{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=7\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=6\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=8\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=1997\u0026view=list"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":1997,"limit_value":10,"offset_value":60,"total_count":19961,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","type":"File","attributes":{"title":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","Box 9","folder 9"],"title_filing_ssi":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"title_tesim":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"unitdate_inclusive_ssm":["1859-2007"],"normalized_date_ssm":["1859/2007"],"normalized_title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["Box 9","folder 9"],"_nest_path_":"/components#0/components#0/components#8/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c01","type":"File","attributes":{"title":"\"1897-1914 World Power Ascension and Separate but Equal\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1897-1914 World Power Ascension and Separate but Equal\"","Box 11","folder 26"],"title_filing_ssi":"\"1897-1914 World Power Ascension and Separate but Equal\"","title_ssm":["\"1897-1914 World Power Ascension and Separate but Equal\""],"title_tesim":["\"1897-1914 World Power Ascension and Separate but Equal\""],"unitdate_inclusive_ssm":["1900-2008"],"normalized_date_ssm":["1900/2008"],"normalized_title_ssm":["\"1897-1914 World Power Ascension and Separate but Equal\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 26"],"_nest_path_":"/components#0/components#0/components#10/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c01"}},{"id":"viu_repositories_3_resources_837_c02","type":"File","attributes":{"title":"18th century British literature","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_837_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_837_c02","ref_ssm":["viu_repositories_3_resources_837_c02"],"id":"viu_repositories_3_resources_837_c02","ead_ssi":"viu_repositories_3_resources_837","_root_":"viu_repositories_3_resources_837","_nest_parent_":"viu_repositories_3_resources_837","parent_ssi":"viu_repositories_3_resources_837","parent_ssim":["viu_repositories_3_resources_837"],"parent_ids_ssim":["viu_repositories_3_resources_837"],"parent_unittitles_ssm":["Maurice Lévy papers"],"parent_unittitles_tesim":["Maurice Lévy papers"],"text":["Maurice Lévy papers","18th century British literature","box 3"],"title_filing_ssi":"18th century British literature","title_ssm":["18th century British literature"],"title_tesim":["18th century British literature"],"unitdate_inclusive_ssm":["1974-2009"],"normalized_date_ssm":["1974/2009"],"normalized_title_ssm":["18th century British literature"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Maurice Lévy papers"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":29,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 3"],"_nest_path_":"/components#1","timestamp":"2026-05-20T23:27:13.031Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_837","ead_ssi":"viu_repositories_3_resources_837","_root_":"viu_repositories_3_resources_837","_nest_parent_":"viu_repositories_3_resources_837","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_837.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133356","title_filing_ssi":"Lévy, Maurice, papers","title_ssm":["Maurice Lévy papers"],"title_tesim":["Maurice Lévy papers"],"unitdate_ssm":["1952-2012"],"unitdate_inclusive_ssm":["1952-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 15822","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/837"],"text":["MSS 15822","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/837","Maurice Lévy papers","Gothic fiction (Literary genre)","letters (correspondence)","The collection is open for research use.","The collection has been arranged by five subject areas and then chronologically within each subject.","Maurice Lévy was born in Constantine, Algeria on July 9, 1929. Lévy wrote his dissertation on English gothic literature, making extensive use of the University of Virginia's Sadleir-Black Collection of Gothic Literature and quickly became known as a pre-eminent scholar on the subject. In 2009, Lévy contacted UVa to donate his personal collection of French Gothic translations. Lévy died in 2012.","Source: UVa Today, Caliban volume 31","The Maurice Lévy papers (1952-2012; 3.25 cubic feet) document the research, professional career, and personal life of Maurice Lévy. The bulk of the collection consists of research papers and publications, with subjects ranging from gothic literature to William Faulkner to H.P. Lovecraft. The collection also contains conference talks given by Lévy, correspondence with universities and grant agencies, publications from Lévy's organization CERLI (Centre d'Études et de Recherches sur les Littératures de l'Imaginaire), and a few photographs of Lévy with family members.","This addition to the MSS 15822 Maurice Lévy papers contains a manuscript titled \"Tell About the South\" by Nicole Moulinoux. This bound volume of interview transcriptions was compiled in 1993 from Moulinoux's conversations with prominent Southern writers in Charlottesville, VA, including George Garrett, whose papers (MSS 13272) are held at the Small Special Collections Library. ","The volume contains transcripts from interviews with the following writers: Reynolds Price, Shelby Foote, Margaret Walker, Cleanth Brooks, Ernest Gaines, Eudora Welty, Andrew Lytle, George Garrett, and Mary Lee Settle. ","Albert and Shirley Small Special Collections Library","Lévy, Maurice, 1929-","Materials are primarily in French, with a substantial minority in English."],"unitid_tesim":["MSS 15822","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/837"],"normalized_title_ssm":["Maurice Lévy papers"],"collection_title_tesim":["Maurice Lévy papers"],"collection_ssim":["Maurice Lévy papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Lévy, Maurice, 1929-"],"creator_ssim":["Lévy, Maurice, 1929-"],"creator_persname_ssim":["Lévy, Maurice, 1929-"],"creators_ssim":["Lévy, Maurice, 1929-"],"acqinfo_ssim":["This collection was a gift from Ellen Lévy to the Small Special Collections Library at the University of Virginia Library in 2014"],"access_subjects_ssim":["Gothic fiction (Literary genre)","letters (correspondence)"],"access_subjects_ssm":["Gothic fiction (Literary genre)","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Cubic Feet 6 legal document boxes, 1 legal half-width document box"],"extent_tesim":["3.25 Cubic Feet 6 legal document boxes, 1 legal half-width document box"],"genreform_ssim":["letters (correspondence)"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged by five subject areas and then chronologically within each subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged by five subject areas and then chronologically within each subject."],"bioghist_html_tesm":["\u003cp\u003eMaurice Lévy was born in Constantine, Algeria on July 9, 1929. Lévy wrote his dissertation on English gothic literature, making extensive use of the University of Virginia's Sadleir-Black Collection of Gothic Literature and quickly became known as a pre-eminent scholar on the subject. In 2009, Lévy contacted UVa to donate his personal collection of French Gothic translations. Lévy died in 2012.\u003c/p\u003e\n","\u003cp\u003eSource: UVa Today, Caliban volume 31\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Maurice Lévy was born in Constantine, Algeria on July 9, 1929. Lévy wrote his dissertation on English gothic literature, making extensive use of the University of Virginia's Sadleir-Black Collection of Gothic Literature and quickly became known as a pre-eminent scholar on the subject. In 2009, Lévy contacted UVa to donate his personal collection of French Gothic translations. Lévy died in 2012.","Source: UVa Today, Caliban volume 31"],"prefercite_html_tesm":["\u003cp\u003eMSS 15822, Maurice Lévy papers, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 15822, Maurice Lévy papers, Albert and Shirley Small Special Collections Library, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThe Maurice Lévy papers (1952-2012; 3.25 cubic feet) document the research, professional career, and personal life of Maurice Lévy. The bulk of the collection consists of research papers and publications, with subjects ranging from gothic literature to William Faulkner to H.P. Lovecraft. The collection also contains conference talks given by Lévy, correspondence with universities and grant agencies, publications from Lévy's organization CERLI (Centre d'Études et de Recherches sur les Littératures de l'Imaginaire), and a few photographs of Lévy with family members.\u003c/p\u003e","\u003cp\u003eThis addition to the MSS 15822 Maurice Lévy papers contains a manuscript titled \"Tell About the South\" by Nicole Moulinoux. This bound volume of interview transcriptions was compiled in 1993 from Moulinoux's conversations with prominent Southern writers in Charlottesville, VA, including George Garrett, whose papers (MSS 13272) are held at the Small Special Collections Library. \u003c/p\u003e\n","\u003cp\u003eThe volume contains transcripts from interviews with the following writers: Reynolds Price, Shelby Foote, Margaret Walker, Cleanth Brooks, Ernest Gaines, Eudora Welty, Andrew Lytle, George Garrett, and Mary Lee Settle. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents"],"scopecontent_tesim":["The Maurice Lévy papers (1952-2012; 3.25 cubic feet) document the research, professional career, and personal life of Maurice Lévy. The bulk of the collection consists of research papers and publications, with subjects ranging from gothic literature to William Faulkner to H.P. Lovecraft. The collection also contains conference talks given by Lévy, correspondence with universities and grant agencies, publications from Lévy's organization CERLI (Centre d'Études et de Recherches sur les Littératures de l'Imaginaire), and a few photographs of Lévy with family members.","This addition to the MSS 15822 Maurice Lévy papers contains a manuscript titled \"Tell About the South\" by Nicole Moulinoux. This bound volume of interview transcriptions was compiled in 1993 from Moulinoux's conversations with prominent Southern writers in Charlottesville, VA, including George Garrett, whose papers (MSS 13272) are held at the Small Special Collections Library. ","The volume contains transcripts from interviews with the following writers: Reynolds Price, Shelby Foote, Margaret Walker, Cleanth Brooks, Ernest Gaines, Eudora Welty, Andrew Lytle, George Garrett, and Mary Lee Settle. "],"names_ssim":["Albert and Shirley Small Special Collections Library","Lévy, Maurice, 1929-"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Lévy, Maurice, 1929-"],"language_ssim":["Materials are primarily in French, with a substantial minority in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":72,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:27:13.031Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_837_c02"}},{"id":"vifgm_repositories_2_resources_381_c05_c33","type":"File","attributes":{"title":"1901-2207 Paul Spring Road","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c33#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_381_c05_c33","ref_ssm":["vifgm_repositories_2_resources_381_c05_c33"],"id":"vifgm_repositories_2_resources_381_c05_c33","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381_c05","parent_ssi":"vifgm_repositories_2_resources_381_c05","parent_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_ids_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review","1901-2207 Paul Spring Road","box 55","folder 6"],"title_filing_ssi":"1901-2207 Paul Spring Road","title_ssm":["1901-2207 Paul Spring Road"],"title_tesim":["1901-2207 Paul Spring Road"],"unitdate_other_ssim":["1996-2009"],"normalized_date_ssm":["1996/2009"],"normalized_title_ssm":["1901-2207 Paul Spring Road"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":305,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 55","folder 6"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#4/components#32","timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_381","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_381.xml","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231","/repositories/2/resources/381"],"text":["C0231","/repositories/2/resources/381","Civic Association of Hollin Hills records","Hollin Hills (Va.)","Regional planning -- Virginia","Housing","Architecture -- Designs and plans","There are no access restrictions.","This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5","George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills","English"],"unitid_tesim":["C0231","/repositories/2/resources/381"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Hollin Hills (Va.)"],"geogname_ssim":["Hollin Hills (Va.)"],"creator_ssm":["Civic Association of Hollin Hills"],"creator_ssim":["Civic Association of Hollin Hills"],"creator_corpname_ssim":["Civic Association of Hollin Hills"],"creators_ssim":["Civic Association of Hollin Hills"],"places_ssim":["Hollin Hills (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"access_subjects_ssm":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["36.5 Linear Feet (73 boxes)"],"extent_tesim":["36.5 Linear Feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n      \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n      \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e\n","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e\n","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e\n","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e\n","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e\n","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e\n","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and bulletins.\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.\u003c/p\u003e","\u003cp\u003eThis series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.\u003c/p\u003e","\u003cp\u003eThis series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005 \u003c/p\u003e\n","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e\n","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e\n","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f11857ba58224a8b7c3c698cf2f251d5\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_906970ce956a95a6f5dd00741ceed53f\"\u003eR47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5\u003c/physloc\u003e"],"physloc_tesim":["R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5"],"names_coll_ssim":["Civic Association of Hollin Hills"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c33"}},{"id":"vifgm_hollinhills_c05_c33","type":"File","attributes":{"title":"1901-2207 Paul Spring Road,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c33#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c33#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_hollinhills_c05_c33","ref_ssm":["vifgm_hollinhills_c05_c33"],"id":"vifgm_hollinhills_c05_c33","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills_c05","parent_ssi":"vifgm_hollinhills_c05","parent_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_ids_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review,","1901-2207 Paul Spring Road,","Box 55","Folder 6",""],"title_filing_ssi":"1901-2207 Paul Spring Road, \n","title_ssm":["1901-2207 Paul Spring Road,"],"title_tesim":["1901-2207 Paul Spring Road,"],"unitdate_other_ssim":["1996-2009\n"],"normalized_date_ssm":["1996/2009"],"normalized_title_ssm":["1901-2207 Paul Spring Road,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":305,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["Box 55","Folder 6"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#4/components#32","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_hollinhills","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills","ead_source_url_ssi":"data/gmu/hollinhills.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/hollinhills.html","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231"],"text":["C0231","Civic Association of Hollin Hills records","Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern.","There are no access restrictions.","This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills.","English\n\t\t"],"unitid_tesim":["C0231"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Civic Association of Hollin Hills."],"creator_ssim":["Civic Association of Hollin Hills."],"creator_corpname_ssim":["Civic Association of Hollin Hills."],"creators_ssim":["Civic Association of Hollin Hills."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"access_subjects_ssm":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"has_online_content_ssim":["false"],"extent_ssm":["36.5 linear feet (73 boxes)"],"extent_tesim":["36.5 linear feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n        \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n        \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and bulletins.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\n\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005\n\u003c/p\u003e","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref8\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"names_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"corpname_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c33"}},{"id":"vifgm_repositories_2_resources_381_c05_c27","type":"File","attributes":{"title":"1908-1951 Martha's Road","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c27#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_381_c05_c27","ref_ssm":["vifgm_repositories_2_resources_381_c05_c27"],"id":"vifgm_repositories_2_resources_381_c05_c27","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381_c05","parent_ssi":"vifgm_repositories_2_resources_381_c05","parent_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_ids_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review","1908-1951 Martha's Road","box 54","folder 5"],"title_filing_ssi":"1908-1951 Martha's Road","title_ssm":["1908-1951 Martha's Road"],"title_tesim":["1908-1951 Martha's Road"],"unitdate_other_ssim":["2000-2005"],"normalized_date_ssm":["2000/2005"],"normalized_title_ssm":["1908-1951 Martha's Road"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":299,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2000,2001,2002,2003,2004,2005],"containers_ssim":["box 54","folder 5"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#4/components#26","timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_381","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_381.xml","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231","/repositories/2/resources/381"],"text":["C0231","/repositories/2/resources/381","Civic Association of Hollin Hills records","Hollin Hills (Va.)","Regional planning -- Virginia","Housing","Architecture -- Designs and plans","There are no access restrictions.","This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5","George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills","English"],"unitid_tesim":["C0231","/repositories/2/resources/381"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Hollin Hills (Va.)"],"geogname_ssim":["Hollin Hills (Va.)"],"creator_ssm":["Civic Association of Hollin Hills"],"creator_ssim":["Civic Association of Hollin Hills"],"creator_corpname_ssim":["Civic Association of Hollin Hills"],"creators_ssim":["Civic Association of Hollin Hills"],"places_ssim":["Hollin Hills (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"access_subjects_ssm":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["36.5 Linear Feet (73 boxes)"],"extent_tesim":["36.5 Linear Feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n      \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n      \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e\n","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e\n","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e\n","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e\n","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e\n","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e\n","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and bulletins.\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.\u003c/p\u003e","\u003cp\u003eThis series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.\u003c/p\u003e","\u003cp\u003eThis series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005 \u003c/p\u003e\n","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e\n","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e\n","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f11857ba58224a8b7c3c698cf2f251d5\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_906970ce956a95a6f5dd00741ceed53f\"\u003eR47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5\u003c/physloc\u003e"],"physloc_tesim":["R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5"],"names_coll_ssim":["Civic Association of Hollin Hills"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c27"}},{"id":"vifgm_hollinhills_c05_c27","type":"File","attributes":{"title":"1908-1951 Martha's Road,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c27#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c27#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_hollinhills_c05_c27","ref_ssm":["vifgm_hollinhills_c05_c27"],"id":"vifgm_hollinhills_c05_c27","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills_c05","parent_ssi":"vifgm_hollinhills_c05","parent_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_ids_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review,","1908-1951 Martha's Road,","Box 54","Folder 5",""],"title_filing_ssi":"1908-1951 Martha's Road, \n","title_ssm":["1908-1951 Martha's Road,"],"title_tesim":["1908-1951 Martha's Road,"],"unitdate_other_ssim":["2000-2005\n"],"normalized_date_ssm":["2000/2005"],"normalized_title_ssm":["1908-1951 Martha's Road,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":299,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[2000,2001,2002,2003,2004,2005],"containers_ssim":["Box 54","Folder 5"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#4/components#26","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_hollinhills","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills","ead_source_url_ssi":"data/gmu/hollinhills.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/hollinhills.html","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231"],"text":["C0231","Civic Association of Hollin Hills records","Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern.","There are no access restrictions.","This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills.","English\n\t\t"],"unitid_tesim":["C0231"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Civic Association of Hollin Hills."],"creator_ssim":["Civic Association of Hollin Hills."],"creator_corpname_ssim":["Civic Association of Hollin Hills."],"creators_ssim":["Civic Association of Hollin Hills."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"access_subjects_ssm":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"has_online_content_ssim":["false"],"extent_ssm":["36.5 linear feet (73 boxes)"],"extent_tesim":["36.5 linear feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n        \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n        \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and bulletins.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\n\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005\n\u003c/p\u003e","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref8\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"names_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"corpname_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c27"}},{"id":"vifgm_repositories_2_resources_381_c05_c26","type":"File","attributes":{"title":"1912-1924 Martha's Road","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_381_c05_c26","ref_ssm":["vifgm_repositories_2_resources_381_c05_c26"],"id":"vifgm_repositories_2_resources_381_c05_c26","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381_c05","parent_ssi":"vifgm_repositories_2_resources_381_c05","parent_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_ids_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review","1912-1924 Martha's Road","box 54","folder 4"],"title_filing_ssi":"1912-1924 Martha's Road","title_ssm":["1912-1924 Martha's Road"],"title_tesim":["1912-1924 Martha's Road"],"unitdate_other_ssim":["1997-2009"],"normalized_date_ssm":["1997/2009"],"normalized_title_ssm":["1912-1924 Martha's Road"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":298,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 54","folder 4"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#4/components#25","timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_381","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_381.xml","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231","/repositories/2/resources/381"],"text":["C0231","/repositories/2/resources/381","Civic Association of Hollin Hills records","Hollin Hills (Va.)","Regional planning -- Virginia","Housing","Architecture -- Designs and plans","There are no access restrictions.","This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5","George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills","English"],"unitid_tesim":["C0231","/repositories/2/resources/381"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Hollin Hills (Va.)"],"geogname_ssim":["Hollin Hills (Va.)"],"creator_ssm":["Civic Association of Hollin Hills"],"creator_ssim":["Civic Association of Hollin Hills"],"creator_corpname_ssim":["Civic Association of Hollin Hills"],"creators_ssim":["Civic Association of Hollin Hills"],"places_ssim":["Hollin Hills (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"access_subjects_ssm":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["36.5 Linear Feet (73 boxes)"],"extent_tesim":["36.5 Linear Feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n      \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n      \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e\n","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e\n","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e\n","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e\n","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e\n","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e\n","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and bulletins.\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.\u003c/p\u003e","\u003cp\u003eThis series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.\u003c/p\u003e","\u003cp\u003eThis series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005 \u003c/p\u003e\n","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e\n","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e\n","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f11857ba58224a8b7c3c698cf2f251d5\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_906970ce956a95a6f5dd00741ceed53f\"\u003eR47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5\u003c/physloc\u003e"],"physloc_tesim":["R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5"],"names_coll_ssim":["Civic Association of Hollin Hills"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c26"}},{"id":"vifgm_hollinhills_c05_c26","type":"File","attributes":{"title":"1912-1924 Martha's Road,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c26#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_hollinhills_c05_c26","ref_ssm":["vifgm_hollinhills_c05_c26"],"id":"vifgm_hollinhills_c05_c26","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills_c05","parent_ssi":"vifgm_hollinhills_c05","parent_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_ids_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review,","1912-1924 Martha's Road,","Box 54","Folder 4",""],"title_filing_ssi":"1912-1924 Martha's Road, \n","title_ssm":["1912-1924 Martha's Road,"],"title_tesim":["1912-1924 Martha's Road,"],"unitdate_other_ssim":["1997-2009\n"],"normalized_date_ssm":["1997/2009"],"normalized_title_ssm":["1912-1924 Martha's Road,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":298,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["Box 54","Folder 4"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#4/components#25","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_hollinhills","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills","ead_source_url_ssi":"data/gmu/hollinhills.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/hollinhills.html","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231"],"text":["C0231","Civic Association of Hollin Hills records","Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern.","There are no access restrictions.","This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills.","English\n\t\t"],"unitid_tesim":["C0231"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Civic Association of Hollin Hills."],"creator_ssim":["Civic Association of Hollin Hills."],"creator_corpname_ssim":["Civic Association of Hollin Hills."],"creators_ssim":["Civic Association of Hollin Hills."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"access_subjects_ssm":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"has_online_content_ssim":["false"],"extent_ssm":["36.5 linear feet (73 boxes)"],"extent_tesim":["36.5 linear feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n        \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n        \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and bulletins.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\n\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005\n\u003c/p\u003e","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref8\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"names_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"corpname_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c26"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","type":"File","attributes":{"title":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","Box 11","folder 31"],"title_filing_ssi":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"title_tesim":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"unitdate_inclusive_ssm":["1914-2008"],"normalized_date_ssm":["1914/2008"],"normalized_title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 31"],"_nest_path_":"/components#0/components#0/components#10/components#5","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":59},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=list"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":3040},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=list"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=list"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":3664},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=list"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":147},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=list"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1285},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=list"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":60},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=list"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":153},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=list"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":1812},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=list"}},{"attributes":{"label":"Radford University","value":"Radford University","hits":20},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Radford+University\u0026view=list"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":76},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","value":"\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Scenes+from+Behind+the+Wall%3A+Images+of+East+Germany%2C+1989%2F90%22+exhibit+collection\u0026f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"attributes":{"label":"8th Evacuation Hospital collection","value":"8th Evacuation Hospital collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=8th+Evacuation+Hospital+collection\u0026f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"attributes":{"label":"A. E. Dick Howard papers","value":"A. E. Dick Howard papers","hits":34},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+E.+Dick+Howard+papers\u0026f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"attributes":{"label":"A. H. Hand Papers","value":"A. H. Hand Papers","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+H.+Hand+Papers\u0026f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"attributes":{"label":"A. J. Davis Family Collection","value":"A. J. Davis Family Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+J.+Davis+Family+Collection\u0026f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"attributes":{"label":"A. Patrick L. Prest, Jr. papers","value":"A. Patrick L. Prest, Jr. papers","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+Patrick+L.+Prest%2C+Jr.+papers\u0026f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"attributes":{"label":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300)","value":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=ALIVE+%28ALexandrians+InVolved+Ecumenically%29+Records+%28MS300%29\u0026f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"attributes":{"label":"Abbye A. Gorin Architectural Collection","value":"Abbye A. 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