{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026page=1273\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026page=1272\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026page=1274\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026page=1298\u0026view=list"},"meta":{"pages":{"current_page":1273,"next_page":1274,"prev_page":1272,"total_pages":1298,"limit_value":10,"offset_value":12720,"total_count":12974,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_6","type":"collection","attributes":{"title":"Willie Anne Wright Artist Archives (VA-02), 1944/2021","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6#creator","type":"document_value","attributes":{"value":"Wright, Willie Anne","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6#abstract_or_scope","type":"document_value","attributes":{"value":"The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6"}},{"id":"viur_repositories_4_resources_154_c01_c01","type":"File","attributes":{"title":"Willis A. Shell, 1958/2020","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFolder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the \u003cspan\u003eRichmond Times-Dispatch\u003c/span\u003e, and newspaper clippings and a copy of the paperwork donating Shell's body to science.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_154_c01_c01","ref_ssm":["viur_repositories_4_resources_154_c01_c01"],"id":"viur_repositories_4_resources_154_c01_c01","ead_ssi":"viur_repositories_4_resources_154","_root_":"viur_repositories_4_resources_154","_nest_parent_":"viur_repositories_4_resources_154_c01","parent_ssi":"viur_repositories_4_resources_154_c01","parent_ssim":["Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020"],"parent_ids_ssim":["viur_repositories_4_resources_154","viur_repositories_4_resources_154_c01"],"title_filing_ssi":"Willis A. Shell","title_ssm":["Willis A. Shell"],"title_tesim":["Willis A. Shell"],"normalized_title_ssm":["Willis A. Shell, 1958/2020"],"text":["Willis A. Shell, 1958/2020","Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020","box 1","folder 1","Shell","Folder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the Richmond Times-Dispatch, and newspaper clippings and a copy of the paperwork donating Shell's body to science."],"parent_unittitles_ssm":["Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020"],"parent_unittitles_tesim":["Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020"],"normalized_date_ssm":["1958/2020"],"unitdate_inclusive_ssm":["1958-2020"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["University of Richmond"],"collection_ssim":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"containers_ssim":["box 1","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"famname_ssim":["Shell"],"names_ssim":["Shell"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"scopecontent_html_tesm":["\u003cp\u003eFolder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e, and newspaper clippings and a copy of the paperwork donating \u003cfamname\u003eShell\u003c/famname\u003e's body to science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the Richmond Times-Dispatch, and newspaper clippings and a copy of the paperwork donating Shell's body to science."],"_nest_path_":"/components#0/components#0","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_154","ead_ssi":"viur_repositories_4_resources_154","_root_":"viur_repositories_4_resources_154","_nest_parent_":"viur_repositories_4_resources_154","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_154.xml","title_ssm":["Willis \u0026 Eleanor Shell Collection"],"title_tesim":["Willis \u0026 Eleanor Shell Collection"],"unitdate_ssm":["1952-1977"],"unitdate_bulk_ssim":["1952-1977"],"normalized_date_ssm":["1952/1977"],"normalized_title_ssm":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"text":["Willis \u0026 Eleanor Shell Collection, 1952/1977","MS.47","/repositories/4/resources/154","Richmond (Va.)","Personal correspondence","Photographs","Pamphlets","Clippings","There are no restrictions on accessing material in this collection.","This collection is arranged into 3 series: \n\nSeries 1: Personal Information\nSeries 2: Print Matters\nSeries 3: Christmas Cards","Willis Andrew Shell, Jr., was born in Lenoir, North Carolina on 1 Jun 1905 to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married Eleanor Roberts, with whom he would start the Attic Press from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the William Byrd Press from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in September 1971 as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from Parsons School of Design and worked as an illustrator for the Richmond New Leader, where she developed a regular art feature for the Sunday Times-Dispatch from 1935-1950.","His first handmade book was The Night After Christmas. Willis and Eleanor worked together and separately on projects. For example, for the book An Allegorical ABC Book About Father Junipero Serra, published in 1977, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was David John Mays' Edmund Pendleton, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.","Due to their ties to the print and illustration community, the Shell collection also holds a variety of materials created by friends, including Christmas cards from both David Clinger and Warren Chappell, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989.","This collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.","An item level inventory can be made available by reaching out to archives@richmond.edu.","MS-35 David Clinger Collection","The Willis \u0026 Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The items within this collection pertain to Willis A. \u0026 Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books.","University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell","Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974","English"],"collection_title_tesim":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"collection_ssim":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.47","/repositories/4/resources/154"],"unitid_tesim":["MS.47","/repositories/4/resources/154"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)"],"geogname_ssim":["Richmond (Va.)"],"places_ssim":["Richmond (Va.)"],"creator_ssm":["Shell, Willis Andrew, 1905-1989"],"creator_ssim":["Shell, Willis Andrew, 1905-1989"],"creator_persname_ssim":["Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974"],"creator_corpname_ssim":["University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)"],"creator_famname_ssim":["Shell"],"creators_ssim":["Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974","University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was donated by Margaret Roberts Thomas, niece of Eleanor Roberts Shell."],"access_subjects_ssim":["Personal correspondence","Photographs","Pamphlets","Clippings"],"access_subjects_ssm":["Personal correspondence","Photographs","Pamphlets","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence","Photographs","Pamphlets","Clippings"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 3 series: \n\u003cul\u003e\n\u003cli\u003eSeries 1: Personal Information\u003c/li\u003e\n\u003cli\u003eSeries 2: Print Matters\u003c/li\u003e\n\u003cli\u003eSeries 3: Christmas Cards\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 3 series: \n\nSeries 1: Personal Information\nSeries 2: Print Matters\nSeries 3: Christmas Cards"],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eWillis Andrew Shell, Jr.\u003c/persname\u003e, was born in \u003cgeogname\u003eLenoir, North Carolina\u003c/geogname\u003e on \u003cdate\u003e1 Jun 1905\u003c/date\u003e to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married \u003cpersname\u003eEleanor Roberts\u003c/persname\u003e, with whom he would start the \u003ccorpname\u003eAttic Press\u003c/corpname\u003e from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the \u003ccorpname\u003eWilliam Byrd Press\u003c/corpname\u003e from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in \u003cdate\u003eSeptember 1971\u003c/date\u003e as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from \u003ccorpname\u003eParsons School of Design\u003c/corpname\u003e and worked as an \u003coccupation\u003eillustrator\u003c/occupation\u003e for the \u003ctitle\u003eRichmond New Leader\u003c/title\u003e, where she developed a regular art feature for the Sunday \u003ctitle\u003eTimes-Dispatch\u003c/title\u003e from 1935-1950.  \u003c/p\u003e","\u003cp\u003eHis first handmade book was \u003ctitle\u003eThe Night After Christmas\u003c/title\u003e. Willis and Eleanor worked together and separately on projects. For example, for the book \u003ctitle\u003eAn Allegorical ABC Book About Father Junipero Serra\u003c/title\u003e, published in \u003cdate\u003e1977\u003c/date\u003e, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was \u003cpersname\u003eDavid John Mays\u003c/persname\u003e' \u003ctitle\u003eEdmund Pendleton\u003c/title\u003e, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.  \u003c/p\u003e","\u003cp\u003eDue to their ties to the print and illustration community, the \u003cfamname\u003eShell\u003c/famname\u003e collection also holds a variety of materials created by friends, including Christmas cards from both \u003cpersname\u003eDavid Clinger\u003c/persname\u003e and \u003cpersname\u003eWarren Chappell\u003c/persname\u003e, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Willis Andrew Shell, Jr., was born in Lenoir, North Carolina on 1 Jun 1905 to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married Eleanor Roberts, with whom he would start the Attic Press from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the William Byrd Press from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in September 1971 as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from Parsons School of Design and worked as an illustrator for the Richmond New Leader, where she developed a regular art feature for the Sunday Times-Dispatch from 1935-1950.","His first handmade book was The Night After Christmas. Willis and Eleanor worked together and separately on projects. For example, for the book An Allegorical ABC Book About Father Junipero Serra, published in 1977, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was David John Mays' Edmund Pendleton, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.","Due to their ties to the print and illustration community, the Shell collection also holds a variety of materials created by friends, including Christmas cards from both David Clinger and Warren Chappell, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-47, Willis \u0026amp; Eleanor Shell Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-47, Willis \u0026 Eleanor Shell Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eThis collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.\u003c/p\u003e","\u003cp\u003eAn item level inventory can be made available by reaching out to archives@richmond.edu.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.","An item level inventory can be made available by reaching out to archives@richmond.edu."],"relatedmaterial_html_tesm":["\u003cp\u003eMS-35 David Clinger Collection\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-35 David Clinger Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Willis \u0026amp; Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Willis \u0026 Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86a3585121957f4c302faa3b9b0cc017\"\u003eThe items within this collection pertain to Willis A. \u0026amp; Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books.\u003c/abstract\u003e\n    "],"abstract_tesim":["The items within this collection pertain to Willis A. \u0026 Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books."],"corpname_ssim":["University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)"],"names_coll_ssim":["William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell, Eleanor Roberts, -1974"],"famname_ssim":["Shell"],"persname_ssim":["Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974"],"names_ssim":["University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell","Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":223,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c01"}},{"id":"viw_repositories_2_resources_8897","type":"collection","attributes":{"title":"Will Molineux collection, 1952/2025","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8897#creator","type":"document_value","attributes":{"value":"Molineux, Will","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8897#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia, including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026amp; Mary.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8897#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8897","ead_ssi":"viw_repositories_2_resources_8897","_root_":"viw_repositories_2_resources_8897","_nest_parent_":"viw_repositories_2_resources_8897","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8897.xml","title_filing_ssi":"Will Molineux collection","title_ssm":["Will Molineux collection"],"title_tesim":["Will Molineux collection"],"unitdate_ssm":["1952-2025"],"unitdate_inclusive_ssm":["1952-2025"],"normalized_date_ssm":["1952/2025"],"normalized_title_ssm":["Will Molineux collection, 1952/2025"],"text":["Will Molineux collection, 1952/2025","MS 00042","/repositories/2/resources/8897","James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs","Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into six series.","Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.","Collection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia,  including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026 Mary.","Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","English"],"collection_title_tesim":["Will Molineux collection, 1952/2025"],"collection_ssim":["Will Molineux collection, 1952/2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00042","/repositories/2/resources/8897"],"unitid_tesim":["MS 00042","/repositories/2/resources/8897"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"geogname_ssim":["James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"places_ssim":["James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"creator_ssm":["Molineux, Will","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County"],"creator_ssim":["Molineux, Will","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County"],"creator_persname_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"creator_corpname_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"creators_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["1997.41, 1999.31a, 1999.45, 2005.12, 2006.30, 2007.32, 2008.13a, 2008.167. Please see staff for information about recent accessions."],"access_subjects_ssim":["Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports"],"access_subjects_ssm":["Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 15 boxes"],"extent_tesim":["6 Linear Feet 15 boxes"],"genreform_ssim":["Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into six series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into six series."],"prefercite_html_tesm":["\u003cp\u003eWill Molineux collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Will Molineux collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eMss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia,  including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026amp; Mary.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia,  including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026 Mary."],"separatedmaterial_html_tesm":["\u003cp\u003eMss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"names_coll_ssim":["College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"persname_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"names_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":940,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:37.104Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8897","ead_ssi":"viw_repositories_2_resources_8897","_root_":"viw_repositories_2_resources_8897","_nest_parent_":"viw_repositories_2_resources_8897","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8897.xml","title_filing_ssi":"Will Molineux collection","title_ssm":["Will Molineux collection"],"title_tesim":["Will Molineux collection"],"unitdate_ssm":["1952-2025"],"unitdate_inclusive_ssm":["1952-2025"],"normalized_date_ssm":["1952/2025"],"normalized_title_ssm":["Will Molineux collection, 1952/2025"],"text":["Will Molineux collection, 1952/2025","MS 00042","/repositories/2/resources/8897","James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs","Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into six series.","Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.","Collection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia,  including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026 Mary.","Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","English"],"collection_title_tesim":["Will Molineux collection, 1952/2025"],"collection_ssim":["Will Molineux collection, 1952/2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00042","/repositories/2/resources/8897"],"unitid_tesim":["MS 00042","/repositories/2/resources/8897"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"geogname_ssim":["James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"places_ssim":["James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"creator_ssm":["Molineux, Will","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County"],"creator_ssim":["Molineux, Will","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County"],"creator_persname_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"creator_corpname_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"creators_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["1997.41, 1999.31a, 1999.45, 2005.12, 2006.30, 2007.32, 2008.13a, 2008.167. Please see staff for information about recent accessions."],"access_subjects_ssim":["Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports"],"access_subjects_ssm":["Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 15 boxes"],"extent_tesim":["6 Linear Feet 15 boxes"],"genreform_ssim":["Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into six series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into six series."],"prefercite_html_tesm":["\u003cp\u003eWill Molineux collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Will Molineux collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eMss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia,  including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026amp; Mary.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia,  including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026 Mary."],"separatedmaterial_html_tesm":["\u003cp\u003eMss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"names_coll_ssim":["College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"persname_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"names_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":940,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:37.104Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8897"}},{"id":"vilxv_repositories_3_resources_766_c01_c53","type":"File","attributes":{"title":"Wilma Murray interview, 2009","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_766_c01_c53#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxv_repositories_3_resources_766_c01_c53","ref_ssm":["vilxv_repositories_3_resources_766_c01_c53"],"id":"vilxv_repositories_3_resources_766_c01_c53","ead_ssi":"vilxv_repositories_3_resources_766","_root_":"vilxv_repositories_3_resources_766","_nest_parent_":"vilxv_repositories_3_resources_766_c01","parent_ssi":"vilxv_repositories_3_resources_766_c01","parent_ssim":["Military oral history collection, 2003/2014","World War II"],"parent_ids_ssim":["vilxv_repositories_3_resources_766","vilxv_repositories_3_resources_766_c01"],"title_filing_ssi":"Wilma Murray interview","title_ssm":["Wilma Murray interview"],"title_tesim":["Wilma Murray interview"],"normalized_title_ssm":["Wilma Murray interview, 2009"],"text":["Wilma Murray interview, 2009","Military oral history collection, 2003/2014","World War II","Virginia Military Institute. Adams Center for Military History","Murray, Wilma, 1917-?","United States. Army—Nurse Corps","World War, 1939-1945—Personal narratives","Oral histories","English","Wilma Murray joined the United States Army Nurse Corps in 1941. After stateside training, she shipped overseas to England. She subsequently was deployed to Normandy and landed on Omaha Beach 10 days after D-Day. Murray served in evacuation hospitals attached to the 1st Army, treating the wounded as the troops fought through France and Belgium. At the end of the War, she was in Germany where she cared for tuberculosis patients in the liberated Buchenwald concentration camp."],"parent_unittitles_ssm":["Military oral history collection, 2003/2014","World War II"],"parent_unittitles_tesim":["Military oral history collection, 2003/2014","World War II"],"normalized_date_ssm":["2009"],"unitdate_other_ssim":["2009 March 4"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":54,"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Military oral history collection, 2003/2014"],"extent_ssm":["2 items"],"extent_tesim":["2 items"],"physfacet_tesim":["Transcript (13 pages) and audio"],"creator_ssim":["Virginia Military Institute. Adams Center for Military History"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["A small number of interviews carry donor access restrictions.  Most are available without restriction."],"parent_access_terms_tesm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"corpname_ssim":["Virginia Military Institute. Adams Center for Military History"],"persname_ssim":["Murray, Wilma, 1917-?"],"names_ssim":["Virginia Military Institute. Adams Center for Military History","Murray, Wilma, 1917-?"],"access_subjects_ssim":["United States. Army—Nurse Corps","World War, 1939-1945—Personal narratives","Oral histories"],"access_subjects_ssm":["United States. Army—Nurse Corps","World War, 1939-1945—Personal narratives","Oral histories"],"language_ssim":["English"],"date_range_isim":[2009],"bioghist_html_tesm":["\u003cp\u003eWilma Murray joined the United States Army Nurse Corps in 1941. After stateside training, she shipped overseas to England. She subsequently was deployed to Normandy and landed on Omaha Beach 10 days after D-Day. Murray served in evacuation hospitals attached to the 1st Army, treating the wounded as the troops fought through France and Belgium. At the end of the War, she was in Germany where she cared for tuberculosis patients in the liberated Buchenwald concentration camp.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Wilma Murray joined the United States Army Nurse Corps in 1941. After stateside training, she shipped overseas to England. She subsequently was deployed to Normandy and landed on Omaha Beach 10 days after D-Day. Murray served in evacuation hospitals attached to the 1st Army, treating the wounded as the troops fought through France and Belgium. At the end of the War, she was in Germany where she cared for tuberculosis patients in the liberated Buchenwald concentration camp."],"_nest_path_":"/components#0/components#52","timestamp":"2026-08-14T22:37:30.860Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_766","ead_ssi":"vilxv_repositories_3_resources_766","_root_":"vilxv_repositories_3_resources_766","_nest_parent_":"vilxv_repositories_3_resources_766","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_766.xml","title_ssm":["Military oral history collection"],"title_tesim":["Military oral history collection"],"unitdate_ssm":["2003-2014"],"unitdate_inclusive_ssm":["2003-2014"],"normalized_date_ssm":["2003/2014"],"normalized_title_ssm":["Military oral history collection, 2003/2014"],"text":["Military oral history collection, 2003/2014","MS.0510","/repositories/3/resources/766","World War, 1914-1918","World War, 1939-1945","Korean War (1950-1953)","Vietnam War (1961-1975)","Persian Gulf War (1991)","Iraq War, 2003-2011","Afghan War, 2001-2021","Oral histories","A small number of interviews carry donor access restrictions.  Most are available without restriction.","The bulk of this collection is available online.","The Military Oral History Project was orginally an initiative of VMI's John A. Adams '71 Center for Military History and Strategic Analysis. The Center's first Director, Kip Muir (served 2002-2011) initiated the oral history program, in which VMI cadets interviewed veterans as part of their military history coursework. Subsequent cadet-conducted interviews were overseen by the Center's second Director, Bradley L. Coleman.","In addition, a 2015 collaborate effort between Coleman and journalist Lisa Tracy resulted in a number of interviews conducted by Tracy with VMI World War II alumni.","This oral history collection spans the World War II era through recent conflicts in Iraq and Afghanistan. One interview (Frank Buckles) covers World War I service. The majority of the interviews were conducted by VMI cadets taking courses in military history. The interview files and recordings are housed in the VMI Archives.","Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Manuscripts stacks","Virginia Military Institute Archives","Virginia Military Institute. Adams Center for Military History","Virginia Military Institute. Department of Civil and Environmental Engineering","Tracy, Lisa (Elizabeth Kilbourne)","Saxe, Ira N. (Ira Nelson), 1918-?","Smith, Robert P. (Robert Pemberton), 1919-2017","Richards, Walter L. (Walter Leland), 1919-","Miller, Charles B. (Charles Bruce)","Gottwald, Floyd D., Jr.","Smith, Jeffrey G., Sr.","Doss, James V.","Taylor, Arthur C., Jr. (Arthur Canning)","Matheis, Richard, A., ?-2015","Morgan, James M., Jr. (James Markus), 1923-2021","Spach, Jule C.","Eliason, William A.","Siebert, Harry J. (Harry John)","Layman, Thomas O. (Thomas Orville)","Gantt, Joseph I., Sr. (Joseph Isley)","Suter,  Bruce H.","Abbitt, Charles W.","Anthony, Eiland E.","Ashley, Maurice C., Jr. (Maurice Cavileer), 1925-2015","Boyd, John T.","Crane, George A., Jr.","Dischinger, Hugh C. (Hugh Charles), 1924-?","Esser, Jefferson R. C. (Jefferson Randolph Cary)","Geary, Paul X.","Gialanella, John A.","Massenburg, Edgar A.","Mills, William C.","Naill, John D., Jr., 1924-?","Newton, Russell B.","Patton, John M. (John Mercer), 1921-?","Siegel, Ralph","Smaw, Daniel G., III","Smothers, Robert C.","Williams, John P., 1922-?","Winter, William D.","Alvarez, Alfred A., 1924-","Andrews, Ernest A., 1923-?","Argenzio, Joseph L., 1927-?","Bachman, Charles D., 1924-?","Barrett, John G. (John Gilchrist), 1921-2013","Bodkin, Hobert (Hobert Vaughn), 1923-?","Brooks, Charles S., 1924-?","Brown, Fred, 1923-?","Burnette, Guy B. (Guy Berry), 1921-?","Caulkins, Stanley F., 1925-?","Cheatham, Robert L., Jr., 1920-?","Clark, Allen E. (Allen Eugene), 1924-?","Cleckler, James G. (James Glen), 1924-?","Collier, William H. (William Hurle), 1921-?","Cousart, Cyril G., 1924-?","Cowan, Chalmer E., 1919-?","Cvengros, George E., 1923-1985","Cvengros, David","Dazzo, Joseph O. (Joseph Oliver), 1919-?","DeSantis, Nathan, 1921-?","Dexter, Robert F. (Robert Fred), 1925-?","Dixon, Mark R. (Mark Ray), 1926-?","Duncan, Walter M., Sr., 1920-?","Dunfee, Howard R., 1914-?","Evans, Allen D., 1924-?","Fair, Robert R., 1925-?","Farmer, William C., 1926-?","Feightner, Edward L., 1919-?","Ault, Frank W., 1921-?","Funkhouser, William, 1923-?","Furman, Donald E. (Donald Elsworth), 1913-?","George, Roy, 1927-?","Haggerty, Frank J. (Frank James), 1921-?","Halloran, R. \"Hap\"","Halsey, John S. (John Selden), 1923-?","Harper, R. Marlowe, 1922-?","Holzman, Jerome","Howard, William, 1919-?","Irby, John P., III (John Poindexter), 1922-?","Jenkins, Carl F., Carl Frank, 1926-?","Kershaw, John R., 1925-?","King, Frank E., 1922-?","King, Jerome H., Jr. (Jerome Henry), 1919-?","Kinter, Edmund B., 1925-?","Lawton, Leonard G. (Leonard Gadi), 1919-?","Luikart , Walter, 1925-?","Lypka, Demetrius, 1918-?","Marsh, Alexander, 1916-?","McKinney, Charles H., 1920-?","Michnewich, Alexander, 1923-?","Moberg, Robert, 1921-?","Muir, Malcolm, Sr., 1914-?","Murray, Wilma, 1917-?","Naughton, James B., 1925-?","Nicely, Guy C., Jr., 1923-?","Noble, Edwin A., 1922-2013","Perna, Anthony J. (Anthony Joseph), 1918-?","Porter, George, 1921-?","Proffitt, Carl D., Jr. (Carl Douglas), 1918-?","Quarles, Julian M., Jr., 1917-?","Rathmell, Richard, 1925?-?","Reagan, Emmett F., 1924-?","Remaly, John M., 1925-","Repke, William, 1919-?","Riley, Charles A. (Charles Andrew), 1926-?","Rupe, Kenneth D., 1919-?","Ryan, Edward A., 1923-?","Sams, Robert, 1925-?","Schilling, Luther J., 1926-?","Schintzel, Arthur, 1922-?","Shaeff, Charles B., Jr., 1925-?","Shreffler, Gale O., 1924-?","St. Clair, Alfred L., 1918-?","Stewart, Philip O., 1923-?","Talbot, Jack, 1921-?","Tarkenton, Samuel R., 1923-?","Tompkins, George J., Jr. (George Johnson), 1922-?","Vaughan, Meeks B., 1919-?","Wills, William H., 1919-?","Wilson, Tyson, 1918-?","Badgett, William D., 1931-2020","Belt, Ovid, 1936-","Fox, Wesley L. (Wesley Lee), 1931-","Good, Vernon A., 1930-","Johnson, Raymond A., 1929-?","Kovac, Joseph W., 1932-","Lewane, Leonard L.","McKellar, Charles W., 1928-","Penn, Bill R. (Bill Rivers), 1932-","Caldwell, Craig D. (Craig Douglas), 1944-","Ackroyd-Kelly, Ian H. (Ian Howard), 1944-","Bland, Robert T. , III (Robert Tyler), 1943-","Burton, Michael D. (Michael Davies), 1944-","Walters, John , A. (John Arthur), 1944-","Charrington, Peter R. (Peter Randolph), 1943-","Creekmore, Oliver D. (Oliver David), 1944-","Crittsinger, Clifford A. (Clifford Andrew), 1941-","Edmunds, William W., Jr. (William Wilson), 1944-","Gesker, Joseph M. (Joseph Mitchell), 1944-","Gray, Thomas W. (Thomas Wayne), 1944-","Harrel, Thomas H., Jr. (Thomas Howard), 1944-","Hoskot, Nathaniel R., Jr. (Nathaniel Ramsey), 1943-","Hines, Edwin Y. (Edwin Yarbrough)","Kiernan, David R. (David Richard)","Lloyd, Howard M., Jr. (Howard Marshall), 1944-","McClure, William G., III (William Granville), 1944-","Monteverde, Miguel E. (Miguel Enrique), 1944-","Odom, John R., III (John Robert), 1945-","Pinkus, David R. (David Ralph), 1944-","Reifsnider, Lawrence C. (Lawrence Clark), 1944-","Ritchie, Robin P. (Robin Polk), 1943-","Robblee, Paul A., Jr. (Paul Ashworth), 1944-","Rowe, John L., Jr. (John Louis), 1944-","Sadler, Woodson A., Jr. (Woodson Alexander), 1944-","Caldwell, Jesse W. (Jesse Walters), 1901-?","Saville, Dale W. (Dale William), 1944-","Smith, James R., Jr. (James Russell), 1944-","Szymanski, James G. (James George), 1945-","Turner, John M. (John McLeod)","Urmston, Randolph W., 1944-","Wagner, Paul A. (Paul Allyn), 1944-","Williams, Duane E. (Duane Edward), 1944-","Williams, James R. (James Richard), 1944-","Young, Geoffrey R. (Geoffrey Reynolds), 1944-","Allison, Terry G. (Terry Gene), 1950-","Bissell, Norman M. (Norman Michael), 1938-2019","Boese, Lawrence E.","Bozeman, Michael L.","Brooke, George M., III (George Mercer), 1945-","Bryant, Bayes L., 1948-","Burger, Lloyd C., 1938-","Burgess, Leland H., 1941-","Cayo, Richard F., 1934-","Dabney, William H. (William Howard), 1934-2012","Dailey, Charles L., 1934-","Davis, Terry J., 1946-","Dewald, Lee S., Sr. (Lee Samuel), 1947-","DiMartino, Blaise S. (Blaise Stephen), 1947-","Duncan, Floyd H.","Erchul, Ronald A. (Ronald Anton), 1938-2011","Farrell, Alan F. 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The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["World War, 1914-1918","World War, 1939-1945","Korean War (1950-1953)","Vietnam War (1961-1975)","Persian Gulf War (1991)","Iraq War, 2003-2011","Afghan War, 2001-2021","Oral histories"],"access_subjects_ssm":["World War, 1914-1918","World War, 1939-1945","Korean War (1950-1953)","Vietnam War (1961-1975)","Persian Gulf War (1991)","Iraq War, 2003-2011","Afghan War, 2001-2021","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["12 cubic feet"],"extent_tesim":["12 cubic feet"],"genreform_ssim":["Oral histories"],"date_range_isim":[2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eA small number of interviews carry donor access restrictions.  Most are available without restriction.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["A small number of interviews carry donor access restrictions.  Most are available without restriction."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/landingpage/collection/p15821coll13\"\u003eThe bulk of this collection is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["The bulk of this collection is available online."],"bioghist_html_tesm":["\u003cp\u003eThe Military Oral History Project was orginally an initiative of VMI's John A. Adams '71 Center for Military History and Strategic Analysis. The Center's first Director, Kip Muir (served 2002-2011) initiated the oral history program, in which VMI cadets interviewed veterans as part of their military history coursework. Subsequent cadet-conducted interviews were overseen by the Center's second Director, Bradley L. Coleman.  \u003c/p\u003e","\u003cp\u003eIn addition, a 2015 collaborate effort between Coleman and journalist Lisa Tracy resulted in a number of interviews conducted by Tracy with VMI World War II alumni.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Military Oral History Project was orginally an initiative of VMI's John A. Adams '71 Center for Military History and Strategic Analysis. The Center's first Director, Kip Muir (served 2002-2011) initiated the oral history program, in which VMI cadets interviewed veterans as part of their military history coursework. Subsequent cadet-conducted interviews were overseen by the Center's second Director, Bradley L. Coleman.","In addition, a 2015 collaborate effort between Coleman and journalist Lisa Tracy resulted in a number of interviews conducted by Tracy with VMI World War II alumni."],"prefercite_html_tesm":["\u003cp\u003e[Name of Interviewee] Interview, Military oral history collection, 2003-2014. MS 0510. VMI Archives, Virginia Military Institute, Lexington, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Name of Interviewee] Interview, Military oral history collection, 2003-2014. MS 0510. VMI Archives, Virginia Military Institute, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis oral history collection spans the World War II era through recent conflicts in Iraq and Afghanistan. One interview (Frank Buckles) covers World War I service. The majority of the interviews were conducted by VMI cadets taking courses in military history. The interview files and recordings are housed in the VMI Archives.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This oral history collection spans the World War II era through recent conflicts in Iraq and Afghanistan. One interview (Frank Buckles) covers World War I service. The majority of the interviews were conducted by VMI cadets taking courses in military history. The interview files and recordings are housed in the VMI Archives."],"userestrict_html_tesm":["\u003cp\u003eManuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2ce191674c4046606b4ec4ac19b5f7f9\"\u003eManuscripts stacks\u003c/physloc\u003e\n    "],"physloc_tesim":["Manuscripts stacks"],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Adams Center for Military History","Virginia Military Institute. Department of Civil and Environmental Engineering"],"persname_ssim":["Tracy, Lisa (Elizabeth Kilbourne)","Saxe, Ira N. (Ira Nelson), 1918-?","Smith, Robert P. (Robert Pemberton), 1919-2017","Richards, Walter L. (Walter Leland), 1919-","Miller, Charles B. (Charles Bruce)","Gottwald, Floyd D., Jr.","Smith, Jeffrey G., Sr.","Doss, James V.","Taylor, Arthur C., Jr. (Arthur Canning)","Matheis, Richard, A., ?-2015","Morgan, James M., Jr. (James Markus), 1923-2021","Spach, Jule C.","Eliason, William A.","Siebert, Harry J. (Harry John)","Layman, Thomas O. (Thomas Orville)","Gantt, Joseph I., Sr. (Joseph Isley)","Suter,  Bruce H.","Abbitt, Charles W.","Anthony, Eiland E.","Ashley, Maurice C., Jr. (Maurice Cavileer), 1925-2015","Boyd, John T.","Crane, George A., Jr.","Dischinger, Hugh C. (Hugh Charles), 1924-?","Esser, Jefferson R. C. (Jefferson Randolph Cary)","Geary, Paul X.","Gialanella, John A.","Massenburg, Edgar A.","Mills, William C.","Naill, John D., Jr., 1924-?","Newton, Russell B.","Patton, John M. (John Mercer), 1921-?","Siegel, Ralph","Smaw, Daniel G., III","Smothers, Robert C.","Williams, John P., 1922-?","Winter, William D.","Alvarez, Alfred A., 1924-","Andrews, Ernest A., 1923-?","Argenzio, Joseph L., 1927-?","Bachman, Charles D., 1924-?","Barrett, John G. (John Gilchrist), 1921-2013","Bodkin, Hobert (Hobert Vaughn), 1923-?","Brooks, Charles S., 1924-?","Brown, Fred, 1923-?","Burnette, Guy B. (Guy Berry), 1921-?","Caulkins, Stanley F., 1925-?","Cheatham, Robert L., Jr., 1920-?","Clark, Allen E. (Allen Eugene), 1924-?","Cleckler, James G. (James Glen), 1924-?","Collier, William H. (William Hurle), 1921-?","Cousart, Cyril G., 1924-?","Cowan, Chalmer E., 1919-?","Cvengros, George E., 1923-1985","Cvengros, David","Dazzo, Joseph O. (Joseph Oliver), 1919-?","DeSantis, Nathan, 1921-?","Dexter, Robert F. (Robert Fred), 1925-?","Dixon, Mark R. (Mark Ray), 1926-?","Duncan, Walter M., Sr., 1920-?","Dunfee, Howard R., 1914-?","Evans, Allen D., 1924-?","Fair, Robert R., 1925-?","Farmer, William C., 1926-?","Feightner, Edward L., 1919-?","Ault, Frank W., 1921-?","Funkhouser, William, 1923-?","Furman, Donald E. (Donald Elsworth), 1913-?","George, Roy, 1927-?","Haggerty, Frank J. (Frank James), 1921-?","Halloran, R. \"Hap\"","Halsey, John S. (John Selden), 1923-?","Harper, R. Marlowe, 1922-?","Holzman, Jerome","Howard, William, 1919-?","Irby, John P., III (John Poindexter), 1922-?","Jenkins, Carl F., Carl Frank, 1926-?","Kershaw, John R., 1925-?","King, Frank E., 1922-?","King, Jerome H., Jr. (Jerome Henry), 1919-?","Kinter, Edmund B., 1925-?","Lawton, Leonard G. (Leonard Gadi), 1919-?","Luikart , Walter, 1925-?","Lypka, Demetrius, 1918-?","Marsh, Alexander, 1916-?","McKinney, Charles H., 1920-?","Michnewich, Alexander, 1923-?","Moberg, Robert, 1921-?","Muir, Malcolm, Sr., 1914-?","Murray, Wilma, 1917-?","Naughton, James B., 1925-?","Nicely, Guy C., Jr., 1923-?","Noble, Edwin A., 1922-2013","Perna, Anthony J. (Anthony Joseph), 1918-?","Porter, George, 1921-?","Proffitt, Carl D., Jr. (Carl Douglas), 1918-?","Quarles, Julian M., Jr., 1917-?","Rathmell, Richard, 1925?-?","Reagan, Emmett F., 1924-?","Remaly, John M., 1925-","Repke, William, 1919-?","Riley, Charles A. (Charles Andrew), 1926-?","Rupe, Kenneth D., 1919-?","Ryan, Edward A., 1923-?","Sams, Robert, 1925-?","Schilling, Luther J., 1926-?","Schintzel, Arthur, 1922-?","Shaeff, Charles B., Jr., 1925-?","Shreffler, Gale O., 1924-?","St. Clair, Alfred L., 1918-?","Stewart, Philip O., 1923-?","Talbot, Jack, 1921-?","Tarkenton, Samuel R., 1923-?","Tompkins, George J., Jr. (George Johnson), 1922-?","Vaughan, Meeks B., 1919-?","Wills, William H., 1919-?","Wilson, Tyson, 1918-?","Badgett, William D., 1931-2020","Belt, Ovid, 1936-","Fox, Wesley L. (Wesley Lee), 1931-","Good, Vernon A., 1930-","Johnson, Raymond A., 1929-?","Kovac, Joseph W., 1932-","Lewane, Leonard L.","McKellar, Charles W., 1928-","Penn, Bill R. (Bill Rivers), 1932-","Caldwell, Craig D. (Craig Douglas), 1944-","Ackroyd-Kelly, Ian H. (Ian Howard), 1944-","Bland, Robert T. , III (Robert Tyler), 1943-","Burton, Michael D. (Michael Davies), 1944-","Walters, John , A. (John Arthur), 1944-","Charrington, Peter R. (Peter Randolph), 1943-","Creekmore, Oliver D. (Oliver David), 1944-","Crittsinger, Clifford A. (Clifford Andrew), 1941-","Edmunds, William W., Jr. (William Wilson), 1944-","Gesker, Joseph M. (Joseph Mitchell), 1944-","Gray, Thomas W. (Thomas Wayne), 1944-","Harrel, Thomas H., Jr. (Thomas Howard), 1944-","Hoskot, Nathaniel R., Jr. (Nathaniel Ramsey), 1943-","Hines, Edwin Y. (Edwin Yarbrough)","Kiernan, David R. (David Richard)","Lloyd, Howard M., Jr. (Howard Marshall), 1944-","McClure, William G., III (William Granville), 1944-","Monteverde, Miguel E. (Miguel Enrique), 1944-","Odom, John R., III (John Robert), 1945-","Pinkus, David R. (David Ralph), 1944-","Reifsnider, Lawrence C. (Lawrence Clark), 1944-","Ritchie, Robin P. (Robin Polk), 1943-","Robblee, Paul A., Jr. (Paul Ashworth), 1944-","Rowe, John L., Jr. (John Louis), 1944-","Sadler, Woodson A., Jr. (Woodson Alexander), 1944-","Caldwell, Jesse W. (Jesse Walters), 1901-?","Saville, Dale W. (Dale William), 1944-","Smith, James R., Jr. (James Russell), 1944-","Szymanski, James G. (James George), 1945-","Turner, John M. (John McLeod)","Urmston, Randolph W., 1944-","Wagner, Paul A. (Paul Allyn), 1944-","Williams, Duane E. (Duane Edward), 1944-","Williams, James R. (James Richard), 1944-","Young, Geoffrey R. (Geoffrey Reynolds), 1944-","Allison, Terry G. (Terry Gene), 1950-","Bissell, Norman M. (Norman Michael), 1938-2019","Boese, Lawrence E.","Bozeman, Michael L.","Brooke, George M., III (George Mercer), 1945-","Bryant, Bayes L., 1948-","Burger, Lloyd C., 1938-","Burgess, Leland H., 1941-","Cayo, Richard F., 1934-","Dabney, William H. (William Howard), 1934-2012","Dailey, Charles L., 1934-","Davis, Terry J., 1946-","Dewald, Lee S., Sr. (Lee Samuel), 1947-","DiMartino, Blaise S. (Blaise Stephen), 1947-","Duncan, Floyd H.","Erchul, Ronald A. (Ronald Anton), 1938-2011","Farrell, Alan F. (Alan Ford), 1945-","Flanagan, William J., 1943-","Gardner, Robert J., 1943-","Grady, William","Turner, Thomas","Hooker, Arbury D. (Arbury Daryl), 1950-","Hudson, Robert M.","Jones, William C., 1942-","Jumper, John P. (John Phillip), 1945-","Kosh, Ronald W., 1945-","Krumwiede, Jerold L., 1930-","Livingston, James E.","Maini, Paul B., 1944-","Marshall, Richard C., Jr. (Richard Coke), 1941-","Miller, John G.","Miller, Richard S., 1939-","Moriarty, William","Mosher, Jeffrey H., 1952?-","Ohmer, John","Rahn, Wesley I., 1940-","Ray, Ronald D. (Ronald Dudley), 1942-","Ricks, William R., 1942-","Ripley, John W.","Rosinski, Joseph E., 1945-","Rud, Gilman E., 1944-","Saunders, William P., Jr., 1945-","Thieme, Glenn A., 1931-","Todd, Thomas D.","Treadwell, James R., 1952-","Turner, Blair P. (Blair Pierce), 1947-","Yedinak, Steven M., 1940-","Yusi, Frank, 1942-","Zinni, Anthony C. (Anthony Charles), 1943-","Amato, Steven L., 1961-","Andrews, William F., 1958-2015","Carver, Jim, 1964-","Heely, Timothy L., 1953-","Kyser, James G., IV (James Giles), 1961-","Litz, Charles H. (Charles Henry), 1953-","Magno, Thomas A., 1959-","McElhannon, Timothy S. (Timothy Sean), 1957-","Peay, J. H. Binford, III, 1940-","Quisenberry, Brian L. (Brian Lee), 1959-","Cook, Robert J. (Robert James), 1967-","Craig, Steven, 1970-","Bissell, Gary A., 1964-","Bither, William T., 1955-","Brashears, Thomas A. (Thomas Andrew)","Churchill, Robert, 1969-","Crespo, José L., 1980-","Daniel, Tim, 1959-","Diorio, Frank, 1973-","Drake, Jon A., 1972-","Johnson, Michael, 1974-","Kimsey, Benjamin, 1983-","Suydam, Phillip A. (Phillip Alan), 1967-","Wicker, James G., 1952-","Young, Patrick M. (Patrick McCann), 1984-","Anderson, Keith R., 1958-","Arendes, Thomas P. (Thomas Patrick), 1987-","Baity, Kenneth W., 1959-","Bissell, Brandon A., 1975-","Bissell, Marti J. (Marti Jo), 1966-","Brower, Charles F., IV, 1946-","Reagan, Ronald, 1911-2004","Brown, Kenneth R. (Kenneth Randolph), 1974-","Buckles, Frank W. (Frank Woodruff), 1901-2011","Day, Steven E., 1949-","Eicher, James, 1948-","Ferguson, Steven V., 1939-","Friedensen, Victoria P. (Victoria Pidgeon), 1956-","Gober, John D., 1956-","Gorman, Paul F., 1927-?","Grace, William R., 1959-","Gray, Chris, 1979-","Hafkemeyer, George F., III, 1948-","Hanks, Evan T., 1984-","Hart, D. Alexis, 1971-","Hill, Maurice B., Jr., 1947-","Gallahan, Maxwell R.","Holt, Donald B. (Donald Bruce), 1953-","Honsinger, Vernon C., 1934-","Hottle, Rodney A., 1954-","Johnson, Reed","Kowalczyk, Kristopher G., 1982-","Laninga, Daryl, 1964-","Leugers , Jerome, 1951-","Martin, Mark G., 1959-","McMasters, Robert, 1956-","McMullen, Robert P. (Robert Paul), 1981-","Moncure, Thomas B., 1950-","Dittrich, James F.","Neel, John L., 1953-","Niebel, Laura E., 1977-","Ostlund, Eugene, 1922-?","Overstreet, Valerie, 1969-","Patchin, Stephen D., 1940-","Peniston, Robert C., 1922-?","Pistochini, Mark D., 1950-","Rivers, Russell M., 1961-","Rody, Frederick C., 1965-","Rutherford, William B. (William Bruce), 1935-","Schmoll , Ross","Shea, Anthony G., Jr., 1966-","Smith, Jared, 1979-","Stone, Dennis, 1948-","Todd, Robert W., II (Robert Walston), 1984-","Tubbs, James O., 1957-","Turnnidge, Colin S., II (Colin Stuart), 1961-","Van Ness , Darrell G.","Wade, Clifford L. J., 1954-","Zeppenfeld, R. Kurt, 1958-"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Adams Center for Military History","Virginia Military Institute. Department of Civil and Environmental Engineering","Tracy, Lisa (Elizabeth Kilbourne)","Saxe, Ira N. (Ira Nelson), 1918-?","Smith, Robert P. (Robert Pemberton), 1919-2017","Richards, Walter L. (Walter Leland), 1919-","Miller, Charles B. (Charles Bruce)","Gottwald, Floyd D., Jr.","Smith, Jeffrey G., Sr.","Doss, James V.","Taylor, Arthur C., Jr. (Arthur Canning)","Matheis, Richard, A., ?-2015","Morgan, James M., Jr. (James Markus), 1923-2021","Spach, Jule C.","Eliason, William A.","Siebert, Harry J. (Harry John)","Layman, Thomas O. (Thomas Orville)","Gantt, Joseph I., Sr. (Joseph Isley)","Suter,  Bruce H.","Abbitt, Charles W.","Anthony, Eiland E.","Ashley, Maurice C., Jr. (Maurice Cavileer), 1925-2015","Boyd, John T.","Crane, George A., Jr.","Dischinger, Hugh C. (Hugh Charles), 1924-?","Esser, Jefferson R. C. (Jefferson Randolph Cary)","Geary, Paul X.","Gialanella, John A.","Massenburg, Edgar A.","Mills, William C.","Naill, John D., Jr., 1924-?","Newton, Russell B.","Patton, John M. (John Mercer), 1921-?","Siegel, Ralph","Smaw, Daniel G., III","Smothers, Robert C.","Williams, John P., 1922-?","Winter, William D.","Alvarez, Alfred A., 1924-","Andrews, Ernest A., 1923-?","Argenzio, Joseph L., 1927-?","Bachman, Charles D., 1924-?","Barrett, John G. (John Gilchrist), 1921-2013","Bodkin, Hobert (Hobert Vaughn), 1923-?","Brooks, Charles S., 1924-?","Brown, Fred, 1923-?","Burnette, Guy B. (Guy Berry), 1921-?","Caulkins, Stanley F., 1925-?","Cheatham, Robert L., Jr., 1920-?","Clark, Allen E. (Allen Eugene), 1924-?","Cleckler, James G. (James Glen), 1924-?","Collier, William H. (William Hurle), 1921-?","Cousart, Cyril G., 1924-?","Cowan, Chalmer E., 1919-?","Cvengros, George E., 1923-1985","Cvengros, David","Dazzo, Joseph O. (Joseph Oliver), 1919-?","DeSantis, Nathan, 1921-?","Dexter, Robert F. (Robert Fred), 1925-?","Dixon, Mark R. (Mark Ray), 1926-?","Duncan, Walter M., Sr., 1920-?","Dunfee, Howard R., 1914-?","Evans, Allen D., 1924-?","Fair, Robert R., 1925-?","Farmer, William C., 1926-?","Feightner, Edward L., 1919-?","Ault, Frank W., 1921-?","Funkhouser, William, 1923-?","Furman, Donald E. (Donald Elsworth), 1913-?","George, Roy, 1927-?","Haggerty, Frank J. (Frank James), 1921-?","Halloran, R. \"Hap\"","Halsey, John S. (John Selden), 1923-?","Harper, R. Marlowe, 1922-?","Holzman, Jerome","Howard, William, 1919-?","Irby, John P., III (John Poindexter), 1922-?","Jenkins, Carl F., Carl Frank, 1926-?","Kershaw, John R., 1925-?","King, Frank E., 1922-?","King, Jerome H., Jr. (Jerome Henry), 1919-?","Kinter, Edmund B., 1925-?","Lawton, Leonard G. (Leonard Gadi), 1919-?","Luikart , Walter, 1925-?","Lypka, Demetrius, 1918-?","Marsh, Alexander, 1916-?","McKinney, Charles H., 1920-?","Michnewich, Alexander, 1923-?","Moberg, Robert, 1921-?","Muir, Malcolm, Sr., 1914-?","Murray, Wilma, 1917-?","Naughton, James B., 1925-?","Nicely, Guy C., Jr., 1923-?","Noble, Edwin A., 1922-2013","Perna, Anthony J. (Anthony Joseph), 1918-?","Porter, George, 1921-?","Proffitt, Carl D., Jr. (Carl Douglas), 1918-?","Quarles, Julian M., Jr., 1917-?","Rathmell, Richard, 1925?-?","Reagan, Emmett F., 1924-?","Remaly, John M., 1925-","Repke, William, 1919-?","Riley, Charles A. (Charles Andrew), 1926-?","Rupe, Kenneth D., 1919-?","Ryan, Edward A., 1923-?","Sams, Robert, 1925-?","Schilling, Luther J., 1926-?","Schintzel, Arthur, 1922-?","Shaeff, Charles B., Jr., 1925-?","Shreffler, Gale O., 1924-?","St. Clair, Alfred L., 1918-?","Stewart, Philip O., 1923-?","Talbot, Jack, 1921-?","Tarkenton, Samuel R., 1923-?","Tompkins, George J., Jr. (George Johnson), 1922-?","Vaughan, Meeks B., 1919-?","Wills, William H., 1919-?","Wilson, Tyson, 1918-?","Badgett, William D., 1931-2020","Belt, Ovid, 1936-","Fox, Wesley L. (Wesley Lee), 1931-","Good, Vernon A., 1930-","Johnson, Raymond A., 1929-?","Kovac, Joseph W., 1932-","Lewane, Leonard L.","McKellar, Charles W., 1928-","Penn, Bill R. (Bill Rivers), 1932-","Caldwell, Craig D. (Craig Douglas), 1944-","Ackroyd-Kelly, Ian H. (Ian Howard), 1944-","Bland, Robert T. , III (Robert Tyler), 1943-","Burton, Michael D. (Michael Davies), 1944-","Walters, John , A. (John Arthur), 1944-","Charrington, Peter R. (Peter Randolph), 1943-","Creekmore, Oliver D. (Oliver David), 1944-","Crittsinger, Clifford A. (Clifford Andrew), 1941-","Edmunds, William W., Jr. (William Wilson), 1944-","Gesker, Joseph M. (Joseph Mitchell), 1944-","Gray, Thomas W. (Thomas Wayne), 1944-","Harrel, Thomas H., Jr. (Thomas Howard), 1944-","Hoskot, Nathaniel R., Jr. (Nathaniel Ramsey), 1943-","Hines, Edwin Y. (Edwin Yarbrough)","Kiernan, David R. (David Richard)","Lloyd, Howard M., Jr. (Howard Marshall), 1944-","McClure, William G., III (William Granville), 1944-","Monteverde, Miguel E. (Miguel Enrique), 1944-","Odom, John R., III (John Robert), 1945-","Pinkus, David R. (David Ralph), 1944-","Reifsnider, Lawrence C. (Lawrence Clark), 1944-","Ritchie, Robin P. (Robin Polk), 1943-","Robblee, Paul A., Jr. (Paul Ashworth), 1944-","Rowe, John L., Jr. (John Louis), 1944-","Sadler, Woodson A., Jr. (Woodson Alexander), 1944-","Caldwell, Jesse W. (Jesse Walters), 1901-?","Saville, Dale W. (Dale William), 1944-","Smith, James R., Jr. (James Russell), 1944-","Szymanski, James G. (James George), 1945-","Turner, John M. (John McLeod)","Urmston, Randolph W., 1944-","Wagner, Paul A. (Paul Allyn), 1944-","Williams, Duane E. (Duane Edward), 1944-","Williams, James R. (James Richard), 1944-","Young, Geoffrey R. (Geoffrey Reynolds), 1944-","Allison, Terry G. (Terry Gene), 1950-","Bissell, Norman M. (Norman Michael), 1938-2019","Boese, Lawrence E.","Bozeman, Michael L.","Brooke, George M., III (George Mercer), 1945-","Bryant, Bayes L., 1948-","Burger, Lloyd C., 1938-","Burgess, Leland H., 1941-","Cayo, Richard F., 1934-","Dabney, William H. (William Howard), 1934-2012","Dailey, Charles L., 1934-","Davis, Terry J., 1946-","Dewald, Lee S., Sr. (Lee Samuel), 1947-","DiMartino, Blaise S. (Blaise Stephen), 1947-","Duncan, Floyd H.","Erchul, Ronald A. (Ronald Anton), 1938-2011","Farrell, Alan F. (Alan Ford), 1945-","Flanagan, William J., 1943-","Gardner, Robert J., 1943-","Grady, William","Turner, Thomas","Hooker, Arbury D. (Arbury Daryl), 1950-","Hudson, Robert M.","Jones, William C., 1942-","Jumper, John P. (John Phillip), 1945-","Kosh, Ronald W., 1945-","Krumwiede, Jerold L., 1930-","Livingston, James E.","Maini, Paul B., 1944-","Marshall, Richard C., Jr. (Richard Coke), 1941-","Miller, John G.","Miller, Richard S., 1939-","Moriarty, William","Mosher, Jeffrey H., 1952?-","Ohmer, John","Rahn, Wesley I., 1940-","Ray, Ronald D. (Ronald Dudley), 1942-","Ricks, William R., 1942-","Ripley, John W.","Rosinski, Joseph E., 1945-","Rud, Gilman E., 1944-","Saunders, William P., Jr., 1945-","Thieme, Glenn A., 1931-","Todd, Thomas D.","Treadwell, James R., 1952-","Turner, Blair P. (Blair Pierce), 1947-","Yedinak, Steven M., 1940-","Yusi, Frank, 1942-","Zinni, Anthony C. (Anthony Charles), 1943-","Amato, Steven L., 1961-","Andrews, William F., 1958-2015","Carver, Jim, 1964-","Heely, Timothy L., 1953-","Kyser, James G., IV (James Giles), 1961-","Litz, Charles H. (Charles Henry), 1953-","Magno, Thomas A., 1959-","McElhannon, Timothy S. (Timothy Sean), 1957-","Peay, J. H. Binford, III, 1940-","Quisenberry, Brian L. (Brian Lee), 1959-","Cook, Robert J. (Robert James), 1967-","Craig, Steven, 1970-","Bissell, Gary A., 1964-","Bither, William T., 1955-","Brashears, Thomas A. (Thomas Andrew)","Churchill, Robert, 1969-","Crespo, José L., 1980-","Daniel, Tim, 1959-","Diorio, Frank, 1973-","Drake, Jon A., 1972-","Johnson, Michael, 1974-","Kimsey, Benjamin, 1983-","Suydam, Phillip A. (Phillip Alan), 1967-","Wicker, James G., 1952-","Young, Patrick M. (Patrick McCann), 1984-","Anderson, Keith R., 1958-","Arendes, Thomas P. (Thomas Patrick), 1987-","Baity, Kenneth W., 1959-","Bissell, Brandon A., 1975-","Bissell, Marti J. (Marti Jo), 1966-","Brower, Charles F., IV, 1946-","Reagan, Ronald, 1911-2004","Brown, Kenneth R. (Kenneth Randolph), 1974-","Buckles, Frank W. (Frank Woodruff), 1901-2011","Day, Steven E., 1949-","Eicher, James, 1948-","Ferguson, Steven V., 1939-","Friedensen, Victoria P. (Victoria Pidgeon), 1956-","Gober, John D., 1956-","Gorman, Paul F., 1927-?","Grace, William R., 1959-","Gray, Chris, 1979-","Hafkemeyer, George F., III, 1948-","Hanks, Evan T., 1984-","Hart, D. Alexis, 1971-","Hill, Maurice B., Jr., 1947-","Gallahan, Maxwell R.","Holt, Donald B. (Donald Bruce), 1953-","Honsinger, Vernon C., 1934-","Hottle, Rodney A., 1954-","Johnson, Reed","Kowalczyk, Kristopher G., 1982-","Laninga, Daryl, 1964-","Leugers , Jerome, 1951-","Martin, Mark G., 1959-","McMasters, Robert, 1956-","McMullen, Robert P. 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Kurt, 1958-"],"language_ssim":["English"],"total_component_count_is":256,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:37:30.860Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_766_c01_c53"}},{"id":"vifgm_repositories_2_resources_173_c04_c313","type":"File","attributes":{"title":"Wilson, Kerrie, 2009","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_173_c04_c313#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_173_c04_c313","ref_ssm":["vifgm_repositories_2_resources_173_c04_c313"],"id":"vifgm_repositories_2_resources_173_c04_c313","ead_ssi":"vifgm_repositories_2_resources_173","_root_":"vifgm_repositories_2_resources_173","_nest_parent_":"vifgm_repositories_2_resources_173_c04","parent_ssi":"vifgm_repositories_2_resources_173_c04","parent_ssim":["Reston Reflections oral history collection, 1994/2008","Series 4: 2001, 2003 and 2009 Interviews (33 boxes), 2001/2009"],"parent_ids_ssim":["vifgm_repositories_2_resources_173","vifgm_repositories_2_resources_173_c04"],"title_filing_ssi":"Wilson, Kerrie","title_ssm":["Wilson, Kerrie"],"title_tesim":["Wilson, Kerrie"],"normalized_title_ssm":["Wilson, Kerrie, 2009"],"text":["Wilson, Kerrie, 2009","Reston Reflections oral history collection, 1994/2008","Series 4: 2001, 2003 and 2009 Interviews (33 boxes), 2001/2009","box 126","folder 6"],"parent_unittitles_ssm":["Reston Reflections oral history collection, 1994/2008","Series 4: 2001, 2003 and 2009 Interviews (33 boxes), 2001/2009"],"parent_unittitles_tesim":["Reston Reflections oral history collection, 1994/2008","Series 4: 2001, 2003 and 2009 Interviews (33 boxes), 2001/2009"],"normalized_date_ssm":["2009"],"unitdate_other_ssim":["June 2009"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2069,"repository_ssim":["George Mason University"],"collection_ssim":["Reston Reflections oral history collection, 1994/2008"],"containers_ssim":["box 126","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2009],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#312","timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_173","ead_ssi":"vifgm_repositories_2_resources_173","_root_":"vifgm_repositories_2_resources_173","_nest_parent_":"vifgm_repositories_2_resources_173","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_173.xml","title_filing_ssi":"Reston Reflections oral history collection","title_ssm":["Reston Reflections oral history collection"],"title_tesim":["Reston Reflections oral history collection"],"unitdate_ssm":["1994-2008"],"unitdate_inclusive_ssm":["1994-2008"],"normalized_date_ssm":["1994/2008"],"normalized_title_ssm":["Reston Reflections oral history collection, 1994/2008"],"text":["Reston Reflections oral history collection, 1994/2008","C0171","/repositories/2/resources/173","Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local","Planned communities -- Virginia -- Reston","Housing","Oral history","Local history","Sound recordings","Oral histories","There are no access restrictions.","Arranged into four series.","Series\n      Series 1: Transcripts, 1994-2008 (Boxes 1-79)\n      Series 2: Audiotapes, 1994-2000 (Boxes 80-90)\n      Series 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\n      Series 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)","Langston Hughes Middle School is a school in Reston in Fairfax County. 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Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008)."],"prefercite_html_tesm":["\u003cp\u003eReston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Reston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. 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The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes.","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes.","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes.","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_01dfabdd3ba3f1ec4d6db71d4512f9bc\" label=\"Abstract\"\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_12ac235a72deffb7cfb02600d4bbf6db\"\u003eR43, C1, S1 - C3, S5\u003c/physloc\u003e\n    "],"physloc_tesim":["R43, C1, S1 - C3, S5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"names_ssim":["George Mason University. Libraries. 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The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).","Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.","The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes.","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes.","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes.","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.","R43, C1, S1 - C3, S5","George Mason University. Libraries. 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The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Langston Hughes Middle School is a school in Reston in Fairfax County. The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008)."],"prefercite_html_tesm":["\u003cp\u003eReston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Reston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. \u003c/p\u003e","\u003cp\u003eSeries one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes. \u003c/p\u003e","\u003cp\u003eSeries two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes. \u003c/p\u003e","\u003cp\u003eSeries three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes. \u003c/p\u003e","\u003cp\u003eSeries four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes.","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes.","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes.","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_01dfabdd3ba3f1ec4d6db71d4512f9bc\" label=\"Abstract\"\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_12ac235a72deffb7cfb02600d4bbf6db\"\u003eR43, C1, S1 - C3, S5\u003c/physloc\u003e\n    "],"physloc_tesim":["R43, C1, S1 - C3, S5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"names_ssim":["George Mason University. Libraries. 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The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).","Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.","The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes.","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. 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The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. 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The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008)."],"prefercite_html_tesm":["\u003cp\u003eReston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Reston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. \u003c/p\u003e","\u003cp\u003eSeries one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes. \u003c/p\u003e","\u003cp\u003eSeries two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes. \u003c/p\u003e","\u003cp\u003eSeries three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes. \u003c/p\u003e","\u003cp\u003eSeries four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes.","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes.","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes.","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_01dfabdd3ba3f1ec4d6db71d4512f9bc\" label=\"Abstract\"\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_12ac235a72deffb7cfb02600d4bbf6db\"\u003eR43, C1, S1 - C3, S5\u003c/physloc\u003e\n    "],"physloc_tesim":["R43, C1, S1 - C3, S5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2084,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_173_c04_c312"}},{"id":"vihdsc_repositories_2_resources_2_c05_c16","type":"File","attributes":{"title":"Wilson Speeches and Writings: Born-Digital Items (2 of 3), 2009/2021","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihdsc_repositories_2_resources_2_c05_c16","ref_ssm":["vihdsc_repositories_2_resources_2_c05_c16"],"id":"vihdsc_repositories_2_resources_2_c05_c16","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2_c05","parent_ssi":"vihdsc_repositories_2_resources_2_c05","parent_ssim":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"parent_ids_ssim":["vihdsc_repositories_2_resources_2","vihdsc_repositories_2_resources_2_c05"],"title_filing_ssi":"Wilson Speeches and Writings: Born-Digital Items (2 of 3)","title_ssm":["Wilson Speeches and Writings: Born-Digital Items (2 of 3)"],"title_tesim":["Wilson Speeches and Writings: Born-Digital Items (2 of 3)"],"normalized_title_ssm":["Wilson Speeches and Writings: Born-Digital Items (2 of 3), 2009/2021"],"text":["Wilson Speeches and Writings: Born-Digital Items (2 of 3), 2009/2021","Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson","English.","This folder contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by General Sam's widow, Susi. The contents of this folder were downloaded from a dropbox account owned by Susi Wilson on 10/01/2021. The contents have not been examined at the item level.   This record was downloaded as a zip file from Dropbox. Once unzipped, a logical disk image of the files was created.  Bulk Extractor and Brunnhilde Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor and Brunnhilde Reports created after scanning all files."],"parent_unittitles_ssm":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"parent_unittitles_tesim":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"normalized_date_ssm":["2009/2021"],"unitdate_inclusive_ssm":["2009/2021"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2359,"repository_ssim":["Hampden-Sydney College"],"collection_ssim":["Samuel Vaughan Wilson Papers, 1945/2017"],"extent_ssm":["5.328338 Gigabytes"],"extent_tesim":["5.328338 Gigabytes"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"language_ssim":["English."],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"custodhist_html_tesm":["\u003cp\u003eThis folder contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by General Sam's widow, Susi. The contents of this folder were downloaded from a dropbox account owned by Susi Wilson on 10/01/2021. The contents have not been examined at the item level.   This record was downloaded as a zip file from Dropbox. Once unzipped, a logical disk image of the files was created.  Bulk Extractor and Brunnhilde Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor and Brunnhilde Reports created after scanning all files.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This folder contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by General Sam's widow, Susi. The contents of this folder were downloaded from a dropbox account owned by Susi Wilson on 10/01/2021. The contents have not been examined at the item level.   This record was downloaded as a zip file from Dropbox. Once unzipped, a logical disk image of the files was created.  Bulk Extractor and Brunnhilde Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor and Brunnhilde Reports created after scanning all files."],"_nest_path_":"/components#4/components#15","timestamp":"2026-08-14T22:36:33.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_2","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_2.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/41","title_filing_ssi":"Samuel Vaughan Wilson Papers","title_ssm":["Samuel Vaughan Wilson Papers"],"title_tesim":["Samuel Vaughan Wilson Papers"],"unitdate_ssm":["1945/2017"],"unitdate_inclusive_ssm":["1945/2017"],"normalized_date_ssm":["1945/2017"],"normalized_title_ssm":["Samuel Vaughan Wilson Papers, 1945/2017"],"text":["Samuel Vaughan Wilson Papers, 1945/2017","SC.000101","Prince Edward County (Va.)","Hampden-Sydney College","United States Army","Military history","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","This collection is divided into 11 Series: \n\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\n02: Miscellaneous subjects related to Wilson's life and career\n03: World War II and Vietnam\n04: Wilson correspondence and other papers\n05: Speeches and writings\n06: Financial papers\n07: Miscellaneous writings and publications\n08: Teaching and course materials\n09: Photographs and scrapbooks\n10: Audiovisual materials\n11: Memorabilia and oversize items","General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93.","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.","Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.","This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)","English\n."],"collection_title_tesim":["Samuel Vaughan Wilson Papers, 1945/2017"],"collection_ssim":["Samuel Vaughan Wilson Papers, 1945/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000101"],"unitid_tesim":["SC.000101"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"geogname_ssm":["Prince Edward County (Va.)","Hampden-Sydney College"],"geogname_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"places_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"creator_persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"creator_corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"creators_ssim":["Wilson, Samuel (Samuel Vaughan)","Hampden-Sydney College Archives \u0026 Special Collections"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States Army","Military history"],"access_subjects_ssm":["United States Army","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["140 Linear Feet 270 boxes"],"extent_tesim":["140 Linear Feet 270 boxes"],"genreform_ssim":["Military history"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access to Materials"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 11 Series: \u003cbr\u003e\n\u003cbr\u003e\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\u003cbr\u003e\n02: Miscellaneous subjects related to Wilson's life and career\u003cbr\u003e\n03: World War II and Vietnam\u003cbr\u003e\n04: Wilson correspondence and other papers\u003cbr\u003e\n05: Speeches and writings\u003cbr\u003e\n06: Financial papers\u003cbr\u003e\n07: Miscellaneous writings and publications\u003cbr\u003e\n08: Teaching and course materials\u003cbr\u003e\n09: Photographs and scrapbooks\u003cbr\u003e\n10: Audiovisual materials\u003cbr\u003e\n11: Memorabilia and oversize items\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 11 Series: \n\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\n02: Miscellaneous subjects related to Wilson's life and career\n03: World War II and Vietnam\n04: Wilson correspondence and other papers\n05: Speeches and writings\n06: Financial papers\n07: Miscellaneous writings and publications\n08: Teaching and course materials\n09: Photographs and scrapbooks\n10: Audiovisual materials\n11: Memorabilia and oversize items"],"bioghist_html_tesm":["\u003cp\u003eGeneral Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  \u003c/p\u003e","\u003cp\u003eWilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.\u003c/p\u003e","\u003cp\u003eDuring World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.\u003c/p\u003e","\u003cp\u003eAfter the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.\u003c/p\u003e","\u003cp\u003eIn the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.\u003c/p\u003e","\u003cp\u003eIn the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.\u003c/p\u003e","\u003cp\u003eSam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.\u003c/p\u003e","\u003cp\u003eAfter retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  \u003c/p\u003e","\u003cp\u003eIn 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.\u003c/p\u003e","\u003cp\u003eAfter retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. \u003c/p\u003e","\u003cp\u003eSam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93.","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003c/p\u003e","\u003cp\u003eThe materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003c/p\u003e","\u003cp\u003eThis collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use of these materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"names_coll_ssim":["Wilson, Samuel (Samuel Vaughan)"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4080,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:33.766Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c16"}},{"id":"vihdsc_repositories_2_resources_2_c05_c17","type":"File","attributes":{"title":"Wilson Speeches and Writings: Born-Digital Items (3 of 3), 2001/2017","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihdsc_repositories_2_resources_2_c05_c17","ref_ssm":["vihdsc_repositories_2_resources_2_c05_c17"],"id":"vihdsc_repositories_2_resources_2_c05_c17","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2_c05","parent_ssi":"vihdsc_repositories_2_resources_2_c05","parent_ssim":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"parent_ids_ssim":["vihdsc_repositories_2_resources_2","vihdsc_repositories_2_resources_2_c05"],"title_filing_ssi":"Wilson Speeches and Writings: Born-Digital Items (3 of 3)","title_ssm":["Wilson Speeches and Writings: Born-Digital Items (3 of 3)"],"title_tesim":["Wilson Speeches and Writings: Born-Digital Items (3 of 3)"],"normalized_title_ssm":["Wilson Speeches and Writings: Born-Digital Items (3 of 3), 2001/2017"],"text":["Wilson Speeches and Writings: Born-Digital Items (3 of 3), 2001/2017","Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson","This item contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by Colonel Greg Eanes, USAF. The contents of this archival item were copied on 2021-10-19 from an external hard drive donated by Colonel Eanes on 2019-11-05. The contents have not been examined at the item level.","A logical copy of the hard drive was made on 2021-10-19. Bulk Extractor and Brunnhilde reports were run to identify sensitive information, and saved in a separate folder. A virus scan was also run on the contents of the external hard drive. The two folders found in this bag represent the logical copy of the external hard drive (including checksum), and the Bulk Extractor, Brunnhilde, and Virus Scan reports created after scanning the directory.","This text was prepared by Sarah E. Almond of Hampden-Sydney College Archives \u0026 Special Collections on 2021-10-19."],"parent_unittitles_ssm":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"parent_unittitles_tesim":["Samuel Vaughan Wilson Papers, 1945/2017","Series V: Speeches and Writings by Sam Wilson"],"normalized_date_ssm":["2001/2017"],"unitdate_inclusive_ssm":["2001/2017"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2360,"repository_ssim":["Hampden-Sydney College"],"collection_ssim":["Samuel Vaughan Wilson Papers, 1945/2017"],"extent_ssm":["284.934 Megabytes"],"extent_tesim":["284.934 Megabytes"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"date_range_isim":[2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"custodhist_html_tesm":["\u003cp\u003eThis item contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by Colonel Greg Eanes, USAF. The contents of this archival item were copied on 2021-10-19 from an external hard drive donated by Colonel Eanes on 2019-11-05. The contents have not been examined at the item level.\u003c/p\u003e","\u003cp\u003eA logical copy of the hard drive was made on 2021-10-19. Bulk Extractor and Brunnhilde reports were run to identify sensitive information, and saved in a separate folder. A virus scan was also run on the contents of the external hard drive. The two folders found in this bag represent the logical copy of the external hard drive (including checksum), and the Bulk Extractor, Brunnhilde, and Virus Scan reports created after scanning the directory. \u003c/p\u003e","\u003cp\u003eThis text was prepared by Sarah E. Almond of Hampden-Sydney College Archives \u0026amp; Special Collections on 2021-10-19.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This item contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by Colonel Greg Eanes, USAF. The contents of this archival item were copied on 2021-10-19 from an external hard drive donated by Colonel Eanes on 2019-11-05. The contents have not been examined at the item level.","A logical copy of the hard drive was made on 2021-10-19. Bulk Extractor and Brunnhilde reports were run to identify sensitive information, and saved in a separate folder. A virus scan was also run on the contents of the external hard drive. The two folders found in this bag represent the logical copy of the external hard drive (including checksum), and the Bulk Extractor, Brunnhilde, and Virus Scan reports created after scanning the directory.","This text was prepared by Sarah E. Almond of Hampden-Sydney College Archives \u0026 Special Collections on 2021-10-19."],"_nest_path_":"/components#4/components#16","timestamp":"2026-08-14T22:36:33.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_2","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_2.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/41","title_filing_ssi":"Samuel Vaughan Wilson Papers","title_ssm":["Samuel Vaughan Wilson Papers"],"title_tesim":["Samuel Vaughan Wilson Papers"],"unitdate_ssm":["1945/2017"],"unitdate_inclusive_ssm":["1945/2017"],"normalized_date_ssm":["1945/2017"],"normalized_title_ssm":["Samuel Vaughan Wilson Papers, 1945/2017"],"text":["Samuel Vaughan Wilson Papers, 1945/2017","SC.000101","Prince Edward County (Va.)","Hampden-Sydney College","United States Army","Military history","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","This collection is divided into 11 Series: \n\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\n02: Miscellaneous subjects related to Wilson's life and career\n03: World War II and Vietnam\n04: Wilson correspondence and other papers\n05: Speeches and writings\n06: Financial papers\n07: Miscellaneous writings and publications\n08: Teaching and course materials\n09: Photographs and scrapbooks\n10: Audiovisual materials\n11: Memorabilia and oversize items","General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93.","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.","Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.","This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)","English\n."],"collection_title_tesim":["Samuel Vaughan Wilson Papers, 1945/2017"],"collection_ssim":["Samuel Vaughan Wilson Papers, 1945/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000101"],"unitid_tesim":["SC.000101"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"geogname_ssm":["Prince Edward County (Va.)","Hampden-Sydney College"],"geogname_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"places_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"creator_persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"creator_corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"creators_ssim":["Wilson, Samuel (Samuel Vaughan)","Hampden-Sydney College Archives \u0026 Special Collections"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States Army","Military history"],"access_subjects_ssm":["United States Army","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["140 Linear Feet 270 boxes"],"extent_tesim":["140 Linear Feet 270 boxes"],"genreform_ssim":["Military history"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access to Materials"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 11 Series: \u003cbr\u003e\n\u003cbr\u003e\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\u003cbr\u003e\n02: Miscellaneous subjects related to Wilson's life and career\u003cbr\u003e\n03: World War II and Vietnam\u003cbr\u003e\n04: Wilson correspondence and other papers\u003cbr\u003e\n05: Speeches and writings\u003cbr\u003e\n06: Financial papers\u003cbr\u003e\n07: Miscellaneous writings and publications\u003cbr\u003e\n08: Teaching and course materials\u003cbr\u003e\n09: Photographs and scrapbooks\u003cbr\u003e\n10: Audiovisual materials\u003cbr\u003e\n11: Memorabilia and oversize items\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 11 Series: \n\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\n02: Miscellaneous subjects related to Wilson's life and career\n03: World War II and Vietnam\n04: Wilson correspondence and other papers\n05: Speeches and writings\n06: Financial papers\n07: Miscellaneous writings and publications\n08: Teaching and course materials\n09: Photographs and scrapbooks\n10: Audiovisual materials\n11: Memorabilia and oversize items"],"bioghist_html_tesm":["\u003cp\u003eGeneral Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  \u003c/p\u003e","\u003cp\u003eWilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.\u003c/p\u003e","\u003cp\u003eDuring World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.\u003c/p\u003e","\u003cp\u003eAfter the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.\u003c/p\u003e","\u003cp\u003eIn the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.\u003c/p\u003e","\u003cp\u003eIn the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.\u003c/p\u003e","\u003cp\u003eSam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.\u003c/p\u003e","\u003cp\u003eAfter retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  \u003c/p\u003e","\u003cp\u003eIn 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.\u003c/p\u003e","\u003cp\u003eAfter retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. \u003c/p\u003e","\u003cp\u003eSam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93.","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003c/p\u003e","\u003cp\u003eThe materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003c/p\u003e","\u003cp\u003eThis collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use of these materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"names_coll_ssim":["Wilson, Samuel (Samuel Vaughan)"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4080,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:33.766Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c17"}},{"id":"viw_repositories_2_resources_8677_c23_c277","type":"File","attributes":{"title":"Wilson, Tom, 2001/2012","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8677_c23_c277#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8677_c23_c277","ref_ssm":["viw_repositories_2_resources_8677_c23_c277"],"id":"viw_repositories_2_resources_8677_c23_c277","ead_ssi":"viw_repositories_2_resources_8677","_root_":"viw_repositories_2_resources_8677","_nest_parent_":"viw_repositories_2_resources_8677_c23","parent_ssi":"viw_repositories_2_resources_8677_c23","parent_ssim":["Christopher Bram Papers, 1968/2014, bulk 1975/2000","Series 23: Correspondence"],"parent_ids_ssim":["viw_repositories_2_resources_8677","viw_repositories_2_resources_8677_c23"],"title_filing_ssi":"Wilson, Tom","title_ssm":["Wilson, Tom"],"title_tesim":["Wilson, Tom"],"normalized_title_ssm":["Wilson, Tom, 2001/2012"],"text":["Wilson, Tom, 2001/2012","Christopher Bram Papers, 1968/2014, bulk 1975/2000","Series 23: Correspondence","Box 41","Folder 9"],"parent_unittitles_ssm":["Christopher Bram Papers, 1968/2014, bulk 1975/2000","Series 23: Correspondence"],"parent_unittitles_tesim":["Christopher Bram Papers, 1968/2014, bulk 1975/2000","Series 23: Correspondence"],"normalized_date_ssm":["2001/2012"],"unitdate_inclusive_ssm":["2001-2012"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":712,"repository_ssim":["College of William and Mary"],"collection_ssim":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"containers_ssim":["Box 41","Folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#22/components#276","timestamp":"2026-08-14T23:04:22.909Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8677","ead_ssi":"viw_repositories_2_resources_8677","_root_":"viw_repositories_2_resources_8677","_nest_parent_":"viw_repositories_2_resources_8677","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8677.xml","title_filing_ssi":"Bram, Christopher","title_ssm":["Christopher Bram Papers"],"title_tesim":["Christopher Bram Papers"],"unitdate_ssm":["1968-2014","1975-2000"],"unitdate_inclusive_ssm":["1968-2014"],"unitdate_bulk_ssim":["1975-2000"],"normalized_date_ssm":["1968/2014, bulk 1975/2000"],"normalized_title_ssm":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"text":["Christopher Bram Papers, 1968/2014, bulk 1975/2000","Mss. 99 B73","/repositories/2/resources/8677","Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications","Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","The collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual.","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Administrative History: Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.","As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Processed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015.","The Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026 Mary, including materials from his undergraduate studies at William \u0026 Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of English","Bram, Christopher, 1952-","English"],"collection_title_tesim":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"collection_ssim":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 99 B73","/repositories/2/resources/8677"],"unitid_tesim":["Mss. 99 B73","/repositories/2/resources/8677"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Bram, Christopher, 1952-"],"creator_ssim":["Bram, Christopher, 1952-"],"creator_persname_ssim":["Bram, Christopher, 1952-"],"creator_corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"creators_ssim":["Bram, Christopher, 1952-","Special Collections Research Center","College of William and Mary. Dept. of English"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["1999-16 (1 box including correspondence, notebooks of writing while a student at the College, and memorabilia) received 5/4/1999; 2000-04 (1 box book reviews) received 1/19/2000; 2000-36 (card announcing book) received 7/2/2000; 2001-39 (2 boxes) received 9/17/2001; 2003-69 (Swem remarks) received 12/3/2003; 3 boxes received Fall 2008 (2008 addition). Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"access_subjects_ssm":["Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["21.75 Linear Feet"],"extent_tesim":["21.75 Linear Feet"],"genreform_ssim":["Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual."],"bioghist_html_tesm":["\u003cbioghist altrender=\"Biographical Information\" encodinganalog=\"545$a\"\u003e  Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\n\n \u003c/bioghist\u003e ","\u003cbioghist altrender=\"Administrative History\" encodinganalog=\"545$b\"\u003e \u003chead\u003eAdministrative History:\u003c/head\u003e Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n \u003c/bioghist\u003e  ","\u003cp\u003eNovelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\u003c/p\u003e","\u003cp\u003e As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\u003c/p\u003e","\u003cp\u003e Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\u003c/p\u003e  ","\u003cp\u003eNovelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical","Biographical Information:","Administrative History:"],"bioghist_tesim":["Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Administrative History: Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.","As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others."],"prefercite_html_tesm":["\u003cp\u003eChristopher Bram Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Christopher Bram Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026amp; Mary, including materials from his undergraduate studies at William \u0026amp; Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. 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