{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026f%5Blevel%5D%5B%5D=File\u0026page=1136","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026f%5Blevel%5D%5B%5D=File\u0026page=1135","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026f%5Blevel%5D%5B%5D=File\u0026page=1137","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026f%5Blevel%5D%5B%5D=File\u0026page=1178"},"meta":{"pages":{"current_page":1136,"next_page":1137,"prev_page":1135,"total_pages":1178,"limit_value":10,"offset_value":11350,"total_count":11778,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_6481_c03_c14","type":"File","attributes":{"title":"War Bus Crash, 1939/2015","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6481_c03_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6481_c03_c14","ref_ssm":["wvmturhc_repositories_2_resources_6481_c03_c14"],"id":"wvmturhc_repositories_2_resources_6481_c03_c14","ead_ssi":"wvmturhc_repositories_2_resources_6481","_root_":"wvmturhc_repositories_2_resources_6481","_nest_parent_":"wvmturhc_repositories_2_resources_6481_c03","parent_ssi":"wvmturhc_repositories_2_resources_6481_c03","parent_ssim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, 1795/2020, bulk 1950/2010","Series 3. Subjects, 1795/2018, bulk 1853/2018"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6481","wvmturhc_repositories_2_resources_6481_c03"],"title_filing_ssi":"War Bus Crash","title_ssm":["War Bus Crash"],"title_tesim":["War Bus Crash"],"normalized_title_ssm":["War Bus Crash, 1939/2015"],"text":["War Bus Crash, 1939/2015","William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, 1795/2020, bulk 1950/2010","Series 3. Subjects, 1795/2018, bulk 1853/2018","Box 1","Folder 20"],"parent_unittitles_ssm":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, 1795/2020, bulk 1950/2010","Series 3. Subjects, 1795/2018, bulk 1853/2018"],"parent_unittitles_tesim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, 1795/2020, bulk 1950/2010","Series 3. Subjects, 1795/2018, bulk 1853/2018"],"normalized_date_ssm":["1939/2015"],"unitdate_inclusive_ssm":["1939, 2015"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":178,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, 1795/2020, bulk 1950/2010"],"containers_ssim":["Box 1","Folder 20"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"_nest_path_":"/components#2/components#13","timestamp":"2026-08-14T23:11:21.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6481","ead_ssi":"wvmturhc_repositories_2_resources_6481","_root_":"wvmturhc_repositories_2_resources_6481","_nest_parent_":"wvmturhc_repositories_2_resources_6481","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6481.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206572","title_ssm":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"title_tesim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"unitdate_ssm":["1795-2020","ca. 1950-2010"],"unitdate_inclusive_ssm":["1795-2020"],"unitdate_bulk_ssim":["ca. 1950-2010"],"normalized_date_ssm":["1795/2020, bulk 1950/2010"],"normalized_title_ssm":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, 1795/2020, bulk 1950/2010"],"text":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, 1795/2020, bulk 1950/2010","A\u0026M 4388","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6481","Bluefield (W. Va.)","African Americans  -- West Virginia -- McDowell County","African Americans  -- West Virginia -- Mercer County","Special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","William \"Bill\" Archer's papers represent his work as a journalist, historian, and musician. He grew up in Claysville, Pennsylvania. His parents provided roots in the Scotch-Irish heritage from his mother and Russian roots from his father, Carl Wesley Archer. After graduating from McGuffey High School in 1967, Archer attended West Virginia University where he graduated in 1972 with a Bachelor's degree in English. He also completed twelve hours of graduate work in English with WVU.","Although Archer's first writing job in southern West Virginia was with the Twin-State Marketer (Bluefield, VA) beginning in 1986, he contributed sporadically to the Bluefield Daily Telegraph beginning in 1983. In 1992, he joined the staff of the Bluefield paper and continued his work there as a reporter and senior editor until 2016. During this time, he was also a stringer from the State Journal, a West Virginia business publication, 1999-2003. Archer covered the news extensively not just in Bluefield but in adjacent counties in West Virginia and northwestern Virginia.","Due to Archer's important coverage of news events in Southern West Virginia and service to his community, he has received a number of awards:","1994\nFor his substantial contribution to news coverage, he received the Award of Excellence for Outstanding Editorial Achievement from Thomson Newspapers\n2000\nFor his coverage of the collapse of the First National Bank of Keystone Bank, he received the Outstanding Journalist Award from the West Virginia Trial Lawyers Association\n2003\nThe Mercer County National Association for the Advancement of Colored People awarded him the Merit Award\nThe Veterans of Foreign Wars, Post 9696, awarded him two Distinguished Service Awards\n2007\nArcher was dubbed \"the consummate community newspaper reporter\" by a former publisher of the Bluefield Daily Telegraph when he was named a West Virginia History Hero by the Mercer County Historical Society\n2013\nHe received two awards the Shott Excellence in Media Award and the National Coal Heritage Area Research Documentation Award\n2015\nThe local American Legion awarded him the Distinguished Citizenship Award","Archer authored a number of local history books and approximately 125 magazine articles in addition to his newspaper reporting. The books, in the \"Images of America\" series from Arcadia Publishing, document the history of the cities of Bluefield, Princeton, and Welch. His county histories include Mercer County (WV), McDowell County (WV), and Bland County (VA). He has written numerous articles for Wonderful West Virginia, and also has contributed to Goldenseal, The West Virginia Encyclopedia, Appalachian Heritage, Coal People, and Virginia Cavalcade.","Archer's interest in the varied music of southern West Virginia is reflected in some of his writing, but he also wrote poetry and songs. He recorded and performed original music compositions with Karl Miller for more than thirty years. He wrote the lyrics for the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell.","After retiring as a writer, Archere extended his service to the community as a Mercer County Commissioner for the 2017-2022 term. This time of his life postdates the donated materials in this collection.","William Archer and his wife Evonda continue to reside in Bluefield.","This collection (A\u0026M 4388) contains a partial copy of the Matewan Trial transcript.","See also:\nA\u0026M 3608, Matewan Trial Transcript\nPages 2012 to 3958  (February 12, 1921 – February 23, 1921)\nPlus 1 page of index of witnesses","Compare to:\nA\u0026M 4388, William Archer Papers, Box 8, Folders 1-7, Matewan Trial Transcript \nPages 1 to 11, list of witnesses, in Folder 1\nPages 3340 to 4671  (February 22, 1921 – February 28, 1921)","West Virgina Archives and History in Charleston, West Virginia appears to hold the entire transcript:\nMingo County, Case file State vs. Sid Hatfield et al., transcripts, jury selection, witness statements (originals and photocopies), 1921 January 19 to March 16, 15 boxes","The papers of William \"Bill\" Archer, newspaper journalist for the Bluefield Daily Telegraph and historian, document Archer's research and reporting of events in Southern West Virginia, predominantly Mercer and McDowell Counties. In addition to his reporting, Archer wrote a number of local history books as well as articles for publications other than the Bluefield paper.","The largest part of the collection, six boxes of records and three of artifacts, focuses on the historic collapse in 1999 of the First National Bank of Keystone in McDowell County; subsequent criminal and civil court cases; and Congressional oversight hearings.  Another significant part of the collection, two boxes of records and three of artifacts, focuses on John Forbes Nash Jr., 1994 recipient of the Nobel Prize in Economics and a Bluefield native.  The files document Nash's time in Bluefield and at Bluefield State College, his family, and his career.  The Nash files also include reporting and research materials about the book and film, A Beautiful Mind, about Nash's life and work.","Archer researched all aspects of coal country life.  Significant topics covered by him include music originating in the area, local African American culture and history, hometown heroes, disasters such as flooding and crashes, famous people connected to the area, court cases, coal mining and mining disasters, communities and their services, and transportation.  Of particular note, the collection documents Archer's trip to Japan in 1996 for the Interassociation for Ecology Symposia (INTECOL) on wood and forestry.","Photographs in the collection, mostly contemporary, detail many events during the time of Archer's reporting.  Of particular note are those by Melvin \"Mel\" Grubb, a long time photographer for The Bluefield Daily Telegraph. The collection also includes a number of other media formats such as films and recordings.","And finally, throughout the collection there are a large number of Archer's newspaper columns which demonstrate the process of writing newspaper stories beginning with interview notes and ending with the final articles.  Also included are his writings in other literary forms such as local histories, stories, poems, and songs. Some stories and a cookbook were written under the pseudonym Richard Lucas.","Twelve compact discs of performances by Archer and Miller are found in Box 28.  Particularly represented in the collection is Archer's work on the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. A compact disc of the music and narration is one of those in Box 28. Digital files of his compositions include 131 files consisting of the compact disk recordings as well as the text of an essay reflecting on music; and songs, written and performed by Archer and Karl Miller.","In addition to the compact discs, Box 28 also contains handwritten and typed Archer compositions and includes love songs to his wife Evonda.","The collection consists of the following series:","Series 1. Keystone Bank\nSeries 2. John Nash \nSeries 3. Subjects\nSeries 4. Photographs and Other Media\nSeries 5. Writings","Items transferred to the Rare Books Librarian:","Wilderness by Vance G. Martin","The Crozers of Upland by David A. MacQueen -- Rare book","Legendary Local of McDowell County by William Archer","The Bramwell Breeze 1911/1912","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)","Archer, William","Nash, John F., Jr., 1928-2015","English"],"collection_title_tesim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, 1795/2020, bulk 1950/2010"],"collection_ssim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, 1795/2020, bulk 1950/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4388","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6481"],"unitid_tesim":["A\u0026M 4388","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6481"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Bluefield (W. Va.)"],"geogname_ssim":["Bluefield (W. Va.)"],"places_ssim":["Bluefield (W. Va.)"],"creator_ssm":["Archer, William"],"creator_ssim":["Archer, William"],"creator_persname_ssim":["Archer, William","Nash, John F., Jr., 1928-2015"],"creator_corpname_ssim":["West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)"],"creators_ssim":["Archer, William","Nash, John F., Jr., 1928-2015","West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African Americans  -- West Virginia -- McDowell County","African Americans  -- West Virginia -- Mercer County"],"access_subjects_ssm":["African Americans  -- West Virginia -- McDowell County","African Americans  -- West Virginia -- Mercer County"],"has_online_content_ssim":["false"],"extent_ssm":["20.75 Linear Feet 20 ft. 9 1/4 in. (13 record cartons, 15 in. each); (4 document cases, 5 in. each); (1 document case, 4 in.); (1 document case, 2 1/2 in.); (2 flat boxes, 1 1/2 in. each); (3 flat boxes, 3 in. each); (1 box, 6 1/2 in.); (1 box, 5 in.); (1 index card box, 4 1/4 in.)","8.98 Gigabytes 308 files, formats include .jpg, .iso, .wav, .doc, .txt"],"extent_tesim":["20.75 Linear Feet 20 ft. 9 1/4 in. (13 record cartons, 15 in. each); (4 document cases, 5 in. each); (1 document case, 4 in.); (1 document case, 2 1/2 in.); (2 flat boxes, 1 1/2 in. each); (3 flat boxes, 3 in. each); (1 box, 6 1/2 in.); (1 box, 5 in.); (1 index card box, 4 1/4 in.)","8.98 Gigabytes 308 files, formats include .jpg, .iso, .wav, .doc, .txt"],"date_range_isim":[1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eWilliam \"Bill\" Archer's papers represent his work as a journalist, historian, and musician. He grew up in Claysville, Pennsylvania. His parents provided roots in the Scotch-Irish heritage from his mother and Russian roots from his father, Carl Wesley Archer. After graduating from McGuffey High School in 1967, Archer attended West Virginia University where he graduated in 1972 with a Bachelor's degree in English. He also completed twelve hours of graduate work in English with WVU. \u003c/p\u003e","\u003cp\u003eAlthough Archer's first writing job in southern West Virginia was with the Twin-State Marketer (Bluefield, VA) beginning in 1986, he contributed sporadically to the Bluefield Daily Telegraph beginning in 1983. In 1992, he joined the staff of the Bluefield paper and continued his work there as a reporter and senior editor until 2016. During this time, he was also a stringer from the State Journal, a West Virginia business publication, 1999-2003. Archer covered the news extensively not just in Bluefield but in adjacent counties in West Virginia and northwestern Virginia. \u003c/p\u003e","\u003cp\u003eDue to Archer's important coverage of news events in Southern West Virginia and service to his community, he has received a number of awards: \u003c/p\u003e","\u003cp\u003e1994\nFor his substantial contribution to news coverage, he received the Award of Excellence for Outstanding Editorial Achievement from Thomson Newspapers\n2000\nFor his coverage of the collapse of the First National Bank of Keystone Bank, he received the Outstanding Journalist Award from the West Virginia Trial Lawyers Association\n2003\nThe Mercer County National Association for the Advancement of Colored People awarded him the Merit Award\nThe Veterans of Foreign Wars, Post 9696, awarded him two Distinguished Service Awards\n2007\nArcher was dubbed \"the consummate community newspaper reporter\" by a former publisher of the Bluefield Daily Telegraph when he was named a West Virginia History Hero by the Mercer County Historical Society\n2013\nHe received two awards the Shott Excellence in Media Award and the National Coal Heritage Area Research Documentation Award\n2015\nThe local American Legion awarded him the Distinguished Citizenship Award\u003c/p\u003e","\u003cp\u003eArcher authored a number of local history books and approximately 125 magazine articles in addition to his newspaper reporting. The books, in the \"Images of America\" series from Arcadia Publishing, document the history of the cities of Bluefield, Princeton, and Welch. His county histories include Mercer County (WV), McDowell County (WV), and Bland County (VA). He has written numerous articles for Wonderful West Virginia, and also has contributed to Goldenseal, The West Virginia Encyclopedia, Appalachian Heritage, Coal People, and Virginia Cavalcade.\u003c/p\u003e","\u003cp\u003eArcher's interest in the varied music of southern West Virginia is reflected in some of his writing, but he also wrote poetry and songs. He recorded and performed original music compositions with Karl Miller for more than thirty years. He wrote the lyrics for the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. \u003c/p\u003e","\u003cp\u003eAfter retiring as a writer, Archere extended his service to the community as a Mercer County Commissioner for the 2017-2022 term. This time of his life postdates the donated materials in this collection. \u003c/p\u003e","\u003cp\u003eWilliam Archer and his wife Evonda continue to reside in Bluefield.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["William \"Bill\" Archer's papers represent his work as a journalist, historian, and musician. He grew up in Claysville, Pennsylvania. His parents provided roots in the Scotch-Irish heritage from his mother and Russian roots from his father, Carl Wesley Archer. After graduating from McGuffey High School in 1967, Archer attended West Virginia University where he graduated in 1972 with a Bachelor's degree in English. He also completed twelve hours of graduate work in English with WVU.","Although Archer's first writing job in southern West Virginia was with the Twin-State Marketer (Bluefield, VA) beginning in 1986, he contributed sporadically to the Bluefield Daily Telegraph beginning in 1983. In 1992, he joined the staff of the Bluefield paper and continued his work there as a reporter and senior editor until 2016. During this time, he was also a stringer from the State Journal, a West Virginia business publication, 1999-2003. Archer covered the news extensively not just in Bluefield but in adjacent counties in West Virginia and northwestern Virginia.","Due to Archer's important coverage of news events in Southern West Virginia and service to his community, he has received a number of awards:","1994\nFor his substantial contribution to news coverage, he received the Award of Excellence for Outstanding Editorial Achievement from Thomson Newspapers\n2000\nFor his coverage of the collapse of the First National Bank of Keystone Bank, he received the Outstanding Journalist Award from the West Virginia Trial Lawyers Association\n2003\nThe Mercer County National Association for the Advancement of Colored People awarded him the Merit Award\nThe Veterans of Foreign Wars, Post 9696, awarded him two Distinguished Service Awards\n2007\nArcher was dubbed \"the consummate community newspaper reporter\" by a former publisher of the Bluefield Daily Telegraph when he was named a West Virginia History Hero by the Mercer County Historical Society\n2013\nHe received two awards the Shott Excellence in Media Award and the National Coal Heritage Area Research Documentation Award\n2015\nThe local American Legion awarded him the Distinguished Citizenship Award","Archer authored a number of local history books and approximately 125 magazine articles in addition to his newspaper reporting. The books, in the \"Images of America\" series from Arcadia Publishing, document the history of the cities of Bluefield, Princeton, and Welch. His county histories include Mercer County (WV), McDowell County (WV), and Bland County (VA). He has written numerous articles for Wonderful West Virginia, and also has contributed to Goldenseal, The West Virginia Encyclopedia, Appalachian Heritage, Coal People, and Virginia Cavalcade.","Archer's interest in the varied music of southern West Virginia is reflected in some of his writing, but he also wrote poetry and songs. He recorded and performed original music compositions with Karl Miller for more than thirty years. He wrote the lyrics for the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell.","After retiring as a writer, Archere extended his service to the community as a Mercer County Commissioner for the 2017-2022 term. This time of his life postdates the donated materials in this collection.","William Archer and his wife Evonda continue to reside in Bluefield."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, A\u0026amp;M 4388, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, A\u0026M 4388, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection (A\u0026amp;M 4388) contains a partial copy of the Matewan Trial transcript.\u003c/p\u003e","\u003cp\u003eSee also:\u003clb\u003e\u003c/lb\u003e\nA\u0026amp;M 3608, Matewan Trial Transcript\u003clb\u003e\u003c/lb\u003e\nPages 2012 to 3958  (February 12, 1921 – February 23, 1921)\u003clb\u003e\u003c/lb\u003e\nPlus 1 page of index of witnesses\u003c/p\u003e","\u003cp\u003eCompare to:\u003clb\u003e\u003c/lb\u003e\nA\u0026amp;M 4388, William Archer Papers, Box 8, Folders 1-7, Matewan Trial Transcript \u003clb\u003e\u003c/lb\u003e\nPages 1 to 11, list of witnesses, in Folder 1\u003clb\u003e\u003c/lb\u003e\nPages 3340 to 4671  (February 22, 1921 – February 28, 1921)\u003c/p\u003e","\u003cp\u003eWest Virgina Archives and History in Charleston, West Virginia appears to hold the entire transcript:\u003clb\u003e\u003c/lb\u003e\nMingo County, Case file State vs. Sid Hatfield et al., transcripts, jury selection, witness statements (originals and photocopies), 1921 January 19 to March 16, 15 boxes\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection (A\u0026M 4388) contains a partial copy of the Matewan Trial transcript.","See also:\nA\u0026M 3608, Matewan Trial Transcript\nPages 2012 to 3958  (February 12, 1921 – February 23, 1921)\nPlus 1 page of index of witnesses","Compare to:\nA\u0026M 4388, William Archer Papers, Box 8, Folders 1-7, Matewan Trial Transcript \nPages 1 to 11, list of witnesses, in Folder 1\nPages 3340 to 4671  (February 22, 1921 – February 28, 1921)","West Virgina Archives and History in Charleston, West Virginia appears to hold the entire transcript:\nMingo County, Case file State vs. Sid Hatfield et al., transcripts, jury selection, witness statements (originals and photocopies), 1921 January 19 to March 16, 15 boxes"],"scopecontent_html_tesm":["\u003cp\u003eThe papers of William \"Bill\" Archer, newspaper journalist for the \u003ctitle\u003eBluefield Daily Telegraph\u003c/title\u003e and historian, document Archer's research and reporting of events in Southern West Virginia, predominantly Mercer and McDowell Counties. In addition to his reporting, Archer wrote a number of local history books as well as articles for publications other than the Bluefield paper.  \u003c/p\u003e","\u003cp\u003eThe largest part of the collection, six boxes of records and three of artifacts, focuses on the historic collapse in 1999 of the First National Bank of Keystone in McDowell County; subsequent criminal and civil court cases; and Congressional oversight hearings.  Another significant part of the collection, two boxes of records and three of artifacts, focuses on John Forbes Nash Jr., 1994 recipient of the Nobel Prize in Economics and a Bluefield native.  The files document Nash's time in Bluefield and at Bluefield State College, his family, and his career.  The Nash files also include reporting and research materials about the book and film, \u003ctitle\u003eA Beautiful Mind\u003c/title\u003e, about Nash's life and work.  \u003c/p\u003e","\u003cp\u003eArcher researched all aspects of coal country life.  Significant topics covered by him include music originating in the area, local African American culture and history, hometown heroes, disasters such as flooding and crashes, famous people connected to the area, court cases, coal mining and mining disasters, communities and their services, and transportation.  Of particular note, the collection documents Archer's trip to Japan in 1996 for the Interassociation for Ecology Symposia (INTECOL) on wood and forestry.  \u003c/p\u003e","\u003cp\u003ePhotographs in the collection, mostly contemporary, detail many events during the time of Archer's reporting.  Of particular note are those by Melvin \"Mel\" Grubb, a long time photographer for \u003ctitle\u003eThe Bluefield Daily Telegraph\u003c/title\u003e. The collection also includes a number of other media formats such as films and recordings.  \u003c/p\u003e","\u003cp\u003eAnd finally, throughout the collection there are a large number of Archer's newspaper columns which demonstrate the process of writing newspaper stories beginning with interview notes and ending with the final articles.  Also included are his writings in other literary forms such as local histories, stories, poems, and songs. Some stories and a cookbook were written under the pseudonym Richard Lucas.  \u003c/p\u003e","\u003cp\u003eTwelve compact discs of performances by Archer and Miller are found in Box 28.  Particularly represented in the collection is Archer's work on the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. A compact disc of the music and narration is one of those in Box 28. Digital files of his compositions include 131 files consisting of the compact disk recordings as well as the text of an essay reflecting on music; and songs, written and performed by Archer and Karl Miller.  \u003c/p\u003e","\u003cp\u003eIn addition to the compact discs, Box 28 also contains handwritten and typed Archer compositions and includes love songs to his wife Evonda.  \u003c/p\u003e","\u003cp\u003eThe collection consists of the following series:\u003c/p\u003e","\u003cp\u003eSeries 1. Keystone Bank\u003clb\u003e\u003c/lb\u003e\nSeries 2. John Nash\u003clb\u003e\u003c/lb\u003e \nSeries 3. Subjects\u003clb\u003e\u003c/lb\u003e\nSeries 4. Photographs and Other Media\u003clb\u003e\u003c/lb\u003e\nSeries 5. Writings \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers of William \"Bill\" Archer, newspaper journalist for the Bluefield Daily Telegraph and historian, document Archer's research and reporting of events in Southern West Virginia, predominantly Mercer and McDowell Counties. In addition to his reporting, Archer wrote a number of local history books as well as articles for publications other than the Bluefield paper.","The largest part of the collection, six boxes of records and three of artifacts, focuses on the historic collapse in 1999 of the First National Bank of Keystone in McDowell County; subsequent criminal and civil court cases; and Congressional oversight hearings.  Another significant part of the collection, two boxes of records and three of artifacts, focuses on John Forbes Nash Jr., 1994 recipient of the Nobel Prize in Economics and a Bluefield native.  The files document Nash's time in Bluefield and at Bluefield State College, his family, and his career.  The Nash files also include reporting and research materials about the book and film, A Beautiful Mind, about Nash's life and work.","Archer researched all aspects of coal country life.  Significant topics covered by him include music originating in the area, local African American culture and history, hometown heroes, disasters such as flooding and crashes, famous people connected to the area, court cases, coal mining and mining disasters, communities and their services, and transportation.  Of particular note, the collection documents Archer's trip to Japan in 1996 for the Interassociation for Ecology Symposia (INTECOL) on wood and forestry.","Photographs in the collection, mostly contemporary, detail many events during the time of Archer's reporting.  Of particular note are those by Melvin \"Mel\" Grubb, a long time photographer for The Bluefield Daily Telegraph. The collection also includes a number of other media formats such as films and recordings.","And finally, throughout the collection there are a large number of Archer's newspaper columns which demonstrate the process of writing newspaper stories beginning with interview notes and ending with the final articles.  Also included are his writings in other literary forms such as local histories, stories, poems, and songs. Some stories and a cookbook were written under the pseudonym Richard Lucas.","Twelve compact discs of performances by Archer and Miller are found in Box 28.  Particularly represented in the collection is Archer's work on the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. A compact disc of the music and narration is one of those in Box 28. Digital files of his compositions include 131 files consisting of the compact disk recordings as well as the text of an essay reflecting on music; and songs, written and performed by Archer and Karl Miller.","In addition to the compact discs, Box 28 also contains handwritten and typed Archer compositions and includes love songs to his wife Evonda.","The collection consists of the following series:","Series 1. Keystone Bank\nSeries 2. John Nash \nSeries 3. Subjects\nSeries 4. Photographs and Other Media\nSeries 5. Writings"],"separatedmaterial_html_tesm":["\u003cp\u003eItems transferred to the Rare Books Librarian:\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWilderness\u003c/title\u003e by Vance G. Martin\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Crozers of Upland\u003c/title\u003e by David A. MacQueen -- Rare book\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLegendary Local of McDowell County\u003c/title\u003e by William Archer\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bramwell Breeze\u003c/title\u003e 1911/1912\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Items transferred to the Rare Books Librarian:","Wilderness by Vance G. Martin","The Crozers of Upland by David A. MacQueen -- Rare book","Legendary Local of McDowell County by William Archer","The Bramwell Breeze 1911/1912"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cf33e0a1b957c44f683ffcdbbe87924c\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)"],"names_coll_ssim":["First National Bank of Keystone (W. Va.)","Nash, John F., Jr., 1928-2015"],"persname_ssim":["Archer, William","Nash, John F., Jr., 1928-2015"],"names_ssim":["West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)","Archer, William","Nash, John F., Jr., 1928-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:11:21.075Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6481_c03_c14"}},{"id":"vircu_repositories_3_resources_28_c01_c04_c05","type":"File","attributes":{"title":"Ward TV Bankruptcy Case, 2005/2007","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_28_c01_c04_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_3_resources_28_c01_c04_c05","ref_ssm":["vircu_repositories_3_resources_28_c01_c04_c05"],"id":"vircu_repositories_3_resources_28_c01_c04_c05","ead_ssi":"vircu_repositories_3_resources_28","_root_":"vircu_repositories_3_resources_28","_nest_parent_":"vircu_repositories_3_resources_28_c01_c04","parent_ssi":"vircu_repositories_3_resources_28_c01_c04","parent_ssim":["Secrets of the Sequence records, 2000/2007","Administrative records, 2000/2007","Legal records, 2002/2007"],"parent_ids_ssim":["vircu_repositories_3_resources_28","vircu_repositories_3_resources_28_c01","vircu_repositories_3_resources_28_c01_c04"],"title_filing_ssi":"Ward TV Bankruptcy Case","title_ssm":["Ward TV Bankruptcy Case"],"title_tesim":["Ward TV Bankruptcy Case"],"normalized_title_ssm":["Ward TV Bankruptcy Case, 2005/2007"],"text":["Ward TV Bankruptcy Case, 2005/2007","Secrets of the Sequence records, 2000/2007","Administrative records, 2000/2007","Legal records, 2002/2007","box 2","folder 16"],"parent_unittitles_ssm":["Secrets of the Sequence records, 2000/2007","Administrative records, 2000/2007","Legal records, 2002/2007"],"parent_unittitles_tesim":["Secrets of the Sequence records, 2000/2007","Administrative records, 2000/2007","Legal records, 2002/2007"],"normalized_date_ssm":["2005/2007"],"unitdate_inclusive_ssm":["2005-2007"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":34,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Secrets of the Sequence records, 2000/2007"],"containers_ssim":["box 2","folder 16"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research, except for subseries 1.4 which is restricted. Please consult the repository for details. To view the audiovisual materials in the collection please make an appointment to ensure the necessary equipment for viewing is available."],"parent_access_terms_tesm":["Permission is required for reproduction. Please consult with the repository for details."],"date_range_isim":[2005,2006,2007],"_nest_path_":"/components#0/components#3/components#4","timestamp":"2026-08-14T22:39:51.873Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_28","ead_ssi":"vircu_repositories_3_resources_28","_root_":"vircu_repositories_3_resources_28","_nest_parent_":"vircu_repositories_3_resources_28","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_28.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-tm/vircuh00046.xml","title_ssm":["Secrets of the Sequence records"],"title_tesim":["Secrets of the Sequence records"],"unitdate_ssm":["2000-2007"],"unitdate_inclusive_ssm":["2000-2007"],"normalized_date_ssm":["2000/2007"],"normalized_title_ssm":["Secrets of the Sequence records, 2000/2007"],"text":["Secrets of the Sequence records, 2000/2007","2013.Aug.68","/repositories/3/resources/28","Audio-visual materials","Collection is open to research, except for subseries 1.4 which is restricted. Please consult the repository for details. To view the audiovisual materials in the collection please make an appointment to ensure the necessary equipment for viewing is available.","The Secrets of the Sequence records have been divided into three series with subseries as needed:","Series 1: Administrative records, 2000-2007\n   Subseries 1.1: Correspondence, 2001-2003\n   Subseries 1.2: Development of concept and publicity records, 2001-2006\n   Subseries 1.3: Participants, 2000-2003\n   Subseries 1.4: Legal records, 2002-2007\nSeries 2: Production records, 2001-2003\nSeries 3: Videos, 2000-2003","Efforts have been made to preserve the original order of these files where applicable. Series 2 has been kept in the exact order in which it was received. The videos have been placed in order by the six digit number found on all the videos except for those in box 52, which do not have a number.","Secrets of the Sequence (SOTS) is an educational television series that aired on Public Television in 2002-2003. The show, a weekly TV news magazine hosted by Lucky Severson, was created to educate the public about current developments in genetics and life sciences,as well as the applications of the research from these fields. Ward Television Corporation produced the program in collaboration with six leading life sciences research institutions: Harvard University; Medical Research Council Laboratory of Molecular Biology (Cambridge, England); University of California, San Fancisco; University of Michigan; University of Wisconsin, Madison; and VCU. The project was funded in part by Oracle and the Pfizer Foundation. Each episode consisted of three, eight-minute segements which featured the work of scientists and researchers from the participating institutions. The show debued on April 7, 2002 and ran until March 2003 with a total of 52 episodes aired.","The idea for SOTS began at VCU due to President Eugene P. Trani's active support for the life sciences. He spearheaded the creation of VCU Life Sciences, a comprehensive program intergrating the School of Medicine, VCU Health System, the Inger and Walter Rice Center for Environmental Life Sciences, and programs in the sciences, engineering, business, education, and the humanities. This program was created to educate not only students, but the broader public as well to raise awarness about research and advancements in the Life Sciences. In 2001 VCU engaged the services of McGrath/Crossen Associates, a public relations firm, to find ways of promoting these ideas to the community at large and to raise the profile of the University. The concept of the show was created and other institutions were invited to join in the project. At a press conference in March 2002 to promote SOTS Dr. Trani stated that the series represented a \"breakthrough in the effort to establish a public dialogue about the implications of research in a post-genomic era.\" He discussed the need for an informed society for the formation of responsible public policy on these issues and declared, \"where the public goes, so goes the future of education and public policy.\"","Fifty of the best segments of the SOTS shows were adapted to assist teachers in the application of genetic research across the biology curriculum. These 8-10 minute videos were made available for free download through VCU. This project was funded by the Pfizer Foundation and the National Academy of Sciences. Additional funding from the Howard Hughes Medical Institution allowed for the creation of more videos which have been added to the site. Each video includes an accompanying classroom-tested lesson that encourages students to further explore the video topics. These vidoes can be found at  http://www.sosq.vcu.edu","The videos in Series 3 are in various formats. The majority are recorded on Sony Betacam SP cassettes. There are also some VHS tapes, Sony DVCam cassettes, and CDs. Screening will require proper equipment for playback. To view these materials please contact the repository for an appointment to ensure that the equipment is available.","VHS copies of the Secrets of the Sequence episodes 101-133 are located in the media collections at VCU Libraries, call number QH430.S47 2002.","The records of the Secrets of the Sequence (SOTS) television show, 2000-2007, are those created and collected by the Office of the President at VCU, which played a key role in the creation and production of this project. The records include correspondence, project and production information, video masters, b-roll footage, and other materials related to the creation and production of the television series.","Series 1: Administrative records, 2000-2007. This series consists of records relating to the development of the show and is divided into four subseries.","Subseries 1.1: Correspondence. This subseries includes printed copies of emails that were exchanged primarily between VCU, McGrath/Crossen Associates, Ward TV, and the other institutions involved in the show. Topics covered include the development of the concept, funding, production, and promotion of the show.","Subseries 1.2: Development of concept and publicity records. This includes materials such as the script for the series pilot, episode descriptions, press releases and details of the press conference held to promote the show, a progress report, a white paper on the neccesity for life sciences education, and other related materials.","Subseries 1.3: Participants. Materials include profiles of the six research institutions involved in the creation of SOTS, biographies of the members of those institutions who also served on the Board of Advisors, and other materials relating to the Life Sciences programs at those institutions.","Subseries 1.4: Legal records. This subseries contains arbitration testimony, materials regarding the Ward TV bankruptcy case, and materials related to a FOIA request by the Richmond Times Dispatch.","Series 2: Production records, 2001-2003. This series includes the production files for episodes 106-152 which contain scripts, location and crew releases, chyrons (television graphics that appear on the lower third of the screen), edit decision lists (EDS), and other materials related to the productio of SOTS. Also in this series are files containing personal, logo, location, and stock footage releases and a file of stills and slides.","Series 3: Videos, 2000-2003. This series contains the master tapes of SOTS and b-roll footage used for show segments. The majority of these are Betacam SP cassettes, but there are also VHS tapes, CDs, and DVCam cassettes. Some of the masters are PAL or International format. A link to the video inventory can be found at  \n https://gallery.library.vcu.edu/items/show/114810","Permission is required for reproduction. Please consult with the repository for details.","VCU Health Sciences Library","Virginia Commonwealth University. Office of the President","English"],"collection_title_tesim":["Secrets of the Sequence records, 2000/2007"],"collection_ssim":["Secrets of the Sequence records, 2000/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.Aug.68","/repositories/3/resources/28"],"unitid_tesim":["2013.Aug.68","/repositories/3/resources/28"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Virginia Commonwealth University. Office of the President"],"creator_ssim":["Virginia Commonwealth University. Office of the President"],"creator_corpname_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. Office of the President"],"creators_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. Office of the President"],"access_terms_ssm":["Permission is required for reproduction. Please consult with the repository for details."],"acqinfo_ssim":["Transferred from Virginia Commonwealth University, Office of the President."],"access_subjects_ssim":["Audio-visual materials"],"access_subjects_ssm":["Audio-visual materials"],"has_online_content_ssim":["false"],"extent_ssm":["67.6 Linear Feet 52 record storage boxes"],"extent_tesim":["67.6 Linear Feet 52 record storage boxes"],"date_range_isim":[2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research, except for subseries 1.4 which is restricted. Please consult the repository for details. To view the audiovisual materials in the collection please make an appointment to ensure the necessary equipment for viewing is available.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research, except for subseries 1.4 which is restricted. Please consult the repository for details. To view the audiovisual materials in the collection please make an appointment to ensure the necessary equipment for viewing is available."],"arrangement_html_tesm":["\u003cp\u003eThe \u003ctitle render=\"italic\"\u003eSecrets of the Sequence\u003c/title\u003e records have been divided into three series with subseries as needed:\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records, 2000-2007\n   Subseries 1.1: Correspondence, 2001-2003\n   Subseries 1.2: Development of concept and publicity records, 2001-2006\n   Subseries 1.3: Participants, 2000-2003\n   Subseries 1.4: Legal records, 2002-2007\nSeries 2: Production records, 2001-2003\nSeries 3: Videos, 2000-2003\u003c/p\u003e","\u003cp\u003e\nEfforts have been made to preserve the original order of these files where applicable. Series 2 has been kept in the exact order in which it was received. The videos have been placed in order by the six digit number found on all the videos except for those in box 52, which do not have a number.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Secrets of the Sequence records have been divided into three series with subseries as needed:","Series 1: Administrative records, 2000-2007\n   Subseries 1.1: Correspondence, 2001-2003\n   Subseries 1.2: Development of concept and publicity records, 2001-2006\n   Subseries 1.3: Participants, 2000-2003\n   Subseries 1.4: Legal records, 2002-2007\nSeries 2: Production records, 2001-2003\nSeries 3: Videos, 2000-2003","Efforts have been made to preserve the original order of these files where applicable. Series 2 has been kept in the exact order in which it was received. The videos have been placed in order by the six digit number found on all the videos except for those in box 52, which do not have a number."],"bioghist_html_tesm":["\u003cp\u003e\n\u003ctitle render=\"italic\"\u003eSecrets of the Sequence\u003c/title\u003e (SOTS) is an educational television series that aired on Public Television in 2002-2003. The show, a weekly TV news magazine hosted by Lucky Severson, was created to educate the public about current developments in genetics and life sciences,as well as the applications of the research from these fields. Ward Television Corporation produced the program in collaboration with six leading life sciences research institutions: Harvard University; Medical Research Council Laboratory of Molecular Biology (Cambridge, England); University of California, San Fancisco; University of Michigan; University of Wisconsin, Madison; and VCU. The project was funded in part by Oracle and the Pfizer Foundation. Each episode consisted of three, eight-minute segements which featured the work of scientists and researchers from the participating institutions. The show debued on April 7, 2002 and ran until March 2003 with a total of 52 episodes aired.\u003c/p\u003e\n","\u003cp\u003eThe idea for SOTS began at VCU due to President Eugene P. Trani's active support for the life sciences. He spearheaded the creation of VCU Life Sciences, a comprehensive program intergrating the School of Medicine, VCU Health System, the Inger and Walter Rice Center for Environmental Life Sciences, and programs in the sciences, engineering, business, education, and the humanities. This program was created to educate not only students, but the broader public as well to raise awarness about research and advancements in the Life Sciences. In 2001 VCU engaged the services of McGrath/Crossen Associates, a public relations firm, to find ways of promoting these ideas to the community at large and to raise the profile of the University. The concept of the show was created and other institutions were invited to join in the project. At a press conference in March 2002 to promote SOTS Dr. Trani stated that the series represented a \"breakthrough in the effort to establish a public dialogue about the implications of research in a post-genomic era.\" He discussed the need for an informed society for the formation of responsible public policy on these issues and declared, \"where the public goes, so goes the future of education and public policy.\"\u003c/p\u003e\n","\u003cp\u003eFifty of the best segments of the SOTS shows were adapted to assist teachers in the application of genetic research across the biology curriculum. These 8-10 minute videos were made available for free download through VCU. This project was funded by the Pfizer Foundation and the National Academy of Sciences. Additional funding from the Howard Hughes Medical Institution allowed for the creation of more videos which have been added to the site. Each video includes an accompanying classroom-tested lesson that encourages students to further explore the video topics. These vidoes can be found at \u003cextref type=\"simple\" href=\"http://www.sosq.vcu.edu\"\u003e http://www.sosq.vcu.edu\u003c/extref\u003e \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Secrets of the Sequence (SOTS) is an educational television series that aired on Public Television in 2002-2003. The show, a weekly TV news magazine hosted by Lucky Severson, was created to educate the public about current developments in genetics and life sciences,as well as the applications of the research from these fields. Ward Television Corporation produced the program in collaboration with six leading life sciences research institutions: Harvard University; Medical Research Council Laboratory of Molecular Biology (Cambridge, England); University of California, San Fancisco; University of Michigan; University of Wisconsin, Madison; and VCU. The project was funded in part by Oracle and the Pfizer Foundation. Each episode consisted of three, eight-minute segements which featured the work of scientists and researchers from the participating institutions. The show debued on April 7, 2002 and ran until March 2003 with a total of 52 episodes aired.","The idea for SOTS began at VCU due to President Eugene P. Trani's active support for the life sciences. He spearheaded the creation of VCU Life Sciences, a comprehensive program intergrating the School of Medicine, VCU Health System, the Inger and Walter Rice Center for Environmental Life Sciences, and programs in the sciences, engineering, business, education, and the humanities. This program was created to educate not only students, but the broader public as well to raise awarness about research and advancements in the Life Sciences. In 2001 VCU engaged the services of McGrath/Crossen Associates, a public relations firm, to find ways of promoting these ideas to the community at large and to raise the profile of the University. The concept of the show was created and other institutions were invited to join in the project. At a press conference in March 2002 to promote SOTS Dr. Trani stated that the series represented a \"breakthrough in the effort to establish a public dialogue about the implications of research in a post-genomic era.\" He discussed the need for an informed society for the formation of responsible public policy on these issues and declared, \"where the public goes, so goes the future of education and public policy.\"","Fifty of the best segments of the SOTS shows were adapted to assist teachers in the application of genetic research across the biology curriculum. These 8-10 minute videos were made available for free download through VCU. This project was funded by the Pfizer Foundation and the National Academy of Sciences. Additional funding from the Howard Hughes Medical Institution allowed for the creation of more videos which have been added to the site. Each video includes an accompanying classroom-tested lesson that encourages students to further explore the video topics. These vidoes can be found at  http://www.sosq.vcu.edu"],"phystech_html_tesm":["\u003cp\u003eThe videos in Series 3 are in various formats. The majority are recorded on Sony Betacam SP cassettes. There are also some VHS tapes, Sony DVCam cassettes, and CDs. Screening will require proper equipment for playback. To view these materials please contact the repository for an appointment to ensure that the equipment is available.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The videos in Series 3 are in various formats. The majority are recorded on Sony Betacam SP cassettes. There are also some VHS tapes, Sony DVCam cassettes, and CDs. Screening will require proper equipment for playback. To view these materials please contact the repository for an appointment to ensure that the equipment is available."],"prefercite_html_tesm":["\u003cp\u003eSecrets of the Sequence records, Accession # 2013/Aug/68, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Secrets of the Sequence records, Accession # 2013/Aug/68, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eVHS copies of the \u003ctitle render=\"italic\"\u003eSecrets of the Sequence\u003c/title\u003e episodes 101-133 are located in the media collections at VCU Libraries, call number QH430.S47 2002.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["VHS copies of the Secrets of the Sequence episodes 101-133 are located in the media collections at VCU Libraries, call number QH430.S47 2002."],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Secrets of the Sequence (SOTS) television show, 2000-2007, are those created and collected by the Office of the President at VCU, which played a key role in the creation and production of this project. The records include correspondence, project and production information, video masters, b-roll footage, and other materials related to the creation and production of the television series.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records, 2000-2007. This series consists of records relating to the development of the show and is divided into four subseries.\u003c/p\u003e","\u003cp\u003eSubseries 1.1: Correspondence. This subseries includes printed copies of emails that were exchanged primarily between VCU, McGrath/Crossen Associates, Ward TV, and the other institutions involved in the show. Topics covered include the development of the concept, funding, production, and promotion of the show.\u003c/p\u003e","\u003cp\u003eSubseries 1.2: Development of concept and publicity records. This includes materials such as the script for the series pilot, episode descriptions, press releases and details of the press conference held to promote the show, a progress report, a white paper on the neccesity for life sciences education, and other related materials.\u003c/p\u003e","\u003cp\u003eSubseries 1.3: Participants. Materials include profiles of the six research institutions involved in the creation of SOTS, biographies of the members of those institutions who also served on the Board of Advisors, and other materials relating to the Life Sciences programs at those institutions. \u003c/p\u003e","\u003cp\u003eSubseries 1.4: Legal records. This subseries contains arbitration testimony, materials regarding the Ward TV bankruptcy case, and materials related to a FOIA request by the Richmond Times Dispatch.\u003c/p\u003e","\u003cp\u003eSeries 2: Production records, 2001-2003. This series includes the production files for episodes 106-152 which contain scripts, location and crew releases, chyrons (television graphics that appear on the lower third of the screen), edit decision lists (EDS), and other materials related to the productio of SOTS. Also in this series are files containing personal, logo, location, and stock footage releases and a file of stills and slides.\u003c/p\u003e","\u003cp\u003eSeries 3: Videos, 2000-2003. This series contains the master tapes of SOTS and b-roll footage used for show segments. The majority of these are Betacam SP cassettes, but there are also VHS tapes, CDs, and DVCam cassettes. Some of the masters are PAL or International format. A link to the video inventory can be found at  \n\u003cextref type=\"simple\" href=\"https://gallery.library.vcu.edu/items/show/114810\"\u003e https://gallery.library.vcu.edu/items/show/114810\u003c/extref\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The records of the Secrets of the Sequence (SOTS) television show, 2000-2007, are those created and collected by the Office of the President at VCU, which played a key role in the creation and production of this project. The records include correspondence, project and production information, video masters, b-roll footage, and other materials related to the creation and production of the television series.","Series 1: Administrative records, 2000-2007. This series consists of records relating to the development of the show and is divided into four subseries.","Subseries 1.1: Correspondence. This subseries includes printed copies of emails that were exchanged primarily between VCU, McGrath/Crossen Associates, Ward TV, and the other institutions involved in the show. Topics covered include the development of the concept, funding, production, and promotion of the show.","Subseries 1.2: Development of concept and publicity records. This includes materials such as the script for the series pilot, episode descriptions, press releases and details of the press conference held to promote the show, a progress report, a white paper on the neccesity for life sciences education, and other related materials.","Subseries 1.3: Participants. Materials include profiles of the six research institutions involved in the creation of SOTS, biographies of the members of those institutions who also served on the Board of Advisors, and other materials relating to the Life Sciences programs at those institutions.","Subseries 1.4: Legal records. This subseries contains arbitration testimony, materials regarding the Ward TV bankruptcy case, and materials related to a FOIA request by the Richmond Times Dispatch.","Series 2: Production records, 2001-2003. This series includes the production files for episodes 106-152 which contain scripts, location and crew releases, chyrons (television graphics that appear on the lower third of the screen), edit decision lists (EDS), and other materials related to the productio of SOTS. Also in this series are files containing personal, logo, location, and stock footage releases and a file of stills and slides.","Series 3: Videos, 2000-2003. This series contains the master tapes of SOTS and b-roll footage used for show segments. The majority of these are Betacam SP cassettes, but there are also VHS tapes, CDs, and DVCam cassettes. Some of the masters are PAL or International format. A link to the video inventory can be found at  \n https://gallery.library.vcu.edu/items/show/114810"],"userestrict_html_tesm":["\u003cp\u003ePermission is required for reproduction. Please consult with the repository for details.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission is required for reproduction. Please consult with the repository for details."],"corpname_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. Office of the President"],"names_coll_ssim":["Virginia Commonwealth University. Office of the President"],"names_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. Office of the President"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:51.873Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_28_c01_c04_c05"}},{"id":"wvmturhc_repositories_2_resources_6270_c02_c20","type":"File","attributes":{"title":"Warfare, 1926/2010","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6270_c02_c20#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis box contains the following books: \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6270_c02_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6270_c02_c20","ref_ssm":["wvmturhc_repositories_2_resources_6270_c02_c20"],"id":"wvmturhc_repositories_2_resources_6270_c02_c20","ead_ssi":"wvmturhc_repositories_2_resources_6270","_root_":"wvmturhc_repositories_2_resources_6270","_nest_parent_":"wvmturhc_repositories_2_resources_6270_c02","parent_ssi":"wvmturhc_repositories_2_resources_6270_c02","parent_ssim":["Emory L. Kemp Papers regarding Industrial History, 1735/2021","Series 2. Kemp's Library, 1855/2015"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6270","wvmturhc_repositories_2_resources_6270_c02"],"title_filing_ssi":"Warfare","title_ssm":["Warfare"],"title_tesim":["Warfare"],"normalized_title_ssm":["Warfare, 1926/2010"],"text":["Warfare, 1926/2010","Emory L. Kemp Papers regarding Industrial History, 1735/2021","Series 2. Kemp's Library, 1855/2015","Box 20","This box contains the following books:","Pitt, Barbie. The Battle of the Atlantic. Alexandria, VA: Time-Life Books Inc., 1977.","Melegari, Vezio. The World's Great Regiments. London, New York, Sydney \u0026 Toronto: Spring Books, 1969. Dust jacket.","Gunston, Bill. British Fighters of World War II. London: Crescent Books, 1982. Dust jacket.","Bethell, Nicholas. Russia Besieged. Alexandria, VA: Time-Life Books Inc., 1977.","Grove, Eric. World War II Tanks. New York: Excalibur Books, 1976. Dust jacket.","The Marshall Cavendish Illustrated Encyclopedia of World War II. Volume 19. New York: Marshall Cavendish Corporation, 1972.","Marshal, Field. Normandy to the Baltic. Boston: Houghton Mifflin Company, 1948. Dust jacket.","Wilkinson, F. Badges of the British Army 1820 to the Present. Great Britain: Arms and Armour Press, 1987.","Kershaw, Alex. The Few. London: Da Capo Press, 2006. Dust jacket.","Griffith, Paddy. Battle Tactics of the Western Front. New Haven \u0026 London, Yale University Press, 1994. Dust jacket","Crawford, Steve. Strange but True Military Facts. London: Windmill Books, 2010.","Wilson, Arthur R. Field Artillery Manual. Volume I. Menasha, WI: George Banta Publishing Company, 1926.","Marshal, Field. El Alamein to the River Sangro. New York: E.P. Dutton \u0026 Company, Inc., 1949. Dust jacket.","Keegan, John. Churchill's Generals. New York: Grove Weidenfeld, 1991. Dust jacket.","Seversky, Major Alexander P. De. Victory through Air Power. New York: Simon and Schuster, 1942. Dust jacket."],"parent_unittitles_ssm":["Emory L. Kemp Papers regarding Industrial History, 1735/2021","Series 2. Kemp's Library, 1855/2015"],"parent_unittitles_tesim":["Emory L. Kemp Papers regarding Industrial History, 1735/2021","Series 2. Kemp's Library, 1855/2015"],"normalized_date_ssm":["1926/2010"],"unitdate_inclusive_ssm":["ca. 1926-2010"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":318,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Emory L. Kemp Papers regarding Industrial History, 1735/2021"],"containers_ssim":["Box 20"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003eThis box contains the following books: \u003c/p\u003e","\u003cp\u003ePitt, Barbie. \u003ctitle\u003eThe Battle of the Atlantic\u003c/title\u003e. Alexandria, VA: Time-Life Books Inc., 1977. \u003c/p\u003e","\u003cp\u003eMelegari, Vezio. \u003ctitle\u003eThe World's Great Regiments\u003c/title\u003e. London, New York, Sydney \u0026amp; Toronto: Spring Books, 1969. Dust jacket.\u003c/p\u003e","\u003cp\u003eGunston, Bill. \u003ctitle\u003eBritish Fighters of World War II\u003c/title\u003e. London: Crescent Books, 1982. Dust jacket.\u003c/p\u003e","\u003cp\u003eBethell, Nicholas. \u003ctitle\u003eRussia Besieged\u003c/title\u003e. Alexandria, VA: Time-Life Books Inc., 1977.\u003c/p\u003e","\u003cp\u003eGrove, Eric. \u003ctitle\u003eWorld War II Tanks\u003c/title\u003e. New York: Excalibur Books, 1976. Dust jacket.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Marshall Cavendish Illustrated Encyclopedia of World War II\u003c/title\u003e. Volume 19. New York: Marshall Cavendish Corporation, 1972. \u003c/p\u003e","\u003cp\u003eMarshal, Field. \u003ctitle\u003eNormandy to the Baltic\u003c/title\u003e. Boston: Houghton Mifflin Company, 1948. Dust jacket. \u003c/p\u003e","\u003cp\u003eWilkinson, F. \u003ctitle\u003eBadges of the British Army 1820 to the Present\u003c/title\u003e. Great Britain: Arms and Armour Press, 1987.\u003c/p\u003e","\u003cp\u003eKershaw, Alex. \u003ctitle\u003eThe Few\u003c/title\u003e. London: Da Capo Press, 2006. Dust jacket.\u003c/p\u003e","\u003cp\u003eGriffith, Paddy. \u003ctitle\u003eBattle Tactics of the Western Front\u003c/title\u003e. New Haven \u0026amp; London, Yale University Press, 1994. Dust jacket\u003c/p\u003e","\u003cp\u003eCrawford, Steve. \u003ctitle\u003eStrange but True Military Facts\u003c/title\u003e. London: Windmill Books, 2010.\u003c/p\u003e","\u003cp\u003eWilson, Arthur R. \u003ctitle\u003eField Artillery Manual\u003c/title\u003e. Volume I. Menasha, WI: George Banta Publishing Company, 1926. \u003c/p\u003e","\u003cp\u003eMarshal, Field. \u003ctitle\u003eEl Alamein to the River Sangro\u003c/title\u003e. New York: E.P. Dutton \u0026amp; Company, Inc., 1949. Dust jacket.\u003c/p\u003e","\u003cp\u003eKeegan, John. \u003ctitle\u003eChurchill's Generals\u003c/title\u003e. New York: Grove Weidenfeld, 1991. Dust jacket.\u003c/p\u003e","\u003cp\u003eSeversky, Major Alexander P. De. \u003ctitle\u003eVictory through Air Power\u003c/title\u003e. New York: Simon and Schuster, 1942. Dust jacket.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This box contains the following books:","Pitt, Barbie. The Battle of the Atlantic. Alexandria, VA: Time-Life Books Inc., 1977.","Melegari, Vezio. The World's Great Regiments. London, New York, Sydney \u0026 Toronto: Spring Books, 1969. Dust jacket.","Gunston, Bill. British Fighters of World War II. London: Crescent Books, 1982. Dust jacket.","Bethell, Nicholas. Russia Besieged. Alexandria, VA: Time-Life Books Inc., 1977.","Grove, Eric. World War II Tanks. New York: Excalibur Books, 1976. Dust jacket.","The Marshall Cavendish Illustrated Encyclopedia of World War II. Volume 19. New York: Marshall Cavendish Corporation, 1972.","Marshal, Field. Normandy to the Baltic. Boston: Houghton Mifflin Company, 1948. Dust jacket.","Wilkinson, F. Badges of the British Army 1820 to the Present. Great Britain: Arms and Armour Press, 1987.","Kershaw, Alex. The Few. London: Da Capo Press, 2006. Dust jacket.","Griffith, Paddy. Battle Tactics of the Western Front. New Haven \u0026 London, Yale University Press, 1994. Dust jacket","Crawford, Steve. Strange but True Military Facts. London: Windmill Books, 2010.","Wilson, Arthur R. Field Artillery Manual. Volume I. Menasha, WI: George Banta Publishing Company, 1926.","Marshal, Field. El Alamein to the River Sangro. New York: E.P. Dutton \u0026 Company, Inc., 1949. Dust jacket.","Keegan, John. Churchill's Generals. New York: Grove Weidenfeld, 1991. Dust jacket.","Seversky, Major Alexander P. De. Victory through Air Power. New York: Simon and Schuster, 1942. Dust jacket."],"_nest_path_":"/components#1/components#19","timestamp":"2026-08-14T23:11:07.415Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6270","ead_ssi":"wvmturhc_repositories_2_resources_6270","_root_":"wvmturhc_repositories_2_resources_6270","_nest_parent_":"wvmturhc_repositories_2_resources_6270","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6270.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/207354","title_ssm":["Emory L. Kemp Papers regarding Industrial History"],"title_tesim":["Emory L. Kemp Papers regarding Industrial History"],"unitdate_ssm":["1735-2021"],"unitdate_inclusive_ssm":["1735-2021"],"normalized_date_ssm":["1735/2021"],"normalized_title_ssm":["Emory L. Kemp Papers regarding Industrial History, 1735/2021"],"text":["Emory L. Kemp Papers regarding Industrial History, 1735/2021","A\u0026M 4230","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6270","Canals--United States","Kanawha River (W. Va.)","Kanawha River (W. Va.) -- Navigation -- History","Muskingum River (Ohio)","Tennessee-Tombigbee Waterway (Ala. and Miss.)","Aqueducts","Canal aqueducts","Canals","Cast-iron","Cement","Coal mines and mining","coalfields","Concrete","Covered bridges","Dams","Engineering","Engineering -- History","Flood dams and reservoirs","Glass blowing and working","Glass manufacture","Historic preservation","Historic sites -- Conservation and restoration","Industrial archaeology","Industrial archaeology -- Australia","Industrial archaeology -- England","Industrial archaeology -- United States","Inland navigation","Iron","Locks (Hydraulic engineering)","Milling machinery","Mills and mill-work","Mines and mineral resources","Mines and mineral resources -- West Virginia","Portland cement","Science -- History","Steel","Suspension bridges","Technology -- History","Truss bridges","Waterways","Wheeling Bridge (Wheeling, W. Va.)","Wrought-iron","All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Research Files (1735-2017) \n    \n    \n\n\t Bridges (1735-2016) \n\n\t\tWaterways (1804-2015) \n\n\t\tIndustrial structures (1807-2017)\n\n\t\tEngineers, the history of engineering, and general historical topics (1770, 1805-2010) \n\n\t\tHistoric buildings (1810-2002) \n\n\t\tBuilding materials (1829-2002) \n      \n\n \n    \tKemp's Library (1855-2015) \n    \n\n \n    \tKemp's Professional Writings (1804-2015) \n    \n\n \n    \tKemp's Other Professional Activities (1849, 1909, 1952-2018) \n    \n\n\n    \tOversize Materials (undated) \n    \n\n \n    \tOral History (2017-2018) \n    \n    \n    \tAddendum of 2019: Records of Trips, Engineering Papers, Edinburgh Fellowship, \n        Suspension Bridge Papers, Miscellaneous  (1848-2021)\n    \n    \n    \tAddendum of 2021/04/05  (1768-2014)\n    \n    \n    \tAddendum of 2020: Engineering drawings, maps, other miscellaneous (1909-2003)","Emory Leland Kemp was born to Emory Lelan Kemp and Anita Mae Hucker Kemp on October 1, 1931 in Chicago, Illinois. His family moved to Champaign, Illinois when he was four, and he attended the South Side School and later the University of Illinois High School. Although his teachers at the high school—faculty members at the university—encouraged Kemp to study history, he chose to enter the College of Engineering, just as his father had studied engineering before him. Kemp graduated with a degree in civil engineering in 1952, and the school honored him with the prestigious Ira O. Baker Award as the top-ranked undergraduate student in the Department of Civil Engineering.","Following graduation, Kemp became an assistant engineer with the Illinois Water Survey until war broke out in Korea and the government drafted Kemp into the United States Army. His former boss, now a colonel in the United States Army Corps of Engineers, transferred Kemp to work with the USACE in Alexandria, Virginia. After two years developing a detector for non-magnetic landmines with the USACE, Kemp applied to and accepted a Fulbright Scholarship to study at Imperial College of Science and Technology in London, England. He studied advanced mathematics and developed an interest in thin concrete roofs. In addition to receiving a Diploma of Imperial College (similar to a Master's degree) after two years in London, Kemp also met his life's partner, Janet. The two were married in 1958, and had three children in the United States: Mark, Alison and Geoffrey.","After his diploma, Kemp remained in London and worked on thin concrete shell rooves for Sir Bruce White, Wolfe Barry and Partners. He transferred to Arup and Partners, where he worked on the design behind the Sydney Opera House (developing the pre-stress and post-tension piles on the end of the building) and the hangars at the Royal Air Force Abingdon station. Soon, however, the University of Illinois invited Kemp to return to Champaign to complete a PhD in structural mechanics on full scholarship. He completed a dissertation on torsion in reinforced concrete in 1962.\n \n That same year, a faculty position at West Virginia University's School of Engineering became available. Kemp got the job, so he, Janet, and their children moved to Morgantown, West Virginia. He quickly rose to chair the Civil Engineering Department. Under his administration, the Department grew rapidly and received national acclaim. \n \n When James Harlow became president of West Virginia University (WVU) in 1967, he sent Kemp to the University of Oklahoma to study their History of Science program. Kemp was intrigued, and soon acquired approval to plan a similar course of study through WVU's History Department. He taught classes on the Industrial Revolution and the history of technology, but did not successfully convince the College of Engineering to require its engineering students to take courses in the history of science. \n \n During the 1970s, Kemp became involved in a number of historic preservation projects in West Virginia. First, he got involved in restoring the Wheeling Suspension Bridge, which needed repairs to its suspension wires. Kemp assisted with multiple rounds of restoration on the historic bridge. Then, West Virginia Independence Hall Foundation consulted Kemp on the restoration of the building in which West Virginia seceded from Virginia (although Kemp always referred to the building by its original title, the \"Wheeling Custom House\"). Kemp investigated the nine-inch wrought-iron I-beams that supported the ceilings and upper floors of the building, and assisted the foundation in interpreting the building as a museum.\n \n By the end of the 1970s, Kemp had earned recognition throughout the preservation community. Government agencies contracted with Kemp to document historic industrial and transportation structures through archival photographs and large-scale engineering drawings, so the materials could be submitted to the Historic American Engineering Record. The West Virginia state government also consulted Kemp for a number of projects throughout the 1970s and 1980s, especially involving work on covered bridges. For instance, when the roof of the Philippi Covered Bridge burned in a fire in February 1989, the state hired Kemp to oversee the restoration. Using innovative techniques for covering the top and supporting the old frame with new beams, Kemp gave the bridge its original 1861 appearance. He also assisted in the restoration of the Staats Mill and Barrackville Covered Bridges. Kemp's personal research interests centered on industrial processes in West Virginia, including mining, milling, glassmaking, and railroads. \n \n Kemp also founded and co-founded a number of organizations. First, Kemp got involved with a movement to bring the British discipline of industrial archaeology (the study of physical remnants of industrial structures as a method to understand our manufacturing past) to the United States. Kemp helped to found the Society for Industrial Archeology (SIA) in 1971, served as the first editor of the affiliated journal, IA, in 1975, and eventually became SIA's president from 1988-1990. Kemp also founded the historic preservation and repurposing organization, Vandalia Heritage Foundation, in 1999. He was a founding member of the Preservation Alliance of West Virginia in 1981.\n \n In 1990, Kemp received Congressional funding to establish an Institute for the History of Technology and Industrial Archaeology (IHTIA) at WVU. The IHTIA, which became Kemp's full time job, provided historic preservation consultations, documented historic structures, held workshops and field schools, and published monographs. Over the course of its history, the IHTIA generated $13 million of research funding and worked on an estimated 86 projects. \n \n \nFor all of Kemp's work to preserve historic structures and encourage the spread of information about the history of industrial technology and transportation, the American Society of Civil Engineers named him a Distinguished Member in 2004. By the time he retired in the early 2000s, Kemp had devoted a lifetime to studying and celebrating America's industrial past.","Materials arrived sorted into boxes, generally based on the individual project for which Kemp used the items. A project can be defined as an endeavor that Kemp took on for a concentrated period of time centered on one structure, geographic location, or theme. Examples include the restoration of a historic site or set of historic sites that share a common purpose, documentation of a historic site or set of historic sites that share a common purpose, a publication, a conference, or a grant application. Some boxes appeared to be a mix of materials from various projects and subjects. Such boxes were categorized by the most prominent project or subject within the box or were determined \"Miscellaneous.\"","Some boxes were organized around a common topic rather than a project, especially if Kemp returned to a particular topic throughout his career (an example is research on concrete, a body of scholarship that Kemp drew on for a variety of projects).","At arrival, only some boxes had materials arranged into folders. Where arrangement within a box was obvious (such as materials segregated into manila folders), original arrangement was retained. Otherwise, items were sorted within boxes by format, or, when possible, by sub-topic.","Boxes were clumped together by individual project or topic. The series were created to reflect general categories of purposes for which Kemp used the materials. However, the series \"Oversize Material\" was not separated based on Kemp's purpose for using the materials; it was created to house all the items from other series that arrived folded inside boxes and do not fit in their original boxes when unfolded.","Because Kemp used so many of the materials in the collection for research, the series \"Research Files\" was broken down into sub-series by type of project. Boxes were occasionally combined when space allowed and when the materials originated from the same project. Boxes were also occasionally combined when items inside each box did not originate from just one project or just one type of project.","Additionally, Kemp separately donated books from his personal library, which he used throughout his career.","All born-digital materials housed on floppy disks, compact discs, or USB drives were uploaded to repository servers.","Any box and folder citations created before July 2019 may rely upon Kemp's original arrangement and may no longer be accurate. For assistance locating material using an older citation, please ask a staff member of the West Virginia and Regional History Center.","This collection includes materials from Dr. Emory L. Kemp's career of researching, documenting, and preserving historic structures. Kemp was a practicing civil engineer from 1952-1959, then taught civil engineering, historic preservation, and the history of technology from 1962-2003 at West Virginia University. He served as an expert consultant for the preservation of many historic engineering structures, including bridges, waterways, and mills. He also published regularly and remained active in several professional organizations.","Materials includes correspondence, engineering drawings, drawings, various styles and types of maps, photographic prints, photographic contact sheets, photographic negatives, drafts of monographs, bound copies of the United States Congressional Series, published scholarly articles and books, book excerpts, reports, computer-generated data, handwritten notes, oral histories and oral history transcripts, brochures, and realia. A significant amount concerns Kemp's process of documenting historic structures for the Historic American Engineering Record and the National Register of Historic Places.","All contents fall within 1735 and 2021. The bulk of the original materials are from 1959-1999. Almost all the materials from 1735-1949 are facsimiles that Kemp collected for his research.","Most of the materials pertain to West Virginia and surrounding states: Kentucky, Maryland, Ohio, Pennsylvania, and Virginia. Kemp also consulted on projects in other states and countries, such as Alabama, Louisiana, Michigan, New Jersey, New York, Oklahoma, Tennessee, Canada, Great Britain, Australia, and Zimbabwe. Personal materials discuss Kemp's experience in Illinois. In addition, Kemp's research on industrial archeology (the study of the physical evidence of industry and technology) focuses on Great Britain and Australia but also includes places in West Virginia and Pennsylvania. Other states and countries appear briefly as part of Kemp's study of historic bridges, including California, Russia, France, China, and Peru.","Subjects include suspension bridges of West Virginia, covered bridges in West Virginia and Pennsylvania, the history of suspension bridges, bridge preservation, locks and dams in West Virginia (especially along the Kanawha River), navigation along other bodies of water (especially the Muskingum River), industrial structures and industrial production in West Virginia and surrounding states, civil engineers (especially Charles Ellet, Jr.), cement and concrete, the history of engineering, industrial archeology, principles of historic preservation, the process of documenting materials to the standards of the Historic American Engineering Record, Kemp's affiliations within West Virginia University (especially WVU's Institute for the History of Technology and Industrial Archaeology), his affiliations with the American Society of Civil Engineers, and his affiliation with the Society for Industrial Archeology. Throughout the collection, several of Kemp's largest restoration projects appear regularly: the Wheeling Suspension Bridge over the Ohio River in Wheeling, Ohio County, West Virginia; the Wheeling Custom House (also known as West Virginia Independence Hall) in Wheeling, Ohio County, West Virginia; and the West Virginia Covered Bridge Survey that Kemp completed for the West Virginia Department of Highways.","Within this finding aid, the term \"engineering drawings\" was used to describe materials that may be defined within the engineering field as blueprints, measured drawings, or floor plans. The term \"contact sheet\" was used to describe a photographic print clearly produced to make a rough draft, positive print of an image from a single negative or photographic negatives on a roll of film (created by holding photograph paper emulsion-to-emulsion with the negative). In addition, the following terms that regularly appeared in the collection have been abbreviated:","American Society of Civil Engineers (ASCE)  \n Baltimore and Ohio Railroad (B\u0026O Railroad)  \n Chesapeake and Ohio Canal (C\u0026O Canal)  \n United States Army Corps of Engineers (USACE)  \n Institute for the History of Technology and Industrial Archaeology (IHTIA)  \n Historic American Engineering Record (HAER)  \n Historic American Building Survey (HABS)  \n National Register of Historic Places (NRHP) \n National Forest (NF)\n National Park Service (NPS)  \n Natural Resources Conservation Service (NRCS), previously the Soil Conservation Service (SCS)  \n West Virginia University (WVU)  \n United States Geological Survey (USGS)","Packet of \"Early 20th Century Commercial Wood Engravings\" booklets (\"The S. George Company/The Gramlee Collection/The Permutation Press,\" \"The Stock/Product Block,\" \"The Monogram Block,\" \"The Barrel Label Block,\" \"The Stock Block,\" and \"The Company Block,\" all copyright 1982 by the Permutation Press) were separated to the Rare Book Room to join related materials on wood engravings.","1 reel of duplicate microfilm of A\u0026M 3007, Little Kanawha River Records, moved to duplicate A\u0026M microfilm.","1 reel of microfilm of the Elizabeth Gazette newspaper, Mar 13 1867 - Jan 11 1869, moved to duplicate newspaper microfilm.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","A.G. Lichtenstein and Associates","Alexandria Canal Company","American Society of Civil Engineers","American Society of Civil Engineers. Committee on History and Heritage of American Civil Engineering","National Rivers and Harbors Congress","Ove Arup \u0026 Partners","Paul D. Marshall \u0026 Associates","Preservation Alliance of West Virginia","Society for Industrial Archeology","United States. Army. Corps of Engineers","United States. Army. Corps of Engineers. Ohio River Division.","Vandalia Heritage Foundation","West Virginia Independence Hall Foundation","West Virginia University","Institute for the History of Technology and Industrial Archaeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Historic American Buildings Survey","Historic American Engineering Record","Kemp, Emory L.","Ellet, Charles, 1777-1847","Fluty, Beverly B.","Peyton, Billy Joe","English\n."],"collection_title_tesim":["Emory L. Kemp Papers regarding Industrial History, 1735/2021"],"collection_ssim":["Emory L. Kemp Papers regarding Industrial History, 1735/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4230","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6270"],"unitid_tesim":["A\u0026M 4230","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6270"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Canals--United States","Kanawha River (W. Va.)","Kanawha River (W. Va.) -- Navigation -- History","Muskingum River (Ohio)","Tennessee-Tombigbee Waterway (Ala. and Miss.)"],"geogname_ssim":["Canals--United States","Kanawha River (W. Va.)","Kanawha River (W. Va.) -- Navigation -- History","Muskingum River (Ohio)","Tennessee-Tombigbee Waterway (Ala. and Miss.)"],"places_ssim":["Canals--United States","Kanawha River (W. Va.)","Kanawha River (W. Va.) -- Navigation -- History","Muskingum River (Ohio)","Tennessee-Tombigbee Waterway (Ala. and Miss.)"],"creator_ssm":["Kemp, Emory L."],"creator_ssim":["Kemp, Emory L."],"creator_persname_ssim":["Kemp, Emory L.","Ellet, Charles, 1777-1847","Fluty, Beverly B.","Peyton, Billy Joe"],"creator_corpname_ssim":["West Virginia and Regional History Center","A.G. Lichtenstein and Associates","Alexandria Canal Company","American Society of Civil Engineers","American Society of Civil Engineers. Committee on History and Heritage of American Civil Engineering","National Rivers and Harbors Congress","Ove Arup \u0026 Partners","Paul D. Marshall \u0026 Associates","Preservation Alliance of West Virginia","Society for Industrial Archeology","United States. Army. Corps of Engineers","United States. Army. Corps of Engineers. Ohio River Division.","Vandalia Heritage Foundation","West Virginia Independence Hall Foundation","West Virginia University","Institute for the History of Technology and Industrial Archaeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Historic American Buildings Survey","Historic American Engineering Record"],"creators_ssim":["Kemp, Emory L.","Ellet, Charles, 1777-1847","Fluty, Beverly B.","Peyton, Billy Joe","West Virginia and Regional History Center","A.G. Lichtenstein and Associates","Alexandria Canal Company","American Society of Civil Engineers","American Society of Civil Engineers. Committee on History and Heritage of American Civil Engineering","National Rivers and Harbors Congress","Ove Arup \u0026 Partners","Paul D. Marshall \u0026 Associates","Preservation Alliance of West Virginia","Society for Industrial Archeology","United States. Army. Corps of Engineers","United States. Army. Corps of Engineers. Ohio River Division.","Vandalia Heritage Foundation","West Virginia Independence Hall Foundation","West Virginia University","Institute for the History of Technology and Industrial Archaeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Historic American Buildings Survey","Historic American Engineering Record"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Aqueducts","Canal aqueducts","Canals","Cast-iron","Cement","Coal mines and mining","coalfields","Concrete","Covered bridges","Dams","Engineering","Engineering -- History","Flood dams and reservoirs","Glass blowing and working","Glass manufacture","Historic preservation","Historic sites -- Conservation and restoration","Industrial archaeology","Industrial archaeology -- Australia","Industrial archaeology -- England","Industrial archaeology -- United States","Inland navigation","Iron","Locks (Hydraulic engineering)","Milling machinery","Mills and mill-work","Mines and mineral resources","Mines and mineral resources -- West Virginia","Portland cement","Science -- History","Steel","Suspension bridges","Technology -- History","Truss bridges","Waterways","Wheeling Bridge (Wheeling, W. Va.)","Wrought-iron"],"access_subjects_ssm":["Aqueducts","Canal aqueducts","Canals","Cast-iron","Cement","Coal mines and mining","coalfields","Concrete","Covered bridges","Dams","Engineering","Engineering -- History","Flood dams and reservoirs","Glass blowing and working","Glass manufacture","Historic preservation","Historic sites -- Conservation and restoration","Industrial archaeology","Industrial archaeology -- Australia","Industrial archaeology -- England","Industrial archaeology -- United States","Inland navigation","Iron","Locks (Hydraulic engineering)","Milling machinery","Mills and mill-work","Mines and mineral resources","Mines and mineral resources -- West Virginia","Portland cement","Science -- History","Steel","Suspension bridges","Technology -- History","Truss bridges","Waterways","Wheeling Bridge (Wheeling, W. Va.)","Wrought-iron"],"has_online_content_ssim":["false"],"extent_ssm":["154.83 Linear Feet 152 document cases, 5 in. each; 92 document cases, 4 in. each; 68 document cases, 2.5 in. each; 32 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 7 flat storage boxes, 3 in. each; 4 flat storage boxes, 4 in. each; 1 small storage box, 6.5 in.; 1 index card box, 12 in.; 2 oversized items, 1.5 in. total; 2 microfilm reels, 1.75 in. each; 146 oversized folders, 18 in.","6.31 Gigabytes 678 files, formats include ASC, BK!, CAP, CHP, CIF, DOC, DOCX, ED, ELK, JPG, FRM, M4A, MON, MOV, MP4, PAP, PDF, PPT, PPTX, R2D, RTF, TIF, TRE, TXT, VGR, W51, WMA, WP, WPD, WPS, XLSX."],"extent_tesim":["154.83 Linear Feet 152 document cases, 5 in. each; 92 document cases, 4 in. each; 68 document cases, 2.5 in. each; 32 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 7 flat storage boxes, 3 in. each; 4 flat storage boxes, 4 in. each; 1 small storage box, 6.5 in.; 1 index card box, 12 in.; 2 oversized items, 1.5 in. total; 2 microfilm reels, 1.75 in. each; 146 oversized folders, 18 in.","6.31 Gigabytes 678 files, formats include ASC, BK!, CAP, CHP, CIF, DOC, DOCX, ED, ELK, JPG, FRM, M4A, MON, MOV, MP4, PAP, PDF, PPT, PPTX, R2D, RTF, TIF, TRE, TXT, VGR, W51, WMA, WP, WPD, WPS, XLSX."],"date_range_isim":[1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"arrangement_html_tesm":["\u003clist\u003e\n\n\u003citem\u003e \n        Research Files (1735-2017) \n    \u003c/item\u003e\n    \u003clist\u003e\n\n\t\u003citem\u003e Bridges (1735-2016) \u003c/item\u003e\n\n\t\u003citem\u003e\tWaterways (1804-2015) \u003c/item\u003e\n\n\t\u003citem\u003e\tIndustrial structures (1807-2017)\u003c/item\u003e\n\n\t\u003citem\u003e\tEngineers, the history of engineering, and general historical topics (1770, 1805-2010) \u003c/item\u003e\n\n\t\u003citem\u003e\tHistoric buildings (1810-2002) \u003c/item\u003e\n\n\t\u003citem\u003e\tBuilding materials (1829-2002) \u003c/item\u003e\n      \u003c/list\u003e\n\n\u003citem\u003e \n    \tKemp's Library (1855-2015) \n    \u003c/item\u003e\n\n\u003citem\u003e \n    \tKemp's Professional Writings (1804-2015) \n    \u003c/item\u003e\n\n\u003citem\u003e \n    \tKemp's Other Professional Activities (1849, 1909, 1952-2018) \n    \u003c/item\u003e\n\n\u003citem\u003e\n    \tOversize Materials (undated) \n    \u003c/item\u003e\n\n\u003citem\u003e \n    \tOral History (2017-2018) \n    \u003c/item\u003e\n    \u003citem\u003e\n    \tAddendum of 2019: Records of Trips, Engineering Papers, Edinburgh Fellowship, \n        Suspension Bridge Papers, Miscellaneous  (1848-2021)\n    \u003c/item\u003e\n    \u003citem\u003e\n    \tAddendum of 2021/04/05  (1768-2014)\n    \u003c/item\u003e\n    \u003citem\u003e\n    \tAddendum of 2020: Engineering drawings, maps, other miscellaneous (1909-2003)\n    \u003c/item\u003e\n\u003c/list\u003e\n\nThere are three addendum series (Series 7-9) listed by the year of the addendum. Addendum 2019 and 2021 materials are mainly processed and described at the box level.  Addendum 2021 also contains one acrylic display framed print and an oversized folder with drawings. Addendum 2020 materials has mainly been processed and described at the file level and contains one panoramic photograph.   "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Research Files (1735-2017) \n    \n    \n\n\t Bridges (1735-2016) \n\n\t\tWaterways (1804-2015) \n\n\t\tIndustrial structures (1807-2017)\n\n\t\tEngineers, the history of engineering, and general historical topics (1770, 1805-2010) \n\n\t\tHistoric buildings (1810-2002) \n\n\t\tBuilding materials (1829-2002) \n      \n\n \n    \tKemp's Library (1855-2015) \n    \n\n \n    \tKemp's Professional Writings (1804-2015) \n    \n\n \n    \tKemp's Other Professional Activities (1849, 1909, 1952-2018) \n    \n\n\n    \tOversize Materials (undated) \n    \n\n \n    \tOral History (2017-2018) \n    \n    \n    \tAddendum of 2019: Records of Trips, Engineering Papers, Edinburgh Fellowship, \n        Suspension Bridge Papers, Miscellaneous  (1848-2021)\n    \n    \n    \tAddendum of 2021/04/05  (1768-2014)\n    \n    \n    \tAddendum of 2020: Engineering drawings, maps, other miscellaneous (1909-2003)"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emory Leland Kemp was born to Emory Lelan Kemp and Anita Mae Hucker Kemp on October 1, 1931 in Chicago, Illinois. His family moved to Champaign, Illinois when he was four, and he attended the South Side School and later the University of Illinois High School. Although his teachers at the high school—faculty members at the university—encouraged Kemp to study history, he chose to enter the College of Engineering, just as his father had studied engineering before him. Kemp graduated with a degree in civil engineering in 1952, and the school honored him with the prestigious Ira O. Baker Award as the top-ranked undergraduate student in the Department of Civil Engineering.","Following graduation, Kemp became an assistant engineer with the Illinois Water Survey until war broke out in Korea and the government drafted Kemp into the United States Army. His former boss, now a colonel in the United States Army Corps of Engineers, transferred Kemp to work with the USACE in Alexandria, Virginia. After two years developing a detector for non-magnetic landmines with the USACE, Kemp applied to and accepted a Fulbright Scholarship to study at Imperial College of Science and Technology in London, England. He studied advanced mathematics and developed an interest in thin concrete roofs. In addition to receiving a Diploma of Imperial College (similar to a Master's degree) after two years in London, Kemp also met his life's partner, Janet. The two were married in 1958, and had three children in the United States: Mark, Alison and Geoffrey.","After his diploma, Kemp remained in London and worked on thin concrete shell rooves for Sir Bruce White, Wolfe Barry and Partners. He transferred to Arup and Partners, where he worked on the design behind the Sydney Opera House (developing the pre-stress and post-tension piles on the end of the building) and the hangars at the Royal Air Force Abingdon station. Soon, however, the University of Illinois invited Kemp to return to Champaign to complete a PhD in structural mechanics on full scholarship. He completed a dissertation on torsion in reinforced concrete in 1962.\n \n That same year, a faculty position at West Virginia University's School of Engineering became available. Kemp got the job, so he, Janet, and their children moved to Morgantown, West Virginia. He quickly rose to chair the Civil Engineering Department. Under his administration, the Department grew rapidly and received national acclaim. \n \n When James Harlow became president of West Virginia University (WVU) in 1967, he sent Kemp to the University of Oklahoma to study their History of Science program. Kemp was intrigued, and soon acquired approval to plan a similar course of study through WVU's History Department. He taught classes on the Industrial Revolution and the history of technology, but did not successfully convince the College of Engineering to require its engineering students to take courses in the history of science. \n \n During the 1970s, Kemp became involved in a number of historic preservation projects in West Virginia. First, he got involved in restoring the Wheeling Suspension Bridge, which needed repairs to its suspension wires. Kemp assisted with multiple rounds of restoration on the historic bridge. Then, West Virginia Independence Hall Foundation consulted Kemp on the restoration of the building in which West Virginia seceded from Virginia (although Kemp always referred to the building by its original title, the \"Wheeling Custom House\"). Kemp investigated the nine-inch wrought-iron I-beams that supported the ceilings and upper floors of the building, and assisted the foundation in interpreting the building as a museum.\n \n By the end of the 1970s, Kemp had earned recognition throughout the preservation community. Government agencies contracted with Kemp to document historic industrial and transportation structures through archival photographs and large-scale engineering drawings, so the materials could be submitted to the Historic American Engineering Record. The West Virginia state government also consulted Kemp for a number of projects throughout the 1970s and 1980s, especially involving work on covered bridges. For instance, when the roof of the Philippi Covered Bridge burned in a fire in February 1989, the state hired Kemp to oversee the restoration. Using innovative techniques for covering the top and supporting the old frame with new beams, Kemp gave the bridge its original 1861 appearance. He also assisted in the restoration of the Staats Mill and Barrackville Covered Bridges. Kemp's personal research interests centered on industrial processes in West Virginia, including mining, milling, glassmaking, and railroads. \n \n Kemp also founded and co-founded a number of organizations. First, Kemp got involved with a movement to bring the British discipline of industrial archaeology (the study of physical remnants of industrial structures as a method to understand our manufacturing past) to the United States. Kemp helped to found the Society for Industrial Archeology (SIA) in 1971, served as the first editor of the affiliated journal, IA, in 1975, and eventually became SIA's president from 1988-1990. Kemp also founded the historic preservation and repurposing organization, Vandalia Heritage Foundation, in 1999. He was a founding member of the Preservation Alliance of West Virginia in 1981.\n \n In 1990, Kemp received Congressional funding to establish an Institute for the History of Technology and Industrial Archaeology (IHTIA) at WVU. The IHTIA, which became Kemp's full time job, provided historic preservation consultations, documented historic structures, held workshops and field schools, and published monographs. Over the course of its history, the IHTIA generated $13 million of research funding and worked on an estimated 86 projects. \n \n \nFor all of Kemp's work to preserve historic structures and encourage the spread of information about the history of industrial technology and transportation, the American Society of Civil Engineers named him a Distinguished Member in 2004. By the time he retired in the early 2000s, Kemp had devoted a lifetime to studying and celebrating America's industrial past."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Emory L. Kemp Papers regarding Industrial History, A\u0026amp;M 4230, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Emory L. Kemp Papers regarding Industrial History, A\u0026M 4230, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eMaterials arrived sorted into boxes, generally based on the individual project for which Kemp used the items. A project can be defined as an endeavor that Kemp took on for a concentrated period of time centered on one structure, geographic location, or theme. Examples include the restoration of a historic site or set of historic sites that share a common purpose, documentation of a historic site or set of historic sites that share a common purpose, a publication, a conference, or a grant application. Some boxes appeared to be a mix of materials from various projects and subjects. Such boxes were categorized by the most prominent project or subject within the box or were determined \"Miscellaneous.\" \u003c/p\u003e","\u003cp\u003eSome boxes were organized around a common topic rather than a project, especially if Kemp returned to a particular topic throughout his career (an example is research on concrete, a body of scholarship that Kemp drew on for a variety of projects). \u003c/p\u003e","\u003cp\u003eAt arrival, only some boxes had materials arranged into folders. Where arrangement within a box was obvious (such as materials segregated into manila folders), original arrangement was retained. Otherwise, items were sorted within boxes by format, or, when possible, by sub-topic. \u003c/p\u003e","\u003cp\u003eBoxes were clumped together by individual project or topic. The series were created to reflect general categories of purposes for which Kemp used the materials. However, the series \"Oversize Material\" was not separated based on Kemp's purpose for using the materials; it was created to house all the items from other series that arrived folded inside boxes and do not fit in their original boxes when unfolded. \u003c/p\u003e","\u003cp\u003eBecause Kemp used so many of the materials in the collection for research, the series \"Research Files\" was broken down into sub-series by type of project. Boxes were occasionally combined when space allowed and when the materials originated from the same project. Boxes were also occasionally combined when items inside each box did not originate from just one project or just one type of project. \u003c/p\u003e","\u003cp\u003eAdditionally, Kemp separately donated books from his personal library, which he used throughout his career.\u003c/p\u003e","\u003cp\u003eAll born-digital materials housed on floppy disks, compact discs, or USB drives were uploaded to repository servers. \u003c/p\u003e","\u003cp\u003eAny box and folder citations created before July 2019 may rely upon Kemp's original arrangement and may no longer be accurate. For assistance locating material using an older citation, please ask a staff member of the West Virginia and Regional History Center.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials arrived sorted into boxes, generally based on the individual project for which Kemp used the items. A project can be defined as an endeavor that Kemp took on for a concentrated period of time centered on one structure, geographic location, or theme. Examples include the restoration of a historic site or set of historic sites that share a common purpose, documentation of a historic site or set of historic sites that share a common purpose, a publication, a conference, or a grant application. Some boxes appeared to be a mix of materials from various projects and subjects. Such boxes were categorized by the most prominent project or subject within the box or were determined \"Miscellaneous.\"","Some boxes were organized around a common topic rather than a project, especially if Kemp returned to a particular topic throughout his career (an example is research on concrete, a body of scholarship that Kemp drew on for a variety of projects).","At arrival, only some boxes had materials arranged into folders. Where arrangement within a box was obvious (such as materials segregated into manila folders), original arrangement was retained. Otherwise, items were sorted within boxes by format, or, when possible, by sub-topic.","Boxes were clumped together by individual project or topic. The series were created to reflect general categories of purposes for which Kemp used the materials. However, the series \"Oversize Material\" was not separated based on Kemp's purpose for using the materials; it was created to house all the items from other series that arrived folded inside boxes and do not fit in their original boxes when unfolded.","Because Kemp used so many of the materials in the collection for research, the series \"Research Files\" was broken down into sub-series by type of project. Boxes were occasionally combined when space allowed and when the materials originated from the same project. Boxes were also occasionally combined when items inside each box did not originate from just one project or just one type of project.","Additionally, Kemp separately donated books from his personal library, which he used throughout his career.","All born-digital materials housed on floppy disks, compact discs, or USB drives were uploaded to repository servers.","Any box and folder citations created before July 2019 may rely upon Kemp's original arrangement and may no longer be accurate. For assistance locating material using an older citation, please ask a staff member of the West Virginia and Regional History Center."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes materials from Dr. Emory L. Kemp's career of researching, documenting, and preserving historic structures. Kemp was a practicing civil engineer from 1952-1959, then taught civil engineering, historic preservation, and the history of technology from 1962-2003 at West Virginia University. He served as an expert consultant for the preservation of many historic engineering structures, including bridges, waterways, and mills. He also published regularly and remained active in several professional organizations.\u003c/p\u003e","\u003cp\u003e\nMaterials includes correspondence, engineering drawings, drawings, various styles and types of maps, photographic prints, photographic contact sheets, photographic negatives, drafts of monographs, bound copies of the United States Congressional Series, published scholarly articles and books, book excerpts, reports, computer-generated data, handwritten notes, oral histories and oral history transcripts, brochures, and realia. A significant amount concerns Kemp's process of documenting historic structures for the Historic American Engineering Record and the National Register of Historic Places.\u003c/p\u003e","\u003cp\u003e\nAll contents fall within 1735 and 2021. The bulk of the original materials are from 1959-1999. Almost all the materials from 1735-1949 are facsimiles that Kemp collected for his research.\u003c/p\u003e","\u003cp\u003e\nMost of the materials pertain to West Virginia and surrounding states: Kentucky, Maryland, Ohio, Pennsylvania, and Virginia. Kemp also consulted on projects in other states and countries, such as Alabama, Louisiana, Michigan, New Jersey, New York, Oklahoma, Tennessee, Canada, Great Britain, Australia, and Zimbabwe. Personal materials discuss Kemp's experience in Illinois. In addition, Kemp's research on industrial archeology (the study of the physical evidence of industry and technology) focuses on Great Britain and Australia but also includes places in West Virginia and Pennsylvania. Other states and countries appear briefly as part of Kemp's study of historic bridges, including California, Russia, France, China, and Peru.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       \u003c/p\u003e","\u003cp\u003e\nSubjects include suspension bridges of West Virginia, covered bridges in West Virginia and Pennsylvania, the history of suspension bridges, bridge preservation, locks and dams in West Virginia (especially along the Kanawha River), navigation along other bodies of water (especially the Muskingum River), industrial structures and industrial production in West Virginia and surrounding states, civil engineers (especially Charles Ellet, Jr.), cement and concrete, the history of engineering, industrial archeology, principles of historic preservation, the process of documenting materials to the standards of the Historic American Engineering Record, Kemp's affiliations within West Virginia University (especially WVU's Institute for the History of Technology and Industrial Archaeology), his affiliations with the American Society of Civil Engineers, and his affiliation with the Society for Industrial Archeology. Throughout the collection, several of Kemp's largest restoration projects appear regularly: the Wheeling Suspension Bridge over the Ohio River in Wheeling, Ohio County, West Virginia; the Wheeling Custom House (also known as West Virginia Independence Hall) in Wheeling, Ohio County, West Virginia; and the West Virginia Covered Bridge Survey that Kemp completed for the West Virginia Department of Highways.\u003c/p\u003e","\u003cp\u003e\nWithin this finding aid, the term \"engineering drawings\" was used to describe materials that may be defined within the engineering field as blueprints, measured drawings, or floor plans. The term \"contact sheet\" was used to describe a photographic print clearly produced to make a rough draft, positive print of an image from a single negative or photographic negatives on a roll of film (created by holding photograph paper emulsion-to-emulsion with the negative). In addition, the following terms that regularly appeared in the collection have been abbreviated: \u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e American Society of Civil Engineers (ASCE) \u003c/item\u003e \n\u003citem\u003e Baltimore and Ohio Railroad (B\u0026amp;O Railroad) \u003c/item\u003e \n\u003citem\u003e Chesapeake and Ohio Canal (C\u0026amp;O Canal) \u003c/item\u003e \n\u003citem\u003e United States Army Corps of Engineers (USACE) \u003c/item\u003e \n\u003citem\u003e Institute for the History of Technology and Industrial Archaeology (IHTIA) \u003c/item\u003e \n\u003citem\u003e Historic American Engineering Record (HAER) \u003c/item\u003e \n\u003citem\u003e Historic American Building Survey (HABS) \u003c/item\u003e \n\u003citem\u003e National Register of Historic Places (NRHP) \u003c/item\u003e\n\u003citem\u003e National Forest (NF)\u003c/item\u003e\n\u003citem\u003e National Park Service (NPS) \u003c/item\u003e \n\u003citem\u003e Natural Resources Conservation Service (NRCS), previously the Soil Conservation Service (SCS) \u003c/item\u003e \n\u003citem\u003e West Virginia University (WVU) \u003c/item\u003e \n\u003citem\u003e United States Geological Survey (USGS)\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes materials from Dr. Emory L. Kemp's career of researching, documenting, and preserving historic structures. Kemp was a practicing civil engineer from 1952-1959, then taught civil engineering, historic preservation, and the history of technology from 1962-2003 at West Virginia University. He served as an expert consultant for the preservation of many historic engineering structures, including bridges, waterways, and mills. He also published regularly and remained active in several professional organizations.","Materials includes correspondence, engineering drawings, drawings, various styles and types of maps, photographic prints, photographic contact sheets, photographic negatives, drafts of monographs, bound copies of the United States Congressional Series, published scholarly articles and books, book excerpts, reports, computer-generated data, handwritten notes, oral histories and oral history transcripts, brochures, and realia. A significant amount concerns Kemp's process of documenting historic structures for the Historic American Engineering Record and the National Register of Historic Places.","All contents fall within 1735 and 2021. The bulk of the original materials are from 1959-1999. Almost all the materials from 1735-1949 are facsimiles that Kemp collected for his research.","Most of the materials pertain to West Virginia and surrounding states: Kentucky, Maryland, Ohio, Pennsylvania, and Virginia. Kemp also consulted on projects in other states and countries, such as Alabama, Louisiana, Michigan, New Jersey, New York, Oklahoma, Tennessee, Canada, Great Britain, Australia, and Zimbabwe. Personal materials discuss Kemp's experience in Illinois. In addition, Kemp's research on industrial archeology (the study of the physical evidence of industry and technology) focuses on Great Britain and Australia but also includes places in West Virginia and Pennsylvania. Other states and countries appear briefly as part of Kemp's study of historic bridges, including California, Russia, France, China, and Peru.","Subjects include suspension bridges of West Virginia, covered bridges in West Virginia and Pennsylvania, the history of suspension bridges, bridge preservation, locks and dams in West Virginia (especially along the Kanawha River), navigation along other bodies of water (especially the Muskingum River), industrial structures and industrial production in West Virginia and surrounding states, civil engineers (especially Charles Ellet, Jr.), cement and concrete, the history of engineering, industrial archeology, principles of historic preservation, the process of documenting materials to the standards of the Historic American Engineering Record, Kemp's affiliations within West Virginia University (especially WVU's Institute for the History of Technology and Industrial Archaeology), his affiliations with the American Society of Civil Engineers, and his affiliation with the Society for Industrial Archeology. Throughout the collection, several of Kemp's largest restoration projects appear regularly: the Wheeling Suspension Bridge over the Ohio River in Wheeling, Ohio County, West Virginia; the Wheeling Custom House (also known as West Virginia Independence Hall) in Wheeling, Ohio County, West Virginia; and the West Virginia Covered Bridge Survey that Kemp completed for the West Virginia Department of Highways.","Within this finding aid, the term \"engineering drawings\" was used to describe materials that may be defined within the engineering field as blueprints, measured drawings, or floor plans. The term \"contact sheet\" was used to describe a photographic print clearly produced to make a rough draft, positive print of an image from a single negative or photographic negatives on a roll of film (created by holding photograph paper emulsion-to-emulsion with the negative). In addition, the following terms that regularly appeared in the collection have been abbreviated:","American Society of Civil Engineers (ASCE)  \n Baltimore and Ohio Railroad (B\u0026O Railroad)  \n Chesapeake and Ohio Canal (C\u0026O Canal)  \n United States Army Corps of Engineers (USACE)  \n Institute for the History of Technology and Industrial Archaeology (IHTIA)  \n Historic American Engineering Record (HAER)  \n Historic American Building Survey (HABS)  \n National Register of Historic Places (NRHP) \n National Forest (NF)\n National Park Service (NPS)  \n Natural Resources Conservation Service (NRCS), previously the Soil Conservation Service (SCS)  \n West Virginia University (WVU)  \n United States Geological Survey (USGS)"],"separatedmaterial_html_tesm":["\u003cp\u003ePacket of \"Early 20th Century Commercial Wood Engravings\" booklets (\"The S. George Company/The Gramlee Collection/The Permutation Press,\" \"The Stock/Product Block,\" \"The Monogram Block,\" \"The Barrel Label Block,\" \"The Stock Block,\" and \"The Company Block,\" all copyright 1982 by the Permutation Press) were separated to the Rare Book Room to join related materials on wood engravings. \u003c/p\u003e","\u003cp\u003e1 reel of duplicate microfilm of A\u0026amp;M 3007, Little Kanawha River Records, moved to duplicate A\u0026amp;M microfilm.\u003c/p\u003e","\u003cp\u003e1 reel of microfilm of the Elizabeth Gazette newspaper, Mar 13 1867 - Jan 11 1869, moved to duplicate newspaper microfilm.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Packet of \"Early 20th Century Commercial Wood Engravings\" booklets (\"The S. George Company/The Gramlee Collection/The Permutation Press,\" \"The Stock/Product Block,\" \"The Monogram Block,\" \"The Barrel Label Block,\" \"The Stock Block,\" and \"The Company Block,\" all copyright 1982 by the Permutation Press) were separated to the Rare Book Room to join related materials on wood engravings.","1 reel of duplicate microfilm of A\u0026M 3007, Little Kanawha River Records, moved to duplicate A\u0026M microfilm.","1 reel of microfilm of the Elizabeth Gazette newspaper, Mar 13 1867 - Jan 11 1869, moved to duplicate newspaper microfilm."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_517856904095c87c6fdf14d024a7399d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","A.G. Lichtenstein and Associates","Alexandria Canal Company","American Society of Civil Engineers","American Society of Civil Engineers. Committee on History and Heritage of American Civil Engineering","National Rivers and Harbors Congress","Ove Arup \u0026 Partners","Paul D. Marshall \u0026 Associates","Preservation Alliance of West Virginia","Society for Industrial Archeology","United States. Army. Corps of Engineers","United States. Army. Corps of Engineers. Ohio River Division.","Vandalia Heritage Foundation","West Virginia Independence Hall Foundation","West Virginia University","Institute for the History of Technology and Industrial Archaeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Historic American Buildings Survey","Historic American Engineering Record"],"names_coll_ssim":["A.G. Lichtenstein and Associates","Alexandria Canal Company","American Society of Civil Engineers","American Society of Civil Engineers. Committee on History and Heritage of American Civil Engineering","National Rivers and Harbors Congress","Ove Arup \u0026 Partners","Paul D. Marshall \u0026 Associates","Preservation Alliance of West Virginia","Society for Industrial Archeology","United States. Army. Corps of Engineers","United States. Army. Corps of Engineers. Ohio River Division.","Vandalia Heritage Foundation","West Virginia Independence Hall Foundation","West Virginia University","Institute for the History of Technology and Industrial Archaeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Historic American Buildings Survey","Historic American Engineering Record","Kemp, Emory L.","Ellet, Charles, 1777-1847","Fluty, Beverly B.","Peyton, Billy Joe"],"persname_ssim":["Kemp, Emory L.","Ellet, Charles, 1777-1847","Fluty, Beverly B.","Peyton, Billy Joe"],"names_ssim":["West Virginia and Regional History Center","A.G. Lichtenstein and Associates","Alexandria Canal Company","American Society of Civil Engineers","American Society of Civil Engineers. Committee on History and Heritage of American Civil Engineering","National Rivers and Harbors Congress","Ove Arup \u0026 Partners","Paul D. Marshall \u0026 Associates","Preservation Alliance of West Virginia","Society for Industrial Archeology","United States. Army. Corps of Engineers","United States. Army. Corps of Engineers. Ohio River Division.","Vandalia Heritage Foundation","West Virginia Independence Hall Foundation","West Virginia University","Institute for the History of Technology and Industrial Archaeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Historic American Buildings Survey","Historic American Engineering Record","Kemp, Emory L.","Ellet, Charles, 1777-1847","Fluty, Beverly B.","Peyton, Billy Joe"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":422,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:11:07.415Z","bioghist_html_tesm":["\u003cp\u003eEmory Leland Kemp was born to Emory Lelan Kemp and Anita Mae Hucker Kemp on October 1, 1931 in Chicago, Illinois. His family moved to Champaign, Illinois when he was four, and he attended the South Side School and later the University of Illinois High School. Although his teachers at the high school—faculty members at the university—encouraged Kemp to study history, he chose to enter the College of Engineering, just as his father had studied engineering before him. Kemp graduated with a degree in civil engineering in 1952, and the school honored him with the prestigious Ira O. Baker Award as the top-ranked undergraduate student in the Department of Civil Engineering.\u003c/p\u003e","\u003cp\u003e Following graduation, Kemp became an assistant engineer with the Illinois Water Survey until war broke out in Korea and the government drafted Kemp into the United States Army. His former boss, now a colonel in the United States Army Corps of Engineers, transferred Kemp to work with the USACE in Alexandria, Virginia. After two years developing a detector for non-magnetic landmines with the USACE, Kemp applied to and accepted a Fulbright Scholarship to study at Imperial College of Science and Technology in London, England. He studied advanced mathematics and developed an interest in thin concrete roofs. In addition to receiving a Diploma of Imperial College (similar to a Master's degree) after two years in London, Kemp also met his life's partner, Janet. The two were married in 1958, and had three children in the United States: Mark, Alison and Geoffrey.\u003c/p\u003e","\u003cp\u003e After his diploma, Kemp remained in London and worked on thin concrete shell rooves for Sir Bruce White, Wolfe Barry and Partners. He transferred to Arup and Partners, where he worked on the design behind the Sydney Opera House (developing the pre-stress and post-tension piles on the end of the building) and the hangars at the Royal Air Force Abingdon station. Soon, however, the University of Illinois invited Kemp to return to Champaign to complete a PhD in structural mechanics on full scholarship. He completed a dissertation on torsion in reinforced concrete in 1962.\n \n That same year, a faculty position at West Virginia University's School of Engineering became available. Kemp got the job, so he, Janet, and their children moved to Morgantown, West Virginia. He quickly rose to chair the Civil Engineering Department. Under his administration, the Department grew rapidly and received national acclaim. \n \n When James Harlow became president of West Virginia University (WVU) in 1967, he sent Kemp to the University of Oklahoma to study their History of Science program. Kemp was intrigued, and soon acquired approval to plan a similar course of study through WVU's History Department. He taught classes on the Industrial Revolution and the history of technology, but did not successfully convince the College of Engineering to require its engineering students to take courses in the history of science. \n \n During the 1970s, Kemp became involved in a number of historic preservation projects in West Virginia. First, he got involved in restoring the Wheeling Suspension Bridge, which needed repairs to its suspension wires. Kemp assisted with multiple rounds of restoration on the historic bridge. Then, West Virginia Independence Hall Foundation consulted Kemp on the restoration of the building in which West Virginia seceded from Virginia (although Kemp always referred to the building by its original title, the \"Wheeling Custom House\"). Kemp investigated the nine-inch wrought-iron I-beams that supported the ceilings and upper floors of the building, and assisted the foundation in interpreting the building as a museum.\n \n By the end of the 1970s, Kemp had earned recognition throughout the preservation community. Government agencies contracted with Kemp to document historic industrial and transportation structures through archival photographs and large-scale engineering drawings, so the materials could be submitted to the Historic American Engineering Record. The West Virginia state government also consulted Kemp for a number of projects throughout the 1970s and 1980s, especially involving work on covered bridges. For instance, when the roof of the Philippi Covered Bridge burned in a fire in February 1989, the state hired Kemp to oversee the restoration. Using innovative techniques for covering the top and supporting the old frame with new beams, Kemp gave the bridge its original 1861 appearance. He also assisted in the restoration of the Staats Mill and Barrackville Covered Bridges. Kemp's personal research interests centered on industrial processes in West Virginia, including mining, milling, glassmaking, and railroads. \n \n Kemp also founded and co-founded a number of organizations. First, Kemp got involved with a movement to bring the British discipline of industrial archaeology (the study of physical remnants of industrial structures as a method to understand our manufacturing past) to the United States. Kemp helped to found the Society for Industrial Archeology (SIA) in 1971, served as the first editor of the affiliated journal, IA, in 1975, and eventually became SIA's president from 1988-1990. Kemp also founded the historic preservation and repurposing organization, Vandalia Heritage Foundation, in 1999. He was a founding member of the Preservation Alliance of West Virginia in 1981.\n \n In 1990, Kemp received Congressional funding to establish an Institute for the History of Technology and Industrial Archaeology (IHTIA) at WVU. The IHTIA, which became Kemp's full time job, provided historic preservation consultations, documented historic structures, held workshops and field schools, and published monographs. Over the course of its history, the IHTIA generated $13 million of research funding and worked on an estimated 86 projects. \n \n \nFor all of Kemp's work to preserve historic structures and encourage the spread of information about the history of industrial technology and transportation, the American Society of Civil Engineers named him a Distinguished Member in 2004. By the time he retired in the early 2000s, Kemp had devoted a lifetime to studying and celebrating America's industrial past. \u003c/p\u003e  "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6270_c02_c20"}},{"id":"viu_repositories_3_resources_1765_c03_c48","type":"File","attributes":{"title":"\"Warm Springs: Traces Of A Childhood At FDR's Polio Haven\" correspondence, 2006/2008","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1765_c03_c48#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1765_c03_c48","ref_ssm":["viu_repositories_3_resources_1765_c03_c48"],"id":"viu_repositories_3_resources_1765_c03_c48","ead_ssi":"viu_repositories_3_resources_1765","_root_":"viu_repositories_3_resources_1765","_nest_parent_":"viu_repositories_3_resources_1765_c03","parent_ssi":"viu_repositories_3_resources_1765_c03","parent_ssim":["Susan Richards Shreve papers, 1969/2020","Series 3. Book Files (correspondence and specific reviews related to her books)"],"parent_ids_ssim":["viu_repositories_3_resources_1765","viu_repositories_3_resources_1765_c03"],"title_filing_ssi":"\"Warm Springs: Traces Of A Childhood At FDR's Polio Haven\" correspondence","title_ssm":["\"Warm Springs: Traces Of A Childhood At FDR's Polio Haven\" correspondence"],"title_tesim":["\"Warm Springs: Traces Of A Childhood At FDR's Polio Haven\" correspondence"],"normalized_title_ssm":["\"Warm Springs: Traces Of A Childhood At FDR's Polio Haven\" correspondence, 2006/2008"],"text":["\"Warm Springs: Traces Of A Childhood At FDR's Polio Haven\" correspondence, 2006/2008","Susan Richards Shreve papers, 1969/2020","Series 3. Book Files (correspondence and specific reviews related to her books)","box 19","folder 10"],"parent_unittitles_ssm":["Susan Richards Shreve papers, 1969/2020","Series 3. Book Files (correspondence and specific reviews related to her books)"],"parent_unittitles_tesim":["Susan Richards Shreve papers, 1969/2020","Series 3. Book Files (correspondence and specific reviews related to her books)"],"normalized_date_ssm":["2006/2008"],"unitdate_inclusive_ssm":["2006-2008"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":111,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Susan Richards Shreve papers, 1969/2020"],"containers_ssim":["box 19","folder 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time."],"date_range_isim":[2006,2007,2008],"_nest_path_":"/components#2/components#47","timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1765","ead_ssi":"viu_repositories_3_resources_1765","_root_":"viu_repositories_3_resources_1765","_nest_parent_":"viu_repositories_3_resources_1765","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1765.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216579","title_filing_ssi":"Shreve, Susan, Richards, papers","title_ssm":["Susan Richards Shreve papers"],"title_tesim":["Susan Richards Shreve papers"],"unitdate_ssm":["1969-2020"],"unitdate_inclusive_ssm":["1969-2020"],"normalized_date_ssm":["1969/2020"],"normalized_title_ssm":["Susan Richards Shreve papers, 1969/2020"],"text":["Susan Richards Shreve papers, 1969/2020","MSS 16887","Archival Resource Key","/repositories/3/resources/1765","Authors and publishers","Children's books","Families fiction","The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time.","The collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.","Books are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books.","Susan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.","Shreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools.","She has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.","Further, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026 Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty.","Shreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).","As a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.","Her novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.","Honors and awards include:","Jenny McKean Moore Award, George Washington University, 1978;","Notable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories;","Notable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories;","Best Book for Young Adults citation, ALA, 1980, for\nThe Masquerade;","PEN/Faulkner writers award.","Guggenheim Fellowship grant in fiction, 1980;","National Endowment for the Arts fiction award, 1982;","Grub Street Award in Non-Fiction","Edgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel.","Woodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;","Lila Wallace Readers Digest Foundation grant.","Alumni Award at the Sidwell Friends School","Writers for Writers Award from Poets and Writers","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Related collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758.","This collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman.","The collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching.","Shreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.","The bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.","Also included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets.","The correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.","Also of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing.","The collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.","There are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.","The Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community.","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Albert and Shirley Small Special Collections Library","Shreve, Susan","English"],"collection_title_tesim":["Susan Richards Shreve papers, 1969/2020"],"collection_ssim":["Susan Richards Shreve papers, 1969/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16887","Archival Resource Key","/repositories/3/resources/1765"],"unitid_tesim":["MSS 16887","Archival Resource Key","/repositories/3/resources/1765"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Shreve, Susan"],"creator_ssim":["Shreve, Susan"],"creator_persname_ssim":["Shreve, Susan"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Shreve, Susan","Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["Authors and publishers","Children's books","Families fiction"],"access_subjects_ssm":["Authors and publishers","Children's books","Families fiction"],"has_online_content_ssim":["true"],"extent_ssm":["12 Cubic Feet 29 legal size document boxes (15.25 x 10.25 x 5), one half-size legal box, and one oversize box, and digital files","0.34 Gigabytes 911 files"],"extent_tesim":["12 Cubic Feet 29 legal size document boxes (15.25 x 10.25 x 5), one half-size legal box, and one oversize box, and digital files","0.34 Gigabytes 911 files"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use. There are book contracts that need to be reviewed before access.\u003c/p\u003e","\u003cp\u003eSome digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.\u003c/p\u003e","\u003cp\u003eBooks are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.","Books are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books."],"bioghist_html_tesm":["\u003cp\u003eSusan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.\u003c/p\u003e","\u003cp\u003eShreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools. \u003c/p\u003e","\u003cp\u003eShe has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.\u003c/p\u003e","\u003cp\u003eFurther, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026amp; Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty. \u003c/p\u003e","\u003cp\u003eShreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).\u003c/p\u003e","\u003cp\u003e\nAs a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.\u003c/p\u003e","\u003cp\u003eHer novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.\u003c/p\u003e","\u003cp\u003e\nHonors and awards include:\u003c/p\u003e","\u003cp\u003eJenny McKean Moore Award, George Washington University, 1978; \u003c/p\u003e","\u003cp\u003eNotable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories; \u003c/p\u003e","\u003cp\u003eNotable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories; \u003c/p\u003e","\u003cp\u003eBest Book for Young Adults citation, ALA, 1980, for\nThe Masquerade; \u003c/p\u003e","\u003cp\u003ePEN/Faulkner writers award.\u003c/p\u003e","\u003cp\u003eGuggenheim Fellowship grant in fiction, 1980; \u003c/p\u003e","\u003cp\u003eNational Endowment for the Arts fiction award, 1982; \u003c/p\u003e","\u003cp\u003eGrub Street Award in Non-Fiction\u003c/p\u003e","\u003cp\u003eEdgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel. \u003c/p\u003e","\u003cp\u003eWoodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;\u003c/p\u003e","\u003cp\u003eLila Wallace Readers Digest Foundation grant.\u003c/p\u003e","\u003cp\u003eAlumni Award at the Sidwell Friends School\u003c/p\u003e","\u003cp\u003eWriters for Writers Award from Poets and Writers\u003c/p\u003e","\u003cp\u003eSources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives \u003c/p\u003e","\u003cp\u003eSusan Richards Shreve. Wikipedia. Accessed 5/30/25\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Susan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.","Shreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools.","She has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.","Further, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026 Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty.","Shreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).","As a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.","Her novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.","Honors and awards include:","Jenny McKean Moore Award, George Washington University, 1978;","Notable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories;","Notable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories;","Best Book for Young Adults citation, ALA, 1980, for\nThe Masquerade;","PEN/Faulkner writers award.","Guggenheim Fellowship grant in fiction, 1980;","National Endowment for the Arts fiction award, 1982;","Grub Street Award in Non-Fiction","Edgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel.","Woodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;","Lila Wallace Readers Digest Foundation grant.","Alumni Award at the Sidwell Friends School","Writers for Writers Award from Poets and Writers","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25"],"prefercite_html_tesm":["\u003cp\u003eMSS 16887, Susan Richards Shreve papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16887, Susan Richards Shreve papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman. \u003c/p\u003e","\u003cp\u003eThe collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching. \u003c/p\u003e","\u003cp\u003eShreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.\n \u003c/p\u003e","\u003cp\u003eThe bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.\u003c/p\u003e","\u003cp\u003e\nAlso included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets. \u003c/p\u003e","\u003cp\u003eThe correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.\u003c/p\u003e","\u003cp\u003eAlso of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing. \u003c/p\u003e","\u003cp\u003eThe collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.\u003c/p\u003e","\u003cp\u003eThere are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.\u003c/p\u003e","\u003cp\u003eThe Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community. \u003c/p\u003e","\u003cp\u003eSources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives \u003c/p\u003e","\u003cp\u003eSusan Richards Shreve. Wikipedia. Accessed 5/30/25\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman.","The collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching.","Shreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.","The bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.","Also included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets.","The correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.","Also of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing.","The collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.","There are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.","The Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community.","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. 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Book Files (correspondence and specific reviews related to her books)"],"parent_unittitles_tesim":["Susan Richards Shreve papers, 1969/2020","Series 3. Book Files (correspondence and specific reviews related to her books)"],"normalized_date_ssm":["2006"],"unitdate_other_ssim":["2006"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":110,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Susan Richards Shreve papers, 1969/2020"],"containers_ssim":["box 19","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time."],"date_range_isim":[2006],"_nest_path_":"/components#2/components#46","timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1765","ead_ssi":"viu_repositories_3_resources_1765","_root_":"viu_repositories_3_resources_1765","_nest_parent_":"viu_repositories_3_resources_1765","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1765.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216579","title_filing_ssi":"Shreve, Susan, Richards, papers","title_ssm":["Susan Richards Shreve papers"],"title_tesim":["Susan Richards Shreve papers"],"unitdate_ssm":["1969-2020"],"unitdate_inclusive_ssm":["1969-2020"],"normalized_date_ssm":["1969/2020"],"normalized_title_ssm":["Susan Richards Shreve papers, 1969/2020"],"text":["Susan Richards Shreve papers, 1969/2020","MSS 16887","Archival Resource Key","/repositories/3/resources/1765","Authors and publishers","Children's books","Families fiction","The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time.","The collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.","Books are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books.","Susan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.","Shreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools.","She has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.","Further, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026 Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty.","Shreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).","As a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.","Her novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.","Honors and awards include:","Jenny McKean Moore Award, George Washington University, 1978;","Notable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories;","Notable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories;","Best Book for Young Adults citation, ALA, 1980, for\nThe Masquerade;","PEN/Faulkner writers award.","Guggenheim Fellowship grant in fiction, 1980;","National Endowment for the Arts fiction award, 1982;","Grub Street Award in Non-Fiction","Edgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel.","Woodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;","Lila Wallace Readers Digest Foundation grant.","Alumni Award at the Sidwell Friends School","Writers for Writers Award from Poets and Writers","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Related collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758.","This collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman.","The collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching.","Shreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.","The bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.","Also included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets.","The correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.","Also of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing.","The collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.","There are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.","The Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community.","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Albert and Shirley Small Special Collections Library","Shreve, Susan","English"],"collection_title_tesim":["Susan Richards Shreve papers, 1969/2020"],"collection_ssim":["Susan Richards Shreve papers, 1969/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16887","Archival Resource Key","/repositories/3/resources/1765"],"unitid_tesim":["MSS 16887","Archival Resource Key","/repositories/3/resources/1765"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Shreve, Susan"],"creator_ssim":["Shreve, Susan"],"creator_persname_ssim":["Shreve, Susan"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Shreve, Susan","Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["Authors and publishers","Children's books","Families fiction"],"access_subjects_ssm":["Authors and publishers","Children's books","Families fiction"],"has_online_content_ssim":["true"],"extent_ssm":["12 Cubic Feet 29 legal size document boxes (15.25 x 10.25 x 5), one half-size legal box, and one oversize box, and digital files","0.34 Gigabytes 911 files"],"extent_tesim":["12 Cubic Feet 29 legal size document boxes (15.25 x 10.25 x 5), one half-size legal box, and one oversize box, and digital files","0.34 Gigabytes 911 files"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use. There are book contracts that need to be reviewed before access.\u003c/p\u003e","\u003cp\u003eSome digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.\u003c/p\u003e","\u003cp\u003eBooks are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.","Books are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books."],"bioghist_html_tesm":["\u003cp\u003eSusan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.\u003c/p\u003e","\u003cp\u003eShreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools. \u003c/p\u003e","\u003cp\u003eShe has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.\u003c/p\u003e","\u003cp\u003eFurther, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026amp; Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty. \u003c/p\u003e","\u003cp\u003eShreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).\u003c/p\u003e","\u003cp\u003e\nAs a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.\u003c/p\u003e","\u003cp\u003eHer novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.\u003c/p\u003e","\u003cp\u003e\nHonors and awards include:\u003c/p\u003e","\u003cp\u003eJenny McKean Moore Award, George Washington University, 1978; \u003c/p\u003e","\u003cp\u003eNotable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories; \u003c/p\u003e","\u003cp\u003eNotable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories; \u003c/p\u003e","\u003cp\u003eBest Book for Young Adults citation, ALA, 1980, for\nThe Masquerade; \u003c/p\u003e","\u003cp\u003ePEN/Faulkner writers award.\u003c/p\u003e","\u003cp\u003eGuggenheim Fellowship grant in fiction, 1980; \u003c/p\u003e","\u003cp\u003eNational Endowment for the Arts fiction award, 1982; \u003c/p\u003e","\u003cp\u003eGrub Street Award in Non-Fiction\u003c/p\u003e","\u003cp\u003eEdgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel. \u003c/p\u003e","\u003cp\u003eWoodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;\u003c/p\u003e","\u003cp\u003eLila Wallace Readers Digest Foundation grant.\u003c/p\u003e","\u003cp\u003eAlumni Award at the Sidwell Friends School\u003c/p\u003e","\u003cp\u003eWriters for Writers Award from Poets and Writers\u003c/p\u003e","\u003cp\u003eSources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives \u003c/p\u003e","\u003cp\u003eSusan Richards Shreve. Wikipedia. Accessed 5/30/25\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Susan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.","Shreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools.","She has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.","Further, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026 Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty.","Shreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).","As a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.","Her novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.","Honors and awards include:","Jenny McKean Moore Award, George Washington University, 1978;","Notable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories;","Notable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories;","Best Book for Young Adults citation, ALA, 1980, for\nThe Masquerade;","PEN/Faulkner writers award.","Guggenheim Fellowship grant in fiction, 1980;","National Endowment for the Arts fiction award, 1982;","Grub Street Award in Non-Fiction","Edgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel.","Woodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;","Lila Wallace Readers Digest Foundation grant.","Alumni Award at the Sidwell Friends School","Writers for Writers Award from Poets and Writers","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25"],"prefercite_html_tesm":["\u003cp\u003eMSS 16887, Susan Richards Shreve papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16887, Susan Richards Shreve papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman. \u003c/p\u003e","\u003cp\u003eThe collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching. \u003c/p\u003e","\u003cp\u003eShreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.\n \u003c/p\u003e","\u003cp\u003eThe bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.\u003c/p\u003e","\u003cp\u003e\nAlso included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets. \u003c/p\u003e","\u003cp\u003eThe correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.\u003c/p\u003e","\u003cp\u003eAlso of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing. \u003c/p\u003e","\u003cp\u003eThe collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.\u003c/p\u003e","\u003cp\u003eThere are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.\u003c/p\u003e","\u003cp\u003eThe Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community. \u003c/p\u003e","\u003cp\u003eSources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives \u003c/p\u003e","\u003cp\u003eSusan Richards Shreve. Wikipedia. Accessed 5/30/25\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman.","The collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching.","Shreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.","The bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.","Also included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets.","The correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.","Also of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing.","The collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.","There are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.","The Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community.","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Shreve, Susan"],"names_ssim":["Albert and Shirley Small Special Collections Library","Shreve, Susan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":7,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:44.527Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1765_c03_c47"}},{"id":"viur_repositories_4_resources_154_c01_c03","type":"File","attributes":{"title":"Warren Chappel, 1975/2015","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFolder 3 contains Christmas cards sent from Warren Chappell to Willis Shell. Some of these cards appear to be hand drawn, while others are printed illustrations of Chappell's design.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_154_c01_c03","ref_ssm":["viur_repositories_4_resources_154_c01_c03"],"id":"viur_repositories_4_resources_154_c01_c03","ead_ssi":"viur_repositories_4_resources_154","_root_":"viur_repositories_4_resources_154","_nest_parent_":"viur_repositories_4_resources_154_c01","parent_ssi":"viur_repositories_4_resources_154_c01","parent_ssim":["Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020"],"parent_ids_ssim":["viur_repositories_4_resources_154","viur_repositories_4_resources_154_c01"],"title_filing_ssi":"Warren Chappel","title_ssm":["Warren Chappel"],"title_tesim":["Warren Chappel"],"normalized_title_ssm":["Warren Chappel, 1975/2015"],"text":["Warren Chappel, 1975/2015","Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020","box 1","folder 3","Folder 3 contains Christmas cards sent from Warren Chappell to Willis Shell. Some of these cards appear to be hand drawn, while others are printed illustrations of Chappell's design."],"parent_unittitles_ssm":["Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020"],"parent_unittitles_tesim":["Willis \u0026 Eleanor Shell Collection, 1952/1977","Personal Information, 1958/2020"],"normalized_date_ssm":["1975/2015"],"unitdate_inclusive_ssm":["1972-2015 and undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":21,"repository_ssim":["University of Richmond"],"collection_ssim":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"containers_ssim":["box 1","folder 3"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"scopecontent_html_tesm":["\u003cp\u003eFolder 3 contains Christmas cards sent from Warren Chappell to Willis Shell. Some of these cards appear to be hand drawn, while others are printed illustrations of Chappell's design.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder 3 contains Christmas cards sent from Warren Chappell to Willis Shell. Some of these cards appear to be hand drawn, while others are printed illustrations of Chappell's design."],"_nest_path_":"/components#0/components#2","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_154","ead_ssi":"viur_repositories_4_resources_154","_root_":"viur_repositories_4_resources_154","_nest_parent_":"viur_repositories_4_resources_154","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_154.xml","title_ssm":["Willis \u0026 Eleanor Shell Collection"],"title_tesim":["Willis \u0026 Eleanor Shell Collection"],"unitdate_ssm":["1952-1977"],"unitdate_bulk_ssim":["1952-1977"],"normalized_date_ssm":["1952/1977"],"normalized_title_ssm":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"text":["Willis \u0026 Eleanor Shell Collection, 1952/1977","MS.47","/repositories/4/resources/154","Richmond (Va.)","Personal correspondence","Photographs","Pamphlets","Clippings","There are no restrictions on accessing material in this collection.","This collection is arranged into 3 series: \n\nSeries 1: Personal Information\nSeries 2: Print Matters\nSeries 3: Christmas Cards","Willis Andrew Shell, Jr., was born in Lenoir, North Carolina on 1 Jun 1905 to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married Eleanor Roberts, with whom he would start the Attic Press from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the William Byrd Press from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in September 1971 as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from Parsons School of Design and worked as an illustrator for the Richmond New Leader, where she developed a regular art feature for the Sunday Times-Dispatch from 1935-1950.","His first handmade book was The Night After Christmas. Willis and Eleanor worked together and separately on projects. For example, for the book An Allegorical ABC Book About Father Junipero Serra, published in 1977, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was David John Mays' Edmund Pendleton, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.","Due to their ties to the print and illustration community, the Shell collection also holds a variety of materials created by friends, including Christmas cards from both David Clinger and Warren Chappell, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989.","This collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.","An item level inventory can be made available by reaching out to archives@richmond.edu.","MS-35 David Clinger Collection","The Willis \u0026 Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The items within this collection pertain to Willis A. \u0026 Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books.","University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell","Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974","English"],"collection_title_tesim":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"collection_ssim":["Willis \u0026 Eleanor Shell Collection, 1952/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.47","/repositories/4/resources/154"],"unitid_tesim":["MS.47","/repositories/4/resources/154"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)"],"geogname_ssim":["Richmond (Va.)"],"places_ssim":["Richmond (Va.)"],"creator_ssm":["Shell, Willis Andrew, 1905-1989"],"creator_ssim":["Shell, Willis Andrew, 1905-1989"],"creator_persname_ssim":["Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974"],"creator_corpname_ssim":["University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)"],"creator_famname_ssim":["Shell"],"creators_ssim":["Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974","University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was donated by Margaret Roberts Thomas, niece of Eleanor Roberts Shell."],"access_subjects_ssim":["Personal correspondence","Photographs","Pamphlets","Clippings"],"access_subjects_ssm":["Personal correspondence","Photographs","Pamphlets","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence","Photographs","Pamphlets","Clippings"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 3 series: \n\u003cul\u003e\n\u003cli\u003eSeries 1: Personal Information\u003c/li\u003e\n\u003cli\u003eSeries 2: Print Matters\u003c/li\u003e\n\u003cli\u003eSeries 3: Christmas Cards\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 3 series: \n\nSeries 1: Personal Information\nSeries 2: Print Matters\nSeries 3: Christmas Cards"],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eWillis Andrew Shell, Jr.\u003c/persname\u003e, was born in \u003cgeogname\u003eLenoir, North Carolina\u003c/geogname\u003e on \u003cdate\u003e1 Jun 1905\u003c/date\u003e to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married \u003cpersname\u003eEleanor Roberts\u003c/persname\u003e, with whom he would start the \u003ccorpname\u003eAttic Press\u003c/corpname\u003e from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the \u003ccorpname\u003eWilliam Byrd Press\u003c/corpname\u003e from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in \u003cdate\u003eSeptember 1971\u003c/date\u003e as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from \u003ccorpname\u003eParsons School of Design\u003c/corpname\u003e and worked as an \u003coccupation\u003eillustrator\u003c/occupation\u003e for the \u003ctitle\u003eRichmond New Leader\u003c/title\u003e, where she developed a regular art feature for the Sunday \u003ctitle\u003eTimes-Dispatch\u003c/title\u003e from 1935-1950.  \u003c/p\u003e","\u003cp\u003eHis first handmade book was \u003ctitle\u003eThe Night After Christmas\u003c/title\u003e. Willis and Eleanor worked together and separately on projects. For example, for the book \u003ctitle\u003eAn Allegorical ABC Book About Father Junipero Serra\u003c/title\u003e, published in \u003cdate\u003e1977\u003c/date\u003e, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was \u003cpersname\u003eDavid John Mays\u003c/persname\u003e' \u003ctitle\u003eEdmund Pendleton\u003c/title\u003e, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.  \u003c/p\u003e","\u003cp\u003eDue to their ties to the print and illustration community, the \u003cfamname\u003eShell\u003c/famname\u003e collection also holds a variety of materials created by friends, including Christmas cards from both \u003cpersname\u003eDavid Clinger\u003c/persname\u003e and \u003cpersname\u003eWarren Chappell\u003c/persname\u003e, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Willis Andrew Shell, Jr., was born in Lenoir, North Carolina on 1 Jun 1905 to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married Eleanor Roberts, with whom he would start the Attic Press from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the William Byrd Press from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in September 1971 as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from Parsons School of Design and worked as an illustrator for the Richmond New Leader, where she developed a regular art feature for the Sunday Times-Dispatch from 1935-1950.","His first handmade book was The Night After Christmas. Willis and Eleanor worked together and separately on projects. For example, for the book An Allegorical ABC Book About Father Junipero Serra, published in 1977, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was David John Mays' Edmund Pendleton, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.","Due to their ties to the print and illustration community, the Shell collection also holds a variety of materials created by friends, including Christmas cards from both David Clinger and Warren Chappell, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-47, Willis \u0026amp; Eleanor Shell Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-47, Willis \u0026 Eleanor Shell Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eThis collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.\u003c/p\u003e","\u003cp\u003eAn item level inventory can be made available by reaching out to archives@richmond.edu.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.","An item level inventory can be made available by reaching out to archives@richmond.edu."],"relatedmaterial_html_tesm":["\u003cp\u003eMS-35 David Clinger Collection\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-35 David Clinger Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Willis \u0026amp; Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Willis \u0026 Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86a3585121957f4c302faa3b9b0cc017\"\u003eThe items within this collection pertain to Willis A. \u0026amp; Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books.\u003c/abstract\u003e\n    "],"abstract_tesim":["The items within this collection pertain to Willis A. \u0026 Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books."],"corpname_ssim":["University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)"],"names_coll_ssim":["William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell, Eleanor Roberts, -1974"],"famname_ssim":["Shell"],"persname_ssim":["Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974"],"names_ssim":["University of Richmond","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell","Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":223,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c03"}},{"id":"viw_repositories_2_resources_9751_c01_c06","type":"File","attributes":{"title":"Warren E. 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