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In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.","In retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. 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Bader Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011."],"relatedmaterial_html_tesm":["\u003cp\u003eOral Histories in the Perry Library: \u003ca href=\"https://dc.lib.odu.edu/digital/collection/oralhistory/search/searchterm/Bader%2C%20Eleanor%20J./field/interv/mode/exact/conn/and\"\u003eEleanor J. Bader\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Oral Histories in the Perry Library: Eleanor J. Bader"],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the \u003ca href=\"https://dc.lib.odu.edu/digital/collection/oralhistory/search/searchterm/Bader%2C%20Eleanor%20J./field/interv/mode/exact/conn/and\"\u003eOld Dominion University Libraries Digital Collections website.\u003c/a\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. 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An oral history with Eleanor Bader can be found on the Old Dominion University Libraries Digital Collections website."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1280d86ec670c47f37680342717f9b75\" label=\"Abstract\"\u003eChronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. 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Bader Papers"],"unitdate_ssm":["circa 1922-2013, undated","Date acquired: 04/10/2010"],"unitdate_inclusive_ssm":["circa 1922-2013, undated"],"unitdate_other_ssim":["Date acquired: 04/10/2010"],"normalized_date_ssm":["1922/2013"],"normalized_title_ssm":["Eleanor J. Bader Papers, 1922/2013"],"text":["Eleanor J. Bader Papers, 1922/2013","MG 107","/repositories/5/resources/10","Physical therapists--United States","Civic leaders--United States","Voluntarism--United States","Open to researchers without restrictions.","A second accession was received in 2013.","The collection is organized into seven series: Series I: Personal and Family; Series II: Education; Series III: Career; Series IV: Organizations; Series V: Miscellaneous; Series VI: Multimedia; and Series VII: Oversize Materials, Memorabilia, and Artifacts.","Eleanor Johanne Bader was born March 15, 1922, in Wilmington, Delaware. Ms. Bader graduated from the University of Delaware in December 1943 with a Bachelor of Science degree in Health and Physical Education.  She attended the Physical Therapy graduate program at the Graduate School of Medicine, University of Pennsylvania in Philadelphia and was awarded a certificate in Physical Therapy in 1944. At that time, the University did not grant degrees in Physical Therapy.","Ms. Bader received her certification in physical therapy in 1946 from the American Registry of Physical Therapists.  In October 1945, she joined the Delaware Curative Workshop in Wilmington, Delaware, as a founding member.  The DCW was originally funded by the Junior League. Later it was funded in part by community donations under the Red Feather/Community Chest umbrella.  The Red Feather and Community Chest organizations were founded in the late 19th century and were the forerunner of the United Way organizations. Ms. Bader was named Executive Director of the DCW in October 1950.","She resigned from the Delaware Curative Workshop in 1962 to take a position as Program Consultant with the National Society for Crippled Children and Adults, now known as the Easter Seal Society, headquartered in Chicago.  Ms. Bader relocated from Wilmington to Chicago to take this position. During her career with the Easter Seal organization, Ms. Bader held a number of positions, including Director, Care and Treatment Services, and Administrator for Programs.  In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.","In retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. Ms. Bader was also in the Virginia Symphony League.","Eleanor Bader passed away on October 12, 2013 in her home in Virginia Beach.","The finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011.","Oral Histories in the Perry Library: Eleanor J. Bader","The collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the Old Dominion University Libraries Digital Collections website.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Chronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels.","ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi","Bader, Eleanor J. (1922-2013)","English"],"collection_title_tesim":["Eleanor J. Bader Papers, 1922/2013"],"collection_ssim":["Eleanor J. Bader Papers, 1922/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 107","/repositories/5/resources/10"],"unitid_tesim":["MG 107","/repositories/5/resources/10"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Bader, Eleanor J. (1922-2013)"],"creator_ssim":["Bader, Eleanor J. (1922-2013)"],"creator_persname_ssim":["Bader, Eleanor J. (1922-2013)"],"creator_corpname_ssim":["ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi"],"creators_ssim":["Bader, Eleanor J. (1922-2013)","ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Eleanor J. Bader","Gift. Accession #A2010-10"],"access_subjects_ssim":["Physical therapists--United States","Civic leaders--United States","Voluntarism--United States"],"access_subjects_ssm":["Physical therapists--United States","Civic leaders--United States","Voluntarism--United States"],"has_online_content_ssim":["false"],"extent_ssm":["16.40 Linear Feet","13 Hollinger document cases; 7 Half-Hollinger document cases; 2 multimedia boxes; 2 notebook boxes; 3 clamshell boxes, and 2 oversize boxes. boxes"],"extent_tesim":["16.40 Linear Feet","13 Hollinger document cases; 7 Half-Hollinger document cases; 2 multimedia boxes; 2 notebook boxes; 3 clamshell boxes, and 2 oversize boxes. boxes"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eA second accession was received in 2013.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["A second accession was received in 2013."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into seven series: Series I: Personal and Family; Series II: Education; Series III: Career; Series IV: Organizations; Series V: Miscellaneous; Series VI: Multimedia; and Series VII: Oversize Materials, Memorabilia, and Artifacts.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into seven series: Series I: Personal and Family; Series II: Education; Series III: Career; Series IV: Organizations; Series V: Miscellaneous; Series VI: Multimedia; and Series VII: Oversize Materials, Memorabilia, and Artifacts."],"bioghist_html_tesm":["\u003cp\u003eEleanor Johanne Bader was born March 15, 1922, in Wilmington, Delaware. Ms. Bader graduated from the University of Delaware in December 1943 with a Bachelor of Science degree in Health and Physical Education\u003cemph render=\"italic\"\u003e.  \u003c/emph\u003eShe attended the Physical Therapy graduate program at the Graduate School of Medicine, University of Pennsylvania in Philadelphia and was awarded a certificate in Physical Therapy in 1944. At that time, the University did not grant degrees in Physical Therapy.\u003c/p\u003e","\u003cp\u003e\nMs. Bader received her certification in physical therapy in 1946 from the American Registry of Physical Therapists.  In October 1945, she joined the Delaware Curative Workshop in Wilmington, Delaware, as a founding member.  The DCW was originally funded by the Junior League. Later it was funded in part by community donations under the Red Feather/Community Chest umbrella.  The Red Feather and Community Chest organizations were founded in the late 19th century and were the forerunner of the United Way organizations. Ms. Bader was named Executive Director of the DCW in October 1950.\n    \u003c/p\u003e","\u003cp\u003eShe resigned from the Delaware Curative Workshop in 1962 to take a position as Program Consultant with the National Society for Crippled Children and Adults, now known as the Easter Seal Society, headquartered in Chicago.  Ms. Bader relocated from Wilmington to Chicago to take this position. During her career with the Easter Seal organization, Ms. Bader held a number of positions, including Director, Care and Treatment Services, and Administrator for Programs.  In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.\n    \u003c/p\u003e","\u003cp\u003eIn retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. Ms. Bader was also in the Virginia Symphony League.\u003c/p\u003e","\u003cp\u003eEleanor Bader passed away on October 12, 2013 in her home in Virginia Beach.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eleanor Johanne Bader was born March 15, 1922, in Wilmington, Delaware. Ms. Bader graduated from the University of Delaware in December 1943 with a Bachelor of Science degree in Health and Physical Education.  She attended the Physical Therapy graduate program at the Graduate School of Medicine, University of Pennsylvania in Philadelphia and was awarded a certificate in Physical Therapy in 1944. At that time, the University did not grant degrees in Physical Therapy.","Ms. Bader received her certification in physical therapy in 1946 from the American Registry of Physical Therapists.  In October 1945, she joined the Delaware Curative Workshop in Wilmington, Delaware, as a founding member.  The DCW was originally funded by the Junior League. Later it was funded in part by community donations under the Red Feather/Community Chest umbrella.  The Red Feather and Community Chest organizations were founded in the late 19th century and were the forerunner of the United Way organizations. Ms. Bader was named Executive Director of the DCW in October 1950.","She resigned from the Delaware Curative Workshop in 1962 to take a position as Program Consultant with the National Society for Crippled Children and Adults, now known as the Easter Seal Society, headquartered in Chicago.  Ms. Bader relocated from Wilmington to Chicago to take this position. During her career with the Easter Seal organization, Ms. Bader held a number of positions, including Director, Care and Treatment Services, and Administrator for Programs.  In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.","In retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. Ms. Bader was also in the Virginia Symphony League.","Eleanor Bader passed away on October 12, 2013 in her home in Virginia Beach."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Eleanor J. Bader Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Eleanor J. Bader Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011."],"relatedmaterial_html_tesm":["\u003cp\u003eOral Histories in the Perry Library: \u003ca href=\"https://dc.lib.odu.edu/digital/collection/oralhistory/search/searchterm/Bader%2C%20Eleanor%20J./field/interv/mode/exact/conn/and\"\u003eEleanor J. Bader\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Oral Histories in the Perry Library: Eleanor J. Bader"],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the \u003ca href=\"https://dc.lib.odu.edu/digital/collection/oralhistory/search/searchterm/Bader%2C%20Eleanor%20J./field/interv/mode/exact/conn/and\"\u003eOld Dominion University Libraries Digital Collections website.\u003c/a\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the Old Dominion University Libraries Digital Collections website."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1280d86ec670c47f37680342717f9b75\" label=\"Abstract\"\u003eChronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels.\u003c/abstract\u003e\n    "],"abstract_tesim":["Chronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels."],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi"],"names_coll_ssim":["Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi"],"persname_ssim":["Bader, Eleanor J. (1922-2013)"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi","Bader, Eleanor J. (1922-2013)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:21.092Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_10_c04_c14"}},{"id":"vino_repositories_5_resources_218_c07_c14","type":"Sub-Series","attributes":{"title":"Sub-Series N: Voters Service Miscellaneous, 1960/2010","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_218_c07_c14#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series includes reports, correspondence, notes, schedules, and other assorted material related to the Voters Service program from the 1960s onward.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_218_c07_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_218_c07_c14","ref_ssm":["vino_repositories_5_resources_218_c07_c14"],"id":"vino_repositories_5_resources_218_c07_c14","ead_ssi":"vino_repositories_5_resources_218","_root_":"vino_repositories_5_resources_218","_nest_parent_":"vino_repositories_5_resources_218_c07","parent_ssi":"vino_repositories_5_resources_218_c07","parent_ssim":["League of Women Voters of Hampton Roads Records, 1940/2014","Series VII: Voters Service, 1954/2020"],"parent_ids_ssim":["vino_repositories_5_resources_218","vino_repositories_5_resources_218_c07"],"title_filing_ssi":"Sub-Series N: Voters Service Miscellaneous","title_ssm":["Sub-Series N: Voters Service Miscellaneous"],"title_tesim":["Sub-Series N: Voters Service Miscellaneous"],"normalized_title_ssm":["Sub-Series N: Voters Service Miscellaneous, 1960/2010"],"text":["Sub-Series N: Voters Service Miscellaneous, 1960/2010","League of Women Voters of Hampton Roads Records, 1940/2014","Series VII: Voters Service, 1954/2020","This sub-series includes reports, correspondence, notes, schedules, and other assorted material related to the Voters Service program from the 1960s onward."],"parent_unittitles_ssm":["League of Women Voters of Hampton Roads Records, 1940/2014","Series VII: Voters Service, 1954/2020"],"parent_unittitles_tesim":["League of Women Voters of Hampton Roads Records, 1940/2014","Series VII: Voters Service, 1954/2020"],"normalized_date_ssm":["1960/2010"],"unitdate_other_ssim":["circa 1960-2010, undated"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":1022,"repository_ssim":["Old Dominion University"],"collection_ssim":["League of Women Voters of Hampton Roads Records, 1940/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series includes reports, correspondence, notes, schedules, and other assorted material related to the Voters Service program from the 1960s onward.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series includes reports, correspondence, notes, schedules, and other assorted material related to the Voters Service program from the 1960s onward."],"_nest_path_":"/components#6/components#13","timestamp":"2026-08-14T22:39:29.346Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_218","ead_ssi":"vino_repositories_5_resources_218","_root_":"vino_repositories_5_resources_218","_nest_parent_":"vino_repositories_5_resources_218","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_218.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/218","title_filing_ssi":"League of Women Voters of Hampton Roads","title_ssm":["League of Women Voters of Hampton Roads Records"],"title_tesim":["League of Women Voters of Hampton Roads Records"],"unitdate_ssm":["circa 1940-2014, undated","Date acquired: 01/10/2000"],"unitdate_inclusive_ssm":["circa 1940-2014, undated"],"unitdate_other_ssim":["Date acquired: 01/10/2000"],"normalized_date_ssm":["1940/2014"],"normalized_title_ssm":["League of Women Voters of Hampton Roads Records, 1940/2014"],"text":["League of Women Voters of Hampton Roads Records, 1940/2014","MG 72","/repositories/5/resources/218","Norfolk (Va.)--Politics and government--20th century","Women--Suffrage--United States","Virginia--Politics and government","Open to researchers without restrictions.","Additional accessions from Susan L. Goranson and Jeannette Franklin.","The collection is organized into eleven series: Series I: Business and Organization; Series II: Meetings and Conventions; Series III: Events and Workshops; Series IV: Correspondence; Series V: Newsletters; Series VI: Programs and Projects; Series VII: Voter's Service; Series VIII: Issues and Studies; Series IX: Know Your Government; Series X: Photographs; and Series XI: Artifacts.","The League of Women Voters (LWV) was established in 1920, the year that women's suffrage was finally incorporated into the Constitution of the United States. The League was originally part of the National American Women's Suffrage Association, which led the 72-year drive for full and equal suffrage for women of the United States. The League was founded primarily to help 20 million newly enfranchised women carry out their new responsibilities as voters.","The Norfolk League of Women Voters was begun in the fall of 1955. Mrs. Clement Kester was elected president of the Provisional League. In the 1930s a League had been active in Norfolk, but was disbanded at the beginning of World War II. In March 1957, Norfolk was recognized as an official League. Mrs. Hugh Fortescue was elected the first president with a membership of 85. This was the 11th Virginia League.","The Virginia Beach membership in the League became stronger after the merger of old Princess Anne County and the city of Virginia Beach in 1962. A unit of the Norfolk League began to meet regularly there in the winter of 1963. In 1964, the State Board Organizational Committee agreed that Norfolk and Virginia Beach should become an area League.","The modern day League of Women Voters is a nonpartisan, volunteer organization, established to promote political responsibility through informed and active participation in government. The League holds regular monthly meetings to informally discuss common concerns and periodic full membership meetings with speakers on topics of interest. Members include teachers, housewives, and women of various backgrounds, who are interested in good government. Some members are well informed in certain areas because of special interest or training.","The League cannot work for candidates or political parties as a group, though it encourages each member to work for the candidate of her choice. The League does take stands on issues, once they have studied the issues thoroughly and achieved a consensus among members, or when the issue is pertinent to the statement of principles of the national League.","League action includes testifying at public hearings, the use of television, radio, and newspapers, public forums and panel discussions to inform voters, and letters to local, state, and national officials. The League's two most prominent programs are the Voters Service and the League Program.","The primary concern of the League is service to the voter. The Voters Service program serves this purpose by informing the public about registration, voting procedures, and voting calendars; urging citizens to vote, explaining proposed amendments and referenda appearing on the ballot; giving factual information about the candidates based on their records and opinions on important issues; holding candidate meetings, forums, and debates; and publishing candidate questionnaires and voting records.","In the League Program, members select an issue of interest from local, state, and national levels of government. Two national, two state, and two local issues are selected for study each year at the League of Women Voters Annual Meeting and at State and National Conventions. Committees throughout the year study these items and the committees prepare information to keep members informed on the issues.\n    More information about the organization can be found on their website.Abbreviations:LWV – League of Women VotersLWV-US – League of Women Voters - United States (National Organization)LWV-VA – League of Women Voters – Virginia (State Organization)LWV-SHR – League of Women Voters – South Hampton Roads (Local Organization)","Note written by Special Collections Staff","This collection contains records of the League of Women Voters (LWV) of Hampton Roads, an organization dedicated tto provide information and programs to encourage women to vote. Included in the collection is information about the business and organization of the group, finances, correspondence, newspaper clippings, newsletters, projects, programs, and studies. The bulk of this collection falls under three main categories: meeting agendas and minutes; the Voter's Service program; as well as studies and publications produced by the organization.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Includes handbooks, correspondence, newsletters, agendas, minutes, membership lists, and financial records of the League of Women Voters of Hampton Roads. Contains information on the action program, education fund, speakers bureau, voters service, and studies on various issues.","ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)","English"],"collection_title_tesim":["League of Women Voters of Hampton Roads Records, 1940/2014"],"collection_ssim":["League of Women Voters of Hampton Roads Records, 1940/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 72","/repositories/5/resources/218"],"unitid_tesim":["MG 72","/repositories/5/resources/218"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"geogname_ssm":["Norfolk (Va.)--Politics and government--20th century"],"geogname_ssim":["Norfolk (Va.)--Politics and government--20th century"],"places_ssim":["Norfolk (Va.)--Politics and government--20th century"],"creator_ssm":["League of Women Voters of Hampton Roads"],"creator_ssim":["League of Women Voters of Hampton Roads"],"creator_corpname_ssim":["ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)"],"creators_ssim":["ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Susan L. Goranson, President LWVSHR","Gift. Accession #A2000-1"],"access_subjects_ssim":["Women--Suffrage--United States","Virginia--Politics and government"],"access_subjects_ssm":["Women--Suffrage--United States","Virginia--Politics and government"],"has_online_content_ssim":["false"],"extent_ssm":["19.95 Linear Feet","32 Hollinger document cases and 2 oversize boxes boxes"],"extent_tesim":["19.95 Linear Feet","32 Hollinger document cases and 2 oversize boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eAdditional accessions from Susan L. Goranson and Jeannette Franklin.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Additional accessions from Susan L. Goranson and Jeannette Franklin."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series: Series I: Business and Organization; Series II: Meetings and Conventions; Series III: Events and Workshops; Series IV: Correspondence; Series V: Newsletters; Series VI: Programs and Projects; Series VII: Voter's Service; Series VIII: Issues and Studies; Series IX: Know Your Government; Series X: Photographs; and Series XI: Artifacts.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into eleven series: Series I: Business and Organization; Series II: Meetings and Conventions; Series III: Events and Workshops; Series IV: Correspondence; Series V: Newsletters; Series VI: Programs and Projects; Series VII: Voter's Service; Series VIII: Issues and Studies; Series IX: Know Your Government; Series X: Photographs; and Series XI: Artifacts."],"bioghist_html_tesm":["\u003cp\u003eThe League of Women Voters (LWV) was established in 1920, the year that women's suffrage was finally incorporated into the Constitution of the United States. The League was originally part of the National American Women's Suffrage Association, which led the 72-year drive for full and equal suffrage for women of the United States. The League was founded primarily to help 20 million newly enfranchised women carry out their new responsibilities as voters.\u003c/p\u003e","\u003cp\u003eThe Norfolk League of Women Voters was begun in the fall of 1955. Mrs. Clement Kester was elected president of the Provisional League. In the 1930s a League had been active in Norfolk, but was disbanded at the beginning of World War II. In March 1957, Norfolk was recognized as an official League. Mrs. Hugh Fortescue was elected the first president with a membership of 85. This was the 11th Virginia League.\u003c/p\u003e","\u003cp\u003eThe Virginia Beach membership in the League became stronger after the merger of old Princess Anne County and the city of Virginia Beach in 1962. A unit of the Norfolk League began to meet regularly there in the winter of 1963. In 1964, the State Board Organizational Committee agreed that Norfolk and Virginia Beach should become an area League.\u003c/p\u003e","\u003cp\u003eThe modern day League of Women Voters is a nonpartisan, volunteer organization, established to promote political responsibility through informed and active participation in government. The League holds regular monthly meetings to informally discuss common concerns and periodic full membership meetings with speakers on topics of interest. Members include teachers, housewives, and women of various backgrounds, who are interested in good government. Some members are well informed in certain areas because of special interest or training.\u003c/p\u003e","\u003cp\u003eThe League cannot work for candidates or political parties as a group, though it encourages each member to work for the candidate of her choice. The League does take stands on issues, once they have studied the issues thoroughly and achieved a consensus among members, or when the issue is pertinent to the statement of principles of the national League.\u003c/p\u003e","\u003cp\u003eLeague action includes testifying at public hearings, the use of television, radio, and newspapers, public forums and panel discussions to inform voters, and letters to local, state, and national officials. The League's two most prominent programs are the Voters Service and the League Program.\u003c/p\u003e","\u003cp\u003eThe primary concern of the League is service to the voter. The Voters Service program serves this purpose by informing the public about registration, voting procedures, and voting calendars; urging citizens to vote, explaining proposed amendments and referenda appearing on the ballot; giving factual information about the candidates based on their records and opinions on important issues; holding candidate meetings, forums, and debates; and publishing candidate questionnaires and voting records.\u003c/p\u003e","\u003cp\u003eIn the League Program, members select an issue of interest from local, state, and national levels of government. Two national, two state, and two local issues are selected for study each year at the League of Women Voters Annual Meeting and at State and National Conventions. Committees throughout the year study these items and the committees prepare information to keep members informed on the issues.\n    \u003cp\u003e\u003c/p\u003e\u003cp\u003eMore information about the organization can be found on their \u003ca href=\"https://my.lwv.org/virginia/south-hampton-roads\"\u003ewebsite\u003c/a\u003e.\u003c/p\u003e\u003cp\u003e\u003cemph render=\"bold\"\u003eAbbreviations:\u003c/emph\u003e\u003c/p\u003e\u003cp\u003eLWV – League of Women Voters\u003c/p\u003e\u003cp\u003eLWV-US – League of Women Voters - United States (National Organization)\u003c/p\u003e\u003cp\u003eLWV-VA – League of Women Voters – Virginia (State Organization)\u003c/p\u003e\u003cp\u003eLWV-SHR – League of Women Voters – South Hampton Roads (Local Organization)\n    \u003c/p\u003e\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The League of Women Voters (LWV) was established in 1920, the year that women's suffrage was finally incorporated into the Constitution of the United States. The League was originally part of the National American Women's Suffrage Association, which led the 72-year drive for full and equal suffrage for women of the United States. The League was founded primarily to help 20 million newly enfranchised women carry out their new responsibilities as voters.","The Norfolk League of Women Voters was begun in the fall of 1955. Mrs. Clement Kester was elected president of the Provisional League. In the 1930s a League had been active in Norfolk, but was disbanded at the beginning of World War II. In March 1957, Norfolk was recognized as an official League. Mrs. Hugh Fortescue was elected the first president with a membership of 85. This was the 11th Virginia League.","The Virginia Beach membership in the League became stronger after the merger of old Princess Anne County and the city of Virginia Beach in 1962. A unit of the Norfolk League began to meet regularly there in the winter of 1963. In 1964, the State Board Organizational Committee agreed that Norfolk and Virginia Beach should become an area League.","The modern day League of Women Voters is a nonpartisan, volunteer organization, established to promote political responsibility through informed and active participation in government. The League holds regular monthly meetings to informally discuss common concerns and periodic full membership meetings with speakers on topics of interest. Members include teachers, housewives, and women of various backgrounds, who are interested in good government. Some members are well informed in certain areas because of special interest or training.","The League cannot work for candidates or political parties as a group, though it encourages each member to work for the candidate of her choice. The League does take stands on issues, once they have studied the issues thoroughly and achieved a consensus among members, or when the issue is pertinent to the statement of principles of the national League.","League action includes testifying at public hearings, the use of television, radio, and newspapers, public forums and panel discussions to inform voters, and letters to local, state, and national officials. The League's two most prominent programs are the Voters Service and the League Program.","The primary concern of the League is service to the voter. The Voters Service program serves this purpose by informing the public about registration, voting procedures, and voting calendars; urging citizens to vote, explaining proposed amendments and referenda appearing on the ballot; giving factual information about the candidates based on their records and opinions on important issues; holding candidate meetings, forums, and debates; and publishing candidate questionnaires and voting records.","In the League Program, members select an issue of interest from local, state, and national levels of government. Two national, two state, and two local issues are selected for study each year at the League of Women Voters Annual Meeting and at State and National Conventions. Committees throughout the year study these items and the committees prepare information to keep members informed on the issues.\n    More information about the organization can be found on their website.Abbreviations:LWV – League of Women VotersLWV-US – League of Women Voters - United States (National Organization)LWV-VA – League of Women Voters – Virginia (State Organization)LWV-SHR – League of Women Voters – South Hampton Roads (Local Organization)","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], League of Women Voters of Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], League of Women Voters of Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains records of the League of Women Voters (LWV) of Hampton Roads, an organization dedicated tto provide information and programs to encourage women to vote. Included in the collection is information about the business and organization of the group, finances, correspondence, newspaper clippings, newsletters, projects, programs, and studies. The bulk of this collection falls under three main categories: meeting agendas and minutes; the Voter's Service program; as well as studies and publications produced by the organization.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains records of the League of Women Voters (LWV) of Hampton Roads, an organization dedicated tto provide information and programs to encourage women to vote. Included in the collection is information about the business and organization of the group, finances, correspondence, newspaper clippings, newsletters, projects, programs, and studies. The bulk of this collection falls under three main categories: meeting agendas and minutes; the Voter's Service program; as well as studies and publications produced by the organization."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8a3c4a6163715bd0dfb2babafce897cb\" label=\"Abstract\"\u003eIncludes handbooks, correspondence, newsletters, agendas, minutes, membership lists, and financial records of the League of Women Voters of Hampton Roads. Contains information on the action program, education fund, speakers bureau, voters service, and studies on various issues.\u003c/abstract\u003e\n    "],"abstract_tesim":["Includes handbooks, correspondence, newsletters, agendas, minutes, membership lists, and financial records of the League of Women Voters of Hampton Roads. Contains information on the action program, education fund, speakers bureau, voters service, and studies on various issues."],"corpname_ssim":["ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)"],"names_coll_ssim":["League of Women Voters of Virginia","League of Women Voters (U.S.)","League of Women Voters of Hampton Roads"],"names_ssim":["ODU Community Collections","League of Women Voters of Hampton Roads","League of Women Voters of Virginia","League of Women Voters (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1431,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:29.346Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_218_c07_c14"}},{"id":"virmu_repositories_2_resources_371_c02_c17","type":"Sub-Series","attributes":{"title":"Sub-Series: Renée Stout, 1980/2018","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c17#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains articles, ephemera, and photographs documenting the life and artwork of Renée Stout.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_371_c02_c17","ref_ssm":["virmu_repositories_2_resources_371_c02_c17"],"id":"virmu_repositories_2_resources_371_c02_c17","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371_c02","parent_ssi":"virmu_repositories_2_resources_371_c02","parent_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_ids_ssim":["virmu_repositories_2_resources_371","virmu_repositories_2_resources_371_c02"],"title_filing_ssi":"Sub-Series: Renée Stout","title_ssm":["Sub-Series: Renée Stout"],"title_tesim":["Sub-Series: Renée Stout"],"normalized_title_ssm":["Sub-Series: Renée Stout, 1980/2018"],"text":["Sub-Series: Renée Stout, 1980/2018","Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019","box VA-07 Box 3","Binder VA-07 Box 4","Binder VA-07 Box 5","Oversize VA-07 Box 7","This sub-series contains articles, ephemera, and photographs documenting the life and artwork of Renée Stout."],"parent_unittitles_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_unittitles_tesim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"normalized_date_ssm":["1980/2018"],"unitdate_inclusive_ssm":["1980-2018"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":32,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"extent_ssm":["4 boxes"],"extent_tesim":["4 boxes"],"containers_ssim":["box VA-07 Box 3","Binder VA-07 Box 4","Binder VA-07 Box 5","Oversize VA-07 Box 7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains articles, ephemera, and photographs documenting the life and artwork of Renée Stout.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains articles, ephemera, and photographs documenting the life and artwork of Renée Stout."],"_nest_path_":"/components#1/components#16","timestamp":"2026-08-14T22:40:29.647Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_371","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_371.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/371","title_filing_ssi":"Perry, Regenia (VA-07)","title_ssm":["Regenia A. Perry Personal Papers (VA-07)"],"title_tesim":["Regenia A. Perry Personal Papers (VA-07)"],"unitdate_ssm":["1907-2019"],"unitdate_inclusive_ssm":["1907-2019"],"normalized_date_ssm":["1907/2019"],"normalized_title_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"text":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","VA-07","/repositories/2/resources/371","African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting","The collection is open for research.","The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019","Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material","Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University","The collection was donated to the VMFA Archives by Regenia Perry in 2021.","Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.","A large collection of her papers are located at Emory University.","The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum.","Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)","Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022","English\n."],"collection_title_tesim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"collection_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-07","/repositories/2/resources/371"],"unitid_tesim":["VA-07","/repositories/2/resources/371"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Perry, Regenia","Perry, Regenia"],"creator_ssim":["Perry, Regenia","Perry, Regenia"],"creator_persname_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"creators_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022","Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"access_subjects_ssm":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 8 boxes; 17 folders"],"extent_tesim":["2 Linear Feet 8 boxes; 17 folders"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBiographical, 1941-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtists, 1907-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019"],"bibliography_html_tesm":["\u003cbibref\u003eFree within ourselves : African-American artists in the collection of the National Museum of American Art\u003c/bibref\u003e\n    ","\u003cbibref\u003eWhat it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog\u003c/bibref\u003e\n    ","\u003cbibref\u003eArt of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979\u003c/bibref\u003e\n    ","\u003cbibref\u003eImpact '79 : Afro-American women artists\u003c/bibref\u003e\n    ","\u003cbibref\u003eSelections of nineteenth-century Afro-American art\u003c/bibref\u003e\n  ","\u003cbibref\u003eSubject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Subject File"],"bibliography_tesim":["Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material"],"bioghist_html_tesm":["\u003cp\u003eRegenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eRegenia Perry papers finding aid\u003c/a\u003e by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Regenia Perry in 2021.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Regenia Perry in 2021."],"prefercite_html_tesm":["\u003cp\u003eRegenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Regenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003ePublications were removed and added to the VMFA Library's holdings. Titles include \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=D7n6ydb8N7/VMFA_LIB/X/9\"\u003e\"Tales of the conjure woman\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=Ajup9qURMW/VMFA_LIB/X/9\"\u003e\"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=qUyW4HeM8x/VMFA_LIB/X/9\"\u003e\"Harriet Powers's Bible quilts\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=0pi1RQtmQb/VMFA_LIB/X/9\"\u003e\"Astonishment and power: Kongo minkisi: the art of Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=tt5e9qKmLX/VMFA_LIB/X/9\"\u003e\"Free within ourselves: African-American artists in the collection of the National Museum of American Art\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=pfMLTwFluN/VMFA_LIB/X/9\"\u003e\"Hidden heritage: Afro-American art, 1800-1950\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=UW7swpJpcB/VMFA_LIB/X/9\"\u003e\"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\"\u003c/a\u003e, and \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=CRWJ8a1TBl/VMFA_LIB/X/9\"\u003e\"Between the lines: 70 drawings and 7 essays\"\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eOriginal newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders."],"relatedmaterial_html_tesm":["\u003cp\u003eA large collection of her papers are located at \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eEmory University\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large collection of her papers are located at Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c795df4bbab371f6ab4a825c6c75b55\"\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"persname_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"names_coll_ssim":["Perry, Regenia","Perry, Regenia"],"names_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)","Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"language_ssim":["English\n."],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:29.647Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c17"}},{"id":"virmu_repositories_2_resources_371_c02_c11","type":"Sub-Series","attributes":{"title":"Sub-Series: Ruth Mae McCrane, 1981/2008","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c11#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains articles, ephemera, and photographs documenting the life and artwork of Ruth Mae McCrane.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_371_c02_c11","ref_ssm":["virmu_repositories_2_resources_371_c02_c11"],"id":"virmu_repositories_2_resources_371_c02_c11","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371_c02","parent_ssi":"virmu_repositories_2_resources_371_c02","parent_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_ids_ssim":["virmu_repositories_2_resources_371","virmu_repositories_2_resources_371_c02"],"title_filing_ssi":"Sub-Series: Ruth Mae McCrane","title_ssm":["Sub-Series: Ruth Mae McCrane"],"title_tesim":["Sub-Series: Ruth Mae McCrane"],"normalized_title_ssm":["Sub-Series: Ruth Mae McCrane, 1981/2008"],"text":["Sub-Series: Ruth Mae McCrane, 1981/2008","Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019","box VA-07 Box 3","Binder VA-07 Box 4","This sub-series contains articles, ephemera, and photographs documenting the life and artwork of Ruth Mae McCrane."],"parent_unittitles_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_unittitles_tesim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"normalized_date_ssm":["1981/2008"],"unitdate_inclusive_ssm":["1981-2008"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":13,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"extent_ssm":["2 boxes"],"extent_tesim":["2 boxes"],"containers_ssim":["box VA-07 Box 3","Binder VA-07 Box 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains articles, ephemera, and photographs documenting the life and artwork of Ruth Mae McCrane.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains articles, ephemera, and photographs documenting the life and artwork of Ruth Mae McCrane."],"_nest_path_":"/components#1/components#10","timestamp":"2026-08-14T22:40:29.647Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_371","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_371.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/371","title_filing_ssi":"Perry, Regenia (VA-07)","title_ssm":["Regenia A. Perry Personal Papers (VA-07)"],"title_tesim":["Regenia A. Perry Personal Papers (VA-07)"],"unitdate_ssm":["1907-2019"],"unitdate_inclusive_ssm":["1907-2019"],"normalized_date_ssm":["1907/2019"],"normalized_title_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"text":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","VA-07","/repositories/2/resources/371","African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting","The collection is open for research.","The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019","Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material","Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University","The collection was donated to the VMFA Archives by Regenia Perry in 2021.","Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.","A large collection of her papers are located at Emory University.","The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. 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Perry Personal Papers (VA-07), 1907/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-07","/repositories/2/resources/371"],"unitid_tesim":["VA-07","/repositories/2/resources/371"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Perry, Regenia","Perry, Regenia"],"creator_ssim":["Perry, Regenia","Perry, Regenia"],"creator_persname_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"creators_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022","Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"access_subjects_ssm":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 8 boxes; 17 folders"],"extent_tesim":["2 Linear Feet 8 boxes; 17 folders"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBiographical, 1941-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtists, 1907-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019"],"bibliography_html_tesm":["\u003cbibref\u003eFree within ourselves : African-American artists in the collection of the National Museum of American Art\u003c/bibref\u003e\n    ","\u003cbibref\u003eWhat it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog\u003c/bibref\u003e\n    ","\u003cbibref\u003eArt of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979\u003c/bibref\u003e\n    ","\u003cbibref\u003eImpact '79 : Afro-American women artists\u003c/bibref\u003e\n    ","\u003cbibref\u003eSelections of nineteenth-century Afro-American art\u003c/bibref\u003e\n  ","\u003cbibref\u003eSubject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Subject File"],"bibliography_tesim":["Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material"],"bioghist_html_tesm":["\u003cp\u003eRegenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eRegenia Perry papers finding aid\u003c/a\u003e by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Regenia Perry in 2021.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Regenia Perry in 2021."],"prefercite_html_tesm":["\u003cp\u003eRegenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Regenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003ePublications were removed and added to the VMFA Library's holdings. Titles include \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=D7n6ydb8N7/VMFA_LIB/X/9\"\u003e\"Tales of the conjure woman\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=Ajup9qURMW/VMFA_LIB/X/9\"\u003e\"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=qUyW4HeM8x/VMFA_LIB/X/9\"\u003e\"Harriet Powers's Bible quilts\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=0pi1RQtmQb/VMFA_LIB/X/9\"\u003e\"Astonishment and power: Kongo minkisi: the art of Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=tt5e9qKmLX/VMFA_LIB/X/9\"\u003e\"Free within ourselves: African-American artists in the collection of the National Museum of American Art\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=pfMLTwFluN/VMFA_LIB/X/9\"\u003e\"Hidden heritage: Afro-American art, 1800-1950\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=UW7swpJpcB/VMFA_LIB/X/9\"\u003e\"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\"\u003c/a\u003e, and \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=CRWJ8a1TBl/VMFA_LIB/X/9\"\u003e\"Between the lines: 70 drawings and 7 essays\"\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eOriginal newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders."],"relatedmaterial_html_tesm":["\u003cp\u003eA large collection of her papers are located at \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eEmory University\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large collection of her papers are located at Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c795df4bbab371f6ab4a825c6c75b55\"\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"persname_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"names_coll_ssim":["Perry, Regenia","Perry, Regenia"],"names_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)","Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"language_ssim":["English\n."],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:29.647Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c11"}},{"id":"viw_repositories_2_resources_9805_c01_c08","type":"Sub-Series","attributes":{"title":"Subseries VIII. Sheet Music, 1989/2019","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9805_c01_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9805_c01_c08","ref_ssm":["viw_repositories_2_resources_9805_c01_c08"],"id":"viw_repositories_2_resources_9805_c01_c08","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805_c01","parent_ssi":"viw_repositories_2_resources_9805_c01","parent_ssim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022","Series I. Professional papers"],"parent_ids_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c01"],"title_filing_ssi":"Subseries VIII. Sheet Music","title_ssm":["Subseries VIII. Sheet Music"],"title_tesim":["Subseries VIII. Sheet Music"],"normalized_title_ssm":["Subseries VIII. Sheet Music, 1989/2019"],"text":["Subseries VIII. Sheet Music, 1989/2019","William 'Bill\" Ross Schermerhorn papers, 1980/2022","Series I. Professional papers"],"parent_unittitles_ssm":["William 'Bill\" Ross Schermerhorn papers, 1980/2022","Series I. Professional papers"],"parent_unittitles_tesim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022","Series I. Professional papers"],"normalized_date_ssm":["1989/2019"],"unitdate_inclusive_ssm":["1989-2019"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":290,"repository_ssim":["College of William and Mary"],"collection_ssim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"has_online_content_ssim":["false"],"child_component_count_isi":259,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"_nest_path_":"/components#0/components#7","timestamp":"2026-08-14T23:05:56.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9805","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9805.xml","title_filing_ssi":"William \"Bill\"  Ross Schermerhorn papers","title_ssm":["William 'Bill\" Ross Schermerhorn papers"],"title_tesim":["William 'Bill\" Ross Schermerhorn papers"],"unitdate_ssm":["Circa 1980-2022"],"unitdate_inclusive_ssm":["Circa 1980-2022"],"normalized_date_ssm":["1980/2022"],"normalized_title_ssm":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"text":["William 'Bill\" Ross Schermerhorn papers, 1980/2022","MS 00350","/repositories/2/resources/9805","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.","Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK.","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.","The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"collection_ssim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00350","/repositories/2/resources/9805"],"unitid_tesim":["MS 00350","/repositories/2/resources/9805"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"extent_tesim":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books."],"bioghist_html_tesm":["\u003cp\u003eBorn on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026amp; Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026amp; Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.\u003c/p\u003e","\u003cp\u003eIn Spring 2017, Bill was a William \u0026amp; Mary Theatre Department artist-in residence; a William \u0026amp; Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. \u003c/p\u003e","\u003cp\u003eSchermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026amp; Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK.","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher."],"prefercite_html_tesm":["\u003cp\u003eWilliam \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026amp; Mary Libaries.\u003c/p\u003e  "],"prefercite_tesim":["William \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026 Mary Libaries."],"scopecontent_html_tesm":["\u003cp\u003eThe William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":911,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9805_c01_c08"}},{"id":"viw_repositories_2_resources_9805_c01_c07","type":"Sub-Series","attributes":{"title":"Subseries VII. Productions, 1985/2017","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9805_c01_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9805_c01_c07","ref_ssm":["viw_repositories_2_resources_9805_c01_c07"],"id":"viw_repositories_2_resources_9805_c01_c07","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805_c01","parent_ssi":"viw_repositories_2_resources_9805_c01","parent_ssim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022","Series I. Professional papers"],"parent_ids_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c01"],"title_filing_ssi":"Subseries VII. Productions","title_ssm":["Subseries VII. Productions"],"title_tesim":["Subseries VII. Productions"],"normalized_title_ssm":["Subseries VII. Productions, 1985/2017"],"text":["Subseries VII. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"_nest_path_":"/components#0/components#6","timestamp":"2026-08-14T23:05:56.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9805","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9805.xml","title_filing_ssi":"William \"Bill\"  Ross Schermerhorn papers","title_ssm":["William 'Bill\" Ross Schermerhorn papers"],"title_tesim":["William 'Bill\" Ross Schermerhorn papers"],"unitdate_ssm":["Circa 1980-2022"],"unitdate_inclusive_ssm":["Circa 1980-2022"],"normalized_date_ssm":["1980/2022"],"normalized_title_ssm":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"text":["William 'Bill\" Ross Schermerhorn papers, 1980/2022","MS 00350","/repositories/2/resources/9805","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.","Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK.","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.","The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"collection_ssim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00350","/repositories/2/resources/9805"],"unitid_tesim":["MS 00350","/repositories/2/resources/9805"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"extent_tesim":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. 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Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books."],"bioghist_html_tesm":["\u003cp\u003eBorn on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026amp; Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026amp; Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.\u003c/p\u003e","\u003cp\u003eIn Spring 2017, Bill was a William \u0026amp; Mary Theatre Department artist-in residence; a William \u0026amp; Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. \u003c/p\u003e","\u003cp\u003eSchermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026amp; Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK.","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher."],"prefercite_html_tesm":["\u003cp\u003eWilliam \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026amp; Mary Libaries.\u003c/p\u003e  "],"prefercite_tesim":["William \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026 Mary Libaries."],"scopecontent_html_tesm":["\u003cp\u003eThe William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":911,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9805_c01_c07"}},{"id":"viw_repositories_2_resources_9805_c01_c06","type":"Sub-Series","attributes":{"title":"Subseries VI: Thanksgiving Parade, 1986/2015","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9805_c01_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9805_c01_c06","ref_ssm":["viw_repositories_2_resources_9805_c01_c06"],"id":"viw_repositories_2_resources_9805_c01_c06","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805_c01","parent_ssi":"viw_repositories_2_resources_9805_c01","parent_ssim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022","Series I. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.","Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK.","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.","The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"collection_ssim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00350","/repositories/2/resources/9805"],"unitid_tesim":["MS 00350","/repositories/2/resources/9805"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"extent_tesim":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.\u003c/p\u003e","\u003cp\u003eIn Spring 2017, Bill was a William \u0026amp; Mary Theatre Department artist-in residence; a William \u0026amp; Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. \u003c/p\u003e","\u003cp\u003eSchermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026amp; Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK.","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher."],"prefercite_html_tesm":["\u003cp\u003eWilliam \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026amp; Mary Libaries.\u003c/p\u003e  "],"prefercite_tesim":["William \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026 Mary Libaries."],"scopecontent_html_tesm":["\u003cp\u003eThe William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":911,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9805_c01_c06"}},{"id":"viw_repositories_2_resources_9805_c01_c11","type":"Sub-Series","attributes":{"title":"Subseries XI: Research Files, 2002/2016","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9805_c01_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9805_c01_c11","ref_ssm":["viw_repositories_2_resources_9805_c01_c11"],"id":"viw_repositories_2_resources_9805_c01_c11","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805_c01","parent_ssi":"viw_repositories_2_resources_9805_c01","parent_ssim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022","Series I. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"_nest_path_":"/components#0/components#10","timestamp":"2026-08-14T23:05:56.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9805","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9805.xml","title_filing_ssi":"William \"Bill\"  Ross Schermerhorn papers","title_ssm":["William 'Bill\" Ross Schermerhorn papers"],"title_tesim":["William 'Bill\" Ross Schermerhorn papers"],"unitdate_ssm":["Circa 1980-2022"],"unitdate_inclusive_ssm":["Circa 1980-2022"],"normalized_date_ssm":["1980/2022"],"normalized_title_ssm":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"text":["William 'Bill\" Ross Schermerhorn papers, 1980/2022","MS 00350","/repositories/2/resources/9805","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.","Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK.","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.","The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"collection_ssim":["William 'Bill\" Ross Schermerhorn papers, 1980/2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00350","/repositories/2/resources/9805"],"unitid_tesim":["MS 00350","/repositories/2/resources/9805"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"extent_tesim":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books."],"bioghist_html_tesm":["\u003cp\u003eBorn on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026amp; Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026amp; Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.\u003c/p\u003e","\u003cp\u003eIn Spring 2017, Bill was a William \u0026amp; Mary Theatre Department artist-in residence; a William \u0026amp; Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. \u003c/p\u003e","\u003cp\u003eSchermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026amp; Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK.","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher."],"prefercite_html_tesm":["\u003cp\u003eWilliam \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026amp; Mary Libaries.\u003c/p\u003e  "],"prefercite_tesim":["William \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026 Mary Libaries."],"scopecontent_html_tesm":["\u003cp\u003eThe William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":911,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9805_c01_c11"}},{"id":"viw_repositories_2_resources_8663_c01_c03","type":"Sub-Series","attributes":{"title":"Supplemental Materials, 1965/2008","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8663_c01_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8663_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8663_c01_c03","ref_ssm":["viw_repositories_2_resources_8663_c01_c03"],"id":"viw_repositories_2_resources_8663_c01_c03","ead_ssi":"viw_repositories_2_resources_8663","_root_":"viw_repositories_2_resources_8663","_nest_parent_":"viw_repositories_2_resources_8663_c01","parent_ssi":"viw_repositories_2_resources_8663_c01","parent_ssim":["Linda Carol Friend Adams Papers, 1965/2008, bulk 2000/2008","Series 1: Genealogy of Linda Carol Friend Adams, 1965/2008"],"parent_ids_ssim":["viw_repositories_2_resources_8663","viw_repositories_2_resources_8663_c01"],"title_filing_ssi":"Supplemental Materials","title_ssm":["Supplemental Materials"],"title_tesim":["Supplemental Materials"],"normalized_title_ssm":["Supplemental Materials, 1965/2008"],"text":["Supplemental Materials, 1965/2008","Linda Carol Friend Adams Papers, 1965/2008, bulk 2000/2008","Series 1: Genealogy of Linda Carol Friend Adams, 1965/2008","This sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included."],"parent_unittitles_ssm":["Linda Carol Friend Adams Papers, 1965/2008, bulk 2000/2008","Series 1: Genealogy of Linda Carol Friend Adams, 1965/2008"],"parent_unittitles_tesim":["Linda Carol Friend Adams Papers, 1965/2008, bulk 2000/2008","Series 1: Genealogy of Linda Carol Friend Adams, 1965/2008"],"normalized_date_ssm":["1965/2008"],"unitdate_inclusive_ssm":["1965-2008"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":27,"repository_ssim":["College of William and Mary"],"collection_ssim":["Linda Carol Friend Adams Papers, 1965/2008, bulk 2000/2008"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included."],"_nest_path_":"/components#0/components#2","timestamp":"2026-08-14T23:04:19.325Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8663","ead_ssi":"viw_repositories_2_resources_8663","_root_":"viw_repositories_2_resources_8663","_nest_parent_":"viw_repositories_2_resources_8663","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8663.xml","title_filing_ssi":"Linda Carol Friend Adams Papers","title_ssm":["Linda Carol Friend Adams Papers"],"title_tesim":["Linda Carol Friend Adams Papers"],"unitdate_ssm":["1998-2008","2000-2008"],"unitdate_inclusive_ssm":["1998-2008"],"unitdate_bulk_ssim":["2000-2008"],"normalized_date_ssm":["1965/2008, bulk 2000/2008"],"normalized_title_ssm":["Linda Carol Friend Adams Papers, 1965/2008, bulk 2000/2008"],"text":["Linda Carol Friend Adams Papers, 1965/2008, bulk 2000/2008","Mss. Acc. 2008.197","/repositories/2/resources/8663","Virginia--Genealogy","Genealogy","United States--History--Revolution, 1775-1783","Correspondence","Photocopies","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is organized into the following series and sub series: Series 1: Genealogy of Linda Carol Friend Adams, 1965-2008; Sub-series 1: Lineage of Carol Friend Adams, 2006; Sub-series 2: Genealogical Reserach, 1999-2008; Sub-series 3: Supplemental Materials, 1965-2008; Series 2: Genealogical and Historical Organizations, 1973-2008; Sub-series 1: Miscellaneous Historical Organizations, 1973-2008; Sub-series 2: United Daughters of the Confederacy, 2005-2008; Sub-series 3: National Society of the United States Daughters of 1812, 2006-2008; Sub-series 4: Descendants of Washington's Army at Valley Forge, 2002-2008; Sub-series 5: National Society of the Daughters of the American Revolution, 1999-2008.","Linda Carol Friend Adams was born on March 26, 1943 in Charlestown, West Virginia. She grew up in the towns of Ivydale and Clay, also in West Virginia, before moving to Williamsburg in 1960 to be closer to family. Adams worked as a secretary at the Williamsburg Methodist Church for six years. She also became a part-time student at the College of William and Mary, graduating with a B.A. in English in 1973. In October of 1966, she took the position of Secretary to the Curator of Manuscripts and Receptionist for Special Collections at Swem Library. She married Raymond Alexander Adams, Jr. in August of 1977.","Adams held several positions during her tenure at Swem Library, including Secretary to the Head Librarian, Head of the Reserve Room, and Coordinator of Circulation Services. She retired in 1998, after 32 years of service.","After retiring, Adams extensively researched her family's genealogy. She became involved with a number of historical organizations. 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