School of Medicine. Left to right, bottom row: Jack Humphries, Bob Hightower, Reed Hopkins, THE CHIEF, Bill Wray, Mac Birdsong, Betty Whitehead, Willie Grossman; second row: Nat Ewell, Charlie Gleason, Harry Austin, Bill Harman, Page Booker, Jim Stone, Warren Gregory, Andy Townes, Joe Mitchell; top row: Dan Anderson, Jimmy Etheridge, Jimmy Wood, Julia Edmunds, Morris Lambdin, Fred Mitchell, Bill Thomnpson, Bill Liddle, Cam L'Engle, Gene Frame, Wiltsie Young, Fletcher Harrell\u003c/p\u003e","\u003cp\u003eThe note indicates the New Testament was given on Feb. 8, 1943 and carried and used throughout WW II. The flag was given to Anderson by Myrtle Hall from UVa who used it throughout WW I.\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003eEnclosed are the names and addresses of all who attended as well as those that did not attend the 1960 reunion\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003eLeft to right: Betsy, Billie, Cathleene Carter, Madge, and Northrup\u003c/p\u003e","\u003cp\u003eNotation on back: What we came home on\u003c/p\u003e","\u003cp\u003eNotation on back includes: Streasa [Stresa?]\u003c/p\u003e","\u003cp\u003eNotation on back: [Camp] Kilmer\u003c/p\u003e","\u003cp\u003eSame building as 23-031 identified as [Camp] Kilmer; Notation on back: Ex 451 C-6 Annex\u003c/p\u003e","\u003cp\u003ePhotos taken by U.S. Signal Corps, includes mess hall, reception room, auditorium, kitchen, bakery equipment, x-ray unit, ward scene, nurses' quarters, and acute medical and surgical building\u003c/p\u003e","\u003cp\u003eCadesus pin with eagle and the letter \"N,\" clutch back post attachment, donated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003e48554 on back of pin, donated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003eMany photographs are of buildings and the ruins of buildings, interiors, towns, the countryside, and non-military people, including children. There are photos of the 8th Evac, but they do not predominate.\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eMedical Class of 1943, left to right, First row: John Dean Adams, Margaret Alford Barnes, Walter Prothro Barnes, Jr., Monte Leroy Binder, Oliver Beirne Bobbitt, Jr., Armistead Page Booker, Richard Booth, Jr., Eugene Calloway, Jr., Joshua Fry Bullitt Camblos, Donal Paul Chance, Sidney William Cohen, James Thomas Colley Second row: William Cassius Cook, Jr., Lewis Franklin Cosby, Jr., Thomas Stilwell Edwards, George Bleecker Ely, Thomas Carter Fowlkes, Irvin Galin, Giles Quarles Gilmer, Milton Sidney Goldman, William Dandridge Haden, Jr., William Gletcher Harrell, Jr., Edward Roberts Hawkins, Charles Herbert Henderson, Jr. Third row: Charles Albert Hudson, Carl William Irwin, Eugene Rhodes Johnston, George Barnard Kegley, Eusebius Milton Kellam, Joseph Kessler, Camillus Saunders L'Engle, Jr., Carl Jay Levine, Myrtle Evelyn Logan, Frank Armstrong McCue, Donald David Markowitz, Samuel Percy Marshall Fourth row: John William Henry Morgan, Raney Archer Oven, John Brewer Petter, Carol LeVan Plott, James Guy Price, George Nicholas Psimas, Charles Frederick Schneider, Nelson Montgomery Smith, Joshua Price Sutherland, Robert McKinney Tankesley, John Covington Tinsley, Jr. Fifth row: Mary Martin Wade, Donald Walters, Walter Motley White, Jr., Harold Stanley Yood, Eugene James Yorkoff\u003c/p\u003e","\u003cp\u003eCertificate from the Nurses Examining Board for the State of Virginia states that Matthews is entitled to show she is a registered nurse.\u003c/p\u003e","\u003cp\u003eCertificate certifies that Matthews has completed three years course of instruction at the University of Virginia Hospital School of Nursing.\u003c/p\u003e","\u003cp\u003eMany photographs are of buildings, interiors, towns, the countryside, and non-military people. Many, if not all, appear to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.\u003c/p\u003e","\u003cp\u003eMany photographs are of buildings, interiors, towns, the countryside, a parade, and non-military people, including children. All seem to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.\u003c/p\u003e","\u003cp\u003eThe certificate was presented to the University of Virginia for its sponsorship, organization, and staffing of the 8th Evacuation Hospital.\u003c/p\u003e","\u003cp\u003eNotation on back: I recognize Ted Laird, Norm Thornton, Jim Culbertson, Prentice Kinser, John Haley (hat) Capt. Windham, Lt. Snavely\u003c/p\u003e","\u003cp\u003eWilliam Laird is on the far left, Staige Blackford 3rd from left\u003c/p\u003e","\u003cp\u003eNotation on back includes: Two of them got married! Frankie and Dick, Lt. Monin, Don Watson? Peterson?, Orsini?\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eHilton Nau behind the counter dispenses goods to Joseph Dziuba. Harry Wright is in the background. Armed Forces Institute of Pathology photo 5/MM-45-762\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo 5/MM-45-769\u003c/p\u003e","\u003cp\u003eThe enclosed papers about Sebastian who died in World War II include his poetry.\u003c/p\u003e","\u003cp\u003eincludes dates of religious services, movement and location of 8th Evac, books read by Laird, addresses, and discretionary fund account; donated by his daughter, Marion Laird Gould\u003c/p\u003e","\u003cp\u003eThe article is about Alice Huffman Bugel\u003c/p\u003e","\u003cp\u003eMacey writes concerning her uncle, Joseph Crouch, who was buried at Pietramala, Italy\u003c/p\u003e","\u003cp\u003eenclosed with letter is \"Personal Reflections of the 8th Evac. Hospital\" by Beverley D. Tucker, Jr.\u003c/p\u003e","\u003cp\u003eThis copy was used to make spiral bound books.\u003c/p\u003e","\u003cp\u003eThis book was printed from the web exhibit for the UVa Medical Alumni Association Annual Advisory Meeting, January 26-28, 2001.\u003c/p\u003e","\u003cp\u003eGuerrant writes about the 8th Evac web exhibit and solicits personal recollections from the former members.\u003c/p\u003e","\u003cp\u003eleft to right: Alice Huffman, Ella Gillespie, Thelma Matthews and Kate Robinson\u003c/p\u003e","\u003cp\u003eleft to right: Alice Law, Thelma Matthews, Lelia Langhorne Cloyd, Hilda Franklin, Alice Huffman (?), Ella Gillespie, Kate Robinson\u003c/p\u003e","\u003cp\u003enote prefabricated house in background; left to right: unidentified man, Huffman (?), Gillespie, Robinson, Beverly Hairfield\u003c/p\u003e","\u003cp\u003eleft to right: Lelia Langhorne Cloyd, Kate Robinson, Alice Huffman (?), Hilda Franklin\u003c/p\u003e","\u003cp\u003eleft to right: Dick Bell, McKelden Smith, Pat Driscoll, Ned Waddell, John Guerrant, Al Gillespie\u003c/p\u003e","\u003cp\u003eleft to right: Alice Law, sue Hornbarger, Emma Garland, Mildred Smith, Alice Huffman\u003c/p\u003e","\u003cp\u003eleft to right: Beverly Hairfield, Hubert Holsinger, James Low, Norman Thornton, E. Cato Drash\u003c/p\u003e","\u003cp\u003eleft to right women: Kate Robinson, Biddie (Emma Gillespie), Lelia Langhorne Cloyd, Hilda Franklin, Thelma Matthews, Alice Huffman, Alice Law; left to right men: Byrd Leavell, William Driscoll, H. St. George Tucker, Mckelden Smith, Richard Bell, S. Ward Casscells, Frank Wray, William Laird, Beverley Tucker\u003c/p\u003e","\u003cp\u003eleft to right: Kate Robinson, William D. R. Driscoll (the psycho team), Dorothy Sandridge and Edwin Mulford; Allen Hrejsa has his back to the tent\u003c/p\u003e","\u003cp\u003ephoto shows the 8th Evac near Florence, Italy in 1944\u003c/p\u003e","\u003cp\u003ephoto shows destruction seen as the unit left Tierno, Italy\u003c/p\u003e","\u003cp\u003epersonnel are listed within states by enlisted men, officers, and nurses\u003c/p\u003e","\u003cp\u003eletter informs reader of the death of Everett Cato Drash and includes his obituary\u003c/p\u003e","\u003cp\u003ebook review of \"The 8th Evac\" by Byrd Leavell\u003c/p\u003e","\u003cp\u003ebook review of \"The 8th Evac\" by Byrd Leavell\u003c/p\u003e","\u003cp\u003ebook review of \"The 8th Evac\" by Byrd Leavell\u003c/p\u003e","\u003cp\u003eincludes appointments of Byrd Leavell, William Norman Thornton, John Guerrant\u003c/p\u003e","\u003cp\u003ebook review of Byrd Leavell's \"The 8th Evac\" by John A. Owen\u003c/p\u003e","\u003cp\u003edescribes the Po Valley campaign in words, maps and photos\u003c/p\u003e","\u003cp\u003eNorman Thornton is standing on the far left of the photo, John Guerrant is standing fourth from the left\u003c/p\u003e","\u003cp\u003ea paper about Horace Downing\u003c/p\u003e","\u003cp\u003ephoto is of the 8th Evac at Cap Matifou, near Algiers in 1943\u003c/p\u003e","\u003cp\u003ephoto is of the 8th Evac arriving at Anzio in June 1944\u003c/p\u003e","\u003cp\u003ephoto is of Pageland Gym, Nurses' Home, and the Officer's Club\u003c/p\u003e","\u003cp\u003ephoto is of the kitchen and mess hall near Teano in 1943\u003c/p\u003e","\u003cp\u003ephoto is of Naples harbor in 1943\u003c/p\u003e","\u003cp\u003enotation on back: ...who built our ward boxes and numerous gadgets that made for success of 8th Evac Hospital in Africa \u0026amp; Italy\u003c/p\u003e","\u003cp\u003ethe Santa Paula is the troopship which carried the 8th Evac to Africa\u003c/p\u003e","\u003cp\u003e\"Army Nurse fought battle on tow fronts\": the story of Elizabeth Engleman Carter\u003c/p\u003e","\u003cp\u003eLuscombe includes photos of his shop and land in Missouri and relates several incidents from the 8th Evac\u003c/p\u003e","\u003cp\u003eMarshall recounts how he joined the 8th Evac\u003c/p\u003e","\u003cp\u003eHilda Franklin Bell\u003c/p\u003e","\u003cp\u003enotes for talk to the UVa History (Medical) Society\u003c/p\u003e","\u003cp\u003eJohn Guerrant's notes for a medical history talk\u003c/p\u003e","\u003cp\u003eThis detachment took part in the initial invasion of Sicily by men on 10 LSTs (landing ship, tank)\u003c/p\u003e","\u003cp\u003edonated by son of Norman Thornton\u003c/p\u003e","\u003cp\u003e1943 photo of the first Purple Heart at Anfa Hill\u003c/p\u003e","\u003cp\u003eEnclosure is a reprint from \"The Journal of Urology\" Vol. 55, No. 1, January 1946, \"Urogenital Wounds in an Evacuation Hospital\" by Donald Forbes Marshall\u003c/p\u003e","\u003cp\u003eThe letter is in regard to Sampas's uncle, Sampatis Sampatacacus, a member of the 8th Evac. He encloses two papers about his uncle and his uncle's poetry. Last known address for Tony Sampas: 51 West St., Pepperell, MA 01463\u003c/p\u003e","\u003cp\u003econtains updates of former 8th Evac officers and nurses\u003c/p\u003e","\u003cp\u003eJohn Guerrant on the far right looking at camera with his wife, Laura, beside him\u003c/p\u003e","\u003cp\u003eseated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, James Culberton, John Morris, Al Gillespie. Photographed by Ralph Thompson\u003c/p\u003e","\u003cp\u003eleft to right: Walter Blackston, Norman Thornton, James Biggar, John Dempsey, Mrs. Dempsey\u003c/p\u003e","\u003cp\u003eleft to right: Lelia Langhorne Cloyd, unidentified man, Colonel Michie (not 8th Evac), Minnie Lee dozier, unidentified woman\u003c/p\u003e","\u003cp\u003eleft to right: Mrs. Ray Monin, Ray Monin, unidentified man\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo MM-5-44 2180\u003c/p\u003e","\u003cp\u003eparty given for John McKoan, departing commanding officer at the 8th Evac\u003c/p\u003e","\u003cp\u003eMany people are identified in the photo itself: Waddell, Bill Laird, Weller, LeBauer, Marshall, Haley, Lallah Edwards Anderson, Ted Laird, Cathleene Carter, Mamie Donley Bryant, Mulford, Hairfield, Den, McKelden Smith, Rich Low, Thornton, Lelia Cloyd Iseman\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right on page 13: three unidentified, Linus Miller, Madge Darden, Prentice Kinser, Don Marshall, Ed Shearburn\u003c/p\u003e","\u003cp\u003eleft to right and clockwise: Ray Monin (with cigarette in mouth), Beverly Hairfield, William Waddell, Harris Holmboe, John Morris, James Low and unidentified man\u003c/p\u003e","\u003cp\u003eDocuments are in regard to Lallah Edwards Anderson, Hilda Franklin Bell, Raymond Canipe, S. Ward Casscells, Francis Churchill, J. Walter Dempsey, Edward Denny, Horace Downing, John Gordon, Kenneth Grim, Byrd Leavell, Maruice LeBauer, Donald Marshall, Bob Mitchell, Edwin Mulford, Addie Roadcap, William Pennington Snavely (Bill Snavely), Kate Robinson Thornton, William Norman Thornton\u003c/p\u003e","\u003cp\u003eBetty Wiseman Throop is on the cover.\u003c/p\u003e","\u003cp\u003eleft to right: Byrd Leavell, Addie Roadcap, Mrs. Ray Monin, Nancy Leavell, Bill Suhling\u003c/p\u003e","\u003cp\u003eMinnie Lee Dozier second from right, Mrs. Gilkerson (?) and Beverley Tucker (?) also in photo\u003c/p\u003e","\u003cp\u003eleft to right: Al Gillespie, Dick Morris, Beverley Tucker (?), Dick Bell\u003c/p\u003e","\u003cp\u003eleft to right: McKelden Smith, Anne Smith, Dick Morris, Lucy Morris, Hilda Franklin Bell, Dick Bell\u003c/p\u003e","\u003cp\u003eBeverley Tucker (?) in middle with tie\u003c/p\u003e","\u003cp\u003eleft to right: Dick Bell, Jim Boston, Maurice LeBauer, Beatrice Ramsey Boston\u003c/p\u003e","\u003cp\u003eleft to right: Montey Wray (not an 8th Evac member), Rich Low, Bill Suhling\u003c/p\u003e","\u003cp\u003eseven men at the bar, Byrd Leavell second from left, Dick Morris 5th from left,\u003c/p\u003e","\u003cp\u003eleft to right: Cato Drash, Montey Wray (not an 8th Evac member), Lottie Gibson, Walter Blackston\u003c/p\u003e","\u003cp\u003eThe article details the various inventions by Holmboe that improved life at the 8th Evac: tents without center-poles, sinks from German bomb cases, water-heating system, running water, flexible operating lamps, adjustable operating tables, drinking fountains, ice cream freezer.\u003c/p\u003e","\u003cp\u003eClipping includes photo of Drash, Guerrant, Thornton, and Leavell holding the flag taken from the Italian Consulate in Casablanca\u003c/p\u003e","\u003cp\u003eBerkeley presents materials regarding his aunt Helen Berkeley's service with the 8th Evac to the Health Sciences Library\u003c/p\u003e","\u003cp\u003eincludes separation record, certificate of service, appointment to captain, and immunization registers\u003c/p\u003e","\u003cp\u003edonated by Helen Berkeley's nephew, Edmund Berkeley, Jr.\u003c/p\u003e","\u003cp\u003edonated by Helen Berkeley's nephew, Edmund Berkeley, Jr.\u003c/p\u003e","\u003cp\u003eVolume I (blue cover) includes photographs taken in Pageland, SC; Casablanca, Morocco; Caserta, Naples, Pompei, Capri, Teano, Rome, Grosetto, Cecina, Castiglioncella, Florence, Pietramala, Verona, Venice, and Stressa, Italy. Also included are the August 1942 and October 1942 issues of the Evacu-Eighter, 8th Evacuation Hospital Layout, \"Mud, Mules, and Mountains: Cartoons of the A. E. F. in Italy\" by Bill Mauldin, \"Road to Rome\" a pamphlet addressed to the Officers and Men of the Fifth Army from Lt. General Mark W. Clark, and assorted and mementos from Gillespie's service as an army nurse during World War II.\u003c/p\u003e","\u003cp\u003eVolume II (brown cover) includes reunion photos from the 1950s, 1980, 1985, and 1995, and photographs taken at Lake Garda, Florence, Italy, and Switzerland. Also included are an informational bulletin from the University Study Center, Mtousa, Caserta, Italy; mementos from the ship \"Vulcania\" which sailed from Naples, Italy to New York, and whose passengers included nurses; welcome back brochures from Camp Kilmer, New Jersey; November 1943, October 1944, and December 1945 issues of the \"University of Virginia Alumni News;\" Spring 1946 issue of the \"Bulletin of the University of Virginia Medical School and Hospital\" which gives a brief history of the 8th Evac Hospital and was devoted to the military service of faculty and alumni; May 1990 issue of \"House Organ\" by Vanderbilt University Medical Center with an article about 8th Evac nurse Alice Bugel; newsletters from 1946(?), 1947, 1948(?), 1949, 1950, 1951 with updates on the officers and nurses; original drawings by Bing Brown; poems; notes; reunion mementos; and postcards.\u003c/p\u003e","\u003cp\u003eIncluded are photos of John Guerrant, the 8th Evac labs, Jefferson Day celebration, views of the 8th Evac camps, hanging of Mussolini, and postcards of Casablanca, Napoli, Rome, and Capri\u003c/p\u003e","\u003cp\u003eThe notebook contains the names of deceased soldiers and includes rank, injury, address for next of kin, date of death, and date of Beery's letter to next kin. After the war Beery wrote letters to the next of kin of those who died in the 8th Evac Hospital or who were dead on arrival.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter1/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http:://exhibits.hsl.virginia.edu/8thevacuation/letter2/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter3/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter3/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter4/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter5/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter6/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter7/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter8/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter9/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter10/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter11/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter12/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter13/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter14/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter15/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter16/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter17/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter18/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter19/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter20/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter21/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter22/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter23/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter24/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter25/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter26/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter27/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter28/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter29/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter30/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter31/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter32/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter33/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter34/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter35/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter36/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter37/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter38/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter39/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter40/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter41/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter42/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter43/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter44/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter45/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter46/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter47/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter48/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter49/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter50/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter51/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter52/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter53/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter54/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter55/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003eGuerrant writes that after the war Beery wrote to the families of those who died at the 8th Evac Hospital. Beery saved the letters she received in response.\u003c/p\u003e","\u003cp\u003econtains chapters on general information; military discipline and courtesy; insignia; organization; clothing; arms and equipment; school of the soldier with and without arms; squad and platoon drill; interior guard duty; marches, camps, and bivouacs; use of compasses and maps; security and protection; military sanitation and first aid; the ration; pay and allowances; and the last will and testament\u003c/p\u003e","\u003cp\u003eThis arm band was used by U. S. Air Borne Paratroopers\u003c/p\u003e","\u003cp\u003eLetters written on these specially designed letter sheets were microfilmed. The microfilmed copies were sent instead of the letters and then \"blown up\" at an overseas destination before being delivered to military personnel, thereby saving valuable cargo space.\u003c/p\u003e","\u003cp\u003eThese are facsimiles of the reduced-in-size V mail letter sheets.\u003c/p\u003e","\u003cp\u003eCards include fingerprints and photo.\u003c/p\u003e","\u003cp\u003eThis card was used as a meal ticket throughout the soldier's voyage.\u003c/p\u003e","\u003cp\u003eIncludes a list of special equipment for medical and surgical wards, plan for bed ward, and a guide to the hospital plan.\u003c/p\u003e","\u003cp\u003eIncludes letters from Mark Clark and Joseph Martin, a special feature by Bill Laird on the presentation to UVa of the portrait of Dr. Staige Davis Blackford, and names and addresses.\u003c/p\u003e","\u003cp\u003eSuspended for three years, this issue of the Bulletin gives priority to the military service of alumni and faculty, including a record of the 8th Evac.\u003c/p\u003e","\u003cp\u003eIncludes the dinner menu and a list of personnel.\u003c/p\u003e","\u003cp\u003eThe article describes Langhorne Cloyd Iseman's experience with the 8th Evac.\u003c/p\u003e","\u003cp\u003eThe unidentified women are probably all 8th Evac nurses as the notation on the back states \"6 of the 8 Frankie [Hilda Franklin?] and Huffie [Alice Huffman?] missing.\" The women appear to be the same as in Box 34, Folder 33.\u003c/p\u003e","\u003cp\u003eThe unidentified women are probably all 8th Evac nurses. The women appear to be the same as in Box 34, Folder 32.\u003c/p\u003e","\u003cp\u003eThe maps are Island of Hawaii, Island of Kauai, Island of Oahu, and Island of Maui and were issued by the Hawaii Tourist Bureau. Matthews was stationed at Tripler in Honolulu.\u003c/p\u003e","\u003cp\u003eBrusati encloses 3 photographs: one of his sister Angela Brusati who was with the 8th Evac and two of her classmates. They called themselves with one other nurse, \"The California Commandos.\"\u003c/p\u003e","\u003cp\u003eThe letters from Prentice Kinser to his wife and other members of his family were stored in a small suitcase. This suitcase is now in Historical Collections' artifact collection. It is artifacts01230.\u003c/p\u003e","\u003cp\u003e2 letters in envelopes, 2 postcards, 9 photographs\u003c/p\u003e","\u003cp\u003eSome of the 8th Evac patients were returned to receive treatment at Halloran Hospital.\u003c/p\u003e","\u003cp\u003eThe photo of the graduating class includes Prentice Kinser.\u003c/p\u003e","\u003cp\u003eMonument inscription IOANNES BAPTISTA REZZONICO ...; ISTITUTO NAZIONALE PER LE RELAZIONI CULTURALI CON L'ESTERO ROMA Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO 12150 Reparti italinai di guastatori attaccano un capo saldo nemico sul fronte egiziano; Venice, May 8, 1945; Panorama of Venice from Campanile, May 8, 1945; Prentice Kinser, Venice, May 8, 1945; King Victor Emmanuel Memorial; Easter Sunday, Pietramala, Ruth Buffington and Prentice Kinser; Palazzo delle Assicurazioni Generali di Venezia; building with quote from Mussolini: ... vostra madre, dovete, con la stessa purezza di sentimento, amare la madre comune: la Patria nostra; Levin Islands from Super Cannes; funiculare going to Super Cannes, June 1945; beach at Cannes; Walk along waterfront in Cannes; Hotel Carlton and waterfront at Cannes; Monaco France where Monte Carlo is located; Filling station in Milan, Italy where Mussolini and henchman were hung\u003c/p\u003e","\u003cp\u003e6 photos from Portici, Italy, some dated March 1945, 2 of Prentice Kinser; waterfall and statuary in gardens; Prentice Kinser amongst the Cupids, February 1945; the 1st Christian church in Italy (Rome); Mussolini's balcony, Piazza Venezia, Rome; the Roman Forum; map in stone on old Roman wall of Holy Roman empire at its height; a pagan temple?; Roman amphitheater or Colosseum; photo of woman and 2 little girls with notation on back: You can't tell who I am but notice the high sign given by Carolyn.\u003c/p\u003e","\u003cp\u003ePhotos all include Prentice Kinser, one shows him having an award pinned on, another is the officers of the 8th Evac at the Italian consulate in Casablance in December 1942\u003c/p\u003e","\u003cp\u003eSome photos taken in Pompeii.\u003c/p\u003e","\u003cp\u003e3 photos of Jungfraujoch inside the Gletscherpalast or ice palace, one outside, A. G. Wehrli; Signpost to Rothorn, Kunstverlag H.C. Maeder; Wagenbachbrunne, Luzern, Wehrli \u0026amp; Vouga \u0026amp; Co.; Brienz, Dorfpartie, Kunstverlag H.C. Maeder; Thun und die Alpen, Wehrli \u0026amp; Vouga \u0026amp; Co.; Polarhunde auf dem Jungfraujoch, Wehrli \u0026amp; Vouga \u0026amp; Co.; Oberried a. Brienzersee, Verlag Schild-Bichsel; Thun, Schloss, Wehrli \u0026amp; Vouga \u0026amp; Co.; Thun, Hauptgasse, Wehrli \u0026amp; Vouga \u0026amp; Co.; Roma - Piazza di Spagna; Roma - Piazza Venezia; Luzern. Museggtrume, Wehrli \u0026amp; Vouga \u0026amp; Co.; L. Thomann Brienz\u003c/p\u003e","\u003cp\u003eSome photos taken in Pompeii.\u003c/p\u003e","\u003cp\u003eDiary was given to Prentice Kinser by his wife just before leaving Fort Benning on Sept. 15, 1942. First entry is September 15, 1942 and continues into 1943. Inside the front cover is written: \"Note Made Oct. 11, 1943 Bet made with Maury Lebauer in presence of J.O. McNeil, John Guerrant, Calvin Drayer in front of J.O's tent night of Oct. 10, 1943 ... in Paestum in Italy. If war is over Jan 1st 1944 I owe him 10.00. If war is not over by June 30, 1944 he owes me $15.00. On continent of Europe 5.00 even on War is over Jan 1st 1944, 5.00. 2 to one its over by June 30 1944.\"\u003c/p\u003e","\u003cp\u003eNapoli map and excursions, Church of Santa Croce, Florence, A Soldier's Guide to Florence, Soldier's Guide to Italy\u003c/p\u003e","\u003cp\u003eMaps and guidebooks to Switzerland in general and Berne, Lucerne, and Jungfrau\u003c/p\u003e","\u003cp\u003eThe bills are marked Casablanca, Nov. 18, 1942; Marrakeich, Jan. 15, 1943; Rabat, Feb. 15, 1943; Port Lyautey, Feb. 1943; Algiers, Maison Blanche, Cap Matifou, Oran, Aug. 1943\u003c/p\u003e","\u003cp\u003ePage 6 (top) of the pamphlet has instructions for Maj. Prentice Kinser to be moved from the 3d Evac Hosp., Wadesboro, NC, effective about Aug. 24, 1942 to the 8th Evac Hosp. at Ft. Benning, Ga.\u003c/p\u003e","\u003cp\u003eKinser was the investigating officer for a case which resulted in a Summary Court Martial.\u003c/p\u003e","\u003cp\u003ePatricia Kinser's paper \"explore[s] the history of the 8th Evacuation Hospital in World War II within a narrative describing the experiences of Dr. Prentice Kinser Jr., an orthopedic surgeon, and Dorothy Sandridge Gloor, a surgical nurse in the unit.\" The paper is in partial fulfillment of requirements for GNUR 8230: Historical Inquiry in Nursing. The invitation is to an open house in Historical Collections on November 15, 2011 where Patricia Kinser presented her paper and the donation of her grandfather's paper was celebrated.\u003c/p\u003e","\u003cp\u003eThe Shock Team is shown sitting on stairs. top row: Mallow, Holsinger, Morris; bottom row: Ward, Kidd. The receiving team is from left to right: Didier, Buonovicino, Wanderer, Horwath, De Ross, Salmon. The third group shot shows top row: Bara, Erk, Johnsmeyer, Padula; bottom row: Johnson, Meckle, Pratt, Glaser.\u003c/p\u003e","\u003cp\u003eThe photos all show Pietramala in the winter snow. Also included is the crest of Radicosa Pass, tents, Mt Beni, Chapel tent, Christmas wine barrel, town of Pietramala, winterized ward tents\u003c/p\u003e","\u003cp\u003eThe storm pictures include the wreck of the mess hall. One Christmas picture shows three women; the other shows a man in front of an evergreen tree.\u003c/p\u003e","\u003cp\u003eThe wedding took place in the American Episcopal Church in FLorence. Chaplain Laird performed the ceremony.\u003c/p\u003e","\u003cp\u003eShows altar, congregants and clergy.\u003c/p\u003e","\u003cp\u003eText of a presentation given in Historical Collections for the Sloane Society by Dr. Reynolds.\u003c/p\u003e","\u003cp\u003eReprint of the article in the Transactions of the American Clinical and Climatological Association, Vol. 125.\u003c/p\u003e","\u003cp\u003eThe album contains photographs, list of rations for their wedding reception, and some of her parent's memories of serving overseas. Wells served with the 8th Evac as a nurse. Broadfoot was a captain with the Cryptography Unit of the Signal Corps.\u003c/p\u003e","\u003cp\u003e7 unframed paintings, 1 pencil sketch, 1 photograph. Paintings by Major Edwin Shearburn, an officer in the U.S. Army's Eighth Evacuation Hospital Unit who created a series of paintings that documented his life in the unit during World War II. The pencil sketch of Shearburn was created by Sgt. Brumment Echohawk, also of the unit.\u003c/p\u003e","\u003cp\u003eThe folder in this item contains photographs and governmental documents related to the 8th Evac Hospital and John W. McKoan's activity as General there.\u003c/p\u003e\n","\u003cp\u003eThere are also 27 artifacts that were donated along with the folder that were cataloged and are stored in a separate location within the department with other artifacts. The materials are in good condition but should be handled with care. The items are:\u003c/p\u003e\n","\u003cp\u003e(1) one uniform with side cap, (1) one helmet, (1) one sabre, (1) one set of cowbells, (2) two photographs, (1) one folder of correspondence, letters, and battle reports spanning 1943-1944, (2) rounds of Western Cartridge Company 1942 ammunition marked \"WCC 42,\" (1) one metal canteen, (1) one metal military flashlight, (1) one can of rations, (2) two metal folding cutlery kits, (1) one thermometer, (1) wooden block with a \"J\" and \"W\" on the sides, (1) one pocket nail file with a clip, (1) one metal German military belt buckle with the words \"Gott Mit Uns\" (confirmed Nazi buckle), (1) one pair of dog tags, (1) one metal ID bracelet, (1) one mother-of-pearl cuff link (other pair missing), (1) one metal cuff link (pair missing), (1) one 1920 koninkrijk der nederlanden coin 1 cent, (1) one iron cross medal, (1) one American Legion heart medal, (14) fourteen pins of various sizes and materials, (9) nine large brass US Military buttons, (11) eleven small brass US Military buttons, (8) eight military bar pins, some with metal stars, (6) six military patches, and (1) one trophy in honor of a fallen soldier from 1943.\u003c/p\u003e","\u003cp\u003eThis item consists of one 16mm film featuring members of the US Army Signal Corps engaged in training exercises at the 8th Evacuation Hospital in Italy.\u003c/p\u003e","\u003cp\u003eThis item consists of one (1) 8mm film reel and two (2) digitized copies of the 8 mm film produced by Hilda Franklin and Dick Bell of the U.S. Army 8th Evacuation Hospital Unit. The file depicts the couple's wedding, members of the 8th Evacuation Hospital Unit, and Italian landmarks and scenery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Additional artifacts, including uniforms, plaques, and a replica set of Roman instruments, are in the artifact collection at the Claude Moore Health Sciences Library, Historical Collections, University of Virginia. A web exhibit on the 8th Evacuation Hospital, featuring content and images from the collection is available here: http://exhibits.hsl.virginia.edu/8thevacuation/","THE DIETZ PRESS","J. PAUL WINTHROP OBITUARY, ELIZABETH ENGLEMAN, CATO DRASH","AMERICAN LEGION MAGAZINE, ARMY DIGEST, ARMY TIMES","INCLUDES A SHEET WITH THE LAST NAMES OF 72 MEN WHO WERE EVIDENTLY PATIENTS AT THE 8TH EVAC. MANY NAMES CORRESPOND WITH THOSE IN RUTH BEERY'S NOTEBOOK OF THE MEN WHO DIED AT THE 8TH EVAC. THE NAMES ARE LISTED ALPHABETICALLY BUT ONLY GO PARTWAY THROUGH THE LETTER H. THE STATISTICAL REPORT GIVES INFO ON ADMISSIONS DIAGNOSES, FRACTURES, CAUSATIVE AGENTS OF WOUNDED PATIENTS, DEATHS, AND VARIOUS CLINICS.","ELIZABETH ENGLEMAN, CATO DRASH, STAIGE D. BLACKORD","8th Evac. Hospital in Anfa Hill, Casablanca, and Italy","8th Evac. in Casablanca, Italian Consulate in Casablanca and Pietramala, Spring, 1945","8th Evac. in Pietremala, and Teano; Mud, Operating Tent, X-Ray Area","8th Evac. in Pietramala; Dispensary, Operating Tent, X-Ray Dark Room, Mess Tent, Ward, Latrines, Operating Theaters, Tent Construction","8th Evac. in Casablanca, Italian Consulate in Casablanca, and Ravello; Purple Heart Ceremony; Tents; Vehicles","8th Evac. in Pietramala, Teano, and Montecatini Area; Mess Tent, Shock Tent, Water Truck and Tank, Blood Bank, Utility Tent, Operating Room, X-Ray Department, Ambulance Turnabout, Lt. Gen. Mark Clark, Immunization Shots","Casablanca, and Marrakesh; Rocks, Allied Parade, Set-Up at Anfa, Purple Heart Ceremony","Pietramala seen from Mt. Beni, Ambulances, Major John O. Mcneel, M. C., Registrar, 8th Evac. Hospital with Secretary of War Stimson","8th Evac. in Pietramala, and Teano; Snow, Wood Cutting, Mess Tent, Operating Theater, Wards, Aid Station","8th Evac. in Capua Area, and Teano Area; Wood Cutting, Water Supply, Hospital Lab, X-Ray Tent, Operating Room, Utilities Tent, Winterization, Ward Building","8th Evac. in Teano, and Carinola; USO Show, Various Individuals","8th Evac. in Caserta, Carinola, Teano, Riardo","8th Evac. in Teano, Santa Maria, Cellole, Beach below Minturno; Stretching Tent, German prisoner patient, Marlene Dietrich Show","June 1944 - Rome, Grosseto, Cisterna, Le Ferriere","June 1944 - Cisterna, Le Ferriere, Rome, Cecina","Galluzzo, Cecina, Naples, Volterra - Supply Tent, Enlisted Mens' Mess, Ward Tents, Post Office, USO performers, Generators, WACs and Nurses","Cecina, and Volterra; Laboratory, Refrigerators, Secretary of Navy Forrestal, Clinic, Dispensary, and Dental Clinic","Cecina, Galluzzo, Castiglioncello, San Gimignano; General Giraud, Captain Wharton, General Clark, General Alexander, King George VI","San Gimignano, Galluzzo, Pietramala, Siena; Red Cross Workers, Laundry Tent, Offices, Congresswoman Mary Nourse Rogers","Florence, and Pietremala; Winterization, Clare Booth Luce","Pietremala; Winterization, Wood Supply, Water Tower, Enlisted Mens' Quarters, Dental Clinic, Mess Hall, Ward Tents, Pre-Fabs","Pietremala, Cecina, and Florence; Secretary of War Stimson, Ward Tents","Pietramala, Florence, Pisa, Lucca, and Futa Pass","Pietramala, Buttapietra, Verona, Salo, and Carinola","1945 - Buttapietra, Pietramala, Verona, Mt. Beni, Venice; Ambulance Convoy, German Prison Camp Refugees, Chaplains' Tents, Red Cross Tent","May, 1945 - Venice","May 1945 - Venice, Buttapietra, Milan and Alassio","Genoa, Lake Garda and Fasano","Fasano, Dezanzano, and Gardano","Po River, Gibraltar, and Dezanzano","1. Italian consulate building where McKoan took command Feb. 1943 2. Ward at 8th Evac. in Casablanca","1. Ward tents, 8th EVAC. (on roof), Casablanca, Mar. 1943 2. 8th EVAC. at roof of Italian consulate, Casablanca","1. Maj. Wintrop at work in dental clinic, Casablanca, Feb. 1943 2. Clean-up prior to move to Anfa Hill, March 1943","1. Tents 2. Enlisted men pack bags, March 1943","1. View from Anfa Hill 2. Col. McKoan and driver at President Roosevelt's villa, Casablanca, May 1943","1. Capt. \"Big\" Kincopf, Asst. 2. Anfa Hotel, Casablanca, across street from 8th Evac.","1. Col. McKoan leaving for Anfa Hill 2. Enlisted men packing for Anfa Hill","1. Enlisted men cleaning area prior to move to Anfa Hill 2. 8th Evac. as it was set up on Anfa Hill, Casablanca, March 1943","1. 8th Evac. 1st tents up at Anfa Hill, boxes contain ward supplies, X-ray equipment, etc. March 14, 1943 2. Ward tents being set up March 14, 1943","1. 8th Evac. Anfa Hill from Anfa Hotel 2. Col. McKoan awarding 1st Purple Hearts to wounded from 1st U.S. Infantry Division","1. General Wilson seated far left, 2nd Armd. Div. 2. Officers' tents, Anfa Hill","1. McKoan outside French Naval Headquarters, June 1943 2. McKoan with Dutch Consul Cabos, outside McKoan's tent on Anfa Hill, June 1943","1. Funeral for PFC Harold C. Phillips who drowned 6/10/43 at Casablanca","2. Funeral for Harold C. Phillips","Mechanics salvaging lumber in Casablanca from shipping crates","Arab children in North Africa","Leaving Anfa Hill for Algiers: Loading trucks","1. Algiers 2. Country scene en route to Algiers","Cathedral of the Black Virgin, Algiers","Col. Radke and John McKoan at Cap Matifou, Algiers","Cap Matifou","Packing to leave Cap Matifou","Goat Hill, Oran, Algeria; Lt. Col. Staige D. Blackford","1. British motor boat, Oran, Algeria 2. Downed plane at Paestum, Italy - used as Nurses' Latrine","Naples","Pompeii","1. Cassino, Italy 2. Battapaglia - Refugees headed south","1. McKoan and General Martin 2. Mary Jane McCone","Air Raid on Naples, Searchlights","Caserta","Windham and Robinson","Haverty (killed at Anzio), Bruce, Huffman, Martin, McKoan, Galvin, Sullivan","McKoan directing operations at Teano","Commanding General of U.S. Air Force in Italy and McKoan","McKoan looking over German battle plans captured by Pvt. John Deringer of the 6th Armored Infantry","Teano","Teano, Italy - Ambulance Turnabout, Armed Forces Institute of Pathology Neg. No. MM-5-44-100390","Teano","Tin Shop also known as Holmboe's Machine Shop, Capua Area","Teano; McKoan and Buffington","Men with jeep","Teano","Teano","1. Litter with wounded from front 2. Tank headed for Cassino","Alfred Den, Radiologist; X-ray apparatus","Teano; X-ray darkroom","Teano; Margaret McGowan demonstrates new holder for IV anesthesia syringe","Teano","Teano","Sterilization Room; Operating Room","Capua; Surgical Tent","Teano; Chapel and Red Cross Unit; Operating Room","Carinola","Carinola","Teano; Face injury case","Cassino; Front line","Soldiers on tank","Caserta; Italian Army Camouflage School","Casablanca","Capua; Clinical Laboratory","Pignataro","Soldier who stepped on a mine","8th EVAC. Sign on road to Rome, Route 6","San Pietro; Front line","Capua; Surgical Tent","Teano; Shock equipment","Teano; Sterilizing Room","Caserta","Latrine in use","Cassino; Wounded being carried from ambulance into receiving tent","Teano","Casualties in receiving tent","The newsletter lists nurses, including Ruth Beery, who contributed to the Clara Josephine McLeod portrait fund.","The newsletter contains an article and photos concerning the presentation by Ruth Beery of a portrait of Clara Josephine McLeod.","Ruth Beery was chair of the portrait committee and gave the remarks at the presentation.","\"Roosevelt Dies\"","\"Hostilities Ended at 12:01 AM","\"Japs Say They Accept\"","\"Peace at Last\"","\"Picture Story of the Ruined Town of Cassino\"","Baskin describes in words and drawings the two years spent as a soldier in Italy during WWII.","personnel are listed within states by enlisted men, officers, and nurses","photo and write-up on the occasion of the presentation of Byrd Leavell's book \"The 8th Evac\" to the McIntire Library","personnel are listed within states by enlisted men, officers, and nurses","photo and names of the members of 8th Evac Hospital staff and list of nurses","shows Drash being interviewed at Anzio, Italy","Includes how tents were decorated and heated, recreation, clothing, also description of indoor ward latrines, medical cases, war campaign, nurse staffing, nurse illness, and military occupational specialties of nurses by name.","Palazzo uses material from Leavell's book \"The 8th Evac\" but adds new information based on his interview with Leavell and Beery. In particular he adds the experiences of the nurses.","The drawing shows exactly where various supplies such as bed pans, buckets, pitchers, stool, table, narcotic lock box, and cups were packed.","The hospital layout includes quarters for the officers, nurses, enlisted men and civilian labor. Also included are the various wards, latrines, dining areas, labs, etc.","This report is a history of the activities of the 8th Evac for 1944 and includes patients, types of injuries, housing, recreation, distinguished visitors and moves.","These orders list military personnel and their arm of service and address of record.","Statues, children and soldiers in Rome","Winterized ward tent","Dish-washing tent, patients' mess","Ward sterilization room; Noon and Robinson","Casablanca; Anfa Hill","Laird, William","Anfa Hill","Anfa Hotel","Casablanca; 66th Station Hospital","Horwath","Bara, Morton","Chaplains' tents","Randal Luscombe supervising the erecting of a tent, the frame of which he helped design","Irving Berlin with a group of officers","Stimson and General Clark visiting camp","Army Surgeons Congress C.M.F. Rome","Left to right, First row: John Dempsey, Harry Dumbleton, Ruth Buffington, Cathleene Carter, Minnie Lee Dozier, Ruth Eastman Sholars, Frances Thomas, Betty Wiseman Throop, Lallah Edwards Anderson, Dorothy Sandridge Gloor, Emma Garland, Ruth Beery, Nick Iannuzzelli, Frank Johnson, Sally Brightman van Zalis, Horace Downing, Addie Roadcap, Langhorne Cloyd Iseman, Mary Jane McCone, Jean William Gray. Second row: Edward Denny, Kate Robinson Thornton, William Summers, Thomas Petty, John Guerrant, Robert Meckel, Thelma Mathews, Elizabeth Engleman Carter, Elizabeth Johnson, Helen Berkeley, Walter Blackston, Sue Hornberger Kroll, Norris Philbeck, Hylton Crotts, Edward Deegan, Beverley Tucker, Jane Anderson McBride, Ray Monin, James Bigger, William R. Hill, Alice Huffman Bugel, Maurice LeBauer, Hilda Franklin Bell, Beverly Hairfield, Elizabeth Harlin Drash, Hubert Holsinger, Charles Capenter. Third row: McKelden Smith, Robert Mitchell, Norman Thornton, Lowell Gram, Kenneth Fradenburg, Randal Luscombe, James D. Ferguson, Raymond Canipe, William Snavely, Harold Bjorklund, Fred Johnson, Byrd Leavell, John R. Morris, Wilbur Northrup, Donald Marshall, E. Cato Drash, John Haley, Andrew Rabuck, Morrell Pratt, John Alexevich, John Gordon.","Blackford, Payne, Haley, Hairfield, Guerrant, Holmboe, Bell, Leavell,Eagle, Wright, Thomas, Dofflemeyer, Franklin, Carter, Mills, Dozier, Berkeley, Drash, Gilkerson, Wiseman, Cloyd, Anderson, Beery, Matthews, Roadcap, McNeel, Hill, Lebauer, Mitchell, Monin, Snavely","Pietramala","Anfa Hill; McNeel","Teano; Ward boxes with supplies for 40 bed ward","Lake Garda","Goat Hill; Oran; Algeria","Men shaving","Harbor at Oran, Algeria","Goat Hill; Oran; Algeria; Showering outside","Anfa Hill; Jenkins","Baldwin","Pietramala; Martin","Interior of shock ward","Stimson; Drash","Clark; Stimson","Clark; Stimson","Erk","Tucker; Glazer; Johnsmeyer","Geeslin","Glazer","Drash","Bara; Rosumny; Geeslin; Erk; Pratt; Johnson; Glazer","Kinkopf, McKoan, Snavely","Pratt; Bara; Johnsmeyer; Glazer; Meckel; Padula","From left to right, starting with the top row and then 2nd, 3rd, and bottom rows: Margaret Sue Hornbarger, Frances Houston, Rebecca Dofflemeyer, Alice Eagle, Mayme Griffitts, Alice Huffman, Hilda Franklin, F. Jean Williams, Kate Robinson, Lelia Langhorne Cloyd, Thelma Matthews, Frances Thomas, Alice Law, Angela Brusati, Nova Dowd, Dora Guglielmetti, Elizabeth (Betty) Wiseman, C. Elizabeth (Betsy) Johnson, Lottie B.(Billy) Gibson, Helen Gilkerson, Mabel Ayers, Mamie Kidd, Ruth Eastman, Ella Gillespie, Jane Anderson, Beatrice Ramsey, Lallah Edwards, Margaret Petersen, Clara Orsini, Lucille White, Dorothy Sandridge, Ann Mickle, Ruth Beery, Mary Jane McCone, Madge Darden, Christine Mills, Mamie Donley, Elizabeth Harlin, Mary Ellen Gibson, Addie Roadcap, M. Cathleene Carter, Mildred Smith, Helen Berkeley, Ruby Armstrong, Annie Laura Dickson, Minnie Lee, Emma Garland, Myrtle Hatcher, Margaret Phillips, Eula Wright, Elizabeth (Betty) Engleman, Margaret McGown","Armed Forces Institute of Pathology Neg. No. MM-45-777","Armed Forces Institute of Pathology Neg. No. MM-45-2928","Armed Forces Institute of Pathology Neg. No. C-44-576","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-44-588","Armed Forces Institute of Pathology photo","Top Row: Margaret Ford, Mary Ellen Gibson, Elizabeth Wiseman, Alice Huffman, Langhorne Cloyd, Mayme Griffitts, Ruth Eastman, Eula Wright, Minnie Lee Dozier, Mamie Donley, Margery Stulting, Frances Thomas, Addie Roadcap, Nova Dowd. Second Row: Mamie Kidd, Ella Gillespie, Kenneth Grim, Preston Trousdale, William Norman Thornton, Beverley Hairfield, William Edgar Waddell, Ruth Beery, James Richmond Low, John Coleman, John Rogers Mapp, William Laird, Jane Anderson, Helen Gilkerson. Bottom Row: Henry Mayo, Leon Culbertson, H. B. Holsinger, E. Cato Drash, Staige D. Blackford, John McNeel, Byrd S. Leavell, Edwin Shearburn, John Guerrant, Albert Gillespie","Armed Forces Institute of Pathology photo","left to right: John Makley (?), Betty Wiseman, Alice Law, William Snavely, unidentified man, Dick Bell, Hilda Franklin, Tom Payne, Bea Ramsey","Armed Forces Institute of Pathology photo","note entrances that can hide light of O.R., so called \"black out entrances\"","Armed Forces Institute of Pathology photo","left to right: Kinkopf, McNeel, Winthrop, Drash, Beery, McKoan, McCone, Blackford, Holmboe, Suhling","Armed Forces Institute of Pathology Neg. No. C-44-58","Lewis Kirkman in the center","Ted Laird, unidentified woman, Staige Blackford, Frances Wells Broadfoot (bride), Fred Broadfoot (groom), Ted Marks (best man) in Florence, Italy","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-44-590","Armed Forces Institute of Pathology Neg. No. C-44-594","Women L-R: Beery, Robinson, Matthews, bridal couple, Wiseman, Franklin, Brusati; Men L-R: unidentified man, Martin, unidentified man, Leavell, Marshall, Ted Laird","photograph taken and donated by William Snavely","Armed Forces Institute of Pathology Neg. No. C-44-551","Armed Forces Institute of Pathology Neg. No. C/MM-5-44-100403","Left to right: Kidd, unidentified woman, Dofflemeyer, unidentified woman, Huffman, unidentified man","Left to right: Hornbarger, Ramsey, Canniff","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-44-5","Left to right: Corpsman, patient, patient, Wiseman, Blackford, Beery","far left: Hornbarger, far right: Sandridge","Armed Forces Institute of Pathology Neg. No. C-45-754","Smith, Linus Miller, Leavell, Northrup, Gilkerson, Beery, Boston (not 8th Evac), Tolliver(not 8th Evac), Dick Morris (?)","Armed Forces Institute of Pathology Neg. No. C-44-","Monin, Canniff, Laird, Wiseman, Ramsey, Weller, Blackford, Culbertson, Hrejsa, Miller identified as being in photo","Armed Forces Institute of Pathology Neg. No. C-45-739-3","Armed Forces Institute of Pathology Neg. No. C-44-586","Kirkman (on right), Mapp to the left of Kirkman, packing boxes made by 8th Evac shop were also used as desks","3rd from left: Holmboe, 5th from left: Drash, others are unidentified","Tim Holt (?), Guerrant, Shearburn, Al Den (?), Holsinger, Eula Wright and Ted Laird in photo","designed by Randal Luscombe","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photos","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Blackford, Wray, Michie, Laird, all facing camera","Colonel Bruce, Asst. Surgeon, 5th Army, 1 unidentified man, Forrestal, Kirkman, unidentified man, Drash in Cecina, Italy","Armed Forces Institute of Pathology Neg. No. C-45-739-3","Left to right: McNeel, unidentified man, Forrestal, Drash; Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-45-739-","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","left to right: John McKoan, unidentified man, Angela Brusati (bridesmaid), Marie Galvin (first 8th Evac nurse to become a bride \"in the field\"); Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-45-739-4","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","left to right: Blackford, Wray, Michie, Laird","Blackford, Wray, Michie, Laird at table",": Bell, first man on left; Alice Huffman, facing camera to left of woman in white; Sherman, first on right in front group","Blackford, Wray, Michie and Laird at table","McKoan, Kinkopf, Blackford, McNeel, Gillespie (?), Suhling present but not specifically identified in photo","left to right: unidentified woman, Hornbarger, unidentified woman, Wiseman in front of tent at Anfa Hill near Casablanca","Northrup on far left, Jane Anderson second from left, Holsinger on right with pipe","Harry Dumbleton second from right in back row, John Mapp bottom row in middle","left to right: patient, George Northrup, Frederick Neumeister","\"Les Poseurs\" The Posers","shows ward boxes designed and organized by the 8th Evac; Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Fletcher Spann and John Dawson at work (unclear which man is which)","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-44-558","left to right: Hilda Franklin, unidentified woman, and F. Jean Williams","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","J. L. Knight, an X-ray technician, gives a chest X-ray; Armed Forces Institute of Pathology Neg. No. 5/MM-45-767","left to right: Kate Robinson, Byrd Leavell, Betty Johnson, John Guerrant, Bea Ramsey","seated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, Hubert Holsinger, James Culberton, John Morris, Al Gillespie, Rich Low. Photographed by Ralph Thompson","Armed Forces Institute of Pathology Neg. No. MM-5-44-2179","left to right: Wray, Blackford, Michie, William Laird","Luce visits patient Julius Hartfell during her tour of the Fifth Army Front; Armed Forces Institute of Pathology Neg. No. 5/MM-45-4984","Left to right: Angela Brusati (bridesmaid), John McKoan, Marie Galvin, the first 8th Evac nurse to become a bride \"in the field\"","Armed Forces Institute of Pathology C-44-552","Armed Forces Institute of Pathology Neg. No. MM-5-44-2178","Armed Forces Institute of Pathology Neg. No. C-44-555","A ward tent was located here during the siege","left to right: unidentified man, McNeel, Mark Clark, Stimson (pith helmet) 2 unidentified men, Drash, unidentified man","photo by Instituto Nazionale per le Relazioni Culturali con L'estero (National Institute for cultural Relations with Foreign Countries)","Armed Forces Institute of Pathology Neg. No. C-44-579","This photo shows the new braces which replaced the old tepee poles and also shows the instrument bundle stands that were stackable. The note on one photo is by Randal Luscombe and says, \"Stand - made - 10 of them.\" Armed Forces Institute of Pathology photo","Shaffer writes about his camera surviving a 1000 foot fall from an airplane and its risky rescue. The photo shows the 8th Evac north of Naples in 1943 where the inspiration for the shower scene in the movie \"MASH\" occurred.","Shaffer writes about filming a surgical procedure at the 8th Evac and includes photos that were used as a guide for the movie \"MASH.\"","Shaffer writes about how to make a heater from a 500 pound bomb casing and encloses a photo of Shaffer on a cot in his tent and a photo of tents in the wet spring of 1945.","The transparency is of the 8th Evac at Pietramala, Italy, and was made in the winter of 1944-45.","The photo shows from left to right: McNeel, Secretary of War Stimson (pith helmet), an unidentified man, and General Mark Clark and was taken in September 1944.","The photos show tents, patients, and military personnel at the 8th Evac's Lake Garda location in the summer of 1945.","The photo is of the area near the 8th Evac camp at Pietramala in the winter of 1944-45 and shows the Brenner Pass. Senator Bob Dole was severely wounded here.","Top row: 1st Lts. Low, Mapp, Miller, Monin, Hairfield, Driscoll, Mayo, Mulford, Smith, Northrup, Casscells, Laird, W., Ross, Morris, Kinkoff, Scarborough; Third row: Capts. Grim, Waddell, Shearburn, Gillespie, Beck, Haley, Suhling, Leavell, Windham, Payne, Marshall, Culbertson, L., Guerrant, Culbertson, J., Thornton, Bell, Den; 2nd row: Majs. Holsinger, Hill, Laird, E., Holmboe, Lt. Cols. Blackford, Putnam, Drash, Majs. McNeel, Siersema, Kinser, LeBauer, Winthrop; bottom row: 2nd Lts. Lynch, Jenkins, 1st Lts. Churchill, Blessing, 2nd Lts. Snavely, Weller, Murrian","The photo is of the 8th Evac staff in the summer of 1944.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","These are updated copies of the 1990 address list. Autograph notes on the original are from 1995. The photocopy includes autograph notes from 2000. Names marked \"returned\" refer to a mailing sent in 2000.","Guerrant solicits personal recollections for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","8th Evac camp was across the street from the Anfa Hotel where Roosevelt, Stalin and Churchill met.","Holsinger bottom right with pipe","left to right: Kirkman, Blackford, two unidentified men","left to right: Blackford, Wray, Michie, Laird at table","Clark is tall man in center, King George is 2nd from the right, others are unidentified","Armed Forces Institute of Pathology Neg. No. 5-44-100394","Armed Forces Institute of Pathology Neg. No. 5-44-589","One end of the building sets several feet off the ground on stilts and is anchored to the ground by steel cables. Armed Forces Institute of Pathology Neg. No. 5/MM-45-772","Armed Forces Institute of Pathology Neg. No. C--44-556","Armed Forces Institute of Pathology 5/MM-45-4982","This photo shows the center portion of a standard ward.","Scrapbook photographs include those of Pageland, South Carolina; Halloran General Hospital, Staten Island, New York; Casablanca; Cairo; Switzerland; Italy: Caserta, Teano, Carinola, Cellole, Cecina, Anzio, Le Ferriero, Pietramala, Po River, Pisa, Venice, Gardone, and Milan; and 1950 reunion","Commendation is for meritorious service during January 1944","Alumnae Association of the Training School for Nurses of the Garfield memorial Hospital, Washington D.C.","Letter concerns Red Cross surgical dressings sent to the 8th Evac","Drash and Shearburn ordered to report for duty","operating tent had 8 operating tables and 2 sterile supply tables","Wiel and Harlin were directors of the Home for Convalescing Nurses","Probably Drash and Harlin on right","2nd, 3rd, and 4th photos show nurses Hornbarger (on left) and Dorothy Sandridge (on right). Ruth Beery is in front in the 2nd photo.","Notation on back: \"Una difficile curva in Montagna.\"","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12328 - Battelli armati dell'Armata Italiana in Russia in perlustrazione lungo un corso d'acqua sul fronte orientale.","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12057 - Una nave nemica centrata dal siluro di un sommergibile italiano operante nell'Atlantico mentre affonda lentamente.","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 11423 - Treno blindato sovietico caduto intatto nelle mani delle truppe italiane nell'ansa del Don.","Notation on back: ISTITUTO NAZIONALS LUCE = ROMA 21/6/42 XX RG. 6093, Tobruch e il suo porto, [?] dalle truppe italiane e germaniche","Notation on back: Fiosole","Notation on back: Interior of the post-operative tent","Notation on back: Interior of post-operative tent","Nurses, patients and tents in the background","Beery in checkered dress","Notation on back of photo: showers - Rockingham, N. C.","Notation on back: \"Alumni News: April 1963, page 9","Armed Forces Institute of Pathology Neg. No. C-44-557, Notation on back: \"Alumni News: April 1963, page 9","Left to right: Elizabeth Harlin Drash, Jane Anderson, 2 unidentified women, e. Cato Drash, unidentified woman","Armed Forces Institute of Pathology Neg. No. C-44-593","Armed Forces Institute of Pathology Neg. No. C-44-565","Armed Forces Institute of Pathology Neg. No. C-44-567","Armed Forces Institute of Pathology Neg. No. C-44-588","Armed Forces Institute of Pathology Neg. No. C-44-571","from left to right: Wray, Blackford, Michie, William Laird","Notation on back: Setting up operating room supplies. Italian women","Notation on back: Washing operating room supplies","Randal Luscombe or Maurice LeBauer supervises the erection","Left to right: Sue Hornbarger, Elizabeth Wiseman, Jane Anderson, civilian, unidentified people","McKoan facing nurse (Ruth Beery?) with Blackford behind nurse","The belts contain recordings of Byrd Leavell dictating his wartime journal","The red belts contain recordings of Byrd Leavell dictating his wartime journal and the blue belts are of Leavell dictating a draft of portions of his book The 8th Evac.","left to right: Ned Waddell, Betsy Johnson, Kate Robinson, Alice Huffman, Alice Law, Billie Gibson","M. Cathleene Carter is standing with her back to the camera","Notation of back: Castel Falconera, near Licata, Sicily - my first billet in Sicily - Headquarters 1st Engineer Special Brigade","Notation of back: Rest camp","Notation on back: Paris, night celebration in the street","Dorothy Sandridge is giving anesthesia to the left, Armed Forces Institute of Pathology photo C44-549","Left to right: Helen Berkeley, 2 unidentified women, Hilda Franklin, Lelia Cloyd","Drash is pinning a medal on an unidentified man","Left to right: first woman is Addie Roadcap, Holmboe sitting on first end seat to left, Mulford behind Holmboe. The two kneeling men are Snavely (on left) and Casscells taking photos. Monin is above and slightly to the left of Snavely.","Notation on back: Fotocelere di A. Campassi - Terino - Via Marochetti 41 - 1933 X 1","Notation of back: A \"flashlight\" photo of a typical evening \"in the field\" except that this happened on VE day - night. We were having a drink and toasting the gallant lads who cracked the Nazi Super Man myth.","Notation of back: We have our less serious moments too. This is at a division clearing station up front; Blackford, Barker Long and I were showing Turner, from the SGO, a glimpse of the war from a safe distance.","Left to right: Kirkman, Reyer, Carmaak, Long, Sturgeon; second row: Generals Martin, Davis, Stayer, 300th QH","Notation of back: ?, General MC Stayer, General Joe I. Martin, The Brazilian Surgeon General and assistant Major Buchanan LWK [Kirkman]; Above does not appear to be in order left to right. Martin is 2nd from left and Stayer is 3rd from left, Kirkman is to the far right.","Notation on back: Fifth Army Medical Dept. Rest Center at Castiglioncello, between Cecina and Leghorn, August 1944","Notation on back: A most informal pose \"cocktails before the showers\" at the 170th [Evac] near Treviso. Jack Donaguy, Bang (John O.) McNeel, LWK [Kirkman]. The guy peeking from behind the tent door is [ ] French, one of the [ ] original O'Reilly [ ]","Notation on back: An early AM shot showing the basketball court we fashioned beneath the rugged peak called Mount Beni at Pietramala, Italy, on Highway 65 halfway between Florence and Bologna","Notation of back: Casson Studio, 1305 Connecticut Ave, Washington D.C.","Notation of back includes: Studio of Hear's Inc. Springfield Mo.","Two men are wearing sweaters with big initial H and all wearing hiking boots","Articles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later","Articles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later","Photo shows changes made in operating light to eliminate cumbersome legs and braces formerly used. Armed Forces Institute of Pathology 5 MM-45-1812","Left to right: Cato Drash, John Guerrant, Ruth Beery, Norman Thornton, Byrd Leavell with Italian flag from Casablanca. Photo taken at an 8th Evac reunion in Charlottesville. Flag was later returned to Italy.","The letter was written on the occasion of the presentation of the Wendal Waddell portrait to UVa School of Medicine. Left to right, bottom row: Jack Humphries, Bob Hightower, Reed Hopkins, THE CHIEF, Bill Wray, Mac Birdsong, Betty Whitehead, Willie Grossman; second row: Nat Ewell, Charlie Gleason, Harry Austin, Bill Harman, Page Booker, Jim Stone, Warren Gregory, Andy Townes, Joe Mitchell; top row: Dan Anderson, Jimmy Etheridge, Jimmy Wood, Julia Edmunds, Morris Lambdin, Fred Mitchell, Bill Thomnpson, Bill Liddle, Cam L'Engle, Gene Frame, Wiltsie Young, Fletcher Harrell","The note indicates the New Testament was given on Feb. 8, 1943 and carried and used throughout WW II. The flag was given to Anderson by Myrtle Hall from UVa who used it throughout WW I.","donated by Cathleene Carter","donated by Cathleene Carter","Enclosed are the names and addresses of all who attended as well as those that did not attend the 1960 reunion","donated by Cathleene Carter","Left to right: Betsy, Billie, Cathleene Carter, Madge, and Northrup","Notation on back: What we came home on","Notation on back includes: Streasa [Stresa?]","Notation on back: [Camp] Kilmer","Same building as 23-031 identified as [Camp] Kilmer; Notation on back: Ex 451 C-6 Annex","Photos taken by U.S. Signal Corps, includes mess hall, reception room, auditorium, kitchen, bakery equipment, x-ray unit, ward scene, nurses' quarters, and acute medical and surgical building","Cadesus pin with eagle and the letter \"N,\" clutch back post attachment, donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","48554 on back of pin, donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","Many photographs are of buildings and the ruins of buildings, interiors, towns, the countryside, and non-military people, including children. There are photos of the 8th Evac, but they do not predominate.","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Medical Class of 1943, left to right, First row: John Dean Adams, Margaret Alford Barnes, Walter Prothro Barnes, Jr., Monte Leroy Binder, Oliver Beirne Bobbitt, Jr., Armistead Page Booker, Richard Booth, Jr., Eugene Calloway, Jr., Joshua Fry Bullitt Camblos, Donal Paul Chance, Sidney William Cohen, James Thomas Colley Second row: William Cassius Cook, Jr., Lewis Franklin Cosby, Jr., Thomas Stilwell Edwards, George Bleecker Ely, Thomas Carter Fowlkes, Irvin Galin, Giles Quarles Gilmer, Milton Sidney Goldman, William Dandridge Haden, Jr., William Gletcher Harrell, Jr., Edward Roberts Hawkins, Charles Herbert Henderson, Jr. Third row: Charles Albert Hudson, Carl William Irwin, Eugene Rhodes Johnston, George Barnard Kegley, Eusebius Milton Kellam, Joseph Kessler, Camillus Saunders L'Engle, Jr., Carl Jay Levine, Myrtle Evelyn Logan, Frank Armstrong McCue, Donald David Markowitz, Samuel Percy Marshall Fourth row: John William Henry Morgan, Raney Archer Oven, John Brewer Petter, Carol LeVan Plott, James Guy Price, George Nicholas Psimas, Charles Frederick Schneider, Nelson Montgomery Smith, Joshua Price Sutherland, Robert McKinney Tankesley, John Covington Tinsley, Jr. Fifth row: Mary Martin Wade, Donald Walters, Walter Motley White, Jr., Harold Stanley Yood, Eugene James Yorkoff","Certificate from the Nurses Examining Board for the State of Virginia states that Matthews is entitled to show she is a registered nurse.","Certificate certifies that Matthews has completed three years course of instruction at the University of Virginia Hospital School of Nursing.","Many photographs are of buildings, interiors, towns, the countryside, and non-military people. Many, if not all, appear to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.","Many photographs are of buildings, interiors, towns, the countryside, a parade, and non-military people, including children. All seem to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.","The certificate was presented to the University of Virginia for its sponsorship, organization, and staffing of the 8th Evacuation Hospital.","Notation on back: I recognize Ted Laird, Norm Thornton, Jim Culbertson, Prentice Kinser, John Haley (hat) Capt. Windham, Lt. Snavely","William Laird is on the far left, Staige Blackford 3rd from left","Notation on back includes: Two of them got married! Frankie and Dick, Lt. Monin, Don Watson? Peterson?, Orsini?","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Hilton Nau behind the counter dispenses goods to Joseph Dziuba. Harry Wright is in the background. Armed Forces Institute of Pathology photo 5/MM-45-762","Armed Forces Institute of Pathology photo 5/MM-45-769","The enclosed papers about Sebastian who died in World War II include his poetry.","includes dates of religious services, movement and location of 8th Evac, books read by Laird, addresses, and discretionary fund account; donated by his daughter, Marion Laird Gould","The article is about Alice Huffman Bugel","Macey writes concerning her uncle, Joseph Crouch, who was buried at Pietramala, Italy","enclosed with letter is \"Personal Reflections of the 8th Evac. Hospital\" by Beverley D. Tucker, Jr.","This copy was used to make spiral bound books.","This book was printed from the web exhibit for the UVa Medical Alumni Association Annual Advisory Meeting, January 26-28, 2001.","Guerrant writes about the 8th Evac web exhibit and solicits personal recollections from the former members.","left to right: Alice Huffman, Ella Gillespie, Thelma Matthews and Kate Robinson","left to right: Alice Law, Thelma Matthews, Lelia Langhorne Cloyd, Hilda Franklin, Alice Huffman (?), Ella Gillespie, Kate Robinson","note prefabricated house in background; left to right: unidentified man, Huffman (?), Gillespie, Robinson, Beverly Hairfield","left to right: Lelia Langhorne Cloyd, Kate Robinson, Alice Huffman (?), Hilda Franklin","left to right: Dick Bell, McKelden Smith, Pat Driscoll, Ned Waddell, John Guerrant, Al Gillespie","left to right: Alice Law, sue Hornbarger, Emma Garland, Mildred Smith, Alice Huffman","left to right: Beverly Hairfield, Hubert Holsinger, James Low, Norman Thornton, E. Cato Drash","left to right women: Kate Robinson, Biddie (Emma Gillespie), Lelia Langhorne Cloyd, Hilda Franklin, Thelma Matthews, Alice Huffman, Alice Law; left to right men: Byrd Leavell, William Driscoll, H. St. George Tucker, Mckelden Smith, Richard Bell, S. Ward Casscells, Frank Wray, William Laird, Beverley Tucker","left to right: Kate Robinson, William D. R. Driscoll (the psycho team), Dorothy Sandridge and Edwin Mulford; Allen Hrejsa has his back to the tent","photo shows the 8th Evac near Florence, Italy in 1944","photo shows destruction seen as the unit left Tierno, Italy","personnel are listed within states by enlisted men, officers, and nurses","letter informs reader of the death of Everett Cato Drash and includes his obituary","book review of \"The 8th Evac\" by Byrd Leavell","book review of \"The 8th Evac\" by Byrd Leavell","book review of \"The 8th Evac\" by Byrd Leavell","includes appointments of Byrd Leavell, William Norman Thornton, John Guerrant","book review of Byrd Leavell's \"The 8th Evac\" by John A. Owen","describes the Po Valley campaign in words, maps and photos","Norman Thornton is standing on the far left of the photo, John Guerrant is standing fourth from the left","a paper about Horace Downing","photo is of the 8th Evac at Cap Matifou, near Algiers in 1943","photo is of the 8th Evac arriving at Anzio in June 1944","photo is of Pageland Gym, Nurses' Home, and the Officer's Club","photo is of the kitchen and mess hall near Teano in 1943","photo is of Naples harbor in 1943","notation on back: ...who built our ward boxes and numerous gadgets that made for success of 8th Evac Hospital in Africa \u0026 Italy","the Santa Paula is the troopship which carried the 8th Evac to Africa","\"Army Nurse fought battle on tow fronts\": the story of Elizabeth Engleman Carter","Luscombe includes photos of his shop and land in Missouri and relates several incidents from the 8th Evac","Marshall recounts how he joined the 8th Evac","Hilda Franklin Bell","notes for talk to the UVa History (Medical) Society","John Guerrant's notes for a medical history talk","This detachment took part in the initial invasion of Sicily by men on 10 LSTs (landing ship, tank)","donated by son of Norman Thornton","1943 photo of the first Purple Heart at Anfa Hill","Enclosure is a reprint from \"The Journal of Urology\" Vol. 55, No. 1, January 1946, \"Urogenital Wounds in an Evacuation Hospital\" by Donald Forbes Marshall","The letter is in regard to Sampas's uncle, Sampatis Sampatacacus, a member of the 8th Evac. He encloses two papers about his uncle and his uncle's poetry. Last known address for Tony Sampas: 51 West St., Pepperell, MA 01463","contains updates of former 8th Evac officers and nurses","John Guerrant on the far right looking at camera with his wife, Laura, beside him","seated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, James Culberton, John Morris, Al Gillespie. Photographed by Ralph Thompson","left to right: Walter Blackston, Norman Thornton, James Biggar, John Dempsey, Mrs. Dempsey","left to right: Lelia Langhorne Cloyd, unidentified man, Colonel Michie (not 8th Evac), Minnie Lee dozier, unidentified woman","left to right: Mrs. Ray Monin, Ray Monin, unidentified man","Armed Forces Institute of Pathology photo MM-5-44 2180","party given for John McKoan, departing commanding officer at the 8th Evac","Many people are identified in the photo itself: Waddell, Bill Laird, Weller, LeBauer, Marshall, Haley, Lallah Edwards Anderson, Ted Laird, Cathleene Carter, Mamie Donley Bryant, Mulford, Hairfield, Den, McKelden Smith, Rich Low, Thornton, Lelia Cloyd Iseman","Armed Forces Institute of Pathology photo","left to right on page 13: three unidentified, Linus Miller, Madge Darden, Prentice Kinser, Don Marshall, Ed Shearburn","left to right and clockwise: Ray Monin (with cigarette in mouth), Beverly Hairfield, William Waddell, Harris Holmboe, John Morris, James Low and unidentified man","Documents are in regard to Lallah Edwards Anderson, Hilda Franklin Bell, Raymond Canipe, S. Ward Casscells, Francis Churchill, J. Walter Dempsey, Edward Denny, Horace Downing, John Gordon, Kenneth Grim, Byrd Leavell, Maruice LeBauer, Donald Marshall, Bob Mitchell, Edwin Mulford, Addie Roadcap, William Pennington Snavely (Bill Snavely), Kate Robinson Thornton, William Norman Thornton","Betty Wiseman Throop is on the cover.","left to right: Byrd Leavell, Addie Roadcap, Mrs. Ray Monin, Nancy Leavell, Bill Suhling","Minnie Lee Dozier second from right, Mrs. Gilkerson (?) and Beverley Tucker (?) also in photo","left to right: Al Gillespie, Dick Morris, Beverley Tucker (?), Dick Bell","left to right: McKelden Smith, Anne Smith, Dick Morris, Lucy Morris, Hilda Franklin Bell, Dick Bell","Beverley Tucker (?) in middle with tie","left to right: Dick Bell, Jim Boston, Maurice LeBauer, Beatrice Ramsey Boston","left to right: Montey Wray (not an 8th Evac member), Rich Low, Bill Suhling","seven men at the bar, Byrd Leavell second from left, Dick Morris 5th from left,","left to right: Cato Drash, Montey Wray (not an 8th Evac member), Lottie Gibson, Walter Blackston","The article details the various inventions by Holmboe that improved life at the 8th Evac: tents without center-poles, sinks from German bomb cases, water-heating system, running water, flexible operating lamps, adjustable operating tables, drinking fountains, ice cream freezer.","Clipping includes photo of Drash, Guerrant, Thornton, and Leavell holding the flag taken from the Italian Consulate in Casablanca","Berkeley presents materials regarding his aunt Helen Berkeley's service with the 8th Evac to the Health Sciences Library","includes separation record, certificate of service, appointment to captain, and immunization registers","donated by Helen Berkeley's nephew, Edmund Berkeley, Jr.","donated by Helen Berkeley's nephew, Edmund Berkeley, Jr.","Volume I (blue cover) includes photographs taken in Pageland, SC; Casablanca, Morocco; Caserta, Naples, Pompei, Capri, Teano, Rome, Grosetto, Cecina, Castiglioncella, Florence, Pietramala, Verona, Venice, and Stressa, Italy. Also included are the August 1942 and October 1942 issues of the Evacu-Eighter, 8th Evacuation Hospital Layout, \"Mud, Mules, and Mountains: Cartoons of the A. E. F. in Italy\" by Bill Mauldin, \"Road to Rome\" a pamphlet addressed to the Officers and Men of the Fifth Army from Lt. General Mark W. Clark, and assorted and mementos from Gillespie's service as an army nurse during World War II.","Volume II (brown cover) includes reunion photos from the 1950s, 1980, 1985, and 1995, and photographs taken at Lake Garda, Florence, Italy, and Switzerland. Also included are an informational bulletin from the University Study Center, Mtousa, Caserta, Italy; mementos from the ship \"Vulcania\" which sailed from Naples, Italy to New York, and whose passengers included nurses; welcome back brochures from Camp Kilmer, New Jersey; November 1943, October 1944, and December 1945 issues of the \"University of Virginia Alumni News;\" Spring 1946 issue of the \"Bulletin of the University of Virginia Medical School and Hospital\" which gives a brief history of the 8th Evac Hospital and was devoted to the military service of faculty and alumni; May 1990 issue of \"House Organ\" by Vanderbilt University Medical Center with an article about 8th Evac nurse Alice Bugel; newsletters from 1946(?), 1947, 1948(?), 1949, 1950, 1951 with updates on the officers and nurses; original drawings by Bing Brown; poems; notes; reunion mementos; and postcards.","Included are photos of John Guerrant, the 8th Evac labs, Jefferson Day celebration, views of the 8th Evac camps, hanging of Mussolini, and postcards of Casablanca, Napoli, Rome, and Capri","The notebook contains the names of deceased soldiers and includes rank, injury, address for next of kin, date of death, and date of Beery's letter to next kin. After the war Beery wrote letters to the next of kin of those who died in the 8th Evac Hospital or who were dead on arrival.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Guerrant writes that after the war Beery wrote to the families of those who died at the 8th Evac Hospital. Beery saved the letters she received in response.","contains chapters on general information; military discipline and courtesy; insignia; organization; clothing; arms and equipment; school of the soldier with and without arms; squad and platoon drill; interior guard duty; marches, camps, and bivouacs; use of compasses and maps; security and protection; military sanitation and first aid; the ration; pay and allowances; and the last will and testament","This arm band was used by U. S. Air Borne Paratroopers","Letters written on these specially designed letter sheets were microfilmed. The microfilmed copies were sent instead of the letters and then \"blown up\" at an overseas destination before being delivered to military personnel, thereby saving valuable cargo space.","These are facsimiles of the reduced-in-size V mail letter sheets.","Cards include fingerprints and photo.","This card was used as a meal ticket throughout the soldier's voyage.","Includes a list of special equipment for medical and surgical wards, plan for bed ward, and a guide to the hospital plan.","Includes letters from Mark Clark and Joseph Martin, a special feature by Bill Laird on the presentation to UVa of the portrait of Dr. Staige Davis Blackford, and names and addresses.","Suspended for three years, this issue of the Bulletin gives priority to the military service of alumni and faculty, including a record of the 8th Evac.","Includes the dinner menu and a list of personnel.","The article describes Langhorne Cloyd Iseman's experience with the 8th Evac.","The unidentified women are probably all 8th Evac nurses as the notation on the back states \"6 of the 8 Frankie [Hilda Franklin?] and Huffie [Alice Huffman?] missing.\" The women appear to be the same as in Box 34, Folder 33.","The unidentified women are probably all 8th Evac nurses. The women appear to be the same as in Box 34, Folder 32.","The maps are Island of Hawaii, Island of Kauai, Island of Oahu, and Island of Maui and were issued by the Hawaii Tourist Bureau. Matthews was stationed at Tripler in Honolulu.","Brusati encloses 3 photographs: one of his sister Angela Brusati who was with the 8th Evac and two of her classmates. They called themselves with one other nurse, \"The California Commandos.\"","The letters from Prentice Kinser to his wife and other members of his family were stored in a small suitcase. This suitcase is now in Historical Collections' artifact collection. It is artifacts01230.","2 letters in envelopes, 2 postcards, 9 photographs","Some of the 8th Evac patients were returned to receive treatment at Halloran Hospital.","The photo of the graduating class includes Prentice Kinser.","Monument inscription IOANNES BAPTISTA REZZONICO ...; ISTITUTO NAZIONALE PER LE RELAZIONI CULTURALI CON L'ESTERO ROMA Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO 12150 Reparti italinai di guastatori attaccano un capo saldo nemico sul fronte egiziano; Venice, May 8, 1945; Panorama of Venice from Campanile, May 8, 1945; Prentice Kinser, Venice, May 8, 1945; King Victor Emmanuel Memorial; Easter Sunday, Pietramala, Ruth Buffington and Prentice Kinser; Palazzo delle Assicurazioni Generali di Venezia; building with quote from Mussolini: ... vostra madre, dovete, con la stessa purezza di sentimento, amare la madre comune: la Patria nostra; Levin Islands from Super Cannes; funiculare going to Super Cannes, June 1945; beach at Cannes; Walk along waterfront in Cannes; Hotel Carlton and waterfront at Cannes; Monaco France where Monte Carlo is located; Filling station in Milan, Italy where Mussolini and henchman were hung","6 photos from Portici, Italy, some dated March 1945, 2 of Prentice Kinser; waterfall and statuary in gardens; Prentice Kinser amongst the Cupids, February 1945; the 1st Christian church in Italy (Rome); Mussolini's balcony, Piazza Venezia, Rome; the Roman Forum; map in stone on old Roman wall of Holy Roman empire at its height; a pagan temple?; Roman amphitheater or Colosseum; photo of woman and 2 little girls with notation on back: You can't tell who I am but notice the high sign given by Carolyn.","Photos all include Prentice Kinser, one shows him having an award pinned on, another is the officers of the 8th Evac at the Italian consulate in Casablance in December 1942","Some photos taken in Pompeii.","3 photos of Jungfraujoch inside the Gletscherpalast or ice palace, one outside, A. G. Wehrli; Signpost to Rothorn, Kunstverlag H.C. Maeder; Wagenbachbrunne, Luzern, Wehrli \u0026 Vouga \u0026 Co.; Brienz, Dorfpartie, Kunstverlag H.C. Maeder; Thun und die Alpen, Wehrli \u0026 Vouga \u0026 Co.; Polarhunde auf dem Jungfraujoch, Wehrli \u0026 Vouga \u0026 Co.; Oberried a. Brienzersee, Verlag Schild-Bichsel; Thun, Schloss, Wehrli \u0026 Vouga \u0026 Co.; Thun, Hauptgasse, Wehrli \u0026 Vouga \u0026 Co.; Roma - Piazza di Spagna; Roma - Piazza Venezia; Luzern. Museggtrume, Wehrli \u0026 Vouga \u0026 Co.; L. Thomann Brienz","Some photos taken in Pompeii.","Diary was given to Prentice Kinser by his wife just before leaving Fort Benning on Sept. 15, 1942. First entry is September 15, 1942 and continues into 1943. Inside the front cover is written: \"Note Made Oct. 11, 1943 Bet made with Maury Lebauer in presence of J.O. McNeil, John Guerrant, Calvin Drayer in front of J.O's tent night of Oct. 10, 1943 ... in Paestum in Italy. If war is over Jan 1st 1944 I owe him 10.00. If war is not over by June 30, 1944 he owes me $15.00. On continent of Europe 5.00 even on War is over Jan 1st 1944, 5.00. 2 to one its over by June 30 1944.\"","Napoli map and excursions, Church of Santa Croce, Florence, A Soldier's Guide to Florence, Soldier's Guide to Italy","Maps and guidebooks to Switzerland in general and Berne, Lucerne, and Jungfrau","The bills are marked Casablanca, Nov. 18, 1942; Marrakeich, Jan. 15, 1943; Rabat, Feb. 15, 1943; Port Lyautey, Feb. 1943; Algiers, Maison Blanche, Cap Matifou, Oran, Aug. 1943","Page 6 (top) of the pamphlet has instructions for Maj. Prentice Kinser to be moved from the 3d Evac Hosp., Wadesboro, NC, effective about Aug. 24, 1942 to the 8th Evac Hosp. at Ft. Benning, Ga.","Kinser was the investigating officer for a case which resulted in a Summary Court Martial.","Patricia Kinser's paper \"explore[s] the history of the 8th Evacuation Hospital in World War II within a narrative describing the experiences of Dr. Prentice Kinser Jr., an orthopedic surgeon, and Dorothy Sandridge Gloor, a surgical nurse in the unit.\" The paper is in partial fulfillment of requirements for GNUR 8230: Historical Inquiry in Nursing. The invitation is to an open house in Historical Collections on November 15, 2011 where Patricia Kinser presented her paper and the donation of her grandfather's paper was celebrated.","The Shock Team is shown sitting on stairs. top row: Mallow, Holsinger, Morris; bottom row: Ward, Kidd. The receiving team is from left to right: Didier, Buonovicino, Wanderer, Horwath, De Ross, Salmon. The third group shot shows top row: Bara, Erk, Johnsmeyer, Padula; bottom row: Johnson, Meckle, Pratt, Glaser.","The photos all show Pietramala in the winter snow. Also included is the crest of Radicosa Pass, tents, Mt Beni, Chapel tent, Christmas wine barrel, town of Pietramala, winterized ward tents","The storm pictures include the wreck of the mess hall. One Christmas picture shows three women; the other shows a man in front of an evergreen tree.","The wedding took place in the American Episcopal Church in FLorence. Chaplain Laird performed the ceremony.","Shows altar, congregants and clergy.","Text of a presentation given in Historical Collections for the Sloane Society by Dr. Reynolds.","Reprint of the article in the Transactions of the American Clinical and Climatological Association, Vol. 125.","The album contains photographs, list of rations for their wedding reception, and some of her parent's memories of serving overseas. Wells served with the 8th Evac as a nurse. Broadfoot was a captain with the Cryptography Unit of the Signal Corps.","7 unframed paintings, 1 pencil sketch, 1 photograph. Paintings by Major Edwin Shearburn, an officer in the U.S. Army's Eighth Evacuation Hospital Unit who created a series of paintings that documented his life in the unit during World War II. The pencil sketch of Shearburn was created by Sgt. Brumment Echohawk, also of the unit.","The folder in this item contains photographs and governmental documents related to the 8th Evac Hospital and John W. McKoan's activity as General there.","There are also 27 artifacts that were donated along with the folder that were cataloged and are stored in a separate location within the department with other artifacts. The materials are in good condition but should be handled with care. The items are:","(1) one uniform with side cap, (1) one helmet, (1) one sabre, (1) one set of cowbells, (2) two photographs, (1) one folder of correspondence, letters, and battle reports spanning 1943-1944, (2) rounds of Western Cartridge Company 1942 ammunition marked \"WCC 42,\" (1) one metal canteen, (1) one metal military flashlight, (1) one can of rations, (2) two metal folding cutlery kits, (1) one thermometer, (1) wooden block with a \"J\" and \"W\" on the sides, (1) one pocket nail file with a clip, (1) one metal German military belt buckle with the words \"Gott Mit Uns\" (confirmed Nazi buckle), (1) one pair of dog tags, (1) one metal ID bracelet, (1) one mother-of-pearl cuff link (other pair missing), (1) one metal cuff link (pair missing), (1) one 1920 koninkrijk der nederlanden coin 1 cent, (1) one iron cross medal, (1) one American Legion heart medal, (14) fourteen pins of various sizes and materials, (9) nine large brass US Military buttons, (11) eleven small brass US Military buttons, (8) eight military bar pins, some with metal stars, (6) six military patches, and (1) one trophy in honor of a fallen soldier from 1943.","This item consists of one 16mm film featuring members of the US Army Signal Corps engaged in training exercises at the 8th Evacuation Hospital in Italy.","This item consists of one (1) 8mm film reel and two (2) digitized copies of the 8 mm film produced by Hilda Franklin and Dick Bell of the U.S. Army 8th Evacuation Hospital Unit. The file depicts the couple's wedding, members of the 8th Evacuation Hospital Unit, and Italian landmarks and scenery."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_789960313839502ee81eb962b5ede1f8\"\u003eOf unique relevance to the University of Virginia Health System is the 8th Evacuation Hospital Collection. The \"8th Evac.\" was organized and staffed primarily by University of Virginia physicians and nurses during World War II. The collection contains scrapbooks, memoirs, reports, and numerous photographs that recall the experiences of the men and women who provided medical and nursing care in North Africa and Italy during the war.\u003c/abstract\u003e"],"abstract_tesim":["Of unique relevance to the University of Virginia Health System is the 8th Evacuation Hospital Collection. The \"8th Evac.\" was organized and staffed primarily by University of Virginia physicians and nurses during World War II. The collection contains scrapbooks, memoirs, reports, and numerous photographs that recall the experiences of the men and women who provided medical and nursing care in North Africa and Italy during the war."],"names_ssim":["Claude Moore Health Sciences Library","Guerrant, John"],"corpname_ssim":["Claude Moore Health Sciences Library"],"persname_ssim":["Guerrant, John"],"language_ssim":["English"],"total_component_count_is":1580,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:36:40.856Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_112","ead_ssi":"viu_repositories_7_resources_112","_root_":"viu_repositories_7_resources_112","_nest_parent_":"viu_repositories_7_resources_112","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_112.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/134031","title_ssm":["8th Evacuation Hospital collection"],"title_tesim":["8th Evacuation Hospital collection"],"unitdate_ssm":["1941-2011"],"unitdate_inclusive_ssm":["1941-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/112"],"text":["MS.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/112","8th Evacuation Hospital collection","18.25 linear ft. (38 boxes, ca. 18,000 items); correspondence, reports, photographs, 5 boxes of Byrd Stuart Leavell's manuscript, scrapbooks, and other archival material.","There are no restrictions.","\nThe 8th Evacuation Hospital was organized and staffed by University of Virginia physicians and nurses during World War II. In February of 1942, University President John L. Newcomb and Dean of the School of Medicine, Harvey E. Jordan, gave permission for the organization of a medical unit for war service designed to be an evacuation hospital for emergency surgical cases. In March of 1942, Dr. Staige D. Blackford was made director of the unit. Dr. E. Cato Drash assisted Dr. Blackford in organizing a staff of over four hundred people for the 750-bed evacuation hospital, including 47 commissioned officers and 52 commissioned nurses. Ruth Beery, a former instructor at the School of Nursing, was made the principal chief nurse. Organization was completed by May of 1942.\n","\nThe unit went through basic training during the summer of 1942 and was activated on August 19, 1942 under the command of Lieutenant Colonel Lincoln F. Putnam. In November of 1942, the men of the 8th Evacuation Hospital shipped out on the U.S.S. Santa Paula and went ashore at Casablanca where they set up a provisional general hospital at the former Italian consulate. Colonel John W. McKoan took over as commanding officer and oversaw the closing of the hospital four months after its establishment. During that time there were nearly 4,200 admissions and thousands of outpatients were treated in outpatient departments and the dental clinic.\n","\nOn March 14, 1943 the 8th Evacuation Hospital moved to a new location on Anfa Hill where they were joined by 51 nurses and began to function as a convalescent hospital, caring for nearly 1,460 inpatients before being dismantled and parked in early June. The unit moved to a bivouac area at Camp Matifou, Algiers for six weeks until they were assigned to Salerno, Italy. After their arrival in Italy, they learned that all the hospital equipment had been lost, but they quickly managed to procure tents, a telephone system, generator and laboratory equipment. The hospital moved to Caserta and stayed there from October until December of 1943, and then spent three months in Teano functioning as a field hospital for combat operation. In Italy the hospital became very efficient at following the moving front line of the Allied forces. The Allied advance slowed in the fall of 1944 and the 8th Evac. was assigned to a muddy field in Pietramala, a mountainous area north of Florence, where they stayed for six months. The fall was wet and muddy and the winter cold and snowy. During this time the unit treated over 9,000 inpatients, of whom half were injured and wounded.\n","\nThe end of fighting in Italy in the spring of 1945 meant that some members of the 8th Evac. were sent home, others to the Pacific, and others set up hospitals near Verona and Lake Garda. E. Cato Drash was made commanding officer as the 8th Evac. spent four months at Lake Garda treating almost 5,000 inpatients, mostly for disease. In the fall of 1945 the 8th Evacuation Hospital was demobilized after three and a half years of active duty. Over 48,000 patients, twice as many as were admitted to the University of Virginia Hospital in 1942-1944, were admitted to the 8th Evacuation Hospital in Africa and Italy over the three year period. Of those patients fourteen percent were injured, twenty-two percent were wounded, and sixty-four percent were sick. There were 253 deaths, or about half of one percent. More than 53,000 outpatients were seen in clinics.\n","\nThe Hospital functioned in the heat of North Africa and southern Italy and in the rain, snow, and cold of the Italian mountains. At times the operating areas were all in use with a hundred men waiting for surgery, and at other times the staff had time on their hands and little to entertain themselves with. The unit received more awards, commendations, and decorations than most similar units and served longer in North Africa and Italy than any other American hospital. The men and women of the 8th Evacuation Hospital served their country well and were excellent representatives of the University of Virginia.\n","Processed by: Historical Collections Staff","Finding Aid by M. Alison White; 2006, 2012, 2014 revisions by Janet Pearson.","Archivist Amanda Greenwood interfiled this file into the collection on June 29, 2025.","This item was processed as an addition to the 8th Evacuation Hospital Collection (MS-5) on 10/28/2025.","\nRelated materials catalogued individually at the Claude Moore Health Sciences Library:\n","The 8th Evac: A History of the University of Virginia Hospital Unit in World War II, by Byrd Stuart Leavell, [1970]; 260 p.; Health Sciences Rare Shelves: D807.U722 NO. 8 .L4 1970 C'est le Garre: Reminiscenses of a World War II Army Nurse, by Elizabeth Engleman Carter [edited by Caroline Carter Jones], 1992?; Typescript, 39 p.; Health Sciences Rare Oversize Shelves: D807.U722 NO.8 .C3 1992 UVA Goes to War: The Story of the 8th Evacuation Hospital in World War II, [sound recording]; Panelists: John L. Guerrant, M.D.; Elizabeth Drash, R.N.; William N. Thornton, M.D.; Moderator: John F. Harlan, 1989; Health Sciences Rare Shelves: D807.U722 NO. 8 U93 1989 [audio/visual material] Also see other materials at the Albert and Shirley Small Special Collections Library","The 8th Evacuation Hospital collection includes photographs, personal and official correspondence, reports, notebooks, purchase orders, citations, certificates, scrapbooks, newsclippings, insignia, and a manuscript of Byrd Stuart Leavell's book: The 8th Evac.: a History of the University of Virginia Hospital Unit in World War II (1970). Additional artifacts, including uniforms, plaques, and a replica set of Roman instruments, are in the artifact collection at the Claude Moore Health Sciences Library, Historical Collections, University of Virginia. A web exhibit on the 8th Evacuation Hospital, featuring content and images from the collection is available here: http://exhibits.hsl.virginia.edu/8thevacuation/","THE DIETZ PRESS","J. PAUL WINTHROP OBITUARY, ELIZABETH ENGLEMAN, CATO DRASH","AMERICAN LEGION MAGAZINE, ARMY DIGEST, ARMY TIMES","INCLUDES A SHEET WITH THE LAST NAMES OF 72 MEN WHO WERE EVIDENTLY PATIENTS AT THE 8TH EVAC. MANY NAMES CORRESPOND WITH THOSE IN RUTH BEERY'S NOTEBOOK OF THE MEN WHO DIED AT THE 8TH EVAC. THE NAMES ARE LISTED ALPHABETICALLY BUT ONLY GO PARTWAY THROUGH THE LETTER H. THE STATISTICAL REPORT GIVES INFO ON ADMISSIONS DIAGNOSES, FRACTURES, CAUSATIVE AGENTS OF WOUNDED PATIENTS, DEATHS, AND VARIOUS CLINICS.","ELIZABETH ENGLEMAN, CATO DRASH, STAIGE D. BLACKORD","8th Evac. Hospital in Anfa Hill, Casablanca, and Italy","8th Evac. in Casablanca, Italian Consulate in Casablanca and Pietramala, Spring, 1945","8th Evac. in Pietremala, and Teano; Mud, Operating Tent, X-Ray Area","8th Evac. in Pietramala; Dispensary, Operating Tent, X-Ray Dark Room, Mess Tent, Ward, Latrines, Operating Theaters, Tent Construction","8th Evac. in Casablanca, Italian Consulate in Casablanca, and Ravello; Purple Heart Ceremony; Tents; Vehicles","8th Evac. in Pietramala, Teano, and Montecatini Area; Mess Tent, Shock Tent, Water Truck and Tank, Blood Bank, Utility Tent, Operating Room, X-Ray Department, Ambulance Turnabout, Lt. Gen. Mark Clark, Immunization Shots","Casablanca, and Marrakesh; Rocks, Allied Parade, Set-Up at Anfa, Purple Heart Ceremony","Pietramala seen from Mt. Beni, Ambulances, Major John O. Mcneel, M. C., Registrar, 8th Evac. Hospital with Secretary of War Stimson","8th Evac. in Pietramala, and Teano; Snow, Wood Cutting, Mess Tent, Operating Theater, Wards, Aid Station","8th Evac. in Capua Area, and Teano Area; Wood Cutting, Water Supply, Hospital Lab, X-Ray Tent, Operating Room, Utilities Tent, Winterization, Ward Building","8th Evac. in Teano, and Carinola; USO Show, Various Individuals","8th Evac. in Caserta, Carinola, Teano, Riardo","8th Evac. in Teano, Santa Maria, Cellole, Beach below Minturno; Stretching Tent, German prisoner patient, Marlene Dietrich Show","June 1944 - Rome, Grosseto, Cisterna, Le Ferriere","June 1944 - Cisterna, Le Ferriere, Rome, Cecina","Galluzzo, Cecina, Naples, Volterra - Supply Tent, Enlisted Mens' Mess, Ward Tents, Post Office, USO performers, Generators, WACs and Nurses","Cecina, and Volterra; Laboratory, Refrigerators, Secretary of Navy Forrestal, Clinic, Dispensary, and Dental Clinic","Cecina, Galluzzo, Castiglioncello, San Gimignano; General Giraud, Captain Wharton, General Clark, General Alexander, King George VI","San Gimignano, Galluzzo, Pietramala, Siena; Red Cross Workers, Laundry Tent, Offices, Congresswoman Mary Nourse Rogers","Florence, and Pietremala; Winterization, Clare Booth Luce","Pietremala; Winterization, Wood Supply, Water Tower, Enlisted Mens' Quarters, Dental Clinic, Mess Hall, Ward Tents, Pre-Fabs","Pietremala, Cecina, and Florence; Secretary of War Stimson, Ward Tents","Pietramala, Florence, Pisa, Lucca, and Futa Pass","Pietramala, Buttapietra, Verona, Salo, and Carinola","1945 - Buttapietra, Pietramala, Verona, Mt. Beni, Venice; Ambulance Convoy, German Prison Camp Refugees, Chaplains' Tents, Red Cross Tent","May, 1945 - Venice","May 1945 - Venice, Buttapietra, Milan and Alassio","Genoa, Lake Garda and Fasano","Fasano, Dezanzano, and Gardano","Po River, Gibraltar, and Dezanzano","1. Italian consulate building where McKoan took command Feb. 1943 2. Ward at 8th Evac. in Casablanca","1. Ward tents, 8th EVAC. (on roof), Casablanca, Mar. 1943 2. 8th EVAC. at roof of Italian consulate, Casablanca","1. Maj. Wintrop at work in dental clinic, Casablanca, Feb. 1943 2. Clean-up prior to move to Anfa Hill, March 1943","1. Tents 2. Enlisted men pack bags, March 1943","1. View from Anfa Hill 2. Col. McKoan and driver at President Roosevelt's villa, Casablanca, May 1943","1. Capt. \"Big\" Kincopf, Asst. 2. Anfa Hotel, Casablanca, across street from 8th Evac.","1. Col. McKoan leaving for Anfa Hill 2. Enlisted men packing for Anfa Hill","1. Enlisted men cleaning area prior to move to Anfa Hill 2. 8th Evac. as it was set up on Anfa Hill, Casablanca, March 1943","1. 8th Evac. 1st tents up at Anfa Hill, boxes contain ward supplies, X-ray equipment, etc. March 14, 1943 2. Ward tents being set up March 14, 1943","1. 8th Evac. Anfa Hill from Anfa Hotel 2. Col. McKoan awarding 1st Purple Hearts to wounded from 1st U.S. Infantry Division","1. General Wilson seated far left, 2nd Armd. Div. 2. Officers' tents, Anfa Hill","1. McKoan outside French Naval Headquarters, June 1943 2. McKoan with Dutch Consul Cabos, outside McKoan's tent on Anfa Hill, June 1943","1. Funeral for PFC Harold C. Phillips who drowned 6/10/43 at Casablanca","2. Funeral for Harold C. Phillips","Mechanics salvaging lumber in Casablanca from shipping crates","Arab children in North Africa","Leaving Anfa Hill for Algiers: Loading trucks","1. Algiers 2. Country scene en route to Algiers","Cathedral of the Black Virgin, Algiers","Col. Radke and John McKoan at Cap Matifou, Algiers","Cap Matifou","Packing to leave Cap Matifou","Goat Hill, Oran, Algeria; Lt. Col. Staige D. Blackford","1. British motor boat, Oran, Algeria 2. Downed plane at Paestum, Italy - used as Nurses' Latrine","Naples","Pompeii","1. Cassino, Italy 2. Battapaglia - Refugees headed south","1. McKoan and General Martin 2. Mary Jane McCone","Air Raid on Naples, Searchlights","Caserta","Windham and Robinson","Haverty (killed at Anzio), Bruce, Huffman, Martin, McKoan, Galvin, Sullivan","McKoan directing operations at Teano","Commanding General of U.S. Air Force in Italy and McKoan","McKoan looking over German battle plans captured by Pvt. John Deringer of the 6th Armored Infantry","Teano","Teano, Italy - Ambulance Turnabout, Armed Forces Institute of Pathology Neg. No. MM-5-44-100390","Teano","Tin Shop also known as Holmboe's Machine Shop, Capua Area","Teano; McKoan and Buffington","Men with jeep","Teano","Teano","1. Litter with wounded from front 2. Tank headed for Cassino","Alfred Den, Radiologist; X-ray apparatus","Teano; X-ray darkroom","Teano; Margaret McGowan demonstrates new holder for IV anesthesia syringe","Teano","Teano","Sterilization Room; Operating Room","Capua; Surgical Tent","Teano; Chapel and Red Cross Unit; Operating Room","Carinola","Carinola","Teano; Face injury case","Cassino; Front line","Soldiers on tank","Caserta; Italian Army Camouflage School","Casablanca","Capua; Clinical Laboratory","Pignataro","Soldier who stepped on a mine","8th EVAC. Sign on road to Rome, Route 6","San Pietro; Front line","Capua; Surgical Tent","Teano; Shock equipment","Teano; Sterilizing Room","Caserta","Latrine in use","Cassino; Wounded being carried from ambulance into receiving tent","Teano","Casualties in receiving tent","The newsletter lists nurses, including Ruth Beery, who contributed to the Clara Josephine McLeod portrait fund.","The newsletter contains an article and photos concerning the presentation by Ruth Beery of a portrait of Clara Josephine McLeod.","Ruth Beery was chair of the portrait committee and gave the remarks at the presentation.","\"Roosevelt Dies\"","\"Hostilities Ended at 12:01 AM","\"Japs Say They Accept\"","\"Peace at Last\"","\"Picture Story of the Ruined Town of Cassino\"","Baskin describes in words and drawings the two years spent as a soldier in Italy during WWII.","personnel are listed within states by enlisted men, officers, and nurses","photo and write-up on the occasion of the presentation of Byrd Leavell's book \"The 8th Evac\" to the McIntire Library","personnel are listed within states by enlisted men, officers, and nurses","photo and names of the members of 8th Evac Hospital staff and list of nurses","shows Drash being interviewed at Anzio, Italy","Includes how tents were decorated and heated, recreation, clothing, also description of indoor ward latrines, medical cases, war campaign, nurse staffing, nurse illness, and military occupational specialties of nurses by name.","Palazzo uses material from Leavell's book \"The 8th Evac\" but adds new information based on his interview with Leavell and Beery. In particular he adds the experiences of the nurses.","The drawing shows exactly where various supplies such as bed pans, buckets, pitchers, stool, table, narcotic lock box, and cups were packed.","The hospital layout includes quarters for the officers, nurses, enlisted men and civilian labor. Also included are the various wards, latrines, dining areas, labs, etc.","This report is a history of the activities of the 8th Evac for 1944 and includes patients, types of injuries, housing, recreation, distinguished visitors and moves.","These orders list military personnel and their arm of service and address of record.","Statues, children and soldiers in Rome","Winterized ward tent","Dish-washing tent, patients' mess","Ward sterilization room; Noon and Robinson","Casablanca; Anfa Hill","Laird, William","Anfa Hill","Anfa Hotel","Casablanca; 66th Station Hospital","Horwath","Bara, Morton","Chaplains' tents","Randal Luscombe supervising the erecting of a tent, the frame of which he helped design","Irving Berlin with a group of officers","Stimson and General Clark visiting camp","Army Surgeons Congress C.M.F. Rome","Left to right, First row: John Dempsey, Harry Dumbleton, Ruth Buffington, Cathleene Carter, Minnie Lee Dozier, Ruth Eastman Sholars, Frances Thomas, Betty Wiseman Throop, Lallah Edwards Anderson, Dorothy Sandridge Gloor, Emma Garland, Ruth Beery, Nick Iannuzzelli, Frank Johnson, Sally Brightman van Zalis, Horace Downing, Addie Roadcap, Langhorne Cloyd Iseman, Mary Jane McCone, Jean William Gray. Second row: Edward Denny, Kate Robinson Thornton, William Summers, Thomas Petty, John Guerrant, Robert Meckel, Thelma Mathews, Elizabeth Engleman Carter, Elizabeth Johnson, Helen Berkeley, Walter Blackston, Sue Hornberger Kroll, Norris Philbeck, Hylton Crotts, Edward Deegan, Beverley Tucker, Jane Anderson McBride, Ray Monin, James Bigger, William R. Hill, Alice Huffman Bugel, Maurice LeBauer, Hilda Franklin Bell, Beverly Hairfield, Elizabeth Harlin Drash, Hubert Holsinger, Charles Capenter. Third row: McKelden Smith, Robert Mitchell, Norman Thornton, Lowell Gram, Kenneth Fradenburg, Randal Luscombe, James D. Ferguson, Raymond Canipe, William Snavely, Harold Bjorklund, Fred Johnson, Byrd Leavell, John R. Morris, Wilbur Northrup, Donald Marshall, E. Cato Drash, John Haley, Andrew Rabuck, Morrell Pratt, John Alexevich, John Gordon.","Blackford, Payne, Haley, Hairfield, Guerrant, Holmboe, Bell, Leavell,Eagle, Wright, Thomas, Dofflemeyer, Franklin, Carter, Mills, Dozier, Berkeley, Drash, Gilkerson, Wiseman, Cloyd, Anderson, Beery, Matthews, Roadcap, McNeel, Hill, Lebauer, Mitchell, Monin, Snavely","Pietramala","Anfa Hill; McNeel","Teano; Ward boxes with supplies for 40 bed ward","Lake Garda","Goat Hill; Oran; Algeria","Men shaving","Harbor at Oran, Algeria","Goat Hill; Oran; Algeria; Showering outside","Anfa Hill; Jenkins","Baldwin","Pietramala; Martin","Interior of shock ward","Stimson; Drash","Clark; Stimson","Clark; Stimson","Erk","Tucker; Glazer; Johnsmeyer","Geeslin","Glazer","Drash","Bara; Rosumny; Geeslin; Erk; Pratt; Johnson; Glazer","Kinkopf, McKoan, Snavely","Pratt; Bara; Johnsmeyer; Glazer; Meckel; Padula","From left to right, starting with the top row and then 2nd, 3rd, and bottom rows: Margaret Sue Hornbarger, Frances Houston, Rebecca Dofflemeyer, Alice Eagle, Mayme Griffitts, Alice Huffman, Hilda Franklin, F. Jean Williams, Kate Robinson, Lelia Langhorne Cloyd, Thelma Matthews, Frances Thomas, Alice Law, Angela Brusati, Nova Dowd, Dora Guglielmetti, Elizabeth (Betty) Wiseman, C. Elizabeth (Betsy) Johnson, Lottie B.(Billy) Gibson, Helen Gilkerson, Mabel Ayers, Mamie Kidd, Ruth Eastman, Ella Gillespie, Jane Anderson, Beatrice Ramsey, Lallah Edwards, Margaret Petersen, Clara Orsini, Lucille White, Dorothy Sandridge, Ann Mickle, Ruth Beery, Mary Jane McCone, Madge Darden, Christine Mills, Mamie Donley, Elizabeth Harlin, Mary Ellen Gibson, Addie Roadcap, M. Cathleene Carter, Mildred Smith, Helen Berkeley, Ruby Armstrong, Annie Laura Dickson, Minnie Lee, Emma Garland, Myrtle Hatcher, Margaret Phillips, Eula Wright, Elizabeth (Betty) Engleman, Margaret McGown","Armed Forces Institute of Pathology Neg. No. MM-45-777","Armed Forces Institute of Pathology Neg. No. MM-45-2928","Armed Forces Institute of Pathology Neg. No. C-44-576","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-44-588","Armed Forces Institute of Pathology photo","Top Row: Margaret Ford, Mary Ellen Gibson, Elizabeth Wiseman, Alice Huffman, Langhorne Cloyd, Mayme Griffitts, Ruth Eastman, Eula Wright, Minnie Lee Dozier, Mamie Donley, Margery Stulting, Frances Thomas, Addie Roadcap, Nova Dowd. Second Row: Mamie Kidd, Ella Gillespie, Kenneth Grim, Preston Trousdale, William Norman Thornton, Beverley Hairfield, William Edgar Waddell, Ruth Beery, James Richmond Low, John Coleman, John Rogers Mapp, William Laird, Jane Anderson, Helen Gilkerson. Bottom Row: Henry Mayo, Leon Culbertson, H. B. Holsinger, E. Cato Drash, Staige D. Blackford, John McNeel, Byrd S. Leavell, Edwin Shearburn, John Guerrant, Albert Gillespie","Armed Forces Institute of Pathology photo","left to right: John Makley (?), Betty Wiseman, Alice Law, William Snavely, unidentified man, Dick Bell, Hilda Franklin, Tom Payne, Bea Ramsey","Armed Forces Institute of Pathology photo","note entrances that can hide light of O.R., so called \"black out entrances\"","Armed Forces Institute of Pathology photo","left to right: Kinkopf, McNeel, Winthrop, Drash, Beery, McKoan, McCone, Blackford, Holmboe, Suhling","Armed Forces Institute of Pathology Neg. No. C-44-58","Lewis Kirkman in the center","Ted Laird, unidentified woman, Staige Blackford, Frances Wells Broadfoot (bride), Fred Broadfoot (groom), Ted Marks (best man) in Florence, Italy","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-44-590","Armed Forces Institute of Pathology Neg. No. C-44-594","Women L-R: Beery, Robinson, Matthews, bridal couple, Wiseman, Franklin, Brusati; Men L-R: unidentified man, Martin, unidentified man, Leavell, Marshall, Ted Laird","photograph taken and donated by William Snavely","Armed Forces Institute of Pathology Neg. No. C-44-551","Armed Forces Institute of Pathology Neg. No. C/MM-5-44-100403","Left to right: Kidd, unidentified woman, Dofflemeyer, unidentified woman, Huffman, unidentified man","Left to right: Hornbarger, Ramsey, Canniff","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-44-5","Left to right: Corpsman, patient, patient, Wiseman, Blackford, Beery","far left: Hornbarger, far right: Sandridge","Armed Forces Institute of Pathology Neg. No. C-45-754","Smith, Linus Miller, Leavell, Northrup, Gilkerson, Beery, Boston (not 8th Evac), Tolliver(not 8th Evac), Dick Morris (?)","Armed Forces Institute of Pathology Neg. No. C-44-","Monin, Canniff, Laird, Wiseman, Ramsey, Weller, Blackford, Culbertson, Hrejsa, Miller identified as being in photo","Armed Forces Institute of Pathology Neg. No. C-45-739-3","Armed Forces Institute of Pathology Neg. No. C-44-586","Kirkman (on right), Mapp to the left of Kirkman, packing boxes made by 8th Evac shop were also used as desks","3rd from left: Holmboe, 5th from left: Drash, others are unidentified","Tim Holt (?), Guerrant, Shearburn, Al Den (?), Holsinger, Eula Wright and Ted Laird in photo","designed by Randal Luscombe","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photos","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Blackford, Wray, Michie, Laird, all facing camera","Colonel Bruce, Asst. Surgeon, 5th Army, 1 unidentified man, Forrestal, Kirkman, unidentified man, Drash in Cecina, Italy","Armed Forces Institute of Pathology Neg. No. C-45-739-3","Left to right: McNeel, unidentified man, Forrestal, Drash; Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-45-739-","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","left to right: John McKoan, unidentified man, Angela Brusati (bridesmaid), Marie Galvin (first 8th Evac nurse to become a bride \"in the field\"); Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-45-739-4","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","left to right: Blackford, Wray, Michie, Laird","Blackford, Wray, Michie, Laird at table",": Bell, first man on left; Alice Huffman, facing camera to left of woman in white; Sherman, first on right in front group","Blackford, Wray, Michie and Laird at table","McKoan, Kinkopf, Blackford, McNeel, Gillespie (?), Suhling present but not specifically identified in photo","left to right: unidentified woman, Hornbarger, unidentified woman, Wiseman in front of tent at Anfa Hill near Casablanca","Northrup on far left, Jane Anderson second from left, Holsinger on right with pipe","Harry Dumbleton second from right in back row, John Mapp bottom row in middle","left to right: patient, George Northrup, Frederick Neumeister","\"Les Poseurs\" The Posers","shows ward boxes designed and organized by the 8th Evac; Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Fletcher Spann and John Dawson at work (unclear which man is which)","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-44-558","left to right: Hilda Franklin, unidentified woman, and F. Jean Williams","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","J. L. Knight, an X-ray technician, gives a chest X-ray; Armed Forces Institute of Pathology Neg. No. 5/MM-45-767","left to right: Kate Robinson, Byrd Leavell, Betty Johnson, John Guerrant, Bea Ramsey","seated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, Hubert Holsinger, James Culberton, John Morris, Al Gillespie, Rich Low. Photographed by Ralph Thompson","Armed Forces Institute of Pathology Neg. No. MM-5-44-2179","left to right: Wray, Blackford, Michie, William Laird","Luce visits patient Julius Hartfell during her tour of the Fifth Army Front; Armed Forces Institute of Pathology Neg. No. 5/MM-45-4984","Left to right: Angela Brusati (bridesmaid), John McKoan, Marie Galvin, the first 8th Evac nurse to become a bride \"in the field\"","Armed Forces Institute of Pathology C-44-552","Armed Forces Institute of Pathology Neg. No. MM-5-44-2178","Armed Forces Institute of Pathology Neg. No. C-44-555","A ward tent was located here during the siege","left to right: unidentified man, McNeel, Mark Clark, Stimson (pith helmet) 2 unidentified men, Drash, unidentified man","photo by Instituto Nazionale per le Relazioni Culturali con L'estero (National Institute for cultural Relations with Foreign Countries)","Armed Forces Institute of Pathology Neg. No. C-44-579","This photo shows the new braces which replaced the old tepee poles and also shows the instrument bundle stands that were stackable. The note on one photo is by Randal Luscombe and says, \"Stand - made - 10 of them.\" Armed Forces Institute of Pathology photo","Shaffer writes about his camera surviving a 1000 foot fall from an airplane and its risky rescue. The photo shows the 8th Evac north of Naples in 1943 where the inspiration for the shower scene in the movie \"MASH\" occurred.","Shaffer writes about filming a surgical procedure at the 8th Evac and includes photos that were used as a guide for the movie \"MASH.\"","Shaffer writes about how to make a heater from a 500 pound bomb casing and encloses a photo of Shaffer on a cot in his tent and a photo of tents in the wet spring of 1945.","The transparency is of the 8th Evac at Pietramala, Italy, and was made in the winter of 1944-45.","The photo shows from left to right: McNeel, Secretary of War Stimson (pith helmet), an unidentified man, and General Mark Clark and was taken in September 1944.","The photos show tents, patients, and military personnel at the 8th Evac's Lake Garda location in the summer of 1945.","The photo is of the area near the 8th Evac camp at Pietramala in the winter of 1944-45 and shows the Brenner Pass. Senator Bob Dole was severely wounded here.","Top row: 1st Lts. Low, Mapp, Miller, Monin, Hairfield, Driscoll, Mayo, Mulford, Smith, Northrup, Casscells, Laird, W., Ross, Morris, Kinkoff, Scarborough; Third row: Capts. Grim, Waddell, Shearburn, Gillespie, Beck, Haley, Suhling, Leavell, Windham, Payne, Marshall, Culbertson, L., Guerrant, Culbertson, J., Thornton, Bell, Den; 2nd row: Majs. Holsinger, Hill, Laird, E., Holmboe, Lt. Cols. Blackford, Putnam, Drash, Majs. McNeel, Siersema, Kinser, LeBauer, Winthrop; bottom row: 2nd Lts. Lynch, Jenkins, 1st Lts. Churchill, Blessing, 2nd Lts. Snavely, Weller, Murrian","The photo is of the 8th Evac staff in the summer of 1944.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","These are updated copies of the 1990 address list. Autograph notes on the original are from 1995. The photocopy includes autograph notes from 2000. Names marked \"returned\" refer to a mailing sent in 2000.","Guerrant solicits personal recollections for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","8th Evac camp was across the street from the Anfa Hotel where Roosevelt, Stalin and Churchill met.","Holsinger bottom right with pipe","left to right: Kirkman, Blackford, two unidentified men","left to right: Blackford, Wray, Michie, Laird at table","Clark is tall man in center, King George is 2nd from the right, others are unidentified","Armed Forces Institute of Pathology Neg. No. 5-44-100394","Armed Forces Institute of Pathology Neg. No. 5-44-589","One end of the building sets several feet off the ground on stilts and is anchored to the ground by steel cables. Armed Forces Institute of Pathology Neg. No. 5/MM-45-772","Armed Forces Institute of Pathology Neg. No. C--44-556","Armed Forces Institute of Pathology 5/MM-45-4982","This photo shows the center portion of a standard ward.","Scrapbook photographs include those of Pageland, South Carolina; Halloran General Hospital, Staten Island, New York; Casablanca; Cairo; Switzerland; Italy: Caserta, Teano, Carinola, Cellole, Cecina, Anzio, Le Ferriero, Pietramala, Po River, Pisa, Venice, Gardone, and Milan; and 1950 reunion","Commendation is for meritorious service during January 1944","Alumnae Association of the Training School for Nurses of the Garfield memorial Hospital, Washington D.C.","Letter concerns Red Cross surgical dressings sent to the 8th Evac","Drash and Shearburn ordered to report for duty","operating tent had 8 operating tables and 2 sterile supply tables","Wiel and Harlin were directors of the Home for Convalescing Nurses","Probably Drash and Harlin on right","2nd, 3rd, and 4th photos show nurses Hornbarger (on left) and Dorothy Sandridge (on right). Ruth Beery is in front in the 2nd photo.","Notation on back: \"Una difficile curva in Montagna.\"","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12328 - Battelli armati dell'Armata Italiana in Russia in perlustrazione lungo un corso d'acqua sul fronte orientale.","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12057 - Una nave nemica centrata dal siluro di un sommergibile italiano operante nell'Atlantico mentre affonda lentamente.","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 11423 - Treno blindato sovietico caduto intatto nelle mani delle truppe italiane nell'ansa del Don.","Notation on back: ISTITUTO NAZIONALS LUCE = ROMA 21/6/42 XX RG. 6093, Tobruch e il suo porto, [?] dalle truppe italiane e germaniche","Notation on back: Fiosole","Notation on back: Interior of the post-operative tent","Notation on back: Interior of post-operative tent","Nurses, patients and tents in the background","Beery in checkered dress","Notation on back of photo: showers - Rockingham, N. C.","Notation on back: \"Alumni News: April 1963, page 9","Armed Forces Institute of Pathology Neg. No. C-44-557, Notation on back: \"Alumni News: April 1963, page 9","Left to right: Elizabeth Harlin Drash, Jane Anderson, 2 unidentified women, e. Cato Drash, unidentified woman","Armed Forces Institute of Pathology Neg. No. C-44-593","Armed Forces Institute of Pathology Neg. No. C-44-565","Armed Forces Institute of Pathology Neg. No. C-44-567","Armed Forces Institute of Pathology Neg. No. C-44-588","Armed Forces Institute of Pathology Neg. No. C-44-571","from left to right: Wray, Blackford, Michie, William Laird","Notation on back: Setting up operating room supplies. Italian women","Notation on back: Washing operating room supplies","Randal Luscombe or Maurice LeBauer supervises the erection","Left to right: Sue Hornbarger, Elizabeth Wiseman, Jane Anderson, civilian, unidentified people","McKoan facing nurse (Ruth Beery?) with Blackford behind nurse","The belts contain recordings of Byrd Leavell dictating his wartime journal","The red belts contain recordings of Byrd Leavell dictating his wartime journal and the blue belts are of Leavell dictating a draft of portions of his book The 8th Evac.","left to right: Ned Waddell, Betsy Johnson, Kate Robinson, Alice Huffman, Alice Law, Billie Gibson","M. Cathleene Carter is standing with her back to the camera","Notation of back: Castel Falconera, near Licata, Sicily - my first billet in Sicily - Headquarters 1st Engineer Special Brigade","Notation of back: Rest camp","Notation on back: Paris, night celebration in the street","Dorothy Sandridge is giving anesthesia to the left, Armed Forces Institute of Pathology photo C44-549","Left to right: Helen Berkeley, 2 unidentified women, Hilda Franklin, Lelia Cloyd","Drash is pinning a medal on an unidentified man","Left to right: first woman is Addie Roadcap, Holmboe sitting on first end seat to left, Mulford behind Holmboe. The two kneeling men are Snavely (on left) and Casscells taking photos. Monin is above and slightly to the left of Snavely.","Notation on back: Fotocelere di A. Campassi - Terino - Via Marochetti 41 - 1933 X 1","Notation of back: A \"flashlight\" photo of a typical evening \"in the field\" except that this happened on VE day - night. We were having a drink and toasting the gallant lads who cracked the Nazi Super Man myth.","Notation of back: We have our less serious moments too. This is at a division clearing station up front; Blackford, Barker Long and I were showing Turner, from the SGO, a glimpse of the war from a safe distance.","Left to right: Kirkman, Reyer, Carmaak, Long, Sturgeon; second row: Generals Martin, Davis, Stayer, 300th QH","Notation of back: ?, General MC Stayer, General Joe I. Martin, The Brazilian Surgeon General and assistant Major Buchanan LWK [Kirkman]; Above does not appear to be in order left to right. Martin is 2nd from left and Stayer is 3rd from left, Kirkman is to the far right.","Notation on back: Fifth Army Medical Dept. Rest Center at Castiglioncello, between Cecina and Leghorn, August 1944","Notation on back: A most informal pose \"cocktails before the showers\" at the 170th [Evac] near Treviso. Jack Donaguy, Bang (John O.) McNeel, LWK [Kirkman]. The guy peeking from behind the tent door is [ ] French, one of the [ ] original O'Reilly [ ]","Notation on back: An early AM shot showing the basketball court we fashioned beneath the rugged peak called Mount Beni at Pietramala, Italy, on Highway 65 halfway between Florence and Bologna","Notation of back: Casson Studio, 1305 Connecticut Ave, Washington D.C.","Notation of back includes: Studio of Hear's Inc. Springfield Mo.","Two men are wearing sweaters with big initial H and all wearing hiking boots","Articles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later","Articles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later","Photo shows changes made in operating light to eliminate cumbersome legs and braces formerly used. Armed Forces Institute of Pathology 5 MM-45-1812","Left to right: Cato Drash, John Guerrant, Ruth Beery, Norman Thornton, Byrd Leavell with Italian flag from Casablanca. Photo taken at an 8th Evac reunion in Charlottesville. Flag was later returned to Italy.","The letter was written on the occasion of the presentation of the Wendal Waddell portrait to UVa School of Medicine. Left to right, bottom row: Jack Humphries, Bob Hightower, Reed Hopkins, THE CHIEF, Bill Wray, Mac Birdsong, Betty Whitehead, Willie Grossman; second row: Nat Ewell, Charlie Gleason, Harry Austin, Bill Harman, Page Booker, Jim Stone, Warren Gregory, Andy Townes, Joe Mitchell; top row: Dan Anderson, Jimmy Etheridge, Jimmy Wood, Julia Edmunds, Morris Lambdin, Fred Mitchell, Bill Thomnpson, Bill Liddle, Cam L'Engle, Gene Frame, Wiltsie Young, Fletcher Harrell","The note indicates the New Testament was given on Feb. 8, 1943 and carried and used throughout WW II. The flag was given to Anderson by Myrtle Hall from UVa who used it throughout WW I.","donated by Cathleene Carter","donated by Cathleene Carter","Enclosed are the names and addresses of all who attended as well as those that did not attend the 1960 reunion","donated by Cathleene Carter","Left to right: Betsy, Billie, Cathleene Carter, Madge, and Northrup","Notation on back: What we came home on","Notation on back includes: Streasa [Stresa?]","Notation on back: [Camp] Kilmer","Same building as 23-031 identified as [Camp] Kilmer; Notation on back: Ex 451 C-6 Annex","Photos taken by U.S. Signal Corps, includes mess hall, reception room, auditorium, kitchen, bakery equipment, x-ray unit, ward scene, nurses' quarters, and acute medical and surgical building","Cadesus pin with eagle and the letter \"N,\" clutch back post attachment, donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","48554 on back of pin, donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","Many photographs are of buildings and the ruins of buildings, interiors, towns, the countryside, and non-military people, including children. There are photos of the 8th Evac, but they do not predominate.","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Medical Class of 1943, left to right, First row: John Dean Adams, Margaret Alford Barnes, Walter Prothro Barnes, Jr., Monte Leroy Binder, Oliver Beirne Bobbitt, Jr., Armistead Page Booker, Richard Booth, Jr., Eugene Calloway, Jr., Joshua Fry Bullitt Camblos, Donal Paul Chance, Sidney William Cohen, James Thomas Colley Second row: William Cassius Cook, Jr., Lewis Franklin Cosby, Jr., Thomas Stilwell Edwards, George Bleecker Ely, Thomas Carter Fowlkes, Irvin Galin, Giles Quarles Gilmer, Milton Sidney Goldman, William Dandridge Haden, Jr., William Gletcher Harrell, Jr., Edward Roberts Hawkins, Charles Herbert Henderson, Jr. Third row: Charles Albert Hudson, Carl William Irwin, Eugene Rhodes Johnston, George Barnard Kegley, Eusebius Milton Kellam, Joseph Kessler, Camillus Saunders L'Engle, Jr., Carl Jay Levine, Myrtle Evelyn Logan, Frank Armstrong McCue, Donald David Markowitz, Samuel Percy Marshall Fourth row: John William Henry Morgan, Raney Archer Oven, John Brewer Petter, Carol LeVan Plott, James Guy Price, George Nicholas Psimas, Charles Frederick Schneider, Nelson Montgomery Smith, Joshua Price Sutherland, Robert McKinney Tankesley, John Covington Tinsley, Jr. Fifth row: Mary Martin Wade, Donald Walters, Walter Motley White, Jr., Harold Stanley Yood, Eugene James Yorkoff","Certificate from the Nurses Examining Board for the State of Virginia states that Matthews is entitled to show she is a registered nurse.","Certificate certifies that Matthews has completed three years course of instruction at the University of Virginia Hospital School of Nursing.","Many photographs are of buildings, interiors, towns, the countryside, and non-military people. Many, if not all, appear to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.","Many photographs are of buildings, interiors, towns, the countryside, a parade, and non-military people, including children. All seem to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.","The certificate was presented to the University of Virginia for its sponsorship, organization, and staffing of the 8th Evacuation Hospital.","Notation on back: I recognize Ted Laird, Norm Thornton, Jim Culbertson, Prentice Kinser, John Haley (hat) Capt. Windham, Lt. Snavely","William Laird is on the far left, Staige Blackford 3rd from left","Notation on back includes: Two of them got married! Frankie and Dick, Lt. Monin, Don Watson? Peterson?, Orsini?","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Hilton Nau behind the counter dispenses goods to Joseph Dziuba. Harry Wright is in the background. Armed Forces Institute of Pathology photo 5/MM-45-762","Armed Forces Institute of Pathology photo 5/MM-45-769","The enclosed papers about Sebastian who died in World War II include his poetry.","includes dates of religious services, movement and location of 8th Evac, books read by Laird, addresses, and discretionary fund account; donated by his daughter, Marion Laird Gould","The article is about Alice Huffman Bugel","Macey writes concerning her uncle, Joseph Crouch, who was buried at Pietramala, Italy","enclosed with letter is \"Personal Reflections of the 8th Evac. Hospital\" by Beverley D. Tucker, Jr.","This copy was used to make spiral bound books.","This book was printed from the web exhibit for the UVa Medical Alumni Association Annual Advisory Meeting, January 26-28, 2001.","Guerrant writes about the 8th Evac web exhibit and solicits personal recollections from the former members.","left to right: Alice Huffman, Ella Gillespie, Thelma Matthews and Kate Robinson","left to right: Alice Law, Thelma Matthews, Lelia Langhorne Cloyd, Hilda Franklin, Alice Huffman (?), Ella Gillespie, Kate Robinson","note prefabricated house in background; left to right: unidentified man, Huffman (?), Gillespie, Robinson, Beverly Hairfield","left to right: Lelia Langhorne Cloyd, Kate Robinson, Alice Huffman (?), Hilda Franklin","left to right: Dick Bell, McKelden Smith, Pat Driscoll, Ned Waddell, John Guerrant, Al Gillespie","left to right: Alice Law, sue Hornbarger, Emma Garland, Mildred Smith, Alice Huffman","left to right: Beverly Hairfield, Hubert Holsinger, James Low, Norman Thornton, E. Cato Drash","left to right women: Kate Robinson, Biddie (Emma Gillespie), Lelia Langhorne Cloyd, Hilda Franklin, Thelma Matthews, Alice Huffman, Alice Law; left to right men: Byrd Leavell, William Driscoll, H. St. George Tucker, Mckelden Smith, Richard Bell, S. Ward Casscells, Frank Wray, William Laird, Beverley Tucker","left to right: Kate Robinson, William D. R. Driscoll (the psycho team), Dorothy Sandridge and Edwin Mulford; Allen Hrejsa has his back to the tent","photo shows the 8th Evac near Florence, Italy in 1944","photo shows destruction seen as the unit left Tierno, Italy","personnel are listed within states by enlisted men, officers, and nurses","letter informs reader of the death of Everett Cato Drash and includes his obituary","book review of \"The 8th Evac\" by Byrd Leavell","book review of \"The 8th Evac\" by Byrd Leavell","book review of \"The 8th Evac\" by Byrd Leavell","includes appointments of Byrd Leavell, William Norman Thornton, John Guerrant","book review of Byrd Leavell's \"The 8th Evac\" by John A. Owen","describes the Po Valley campaign in words, maps and photos","Norman Thornton is standing on the far left of the photo, John Guerrant is standing fourth from the left","a paper about Horace Downing","photo is of the 8th Evac at Cap Matifou, near Algiers in 1943","photo is of the 8th Evac arriving at Anzio in June 1944","photo is of Pageland Gym, Nurses' Home, and the Officer's Club","photo is of the kitchen and mess hall near Teano in 1943","photo is of Naples harbor in 1943","notation on back: ...who built our ward boxes and numerous gadgets that made for success of 8th Evac Hospital in Africa \u0026 Italy","the Santa Paula is the troopship which carried the 8th Evac to Africa","\"Army Nurse fought battle on tow fronts\": the story of Elizabeth Engleman Carter","Luscombe includes photos of his shop and land in Missouri and relates several incidents from the 8th Evac","Marshall recounts how he joined the 8th Evac","Hilda Franklin Bell","notes for talk to the UVa History (Medical) Society","John Guerrant's notes for a medical history talk","This detachment took part in the initial invasion of Sicily by men on 10 LSTs (landing ship, tank)","donated by son of Norman Thornton","1943 photo of the first Purple Heart at Anfa Hill","Enclosure is a reprint from \"The Journal of Urology\" Vol. 55, No. 1, January 1946, \"Urogenital Wounds in an Evacuation Hospital\" by Donald Forbes Marshall","The letter is in regard to Sampas's uncle, Sampatis Sampatacacus, a member of the 8th Evac. He encloses two papers about his uncle and his uncle's poetry. Last known address for Tony Sampas: 51 West St., Pepperell, MA 01463","contains updates of former 8th Evac officers and nurses","John Guerrant on the far right looking at camera with his wife, Laura, beside him","seated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, James Culberton, John Morris, Al Gillespie. Photographed by Ralph Thompson","left to right: Walter Blackston, Norman Thornton, James Biggar, John Dempsey, Mrs. Dempsey","left to right: Lelia Langhorne Cloyd, unidentified man, Colonel Michie (not 8th Evac), Minnie Lee dozier, unidentified woman","left to right: Mrs. Ray Monin, Ray Monin, unidentified man","Armed Forces Institute of Pathology photo MM-5-44 2180","party given for John McKoan, departing commanding officer at the 8th Evac","Many people are identified in the photo itself: Waddell, Bill Laird, Weller, LeBauer, Marshall, Haley, Lallah Edwards Anderson, Ted Laird, Cathleene Carter, Mamie Donley Bryant, Mulford, Hairfield, Den, McKelden Smith, Rich Low, Thornton, Lelia Cloyd Iseman","Armed Forces Institute of Pathology photo","left to right on page 13: three unidentified, Linus Miller, Madge Darden, Prentice Kinser, Don Marshall, Ed Shearburn","left to right and clockwise: Ray Monin (with cigarette in mouth), Beverly Hairfield, William Waddell, Harris Holmboe, John Morris, James Low and unidentified man","Documents are in regard to Lallah Edwards Anderson, Hilda Franklin Bell, Raymond Canipe, S. Ward Casscells, Francis Churchill, J. Walter Dempsey, Edward Denny, Horace Downing, John Gordon, Kenneth Grim, Byrd Leavell, Maruice LeBauer, Donald Marshall, Bob Mitchell, Edwin Mulford, Addie Roadcap, William Pennington Snavely (Bill Snavely), Kate Robinson Thornton, William Norman Thornton","Betty Wiseman Throop is on the cover.","left to right: Byrd Leavell, Addie Roadcap, Mrs. Ray Monin, Nancy Leavell, Bill Suhling","Minnie Lee Dozier second from right, Mrs. Gilkerson (?) and Beverley Tucker (?) also in photo","left to right: Al Gillespie, Dick Morris, Beverley Tucker (?), Dick Bell","left to right: McKelden Smith, Anne Smith, Dick Morris, Lucy Morris, Hilda Franklin Bell, Dick Bell","Beverley Tucker (?) in middle with tie","left to right: Dick Bell, Jim Boston, Maurice LeBauer, Beatrice Ramsey Boston","left to right: Montey Wray (not an 8th Evac member), Rich Low, Bill Suhling","seven men at the bar, Byrd Leavell second from left, Dick Morris 5th from left,","left to right: Cato Drash, Montey Wray (not an 8th Evac member), Lottie Gibson, Walter Blackston","The article details the various inventions by Holmboe that improved life at the 8th Evac: tents without center-poles, sinks from German bomb cases, water-heating system, running water, flexible operating lamps, adjustable operating tables, drinking fountains, ice cream freezer.","Clipping includes photo of Drash, Guerrant, Thornton, and Leavell holding the flag taken from the Italian Consulate in Casablanca","Berkeley presents materials regarding his aunt Helen Berkeley's service with the 8th Evac to the Health Sciences Library","includes separation record, certificate of service, appointment to captain, and immunization registers","donated by Helen Berkeley's nephew, Edmund Berkeley, Jr.","donated by Helen Berkeley's nephew, Edmund Berkeley, Jr.","Volume I (blue cover) includes photographs taken in Pageland, SC; Casablanca, Morocco; Caserta, Naples, Pompei, Capri, Teano, Rome, Grosetto, Cecina, Castiglioncella, Florence, Pietramala, Verona, Venice, and Stressa, Italy. Also included are the August 1942 and October 1942 issues of the Evacu-Eighter, 8th Evacuation Hospital Layout, \"Mud, Mules, and Mountains: Cartoons of the A. E. F. in Italy\" by Bill Mauldin, \"Road to Rome\" a pamphlet addressed to the Officers and Men of the Fifth Army from Lt. General Mark W. Clark, and assorted and mementos from Gillespie's service as an army nurse during World War II.","Volume II (brown cover) includes reunion photos from the 1950s, 1980, 1985, and 1995, and photographs taken at Lake Garda, Florence, Italy, and Switzerland. Also included are an informational bulletin from the University Study Center, Mtousa, Caserta, Italy; mementos from the ship \"Vulcania\" which sailed from Naples, Italy to New York, and whose passengers included nurses; welcome back brochures from Camp Kilmer, New Jersey; November 1943, October 1944, and December 1945 issues of the \"University of Virginia Alumni News;\" Spring 1946 issue of the \"Bulletin of the University of Virginia Medical School and Hospital\" which gives a brief history of the 8th Evac Hospital and was devoted to the military service of faculty and alumni; May 1990 issue of \"House Organ\" by Vanderbilt University Medical Center with an article about 8th Evac nurse Alice Bugel; newsletters from 1946(?), 1947, 1948(?), 1949, 1950, 1951 with updates on the officers and nurses; original drawings by Bing Brown; poems; notes; reunion mementos; and postcards.","Included are photos of John Guerrant, the 8th Evac labs, Jefferson Day celebration, views of the 8th Evac camps, hanging of Mussolini, and postcards of Casablanca, Napoli, Rome, and Capri","The notebook contains the names of deceased soldiers and includes rank, injury, address for next of kin, date of death, and date of Beery's letter to next kin. After the war Beery wrote letters to the next of kin of those who died in the 8th Evac Hospital or who were dead on arrival.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Guerrant writes that after the war Beery wrote to the families of those who died at the 8th Evac Hospital. Beery saved the letters she received in response.","contains chapters on general information; military discipline and courtesy; insignia; organization; clothing; arms and equipment; school of the soldier with and without arms; squad and platoon drill; interior guard duty; marches, camps, and bivouacs; use of compasses and maps; security and protection; military sanitation and first aid; the ration; pay and allowances; and the last will and testament","This arm band was used by U. S. Air Borne Paratroopers","Letters written on these specially designed letter sheets were microfilmed. The microfilmed copies were sent instead of the letters and then \"blown up\" at an overseas destination before being delivered to military personnel, thereby saving valuable cargo space.","These are facsimiles of the reduced-in-size V mail letter sheets.","Cards include fingerprints and photo.","This card was used as a meal ticket throughout the soldier's voyage.","Includes a list of special equipment for medical and surgical wards, plan for bed ward, and a guide to the hospital plan.","Includes letters from Mark Clark and Joseph Martin, a special feature by Bill Laird on the presentation to UVa of the portrait of Dr. Staige Davis Blackford, and names and addresses.","Suspended for three years, this issue of the Bulletin gives priority to the military service of alumni and faculty, including a record of the 8th Evac.","Includes the dinner menu and a list of personnel.","The article describes Langhorne Cloyd Iseman's experience with the 8th Evac.","The unidentified women are probably all 8th Evac nurses as the notation on the back states \"6 of the 8 Frankie [Hilda Franklin?] and Huffie [Alice Huffman?] missing.\" The women appear to be the same as in Box 34, Folder 33.","The unidentified women are probably all 8th Evac nurses. The women appear to be the same as in Box 34, Folder 32.","The maps are Island of Hawaii, Island of Kauai, Island of Oahu, and Island of Maui and were issued by the Hawaii Tourist Bureau. Matthews was stationed at Tripler in Honolulu.","Brusati encloses 3 photographs: one of his sister Angela Brusati who was with the 8th Evac and two of her classmates. They called themselves with one other nurse, \"The California Commandos.\"","The letters from Prentice Kinser to his wife and other members of his family were stored in a small suitcase. This suitcase is now in Historical Collections' artifact collection. It is artifacts01230.","2 letters in envelopes, 2 postcards, 9 photographs","Some of the 8th Evac patients were returned to receive treatment at Halloran Hospital.","The photo of the graduating class includes Prentice Kinser.","Monument inscription IOANNES BAPTISTA REZZONICO ...; ISTITUTO NAZIONALE PER LE RELAZIONI CULTURALI CON L'ESTERO ROMA Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO 12150 Reparti italinai di guastatori attaccano un capo saldo nemico sul fronte egiziano; Venice, May 8, 1945; Panorama of Venice from Campanile, May 8, 1945; Prentice Kinser, Venice, May 8, 1945; King Victor Emmanuel Memorial; Easter Sunday, Pietramala, Ruth Buffington and Prentice Kinser; Palazzo delle Assicurazioni Generali di Venezia; building with quote from Mussolini: ... vostra madre, dovete, con la stessa purezza di sentimento, amare la madre comune: la Patria nostra; Levin Islands from Super Cannes; funiculare going to Super Cannes, June 1945; beach at Cannes; Walk along waterfront in Cannes; Hotel Carlton and waterfront at Cannes; Monaco France where Monte Carlo is located; Filling station in Milan, Italy where Mussolini and henchman were hung","6 photos from Portici, Italy, some dated March 1945, 2 of Prentice Kinser; waterfall and statuary in gardens; Prentice Kinser amongst the Cupids, February 1945; the 1st Christian church in Italy (Rome); Mussolini's balcony, Piazza Venezia, Rome; the Roman Forum; map in stone on old Roman wall of Holy Roman empire at its height; a pagan temple?; Roman amphitheater or Colosseum; photo of woman and 2 little girls with notation on back: You can't tell who I am but notice the high sign given by Carolyn.","Photos all include Prentice Kinser, one shows him having an award pinned on, another is the officers of the 8th Evac at the Italian consulate in Casablance in December 1942","Some photos taken in Pompeii.","3 photos of Jungfraujoch inside the Gletscherpalast or ice palace, one outside, A. G. Wehrli; Signpost to Rothorn, Kunstverlag H.C. Maeder; Wagenbachbrunne, Luzern, Wehrli \u0026 Vouga \u0026 Co.; Brienz, Dorfpartie, Kunstverlag H.C. Maeder; Thun und die Alpen, Wehrli \u0026 Vouga \u0026 Co.; Polarhunde auf dem Jungfraujoch, Wehrli \u0026 Vouga \u0026 Co.; Oberried a. Brienzersee, Verlag Schild-Bichsel; Thun, Schloss, Wehrli \u0026 Vouga \u0026 Co.; Thun, Hauptgasse, Wehrli \u0026 Vouga \u0026 Co.; Roma - Piazza di Spagna; Roma - Piazza Venezia; Luzern. Museggtrume, Wehrli \u0026 Vouga \u0026 Co.; L. Thomann Brienz","Some photos taken in Pompeii.","Diary was given to Prentice Kinser by his wife just before leaving Fort Benning on Sept. 15, 1942. First entry is September 15, 1942 and continues into 1943. Inside the front cover is written: \"Note Made Oct. 11, 1943 Bet made with Maury Lebauer in presence of J.O. McNeil, John Guerrant, Calvin Drayer in front of J.O's tent night of Oct. 10, 1943 ... in Paestum in Italy. If war is over Jan 1st 1944 I owe him 10.00. If war is not over by June 30, 1944 he owes me $15.00. On continent of Europe 5.00 even on War is over Jan 1st 1944, 5.00. 2 to one its over by June 30 1944.\"","Napoli map and excursions, Church of Santa Croce, Florence, A Soldier's Guide to Florence, Soldier's Guide to Italy","Maps and guidebooks to Switzerland in general and Berne, Lucerne, and Jungfrau","The bills are marked Casablanca, Nov. 18, 1942; Marrakeich, Jan. 15, 1943; Rabat, Feb. 15, 1943; Port Lyautey, Feb. 1943; Algiers, Maison Blanche, Cap Matifou, Oran, Aug. 1943","Page 6 (top) of the pamphlet has instructions for Maj. Prentice Kinser to be moved from the 3d Evac Hosp., Wadesboro, NC, effective about Aug. 24, 1942 to the 8th Evac Hosp. at Ft. Benning, Ga.","Kinser was the investigating officer for a case which resulted in a Summary Court Martial.","Patricia Kinser's paper \"explore[s] the history of the 8th Evacuation Hospital in World War II within a narrative describing the experiences of Dr. Prentice Kinser Jr., an orthopedic surgeon, and Dorothy Sandridge Gloor, a surgical nurse in the unit.\" The paper is in partial fulfillment of requirements for GNUR 8230: Historical Inquiry in Nursing. The invitation is to an open house in Historical Collections on November 15, 2011 where Patricia Kinser presented her paper and the donation of her grandfather's paper was celebrated.","The Shock Team is shown sitting on stairs. top row: Mallow, Holsinger, Morris; bottom row: Ward, Kidd. The receiving team is from left to right: Didier, Buonovicino, Wanderer, Horwath, De Ross, Salmon. The third group shot shows top row: Bara, Erk, Johnsmeyer, Padula; bottom row: Johnson, Meckle, Pratt, Glaser.","The photos all show Pietramala in the winter snow. Also included is the crest of Radicosa Pass, tents, Mt Beni, Chapel tent, Christmas wine barrel, town of Pietramala, winterized ward tents","The storm pictures include the wreck of the mess hall. One Christmas picture shows three women; the other shows a man in front of an evergreen tree.","The wedding took place in the American Episcopal Church in FLorence. Chaplain Laird performed the ceremony.","Shows altar, congregants and clergy.","Text of a presentation given in Historical Collections for the Sloane Society by Dr. Reynolds.","Reprint of the article in the Transactions of the American Clinical and Climatological Association, Vol. 125.","The album contains photographs, list of rations for their wedding reception, and some of her parent's memories of serving overseas. Wells served with the 8th Evac as a nurse. Broadfoot was a captain with the Cryptography Unit of the Signal Corps.","7 unframed paintings, 1 pencil sketch, 1 photograph. Paintings by Major Edwin Shearburn, an officer in the U.S. Army's Eighth Evacuation Hospital Unit who created a series of paintings that documented his life in the unit during World War II. The pencil sketch of Shearburn was created by Sgt. Brumment Echohawk, also of the unit.","The folder in this item contains photographs and governmental documents related to the 8th Evac Hospital and John W. McKoan's activity as General there.","There are also 27 artifacts that were donated along with the folder that were cataloged and are stored in a separate location within the department with other artifacts. The materials are in good condition but should be handled with care. The items are:","(1) one uniform with side cap, (1) one helmet, (1) one sabre, (1) one set of cowbells, (2) two photographs, (1) one folder of correspondence, letters, and battle reports spanning 1943-1944, (2) rounds of Western Cartridge Company 1942 ammunition marked \"WCC 42,\" (1) one metal canteen, (1) one metal military flashlight, (1) one can of rations, (2) two metal folding cutlery kits, (1) one thermometer, (1) wooden block with a \"J\" and \"W\" on the sides, (1) one pocket nail file with a clip, (1) one metal German military belt buckle with the words \"Gott Mit Uns\" (confirmed Nazi buckle), (1) one pair of dog tags, (1) one metal ID bracelet, (1) one mother-of-pearl cuff link (other pair missing), (1) one metal cuff link (pair missing), (1) one 1920 koninkrijk der nederlanden coin 1 cent, (1) one iron cross medal, (1) one American Legion heart medal, (14) fourteen pins of various sizes and materials, (9) nine large brass US Military buttons, (11) eleven small brass US Military buttons, (8) eight military bar pins, some with metal stars, (6) six military patches, and (1) one trophy in honor of a fallen soldier from 1943.","This item consists of one 16mm film featuring members of the US Army Signal Corps engaged in training exercises at the 8th Evacuation Hospital in Italy.","This item consists of one (1) 8mm film reel and two (2) digitized copies of the 8 mm film produced by Hilda Franklin and Dick Bell of the U.S. Army 8th Evacuation Hospital Unit. The file depicts the couple's wedding, members of the 8th Evacuation Hospital Unit, and Italian landmarks and scenery.","Copyright restrictions may apply.","Of unique relevance to the University of Virginia Health System is the 8th Evacuation Hospital Collection. The \"8th Evac.\" was organized and staffed primarily by University of Virginia physicians and nurses during World War II. The collection contains scrapbooks, memoirs, reports, and numerous photographs that recall the experiences of the men and women who provided medical and nursing care in North Africa and Italy during the war.","Claude Moore Health Sciences Library","Guerrant, John","English"],"unitid_tesim":["MS.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/112"],"normalized_title_ssm":["8th Evacuation Hospital collection"],"collection_title_tesim":["8th Evacuation Hospital collection"],"collection_ssim":["8th Evacuation Hospital collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Copyright restrictions may apply."],"has_online_content_ssim":["false"],"physdesc_tesim":["18.25 linear ft. (38 boxes, ca. 18,000 items); correspondence, reports, photographs, 5 boxes of Byrd Stuart Leavell's manuscript, scrapbooks, and other archival material."],"extent_ssm":["25 Linear Feet"],"extent_tesim":["25 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions."],"bioghist_html_tesm":["\u003cp\u003e\nThe 8th Evacuation Hospital was organized and staffed by University of Virginia physicians and nurses during World War II. In February of 1942, University President John L. Newcomb and Dean of the School of Medicine, Harvey E. Jordan, gave permission for the organization of a medical unit for war service designed to be an evacuation hospital for emergency surgical cases. In March of 1942, Dr. Staige D. Blackford was made director of the unit. Dr. E. Cato Drash assisted Dr. Blackford in organizing a staff of over four hundred people for the 750-bed evacuation hospital, including 47 commissioned officers and 52 commissioned nurses. Ruth Beery, a former instructor at the School of Nursing, was made the principal chief nurse. Organization was completed by May of 1942.\n\u003c/p\u003e","\u003cp\u003e\nThe unit went through basic training during the summer of 1942 and was activated on August 19, 1942 under the command of Lieutenant Colonel Lincoln F. Putnam. In November of 1942, the men of the 8th Evacuation Hospital shipped out on the U.S.S. Santa Paula and went ashore at Casablanca where they set up a provisional general hospital at the former Italian consulate. Colonel John W. McKoan took over as commanding officer and oversaw the closing of the hospital four months after its establishment. During that time there were nearly 4,200 admissions and thousands of outpatients were treated in outpatient departments and the dental clinic.\n\u003c/p\u003e","\u003cp\u003e\nOn March 14, 1943 the 8th Evacuation Hospital moved to a new location on Anfa Hill where they were joined by 51 nurses and began to function as a convalescent hospital, caring for nearly 1,460 inpatients before being dismantled and parked in early June. The unit moved to a bivouac area at Camp Matifou, Algiers for six weeks until they were assigned to Salerno, Italy. After their arrival in Italy, they learned that all the hospital equipment had been lost, but they quickly managed to procure tents, a telephone system, generator and laboratory equipment. The hospital moved to Caserta and stayed there from October until December of 1943, and then spent three months in Teano functioning as a field hospital for combat operation. In Italy the hospital became very efficient at following the moving front line of the Allied forces. The Allied advance slowed in the fall of 1944 and the 8th Evac. was assigned to a muddy field in Pietramala, a mountainous area north of Florence, where they stayed for six months. The fall was wet and muddy and the winter cold and snowy. During this time the unit treated over 9,000 inpatients, of whom half were injured and wounded.\n\u003c/p\u003e","\u003cp\u003e\nThe end of fighting in Italy in the spring of 1945 meant that some members of the 8th Evac. were sent home, others to the Pacific, and others set up hospitals near Verona and Lake Garda. E. Cato Drash was made commanding officer as the 8th Evac. spent four months at Lake Garda treating almost 5,000 inpatients, mostly for disease. In the fall of 1945 the 8th Evacuation Hospital was demobilized after three and a half years of active duty. Over 48,000 patients, twice as many as were admitted to the University of Virginia Hospital in 1942-1944, were admitted to the 8th Evacuation Hospital in Africa and Italy over the three year period. Of those patients fourteen percent were injured, twenty-two percent were wounded, and sixty-four percent were sick. There were 253 deaths, or about half of one percent. More than 53,000 outpatients were seen in clinics.\n\u003c/p\u003e","\u003cp\u003e\nThe Hospital functioned in the heat of North Africa and southern Italy and in the rain, snow, and cold of the Italian mountains. At times the operating areas were all in use with a hundred men waiting for surgery, and at other times the staff had time on their hands and little to entertain themselves with. The unit received more awards, commendations, and decorations than most similar units and served longer in North Africa and Italy than any other American hospital. The men and women of the 8th Evacuation Hospital served their country well and were excellent representatives of the University of Virginia.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["\nThe 8th Evacuation Hospital was organized and staffed by University of Virginia physicians and nurses during World War II. In February of 1942, University President John L. Newcomb and Dean of the School of Medicine, Harvey E. Jordan, gave permission for the organization of a medical unit for war service designed to be an evacuation hospital for emergency surgical cases. In March of 1942, Dr. Staige D. Blackford was made director of the unit. Dr. E. Cato Drash assisted Dr. Blackford in organizing a staff of over four hundred people for the 750-bed evacuation hospital, including 47 commissioned officers and 52 commissioned nurses. Ruth Beery, a former instructor at the School of Nursing, was made the principal chief nurse. Organization was completed by May of 1942.\n","\nThe unit went through basic training during the summer of 1942 and was activated on August 19, 1942 under the command of Lieutenant Colonel Lincoln F. Putnam. In November of 1942, the men of the 8th Evacuation Hospital shipped out on the U.S.S. Santa Paula and went ashore at Casablanca where they set up a provisional general hospital at the former Italian consulate. Colonel John W. McKoan took over as commanding officer and oversaw the closing of the hospital four months after its establishment. During that time there were nearly 4,200 admissions and thousands of outpatients were treated in outpatient departments and the dental clinic.\n","\nOn March 14, 1943 the 8th Evacuation Hospital moved to a new location on Anfa Hill where they were joined by 51 nurses and began to function as a convalescent hospital, caring for nearly 1,460 inpatients before being dismantled and parked in early June. The unit moved to a bivouac area at Camp Matifou, Algiers for six weeks until they were assigned to Salerno, Italy. After their arrival in Italy, they learned that all the hospital equipment had been lost, but they quickly managed to procure tents, a telephone system, generator and laboratory equipment. The hospital moved to Caserta and stayed there from October until December of 1943, and then spent three months in Teano functioning as a field hospital for combat operation. In Italy the hospital became very efficient at following the moving front line of the Allied forces. The Allied advance slowed in the fall of 1944 and the 8th Evac. was assigned to a muddy field in Pietramala, a mountainous area north of Florence, where they stayed for six months. The fall was wet and muddy and the winter cold and snowy. During this time the unit treated over 9,000 inpatients, of whom half were injured and wounded.\n","\nThe end of fighting in Italy in the spring of 1945 meant that some members of the 8th Evac. were sent home, others to the Pacific, and others set up hospitals near Verona and Lake Garda. E. Cato Drash was made commanding officer as the 8th Evac. spent four months at Lake Garda treating almost 5,000 inpatients, mostly for disease. In the fall of 1945 the 8th Evacuation Hospital was demobilized after three and a half years of active duty. Over 48,000 patients, twice as many as were admitted to the University of Virginia Hospital in 1942-1944, were admitted to the 8th Evacuation Hospital in Africa and Italy over the three year period. Of those patients fourteen percent were injured, twenty-two percent were wounded, and sixty-four percent were sick. There were 253 deaths, or about half of one percent. More than 53,000 outpatients were seen in clinics.\n","\nThe Hospital functioned in the heat of North Africa and southern Italy and in the rain, snow, and cold of the Italian mountains. At times the operating areas were all in use with a hundred men waiting for surgery, and at other times the staff had time on their hands and little to entertain themselves with. The unit received more awards, commendations, and decorations than most similar units and served longer in North Africa and Italy than any other American hospital. The men and women of the 8th Evacuation Hospital served their country well and were excellent representatives of the University of Virginia.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e8th Evacuation Hospital Collection, MS-5, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["8th Evacuation Hospital Collection, MS-5, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid by M. Alison White; 2006, 2012, 2014 revisions by Janet Pearson.\u003c/p\u003e","\u003cp\u003eArchivist Amanda Greenwood interfiled this file into the collection on June 29, 2025.\u003c/p\u003e","\u003cp\u003eThis item was processed as an addition to the 8th Evacuation Hospital Collection (MS-5) on 10/28/2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Finding Aid by M. Alison White; 2006, 2012, 2014 revisions by Janet Pearson.","Archivist Amanda Greenwood interfiled this file into the collection on June 29, 2025.","This item was processed as an addition to the 8th Evacuation Hospital Collection (MS-5) on 10/28/2025."],"relatedmaterial_html_tesm":["\u003cp\u003e\nRelated materials catalogued individually at the Claude Moore Health Sciences Library:\n\u003c/p\u003e","\u003cul\u003e\n\u003cli\u003eThe 8th Evac: A History of the University of Virginia Hospital Unit in World War II, by Byrd Stuart Leavell, [1970]; 260 p.; Health Sciences Rare Shelves: D807.U722 NO. 8 .L4 1970\u003c/li\u003e\n\u003cli\u003eC'est le Garre: Reminiscenses of a World War II Army Nurse, by Elizabeth Engleman Carter [edited by Caroline Carter Jones], 1992?; Typescript, 39 p.; Health Sciences Rare Oversize Shelves: D807.U722 NO.8 .C3 1992\u003c/li\u003e\n\u003cli\u003eUVA Goes to War: The Story of the 8th Evacuation Hospital in World War II, [sound recording]; Panelists: John L. Guerrant, M.D.; Elizabeth Drash, R.N.; William N. Thornton, M.D.; Moderator: John F. Harlan, 1989; Health Sciences Rare Shelves: D807.U722 NO. 8 U93 1989 [audio/visual material]\u003c/li\u003e\n\u003cli\u003eAlso see other materials at the Albert and Shirley Small Special Collections Library\u003c/li\u003e\n\u003c/ul\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["\nRelated materials catalogued individually at the Claude Moore Health Sciences Library:\n","The 8th Evac: A History of the University of Virginia Hospital Unit in World War II, by Byrd Stuart Leavell, [1970]; 260 p.; Health Sciences Rare Shelves: D807.U722 NO. 8 .L4 1970 C'est le Garre: Reminiscenses of a World War II Army Nurse, by Elizabeth Engleman Carter [edited by Caroline Carter Jones], 1992?; Typescript, 39 p.; Health Sciences Rare Oversize Shelves: D807.U722 NO.8 .C3 1992 UVA Goes to War: The Story of the 8th Evacuation Hospital in World War II, [sound recording]; Panelists: John L. Guerrant, M.D.; Elizabeth Drash, R.N.; William N. Thornton, M.D.; Moderator: John F. Harlan, 1989; Health Sciences Rare Shelves: D807.U722 NO. 8 U93 1989 [audio/visual material] Also see other materials at the Albert and Shirley Small Special Collections Library"],"scopecontent_html_tesm":["\u003cp\u003eThe 8th Evacuation Hospital collection includes photographs, personal and official correspondence, reports, notebooks, purchase orders, citations, certificates, scrapbooks, newsclippings, insignia, and a manuscript of Byrd Stuart Leavell's book: The 8th Evac.: a History of the University of Virginia Hospital Unit in World War II (1970). Additional artifacts, including uniforms, plaques, and a replica set of Roman instruments, are in the artifact collection at the Claude Moore Health Sciences Library, Historical Collections, University of Virginia. A web exhibit on the 8th Evacuation Hospital, featuring content and images from the collection is available here: http://exhibits.hsl.virginia.edu/8thevacuation/\u003c/p\u003e","\u003cp\u003eTHE DIETZ PRESS\u003c/p\u003e","\u003cp\u003eJ. PAUL WINTHROP OBITUARY, ELIZABETH ENGLEMAN, CATO DRASH\u003c/p\u003e","\u003cp\u003eAMERICAN LEGION MAGAZINE, ARMY DIGEST, ARMY TIMES\u003c/p\u003e","\u003cp\u003eINCLUDES A SHEET WITH THE LAST NAMES OF 72 MEN WHO WERE EVIDENTLY PATIENTS AT THE 8TH EVAC. MANY NAMES CORRESPOND WITH THOSE IN RUTH BEERY'S NOTEBOOK OF THE MEN WHO DIED AT THE 8TH EVAC. THE NAMES ARE LISTED ALPHABETICALLY BUT ONLY GO PARTWAY THROUGH THE LETTER H. THE STATISTICAL REPORT GIVES INFO ON ADMISSIONS DIAGNOSES, FRACTURES, CAUSATIVE AGENTS OF WOUNDED PATIENTS, DEATHS, AND VARIOUS CLINICS.\u003c/p\u003e","\u003cp\u003eELIZABETH ENGLEMAN, CATO DRASH, STAIGE D. BLACKORD\u003c/p\u003e","\u003cp\u003e8th Evac. Hospital in Anfa Hill, Casablanca, and Italy\u003c/p\u003e","\u003cp\u003e8th Evac. in Casablanca, Italian Consulate in Casablanca and Pietramala, Spring, 1945\u003c/p\u003e","\u003cp\u003e8th Evac. in Pietremala, and Teano; Mud, Operating Tent, X-Ray Area\u003c/p\u003e","\u003cp\u003e8th Evac. in Pietramala; Dispensary, Operating Tent, X-Ray Dark Room, Mess Tent, Ward, Latrines, Operating Theaters, Tent Construction\u003c/p\u003e","\u003cp\u003e8th Evac. in Casablanca, Italian Consulate in Casablanca, and Ravello; Purple Heart Ceremony; Tents; Vehicles\u003c/p\u003e","\u003cp\u003e8th Evac. in Pietramala, Teano, and Montecatini Area; Mess Tent, Shock Tent, Water Truck and Tank, Blood Bank, Utility Tent, Operating Room, X-Ray Department, Ambulance Turnabout, Lt. Gen. Mark Clark, Immunization Shots\u003c/p\u003e","\u003cp\u003eCasablanca, and Marrakesh; Rocks, Allied Parade, Set-Up at Anfa, Purple Heart Ceremony\u003c/p\u003e","\u003cp\u003ePietramala seen from Mt. Beni, Ambulances, Major John O. Mcneel, M. C., Registrar, 8th Evac. Hospital with Secretary of War Stimson\u003c/p\u003e","\u003cp\u003e8th Evac. in Pietramala, and Teano; Snow, Wood Cutting, Mess Tent, Operating Theater, Wards, Aid Station\u003c/p\u003e","\u003cp\u003e8th Evac. in Capua Area, and Teano Area; Wood Cutting, Water Supply, Hospital Lab, X-Ray Tent, Operating Room, Utilities Tent, Winterization, Ward Building\u003c/p\u003e","\u003cp\u003e8th Evac. in Teano, and Carinola; USO Show, Various Individuals\u003c/p\u003e","\u003cp\u003e8th Evac. in Caserta, Carinola, Teano, Riardo\u003c/p\u003e","\u003cp\u003e8th Evac. in Teano, Santa Maria, Cellole, Beach below Minturno; Stretching Tent, German prisoner patient, Marlene Dietrich Show\u003c/p\u003e","\u003cp\u003eJune 1944 - Rome, Grosseto, Cisterna, Le Ferriere\u003c/p\u003e","\u003cp\u003eJune 1944 - Cisterna, Le Ferriere, Rome, Cecina\u003c/p\u003e","\u003cp\u003eGalluzzo, Cecina, Naples, Volterra - Supply Tent, Enlisted Mens' Mess, Ward Tents, Post Office, USO performers, Generators, WACs and Nurses\u003c/p\u003e","\u003cp\u003eCecina, and Volterra; Laboratory, Refrigerators, Secretary of Navy Forrestal, Clinic, Dispensary, and Dental Clinic\u003c/p\u003e","\u003cp\u003eCecina, Galluzzo, Castiglioncello, San Gimignano; General Giraud, Captain Wharton, General Clark, General Alexander, King George VI\u003c/p\u003e","\u003cp\u003eSan Gimignano, Galluzzo, Pietramala, Siena; Red Cross Workers, Laundry Tent, Offices, Congresswoman Mary Nourse Rogers\u003c/p\u003e","\u003cp\u003eFlorence, and Pietremala; Winterization, Clare Booth Luce\u003c/p\u003e","\u003cp\u003ePietremala; Winterization, Wood Supply, Water Tower, Enlisted Mens' Quarters, Dental Clinic, Mess Hall, Ward Tents, Pre-Fabs\u003c/p\u003e","\u003cp\u003ePietremala, Cecina, and Florence; Secretary of War Stimson, Ward Tents\u003c/p\u003e","\u003cp\u003ePietramala, Florence, Pisa, Lucca, and Futa Pass\u003c/p\u003e","\u003cp\u003ePietramala, Buttapietra, Verona, Salo, and Carinola\u003c/p\u003e","\u003cp\u003e1945 - Buttapietra, Pietramala, Verona, Mt. Beni, Venice; Ambulance Convoy, German Prison Camp Refugees, Chaplains' Tents, Red Cross Tent\u003c/p\u003e","\u003cp\u003eMay, 1945 - Venice\u003c/p\u003e","\u003cp\u003eMay 1945 - Venice, Buttapietra, Milan and Alassio\u003c/p\u003e","\u003cp\u003eGenoa, Lake Garda and Fasano\u003c/p\u003e","\u003cp\u003eFasano, Dezanzano, and Gardano\u003c/p\u003e","\u003cp\u003ePo River, Gibraltar, and Dezanzano\u003c/p\u003e","\u003cp\u003e1. Italian consulate building where McKoan took command Feb. 1943 2. Ward at 8th Evac. in Casablanca\u003c/p\u003e","\u003cp\u003e1. Ward tents, 8th EVAC. (on roof), Casablanca, Mar. 1943 2. 8th EVAC. at roof of Italian consulate, Casablanca\u003c/p\u003e","\u003cp\u003e1. Maj. Wintrop at work in dental clinic, Casablanca, Feb. 1943 2. Clean-up prior to move to Anfa Hill, March 1943\u003c/p\u003e","\u003cp\u003e1. Tents 2. Enlisted men pack bags, March 1943\u003c/p\u003e","\u003cp\u003e1. View from Anfa Hill 2. Col. McKoan and driver at President Roosevelt's villa, Casablanca, May 1943\u003c/p\u003e","\u003cp\u003e1. Capt. \"Big\" Kincopf, Asst. 2. Anfa Hotel, Casablanca, across street from 8th Evac.\u003c/p\u003e","\u003cp\u003e1. Col. McKoan leaving for Anfa Hill 2. Enlisted men packing for Anfa Hill\u003c/p\u003e","\u003cp\u003e1. Enlisted men cleaning area prior to move to Anfa Hill 2. 8th Evac. as it was set up on Anfa Hill, Casablanca, March 1943\u003c/p\u003e","\u003cp\u003e1. 8th Evac. 1st tents up at Anfa Hill, boxes contain ward supplies, X-ray equipment, etc. March 14, 1943 2. Ward tents being set up March 14, 1943\u003c/p\u003e","\u003cp\u003e1. 8th Evac. Anfa Hill from Anfa Hotel 2. Col. McKoan awarding 1st Purple Hearts to wounded from 1st U.S. Infantry Division\u003c/p\u003e","\u003cp\u003e1. General Wilson seated far left, 2nd Armd. Div. 2. Officers' tents, Anfa Hill\u003c/p\u003e","\u003cp\u003e1. McKoan outside French Naval Headquarters, June 1943 2. McKoan with Dutch Consul Cabos, outside McKoan's tent on Anfa Hill, June 1943\u003c/p\u003e","\u003cp\u003e1. Funeral for PFC Harold C. Phillips who drowned 6/10/43 at Casablanca\u003c/p\u003e\n","\u003cp\u003e2. Funeral for Harold C. Phillips\u003c/p\u003e","\u003cp\u003eMechanics salvaging lumber in Casablanca from shipping crates\u003c/p\u003e","\u003cp\u003eArab children in North Africa\u003c/p\u003e","\u003cp\u003eLeaving Anfa Hill for Algiers: Loading trucks\u003c/p\u003e","\u003cp\u003e1. Algiers 2. Country scene en route to Algiers\u003c/p\u003e","\u003cp\u003eCathedral of the Black Virgin, Algiers\u003c/p\u003e","\u003cp\u003eCol. Radke and John McKoan at Cap Matifou, Algiers\u003c/p\u003e","\u003cp\u003eCap Matifou\u003c/p\u003e","\u003cp\u003ePacking to leave Cap Matifou\u003c/p\u003e","\u003cp\u003eGoat Hill, Oran, Algeria; Lt. Col. Staige D. Blackford\u003c/p\u003e","\u003cp\u003e1. British motor boat, Oran, Algeria 2. Downed plane at Paestum, Italy - used as Nurses' Latrine\u003c/p\u003e","\u003cp\u003eNaples\u003c/p\u003e","\u003cp\u003ePompeii\u003c/p\u003e","\u003cp\u003e1. Cassino, Italy 2. Battapaglia - Refugees headed south\u003c/p\u003e","\u003cp\u003e1. McKoan and General Martin 2. Mary Jane McCone\u003c/p\u003e","\u003cp\u003eAir Raid on Naples, Searchlights\u003c/p\u003e","\u003cp\u003eCaserta\u003c/p\u003e","\u003cp\u003eWindham and Robinson\u003c/p\u003e","\u003cp\u003eHaverty (killed at Anzio), Bruce, Huffman, Martin, McKoan, Galvin, Sullivan\u003c/p\u003e","\u003cp\u003eMcKoan directing operations at Teano\u003c/p\u003e","\u003cp\u003eCommanding General of U.S. Air Force in Italy and McKoan\u003c/p\u003e","\u003cp\u003eMcKoan looking over German battle plans captured by Pvt. John Deringer of the 6th Armored Infantry\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eTeano, Italy - Ambulance Turnabout, Armed Forces Institute of Pathology Neg. No. MM-5-44-100390\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eTin Shop also known as Holmboe's Machine Shop, Capua Area\u003c/p\u003e","\u003cp\u003eTeano; McKoan and Buffington\u003c/p\u003e","\u003cp\u003eMen with jeep\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003e1. Litter with wounded from front 2. Tank headed for Cassino\u003c/p\u003e","\u003cp\u003eAlfred Den, Radiologist; X-ray apparatus\u003c/p\u003e","\u003cp\u003eTeano; X-ray darkroom\u003c/p\u003e","\u003cp\u003eTeano; Margaret McGowan demonstrates new holder for IV anesthesia syringe\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eSterilization Room; Operating Room\u003c/p\u003e","\u003cp\u003eCapua; Surgical Tent\u003c/p\u003e","\u003cp\u003eTeano; Chapel and Red Cross Unit; Operating Room\u003c/p\u003e","\u003cp\u003eCarinola\u003c/p\u003e","\u003cp\u003eCarinola\u003c/p\u003e","\u003cp\u003eTeano; Face injury case\u003c/p\u003e","\u003cp\u003eCassino; Front line\u003c/p\u003e","\u003cp\u003eSoldiers on tank\u003c/p\u003e","\u003cp\u003eCaserta; Italian Army Camouflage School\u003c/p\u003e","\u003cp\u003eCasablanca\u003c/p\u003e","\u003cp\u003eCapua; Clinical Laboratory\u003c/p\u003e","\u003cp\u003ePignataro\u003c/p\u003e","\u003cp\u003eSoldier who stepped on a mine\u003c/p\u003e","\u003cp\u003e8th EVAC. Sign on road to Rome, Route 6\u003c/p\u003e","\u003cp\u003eSan Pietro; Front line\u003c/p\u003e","\u003cp\u003eCapua; Surgical Tent\u003c/p\u003e","\u003cp\u003eTeano; Shock equipment\u003c/p\u003e","\u003cp\u003eTeano; Sterilizing Room\u003c/p\u003e","\u003cp\u003eCaserta\u003c/p\u003e","\u003cp\u003eLatrine in use\u003c/p\u003e","\u003cp\u003eCassino; Wounded being carried from ambulance into receiving tent\u003c/p\u003e","\u003cp\u003eTeano\u003c/p\u003e","\u003cp\u003eCasualties in receiving tent\u003c/p\u003e","\u003cp\u003eThe newsletter lists nurses, including Ruth Beery, who contributed to the Clara Josephine McLeod portrait fund.\u003c/p\u003e","\u003cp\u003eThe newsletter contains an article and photos concerning the presentation by Ruth Beery of a portrait of Clara Josephine McLeod.\u003c/p\u003e","\u003cp\u003eRuth Beery was chair of the portrait committee and gave the remarks at the presentation.\u003c/p\u003e","\u003cp\u003e\"Roosevelt Dies\"\u003c/p\u003e","\u003cp\u003e\"Hostilities Ended at 12:01 AM\u003c/p\u003e","\u003cp\u003e\"Japs Say They Accept\"\u003c/p\u003e","\u003cp\u003e\"Peace at Last\"\u003c/p\u003e","\u003cp\u003e\"Picture Story of the Ruined Town of Cassino\"\u003c/p\u003e","\u003cp\u003eBaskin describes in words and drawings the two years spent as a soldier in Italy during WWII.\u003c/p\u003e","\u003cp\u003epersonnel are listed within states by enlisted men, officers, and nurses\u003c/p\u003e","\u003cp\u003ephoto and write-up on the occasion of the presentation of Byrd Leavell's book \"The 8th Evac\" to the McIntire Library\u003c/p\u003e","\u003cp\u003epersonnel are listed within states by enlisted men, officers, and nurses\u003c/p\u003e","\u003cp\u003ephoto and names of the members of 8th Evac Hospital staff and list of nurses\u003c/p\u003e","\u003cp\u003eshows Drash being interviewed at Anzio, Italy\u003c/p\u003e","\u003cp\u003eIncludes how tents were decorated and heated, recreation, clothing, also description of indoor ward latrines, medical cases, war campaign, nurse staffing, nurse illness, and military occupational specialties of nurses by name.\u003c/p\u003e","\u003cp\u003ePalazzo uses material from Leavell's book \"The 8th Evac\" but adds new information based on his interview with Leavell and Beery. In particular he adds the experiences of the nurses.\u003c/p\u003e","\u003cp\u003eThe drawing shows exactly where various supplies such as bed pans, buckets, pitchers, stool, table, narcotic lock box, and cups were packed.\u003c/p\u003e","\u003cp\u003eThe hospital layout includes quarters for the officers, nurses, enlisted men and civilian labor. Also included are the various wards, latrines, dining areas, labs, etc.\u003c/p\u003e","\u003cp\u003eThis report is a history of the activities of the 8th Evac for 1944 and includes patients, types of injuries, housing, recreation, distinguished visitors and moves.\u003c/p\u003e","\u003cp\u003eThese orders list military personnel and their arm of service and address of record.\u003c/p\u003e","\u003cp\u003eStatues, children and soldiers in Rome\u003c/p\u003e","\u003cp\u003eWinterized ward tent\u003c/p\u003e","\u003cp\u003eDish-washing tent, patients' mess\u003c/p\u003e","\u003cp\u003eWard sterilization room; Noon and Robinson\u003c/p\u003e","\u003cp\u003eCasablanca; Anfa Hill\u003c/p\u003e","\u003cp\u003eLaird, William\u003c/p\u003e","\u003cp\u003eAnfa Hill\u003c/p\u003e","\u003cp\u003eAnfa Hotel\u003c/p\u003e","\u003cp\u003eCasablanca; 66th Station Hospital\u003c/p\u003e","\u003cp\u003eHorwath\u003c/p\u003e","\u003cp\u003eBara, Morton\u003c/p\u003e","\u003cp\u003eChaplains' tents\u003c/p\u003e","\u003cp\u003eRandal Luscombe supervising the erecting of a tent, the frame of which he helped design\u003c/p\u003e","\u003cp\u003eIrving Berlin with a group of officers\u003c/p\u003e","\u003cp\u003eStimson and General Clark visiting camp\u003c/p\u003e","\u003cp\u003eArmy Surgeons Congress C.M.F. Rome\u003c/p\u003e","\u003cp\u003eLeft to right, First row: John Dempsey, Harry Dumbleton, Ruth Buffington, Cathleene Carter, Minnie Lee Dozier, Ruth Eastman Sholars, Frances Thomas, Betty Wiseman Throop, Lallah Edwards Anderson, Dorothy Sandridge Gloor, Emma Garland, Ruth Beery, Nick Iannuzzelli, Frank Johnson, Sally Brightman van Zalis, Horace Downing, Addie Roadcap, Langhorne Cloyd Iseman, Mary Jane McCone, Jean William Gray. Second row: Edward Denny, Kate Robinson Thornton, William Summers, Thomas Petty, John Guerrant, Robert Meckel, Thelma Mathews, Elizabeth Engleman Carter, Elizabeth Johnson, Helen Berkeley, Walter Blackston, Sue Hornberger Kroll, Norris Philbeck, Hylton Crotts, Edward Deegan, Beverley Tucker, Jane Anderson McBride, Ray Monin, James Bigger, William R. Hill, Alice Huffman Bugel, Maurice LeBauer, Hilda Franklin Bell, Beverly Hairfield, Elizabeth Harlin Drash, Hubert Holsinger, Charles Capenter. Third row: McKelden Smith, Robert Mitchell, Norman Thornton, Lowell Gram, Kenneth Fradenburg, Randal Luscombe, James D. Ferguson, Raymond Canipe, William Snavely, Harold Bjorklund, Fred Johnson, Byrd Leavell, John R. Morris, Wilbur Northrup, Donald Marshall, E. Cato Drash, John Haley, Andrew Rabuck, Morrell Pratt, John Alexevich, John Gordon.\u003c/p\u003e","\u003cp\u003eBlackford, Payne, Haley, Hairfield, Guerrant, Holmboe, Bell, Leavell,Eagle, Wright, Thomas, Dofflemeyer, Franklin, Carter, Mills, Dozier, Berkeley, Drash, Gilkerson, Wiseman, Cloyd, Anderson, Beery, Matthews, Roadcap, McNeel, Hill, Lebauer, Mitchell, Monin, Snavely\u003c/p\u003e","\u003cp\u003ePietramala\u003c/p\u003e","\u003cp\u003eAnfa Hill; McNeel\u003c/p\u003e","\u003cp\u003eTeano; Ward boxes with supplies for 40 bed ward\u003c/p\u003e","\u003cp\u003eLake Garda\u003c/p\u003e","\u003cp\u003eGoat Hill; Oran; Algeria\u003c/p\u003e","\u003cp\u003eMen shaving\u003c/p\u003e","\u003cp\u003eHarbor at Oran, Algeria\u003c/p\u003e","\u003cp\u003eGoat Hill; Oran; Algeria; Showering outside\u003c/p\u003e","\u003cp\u003eAnfa Hill; Jenkins\u003c/p\u003e","\u003cp\u003eBaldwin\u003c/p\u003e","\u003cp\u003ePietramala; Martin\u003c/p\u003e","\u003cp\u003eInterior of shock ward\u003c/p\u003e","\u003cp\u003eStimson; Drash\u003c/p\u003e","\u003cp\u003eClark; Stimson\u003c/p\u003e","\u003cp\u003eClark; Stimson\u003c/p\u003e","\u003cp\u003eErk\u003c/p\u003e","\u003cp\u003eTucker; Glazer; Johnsmeyer\u003c/p\u003e","\u003cp\u003eGeeslin\u003c/p\u003e","\u003cp\u003eGlazer\u003c/p\u003e","\u003cp\u003eDrash\u003c/p\u003e","\u003cp\u003eBara; Rosumny; Geeslin; Erk; Pratt; Johnson; Glazer\u003c/p\u003e","\u003cp\u003eKinkopf, McKoan, Snavely\u003c/p\u003e","\u003cp\u003ePratt; Bara; Johnsmeyer; Glazer; Meckel; Padula\u003c/p\u003e","\u003cp\u003eFrom left to right, starting with the top row and then 2nd, 3rd, and bottom rows: Margaret Sue Hornbarger, Frances Houston, Rebecca Dofflemeyer, Alice Eagle, Mayme Griffitts, Alice Huffman, Hilda Franklin, F. Jean Williams, Kate Robinson, Lelia Langhorne Cloyd, Thelma Matthews, Frances Thomas, Alice Law, Angela Brusati, Nova Dowd, Dora Guglielmetti, Elizabeth (Betty) Wiseman, C. Elizabeth (Betsy) Johnson, Lottie B.(Billy) Gibson, Helen Gilkerson, Mabel Ayers, Mamie Kidd, Ruth Eastman, Ella Gillespie, Jane Anderson, Beatrice Ramsey, Lallah Edwards, Margaret Petersen, Clara Orsini, Lucille White, Dorothy Sandridge, Ann Mickle, Ruth Beery, Mary Jane McCone, Madge Darden, Christine Mills, Mamie Donley, Elizabeth Harlin, Mary Ellen Gibson, Addie Roadcap, M. Cathleene Carter, Mildred Smith, Helen Berkeley, Ruby Armstrong, Annie Laura Dickson, Minnie Lee, Emma Garland, Myrtle Hatcher, Margaret Phillips, Eula Wright, Elizabeth (Betty) Engleman, Margaret McGown\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. MM-45-777\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. MM-45-2928\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-576\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-588\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eTop Row: Margaret Ford, Mary Ellen Gibson, Elizabeth Wiseman, Alice Huffman, Langhorne Cloyd, Mayme Griffitts, Ruth Eastman, Eula Wright, Minnie Lee Dozier, Mamie Donley, Margery Stulting, Frances Thomas, Addie Roadcap, Nova Dowd. Second Row: Mamie Kidd, Ella Gillespie, Kenneth Grim, Preston Trousdale, William Norman Thornton, Beverley Hairfield, William Edgar Waddell, Ruth Beery, James Richmond Low, John Coleman, John Rogers Mapp, William Laird, Jane Anderson, Helen Gilkerson. Bottom Row: Henry Mayo, Leon Culbertson, H. B. Holsinger, E. Cato Drash, Staige D. Blackford, John McNeel, Byrd S. Leavell, Edwin Shearburn, John Guerrant, Albert Gillespie\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right: John Makley (?), Betty Wiseman, Alice Law, William Snavely, unidentified man, Dick Bell, Hilda Franklin, Tom Payne, Bea Ramsey\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003enote entrances that can hide light of O.R., so called \"black out entrances\"\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right: Kinkopf, McNeel, Winthrop, Drash, Beery, McKoan, McCone, Blackford, Holmboe, Suhling\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-58\u003c/p\u003e","\u003cp\u003eLewis Kirkman in the center\u003c/p\u003e","\u003cp\u003eTed Laird, unidentified woman, Staige Blackford, Frances Wells Broadfoot (bride), Fred Broadfoot (groom), Ted Marks (best man) in Florence, Italy\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-754\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-754\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-590\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-594\u003c/p\u003e","\u003cp\u003eWomen L-R: Beery, Robinson, Matthews, bridal couple, Wiseman, Franklin, Brusati; Men L-R: unidentified man, Martin, unidentified man, Leavell, Marshall, Ted Laird\u003c/p\u003e","\u003cp\u003ephotograph taken and donated by William Snavely\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-551\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C/MM-5-44-100403\u003c/p\u003e","\u003cp\u003eLeft to right: Kidd, unidentified woman, Dofflemeyer, unidentified woman, Huffman, unidentified man\u003c/p\u003e","\u003cp\u003eLeft to right: Hornbarger, Ramsey, Canniff\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-754\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-5\u003c/p\u003e","\u003cp\u003eLeft to right: Corpsman, patient, patient, Wiseman, Blackford, Beery\u003c/p\u003e","\u003cp\u003efar left: Hornbarger, far right: Sandridge\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-754\u003c/p\u003e","\u003cp\u003eSmith, Linus Miller, Leavell, Northrup, Gilkerson, Beery, Boston (not 8th Evac), Tolliver(not 8th Evac), Dick Morris (?)\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-\u003c/p\u003e","\u003cp\u003eMonin, Canniff, Laird, Wiseman, Ramsey, Weller, Blackford, Culbertson, Hrejsa, Miller identified as being in photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-739-3\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-586\u003c/p\u003e","\u003cp\u003eKirkman (on right), Mapp to the left of Kirkman, packing boxes made by 8th Evac shop were also used as desks\u003c/p\u003e","\u003cp\u003e3rd from left: Holmboe, 5th from left: Drash, others are unidentified\u003c/p\u003e","\u003cp\u003eTim Holt (?), Guerrant, Shearburn, Al Den (?), Holsinger, Eula Wright and Ted Laird in photo\u003c/p\u003e","\u003cp\u003edesigned by Randal Luscombe\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photos\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eBlackford, Wray, Michie, Laird, all facing camera\u003c/p\u003e","\u003cp\u003eColonel Bruce, Asst. Surgeon, 5th Army, 1 unidentified man, Forrestal, Kirkman, unidentified man, Drash in Cecina, Italy\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-739-3\u003c/p\u003e","\u003cp\u003eLeft to right: McNeel, unidentified man, Forrestal, Drash; Armed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-739-\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right: John McKoan, unidentified man, Angela Brusati (bridesmaid), Marie Galvin (first 8th Evac nurse to become a bride \"in the field\"); Armed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-45-739-4\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right: Blackford, Wray, Michie, Laird\u003c/p\u003e","\u003cp\u003eBlackford, Wray, Michie, Laird at table\u003c/p\u003e","\u003cp\u003e: Bell, first man on left; Alice Huffman, facing camera to left of woman in white; Sherman, first on right in front group\u003c/p\u003e","\u003cp\u003eBlackford, Wray, Michie and Laird at table\u003c/p\u003e","\u003cp\u003eMcKoan, Kinkopf, Blackford, McNeel, Gillespie (?), Suhling present but not specifically identified in photo\u003c/p\u003e","\u003cp\u003eleft to right: unidentified woman, Hornbarger, unidentified woman, Wiseman in front of tent at Anfa Hill near Casablanca\u003c/p\u003e","\u003cp\u003eNorthrup on far left, Jane Anderson second from left, Holsinger on right with pipe\u003c/p\u003e","\u003cp\u003eHarry Dumbleton second from right in back row, John Mapp bottom row in middle\u003c/p\u003e","\u003cp\u003eleft to right: patient, George Northrup, Frederick Neumeister\u003c/p\u003e","\u003cp\u003e\"Les Poseurs\" The Posers\u003c/p\u003e","\u003cp\u003eshows ward boxes designed and organized by the 8th Evac; Armed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eFletcher Spann and John Dawson at work (unclear which man is which)\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-558\u003c/p\u003e","\u003cp\u003eleft to right: Hilda Franklin, unidentified woman, and F. Jean Williams\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eJ. L. Knight, an X-ray technician, gives a chest X-ray; Armed Forces Institute of Pathology Neg. No. 5/MM-45-767\u003c/p\u003e","\u003cp\u003eleft to right: Kate Robinson, Byrd Leavell, Betty Johnson, John Guerrant, Bea Ramsey\u003c/p\u003e","\u003cp\u003eseated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, Hubert Holsinger, James Culberton, John Morris, Al Gillespie, Rich Low. Photographed by Ralph Thompson\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. MM-5-44-2179\u003c/p\u003e","\u003cp\u003eleft to right: Wray, Blackford, Michie, William Laird\u003c/p\u003e","\u003cp\u003eLuce visits patient Julius Hartfell during her tour of the Fifth Army Front; Armed Forces Institute of Pathology Neg. No. 5/MM-45-4984\u003c/p\u003e","\u003cp\u003eLeft to right: Angela Brusati (bridesmaid), John McKoan, Marie Galvin, the first 8th Evac nurse to become a bride \"in the field\"\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology C-44-552\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. MM-5-44-2178\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-555\u003c/p\u003e","\u003cp\u003eA ward tent was located here during the siege\u003c/p\u003e","\u003cp\u003eleft to right: unidentified man, McNeel, Mark Clark, Stimson (pith helmet) 2 unidentified men, Drash, unidentified man\u003c/p\u003e","\u003cp\u003ephoto by Instituto Nazionale per le Relazioni Culturali con L'estero (National Institute for cultural Relations with Foreign Countries)\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-579\u003c/p\u003e","\u003cp\u003eThis photo shows the new braces which replaced the old tepee poles and also shows the instrument bundle stands that were stackable. The note on one photo is by Randal Luscombe and says, \"Stand - made - 10 of them.\" Armed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eShaffer writes about his camera surviving a 1000 foot fall from an airplane and its risky rescue. The photo shows the 8th Evac north of Naples in 1943 where the inspiration for the shower scene in the movie \"MASH\" occurred.\u003c/p\u003e","\u003cp\u003eShaffer writes about filming a surgical procedure at the 8th Evac and includes photos that were used as a guide for the movie \"MASH.\"\u003c/p\u003e","\u003cp\u003eShaffer writes about how to make a heater from a 500 pound bomb casing and encloses a photo of Shaffer on a cot in his tent and a photo of tents in the wet spring of 1945.\u003c/p\u003e","\u003cp\u003eThe transparency is of the 8th Evac at Pietramala, Italy, and was made in the winter of 1944-45.\u003c/p\u003e","\u003cp\u003eThe photo shows from left to right: McNeel, Secretary of War Stimson (pith helmet), an unidentified man, and General Mark Clark and was taken in September 1944.\u003c/p\u003e","\u003cp\u003eThe photos show tents, patients, and military personnel at the 8th Evac's Lake Garda location in the summer of 1945.\u003c/p\u003e","\u003cp\u003eThe photo is of the area near the 8th Evac camp at Pietramala in the winter of 1944-45 and shows the Brenner Pass. Senator Bob Dole was severely wounded here.\u003c/p\u003e","\u003cp\u003eTop row: 1st Lts. Low, Mapp, Miller, Monin, Hairfield, Driscoll, Mayo, Mulford, Smith, Northrup, Casscells, Laird, W., Ross, Morris, Kinkoff, Scarborough; Third row: Capts. Grim, Waddell, Shearburn, Gillespie, Beck, Haley, Suhling, Leavell, Windham, Payne, Marshall, Culbertson, L., Guerrant, Culbertson, J., Thornton, Bell, Den; 2nd row: Majs. Holsinger, Hill, Laird, E., Holmboe, Lt. Cols. Blackford, Putnam, Drash, Majs. McNeel, Siersema, Kinser, LeBauer, Winthrop; bottom row: 2nd Lts. Lynch, Jenkins, 1st Lts. Churchill, Blessing, 2nd Lts. Snavely, Weller, Murrian\u003c/p\u003e","\u003cp\u003eThe photo is of the 8th Evac staff in the summer of 1944.\u003c/p\u003e","\u003cp\u003eThis recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003eThis recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003eThis recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003eThis recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003eThese are updated copies of the 1990 address list. Autograph notes on the original are from 1995. The photocopy includes autograph notes from 2000. Names marked \"returned\" refer to a mailing sent in 2000.\u003c/p\u003e","\u003cp\u003eGuerrant solicits personal recollections for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.\u003c/p\u003e","\u003cp\u003e8th Evac camp was across the street from the Anfa Hotel where Roosevelt, Stalin and Churchill met.\u003c/p\u003e","\u003cp\u003eHolsinger bottom right with pipe\u003c/p\u003e","\u003cp\u003eleft to right: Kirkman, Blackford, two unidentified men\u003c/p\u003e","\u003cp\u003eleft to right: Blackford, Wray, Michie, Laird at table\u003c/p\u003e","\u003cp\u003eClark is tall man in center, King George is 2nd from the right, others are unidentified\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. 5-44-100394\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. 5-44-589\u003c/p\u003e","\u003cp\u003eOne end of the building sets several feet off the ground on stilts and is anchored to the ground by steel cables. Armed Forces Institute of Pathology Neg. No. 5/MM-45-772\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C--44-556\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology 5/MM-45-4982\u003c/p\u003e","\u003cp\u003eThis photo shows the center portion of a standard ward.\u003c/p\u003e","\u003cp\u003eScrapbook photographs include those of Pageland, South Carolina; Halloran General Hospital, Staten Island, New York; Casablanca; Cairo; Switzerland; Italy: Caserta, Teano, Carinola, Cellole, Cecina, Anzio, Le Ferriero, Pietramala, Po River, Pisa, Venice, Gardone, and Milan; and 1950 reunion\u003c/p\u003e","\u003cp\u003eCommendation is for meritorious service during January 1944\u003c/p\u003e","\u003cp\u003eAlumnae Association of the Training School for Nurses of the Garfield memorial Hospital, Washington D.C.\u003c/p\u003e","\u003cp\u003eLetter concerns Red Cross surgical dressings sent to the 8th Evac\u003c/p\u003e","\u003cp\u003eDrash and Shearburn ordered to report for duty\u003c/p\u003e","\u003cp\u003eoperating tent had 8 operating tables and 2 sterile supply tables\u003c/p\u003e","\u003cp\u003eWiel and Harlin were directors of the Home for Convalescing Nurses\u003c/p\u003e","\u003cp\u003eProbably Drash and Harlin on right\u003c/p\u003e","\u003cp\u003e2nd, 3rd, and 4th photos show nurses Hornbarger (on left) and Dorothy Sandridge (on right). Ruth Beery is in front in the 2nd photo.\u003c/p\u003e","\u003cp\u003eNotation on back: \"Una difficile curva in Montagna.\"\u003c/p\u003e","\u003cp\u003eNotation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12328 - Battelli armati dell'Armata Italiana in Russia in perlustrazione lungo un corso d'acqua sul fronte orientale.\u003c/p\u003e","\u003cp\u003eNotation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12057 - Una nave nemica centrata dal siluro di un sommergibile italiano operante nell'Atlantico mentre affonda lentamente.\u003c/p\u003e","\u003cp\u003eNotation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 11423 - Treno blindato sovietico caduto intatto nelle mani delle truppe italiane nell'ansa del Don.\u003c/p\u003e","\u003cp\u003eNotation on back: ISTITUTO NAZIONALS LUCE = ROMA 21/6/42 XX RG. 6093, Tobruch e il suo porto, [?] dalle truppe italiane e germaniche\u003c/p\u003e","\u003cp\u003eNotation on back: Fiosole\u003c/p\u003e","\u003cp\u003eNotation on back: Interior of the post-operative tent\u003c/p\u003e","\u003cp\u003eNotation on back: Interior of post-operative tent\u003c/p\u003e","\u003cp\u003eNurses, patients and tents in the background\u003c/p\u003e","\u003cp\u003eBeery in checkered dress\u003c/p\u003e","\u003cp\u003eNotation on back of photo: showers - Rockingham, N. C.\u003c/p\u003e","\u003cp\u003eNotation on back: \"Alumni News: April 1963, page 9\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-557, Notation on back: \"Alumni News: April 1963, page 9\u003c/p\u003e","\u003cp\u003eLeft to right: Elizabeth Harlin Drash, Jane Anderson, 2 unidentified women, e. Cato Drash, unidentified woman\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-593\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-565\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-567\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-588\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology Neg. No. C-44-571\u003c/p\u003e","\u003cp\u003efrom left to right: Wray, Blackford, Michie, William Laird\u003c/p\u003e","\u003cp\u003eNotation on back: Setting up operating room supplies. Italian women\u003c/p\u003e","\u003cp\u003eNotation on back: Washing operating room supplies\u003c/p\u003e","\u003cp\u003eRandal Luscombe or Maurice LeBauer supervises the erection\u003c/p\u003e","\u003cp\u003eLeft to right: Sue Hornbarger, Elizabeth Wiseman, Jane Anderson, civilian, unidentified people\u003c/p\u003e","\u003cp\u003eMcKoan facing nurse (Ruth Beery?) with Blackford behind nurse\u003c/p\u003e","\u003cp\u003eThe belts contain recordings of Byrd Leavell dictating his wartime journal\u003c/p\u003e","\u003cp\u003eThe red belts contain recordings of Byrd Leavell dictating his wartime journal and the blue belts are of Leavell dictating a draft of portions of his book The 8th Evac.\u003c/p\u003e","\u003cp\u003eleft to right: Ned Waddell, Betsy Johnson, Kate Robinson, Alice Huffman, Alice Law, Billie Gibson\u003c/p\u003e","\u003cp\u003eM. Cathleene Carter is standing with her back to the camera\u003c/p\u003e","\u003cp\u003eNotation of back: Castel Falconera, near Licata, Sicily - my first billet in Sicily - Headquarters 1st Engineer Special Brigade\u003c/p\u003e","\u003cp\u003eNotation of back: Rest camp\u003c/p\u003e","\u003cp\u003eNotation on back: Paris, night celebration in the street\u003c/p\u003e","\u003cp\u003eDorothy Sandridge is giving anesthesia to the left, Armed Forces Institute of Pathology photo C44-549\u003c/p\u003e","\u003cp\u003eLeft to right: Helen Berkeley, 2 unidentified women, Hilda Franklin, Lelia Cloyd\u003c/p\u003e","\u003cp\u003eDrash is pinning a medal on an unidentified man\u003c/p\u003e","\u003cp\u003eLeft to right: first woman is Addie Roadcap, Holmboe sitting on first end seat to left, Mulford behind Holmboe. The two kneeling men are Snavely (on left) and Casscells taking photos. Monin is above and slightly to the left of Snavely.\u003c/p\u003e","\u003cp\u003eNotation on back: Fotocelere di A. Campassi - Terino - Via Marochetti 41 - 1933 X 1\u003c/p\u003e","\u003cp\u003eNotation of back: A \"flashlight\" photo of a typical evening \"in the field\" except that this happened on VE day - night. We were having a drink and toasting the gallant lads who cracked the Nazi Super Man myth.\u003c/p\u003e","\u003cp\u003eNotation of back: We have our less serious moments too. This is at a division clearing station up front; Blackford, Barker Long and I were showing Turner, from the SGO, a glimpse of the war from a safe distance.\u003c/p\u003e","\u003cp\u003eLeft to right: Kirkman, Reyer, Carmaak, Long, Sturgeon; second row: Generals Martin, Davis, Stayer, 300th QH\u003c/p\u003e","\u003cp\u003eNotation of back: ?, General MC Stayer, General Joe I. Martin, The Brazilian Surgeon General and assistant Major Buchanan LWK [Kirkman]; Above does not appear to be in order left to right. Martin is 2nd from left and Stayer is 3rd from left, Kirkman is to the far right.\u003c/p\u003e","\u003cp\u003eNotation on back: Fifth Army Medical Dept. Rest Center at Castiglioncello, between Cecina and Leghorn, August 1944\u003c/p\u003e","\u003cp\u003eNotation on back: A most informal pose \"cocktails before the showers\" at the 170th [Evac] near Treviso. Jack Donaguy, Bang (John O.) McNeel, LWK [Kirkman]. The guy peeking from behind the tent door is [ ] French, one of the [ ] original O'Reilly [ ]\u003c/p\u003e","\u003cp\u003eNotation on back: An early AM shot showing the basketball court we fashioned beneath the rugged peak called Mount Beni at Pietramala, Italy, on Highway 65 halfway between Florence and Bologna\u003c/p\u003e","\u003cp\u003eNotation of back: Casson Studio, 1305 Connecticut Ave, Washington D.C.\u003c/p\u003e","\u003cp\u003eNotation of back includes: Studio of Hear's Inc. Springfield Mo.\u003c/p\u003e","\u003cp\u003eTwo men are wearing sweaters with big initial H and all wearing hiking boots\u003c/p\u003e","\u003cp\u003eArticles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later\u003c/p\u003e","\u003cp\u003eArticles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later\u003c/p\u003e","\u003cp\u003ePhoto shows changes made in operating light to eliminate cumbersome legs and braces formerly used. Armed Forces Institute of Pathology 5 MM-45-1812\u003c/p\u003e","\u003cp\u003eLeft to right: Cato Drash, John Guerrant, Ruth Beery, Norman Thornton, Byrd Leavell with Italian flag from Casablanca. Photo taken at an 8th Evac reunion in Charlottesville. Flag was later returned to Italy.\u003c/p\u003e","\u003cp\u003eThe letter was written on the occasion of the presentation of the Wendal Waddell portrait to UVa School of Medicine. Left to right, bottom row: Jack Humphries, Bob Hightower, Reed Hopkins, THE CHIEF, Bill Wray, Mac Birdsong, Betty Whitehead, Willie Grossman; second row: Nat Ewell, Charlie Gleason, Harry Austin, Bill Harman, Page Booker, Jim Stone, Warren Gregory, Andy Townes, Joe Mitchell; top row: Dan Anderson, Jimmy Etheridge, Jimmy Wood, Julia Edmunds, Morris Lambdin, Fred Mitchell, Bill Thomnpson, Bill Liddle, Cam L'Engle, Gene Frame, Wiltsie Young, Fletcher Harrell\u003c/p\u003e","\u003cp\u003eThe note indicates the New Testament was given on Feb. 8, 1943 and carried and used throughout WW II. The flag was given to Anderson by Myrtle Hall from UVa who used it throughout WW I.\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003eEnclosed are the names and addresses of all who attended as well as those that did not attend the 1960 reunion\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003eLeft to right: Betsy, Billie, Cathleene Carter, Madge, and Northrup\u003c/p\u003e","\u003cp\u003eNotation on back: What we came home on\u003c/p\u003e","\u003cp\u003eNotation on back includes: Streasa [Stresa?]\u003c/p\u003e","\u003cp\u003eNotation on back: [Camp] Kilmer\u003c/p\u003e","\u003cp\u003eSame building as 23-031 identified as [Camp] Kilmer; Notation on back: Ex 451 C-6 Annex\u003c/p\u003e","\u003cp\u003ePhotos taken by U.S. Signal Corps, includes mess hall, reception room, auditorium, kitchen, bakery equipment, x-ray unit, ward scene, nurses' quarters, and acute medical and surgical building\u003c/p\u003e","\u003cp\u003eCadesus pin with eagle and the letter \"N,\" clutch back post attachment, donated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003e48554 on back of pin, donated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003edonated by Cathleene Carter\u003c/p\u003e","\u003cp\u003eMany photographs are of buildings and the ruins of buildings, interiors, towns, the countryside, and non-military people, including children. There are photos of the 8th Evac, but they do not predominate.\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eSmokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse\u003c/p\u003e","\u003cp\u003eMedical Class of 1943, left to right, First row: John Dean Adams, Margaret Alford Barnes, Walter Prothro Barnes, Jr., Monte Leroy Binder, Oliver Beirne Bobbitt, Jr., Armistead Page Booker, Richard Booth, Jr., Eugene Calloway, Jr., Joshua Fry Bullitt Camblos, Donal Paul Chance, Sidney William Cohen, James Thomas Colley Second row: William Cassius Cook, Jr., Lewis Franklin Cosby, Jr., Thomas Stilwell Edwards, George Bleecker Ely, Thomas Carter Fowlkes, Irvin Galin, Giles Quarles Gilmer, Milton Sidney Goldman, William Dandridge Haden, Jr., William Gletcher Harrell, Jr., Edward Roberts Hawkins, Charles Herbert Henderson, Jr. Third row: Charles Albert Hudson, Carl William Irwin, Eugene Rhodes Johnston, George Barnard Kegley, Eusebius Milton Kellam, Joseph Kessler, Camillus Saunders L'Engle, Jr., Carl Jay Levine, Myrtle Evelyn Logan, Frank Armstrong McCue, Donald David Markowitz, Samuel Percy Marshall Fourth row: John William Henry Morgan, Raney Archer Oven, John Brewer Petter, Carol LeVan Plott, James Guy Price, George Nicholas Psimas, Charles Frederick Schneider, Nelson Montgomery Smith, Joshua Price Sutherland, Robert McKinney Tankesley, John Covington Tinsley, Jr. Fifth row: Mary Martin Wade, Donald Walters, Walter Motley White, Jr., Harold Stanley Yood, Eugene James Yorkoff\u003c/p\u003e","\u003cp\u003eCertificate from the Nurses Examining Board for the State of Virginia states that Matthews is entitled to show she is a registered nurse.\u003c/p\u003e","\u003cp\u003eCertificate certifies that Matthews has completed three years course of instruction at the University of Virginia Hospital School of Nursing.\u003c/p\u003e","\u003cp\u003eMany photographs are of buildings, interiors, towns, the countryside, and non-military people. Many, if not all, appear to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.\u003c/p\u003e","\u003cp\u003eMany photographs are of buildings, interiors, towns, the countryside, a parade, and non-military people, including children. All seem to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.\u003c/p\u003e","\u003cp\u003eThe certificate was presented to the University of Virginia for its sponsorship, organization, and staffing of the 8th Evacuation Hospital.\u003c/p\u003e","\u003cp\u003eNotation on back: I recognize Ted Laird, Norm Thornton, Jim Culbertson, Prentice Kinser, John Haley (hat) Capt. Windham, Lt. Snavely\u003c/p\u003e","\u003cp\u003eWilliam Laird is on the far left, Staige Blackford 3rd from left\u003c/p\u003e","\u003cp\u003eNotation on back includes: Two of them got married! Frankie and Dick, Lt. Monin, Don Watson? Peterson?, Orsini?\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eHilton Nau behind the counter dispenses goods to Joseph Dziuba. Harry Wright is in the background. Armed Forces Institute of Pathology photo 5/MM-45-762\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo 5/MM-45-769\u003c/p\u003e","\u003cp\u003eThe enclosed papers about Sebastian who died in World War II include his poetry.\u003c/p\u003e","\u003cp\u003eincludes dates of religious services, movement and location of 8th Evac, books read by Laird, addresses, and discretionary fund account; donated by his daughter, Marion Laird Gould\u003c/p\u003e","\u003cp\u003eThe article is about Alice Huffman Bugel\u003c/p\u003e","\u003cp\u003eMacey writes concerning her uncle, Joseph Crouch, who was buried at Pietramala, Italy\u003c/p\u003e","\u003cp\u003eenclosed with letter is \"Personal Reflections of the 8th Evac. Hospital\" by Beverley D. Tucker, Jr.\u003c/p\u003e","\u003cp\u003eThis copy was used to make spiral bound books.\u003c/p\u003e","\u003cp\u003eThis book was printed from the web exhibit for the UVa Medical Alumni Association Annual Advisory Meeting, January 26-28, 2001.\u003c/p\u003e","\u003cp\u003eGuerrant writes about the 8th Evac web exhibit and solicits personal recollections from the former members.\u003c/p\u003e","\u003cp\u003eleft to right: Alice Huffman, Ella Gillespie, Thelma Matthews and Kate Robinson\u003c/p\u003e","\u003cp\u003eleft to right: Alice Law, Thelma Matthews, Lelia Langhorne Cloyd, Hilda Franklin, Alice Huffman (?), Ella Gillespie, Kate Robinson\u003c/p\u003e","\u003cp\u003enote prefabricated house in background; left to right: unidentified man, Huffman (?), Gillespie, Robinson, Beverly Hairfield\u003c/p\u003e","\u003cp\u003eleft to right: Lelia Langhorne Cloyd, Kate Robinson, Alice Huffman (?), Hilda Franklin\u003c/p\u003e","\u003cp\u003eleft to right: Dick Bell, McKelden Smith, Pat Driscoll, Ned Waddell, John Guerrant, Al Gillespie\u003c/p\u003e","\u003cp\u003eleft to right: Alice Law, sue Hornbarger, Emma Garland, Mildred Smith, Alice Huffman\u003c/p\u003e","\u003cp\u003eleft to right: Beverly Hairfield, Hubert Holsinger, James Low, Norman Thornton, E. Cato Drash\u003c/p\u003e","\u003cp\u003eleft to right women: Kate Robinson, Biddie (Emma Gillespie), Lelia Langhorne Cloyd, Hilda Franklin, Thelma Matthews, Alice Huffman, Alice Law; left to right men: Byrd Leavell, William Driscoll, H. St. George Tucker, Mckelden Smith, Richard Bell, S. Ward Casscells, Frank Wray, William Laird, Beverley Tucker\u003c/p\u003e","\u003cp\u003eleft to right: Kate Robinson, William D. R. Driscoll (the psycho team), Dorothy Sandridge and Edwin Mulford; Allen Hrejsa has his back to the tent\u003c/p\u003e","\u003cp\u003ephoto shows the 8th Evac near Florence, Italy in 1944\u003c/p\u003e","\u003cp\u003ephoto shows destruction seen as the unit left Tierno, Italy\u003c/p\u003e","\u003cp\u003epersonnel are listed within states by enlisted men, officers, and nurses\u003c/p\u003e","\u003cp\u003eletter informs reader of the death of Everett Cato Drash and includes his obituary\u003c/p\u003e","\u003cp\u003ebook review of \"The 8th Evac\" by Byrd Leavell\u003c/p\u003e","\u003cp\u003ebook review of \"The 8th Evac\" by Byrd Leavell\u003c/p\u003e","\u003cp\u003ebook review of \"The 8th Evac\" by Byrd Leavell\u003c/p\u003e","\u003cp\u003eincludes appointments of Byrd Leavell, William Norman Thornton, John Guerrant\u003c/p\u003e","\u003cp\u003ebook review of Byrd Leavell's \"The 8th Evac\" by John A. Owen\u003c/p\u003e","\u003cp\u003edescribes the Po Valley campaign in words, maps and photos\u003c/p\u003e","\u003cp\u003eNorman Thornton is standing on the far left of the photo, John Guerrant is standing fourth from the left\u003c/p\u003e","\u003cp\u003ea paper about Horace Downing\u003c/p\u003e","\u003cp\u003ephoto is of the 8th Evac at Cap Matifou, near Algiers in 1943\u003c/p\u003e","\u003cp\u003ephoto is of the 8th Evac arriving at Anzio in June 1944\u003c/p\u003e","\u003cp\u003ephoto is of Pageland Gym, Nurses' Home, and the Officer's Club\u003c/p\u003e","\u003cp\u003ephoto is of the kitchen and mess hall near Teano in 1943\u003c/p\u003e","\u003cp\u003ephoto is of Naples harbor in 1943\u003c/p\u003e","\u003cp\u003enotation on back: ...who built our ward boxes and numerous gadgets that made for success of 8th Evac Hospital in Africa \u0026amp; Italy\u003c/p\u003e","\u003cp\u003ethe Santa Paula is the troopship which carried the 8th Evac to Africa\u003c/p\u003e","\u003cp\u003e\"Army Nurse fought battle on tow fronts\": the story of Elizabeth Engleman Carter\u003c/p\u003e","\u003cp\u003eLuscombe includes photos of his shop and land in Missouri and relates several incidents from the 8th Evac\u003c/p\u003e","\u003cp\u003eMarshall recounts how he joined the 8th Evac\u003c/p\u003e","\u003cp\u003eHilda Franklin Bell\u003c/p\u003e","\u003cp\u003enotes for talk to the UVa History (Medical) Society\u003c/p\u003e","\u003cp\u003eJohn Guerrant's notes for a medical history talk\u003c/p\u003e","\u003cp\u003eThis detachment took part in the initial invasion of Sicily by men on 10 LSTs (landing ship, tank)\u003c/p\u003e","\u003cp\u003edonated by son of Norman Thornton\u003c/p\u003e","\u003cp\u003e1943 photo of the first Purple Heart at Anfa Hill\u003c/p\u003e","\u003cp\u003eEnclosure is a reprint from \"The Journal of Urology\" Vol. 55, No. 1, January 1946, \"Urogenital Wounds in an Evacuation Hospital\" by Donald Forbes Marshall\u003c/p\u003e","\u003cp\u003eThe letter is in regard to Sampas's uncle, Sampatis Sampatacacus, a member of the 8th Evac. He encloses two papers about his uncle and his uncle's poetry. Last known address for Tony Sampas: 51 West St., Pepperell, MA 01463\u003c/p\u003e","\u003cp\u003econtains updates of former 8th Evac officers and nurses\u003c/p\u003e","\u003cp\u003eJohn Guerrant on the far right looking at camera with his wife, Laura, beside him\u003c/p\u003e","\u003cp\u003eseated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, James Culberton, John Morris, Al Gillespie. Photographed by Ralph Thompson\u003c/p\u003e","\u003cp\u003eleft to right: Walter Blackston, Norman Thornton, James Biggar, John Dempsey, Mrs. Dempsey\u003c/p\u003e","\u003cp\u003eleft to right: Lelia Langhorne Cloyd, unidentified man, Colonel Michie (not 8th Evac), Minnie Lee dozier, unidentified woman\u003c/p\u003e","\u003cp\u003eleft to right: Mrs. Ray Monin, Ray Monin, unidentified man\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo MM-5-44 2180\u003c/p\u003e","\u003cp\u003eparty given for John McKoan, departing commanding officer at the 8th Evac\u003c/p\u003e","\u003cp\u003eMany people are identified in the photo itself: Waddell, Bill Laird, Weller, LeBauer, Marshall, Haley, Lallah Edwards Anderson, Ted Laird, Cathleene Carter, Mamie Donley Bryant, Mulford, Hairfield, Den, McKelden Smith, Rich Low, Thornton, Lelia Cloyd Iseman\u003c/p\u003e","\u003cp\u003eArmed Forces Institute of Pathology photo\u003c/p\u003e","\u003cp\u003eleft to right on page 13: three unidentified, Linus Miller, Madge Darden, Prentice Kinser, Don Marshall, Ed Shearburn\u003c/p\u003e","\u003cp\u003eleft to right and clockwise: Ray Monin (with cigarette in mouth), Beverly Hairfield, William Waddell, Harris Holmboe, John Morris, James Low and unidentified man\u003c/p\u003e","\u003cp\u003eDocuments are in regard to Lallah Edwards Anderson, Hilda Franklin Bell, Raymond Canipe, S. Ward Casscells, Francis Churchill, J. Walter Dempsey, Edward Denny, Horace Downing, John Gordon, Kenneth Grim, Byrd Leavell, Maruice LeBauer, Donald Marshall, Bob Mitchell, Edwin Mulford, Addie Roadcap, William Pennington Snavely (Bill Snavely), Kate Robinson Thornton, William Norman Thornton\u003c/p\u003e","\u003cp\u003eBetty Wiseman Throop is on the cover.\u003c/p\u003e","\u003cp\u003eleft to right: Byrd Leavell, Addie Roadcap, Mrs. Ray Monin, Nancy Leavell, Bill Suhling\u003c/p\u003e","\u003cp\u003eMinnie Lee Dozier second from right, Mrs. Gilkerson (?) and Beverley Tucker (?) also in photo\u003c/p\u003e","\u003cp\u003eleft to right: Al Gillespie, Dick Morris, Beverley Tucker (?), Dick Bell\u003c/p\u003e","\u003cp\u003eleft to right: McKelden Smith, Anne Smith, Dick Morris, Lucy Morris, Hilda Franklin Bell, Dick Bell\u003c/p\u003e","\u003cp\u003eBeverley Tucker (?) in middle with tie\u003c/p\u003e","\u003cp\u003eleft to right: Dick Bell, Jim Boston, Maurice LeBauer, Beatrice Ramsey Boston\u003c/p\u003e","\u003cp\u003eleft to right: Montey Wray (not an 8th Evac member), Rich Low, Bill Suhling\u003c/p\u003e","\u003cp\u003eseven men at the bar, Byrd Leavell second from left, Dick Morris 5th from left,\u003c/p\u003e","\u003cp\u003eleft to right: Cato Drash, Montey Wray (not an 8th Evac member), Lottie Gibson, Walter Blackston\u003c/p\u003e","\u003cp\u003eThe article details the various inventions by Holmboe that improved life at the 8th Evac: tents without center-poles, sinks from German bomb cases, water-heating system, running water, flexible operating lamps, adjustable operating tables, drinking fountains, ice cream freezer.\u003c/p\u003e","\u003cp\u003eClipping includes photo of Drash, Guerrant, Thornton, and Leavell holding the flag taken from the Italian Consulate in Casablanca\u003c/p\u003e","\u003cp\u003eBerkeley presents materials regarding his aunt Helen Berkeley's service with the 8th Evac to the Health Sciences Library\u003c/p\u003e","\u003cp\u003eincludes separation record, certificate of service, appointment to captain, and immunization registers\u003c/p\u003e","\u003cp\u003edonated by Helen Berkeley's nephew, Edmund Berkeley, Jr.\u003c/p\u003e","\u003cp\u003edonated by Helen Berkeley's nephew, Edmund Berkeley, Jr.\u003c/p\u003e","\u003cp\u003eVolume I (blue cover) includes photographs taken in Pageland, SC; Casablanca, Morocco; Caserta, Naples, Pompei, Capri, Teano, Rome, Grosetto, Cecina, Castiglioncella, Florence, Pietramala, Verona, Venice, and Stressa, Italy. Also included are the August 1942 and October 1942 issues of the Evacu-Eighter, 8th Evacuation Hospital Layout, \"Mud, Mules, and Mountains: Cartoons of the A. E. F. in Italy\" by Bill Mauldin, \"Road to Rome\" a pamphlet addressed to the Officers and Men of the Fifth Army from Lt. General Mark W. Clark, and assorted and mementos from Gillespie's service as an army nurse during World War II.\u003c/p\u003e","\u003cp\u003eVolume II (brown cover) includes reunion photos from the 1950s, 1980, 1985, and 1995, and photographs taken at Lake Garda, Florence, Italy, and Switzerland. Also included are an informational bulletin from the University Study Center, Mtousa, Caserta, Italy; mementos from the ship \"Vulcania\" which sailed from Naples, Italy to New York, and whose passengers included nurses; welcome back brochures from Camp Kilmer, New Jersey; November 1943, October 1944, and December 1945 issues of the \"University of Virginia Alumni News;\" Spring 1946 issue of the \"Bulletin of the University of Virginia Medical School and Hospital\" which gives a brief history of the 8th Evac Hospital and was devoted to the military service of faculty and alumni; May 1990 issue of \"House Organ\" by Vanderbilt University Medical Center with an article about 8th Evac nurse Alice Bugel; newsletters from 1946(?), 1947, 1948(?), 1949, 1950, 1951 with updates on the officers and nurses; original drawings by Bing Brown; poems; notes; reunion mementos; and postcards.\u003c/p\u003e","\u003cp\u003eIncluded are photos of John Guerrant, the 8th Evac labs, Jefferson Day celebration, views of the 8th Evac camps, hanging of Mussolini, and postcards of Casablanca, Napoli, Rome, and Capri\u003c/p\u003e","\u003cp\u003eThe notebook contains the names of deceased soldiers and includes rank, injury, address for next of kin, date of death, and date of Beery's letter to next kin. After the war Beery wrote letters to the next of kin of those who died in the 8th Evac Hospital or who were dead on arrival.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter1/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http:://exhibits.hsl.virginia.edu/8thevacuation/letter2/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter3/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter3/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter4/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter5/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter6/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter7/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter8/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter9/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter10/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter11/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter12/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter13/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter14/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter15/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter16/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter17/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter18/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter19/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter20/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter21/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter22/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter23/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter24/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter25/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter26/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter27/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter28/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter29/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter30/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter31/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter32/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter33/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter34/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter35/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter36/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter37/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter38/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter39/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter40/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter41/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter42/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter43/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter44/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter45/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter46/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter47/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter48/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter49/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter50/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter51/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter52/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter53/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter54/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" href=\"http://exhibits.hsl.virginia.edu/8thevacuation/letter55/\"\u003eTranscription\u003c/extref\u003eof letter is available.\u003c/p\u003e","\u003cp\u003eGuerrant writes that after the war Beery wrote to the families of those who died at the 8th Evac Hospital. Beery saved the letters she received in response.\u003c/p\u003e","\u003cp\u003econtains chapters on general information; military discipline and courtesy; insignia; organization; clothing; arms and equipment; school of the soldier with and without arms; squad and platoon drill; interior guard duty; marches, camps, and bivouacs; use of compasses and maps; security and protection; military sanitation and first aid; the ration; pay and allowances; and the last will and testament\u003c/p\u003e","\u003cp\u003eThis arm band was used by U. S. Air Borne Paratroopers\u003c/p\u003e","\u003cp\u003eLetters written on these specially designed letter sheets were microfilmed. The microfilmed copies were sent instead of the letters and then \"blown up\" at an overseas destination before being delivered to military personnel, thereby saving valuable cargo space.\u003c/p\u003e","\u003cp\u003eThese are facsimiles of the reduced-in-size V mail letter sheets.\u003c/p\u003e","\u003cp\u003eCards include fingerprints and photo.\u003c/p\u003e","\u003cp\u003eThis card was used as a meal ticket throughout the soldier's voyage.\u003c/p\u003e","\u003cp\u003eIncludes a list of special equipment for medical and surgical wards, plan for bed ward, and a guide to the hospital plan.\u003c/p\u003e","\u003cp\u003eIncludes letters from Mark Clark and Joseph Martin, a special feature by Bill Laird on the presentation to UVa of the portrait of Dr. Staige Davis Blackford, and names and addresses.\u003c/p\u003e","\u003cp\u003eSuspended for three years, this issue of the Bulletin gives priority to the military service of alumni and faculty, including a record of the 8th Evac.\u003c/p\u003e","\u003cp\u003eIncludes the dinner menu and a list of personnel.\u003c/p\u003e","\u003cp\u003eThe article describes Langhorne Cloyd Iseman's experience with the 8th Evac.\u003c/p\u003e","\u003cp\u003eThe unidentified women are probably all 8th Evac nurses as the notation on the back states \"6 of the 8 Frankie [Hilda Franklin?] and Huffie [Alice Huffman?] missing.\" The women appear to be the same as in Box 34, Folder 33.\u003c/p\u003e","\u003cp\u003eThe unidentified women are probably all 8th Evac nurses. The women appear to be the same as in Box 34, Folder 32.\u003c/p\u003e","\u003cp\u003eThe maps are Island of Hawaii, Island of Kauai, Island of Oahu, and Island of Maui and were issued by the Hawaii Tourist Bureau. Matthews was stationed at Tripler in Honolulu.\u003c/p\u003e","\u003cp\u003eBrusati encloses 3 photographs: one of his sister Angela Brusati who was with the 8th Evac and two of her classmates. They called themselves with one other nurse, \"The California Commandos.\"\u003c/p\u003e","\u003cp\u003eThe letters from Prentice Kinser to his wife and other members of his family were stored in a small suitcase. This suitcase is now in Historical Collections' artifact collection. It is artifacts01230.\u003c/p\u003e","\u003cp\u003e2 letters in envelopes, 2 postcards, 9 photographs\u003c/p\u003e","\u003cp\u003eSome of the 8th Evac patients were returned to receive treatment at Halloran Hospital.\u003c/p\u003e","\u003cp\u003eThe photo of the graduating class includes Prentice Kinser.\u003c/p\u003e","\u003cp\u003eMonument inscription IOANNES BAPTISTA REZZONICO ...; ISTITUTO NAZIONALE PER LE RELAZIONI CULTURALI CON L'ESTERO ROMA Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO 12150 Reparti italinai di guastatori attaccano un capo saldo nemico sul fronte egiziano; Venice, May 8, 1945; Panorama of Venice from Campanile, May 8, 1945; Prentice Kinser, Venice, May 8, 1945; King Victor Emmanuel Memorial; Easter Sunday, Pietramala, Ruth Buffington and Prentice Kinser; Palazzo delle Assicurazioni Generali di Venezia; building with quote from Mussolini: ... vostra madre, dovete, con la stessa purezza di sentimento, amare la madre comune: la Patria nostra; Levin Islands from Super Cannes; funiculare going to Super Cannes, June 1945; beach at Cannes; Walk along waterfront in Cannes; Hotel Carlton and waterfront at Cannes; Monaco France where Monte Carlo is located; Filling station in Milan, Italy where Mussolini and henchman were hung\u003c/p\u003e","\u003cp\u003e6 photos from Portici, Italy, some dated March 1945, 2 of Prentice Kinser; waterfall and statuary in gardens; Prentice Kinser amongst the Cupids, February 1945; the 1st Christian church in Italy (Rome); Mussolini's balcony, Piazza Venezia, Rome; the Roman Forum; map in stone on old Roman wall of Holy Roman empire at its height; a pagan temple?; Roman amphitheater or Colosseum; photo of woman and 2 little girls with notation on back: You can't tell who I am but notice the high sign given by Carolyn.\u003c/p\u003e","\u003cp\u003ePhotos all include Prentice Kinser, one shows him having an award pinned on, another is the officers of the 8th Evac at the Italian consulate in Casablance in December 1942\u003c/p\u003e","\u003cp\u003eSome photos taken in Pompeii.\u003c/p\u003e","\u003cp\u003e3 photos of Jungfraujoch inside the Gletscherpalast or ice palace, one outside, A. G. Wehrli; Signpost to Rothorn, Kunstverlag H.C. Maeder; Wagenbachbrunne, Luzern, Wehrli \u0026amp; Vouga \u0026amp; Co.; Brienz, Dorfpartie, Kunstverlag H.C. Maeder; Thun und die Alpen, Wehrli \u0026amp; Vouga \u0026amp; Co.; Polarhunde auf dem Jungfraujoch, Wehrli \u0026amp; Vouga \u0026amp; Co.; Oberried a. Brienzersee, Verlag Schild-Bichsel; Thun, Schloss, Wehrli \u0026amp; Vouga \u0026amp; Co.; Thun, Hauptgasse, Wehrli \u0026amp; Vouga \u0026amp; Co.; Roma - Piazza di Spagna; Roma - Piazza Venezia; Luzern. Museggtrume, Wehrli \u0026amp; Vouga \u0026amp; Co.; L. Thomann Brienz\u003c/p\u003e","\u003cp\u003eSome photos taken in Pompeii.\u003c/p\u003e","\u003cp\u003eDiary was given to Prentice Kinser by his wife just before leaving Fort Benning on Sept. 15, 1942. First entry is September 15, 1942 and continues into 1943. Inside the front cover is written: \"Note Made Oct. 11, 1943 Bet made with Maury Lebauer in presence of J.O. McNeil, John Guerrant, Calvin Drayer in front of J.O's tent night of Oct. 10, 1943 ... in Paestum in Italy. If war is over Jan 1st 1944 I owe him 10.00. If war is not over by June 30, 1944 he owes me $15.00. On continent of Europe 5.00 even on War is over Jan 1st 1944, 5.00. 2 to one its over by June 30 1944.\"\u003c/p\u003e","\u003cp\u003eNapoli map and excursions, Church of Santa Croce, Florence, A Soldier's Guide to Florence, Soldier's Guide to Italy\u003c/p\u003e","\u003cp\u003eMaps and guidebooks to Switzerland in general and Berne, Lucerne, and Jungfrau\u003c/p\u003e","\u003cp\u003eThe bills are marked Casablanca, Nov. 18, 1942; Marrakeich, Jan. 15, 1943; Rabat, Feb. 15, 1943; Port Lyautey, Feb. 1943; Algiers, Maison Blanche, Cap Matifou, Oran, Aug. 1943\u003c/p\u003e","\u003cp\u003ePage 6 (top) of the pamphlet has instructions for Maj. Prentice Kinser to be moved from the 3d Evac Hosp., Wadesboro, NC, effective about Aug. 24, 1942 to the 8th Evac Hosp. at Ft. Benning, Ga.\u003c/p\u003e","\u003cp\u003eKinser was the investigating officer for a case which resulted in a Summary Court Martial.\u003c/p\u003e","\u003cp\u003ePatricia Kinser's paper \"explore[s] the history of the 8th Evacuation Hospital in World War II within a narrative describing the experiences of Dr. Prentice Kinser Jr., an orthopedic surgeon, and Dorothy Sandridge Gloor, a surgical nurse in the unit.\" The paper is in partial fulfillment of requirements for GNUR 8230: Historical Inquiry in Nursing. The invitation is to an open house in Historical Collections on November 15, 2011 where Patricia Kinser presented her paper and the donation of her grandfather's paper was celebrated.\u003c/p\u003e","\u003cp\u003eThe Shock Team is shown sitting on stairs. top row: Mallow, Holsinger, Morris; bottom row: Ward, Kidd. The receiving team is from left to right: Didier, Buonovicino, Wanderer, Horwath, De Ross, Salmon. The third group shot shows top row: Bara, Erk, Johnsmeyer, Padula; bottom row: Johnson, Meckle, Pratt, Glaser.\u003c/p\u003e","\u003cp\u003eThe photos all show Pietramala in the winter snow. Also included is the crest of Radicosa Pass, tents, Mt Beni, Chapel tent, Christmas wine barrel, town of Pietramala, winterized ward tents\u003c/p\u003e","\u003cp\u003eThe storm pictures include the wreck of the mess hall. One Christmas picture shows three women; the other shows a man in front of an evergreen tree.\u003c/p\u003e","\u003cp\u003eThe wedding took place in the American Episcopal Church in FLorence. Chaplain Laird performed the ceremony.\u003c/p\u003e","\u003cp\u003eShows altar, congregants and clergy.\u003c/p\u003e","\u003cp\u003eText of a presentation given in Historical Collections for the Sloane Society by Dr. Reynolds.\u003c/p\u003e","\u003cp\u003eReprint of the article in the Transactions of the American Clinical and Climatological Association, Vol. 125.\u003c/p\u003e","\u003cp\u003eThe album contains photographs, list of rations for their wedding reception, and some of her parent's memories of serving overseas. Wells served with the 8th Evac as a nurse. Broadfoot was a captain with the Cryptography Unit of the Signal Corps.\u003c/p\u003e","\u003cp\u003e7 unframed paintings, 1 pencil sketch, 1 photograph. Paintings by Major Edwin Shearburn, an officer in the U.S. Army's Eighth Evacuation Hospital Unit who created a series of paintings that documented his life in the unit during World War II. The pencil sketch of Shearburn was created by Sgt. Brumment Echohawk, also of the unit.\u003c/p\u003e","\u003cp\u003eThe folder in this item contains photographs and governmental documents related to the 8th Evac Hospital and John W. McKoan's activity as General there.\u003c/p\u003e\n","\u003cp\u003eThere are also 27 artifacts that were donated along with the folder that were cataloged and are stored in a separate location within the department with other artifacts. The materials are in good condition but should be handled with care. The items are:\u003c/p\u003e\n","\u003cp\u003e(1) one uniform with side cap, (1) one helmet, (1) one sabre, (1) one set of cowbells, (2) two photographs, (1) one folder of correspondence, letters, and battle reports spanning 1943-1944, (2) rounds of Western Cartridge Company 1942 ammunition marked \"WCC 42,\" (1) one metal canteen, (1) one metal military flashlight, (1) one can of rations, (2) two metal folding cutlery kits, (1) one thermometer, (1) wooden block with a \"J\" and \"W\" on the sides, (1) one pocket nail file with a clip, (1) one metal German military belt buckle with the words \"Gott Mit Uns\" (confirmed Nazi buckle), (1) one pair of dog tags, (1) one metal ID bracelet, (1) one mother-of-pearl cuff link (other pair missing), (1) one metal cuff link (pair missing), (1) one 1920 koninkrijk der nederlanden coin 1 cent, (1) one iron cross medal, (1) one American Legion heart medal, (14) fourteen pins of various sizes and materials, (9) nine large brass US Military buttons, (11) eleven small brass US Military buttons, (8) eight military bar pins, some with metal stars, (6) six military patches, and (1) one trophy in honor of a fallen soldier from 1943.\u003c/p\u003e","\u003cp\u003eThis item consists of one 16mm film featuring members of the US Army Signal Corps engaged in training exercises at the 8th Evacuation Hospital in Italy.\u003c/p\u003e","\u003cp\u003eThis item consists of one (1) 8mm film reel and two (2) digitized copies of the 8 mm film produced by Hilda Franklin and Dick Bell of the U.S. Army 8th Evacuation Hospital Unit. The file depicts the couple's wedding, members of the 8th Evacuation Hospital Unit, and Italian landmarks and scenery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Additional artifacts, including uniforms, plaques, and a replica set of Roman instruments, are in the artifact collection at the Claude Moore Health Sciences Library, Historical Collections, University of Virginia. A web exhibit on the 8th Evacuation Hospital, featuring content and images from the collection is available here: http://exhibits.hsl.virginia.edu/8thevacuation/","THE DIETZ PRESS","J. PAUL WINTHROP OBITUARY, ELIZABETH ENGLEMAN, CATO DRASH","AMERICAN LEGION MAGAZINE, ARMY DIGEST, ARMY TIMES","INCLUDES A SHEET WITH THE LAST NAMES OF 72 MEN WHO WERE EVIDENTLY PATIENTS AT THE 8TH EVAC. MANY NAMES CORRESPOND WITH THOSE IN RUTH BEERY'S NOTEBOOK OF THE MEN WHO DIED AT THE 8TH EVAC. THE NAMES ARE LISTED ALPHABETICALLY BUT ONLY GO PARTWAY THROUGH THE LETTER H. THE STATISTICAL REPORT GIVES INFO ON ADMISSIONS DIAGNOSES, FRACTURES, CAUSATIVE AGENTS OF WOUNDED PATIENTS, DEATHS, AND VARIOUS CLINICS.","ELIZABETH ENGLEMAN, CATO DRASH, STAIGE D. BLACKORD","8th Evac. Hospital in Anfa Hill, Casablanca, and Italy","8th Evac. in Casablanca, Italian Consulate in Casablanca and Pietramala, Spring, 1945","8th Evac. in Pietremala, and Teano; Mud, Operating Tent, X-Ray Area","8th Evac. in Pietramala; Dispensary, Operating Tent, X-Ray Dark Room, Mess Tent, Ward, Latrines, Operating Theaters, Tent Construction","8th Evac. in Casablanca, Italian Consulate in Casablanca, and Ravello; Purple Heart Ceremony; Tents; Vehicles","8th Evac. in Pietramala, Teano, and Montecatini Area; Mess Tent, Shock Tent, Water Truck and Tank, Blood Bank, Utility Tent, Operating Room, X-Ray Department, Ambulance Turnabout, Lt. Gen. Mark Clark, Immunization Shots","Casablanca, and Marrakesh; Rocks, Allied Parade, Set-Up at Anfa, Purple Heart Ceremony","Pietramala seen from Mt. Beni, Ambulances, Major John O. Mcneel, M. C., Registrar, 8th Evac. Hospital with Secretary of War Stimson","8th Evac. in Pietramala, and Teano; Snow, Wood Cutting, Mess Tent, Operating Theater, Wards, Aid Station","8th Evac. in Capua Area, and Teano Area; Wood Cutting, Water Supply, Hospital Lab, X-Ray Tent, Operating Room, Utilities Tent, Winterization, Ward Building","8th Evac. in Teano, and Carinola; USO Show, Various Individuals","8th Evac. in Caserta, Carinola, Teano, Riardo","8th Evac. in Teano, Santa Maria, Cellole, Beach below Minturno; Stretching Tent, German prisoner patient, Marlene Dietrich Show","June 1944 - Rome, Grosseto, Cisterna, Le Ferriere","June 1944 - Cisterna, Le Ferriere, Rome, Cecina","Galluzzo, Cecina, Naples, Volterra - Supply Tent, Enlisted Mens' Mess, Ward Tents, Post Office, USO performers, Generators, WACs and Nurses","Cecina, and Volterra; Laboratory, Refrigerators, Secretary of Navy Forrestal, Clinic, Dispensary, and Dental Clinic","Cecina, Galluzzo, Castiglioncello, San Gimignano; General Giraud, Captain Wharton, General Clark, General Alexander, King George VI","San Gimignano, Galluzzo, Pietramala, Siena; Red Cross Workers, Laundry Tent, Offices, Congresswoman Mary Nourse Rogers","Florence, and Pietremala; Winterization, Clare Booth Luce","Pietremala; Winterization, Wood Supply, Water Tower, Enlisted Mens' Quarters, Dental Clinic, Mess Hall, Ward Tents, Pre-Fabs","Pietremala, Cecina, and Florence; Secretary of War Stimson, Ward Tents","Pietramala, Florence, Pisa, Lucca, and Futa Pass","Pietramala, Buttapietra, Verona, Salo, and Carinola","1945 - Buttapietra, Pietramala, Verona, Mt. Beni, Venice; Ambulance Convoy, German Prison Camp Refugees, Chaplains' Tents, Red Cross Tent","May, 1945 - Venice","May 1945 - Venice, Buttapietra, Milan and Alassio","Genoa, Lake Garda and Fasano","Fasano, Dezanzano, and Gardano","Po River, Gibraltar, and Dezanzano","1. Italian consulate building where McKoan took command Feb. 1943 2. Ward at 8th Evac. in Casablanca","1. Ward tents, 8th EVAC. (on roof), Casablanca, Mar. 1943 2. 8th EVAC. at roof of Italian consulate, Casablanca","1. Maj. Wintrop at work in dental clinic, Casablanca, Feb. 1943 2. Clean-up prior to move to Anfa Hill, March 1943","1. Tents 2. Enlisted men pack bags, March 1943","1. View from Anfa Hill 2. Col. McKoan and driver at President Roosevelt's villa, Casablanca, May 1943","1. Capt. \"Big\" Kincopf, Asst. 2. Anfa Hotel, Casablanca, across street from 8th Evac.","1. Col. McKoan leaving for Anfa Hill 2. Enlisted men packing for Anfa Hill","1. Enlisted men cleaning area prior to move to Anfa Hill 2. 8th Evac. as it was set up on Anfa Hill, Casablanca, March 1943","1. 8th Evac. 1st tents up at Anfa Hill, boxes contain ward supplies, X-ray equipment, etc. March 14, 1943 2. Ward tents being set up March 14, 1943","1. 8th Evac. Anfa Hill from Anfa Hotel 2. Col. McKoan awarding 1st Purple Hearts to wounded from 1st U.S. Infantry Division","1. General Wilson seated far left, 2nd Armd. Div. 2. Officers' tents, Anfa Hill","1. McKoan outside French Naval Headquarters, June 1943 2. McKoan with Dutch Consul Cabos, outside McKoan's tent on Anfa Hill, June 1943","1. Funeral for PFC Harold C. Phillips who drowned 6/10/43 at Casablanca","2. Funeral for Harold C. Phillips","Mechanics salvaging lumber in Casablanca from shipping crates","Arab children in North Africa","Leaving Anfa Hill for Algiers: Loading trucks","1. Algiers 2. Country scene en route to Algiers","Cathedral of the Black Virgin, Algiers","Col. Radke and John McKoan at Cap Matifou, Algiers","Cap Matifou","Packing to leave Cap Matifou","Goat Hill, Oran, Algeria; Lt. Col. Staige D. Blackford","1. British motor boat, Oran, Algeria 2. Downed plane at Paestum, Italy - used as Nurses' Latrine","Naples","Pompeii","1. Cassino, Italy 2. Battapaglia - Refugees headed south","1. McKoan and General Martin 2. Mary Jane McCone","Air Raid on Naples, Searchlights","Caserta","Windham and Robinson","Haverty (killed at Anzio), Bruce, Huffman, Martin, McKoan, Galvin, Sullivan","McKoan directing operations at Teano","Commanding General of U.S. Air Force in Italy and McKoan","McKoan looking over German battle plans captured by Pvt. John Deringer of the 6th Armored Infantry","Teano","Teano, Italy - Ambulance Turnabout, Armed Forces Institute of Pathology Neg. No. MM-5-44-100390","Teano","Tin Shop also known as Holmboe's Machine Shop, Capua Area","Teano; McKoan and Buffington","Men with jeep","Teano","Teano","1. Litter with wounded from front 2. Tank headed for Cassino","Alfred Den, Radiologist; X-ray apparatus","Teano; X-ray darkroom","Teano; Margaret McGowan demonstrates new holder for IV anesthesia syringe","Teano","Teano","Sterilization Room; Operating Room","Capua; Surgical Tent","Teano; Chapel and Red Cross Unit; Operating Room","Carinola","Carinola","Teano; Face injury case","Cassino; Front line","Soldiers on tank","Caserta; Italian Army Camouflage School","Casablanca","Capua; Clinical Laboratory","Pignataro","Soldier who stepped on a mine","8th EVAC. Sign on road to Rome, Route 6","San Pietro; Front line","Capua; Surgical Tent","Teano; Shock equipment","Teano; Sterilizing Room","Caserta","Latrine in use","Cassino; Wounded being carried from ambulance into receiving tent","Teano","Casualties in receiving tent","The newsletter lists nurses, including Ruth Beery, who contributed to the Clara Josephine McLeod portrait fund.","The newsletter contains an article and photos concerning the presentation by Ruth Beery of a portrait of Clara Josephine McLeod.","Ruth Beery was chair of the portrait committee and gave the remarks at the presentation.","\"Roosevelt Dies\"","\"Hostilities Ended at 12:01 AM","\"Japs Say They Accept\"","\"Peace at Last\"","\"Picture Story of the Ruined Town of Cassino\"","Baskin describes in words and drawings the two years spent as a soldier in Italy during WWII.","personnel are listed within states by enlisted men, officers, and nurses","photo and write-up on the occasion of the presentation of Byrd Leavell's book \"The 8th Evac\" to the McIntire Library","personnel are listed within states by enlisted men, officers, and nurses","photo and names of the members of 8th Evac Hospital staff and list of nurses","shows Drash being interviewed at Anzio, Italy","Includes how tents were decorated and heated, recreation, clothing, also description of indoor ward latrines, medical cases, war campaign, nurse staffing, nurse illness, and military occupational specialties of nurses by name.","Palazzo uses material from Leavell's book \"The 8th Evac\" but adds new information based on his interview with Leavell and Beery. In particular he adds the experiences of the nurses.","The drawing shows exactly where various supplies such as bed pans, buckets, pitchers, stool, table, narcotic lock box, and cups were packed.","The hospital layout includes quarters for the officers, nurses, enlisted men and civilian labor. Also included are the various wards, latrines, dining areas, labs, etc.","This report is a history of the activities of the 8th Evac for 1944 and includes patients, types of injuries, housing, recreation, distinguished visitors and moves.","These orders list military personnel and their arm of service and address of record.","Statues, children and soldiers in Rome","Winterized ward tent","Dish-washing tent, patients' mess","Ward sterilization room; Noon and Robinson","Casablanca; Anfa Hill","Laird, William","Anfa Hill","Anfa Hotel","Casablanca; 66th Station Hospital","Horwath","Bara, Morton","Chaplains' tents","Randal Luscombe supervising the erecting of a tent, the frame of which he helped design","Irving Berlin with a group of officers","Stimson and General Clark visiting camp","Army Surgeons Congress C.M.F. Rome","Left to right, First row: John Dempsey, Harry Dumbleton, Ruth Buffington, Cathleene Carter, Minnie Lee Dozier, Ruth Eastman Sholars, Frances Thomas, Betty Wiseman Throop, Lallah Edwards Anderson, Dorothy Sandridge Gloor, Emma Garland, Ruth Beery, Nick Iannuzzelli, Frank Johnson, Sally Brightman van Zalis, Horace Downing, Addie Roadcap, Langhorne Cloyd Iseman, Mary Jane McCone, Jean William Gray. Second row: Edward Denny, Kate Robinson Thornton, William Summers, Thomas Petty, John Guerrant, Robert Meckel, Thelma Mathews, Elizabeth Engleman Carter, Elizabeth Johnson, Helen Berkeley, Walter Blackston, Sue Hornberger Kroll, Norris Philbeck, Hylton Crotts, Edward Deegan, Beverley Tucker, Jane Anderson McBride, Ray Monin, James Bigger, William R. Hill, Alice Huffman Bugel, Maurice LeBauer, Hilda Franklin Bell, Beverly Hairfield, Elizabeth Harlin Drash, Hubert Holsinger, Charles Capenter. Third row: McKelden Smith, Robert Mitchell, Norman Thornton, Lowell Gram, Kenneth Fradenburg, Randal Luscombe, James D. Ferguson, Raymond Canipe, William Snavely, Harold Bjorklund, Fred Johnson, Byrd Leavell, John R. Morris, Wilbur Northrup, Donald Marshall, E. Cato Drash, John Haley, Andrew Rabuck, Morrell Pratt, John Alexevich, John Gordon.","Blackford, Payne, Haley, Hairfield, Guerrant, Holmboe, Bell, Leavell,Eagle, Wright, Thomas, Dofflemeyer, Franklin, Carter, Mills, Dozier, Berkeley, Drash, Gilkerson, Wiseman, Cloyd, Anderson, Beery, Matthews, Roadcap, McNeel, Hill, Lebauer, Mitchell, Monin, Snavely","Pietramala","Anfa Hill; McNeel","Teano; Ward boxes with supplies for 40 bed ward","Lake Garda","Goat Hill; Oran; Algeria","Men shaving","Harbor at Oran, Algeria","Goat Hill; Oran; Algeria; Showering outside","Anfa Hill; Jenkins","Baldwin","Pietramala; Martin","Interior of shock ward","Stimson; Drash","Clark; Stimson","Clark; Stimson","Erk","Tucker; Glazer; Johnsmeyer","Geeslin","Glazer","Drash","Bara; Rosumny; Geeslin; Erk; Pratt; Johnson; Glazer","Kinkopf, McKoan, Snavely","Pratt; Bara; Johnsmeyer; Glazer; Meckel; Padula","From left to right, starting with the top row and then 2nd, 3rd, and bottom rows: Margaret Sue Hornbarger, Frances Houston, Rebecca Dofflemeyer, Alice Eagle, Mayme Griffitts, Alice Huffman, Hilda Franklin, F. Jean Williams, Kate Robinson, Lelia Langhorne Cloyd, Thelma Matthews, Frances Thomas, Alice Law, Angela Brusati, Nova Dowd, Dora Guglielmetti, Elizabeth (Betty) Wiseman, C. Elizabeth (Betsy) Johnson, Lottie B.(Billy) Gibson, Helen Gilkerson, Mabel Ayers, Mamie Kidd, Ruth Eastman, Ella Gillespie, Jane Anderson, Beatrice Ramsey, Lallah Edwards, Margaret Petersen, Clara Orsini, Lucille White, Dorothy Sandridge, Ann Mickle, Ruth Beery, Mary Jane McCone, Madge Darden, Christine Mills, Mamie Donley, Elizabeth Harlin, Mary Ellen Gibson, Addie Roadcap, M. Cathleene Carter, Mildred Smith, Helen Berkeley, Ruby Armstrong, Annie Laura Dickson, Minnie Lee, Emma Garland, Myrtle Hatcher, Margaret Phillips, Eula Wright, Elizabeth (Betty) Engleman, Margaret McGown","Armed Forces Institute of Pathology Neg. No. MM-45-777","Armed Forces Institute of Pathology Neg. No. MM-45-2928","Armed Forces Institute of Pathology Neg. No. C-44-576","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-44-588","Armed Forces Institute of Pathology photo","Top Row: Margaret Ford, Mary Ellen Gibson, Elizabeth Wiseman, Alice Huffman, Langhorne Cloyd, Mayme Griffitts, Ruth Eastman, Eula Wright, Minnie Lee Dozier, Mamie Donley, Margery Stulting, Frances Thomas, Addie Roadcap, Nova Dowd. Second Row: Mamie Kidd, Ella Gillespie, Kenneth Grim, Preston Trousdale, William Norman Thornton, Beverley Hairfield, William Edgar Waddell, Ruth Beery, James Richmond Low, John Coleman, John Rogers Mapp, William Laird, Jane Anderson, Helen Gilkerson. Bottom Row: Henry Mayo, Leon Culbertson, H. B. Holsinger, E. Cato Drash, Staige D. Blackford, John McNeel, Byrd S. Leavell, Edwin Shearburn, John Guerrant, Albert Gillespie","Armed Forces Institute of Pathology photo","left to right: John Makley (?), Betty Wiseman, Alice Law, William Snavely, unidentified man, Dick Bell, Hilda Franklin, Tom Payne, Bea Ramsey","Armed Forces Institute of Pathology photo","note entrances that can hide light of O.R., so called \"black out entrances\"","Armed Forces Institute of Pathology photo","left to right: Kinkopf, McNeel, Winthrop, Drash, Beery, McKoan, McCone, Blackford, Holmboe, Suhling","Armed Forces Institute of Pathology Neg. No. C-44-58","Lewis Kirkman in the center","Ted Laird, unidentified woman, Staige Blackford, Frances Wells Broadfoot (bride), Fred Broadfoot (groom), Ted Marks (best man) in Florence, Italy","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-44-590","Armed Forces Institute of Pathology Neg. No. C-44-594","Women L-R: Beery, Robinson, Matthews, bridal couple, Wiseman, Franklin, Brusati; Men L-R: unidentified man, Martin, unidentified man, Leavell, Marshall, Ted Laird","photograph taken and donated by William Snavely","Armed Forces Institute of Pathology Neg. No. C-44-551","Armed Forces Institute of Pathology Neg. No. C/MM-5-44-100403","Left to right: Kidd, unidentified woman, Dofflemeyer, unidentified woman, Huffman, unidentified man","Left to right: Hornbarger, Ramsey, Canniff","Armed Forces Institute of Pathology Neg. No. C-45-754","Armed Forces Institute of Pathology Neg. No. C-44-5","Left to right: Corpsman, patient, patient, Wiseman, Blackford, Beery","far left: Hornbarger, far right: Sandridge","Armed Forces Institute of Pathology Neg. No. C-45-754","Smith, Linus Miller, Leavell, Northrup, Gilkerson, Beery, Boston (not 8th Evac), Tolliver(not 8th Evac), Dick Morris (?)","Armed Forces Institute of Pathology Neg. No. C-44-","Monin, Canniff, Laird, Wiseman, Ramsey, Weller, Blackford, Culbertson, Hrejsa, Miller identified as being in photo","Armed Forces Institute of Pathology Neg. No. C-45-739-3","Armed Forces Institute of Pathology Neg. No. C-44-586","Kirkman (on right), Mapp to the left of Kirkman, packing boxes made by 8th Evac shop were also used as desks","3rd from left: Holmboe, 5th from left: Drash, others are unidentified","Tim Holt (?), Guerrant, Shearburn, Al Den (?), Holsinger, Eula Wright and Ted Laird in photo","designed by Randal Luscombe","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photos","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Blackford, Wray, Michie, Laird, all facing camera","Colonel Bruce, Asst. Surgeon, 5th Army, 1 unidentified man, Forrestal, Kirkman, unidentified man, Drash in Cecina, Italy","Armed Forces Institute of Pathology Neg. No. C-45-739-3","Left to right: McNeel, unidentified man, Forrestal, Drash; Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-45-739-","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","left to right: John McKoan, unidentified man, Angela Brusati (bridesmaid), Marie Galvin (first 8th Evac nurse to become a bride \"in the field\"); Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-45-739-4","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","left to right: Blackford, Wray, Michie, Laird","Blackford, Wray, Michie, Laird at table",": Bell, first man on left; Alice Huffman, facing camera to left of woman in white; Sherman, first on right in front group","Blackford, Wray, Michie and Laird at table","McKoan, Kinkopf, Blackford, McNeel, Gillespie (?), Suhling present but not specifically identified in photo","left to right: unidentified woman, Hornbarger, unidentified woman, Wiseman in front of tent at Anfa Hill near Casablanca","Northrup on far left, Jane Anderson second from left, Holsinger on right with pipe","Harry Dumbleton second from right in back row, John Mapp bottom row in middle","left to right: patient, George Northrup, Frederick Neumeister","\"Les Poseurs\" The Posers","shows ward boxes designed and organized by the 8th Evac; Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Fletcher Spann and John Dawson at work (unclear which man is which)","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology Neg. No. C-44-558","left to right: Hilda Franklin, unidentified woman, and F. Jean Williams","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","J. L. Knight, an X-ray technician, gives a chest X-ray; Armed Forces Institute of Pathology Neg. No. 5/MM-45-767","left to right: Kate Robinson, Byrd Leavell, Betty Johnson, John Guerrant, Bea Ramsey","seated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, Hubert Holsinger, James Culberton, John Morris, Al Gillespie, Rich Low. Photographed by Ralph Thompson","Armed Forces Institute of Pathology Neg. No. MM-5-44-2179","left to right: Wray, Blackford, Michie, William Laird","Luce visits patient Julius Hartfell during her tour of the Fifth Army Front; Armed Forces Institute of Pathology Neg. No. 5/MM-45-4984","Left to right: Angela Brusati (bridesmaid), John McKoan, Marie Galvin, the first 8th Evac nurse to become a bride \"in the field\"","Armed Forces Institute of Pathology C-44-552","Armed Forces Institute of Pathology Neg. No. MM-5-44-2178","Armed Forces Institute of Pathology Neg. No. C-44-555","A ward tent was located here during the siege","left to right: unidentified man, McNeel, Mark Clark, Stimson (pith helmet) 2 unidentified men, Drash, unidentified man","photo by Instituto Nazionale per le Relazioni Culturali con L'estero (National Institute for cultural Relations with Foreign Countries)","Armed Forces Institute of Pathology Neg. No. C-44-579","This photo shows the new braces which replaced the old tepee poles and also shows the instrument bundle stands that were stackable. The note on one photo is by Randal Luscombe and says, \"Stand - made - 10 of them.\" Armed Forces Institute of Pathology photo","Shaffer writes about his camera surviving a 1000 foot fall from an airplane and its risky rescue. The photo shows the 8th Evac north of Naples in 1943 where the inspiration for the shower scene in the movie \"MASH\" occurred.","Shaffer writes about filming a surgical procedure at the 8th Evac and includes photos that were used as a guide for the movie \"MASH.\"","Shaffer writes about how to make a heater from a 500 pound bomb casing and encloses a photo of Shaffer on a cot in his tent and a photo of tents in the wet spring of 1945.","The transparency is of the 8th Evac at Pietramala, Italy, and was made in the winter of 1944-45.","The photo shows from left to right: McNeel, Secretary of War Stimson (pith helmet), an unidentified man, and General Mark Clark and was taken in September 1944.","The photos show tents, patients, and military personnel at the 8th Evac's Lake Garda location in the summer of 1945.","The photo is of the area near the 8th Evac camp at Pietramala in the winter of 1944-45 and shows the Brenner Pass. Senator Bob Dole was severely wounded here.","Top row: 1st Lts. Low, Mapp, Miller, Monin, Hairfield, Driscoll, Mayo, Mulford, Smith, Northrup, Casscells, Laird, W., Ross, Morris, Kinkoff, Scarborough; Third row: Capts. Grim, Waddell, Shearburn, Gillespie, Beck, Haley, Suhling, Leavell, Windham, Payne, Marshall, Culbertson, L., Guerrant, Culbertson, J., Thornton, Bell, Den; 2nd row: Majs. Holsinger, Hill, Laird, E., Holmboe, Lt. Cols. Blackford, Putnam, Drash, Majs. McNeel, Siersema, Kinser, LeBauer, Winthrop; bottom row: 2nd Lts. Lynch, Jenkins, 1st Lts. Churchill, Blessing, 2nd Lts. Snavely, Weller, Murrian","The photo is of the 8th Evac staff in the summer of 1944.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","This recollection was used for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","These are updated copies of the 1990 address list. Autograph notes on the original are from 1995. The photocopy includes autograph notes from 2000. Names marked \"returned\" refer to a mailing sent in 2000.","Guerrant solicits personal recollections for the \"8th Evacuation Hospital: The University of Virginia in World War II\" web site.","8th Evac camp was across the street from the Anfa Hotel where Roosevelt, Stalin and Churchill met.","Holsinger bottom right with pipe","left to right: Kirkman, Blackford, two unidentified men","left to right: Blackford, Wray, Michie, Laird at table","Clark is tall man in center, King George is 2nd from the right, others are unidentified","Armed Forces Institute of Pathology Neg. No. 5-44-100394","Armed Forces Institute of Pathology Neg. No. 5-44-589","One end of the building sets several feet off the ground on stilts and is anchored to the ground by steel cables. Armed Forces Institute of Pathology Neg. No. 5/MM-45-772","Armed Forces Institute of Pathology Neg. No. C--44-556","Armed Forces Institute of Pathology 5/MM-45-4982","This photo shows the center portion of a standard ward.","Scrapbook photographs include those of Pageland, South Carolina; Halloran General Hospital, Staten Island, New York; Casablanca; Cairo; Switzerland; Italy: Caserta, Teano, Carinola, Cellole, Cecina, Anzio, Le Ferriero, Pietramala, Po River, Pisa, Venice, Gardone, and Milan; and 1950 reunion","Commendation is for meritorious service during January 1944","Alumnae Association of the Training School for Nurses of the Garfield memorial Hospital, Washington D.C.","Letter concerns Red Cross surgical dressings sent to the 8th Evac","Drash and Shearburn ordered to report for duty","operating tent had 8 operating tables and 2 sterile supply tables","Wiel and Harlin were directors of the Home for Convalescing Nurses","Probably Drash and Harlin on right","2nd, 3rd, and 4th photos show nurses Hornbarger (on left) and Dorothy Sandridge (on right). Ruth Beery is in front in the 2nd photo.","Notation on back: \"Una difficile curva in Montagna.\"","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12328 - Battelli armati dell'Armata Italiana in Russia in perlustrazione lungo un corso d'acqua sul fronte orientale.","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 12057 - Una nave nemica centrata dal siluro di un sommergibile italiano operante nell'Atlantico mentre affonda lentamente.","Notation on back: ISTITUTO NAZIONALS PER LE RELAZIONI CULTURALI CON L'ESTERO. ROMA - Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO, 11423 - Treno blindato sovietico caduto intatto nelle mani delle truppe italiane nell'ansa del Don.","Notation on back: ISTITUTO NAZIONALS LUCE = ROMA 21/6/42 XX RG. 6093, Tobruch e il suo porto, [?] dalle truppe italiane e germaniche","Notation on back: Fiosole","Notation on back: Interior of the post-operative tent","Notation on back: Interior of post-operative tent","Nurses, patients and tents in the background","Beery in checkered dress","Notation on back of photo: showers - Rockingham, N. C.","Notation on back: \"Alumni News: April 1963, page 9","Armed Forces Institute of Pathology Neg. No. C-44-557, Notation on back: \"Alumni News: April 1963, page 9","Left to right: Elizabeth Harlin Drash, Jane Anderson, 2 unidentified women, e. Cato Drash, unidentified woman","Armed Forces Institute of Pathology Neg. No. C-44-593","Armed Forces Institute of Pathology Neg. No. C-44-565","Armed Forces Institute of Pathology Neg. No. C-44-567","Armed Forces Institute of Pathology Neg. No. C-44-588","Armed Forces Institute of Pathology Neg. No. C-44-571","from left to right: Wray, Blackford, Michie, William Laird","Notation on back: Setting up operating room supplies. Italian women","Notation on back: Washing operating room supplies","Randal Luscombe or Maurice LeBauer supervises the erection","Left to right: Sue Hornbarger, Elizabeth Wiseman, Jane Anderson, civilian, unidentified people","McKoan facing nurse (Ruth Beery?) with Blackford behind nurse","The belts contain recordings of Byrd Leavell dictating his wartime journal","The red belts contain recordings of Byrd Leavell dictating his wartime journal and the blue belts are of Leavell dictating a draft of portions of his book The 8th Evac.","left to right: Ned Waddell, Betsy Johnson, Kate Robinson, Alice Huffman, Alice Law, Billie Gibson","M. Cathleene Carter is standing with her back to the camera","Notation of back: Castel Falconera, near Licata, Sicily - my first billet in Sicily - Headquarters 1st Engineer Special Brigade","Notation of back: Rest camp","Notation on back: Paris, night celebration in the street","Dorothy Sandridge is giving anesthesia to the left, Armed Forces Institute of Pathology photo C44-549","Left to right: Helen Berkeley, 2 unidentified women, Hilda Franklin, Lelia Cloyd","Drash is pinning a medal on an unidentified man","Left to right: first woman is Addie Roadcap, Holmboe sitting on first end seat to left, Mulford behind Holmboe. The two kneeling men are Snavely (on left) and Casscells taking photos. Monin is above and slightly to the left of Snavely.","Notation on back: Fotocelere di A. Campassi - Terino - Via Marochetti 41 - 1933 X 1","Notation of back: A \"flashlight\" photo of a typical evening \"in the field\" except that this happened on VE day - night. We were having a drink and toasting the gallant lads who cracked the Nazi Super Man myth.","Notation of back: We have our less serious moments too. This is at a division clearing station up front; Blackford, Barker Long and I were showing Turner, from the SGO, a glimpse of the war from a safe distance.","Left to right: Kirkman, Reyer, Carmaak, Long, Sturgeon; second row: Generals Martin, Davis, Stayer, 300th QH","Notation of back: ?, General MC Stayer, General Joe I. Martin, The Brazilian Surgeon General and assistant Major Buchanan LWK [Kirkman]; Above does not appear to be in order left to right. Martin is 2nd from left and Stayer is 3rd from left, Kirkman is to the far right.","Notation on back: Fifth Army Medical Dept. Rest Center at Castiglioncello, between Cecina and Leghorn, August 1944","Notation on back: A most informal pose \"cocktails before the showers\" at the 170th [Evac] near Treviso. Jack Donaguy, Bang (John O.) McNeel, LWK [Kirkman]. The guy peeking from behind the tent door is [ ] French, one of the [ ] original O'Reilly [ ]","Notation on back: An early AM shot showing the basketball court we fashioned beneath the rugged peak called Mount Beni at Pietramala, Italy, on Highway 65 halfway between Florence and Bologna","Notation of back: Casson Studio, 1305 Connecticut Ave, Washington D.C.","Notation of back includes: Studio of Hear's Inc. Springfield Mo.","Two men are wearing sweaters with big initial H and all wearing hiking boots","Articles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later","Articles include: Medical Department Organizes Evacuation Hospital Unit No. 8 for Foreign Service, Eighth Evacuation Hospital Trained in Active Duty during Carolina Maneuvers, News of Our Eighth Evacuation Hospital Now Established Overseas Five Months, Brief History of the Eighth Evacuation Hospital, The 8th Evac-Thirty Years Later","Photo shows changes made in operating light to eliminate cumbersome legs and braces formerly used. Armed Forces Institute of Pathology 5 MM-45-1812","Left to right: Cato Drash, John Guerrant, Ruth Beery, Norman Thornton, Byrd Leavell with Italian flag from Casablanca. Photo taken at an 8th Evac reunion in Charlottesville. Flag was later returned to Italy.","The letter was written on the occasion of the presentation of the Wendal Waddell portrait to UVa School of Medicine. Left to right, bottom row: Jack Humphries, Bob Hightower, Reed Hopkins, THE CHIEF, Bill Wray, Mac Birdsong, Betty Whitehead, Willie Grossman; second row: Nat Ewell, Charlie Gleason, Harry Austin, Bill Harman, Page Booker, Jim Stone, Warren Gregory, Andy Townes, Joe Mitchell; top row: Dan Anderson, Jimmy Etheridge, Jimmy Wood, Julia Edmunds, Morris Lambdin, Fred Mitchell, Bill Thomnpson, Bill Liddle, Cam L'Engle, Gene Frame, Wiltsie Young, Fletcher Harrell","The note indicates the New Testament was given on Feb. 8, 1943 and carried and used throughout WW II. The flag was given to Anderson by Myrtle Hall from UVa who used it throughout WW I.","donated by Cathleene Carter","donated by Cathleene Carter","Enclosed are the names and addresses of all who attended as well as those that did not attend the 1960 reunion","donated by Cathleene Carter","Left to right: Betsy, Billie, Cathleene Carter, Madge, and Northrup","Notation on back: What we came home on","Notation on back includes: Streasa [Stresa?]","Notation on back: [Camp] Kilmer","Same building as 23-031 identified as [Camp] Kilmer; Notation on back: Ex 451 C-6 Annex","Photos taken by U.S. Signal Corps, includes mess hall, reception room, auditorium, kitchen, bakery equipment, x-ray unit, ward scene, nurses' quarters, and acute medical and surgical building","Cadesus pin with eagle and the letter \"N,\" clutch back post attachment, donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","48554 on back of pin, donated by Cathleene Carter","donated by Cathleene Carter","donated by Cathleene Carter","Many photographs are of buildings and the ruins of buildings, interiors, towns, the countryside, and non-military people, including children. There are photos of the 8th Evac, but they do not predominate.","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, nurses articles, and additional items could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Smokers articles, candy, toilet articles, stationery, miscellaneous items, and nurses articles could be ordered from the PX Warehouse","Medical Class of 1943, left to right, First row: John Dean Adams, Margaret Alford Barnes, Walter Prothro Barnes, Jr., Monte Leroy Binder, Oliver Beirne Bobbitt, Jr., Armistead Page Booker, Richard Booth, Jr., Eugene Calloway, Jr., Joshua Fry Bullitt Camblos, Donal Paul Chance, Sidney William Cohen, James Thomas Colley Second row: William Cassius Cook, Jr., Lewis Franklin Cosby, Jr., Thomas Stilwell Edwards, George Bleecker Ely, Thomas Carter Fowlkes, Irvin Galin, Giles Quarles Gilmer, Milton Sidney Goldman, William Dandridge Haden, Jr., William Gletcher Harrell, Jr., Edward Roberts Hawkins, Charles Herbert Henderson, Jr. Third row: Charles Albert Hudson, Carl William Irwin, Eugene Rhodes Johnston, George Barnard Kegley, Eusebius Milton Kellam, Joseph Kessler, Camillus Saunders L'Engle, Jr., Carl Jay Levine, Myrtle Evelyn Logan, Frank Armstrong McCue, Donald David Markowitz, Samuel Percy Marshall Fourth row: John William Henry Morgan, Raney Archer Oven, John Brewer Petter, Carol LeVan Plott, James Guy Price, George Nicholas Psimas, Charles Frederick Schneider, Nelson Montgomery Smith, Joshua Price Sutherland, Robert McKinney Tankesley, John Covington Tinsley, Jr. Fifth row: Mary Martin Wade, Donald Walters, Walter Motley White, Jr., Harold Stanley Yood, Eugene James Yorkoff","Certificate from the Nurses Examining Board for the State of Virginia states that Matthews is entitled to show she is a registered nurse.","Certificate certifies that Matthews has completed three years course of instruction at the University of Virginia Hospital School of Nursing.","Many photographs are of buildings, interiors, towns, the countryside, and non-military people. Many, if not all, appear to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.","Many photographs are of buildings, interiors, towns, the countryside, a parade, and non-military people, including children. All seem to have been taken in North Africa. There are photos of the 8th Evac, but they do not predominate.","The certificate was presented to the University of Virginia for its sponsorship, organization, and staffing of the 8th Evacuation Hospital.","Notation on back: I recognize Ted Laird, Norm Thornton, Jim Culbertson, Prentice Kinser, John Haley (hat) Capt. Windham, Lt. Snavely","William Laird is on the far left, Staige Blackford 3rd from left","Notation on back includes: Two of them got married! Frankie and Dick, Lt. Monin, Don Watson? Peterson?, Orsini?","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Armed Forces Institute of Pathology photo","Hilton Nau behind the counter dispenses goods to Joseph Dziuba. Harry Wright is in the background. Armed Forces Institute of Pathology photo 5/MM-45-762","Armed Forces Institute of Pathology photo 5/MM-45-769","The enclosed papers about Sebastian who died in World War II include his poetry.","includes dates of religious services, movement and location of 8th Evac, books read by Laird, addresses, and discretionary fund account; donated by his daughter, Marion Laird Gould","The article is about Alice Huffman Bugel","Macey writes concerning her uncle, Joseph Crouch, who was buried at Pietramala, Italy","enclosed with letter is \"Personal Reflections of the 8th Evac. Hospital\" by Beverley D. Tucker, Jr.","This copy was used to make spiral bound books.","This book was printed from the web exhibit for the UVa Medical Alumni Association Annual Advisory Meeting, January 26-28, 2001.","Guerrant writes about the 8th Evac web exhibit and solicits personal recollections from the former members.","left to right: Alice Huffman, Ella Gillespie, Thelma Matthews and Kate Robinson","left to right: Alice Law, Thelma Matthews, Lelia Langhorne Cloyd, Hilda Franklin, Alice Huffman (?), Ella Gillespie, Kate Robinson","note prefabricated house in background; left to right: unidentified man, Huffman (?), Gillespie, Robinson, Beverly Hairfield","left to right: Lelia Langhorne Cloyd, Kate Robinson, Alice Huffman (?), Hilda Franklin","left to right: Dick Bell, McKelden Smith, Pat Driscoll, Ned Waddell, John Guerrant, Al Gillespie","left to right: Alice Law, sue Hornbarger, Emma Garland, Mildred Smith, Alice Huffman","left to right: Beverly Hairfield, Hubert Holsinger, James Low, Norman Thornton, E. Cato Drash","left to right women: Kate Robinson, Biddie (Emma Gillespie), Lelia Langhorne Cloyd, Hilda Franklin, Thelma Matthews, Alice Huffman, Alice Law; left to right men: Byrd Leavell, William Driscoll, H. St. George Tucker, Mckelden Smith, Richard Bell, S. Ward Casscells, Frank Wray, William Laird, Beverley Tucker","left to right: Kate Robinson, William D. R. Driscoll (the psycho team), Dorothy Sandridge and Edwin Mulford; Allen Hrejsa has his back to the tent","photo shows the 8th Evac near Florence, Italy in 1944","photo shows destruction seen as the unit left Tierno, Italy","personnel are listed within states by enlisted men, officers, and nurses","letter informs reader of the death of Everett Cato Drash and includes his obituary","book review of \"The 8th Evac\" by Byrd Leavell","book review of \"The 8th Evac\" by Byrd Leavell","book review of \"The 8th Evac\" by Byrd Leavell","includes appointments of Byrd Leavell, William Norman Thornton, John Guerrant","book review of Byrd Leavell's \"The 8th Evac\" by John A. Owen","describes the Po Valley campaign in words, maps and photos","Norman Thornton is standing on the far left of the photo, John Guerrant is standing fourth from the left","a paper about Horace Downing","photo is of the 8th Evac at Cap Matifou, near Algiers in 1943","photo is of the 8th Evac arriving at Anzio in June 1944","photo is of Pageland Gym, Nurses' Home, and the Officer's Club","photo is of the kitchen and mess hall near Teano in 1943","photo is of Naples harbor in 1943","notation on back: ...who built our ward boxes and numerous gadgets that made for success of 8th Evac Hospital in Africa \u0026 Italy","the Santa Paula is the troopship which carried the 8th Evac to Africa","\"Army Nurse fought battle on tow fronts\": the story of Elizabeth Engleman Carter","Luscombe includes photos of his shop and land in Missouri and relates several incidents from the 8th Evac","Marshall recounts how he joined the 8th Evac","Hilda Franklin Bell","notes for talk to the UVa History (Medical) Society","John Guerrant's notes for a medical history talk","This detachment took part in the initial invasion of Sicily by men on 10 LSTs (landing ship, tank)","donated by son of Norman Thornton","1943 photo of the first Purple Heart at Anfa Hill","Enclosure is a reprint from \"The Journal of Urology\" Vol. 55, No. 1, January 1946, \"Urogenital Wounds in an Evacuation Hospital\" by Donald Forbes Marshall","The letter is in regard to Sampas's uncle, Sampatis Sampatacacus, a member of the 8th Evac. He encloses two papers about his uncle and his uncle's poetry. Last known address for Tony Sampas: 51 West St., Pepperell, MA 01463","contains updates of former 8th Evac officers and nurses","John Guerrant on the far right looking at camera with his wife, Laura, beside him","seated left to right: Pat Driscoll, Cato Drash, Norman Thornton, John Guerrant; standing: Maury LeBauer, James Culberton, John Morris, Al Gillespie. Photographed by Ralph Thompson","left to right: Walter Blackston, Norman Thornton, James Biggar, John Dempsey, Mrs. Dempsey","left to right: Lelia Langhorne Cloyd, unidentified man, Colonel Michie (not 8th Evac), Minnie Lee dozier, unidentified woman","left to right: Mrs. Ray Monin, Ray Monin, unidentified man","Armed Forces Institute of Pathology photo MM-5-44 2180","party given for John McKoan, departing commanding officer at the 8th Evac","Many people are identified in the photo itself: Waddell, Bill Laird, Weller, LeBauer, Marshall, Haley, Lallah Edwards Anderson, Ted Laird, Cathleene Carter, Mamie Donley Bryant, Mulford, Hairfield, Den, McKelden Smith, Rich Low, Thornton, Lelia Cloyd Iseman","Armed Forces Institute of Pathology photo","left to right on page 13: three unidentified, Linus Miller, Madge Darden, Prentice Kinser, Don Marshall, Ed Shearburn","left to right and clockwise: Ray Monin (with cigarette in mouth), Beverly Hairfield, William Waddell, Harris Holmboe, John Morris, James Low and unidentified man","Documents are in regard to Lallah Edwards Anderson, Hilda Franklin Bell, Raymond Canipe, S. Ward Casscells, Francis Churchill, J. Walter Dempsey, Edward Denny, Horace Downing, John Gordon, Kenneth Grim, Byrd Leavell, Maruice LeBauer, Donald Marshall, Bob Mitchell, Edwin Mulford, Addie Roadcap, William Pennington Snavely (Bill Snavely), Kate Robinson Thornton, William Norman Thornton","Betty Wiseman Throop is on the cover.","left to right: Byrd Leavell, Addie Roadcap, Mrs. Ray Monin, Nancy Leavell, Bill Suhling","Minnie Lee Dozier second from right, Mrs. Gilkerson (?) and Beverley Tucker (?) also in photo","left to right: Al Gillespie, Dick Morris, Beverley Tucker (?), Dick Bell","left to right: McKelden Smith, Anne Smith, Dick Morris, Lucy Morris, Hilda Franklin Bell, Dick Bell","Beverley Tucker (?) in middle with tie","left to right: Dick Bell, Jim Boston, Maurice LeBauer, Beatrice Ramsey Boston","left to right: Montey Wray (not an 8th Evac member), Rich Low, Bill Suhling","seven men at the bar, Byrd Leavell second from left, Dick Morris 5th from left,","left to right: Cato Drash, Montey Wray (not an 8th Evac member), Lottie Gibson, Walter Blackston","The article details the various inventions by Holmboe that improved life at the 8th Evac: tents without center-poles, sinks from German bomb cases, water-heating system, running water, flexible operating lamps, adjustable operating tables, drinking fountains, ice cream freezer.","Clipping includes photo of Drash, Guerrant, Thornton, and Leavell holding the flag taken from the Italian Consulate in Casablanca","Berkeley presents materials regarding his aunt Helen Berkeley's service with the 8th Evac to the Health Sciences Library","includes separation record, certificate of service, appointment to captain, and immunization registers","donated by Helen Berkeley's nephew, Edmund Berkeley, Jr.","donated by Helen Berkeley's nephew, Edmund Berkeley, Jr.","Volume I (blue cover) includes photographs taken in Pageland, SC; Casablanca, Morocco; Caserta, Naples, Pompei, Capri, Teano, Rome, Grosetto, Cecina, Castiglioncella, Florence, Pietramala, Verona, Venice, and Stressa, Italy. Also included are the August 1942 and October 1942 issues of the Evacu-Eighter, 8th Evacuation Hospital Layout, \"Mud, Mules, and Mountains: Cartoons of the A. E. F. in Italy\" by Bill Mauldin, \"Road to Rome\" a pamphlet addressed to the Officers and Men of the Fifth Army from Lt. General Mark W. Clark, and assorted and mementos from Gillespie's service as an army nurse during World War II.","Volume II (brown cover) includes reunion photos from the 1950s, 1980, 1985, and 1995, and photographs taken at Lake Garda, Florence, Italy, and Switzerland. Also included are an informational bulletin from the University Study Center, Mtousa, Caserta, Italy; mementos from the ship \"Vulcania\" which sailed from Naples, Italy to New York, and whose passengers included nurses; welcome back brochures from Camp Kilmer, New Jersey; November 1943, October 1944, and December 1945 issues of the \"University of Virginia Alumni News;\" Spring 1946 issue of the \"Bulletin of the University of Virginia Medical School and Hospital\" which gives a brief history of the 8th Evac Hospital and was devoted to the military service of faculty and alumni; May 1990 issue of \"House Organ\" by Vanderbilt University Medical Center with an article about 8th Evac nurse Alice Bugel; newsletters from 1946(?), 1947, 1948(?), 1949, 1950, 1951 with updates on the officers and nurses; original drawings by Bing Brown; poems; notes; reunion mementos; and postcards.","Included are photos of John Guerrant, the 8th Evac labs, Jefferson Day celebration, views of the 8th Evac camps, hanging of Mussolini, and postcards of Casablanca, Napoli, Rome, and Capri","The notebook contains the names of deceased soldiers and includes rank, injury, address for next of kin, date of death, and date of Beery's letter to next kin. After the war Beery wrote letters to the next of kin of those who died in the 8th Evac Hospital or who were dead on arrival.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Transcription of letter is available.","Guerrant writes that after the war Beery wrote to the families of those who died at the 8th Evac Hospital. Beery saved the letters she received in response.","contains chapters on general information; military discipline and courtesy; insignia; organization; clothing; arms and equipment; school of the soldier with and without arms; squad and platoon drill; interior guard duty; marches, camps, and bivouacs; use of compasses and maps; security and protection; military sanitation and first aid; the ration; pay and allowances; and the last will and testament","This arm band was used by U. S. Air Borne Paratroopers","Letters written on these specially designed letter sheets were microfilmed. The microfilmed copies were sent instead of the letters and then \"blown up\" at an overseas destination before being delivered to military personnel, thereby saving valuable cargo space.","These are facsimiles of the reduced-in-size V mail letter sheets.","Cards include fingerprints and photo.","This card was used as a meal ticket throughout the soldier's voyage.","Includes a list of special equipment for medical and surgical wards, plan for bed ward, and a guide to the hospital plan.","Includes letters from Mark Clark and Joseph Martin, a special feature by Bill Laird on the presentation to UVa of the portrait of Dr. Staige Davis Blackford, and names and addresses.","Suspended for three years, this issue of the Bulletin gives priority to the military service of alumni and faculty, including a record of the 8th Evac.","Includes the dinner menu and a list of personnel.","The article describes Langhorne Cloyd Iseman's experience with the 8th Evac.","The unidentified women are probably all 8th Evac nurses as the notation on the back states \"6 of the 8 Frankie [Hilda Franklin?] and Huffie [Alice Huffman?] missing.\" The women appear to be the same as in Box 34, Folder 33.","The unidentified women are probably all 8th Evac nurses. The women appear to be the same as in Box 34, Folder 32.","The maps are Island of Hawaii, Island of Kauai, Island of Oahu, and Island of Maui and were issued by the Hawaii Tourist Bureau. Matthews was stationed at Tripler in Honolulu.","Brusati encloses 3 photographs: one of his sister Angela Brusati who was with the 8th Evac and two of her classmates. They called themselves with one other nurse, \"The California Commandos.\"","The letters from Prentice Kinser to his wife and other members of his family were stored in a small suitcase. This suitcase is now in Historical Collections' artifact collection. It is artifacts01230.","2 letters in envelopes, 2 postcards, 9 photographs","Some of the 8th Evac patients were returned to receive treatment at Halloran Hospital.","The photo of the graduating class includes Prentice Kinser.","Monument inscription IOANNES BAPTISTA REZZONICO ...; ISTITUTO NAZIONALE PER LE RELAZIONI CULTURALI CON L'ESTERO ROMA Via Quattro Fontane 20, SERVIZIO FOTOGRAFICO 12150 Reparti italinai di guastatori attaccano un capo saldo nemico sul fronte egiziano; Venice, May 8, 1945; Panorama of Venice from Campanile, May 8, 1945; Prentice Kinser, Venice, May 8, 1945; King Victor Emmanuel Memorial; Easter Sunday, Pietramala, Ruth Buffington and Prentice Kinser; Palazzo delle Assicurazioni Generali di Venezia; building with quote from Mussolini: ... vostra madre, dovete, con la stessa purezza di sentimento, amare la madre comune: la Patria nostra; Levin Islands from Super Cannes; funiculare going to Super Cannes, June 1945; beach at Cannes; Walk along waterfront in Cannes; Hotel Carlton and waterfront at Cannes; Monaco France where Monte Carlo is located; Filling station in Milan, Italy where Mussolini and henchman were hung","6 photos from Portici, Italy, some dated March 1945, 2 of Prentice Kinser; waterfall and statuary in gardens; Prentice Kinser amongst the Cupids, February 1945; the 1st Christian church in Italy (Rome); Mussolini's balcony, Piazza Venezia, Rome; the Roman Forum; map in stone on old Roman wall of Holy Roman empire at its height; a pagan temple?; Roman amphitheater or Colosseum; photo of woman and 2 little girls with notation on back: You can't tell who I am but notice the high sign given by Carolyn.","Photos all include Prentice Kinser, one shows him having an award pinned on, another is the officers of the 8th Evac at the Italian consulate in Casablance in December 1942","Some photos taken in Pompeii.","3 photos of Jungfraujoch inside the Gletscherpalast or ice palace, one outside, A. G. Wehrli; Signpost to Rothorn, Kunstverlag H.C. Maeder; Wagenbachbrunne, Luzern, Wehrli \u0026 Vouga \u0026 Co.; Brienz, Dorfpartie, Kunstverlag H.C. Maeder; Thun und die Alpen, Wehrli \u0026 Vouga \u0026 Co.; Polarhunde auf dem Jungfraujoch, Wehrli \u0026 Vouga \u0026 Co.; Oberried a. Brienzersee, Verlag Schild-Bichsel; Thun, Schloss, Wehrli \u0026 Vouga \u0026 Co.; Thun, Hauptgasse, Wehrli \u0026 Vouga \u0026 Co.; Roma - Piazza di Spagna; Roma - Piazza Venezia; Luzern. Museggtrume, Wehrli \u0026 Vouga \u0026 Co.; L. Thomann Brienz","Some photos taken in Pompeii.","Diary was given to Prentice Kinser by his wife just before leaving Fort Benning on Sept. 15, 1942. First entry is September 15, 1942 and continues into 1943. Inside the front cover is written: \"Note Made Oct. 11, 1943 Bet made with Maury Lebauer in presence of J.O. McNeil, John Guerrant, Calvin Drayer in front of J.O's tent night of Oct. 10, 1943 ... in Paestum in Italy. If war is over Jan 1st 1944 I owe him 10.00. If war is not over by June 30, 1944 he owes me $15.00. On continent of Europe 5.00 even on War is over Jan 1st 1944, 5.00. 2 to one its over by June 30 1944.\"","Napoli map and excursions, Church of Santa Croce, Florence, A Soldier's Guide to Florence, Soldier's Guide to Italy","Maps and guidebooks to Switzerland in general and Berne, Lucerne, and Jungfrau","The bills are marked Casablanca, Nov. 18, 1942; Marrakeich, Jan. 15, 1943; Rabat, Feb. 15, 1943; Port Lyautey, Feb. 1943; Algiers, Maison Blanche, Cap Matifou, Oran, Aug. 1943","Page 6 (top) of the pamphlet has instructions for Maj. Prentice Kinser to be moved from the 3d Evac Hosp., Wadesboro, NC, effective about Aug. 24, 1942 to the 8th Evac Hosp. at Ft. Benning, Ga.","Kinser was the investigating officer for a case which resulted in a Summary Court Martial.","Patricia Kinser's paper \"explore[s] the history of the 8th Evacuation Hospital in World War II within a narrative describing the experiences of Dr. Prentice Kinser Jr., an orthopedic surgeon, and Dorothy Sandridge Gloor, a surgical nurse in the unit.\" The paper is in partial fulfillment of requirements for GNUR 8230: Historical Inquiry in Nursing. The invitation is to an open house in Historical Collections on November 15, 2011 where Patricia Kinser presented her paper and the donation of her grandfather's paper was celebrated.","The Shock Team is shown sitting on stairs. top row: Mallow, Holsinger, Morris; bottom row: Ward, Kidd. The receiving team is from left to right: Didier, Buonovicino, Wanderer, Horwath, De Ross, Salmon. The third group shot shows top row: Bara, Erk, Johnsmeyer, Padula; bottom row: Johnson, Meckle, Pratt, Glaser.","The photos all show Pietramala in the winter snow. Also included is the crest of Radicosa Pass, tents, Mt Beni, Chapel tent, Christmas wine barrel, town of Pietramala, winterized ward tents","The storm pictures include the wreck of the mess hall. One Christmas picture shows three women; the other shows a man in front of an evergreen tree.","The wedding took place in the American Episcopal Church in FLorence. Chaplain Laird performed the ceremony.","Shows altar, congregants and clergy.","Text of a presentation given in Historical Collections for the Sloane Society by Dr. Reynolds.","Reprint of the article in the Transactions of the American Clinical and Climatological Association, Vol. 125.","The album contains photographs, list of rations for their wedding reception, and some of her parent's memories of serving overseas. Wells served with the 8th Evac as a nurse. Broadfoot was a captain with the Cryptography Unit of the Signal Corps.","7 unframed paintings, 1 pencil sketch, 1 photograph. Paintings by Major Edwin Shearburn, an officer in the U.S. Army's Eighth Evacuation Hospital Unit who created a series of paintings that documented his life in the unit during World War II. The pencil sketch of Shearburn was created by Sgt. Brumment Echohawk, also of the unit.","The folder in this item contains photographs and governmental documents related to the 8th Evac Hospital and John W. McKoan's activity as General there.","There are also 27 artifacts that were donated along with the folder that were cataloged and are stored in a separate location within the department with other artifacts. The materials are in good condition but should be handled with care. The items are:","(1) one uniform with side cap, (1) one helmet, (1) one sabre, (1) one set of cowbells, (2) two photographs, (1) one folder of correspondence, letters, and battle reports spanning 1943-1944, (2) rounds of Western Cartridge Company 1942 ammunition marked \"WCC 42,\" (1) one metal canteen, (1) one metal military flashlight, (1) one can of rations, (2) two metal folding cutlery kits, (1) one thermometer, (1) wooden block with a \"J\" and \"W\" on the sides, (1) one pocket nail file with a clip, (1) one metal German military belt buckle with the words \"Gott Mit Uns\" (confirmed Nazi buckle), (1) one pair of dog tags, (1) one metal ID bracelet, (1) one mother-of-pearl cuff link (other pair missing), (1) one metal cuff link (pair missing), (1) one 1920 koninkrijk der nederlanden coin 1 cent, (1) one iron cross medal, (1) one American Legion heart medal, (14) fourteen pins of various sizes and materials, (9) nine large brass US Military buttons, (11) eleven small brass US Military buttons, (8) eight military bar pins, some with metal stars, (6) six military patches, and (1) one trophy in honor of a fallen soldier from 1943.","This item consists of one 16mm film featuring members of the US Army Signal Corps engaged in training exercises at the 8th Evacuation Hospital in Italy.","This item consists of one (1) 8mm film reel and two (2) digitized copies of the 8 mm film produced by Hilda Franklin and Dick Bell of the U.S. Army 8th Evacuation Hospital Unit. The file depicts the couple's wedding, members of the 8th Evacuation Hospital Unit, and Italian landmarks and scenery."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_789960313839502ee81eb962b5ede1f8\"\u003eOf unique relevance to the University of Virginia Health System is the 8th Evacuation Hospital Collection. The \"8th Evac.\" was organized and staffed primarily by University of Virginia physicians and nurses during World War II. The collection contains scrapbooks, memoirs, reports, and numerous photographs that recall the experiences of the men and women who provided medical and nursing care in North Africa and Italy during the war.\u003c/abstract\u003e"],"abstract_tesim":["Of unique relevance to the University of Virginia Health System is the 8th Evacuation Hospital Collection. The \"8th Evac.\" was organized and staffed primarily by University of Virginia physicians and nurses during World War II. The collection contains scrapbooks, memoirs, reports, and numerous photographs that recall the experiences of the men and women who provided medical and nursing care in North Africa and Italy during the war."],"names_ssim":["Claude Moore Health Sciences Library","Guerrant, John"],"corpname_ssim":["Claude Moore Health Sciences Library"],"persname_ssim":["Guerrant, John"],"language_ssim":["English"],"total_component_count_is":1580,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:36:40.856Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_112"}},{"id":"viu_repositories_3_resources_879_c04","type":"Series","attributes":{"title":"8th Grade Her Story Project Handbook","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_879_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_879_c04","ref_ssm":["viu_repositories_3_resources_879_c04"],"id":"viu_repositories_3_resources_879_c04","ead_ssi":"viu_repositories_3_resources_879","_root_":"viu_repositories_3_resources_879","_nest_parent_":"viu_repositories_3_resources_879","parent_ssi":"viu_repositories_3_resources_879","parent_ssim":["viu_repositories_3_resources_879"],"parent_ids_ssim":["viu_repositories_3_resources_879"],"parent_unittitles_ssm":["Young Women Leaders Program records"],"parent_unittitles_tesim":["Young Women Leaders Program records"],"text":["Young Women Leaders Program records","8th Grade Her Story Project Handbook","box 3"],"title_filing_ssi":"8th Grade Her Story Project Handbook","title_ssm":["8th Grade Her Story Project Handbook"],"title_tesim":["8th Grade Her Story Project Handbook"],"unitdate_inclusive_ssm":["2008-2011"],"normalized_date_ssm":["2008/2011"],"normalized_title_ssm":["8th Grade Her Story Project Handbook"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Young Women Leaders Program records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":4,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[2008,2009,2010,2011],"containers_ssim":["box 3"],"_nest_path_":"/components#3","timestamp":"2026-05-20T23:38:40.572Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_879","ead_ssi":"viu_repositories_3_resources_879","_root_":"viu_repositories_3_resources_879","_nest_parent_":"viu_repositories_3_resources_879","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_879.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/779","title_filing_ssi":"Young Women Leaders Program records","title_ssm":["Young Women Leaders Program records"],"title_tesim":["Young Women Leaders Program records"],"unitdate_ssm":["2003-2018"],"unitdate_inclusive_ssm":["2003-2018"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG 3/11/2","Archival Resource Key","/repositories/3/resources/879"],"text":["RG 3/11/2","Archival Resource Key","/repositories/3/resources/879","Young Women Leaders Program records","Women students","women--education -- Virginia","Women --Societies and Clubs","University of Virginia -- Women's Studies","The collection is open for research use.","The Young Women Leaders Program (YWLP) was founded in 1997 by Edith \"Winx\" Lawrence and Kim Roberts who recognized that adolescence is a hard time for girls - and their families. The founders believed that, with the support of faculty experienced in education and human development, college women and middle school girls could support and encourage each other in meaningful and memorable ways. YWLP is a joint program of the Curry School of Education and the Maxine Platzer Lynn Women's Center. See: https://womenscenter.virginia.edu/young-women-leaders-program/learn-more/ywlp-story","Program handbooks, educational guides, brochures, newspaper and magazine articles, scrapbooks, promotional materials, photographs, CDs, stickers, T-shirts, and other ephemera of the Young Women Leaders Program (YWLP) (2003-2018; 2.3 cubic feet). Materials relate to global and regional activities of the YWLP.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["RG 3/11/2","Archival Resource Key","/repositories/3/resources/879"],"normalized_title_ssm":["Young Women Leaders Program records"],"collection_title_tesim":["Young Women Leaders Program records"],"collection_ssim":["Young Women Leaders Program records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Women students","women--education -- Virginia"],"geogname_ssim":["Women students","women--education -- Virginia"],"places_ssim":["Women students","women--education -- Virginia"],"access_subjects_ssim":["Women --Societies and Clubs","University of Virginia -- Women's Studies"],"access_subjects_ssm":["Women --Societies and Clubs","University of Virginia -- Women's Studies"],"has_online_content_ssim":["false"],"extent_ssm":["2.3 Cubic Feet"],"extent_tesim":["2.3 Cubic Feet"],"date_range_isim":[2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThe Young Women Leaders Program (YWLP) was founded in 1997 by Edith \"Winx\" Lawrence and Kim Roberts who recognized that adolescence is a hard time for girls - and their families. The founders believed that, with the support of faculty experienced in education and human development, college women and middle school girls could support and encourage each other in meaningful and memorable ways. YWLP is a joint program of the Curry School of Education and the Maxine Platzer Lynn Women's Center. See: https://womenscenter.virginia.edu/young-women-leaders-program/learn-more/ywlp-story\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Young Women Leaders Program (YWLP) was founded in 1997 by Edith \"Winx\" Lawrence and Kim Roberts who recognized that adolescence is a hard time for girls - and their families. The founders believed that, with the support of faculty experienced in education and human development, college women and middle school girls could support and encourage each other in meaningful and memorable ways. YWLP is a joint program of the Curry School of Education and the Maxine Platzer Lynn Women's Center. See: https://womenscenter.virginia.edu/young-women-leaders-program/learn-more/ywlp-story"],"prefercite_html_tesm":["\u003cp\u003eRG 3/11/2, Young Women Leaders Program records, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["RG 3/11/2, Young Women Leaders Program records, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eProgram handbooks, educational guides, brochures, newspaper and magazine articles, scrapbooks, promotional materials, photographs, CDs, stickers, T-shirts, and other ephemera of the Young Women Leaders Program (YWLP) (2003-2018; 2.3 cubic feet). Materials relate to global and regional activities of the YWLP.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Program handbooks, educational guides, brochures, newspaper and magazine articles, scrapbooks, promotional materials, photographs, CDs, stickers, T-shirts, and other ephemera of the Young Women Leaders Program (YWLP) (2003-2018; 2.3 cubic feet). Materials relate to global and regional activities of the YWLP."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:38:40.572Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_879_c04"}},{"id":"vilxw_repositories_5_resources_164_c28","type":"File","attributes":{"title":"\"9/11 and Anthrax: My Story\" and Investigation Bulletins","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_164_c28#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_164_c28","ref_ssm":["vilxw_repositories_5_resources_164_c28"],"id":"vilxw_repositories_5_resources_164_c28","ead_ssi":"vilxw_repositories_5_resources_164","_root_":"vilxw_repositories_5_resources_164","_nest_parent_":"vilxw_repositories_5_resources_164","parent_ssi":"vilxw_repositories_5_resources_164","parent_ssim":["vilxw_repositories_5_resources_164"],"parent_ids_ssim":["vilxw_repositories_5_resources_164"],"parent_unittitles_ssm":["Kenneth W. Newman Records"],"parent_unittitles_tesim":["Kenneth W. Newman Records"],"text":["Kenneth W. Newman Records","\"9/11 and Anthrax: My Story\" and Investigation Bulletins","United States Postal Service. Postal Inspection Service","Newman, Kenneth W.","Anthrax -- Law and legislation","English .","box 3"],"title_filing_ssi":"\"9/11 and Anthrax: My Story\" and Investigation Bulletins","title_ssm":["\"9/11 and Anthrax: My Story\" and Investigation Bulletins"],"title_tesim":["\"9/11 and Anthrax: My Story\" and Investigation Bulletins"],"unitdate_bulk_ssim":["2005-2009"],"normalized_title_ssm":["\"9/11 and Anthrax: My Story\" and Investigation Bulletins"],"component_level_isim":[1],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Kenneth W. Newman Records"],"extent_ssm":["5 Item The items are contained by a red folder"],"extent_tesim":["5 Item The items are contained by a red folder"],"creator_ssim":["Newman, Kenneth W.","United States Postal Service. Postal Inspection Service"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":28,"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[2005,2006,2007,2008,2009],"names_ssim":["United States Postal Service. Postal Inspection Service","Newman, Kenneth W."],"corpname_ssim":["United States Postal Service. Postal Inspection Service"],"persname_ssim":["Newman, Kenneth W."],"access_subjects_ssim":["Anthrax -- Law and legislation"],"access_subjects_ssm":["Anthrax -- Law and legislation"],"language_ssim":["English ."],"containers_ssim":["box 3"],"_nest_path_":"/components#27","timestamp":"2026-05-20T23:45:42.947Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_164","ead_ssi":"vilxw_repositories_5_resources_164","_root_":"vilxw_repositories_5_resources_164","_nest_parent_":"vilxw_repositories_5_resources_164","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_164.xml","title_ssm":["Kenneth W. Newman Records"],"title_tesim":["Kenneth W. Newman Records"],"unitdate_ssm":["Inclusive 1971-2004"],"unitdate_inclusive_ssm":["Inclusive 1971-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0280","/repositories/5/resources/164"],"text":["WLU.Coll.0280","/repositories/5/resources/164","Kenneth W. Newman Records","Idaho","Anthrax","Postal inspectors","Government, Resistance to","Mail fraud","Newman was a member of the Washington and Lee University Class of 1971. At the time of his retirement after 31 years of federal government service, he held a high-ranking position with the U. S. Postal Inspection Service.","Collection includes information on all aspects of criminal activities handled by the U. S. Postal Inspection Service (including mail fraud, drug trafficking, bombs, child pornography, and identity theft) as well as criminal cases undertaken by the Inspection Service for other government agencies, particularly the Department of Justice. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","United States Postal Service. Postal Inspection Service","United States. Department of Justice","United States Postal Service","United States. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Anthrax","Postal inspectors","Government, Resistance to","Mail fraud"],"access_subjects_ssm":["Anthrax","Postal inspectors","Government, Resistance to","Mail fraud"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet"],"extent_tesim":["1.75 Linear Feet"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_heading_ssm":["Conditions Governing Access"],"bioghist_html_tesm":["\u003cp\u003eNewman was a member of the Washington and Lee University Class of 1971. At the time of his retirement after 31 years of federal government service, he held a high-ranking position with the U. S. 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Some examples of these cases are the Robert Hanssen spy case, the Ruby Ridge and Waco cases, and the anthrax crisis of 2001.","Kenneth Newman acted as an investigator on the Eric-Way fraud case.","This file consists of information about 'Operation Avalanche,' an investigation of the largest known commercial child pornography business.","This file also includes photographs from Postal Inspection Graduating Class of 1972.","This file includes presentations, articles, and U.S. Postal Inspection Services communication plans.","This file consists of Kenneth Newman's writen testimony reporting to Chairman Mica on the inspection of drugs in the mail.","This file consists of an article about violent incidents in the U.S. Postal Service workplace, such as: 'Edmond' and 'The Royal Oak Incident.'","'Appointment with Danger,' 1949 - VHS 'The Inspectors,' 1998 - VHS 'The Inspectors 2,' 2001 - DVD","This file also includes 'Forensic adn Technical Services Branch,' 1985, 'Robbery of Carrier - Memphis,' 1990, 'Antrhax Press Conference,' 2001, 'Pauchueanu Prison - USPMO Scheme,' 1992, '900 Pone Scheme - Memphis,' 1990, and 'USPS Employee Drug Arrests - Nashville,' 1991.","This file includes 'Delivering Justice - Work@Home Scams: They Just Don't Pay!' and 'Delivering Justice - Dialing for Justice.'","This file consists of a folder with booklets and information the commemorative stamp, as well as a sheet of stamps."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["United States Postal Service. Postal Inspection Service","United States. Department of Justice","Hanssen, Robert"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","United States Postal Service. Postal Inspection Service","United States. Department of Justice","United States Postal Service","United States. Federal Bureau of Investigation","American Society of Crime Laboratory Directors","Georgetown University","Federal Express Corporation","Fuqua School of Business (Duke University)","Pennsylvania Chiefs of Police Association","American University (Washington, D.C.)","Weaver family","Newman, Kenneth W.","Hanssen, Robert","Danforth, John C.","Nolan, John M.","Potter, John E.","Thornburgh, Dick","Reno, Janet","Freeh, Louis J.","Barr, William P.","Bolger, W. F.","Fisher, D. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2009],"containers_ssim":["box 60","folder 85"],"_nest_path_":"/components#10/components#6/components#111","timestamp":"2026-06-11T07:09:48.934Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3585","ead_ssi":"viblbv_repositories_2_resources_3585","_root_":"viblbv_repositories_2_resources_3585","_nest_parent_":"viblbv_repositories_2_resources_3585","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3585.xml","title_filing_ssi":"Boucher, Rick, Papers","title_ssm":["Rick Boucher Papers"],"title_tesim":["Rick Boucher Papers"],"unitdate_ssm":["1968-2017"," (bulk 1975-2011)"],"unitdate_bulk_ssim":[" (bulk 1975-2011)"],"unitdate_inclusive_ssm":["1968-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2021.048","/repositories/2/resources/3585"],"text":["Ms.2021.048","/repositories/2/resources/3585","Rick Boucher Papers","Virginia, Southwest","Energy policy","Environmental policy","Internet governance","Legislation","Local government","Local/Regional History and Appalachian South","Politicians -- United States","Legislators -- United States","The collection is open for research.","Some of this collection has been digitized and is available online.","Unopened/unused software and hardware were deaccessioned. Constituent mail with confidential and private personal information was deaccessioned at the donor request.","The collection is arranged into the following series:","Series I. State Senate Files, 1968-1983 Series II. Press Releases and Events, 1977, 1983-2010 Series III. Mailers and Newsletters, 1978-2011 Series IV. Columns and Writings, 1983-1999 Series V. Speeches, 1982-2016 Series VI. Campaigns and Elections, 1975-2010 Series VII. News Clippings, 1975-2016 Series VIII. Correspondence, 1982-2010 Series IX. Grants, 1992-1999 Series X. Audio/Visual Materials, [ca. 1960s-2010s] (bulk 1982-2010) Series XI. Congressional Work, 1970-2017 Series XII. Artifacts, n. d. Series XIII. Awards and Plaques, 1979-2008, n.d.","The original physical order of the materials was maintained when processing. Except for Series I, which is arranged by record number, materials were intellectually arranged by topic and then chronologically by an archivist. Subseries were created in some cases to further separate by topic. ","Frederick C. \"Rick\" Boucher was born in Washington County, Virginia on August 1, 1946. He grew up in Abingdon, Virginia, where he still lives. He attended Abingdon High School, then received his Bachelor's from  Roanoke College in 1968. In 1971, he received his J.D. from the University of Virginia School of Law. He worked as a lawyer for a number of years before entering politics in the Virginia State Senate representing the 39th District. In November 1975, he simultaneously won a special election to finish out George Warren, Jr.'s term and a full term. He served from November 1975 until December 1982.","From there Boucher won the U.S. Representative seat for Virginia's 9th District as a Democrat, defeating incumbent Republican Bill Wampler and starting in January 1983. While in Congress he served on the Committee on Energy and Commerce and the Committee on the Judiciary. He was reelected to the House of Representatives until January 2011, when he lost to Republican Morgan Griffith. At that time, he retired from politics and resumed his law practice. ","For more information about Rick Boucher's terms in the United States Congress, see his his U.S. Congress page.","The guide to the Rick Boucher Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Rick Boucher Papers was completed in August 2022. Additions were integrated in August 2023, November 2023, May 2024, and March 2025.","Virginia Tech Special Collections and University Archives also maintains the papers of Rick Boucher's predecessor in the  William C. Wampler Congressional Papers, Ms1982-003 .","The Rick Boucher Papers, 1968-2017, document his career in the Virginia State Senate, 1975-1982, and in the United States Congress as the Representative of Virginia's 9th District, 1983-2011. The collection consists of press releases, Boucher's writings, mailers he distributed, information about his campaigns and elections, scripts of speeches he gave, news clippings about him and issues he worked on, correspondence, information about grants that he worked on, and audiovisual materials including photographs, VHS tapes, video reels, audio cassettes, DVDs, awards, and digital files. Materials primarily span from the beginning of his political career in 1975 to his retirement from Congress in 2011. ","Series I. State Senate Files, 1968-1983, consist of records of Boucher's service in the Virginia State Senate, which includes newsletters and legislative work around such topics as energy, drugs, criminal law, children, health, infrastructure, and economics.","Series II. Press Releases and Events, 1977, 1983-2010, consists of press releases and materials related to press events from Boucher's office. Press releases are on such topics as the environment, energy, education, crime, the military and veterans, economics, health, technology, seniors, agriculture, and infrastructure.","Series III. Mailers and Newsletters, 1978-2011, consists of mailings Boucher distributed to advise constituents of projects and events relating to infrastructure, energy, seniors, agriculture, economics, energy, and his general work in Virginia.","Series IV. Columns and Writings, 1983-1999, consists of Boucher's published writing on a variety of topics including health, education, economics, infrastructure, agriculture, seniors, veterans and the military, technology, energy, and crime. Most were composed for Boucher's weekly newspaper column.","Series V. Speeches, 1982-2016, consists of scripts and transcripts of speeches given by Boucher on a variety of topics in his role as a Representative of Virginia's 9th District and a member of several Congressional committees. Most are handwritten, while some are typed.","Series VI. Campaigns and Elections, 1982-2010, consists of voter attitude surveys, polls, campaign materials, and election results from Boucher's campaigns spanning from 1982-2010.","Series VII. News Clippings, 1975-2016, consists of phyiscal newsprint and printed articles relating to Boucher and his Congressional work on a variety of topics including education, technology, energy, the environment, agriculture, infrastructure, health, economics, his campaigns, and legislation.","Series VIII. Correspondence, [ca. 1960s-2010s] (bulk 1982-2010), consists of personal and professional letters and emails relating to Boucher's Congressional work.","Series IX. Grants, 1992-1999, consists of records of the grants Boucher was involved in during his time in Congress, mostly for infrastructure projects. ","Series X. Audio/Visual Materials, 1982-2010, consist of photographs, VHS tapes, DVDs, video reels, and realia related to Boucher's congressional service.","Series XI. Congressional Work, 1970-2017, contains materials related to Boucher's Congressional service from 1983-2011. It spans a variety of topics including energy, district tours, congressional travel, economics, education, technology, copyright, infrastructure, the environment, town meetings, and agriculture.","Series XII. Artifacts, n. d., contains an engraved letter opener, an Electro-Tec pen, U.S. Representative Rick Boucher pens, a parliamentary rules of order slider, and other artifacts.","Series XIII: Awards and Plaques, 1979-2008, n.d., includes various awards, plaques, and certificates given to Boucher in relation to his work serving as a public official. ","This file contains information on Blue Cross/Blue Shielf of Southwestern Virginia policies for their Medicare Plus subscribers.","The copyright status of this collection is owned by Rick Boucher. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Rick Boucher Papers, 1968-2017, document his career in the Virginia State Senate, 1975-1982, and in the United States Congress as the Representative of Virginia's 9th District, 1983-2011. 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Senate","Boucher, Rick, 1946-","The materials in the collection are in English."],"unitid_tesim":["Ms.2021.048","/repositories/2/resources/3585"],"normalized_title_ssm":["Rick Boucher Papers"],"collection_title_tesim":["Rick Boucher Papers"],"collection_ssim":["Rick Boucher Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia, Southwest"],"geogname_ssim":["Virginia, Southwest"],"creator_ssm":["Boucher, Rick, 1946-"],"creator_ssim":["Boucher, Rick, 1946-"],"creator_persname_ssim":["Boucher, Rick, 1946-"],"creators_ssim":["Boucher, Rick, 1946-"],"places_ssim":["Virginia, Southwest"],"access_terms_ssm":["The copyright status of this collection is owned by Rick Boucher. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Rick Boucher Papers were donated to Special Collections and University Archives in several accruals between 2021 and 2023."],"access_subjects_ssim":["Energy policy","Environmental policy","Internet governance","Legislation","Local government","Local/Regional History and Appalachian South","Politicians -- United States","Legislators -- United States"],"access_subjects_ssm":["Energy policy","Environmental policy","Internet governance","Legislation","Local government","Local/Regional History and Appalachian South","Politicians -- United States","Legislators -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["116 Cubic Feet 98 boxes"],"extent_tesim":["116 Cubic Feet 98 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/266\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"appraisal_html_tesm":["\u003cp\u003eUnopened/unused software and hardware were deaccessioned. Constituent mail with confidential and private personal information was deaccessioned at the donor request.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Unopened/unused software and hardware were deaccessioned. Constituent mail with confidential and private personal information was deaccessioned at the donor request."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I. State Senate Files, 1968-1983\u003c/item\u003e\n\u003citem\u003eSeries II. Press Releases and Events, 1977, 1983-2010\u003c/item\u003e\n\u003citem\u003eSeries III. Mailers and Newsletters, 1978-2011\u003c/item\u003e\n\u003citem\u003eSeries IV. Columns and Writings, 1983-1999\u003c/item\u003e\n\u003citem\u003eSeries V. Speeches, 1982-2016\u003c/item\u003e\n\u003citem\u003eSeries VI. Campaigns and Elections, 1975-2010\u003c/item\u003e\n\u003citem\u003eSeries VII. News Clippings, 1975-2016\u003c/item\u003e\n\u003citem\u003eSeries VIII. Correspondence, 1982-2010\u003c/item\u003e\n\u003citem\u003eSeries IX. Grants, 1992-1999\u003c/item\u003e\n\u003citem\u003eSeries X. Audio/Visual Materials, [ca. 1960s-2010s] (bulk 1982-2010)\u003c/item\u003e\n\u003citem\u003eSeries XI. Congressional Work, 1970-2017\u003c/item\u003e\n\u003citem\u003eSeries XII. Artifacts, n. d.\u003c/item\u003e\n\u003citem\u003eSeries XIII. Awards and Plaques, 1979-2008, n.d.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e\n","\u003cp\u003eThe original physical order of the materials was maintained when processing. Except for Series I, which is arranged by record number, materials were intellectually arranged by topic and then chronologically by an archivist. Subseries were created in some cases to further separate by topic. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series:","Series I. State Senate Files, 1968-1983 Series II. Press Releases and Events, 1977, 1983-2010 Series III. Mailers and Newsletters, 1978-2011 Series IV. Columns and Writings, 1983-1999 Series V. Speeches, 1982-2016 Series VI. Campaigns and Elections, 1975-2010 Series VII. News Clippings, 1975-2016 Series VIII. Correspondence, 1982-2010 Series IX. Grants, 1992-1999 Series X. Audio/Visual Materials, [ca. 1960s-2010s] (bulk 1982-2010) Series XI. Congressional Work, 1970-2017 Series XII. Artifacts, n. d. Series XIII. Awards and Plaques, 1979-2008, n.d.","The original physical order of the materials was maintained when processing. Except for Series I, which is arranged by record number, materials were intellectually arranged by topic and then chronologically by an archivist. Subseries were created in some cases to further separate by topic. "],"bioghist_html_tesm":["\u003cp\u003eFrederick C. \"Rick\" Boucher was born in Washington County, Virginia on August 1, 1946. He grew up in Abingdon, Virginia, where he still lives. He attended Abingdon High School, then received his Bachelor's from  Roanoke College in 1968. In 1971, he received his J.D. from the University of Virginia School of Law. He worked as a lawyer for a number of years before entering politics in the Virginia State Senate representing the 39th District. In November 1975, he simultaneously won a special election to finish out George Warren, Jr.'s term and a full term. He served from November 1975 until December 1982.\u003c/p\u003e\n","\u003cp\u003eFrom there Boucher won the U.S. Representative seat for Virginia's 9th District as a Democrat, defeating incumbent Republican Bill Wampler and starting in January 1983. While in Congress he served on the Committee on Energy and Commerce and the Committee on the Judiciary. He was reelected to the House of Representatives until January 2011, when he lost to Republican Morgan Griffith. At that time, he retired from politics and resumed his law practice. \u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://www.congress.gov/member/rick-boucher/B000657\"\u003eFor more information about Rick Boucher's terms in the United States Congress, see his his U.S. Congress page.\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Frederick C. \"Rick\" Boucher was born in Washington County, Virginia on August 1, 1946. He grew up in Abingdon, Virginia, where he still lives. He attended Abingdon High School, then received his Bachelor's from  Roanoke College in 1968. In 1971, he received his J.D. from the University of Virginia School of Law. He worked as a lawyer for a number of years before entering politics in the Virginia State Senate representing the 39th District. In November 1975, he simultaneously won a special election to finish out George Warren, Jr.'s term and a full term. He served from November 1975 until December 1982.","From there Boucher won the U.S. Representative seat for Virginia's 9th District as a Democrat, defeating incumbent Republican Bill Wampler and starting in January 1983. While in Congress he served on the Committee on Energy and Commerce and the Committee on the Judiciary. He was reelected to the House of Representatives until January 2011, when he lost to Republican Morgan Griffith. At that time, he retired from politics and resumed his law practice. ","For more information about Rick Boucher's terms in the United States Congress, see his his U.S. Congress page."],"odd_html_tesm":["\u003cp\u003eThe guide to the Rick Boucher Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Rick Boucher Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rick Boucher Papers, Ms2021-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rick Boucher Papers, Ms2021-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Rick Boucher Papers was completed in August 2022. Additions were integrated in August 2023, November 2023, May 2024, and March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Rick Boucher Papers was completed in August 2022. Additions were integrated in August 2023, November 2023, May 2024, and March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Tech Special Collections and University Archives also maintains the papers of Rick Boucher's predecessor in the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1364.oai_ead.xml\"\u003eWilliam C. Wampler Congressional Papers, Ms1982-003\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Virginia Tech Special Collections and University Archives also maintains the papers of Rick Boucher's predecessor in the  William C. Wampler Congressional Papers, Ms1982-003 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Rick Boucher Papers, 1968-2017, document his career in the Virginia State Senate, 1975-1982, and in the United States Congress as the Representative of Virginia's 9th District, 1983-2011. The collection consists of press releases, Boucher's writings, mailers he distributed, information about his campaigns and elections, scripts of speeches he gave, news clippings about him and issues he worked on, correspondence, information about grants that he worked on, and audiovisual materials including photographs, VHS tapes, video reels, audio cassettes, DVDs, awards, and digital files. Materials primarily span from the beginning of his political career in 1975 to his retirement from Congress in 2011. \u003c/p\u003e\n","\u003cp\u003eSeries I. State Senate Files, 1968-1983, consist of records of Boucher's service in the Virginia State Senate, which includes newsletters and legislative work around such topics as energy, drugs, criminal law, children, health, infrastructure, and economics.\u003c/p\u003e\n","\u003cp\u003eSeries II. Press Releases and Events, 1977, 1983-2010, consists of press releases and materials related to press events from Boucher's office. Press releases are on such topics as the environment, energy, education, crime, the military and veterans, economics, health, technology, seniors, agriculture, and infrastructure.\u003c/p\u003e\n","\u003cp\u003eSeries III. Mailers and Newsletters, 1978-2011, consists of mailings Boucher distributed to advise constituents of projects and events relating to infrastructure, energy, seniors, agriculture, economics, energy, and his general work in Virginia.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Columns and Writings, 1983-1999, consists of Boucher's published writing on a variety of topics including health, education, economics, infrastructure, agriculture, seniors, veterans and the military, technology, energy, and crime. Most were composed for Boucher's weekly newspaper column.\u003c/p\u003e\n","\u003cp\u003eSeries V. Speeches, 1982-2016, consists of scripts and transcripts of speeches given by Boucher on a variety of topics in his role as a Representative of Virginia's 9th District and a member of several Congressional committees. Most are handwritten, while some are typed.\u003c/p\u003e\n","\u003cp\u003eSeries VI. Campaigns and Elections, 1982-2010, consists of voter attitude surveys, polls, campaign materials, and election results from Boucher's campaigns spanning from 1982-2010.\u003c/p\u003e\n","\u003cp\u003eSeries VII. News Clippings, 1975-2016, consists of phyiscal newsprint and printed articles relating to Boucher and his Congressional work on a variety of topics including education, technology, energy, the environment, agriculture, infrastructure, health, economics, his campaigns, and legislation.\u003c/p\u003e\n","\u003cp\u003eSeries VIII. Correspondence, [ca. 1960s-2010s] (bulk 1982-2010), consists of personal and professional letters and emails relating to Boucher's Congressional work.\u003c/p\u003e\n","\u003cp\u003eSeries IX. Grants, 1992-1999, consists of records of the grants Boucher was involved in during his time in Congress, mostly for infrastructure projects. \u003c/p\u003e\n","\u003cp\u003eSeries X. Audio/Visual Materials, 1982-2010, consist of photographs, VHS tapes, DVDs, video reels, and realia related to Boucher's congressional service.\u003c/p\u003e\n","\u003cp\u003eSeries XI. Congressional Work, 1970-2017, contains materials related to Boucher's Congressional service from 1983-2011. It spans a variety of topics including energy, district tours, congressional travel, economics, education, technology, copyright, infrastructure, the environment, town meetings, and agriculture.\u003c/p\u003e\n","\u003cp\u003eSeries XII. Artifacts, n. d., contains an engraved letter opener, an Electro-Tec pen, U.S. Representative Rick Boucher pens, a parliamentary rules of order slider, and other artifacts.\u003c/p\u003e\n","\u003cp\u003eSeries XIII: Awards and Plaques, 1979-2008, n.d., includes various awards, plaques, and certificates given to Boucher in relation to his work serving as a public official. \u003c/p\u003e","\u003cp\u003eThis file contains information on Blue Cross/Blue Shielf of Southwestern Virginia policies for their Medicare Plus subscribers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Rick Boucher Papers, 1968-2017, document his career in the Virginia State Senate, 1975-1982, and in the United States Congress as the Representative of Virginia's 9th District, 1983-2011. The collection consists of press releases, Boucher's writings, mailers he distributed, information about his campaigns and elections, scripts of speeches he gave, news clippings about him and issues he worked on, correspondence, information about grants that he worked on, and audiovisual materials including photographs, VHS tapes, video reels, audio cassettes, DVDs, awards, and digital files. Materials primarily span from the beginning of his political career in 1975 to his retirement from Congress in 2011. ","Series I. State Senate Files, 1968-1983, consist of records of Boucher's service in the Virginia State Senate, which includes newsletters and legislative work around such topics as energy, drugs, criminal law, children, health, infrastructure, and economics.","Series II. Press Releases and Events, 1977, 1983-2010, consists of press releases and materials related to press events from Boucher's office. Press releases are on such topics as the environment, energy, education, crime, the military and veterans, economics, health, technology, seniors, agriculture, and infrastructure.","Series III. Mailers and Newsletters, 1978-2011, consists of mailings Boucher distributed to advise constituents of projects and events relating to infrastructure, energy, seniors, agriculture, economics, energy, and his general work in Virginia.","Series IV. Columns and Writings, 1983-1999, consists of Boucher's published writing on a variety of topics including health, education, economics, infrastructure, agriculture, seniors, veterans and the military, technology, energy, and crime. Most were composed for Boucher's weekly newspaper column.","Series V. Speeches, 1982-2016, consists of scripts and transcripts of speeches given by Boucher on a variety of topics in his role as a Representative of Virginia's 9th District and a member of several Congressional committees. Most are handwritten, while some are typed.","Series VI. Campaigns and Elections, 1982-2010, consists of voter attitude surveys, polls, campaign materials, and election results from Boucher's campaigns spanning from 1982-2010.","Series VII. News Clippings, 1975-2016, consists of phyiscal newsprint and printed articles relating to Boucher and his Congressional work on a variety of topics including education, technology, energy, the environment, agriculture, infrastructure, health, economics, his campaigns, and legislation.","Series VIII. Correspondence, [ca. 1960s-2010s] (bulk 1982-2010), consists of personal and professional letters and emails relating to Boucher's Congressional work.","Series IX. Grants, 1992-1999, consists of records of the grants Boucher was involved in during his time in Congress, mostly for infrastructure projects. ","Series X. Audio/Visual Materials, 1982-2010, consist of photographs, VHS tapes, DVDs, video reels, and realia related to Boucher's congressional service.","Series XI. Congressional Work, 1970-2017, contains materials related to Boucher's Congressional service from 1983-2011. It spans a variety of topics including energy, district tours, congressional travel, economics, education, technology, copyright, infrastructure, the environment, town meetings, and agriculture.","Series XII. Artifacts, n. d., contains an engraved letter opener, an Electro-Tec pen, U.S. Representative Rick Boucher pens, a parliamentary rules of order slider, and other artifacts.","Series XIII: Awards and Plaques, 1979-2008, n.d., includes various awards, plaques, and certificates given to Boucher in relation to his work serving as a public official. ","This file contains information on Blue Cross/Blue Shielf of Southwestern Virginia policies for their Medicare Plus subscribers."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is owned by Rick Boucher. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is owned by Rick Boucher. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae4aeea4243ebd23933cbfa935f2be2e\" label=\"Abstract\"\u003eThe Rick Boucher Papers, 1968-2017, document his career in the Virginia State Senate, 1975-1982, and in the United States Congress as the Representative of Virginia's 9th District, 1983-2011. The collection consists of press releases, Boucher's writings, mailers he distributed, information about his campaigns and elections, scripts of speeches he gave, news clippings about him and issues he worked on, correspondence, information about grants that he worked on, and audiovisual materials including photographs, VHS tapes, video reels, audio cassettes, DVDs, awards, and digital files. Materials primarily span from the beginning of his political career in 1975 to his retirement from Congress in 2011.\u003c/abstract\u003e"],"abstract_tesim":["The Rick Boucher Papers, 1968-2017, document his career in the Virginia State Senate, 1975-1982, and in the United States Congress as the Representative of Virginia's 9th District, 1983-2011. The collection consists of press releases, Boucher's writings, mailers he distributed, information about his campaigns and elections, scripts of speeches he gave, news clippings about him and issues he worked on, correspondence, information about grants that he worked on, and audiovisual materials including photographs, VHS tapes, video reels, audio cassettes, DVDs, awards, and digital files. Materials primarily span from the beginning of his political career in 1975 to his retirement from Congress in 2011."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0e037a903635c7131d51a1ab67342f16\" label=\"Physical Access\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for further information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for further information."],"names_coll_ssim":["United States. Congress. House","Virginia. General Assembly","Virginia. General Assembly. Senate","Boucher, Rick, 1946-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","United States. Congress. House","Virginia. General Assembly","Virginia. General Assembly. Senate","Boucher, Rick, 1946-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","United States. Congress. House","Virginia. General Assembly","Virginia. General Assembly. 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