{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=7","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=6","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=8","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=65"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":65,"limit_value":10,"offset_value":60,"total_count":650,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_632_c02_c01","type":"Sub-Series","attributes":{"title":"City Planning, 1960/2012","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_632_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. 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Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? 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Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"scopecontent_html_tesm":["\u003cp\u003eSubseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","All slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/).","The papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.","Reports, 1946-1992\n      City of Harrisonburg, 1958-2012\n      Personal Papers, 1952-2013\n      Scrapbooks and Newspaper, 1945-2012\n      Maps, 1958-2003\n      Photographs and Slides, circa 1930-2012","Robert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.","Sullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.","Known locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.","Sullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008.","When this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded.","SdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.","The Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\"","The Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. 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Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eAll slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://commons.lib.jmu.edu/rjs/\"\u003e(https://commons.lib.jmu.edu/rjs/).\u003c/extref\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/)."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. 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He married Kathleen Marie Donovan on June 27, 1964.","Sullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.","Known locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.","Sullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. 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These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\"\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["SdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.","The Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\""],"scopecontent_html_tesm":["\u003cp\u003eThe Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5eed26077b3b31ac9a220ace1de85622\"\u003eThe Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. 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Evaluation of Literature; Literary Criticism; Literature--Evaluation","African American Women Authors","University of Virginia -- Department of English","Burton, Larry W.","University of California Los Angeles Department of English","University of Virginia -- Faculty","Women literary critics","Critics literary critics","Correspondence","New literary history","Lectures","English Literature--18th Century","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism","American Literature--History and Criticism--1783-1850","American Literature--Colonial period--1600-1775 History and criticism","Fair.","This collection is open for use except for restricted materials due to FERPA Boxes 138-150.","The Ralph Cohen papers, and New Literary History records (1948-2016) are arranged into three series. Series 1. New Literary History Records (1969-2006) Boxes 1-42. Series 2. Ralph Cohen papers (1948-2015) Boxes 43-130 and Restricted (grades and recommendations) Boxes 138-150. Series 3. Cohen Family Papers (1964-2016) Boxes 131-137.  Each series also has subseries.","Series 1, Subseries 1: Ralph Cohen's New Literary History correspondence as an editor and founder of the New Literary History Journal. It includes correspondence with the contributors (scholarly critics) along with their articles for publication. This makes up a substantial part of Series 1. (1969-1997) Boxes 3-33. There is also Ralph Cohen correspondence with other editors from 1984 to 1994 Boxes 1-3. Included is Ralph Cohen's teaching correspondence with his colleagues and students.  The teaching correspondence for the same time is also in Series 2. (It was not combined because the original order kept them separate.)","Series 1, Subseries 2: Ralph Cohen articles about planning the New Literary History Journal, and other print and manuscripts related to the Journal. (1975-2004) Boxes 33-34.","Series 1, Subseries 3: 686 audio cassette recordings of some of the contributors who were prominent scholars on literary theory in the 1990's. (List available upon request)","Series 1, Subseries 4 contains over 100 computer files with articles from contributors and prominent scholars of literary theory for the Journal from 1998-2006. (List available upon request)","Series 1, Subseries 5: financial records of the New Literary History Journal. (1969-1986) Boxes 34-37.","Series 1, Subseries 6: papers of the Commonwealth Center for Literary and Cultural Change. (1988-1992) Boxes 37-42.\n  \n(There are no articles or correspondence representing the following issues: Volumes 1-III, Volume IV, Number 1, Volume VIII, Volume IX, Volume X, Volume XV, Volume XVI Number 1, and Number 2, Volume 23, Volume 24 Number 1 and Number 2, Volume 25, and Volume 27. The last issue represented in the paper collection is Volume 28(1997). The Journal issues change to cardinal numbers after Volume 19 and the Journal becomes quarterly after Volume 20 in 1990 so that the papers from the Commonwealth Center for Literary and Cultural Change could be included.","Series 2 Ralph Cohen papers contain Ralph Cohen's work as a teacher and leader in Eighteenth-Century English Literature and Literary Theory. (1948-2015)Boxes 49-130; Boxes 138-150 (restricted).","Series 2, Subseries 1: correspondence which is like the Ralph Cohen teaching correspondence in Series 1. There is also correspondence related to many of the organizations that were part of his work. (1971-2015) Boxes 43-49","Series 2, Subseries 2: Classes and Research is a significant part of Series 2 which contains class lecture notes, class materials, readings, conferences, printed articles and journals, manuscripts, and bibliographic research (on index cards). The term research mostly refers to the notes that he made for his lectures or the actual lectures. This subseries is organized loosely by periods in English Literature (Ancient and Medieval Literature \"The Greats\", English and Continental Literature 1660-1770, English and Continental Literature 1770-1900, British Literature, American Literature 19th and 20th Century, then by literary history, literary change, literary theory, aesthetics, psychology, and genre. Some of the class information and content may repeat throughout this series because many courses share similar authors and content.  Classes that Dr. Cohen taught in the 1950's can be found in the same folders with the classes that he taught in 2000 since he arranged them by class subject matter. Much of the material is not dated. Included within his course materials are papers that he wrote on similar subjects when he was a student at New York Teachers College in 1948 through 1950. (1948-2011) Boxes 49-130","Series 2, Subseries 3: restricted materials (due to FERPA) such as fellowships, grades, recommendations, and dissertation information. (1972-2013)Boxes 138-150. (Restricted items are mostly arranged by alphabetically or chronologically but they do not follow a consistent pattern in the original order)","Series 3: Family papers of Ralph Cohen. Subseries 1 contains Ralph Cohen's personal papers (1964-2016) Boxes 131-132. Subseries 2. Libby Okun Cohen (and family papers) contain materials related to Libby Cohen, as a genealogist, researcher, and award-winning librarian. (1964-2002 and undated) Boxes 133-137.","Ralph Cohen (1917-2016) served as the William J. Kenan, Jr. professor of English (and professor emeritus) at the University of Virginia for an impressive 42 years (1967-2009). Born to Polish immigrant parents in Paterson, New Jersey on February 23, 1917, Cohen became one of the most eminent critical thinkers and educators of Twentieth Century America with a career that spanned more than 60 years. (He also taught at the City College of New York (1947-1950), the University of California Los Angeles (1950-1967), and James Madison University (2010-2013). His focus was on 18th-Century British literature, and he was a pioneer in the field of literary theory. He founded and edited the \"New Literary History Journal\", which was the first journal of its kind to combine the study of literature with other disciplines. It won more than six awards from the Council of Editors of Learned Journals for its special issues, a unique honor among scholarly journals.  Cohen sought out different points of view from contributors across the globe to create more diverse dialogue in the journal. His extraordinary ability to promote and account for diverse positions on theory at professional conferences was legendary. He also founded and directed the Commonwealth Center for Literary and Cultural Change at the University of Virginia (1988-1995). The Center was set up by the Virginia Council of Higher Education to study the concept of change in individuals, and institutions in the arts, humanities, sciences, and social sciences. It also viewed the changes that develop in cultural, social, and political situations in African, Asian, and other non-western societies. The \"New Literary History\" Journal published articles and activities of the Center. In 2010 Cohen became the Provost's Distinguished Professor at James Madison University where he taught courses on Writing, Rhetoric, and Technical Communication. Cohen's innovative concept of technology led to the establishment of the Cohen Center for the Study of Technological Humanism at James Madison University. His celebrated transactive classroom strategies frequently attracted colleagues and devoted students to his courses. He taught and mentored many generations of students, preparing them for lives and careers as teachers and scholars. He maintained contact with many of his students and made recommendations supporting their teaching, fellowships, and tenure positions throughout their careers. Cohen was a dedicated teacher who examined the changing concepts and styles found in literature and other disciplines of study. Cohen led his students towards deeper insights into understanding cultural changes for society and increased awareness of their perceptions in professional and daily life. Cohen was the editor and author of many articles and books including, \"The Art of Discrimination\" (1964), \"The Essential David Hume\" (1965), \"The Unfolding of 'The Season\" (1970),\"New Directions in Literary History\" (1974), \"Studies in Eighteenth-Century British Art and Aesthetics\" (1985), \"The Future of Literary Theory\" (1989), \"Studies in Historical Change\" (1992), \"History and...: Histories Within the Human Sciences\" (1995), and \"Literature and History\". He was well respected as an author and was best known for promoting the work of his colleagues through editing and publishing their articles.","He was married to Libby Okun Cohen for more than 70 years. She was born in St. Petersburg, Russia on July 11, 1913. Due to persecution, her family emigrated to Vilna (now Vilnius) early in her life. She was a frequent companion in Ralph's classes and at his speaking engagements around the world, intent both on supporting her husband and continuing her own education. She co-wrote the index of Volumes I-X for the \"New Literary History\". She was a librarian at California State College Northridge and created the library at the Tandem Friends School where she was the librarian from 1970 to 1986. Under her inspired and challenging guidance, the multifaceted library generated unprecedented dialogue and quickly became known as \"Tandem's Cultural Center. The Tandem library honored her by naming it the Libby O. Cohen Library. She also helped build the multicultural library at the University's Sundberg International Center. She spoke many languages and partnered with her husband as a promoter of education and multiculturalism.  James Madison University established the Libby Okun Cohen Chair in technological humanism while her husband was teaching there. She was also an author of children stories, an independent genealogy researcher, a project coordinator for an oral history project that interviewed survivors from Nazi Germany, and an intergenerational program L'Dor V'Dor for young students to learn and share in the lives of older individuals.  Ralph and Libby Cohen had two children, Ruth Cohen Morris, and David Cohen who were both born during World War II. Ruth Morris followed in her mother's footsteps by completing a doctorate in Information and Library Science at the University of Michigan, thereby initiating her career as a distinguished librarian. She was married to David B. Morris who co-taught some courses with Ralph Cohen.  Libby Cohen died at age 99 in 2013. Ralph Cohen also died at age 99 in 2016.","Sources:\nhttp://best-hashtags.com/hashtag/teacherappreciation/\nhttps://news.virginia.edu/content/memoriam-ralph-cohen-professor-who-transformed-literary-criticism-0\nhttps://muse.jhu.edu/article/380552/pdf\nhttps://dailyprogress.com/ralph-cohen/article_de380d0a-185c-510e-b74d-3a33511feed3.html\nhttps://www.jstor.org/stable/469184?seq=1\nhttps://www.jmu.edu/cohencenter/our-people/cohen-ralph.shtml\nhttps://www.researchgate.net/publication/236774952_History_and_Change_An_Interview_with_Ralph_Cohen\nhttps://play.google.com/store/books/details/Genre_Theory_and_Historical_Change_Theoretical_Ess?id=0PsmDwAAQBAJ\u0026hl=sw\nhttps://www.amazon.co.jp/-/en/Ralph-Cohen/dp/0813940117\nRalph Cohen, \"Notes for a History\" (from within the collection)\nVideo interview: \nhttps://www.jmu.edu/news/2010/10/18-ralph-cohen.shtml","This collection contains the teaching, research, and personal papers of Ralph Cohen, the William R. Kenan, Jr. professor of English from the University of Virginia from 1948-2016; and the records of the \"New Literary History\", an international, interdisciplinary, award-winning journal that Cohen founded and edited from 1969 to 2009 at the University of Virginia. The records of the New Literary History Journal (1969-2016) (Series 1) contain correspondence, contributors' articles, proofs, financial information, audiocassettes of prominent scholars (of literary theory in the 1990's), computer disks with contributor's articles (1998-2006), and information from the Commonwealth Center of Literary and Cultural Change (1988-1995). The Center was founded and directed by Ralph Cohen at the University of Virginia and is represented in a quarterly issue of the New Literary History Journal (starting with Volume 20 in 1990). Some of the correspondence and articles from contributors are not included for some issues. (See Arrangement for details). The last issue of correspondence and articles represented in the paper collection is Volume 28 (1997).","Both the highly regarded New Literary History Journal and the Commonwealth Center for Literary and Cultural Change reflect Cohen's belief that there is a need to understand multiple disciplines when evaluating literature and human nature. He also felt that it is necessary to nurture a genuine respect for different perspectives of other individuals as a pathway to becoming a better society. Each issue of the New Literary History Journal selects a theme and invites authors to create opposing dialogues. As a strong promoter of multiculturalism and feminism, he included authors from the non-western world, and men and women with varying points of view and different backgrounds. Frequent authors/contributors are George Garrett, Joyce A. Joyce, Ihab Hassan, Toril Moi, Xiaoying Wang, Henry Louis Gates, Jr., David Bleich, Hayden White, Paul Ricoeur, Helene Cixous, William K. Winsat, Robert Weimann, Jonathan Culler, Martha Nussbaum, E. D. Hirsch, Jr., Gerald Graff, Murray Krieger, Michael Riffaterre, Barbara Hernstein Smith, Fredric Jameson, Jerome McGann, Wolfgang Iser, Jean Starobinski, Northrup Frye, Geoffrey Hartman, Wolf Lupenies, Eddie Tomarken, Rene Welleck, Marshall McCluhan, Tzvetan Todorov, Terry Eagleton, Brian Stock, Catharine R. Stimpson, Frances Ferguson, Rita Felski, Rey Chow, Cora Diamond, Michael Prince, Winfried Fluck, Sandra Gilbert, Gary Saul Morson, Katherine Neeley, Stanley Fish, James M. Holquist, Keith Moxey, Richard Rorty, Walter Sokel, and many others.","In Series 2 the Ralph Cophen papers reflect his teaching and lecturing from the years 1948 to 2011 on Eighteenth-Century literature and literary theory such as correspondence, lecture notes, class materials, articles, conferences, manuscripts, and printed journals. The content in this part of the collection spans Ancient and Medieval Literature (\"The Greats\"), English and Continental Literature 1660-1770, English and Continental Literature 1770 to 1900, British Literature, American 19th and 20th Century Literature and literary history, literary change, literary criticism, aesthetics, psychology, and genre. These materials cover a complete and impressive range of literary authors and their works throughout the history of literature including the Bible, ballads and medieval manuscripts, Chaucer, Homer, Virgil, Pope, Donne, Blake, Hume, Thomson, Dryden, Milton, Machiavelli, Dante, Shakespeare, Goldsmith, Austen, Cather, T.S. Eliot, George Elliot, Ellen Glasgow, Emily Dickenson, the Romantics, the Nature Poets, Swift, Olaudah Equiano, James, Faulkner, Fitzgerald, Woolf, and many more. These lecture notes reveal the scope and wealth of Ralph Cohen's vast knowledge of literature and offer an opportunity for others to continue learning through his papers.","Of interest are papers written by Ralph Cohen when he was a young college student, and which are included with the papers written by his students on similar subjects. There are also drafts of articles by Ralph Cohen outlining his plans for the New Literary History, and interviews with Ralph Cohen about his teaching. As an editor, Ralph Cohen sought to publish the work of his colleagues, but this collection has some of his original drafts of articles on literary theory. (Series 2: Box 85 and 86)","The collection also includes the personal papers of Ralph Cohen's family including his wife, Libby Okun Cohen and their two children, Ruth Cohen Morris, and David Morris. The Cohen's daughter was married to David B. Morris who co-taught some classes with Ralph Cohen. There are mementos and readings documenting many of the family Seder (Pesach Haggadah).  Libby Cohens' papers show her love of learning; her work in an intergenerational project (L'Dor V'Dor) with students and older generations; a Holocaust Oral History project, independent research in genealogy, and her career as an outstanding librarian.","This collection is open for use except for restricted materials due to FERPA Boxes 138-150.","Albert and Shirley Small Special Collections Library","Cohen, Ralph, 1917-2016","English"],"collection_title_tesim":["Ralph Cohen papers and \"New Literary History\" records, 1948/2016"],"collection_ssim":["Ralph Cohen papers and \"New Literary History\" records, 1948/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-24/54/1.151","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/950"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Criticism--Technique; Evaluation of Literature; Literary Criticism; Literature--Evaluation","African American Women Authors"],"geogname_ssim":["Criticism--Technique; Evaluation of Literature; Literary Criticism; Literature--Evaluation","African American Women Authors"],"places_ssim":["Criticism--Technique; Evaluation of Literature; Literary Criticism; Literature--Evaluation","African American Women Authors"],"creator_ssm":["Cohen, Ralph, 1917-2016"],"creator_ssim":["Cohen, Ralph, 1917-2016"],"creator_persname_ssim":["Cohen, Ralph, 1917-2016"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Cohen, Ralph, 1917-2016","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["This collection is open for use except for restricted materials due to FERPA Boxes 138-150."],"acqinfo_ssim":["This collection was an archival transfer from the University of Virginia English Dept. and the Office of New Literary History to the Small Special Collections Library at the University of Virginia Library on  June 17, 2015."],"access_subjects_ssim":["University of Virginia -- Department of English","Burton, Larry W.","University of California Los Angeles Department of English","University of Virginia -- Faculty","Women literary critics","Critics literary critics","Correspondence","New literary history","Lectures","English Literature--18th Century","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism","American Literature--History and Criticism--1783-1850","American Literature--Colonial period--1600-1775 History and criticism"],"access_subjects_ssm":["University of Virginia -- Department of English","Burton, Larry W.","University of California Los Angeles Department of English","University of Virginia -- Faculty","Women literary critics","Critics literary critics","Correspondence","New literary history","Lectures","English Literature--18th Century","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism","American Literature--History and Criticism--1783-1850","American Literature--Colonial period--1600-1775 History and criticism"],"has_online_content_ssim":["false"],"physdesc_tesim":["Fair."],"extent_ssm":["75 Cubic Feet This collection contains 150 document boxes, over 100 computer disks, 686 audio-cassettes, articles, lectures, class materials, newspaper clippings, photographs, albums, certificates, and seven oversize folders of certificates and photographs"],"extent_tesim":["75 Cubic Feet This collection contains 150 document boxes, over 100 computer disks, 686 audio-cassettes, articles, lectures, class materials, newspaper clippings, photographs, albums, certificates, and seven oversize folders of certificates and photographs"],"genreform_ssim":["Correspondence","New literary history","Lectures","English Literature--18th Century","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism","American Literature--History and Criticism--1783-1850","American Literature--Colonial period--1600-1775 History and criticism"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for use except for restricted materials due to FERPA Boxes 138-150.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for use except for restricted materials due to FERPA Boxes 138-150."],"arrangement_html_tesm":["\u003cp\u003eThe Ralph Cohen papers, and New Literary History records (1948-2016) are arranged into three series. Series 1. New Literary History Records (1969-2006) Boxes 1-42. Series 2. Ralph Cohen papers (1948-2015) Boxes 43-130 and Restricted (grades and recommendations) Boxes 138-150. Series 3. Cohen Family Papers (1964-2016) Boxes 131-137.  Each series also has subseries. \u003c/p\u003e","\u003cp\u003e\nSeries 1, Subseries 1: Ralph Cohen's New Literary History correspondence as an editor and founder of the New Literary History Journal. It includes correspondence with the contributors (scholarly critics) along with their articles for publication. This makes up a substantial part of Series 1. (1969-1997) Boxes 3-33. There is also Ralph Cohen correspondence with other editors from 1984 to 1994 Boxes 1-3. Included is Ralph Cohen's teaching correspondence with his colleagues and students.  The teaching correspondence for the same time is also in Series 2. (It was not combined because the original order kept them separate.) \u003c/p\u003e","\u003cp\u003eSeries 1, Subseries 2: Ralph Cohen articles about planning the New Literary History Journal, and other print and manuscripts related to the Journal. (1975-2004) Boxes 33-34.\u003c/p\u003e","\u003cp\u003eSeries 1, Subseries 3: 686 audio cassette recordings of some of the contributors who were prominent scholars on literary theory in the 1990's. (List available upon request)\u003c/p\u003e","\u003cp\u003eSeries 1, Subseries 4 contains over 100 computer files with articles from contributors and prominent scholars of literary theory for the Journal from 1998-2006. (List available upon request)\u003c/p\u003e","\u003cp\u003eSeries 1, Subseries 5: financial records of the New Literary History Journal. (1969-1986) Boxes 34-37.\u003c/p\u003e","\u003cp\u003eSeries 1, Subseries 6: papers of the Commonwealth Center for Literary and Cultural Change. (1988-1992) Boxes 37-42.\n  \n(There are no articles or correspondence representing the following issues: Volumes 1-III, Volume IV, Number 1, Volume VIII, Volume IX, Volume X, Volume XV, Volume XVI Number 1, and Number 2, Volume 23, Volume 24 Number 1 and Number 2, Volume 25, and Volume 27. The last issue represented in the paper collection is Volume 28(1997). The Journal issues change to cardinal numbers after Volume 19 and the Journal becomes quarterly after Volume 20 in 1990 so that the papers from the Commonwealth Center for Literary and Cultural Change could be included.  \u003c/p\u003e","\u003cp\u003eSeries 2 Ralph Cohen papers contain Ralph Cohen's work as a teacher and leader in Eighteenth-Century English Literature and Literary Theory. (1948-2015)Boxes 49-130; Boxes 138-150 (restricted). \u003c/p\u003e","\u003cp\u003eSeries 2, Subseries 1: correspondence which is like the Ralph Cohen teaching correspondence in Series 1. There is also correspondence related to many of the organizations that were part of his work. (1971-2015) Boxes 43-49 \u003c/p\u003e","\u003cp\u003eSeries 2, Subseries 2: Classes and Research is a significant part of Series 2 which contains class lecture notes, class materials, readings, conferences, printed articles and journals, manuscripts, and bibliographic research (on index cards). The term research mostly refers to the notes that he made for his lectures or the actual lectures. This subseries is organized loosely by periods in English Literature (Ancient and Medieval Literature \"The Greats\", English and Continental Literature 1660-1770, English and Continental Literature 1770-1900, British Literature, American Literature 19th and 20th Century, then by literary history, literary change, literary theory, aesthetics, psychology, and genre. Some of the class information and content may repeat throughout this series because many courses share similar authors and content.  Classes that Dr. Cohen taught in the 1950's can be found in the same folders with the classes that he taught in 2000 since he arranged them by class subject matter. Much of the material is not dated. Included within his course materials are papers that he wrote on similar subjects when he was a student at New York Teachers College in 1948 through 1950. (1948-2011) Boxes 49-130\u003c/p\u003e","\u003cp\u003eSeries 2, Subseries 3: restricted materials (due to FERPA) such as fellowships, grades, recommendations, and dissertation information. (1972-2013)Boxes 138-150. (Restricted items are mostly arranged by alphabetically or chronologically but they do not follow a consistent pattern in the original order) \u003c/p\u003e","\u003cp\u003eSeries 3: Family papers of Ralph Cohen. Subseries 1 contains Ralph Cohen's personal papers (1964-2016) Boxes 131-132. Subseries 2. Libby Okun Cohen (and family papers) contain materials related to Libby Cohen, as a genealogist, researcher, and award-winning librarian. (1964-2002 and undated) Boxes 133-137.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ralph Cohen papers, and New Literary History records (1948-2016) are arranged into three series. Series 1. New Literary History Records (1969-2006) Boxes 1-42. Series 2. Ralph Cohen papers (1948-2015) Boxes 43-130 and Restricted (grades and recommendations) Boxes 138-150. Series 3. Cohen Family Papers (1964-2016) Boxes 131-137.  Each series also has subseries.","Series 1, Subseries 1: Ralph Cohen's New Literary History correspondence as an editor and founder of the New Literary History Journal. It includes correspondence with the contributors (scholarly critics) along with their articles for publication. This makes up a substantial part of Series 1. (1969-1997) Boxes 3-33. There is also Ralph Cohen correspondence with other editors from 1984 to 1994 Boxes 1-3. Included is Ralph Cohen's teaching correspondence with his colleagues and students.  The teaching correspondence for the same time is also in Series 2. (It was not combined because the original order kept them separate.)","Series 1, Subseries 2: Ralph Cohen articles about planning the New Literary History Journal, and other print and manuscripts related to the Journal. (1975-2004) Boxes 33-34.","Series 1, Subseries 3: 686 audio cassette recordings of some of the contributors who were prominent scholars on literary theory in the 1990's. (List available upon request)","Series 1, Subseries 4 contains over 100 computer files with articles from contributors and prominent scholars of literary theory for the Journal from 1998-2006. (List available upon request)","Series 1, Subseries 5: financial records of the New Literary History Journal. (1969-1986) Boxes 34-37.","Series 1, Subseries 6: papers of the Commonwealth Center for Literary and Cultural Change. (1988-1992) Boxes 37-42.\n  \n(There are no articles or correspondence representing the following issues: Volumes 1-III, Volume IV, Number 1, Volume VIII, Volume IX, Volume X, Volume XV, Volume XVI Number 1, and Number 2, Volume 23, Volume 24 Number 1 and Number 2, Volume 25, and Volume 27. The last issue represented in the paper collection is Volume 28(1997). The Journal issues change to cardinal numbers after Volume 19 and the Journal becomes quarterly after Volume 20 in 1990 so that the papers from the Commonwealth Center for Literary and Cultural Change could be included.","Series 2 Ralph Cohen papers contain Ralph Cohen's work as a teacher and leader in Eighteenth-Century English Literature and Literary Theory. (1948-2015)Boxes 49-130; Boxes 138-150 (restricted).","Series 2, Subseries 1: correspondence which is like the Ralph Cohen teaching correspondence in Series 1. There is also correspondence related to many of the organizations that were part of his work. (1971-2015) Boxes 43-49","Series 2, Subseries 2: Classes and Research is a significant part of Series 2 which contains class lecture notes, class materials, readings, conferences, printed articles and journals, manuscripts, and bibliographic research (on index cards). The term research mostly refers to the notes that he made for his lectures or the actual lectures. This subseries is organized loosely by periods in English Literature (Ancient and Medieval Literature \"The Greats\", English and Continental Literature 1660-1770, English and Continental Literature 1770-1900, British Literature, American Literature 19th and 20th Century, then by literary history, literary change, literary theory, aesthetics, psychology, and genre. Some of the class information and content may repeat throughout this series because many courses share similar authors and content.  Classes that Dr. Cohen taught in the 1950's can be found in the same folders with the classes that he taught in 2000 since he arranged them by class subject matter. Much of the material is not dated. Included within his course materials are papers that he wrote on similar subjects when he was a student at New York Teachers College in 1948 through 1950. (1948-2011) Boxes 49-130","Series 2, Subseries 3: restricted materials (due to FERPA) such as fellowships, grades, recommendations, and dissertation information. (1972-2013)Boxes 138-150. (Restricted items are mostly arranged by alphabetically or chronologically but they do not follow a consistent pattern in the original order)","Series 3: Family papers of Ralph Cohen. Subseries 1 contains Ralph Cohen's personal papers (1964-2016) Boxes 131-132. Subseries 2. Libby Okun Cohen (and family papers) contain materials related to Libby Cohen, as a genealogist, researcher, and award-winning librarian. (1964-2002 and undated) Boxes 133-137."],"bioghist_html_tesm":["\u003cp\u003eRalph Cohen (1917-2016) served as the William J. Kenan, Jr. professor of English (and professor emeritus) at the University of Virginia for an impressive 42 years (1967-2009). Born to Polish immigrant parents in Paterson, New Jersey on February 23, 1917, Cohen became one of the most eminent critical thinkers and educators of Twentieth Century America with a career that spanned more than 60 years. (He also taught at the City College of New York (1947-1950), the University of California Los Angeles (1950-1967), and James Madison University (2010-2013). His focus was on 18th-Century British literature, and he was a pioneer in the field of literary theory. He founded and edited the \"New Literary History Journal\", which was the first journal of its kind to combine the study of literature with other disciplines. It won more than six awards from the Council of Editors of Learned Journals for its special issues, a unique honor among scholarly journals.  Cohen sought out different points of view from contributors across the globe to create more diverse dialogue in the journal. His extraordinary ability to promote and account for diverse positions on theory at professional conferences was legendary. He also founded and directed the Commonwealth Center for Literary and Cultural Change at the University of Virginia (1988-1995). The Center was set up by the Virginia Council of Higher Education to study the concept of change in individuals, and institutions in the arts, humanities, sciences, and social sciences. It also viewed the changes that develop in cultural, social, and political situations in African, Asian, and other non-western societies. The \"New Literary History\" Journal published articles and activities of the Center. In 2010 Cohen became the Provost's Distinguished Professor at James Madison University where he taught courses on Writing, Rhetoric, and Technical Communication. Cohen's innovative concept of technology led to the establishment of the Cohen Center for the Study of Technological Humanism at James Madison University. His celebrated transactive classroom strategies frequently attracted colleagues and devoted students to his courses. He taught and mentored many generations of students, preparing them for lives and careers as teachers and scholars. He maintained contact with many of his students and made recommendations supporting their teaching, fellowships, and tenure positions throughout their careers. Cohen was a dedicated teacher who examined the changing concepts and styles found in literature and other disciplines of study. Cohen led his students towards deeper insights into understanding cultural changes for society and increased awareness of their perceptions in professional and daily life. Cohen was the editor and author of many articles and books including, \"The Art of Discrimination\" (1964), \"The Essential David Hume\" (1965), \"The Unfolding of 'The Season\" (1970),\"New Directions in Literary History\" (1974), \"Studies in Eighteenth-Century British Art and Aesthetics\" (1985), \"The Future of Literary Theory\" (1989), \"Studies in Historical Change\" (1992), \"History and...: Histories Within the Human Sciences\" (1995), and \"Literature and History\". He was well respected as an author and was best known for promoting the work of his colleagues through editing and publishing their articles. \u003c/p\u003e","\u003cp\u003eHe was married to Libby Okun Cohen for more than 70 years. She was born in St. Petersburg, Russia on July 11, 1913. Due to persecution, her family emigrated to Vilna (now Vilnius) early in her life. She was a frequent companion in Ralph's classes and at his speaking engagements around the world, intent both on supporting her husband and continuing her own education. She co-wrote the index of Volumes I-X for the \"New Literary History\". She was a librarian at California State College Northridge and created the library at the Tandem Friends School where she was the librarian from 1970 to 1986. Under her inspired and challenging guidance, the multifaceted library generated unprecedented dialogue and quickly became known as \"Tandem's Cultural Center. The Tandem library honored her by naming it the Libby O. Cohen Library. She also helped build the multicultural library at the University's Sundberg International Center. She spoke many languages and partnered with her husband as a promoter of education and multiculturalism.  James Madison University established the Libby Okun Cohen Chair in technological humanism while her husband was teaching there. She was also an author of children stories, an independent genealogy researcher, a project coordinator for an oral history project that interviewed survivors from Nazi Germany, and an intergenerational program L'Dor V'Dor for young students to learn and share in the lives of older individuals.  Ralph and Libby Cohen had two children, Ruth Cohen Morris, and David Cohen who were both born during World War II. Ruth Morris followed in her mother's footsteps by completing a doctorate in Information and Library Science at the University of Michigan, thereby initiating her career as a distinguished librarian. She was married to David B. Morris who co-taught some courses with Ralph Cohen.  Libby Cohen died at age 99 in 2013. Ralph Cohen also died at age 99 in 2016.  \u003c/p\u003e","\u003cp\u003eSources:\nhttp://best-hashtags.com/hashtag/teacherappreciation/\nhttps://news.virginia.edu/content/memoriam-ralph-cohen-professor-who-transformed-literary-criticism-0\nhttps://muse.jhu.edu/article/380552/pdf\nhttps://dailyprogress.com/ralph-cohen/article_de380d0a-185c-510e-b74d-3a33511feed3.html\nhttps://www.jstor.org/stable/469184?seq=1\nhttps://www.jmu.edu/cohencenter/our-people/cohen-ralph.shtml\nhttps://www.researchgate.net/publication/236774952_History_and_Change_An_Interview_with_Ralph_Cohen\nhttps://play.google.com/store/books/details/Genre_Theory_and_Historical_Change_Theoretical_Ess?id=0PsmDwAAQBAJ\u0026amp;hl=sw\nhttps://www.amazon.co.jp/-/en/Ralph-Cohen/dp/0813940117\nRalph Cohen, \"Notes for a History\" (from within the collection)\nVideo interview: \nhttps://www.jmu.edu/news/2010/10/18-ralph-cohen.shtml\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ralph Cohen (1917-2016) served as the William J. Kenan, Jr. professor of English (and professor emeritus) at the University of Virginia for an impressive 42 years (1967-2009). Born to Polish immigrant parents in Paterson, New Jersey on February 23, 1917, Cohen became one of the most eminent critical thinkers and educators of Twentieth Century America with a career that spanned more than 60 years. (He also taught at the City College of New York (1947-1950), the University of California Los Angeles (1950-1967), and James Madison University (2010-2013). His focus was on 18th-Century British literature, and he was a pioneer in the field of literary theory. He founded and edited the \"New Literary History Journal\", which was the first journal of its kind to combine the study of literature with other disciplines. It won more than six awards from the Council of Editors of Learned Journals for its special issues, a unique honor among scholarly journals.  Cohen sought out different points of view from contributors across the globe to create more diverse dialogue in the journal. His extraordinary ability to promote and account for diverse positions on theory at professional conferences was legendary. He also founded and directed the Commonwealth Center for Literary and Cultural Change at the University of Virginia (1988-1995). The Center was set up by the Virginia Council of Higher Education to study the concept of change in individuals, and institutions in the arts, humanities, sciences, and social sciences. It also viewed the changes that develop in cultural, social, and political situations in African, Asian, and other non-western societies. The \"New Literary History\" Journal published articles and activities of the Center. In 2010 Cohen became the Provost's Distinguished Professor at James Madison University where he taught courses on Writing, Rhetoric, and Technical Communication. Cohen's innovative concept of technology led to the establishment of the Cohen Center for the Study of Technological Humanism at James Madison University. His celebrated transactive classroom strategies frequently attracted colleagues and devoted students to his courses. He taught and mentored many generations of students, preparing them for lives and careers as teachers and scholars. He maintained contact with many of his students and made recommendations supporting their teaching, fellowships, and tenure positions throughout their careers. Cohen was a dedicated teacher who examined the changing concepts and styles found in literature and other disciplines of study. Cohen led his students towards deeper insights into understanding cultural changes for society and increased awareness of their perceptions in professional and daily life. Cohen was the editor and author of many articles and books including, \"The Art of Discrimination\" (1964), \"The Essential David Hume\" (1965), \"The Unfolding of 'The Season\" (1970),\"New Directions in Literary History\" (1974), \"Studies in Eighteenth-Century British Art and Aesthetics\" (1985), \"The Future of Literary Theory\" (1989), \"Studies in Historical Change\" (1992), \"History and...: Histories Within the Human Sciences\" (1995), and \"Literature and History\". He was well respected as an author and was best known for promoting the work of his colleagues through editing and publishing their articles.","He was married to Libby Okun Cohen for more than 70 years. She was born in St. Petersburg, Russia on July 11, 1913. Due to persecution, her family emigrated to Vilna (now Vilnius) early in her life. She was a frequent companion in Ralph's classes and at his speaking engagements around the world, intent both on supporting her husband and continuing her own education. She co-wrote the index of Volumes I-X for the \"New Literary History\". She was a librarian at California State College Northridge and created the library at the Tandem Friends School where she was the librarian from 1970 to 1986. Under her inspired and challenging guidance, the multifaceted library generated unprecedented dialogue and quickly became known as \"Tandem's Cultural Center. The Tandem library honored her by naming it the Libby O. Cohen Library. She also helped build the multicultural library at the University's Sundberg International Center. She spoke many languages and partnered with her husband as a promoter of education and multiculturalism.  James Madison University established the Libby Okun Cohen Chair in technological humanism while her husband was teaching there. She was also an author of children stories, an independent genealogy researcher, a project coordinator for an oral history project that interviewed survivors from Nazi Germany, and an intergenerational program L'Dor V'Dor for young students to learn and share in the lives of older individuals.  Ralph and Libby Cohen had two children, Ruth Cohen Morris, and David Cohen who were both born during World War II. Ruth Morris followed in her mother's footsteps by completing a doctorate in Information and Library Science at the University of Michigan, thereby initiating her career as a distinguished librarian. She was married to David B. Morris who co-taught some courses with Ralph Cohen.  Libby Cohen died at age 99 in 2013. Ralph Cohen also died at age 99 in 2016.","Sources:\nhttp://best-hashtags.com/hashtag/teacherappreciation/\nhttps://news.virginia.edu/content/memoriam-ralph-cohen-professor-who-transformed-literary-criticism-0\nhttps://muse.jhu.edu/article/380552/pdf\nhttps://dailyprogress.com/ralph-cohen/article_de380d0a-185c-510e-b74d-3a33511feed3.html\nhttps://www.jstor.org/stable/469184?seq=1\nhttps://www.jmu.edu/cohencenter/our-people/cohen-ralph.shtml\nhttps://www.researchgate.net/publication/236774952_History_and_Change_An_Interview_with_Ralph_Cohen\nhttps://play.google.com/store/books/details/Genre_Theory_and_Historical_Change_Theoretical_Ess?id=0PsmDwAAQBAJ\u0026hl=sw\nhttps://www.amazon.co.jp/-/en/Ralph-Cohen/dp/0813940117\nRalph Cohen, \"Notes for a History\" (from within the collection)\nVideo interview: \nhttps://www.jmu.edu/news/2010/10/18-ralph-cohen.shtml"],"prefercite_html_tesm":["\u003cp\u003eRG-24/54/1.151, Ralph Cohen papers and New Literary History records, Small Special Collections Library, University of Virginia Library\u003c/p\u003e  "],"prefercite_tesim":["RG-24/54/1.151, Ralph Cohen papers and New Literary History records, Small Special Collections Library, University of Virginia Library"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the teaching, research, and personal papers of Ralph Cohen, the William R. Kenan, Jr. professor of English from the University of Virginia from 1948-2016; and the records of the \"New Literary History\", an international, interdisciplinary, award-winning journal that Cohen founded and edited from 1969 to 2009 at the University of Virginia. The records of the New Literary History Journal (1969-2016) (Series 1) contain correspondence, contributors' articles, proofs, financial information, audiocassettes of prominent scholars (of literary theory in the 1990's), computer disks with contributor's articles (1998-2006), and information from the Commonwealth Center of Literary and Cultural Change (1988-1995). The Center was founded and directed by Ralph Cohen at the University of Virginia and is represented in a quarterly issue of the New Literary History Journal (starting with Volume 20 in 1990). Some of the correspondence and articles from contributors are not included for some issues. (See Arrangement for details). The last issue of correspondence and articles represented in the paper collection is Volume 28 (1997). \u003c/p\u003e","\u003cp\u003eBoth the highly regarded New Literary History Journal and the Commonwealth Center for Literary and Cultural Change reflect Cohen's belief that there is a need to understand multiple disciplines when evaluating literature and human nature. He also felt that it is necessary to nurture a genuine respect for different perspectives of other individuals as a pathway to becoming a better society. Each issue of the New Literary History Journal selects a theme and invites authors to create opposing dialogues. As a strong promoter of multiculturalism and feminism, he included authors from the non-western world, and men and women with varying points of view and different backgrounds. Frequent authors/contributors are George Garrett, Joyce A. Joyce, Ihab Hassan, Toril Moi, Xiaoying Wang, Henry Louis Gates, Jr., David Bleich, Hayden White, Paul Ricoeur, Helene Cixous, William K. Winsat, Robert Weimann, Jonathan Culler, Martha Nussbaum, E. D. Hirsch, Jr., Gerald Graff, Murray Krieger, Michael Riffaterre, Barbara Hernstein Smith, Fredric Jameson, Jerome McGann, Wolfgang Iser, Jean Starobinski, Northrup Frye, Geoffrey Hartman, Wolf Lupenies, Eddie Tomarken, Rene Welleck, Marshall McCluhan, Tzvetan Todorov, Terry Eagleton, Brian Stock, Catharine R. Stimpson, Frances Ferguson, Rita Felski, Rey Chow, Cora Diamond, Michael Prince, Winfried Fluck, Sandra Gilbert, Gary Saul Morson, Katherine Neeley, Stanley Fish, James M. Holquist, Keith Moxey, Richard Rorty, Walter Sokel, and many others.\u003c/p\u003e","\u003cp\u003eIn Series 2 the Ralph Cophen papers reflect his teaching and lecturing from the years 1948 to 2011 on Eighteenth-Century literature and literary theory such as correspondence, lecture notes, class materials, articles, conferences, manuscripts, and printed journals. The content in this part of the collection spans Ancient and Medieval Literature (\"The Greats\"), English and Continental Literature 1660-1770, English and Continental Literature 1770 to 1900, British Literature, American 19th and 20th Century Literature and literary history, literary change, literary criticism, aesthetics, psychology, and genre. These materials cover a complete and impressive range of literary authors and their works throughout the history of literature including the Bible, ballads and medieval manuscripts, Chaucer, Homer, Virgil, Pope, Donne, Blake, Hume, Thomson, Dryden, Milton, Machiavelli, Dante, Shakespeare, Goldsmith, Austen, Cather, T.S. Eliot, George Elliot, Ellen Glasgow, Emily Dickenson, the Romantics, the Nature Poets, Swift, Olaudah Equiano, James, Faulkner, Fitzgerald, Woolf, and many more. These lecture notes reveal the scope and wealth of Ralph Cohen's vast knowledge of literature and offer an opportunity for others to continue learning through his papers. \u003c/p\u003e","\u003cp\u003eOf interest are papers written by Ralph Cohen when he was a young college student, and which are included with the papers written by his students on similar subjects. There are also drafts of articles by Ralph Cohen outlining his plans for the New Literary History, and interviews with Ralph Cohen about his teaching. As an editor, Ralph Cohen sought to publish the work of his colleagues, but this collection has some of his original drafts of articles on literary theory. (Series 2: Box 85 and 86)\u003c/p\u003e","\u003cp\u003eThe collection also includes the personal papers of Ralph Cohen's family including his wife, Libby Okun Cohen and their two children, Ruth Cohen Morris, and David Morris. The Cohen's daughter was married to David B. Morris who co-taught some classes with Ralph Cohen. There are mementos and readings documenting many of the family Seder (Pesach Haggadah).  Libby Cohens' papers show her love of learning; her work in an intergenerational project (L'Dor V'Dor) with students and older generations; a Holocaust Oral History project, independent research in genealogy, and her career as an outstanding librarian.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the teaching, research, and personal papers of Ralph Cohen, the William R. Kenan, Jr. professor of English from the University of Virginia from 1948-2016; and the records of the \"New Literary History\", an international, interdisciplinary, award-winning journal that Cohen founded and edited from 1969 to 2009 at the University of Virginia. The records of the New Literary History Journal (1969-2016) (Series 1) contain correspondence, contributors' articles, proofs, financial information, audiocassettes of prominent scholars (of literary theory in the 1990's), computer disks with contributor's articles (1998-2006), and information from the Commonwealth Center of Literary and Cultural Change (1988-1995). The Center was founded and directed by Ralph Cohen at the University of Virginia and is represented in a quarterly issue of the New Literary History Journal (starting with Volume 20 in 1990). Some of the correspondence and articles from contributors are not included for some issues. (See Arrangement for details). The last issue of correspondence and articles represented in the paper collection is Volume 28 (1997).","Both the highly regarded New Literary History Journal and the Commonwealth Center for Literary and Cultural Change reflect Cohen's belief that there is a need to understand multiple disciplines when evaluating literature and human nature. He also felt that it is necessary to nurture a genuine respect for different perspectives of other individuals as a pathway to becoming a better society. Each issue of the New Literary History Journal selects a theme and invites authors to create opposing dialogues. As a strong promoter of multiculturalism and feminism, he included authors from the non-western world, and men and women with varying points of view and different backgrounds. Frequent authors/contributors are George Garrett, Joyce A. Joyce, Ihab Hassan, Toril Moi, Xiaoying Wang, Henry Louis Gates, Jr., David Bleich, Hayden White, Paul Ricoeur, Helene Cixous, William K. Winsat, Robert Weimann, Jonathan Culler, Martha Nussbaum, E. D. Hirsch, Jr., Gerald Graff, Murray Krieger, Michael Riffaterre, Barbara Hernstein Smith, Fredric Jameson, Jerome McGann, Wolfgang Iser, Jean Starobinski, Northrup Frye, Geoffrey Hartman, Wolf Lupenies, Eddie Tomarken, Rene Welleck, Marshall McCluhan, Tzvetan Todorov, Terry Eagleton, Brian Stock, Catharine R. Stimpson, Frances Ferguson, Rita Felski, Rey Chow, Cora Diamond, Michael Prince, Winfried Fluck, Sandra Gilbert, Gary Saul Morson, Katherine Neeley, Stanley Fish, James M. Holquist, Keith Moxey, Richard Rorty, Walter Sokel, and many others.","In Series 2 the Ralph Cophen papers reflect his teaching and lecturing from the years 1948 to 2011 on Eighteenth-Century literature and literary theory such as correspondence, lecture notes, class materials, articles, conferences, manuscripts, and printed journals. The content in this part of the collection spans Ancient and Medieval Literature (\"The Greats\"), English and Continental Literature 1660-1770, English and Continental Literature 1770 to 1900, British Literature, American 19th and 20th Century Literature and literary history, literary change, literary criticism, aesthetics, psychology, and genre. These materials cover a complete and impressive range of literary authors and their works throughout the history of literature including the Bible, ballads and medieval manuscripts, Chaucer, Homer, Virgil, Pope, Donne, Blake, Hume, Thomson, Dryden, Milton, Machiavelli, Dante, Shakespeare, Goldsmith, Austen, Cather, T.S. Eliot, George Elliot, Ellen Glasgow, Emily Dickenson, the Romantics, the Nature Poets, Swift, Olaudah Equiano, James, Faulkner, Fitzgerald, Woolf, and many more. These lecture notes reveal the scope and wealth of Ralph Cohen's vast knowledge of literature and offer an opportunity for others to continue learning through his papers.","Of interest are papers written by Ralph Cohen when he was a young college student, and which are included with the papers written by his students on similar subjects. There are also drafts of articles by Ralph Cohen outlining his plans for the New Literary History, and interviews with Ralph Cohen about his teaching. As an editor, Ralph Cohen sought to publish the work of his colleagues, but this collection has some of his original drafts of articles on literary theory. (Series 2: Box 85 and 86)","The collection also includes the personal papers of Ralph Cohen's family including his wife, Libby Okun Cohen and their two children, Ruth Cohen Morris, and David Morris. The Cohen's daughter was married to David B. Morris who co-taught some classes with Ralph Cohen. There are mementos and readings documenting many of the family Seder (Pesach Haggadah).  Libby Cohens' papers show her love of learning; her work in an intergenerational project (L'Dor V'Dor) with students and older generations; a Holocaust Oral History project, independent research in genealogy, and her career as an outstanding librarian."],"userestrict_html_tesm":["\u003cp\u003eThis collection is open for use except for restricted materials due to FERPA Boxes 138-150.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is open for use except for restricted materials due to FERPA Boxes 138-150."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Cohen, Ralph, 1917-2016"],"names_ssim":["Albert and Shirley Small Special Collections Library","Cohen, Ralph, 1917-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2151,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:27.406Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_950_c02_c02"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c05","type":"Sub-Series","attributes":{"title":"\"Clean Fun: Black Artists Research\" Part 1, 1922/2015","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c05","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c05"],"id":"viw_repositories_2_resources_9853_c01_c01_c05","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"title_filing_ssi":"\"Clean Fun: Black Artists Research\" Part 1","title_ssm":["\"Clean Fun: Black Artists Research\" Part 1"],"title_tesim":["\"Clean Fun: Black Artists Research\" Part 1"],"normalized_title_ssm":["\"Clean Fun: Black Artists Research\" Part 1, 1922/2015"],"text":["\"Clean Fun: Black Artists Research\" Part 1, 1922/2015","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","Binder in a box 5"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"normalized_date_ssm":["1922/2015"],"unitdate_inclusive_ssm":["1922-2015"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":7,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"containers_ssim":["Binder in a box 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"_nest_path_":"/components#0/components#0/components#4","timestamp":"2026-08-14T23:05:56.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. 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He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. 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Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. 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Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11","type":"Sub-Series","attributes":{"title":"\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. 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Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. 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In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c12","type":"Sub-Series","attributes":{"title":"\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\", 1900/2011","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c12","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c12"],"id":"viw_repositories_2_resources_9853_c01_c01_c12","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"title_filing_ssi":"\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\"","title_ssm":["\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"title_tesim":["\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"normalized_title_ssm":["\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\", 1900/2011"],"text":["\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\", 1900/2011","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"normalized_date_ssm":["1900/2011"],"unitdate_inclusive_ssm":["1900-2011"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":49,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"parent_access_restrict_tesm":["Collection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c16","type":"Sub-Series","attributes":{"title":"\"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Black Images for Black People; Blacks in the Black Press; Ollie Harrington; Other Black Artists; Ebony\", 1950/2009","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c16#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePart three of four. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"scopecontent_html_tesm":["\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. 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In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. 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