{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=34\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=33\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=35\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=1997\u0026view=list"},"meta":{"pages":{"current_page":34,"next_page":35,"prev_page":33,"total_pages":1997,"limit_value":10,"offset_value":330,"total_count":19961,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_22_c03","type":"Series","attributes":{"title":"Accession 2015.172","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_22_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_22_c03","ref_ssm":["viw_repositories_2_resources_22_c03"],"id":"viw_repositories_2_resources_22_c03","ead_ssi":"viw_repositories_2_resources_22","_root_":"viw_repositories_2_resources_22","_nest_parent_":"viw_repositories_2_resources_22","parent_ssi":"viw_repositories_2_resources_22","parent_ssim":["viw_repositories_2_resources_22"],"parent_ids_ssim":["viw_repositories_2_resources_22"],"parent_unittitles_ssm":["Alpha Phi Alpha Kappa Pi chapter records"],"parent_unittitles_tesim":["Alpha Phi Alpha Kappa Pi chapter records"],"text":["Alpha Phi Alpha Kappa Pi chapter records","Accession 2015.172"],"title_filing_ssi":"Accession 2015.172","title_ssm":["Accession 2015.172"],"title_tesim":["Accession 2015.172"],"unitdate_inclusive_ssm":["1978-2011"],"normalized_date_ssm":["1978/2011"],"normalized_title_ssm":["Accession 2015.172"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Alpha Phi Alpha Kappa Pi chapter records"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":8,"parent_access_restrict_tesm":["Collection is open to all researchers. 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Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Much of Acc. 2011.584 was kept by a chapter member in a filing cabinet at his mother's home before being transferred to Swem Library. Portions of this collection, mostly fliers and similar, were previously part of the University Archives Publications Collection \u0026 Student Organizations Collection.","2011.584 accessioned and minimally processed by Amy C. Schindler, University Archivist, 9/13/2011.","University Archives Poster Collection; University Archives Artifact Collection; University Archives Subject File Collection."," Artifacts from 2011.584 accession described in the University Archives Artifact Collection (UA 13) include: Crystal Yellow Rose (2011.584.01), Alpha Phi Alpha Wooden Sign (2011.584.02), Kemp Campaign Button (2011.584.03), Virginia Association of Chapters of Alpha Phi Alpha Fraternity [VACAPAF] Luggage Tag (2011.584.04), Alpha Phi Alpha Keychain (2011.584.05), House of Alpha Wooden Slat Fragment (2011.584.06)."," Information about related materials is available at http://guides.swem.wm.edu/wm","This collection includes posters, fliers, programs, cards, memorabilia, letters sent to alumni, membership interest forms, issues of The Sphinx, and other material from the Kappa Pi Chapter of Alpha Phi Alpha Fraternity, Inc. at the College of William and Mary. 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Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eMuch of Acc. 2011.584 was kept by a chapter member in a filing cabinet at his mother's home before being transferred to Swem Library. Portions of this collection, mostly fliers and similar, were previously part of the University Archives Publications Collection \u0026amp; Student Organizations Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Much of Acc. 2011.584 was kept by a chapter member in a filing cabinet at his mother's home before being transferred to Swem Library. 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The records include material from both the College of William and Mary chapter as well as information from the national chapter of Alpha Phi Alpha.\u003c/p\u003e","\u003cp\u003ePublications, initiation forms, and other material related to the national chapter of Alpha Phi Alpha Fraternity, Inc.\u003c/p\u003e","\u003cp\u003eTwo shields (one has name John painted on, the other has the name Bill), Sphinx pendance w/ leather necklace\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes posters, fliers, programs, cards, memorabilia, letters sent to alumni, membership interest forms, issues of The Sphinx, and other material from the Kappa Pi Chapter of Alpha Phi Alpha Fraternity, Inc. at the College of William and Mary. 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The separate items will eventually be described here and removed from the artifical collections they were placed in.\u003c/p\u003e\n","\u003cp\u003e Artifacts from 2011.584 accession described in the University Archives Artifact Collection (UA 13) include: Crystal Yellow Rose (2011.584.01), Alpha Phi Alpha Wooden Sign (2011.584.02), Kemp Campaign Button (2011.584.03), Virginia Association of Chapters of Alpha Phi Alpha Fraternity [VACAPAF] Luggage Tag (2011.584.04), Alpha Phi Alpha Keychain (2011.584.05), House of Alpha Wooden Slat Fragment (2011.584.06), Sphinx Wooden Block [RESTRICTED] (2011.584.07), and Alpha Phi Alpha Kappa Pi Chapter Seal Stamp [RESTRICTED] (2011.584.08).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The artifacts transferred in 2011 were housed and described in the University Archives Artifact Collection. All large format posters were housed and described in the University Archives Poster Collection. Any new additions will be added to this collection guide, as they should be.  The separate items will eventually be described here and removed from the artifical collections they were placed in."," Artifacts from 2011.584 accession described in the University Archives Artifact Collection (UA 13) include: Crystal Yellow Rose (2011.584.01), Alpha Phi Alpha Wooden Sign (2011.584.02), Kemp Campaign Button (2011.584.03), Virginia Association of Chapters of Alpha Phi Alpha Fraternity [VACAPAF] Luggage Tag (2011.584.04), Alpha Phi Alpha Keychain (2011.584.05), House of Alpha Wooden Slat Fragment (2011.584.06), Sphinx Wooden Block [RESTRICTED] (2011.584.07), and Alpha Phi Alpha Kappa Pi Chapter Seal Stamp [RESTRICTED] (2011.584.08)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Alpha Phi Alpha. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"_nest_path_":"/components#0","timestamp":"2026-05-20T22:52:45.698Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_7690","ead_ssi":"viw_repositories_2_resources_7690","_root_":"viw_repositories_2_resources_7690","_nest_parent_":"viw_repositories_2_resources_7690","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7690.xml","title_filing_ssi":"Deloris Thomas collection of campaign material","title_ssm":["Deloris Thomas Collection of Campaign Material"],"title_tesim":["Deloris Thomas Collection of Campaign Material"],"unitdate_ssm":["1990-2017"],"unitdate_inclusive_ssm":["1990-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00132","/repositories/2/resources/7690"],"text":["MS 00132","/repositories/2/resources/7690","Deloris Thomas Collection of Campaign Material","Political Campaigns—United States","Political campaigns--Virginia","Elections -- Virginia","Elections--United States--History","Ballots","Collection is open to all researchers. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eDeloris Thomas collection of campaign material, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Deloris Thomas collection of campaign material, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCampaign material relating to political elections in the Williamsburg area, Virginia state races, and United States Senate, Congressional, and Presidential races.  Thomas was a delegate for the Virginia State Convention in 2012 and a volunteer for the 53rd Inaugural Presidential Ceremonies.  This collection includes badges from her involvement with the political process, pamphlets, bumper stickers, pins, and campaign material for the Democratic party.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Campaign material relating to political elections in the Williamsburg area, Virginia state races, and United States Senate, Congressional, and Presidential races.  Thomas was a delegate for the Virginia State Convention in 2012 and a volunteer for the 53rd Inaugural Presidential Ceremonies.  This collection includes badges from her involvement with the political process, pamphlets, bumper stickers, pins, and campaign material for the Democratic party."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Thomas, Deloris J.","Biden, Joseph R.","McAuliffe, Terry","Obama, Barack","Kaine, Timothy M."],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Thomas, Deloris J.","Biden, Joseph R.","McAuliffe, Terry","Obama, Barack","Kaine, Timothy M."],"persname_ssim":["Thomas, Deloris J.","Biden, Joseph R.","McAuliffe, Terry","Obama, Barack","Kaine, Timothy M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":69,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:52:45.698Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7690_c01"}},{"id":"viw_repositories_2_resources_8569_c03","type":"Series","attributes":{"title":"Accession 2017.174 - Manuscripts and Research Material","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8569_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAccession 2017.174 comprises the bulk of the collection, consisting of drafts and working material for all four of Tom Baker's novels, \u003cspan\u003eFull Frontal\u003c/span\u003e, \u003cspan\u003eGreen\u003c/span\u003e, \u003cspan\u003ePaperwhite Narcissus\u003c/span\u003e, and \u003cspan\u003eThe Sound of One Horse Dancing\u003c/span\u003e. The drafts include multiple revisions of the novel Green, primarily the first draft and revisions 3, 6, and 7. While other revisions were not included in this accession, the existing progression provides insight into the changes the novel advanced through during the writing process. Multiple annotated drafts for the novel Paperwhite Narcissus are also included, with apparent annotations from different unnamed editors. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8569_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8569_c03","ref_ssm":["viw_repositories_2_resources_8569_c03"],"id":"viw_repositories_2_resources_8569_c03","ead_ssi":"viw_repositories_2_resources_8569","_root_":"viw_repositories_2_resources_8569","_nest_parent_":"viw_repositories_2_resources_8569","parent_ssi":"viw_repositories_2_resources_8569","parent_ssim":["viw_repositories_2_resources_8569"],"parent_ids_ssim":["viw_repositories_2_resources_8569"],"parent_unittitles_ssm":["Tom Baker papers"],"parent_unittitles_tesim":["Tom Baker papers"],"text":["Tom Baker papers","Accession 2017.174 - Manuscripts and Research Material","Accession 2017.174 comprises the bulk of the collection, consisting of drafts and working material for all four of Tom Baker's novels,  Full Frontal ,  Green ,  Paperwhite Narcissus , and  The Sound of One Horse Dancing . The drafts include multiple revisions of the novel Green, primarily the first draft and revisions 3, 6, and 7. While other revisions were not included in this accession, the existing progression provides insight into the changes the novel advanced through during the writing process. Multiple annotated drafts for the novel Paperwhite Narcissus are also included, with apparent annotations from different unnamed editors. ","Further working files in the accession includes research material used by Baker during his writing process. The bulk of the research materials consists of printed webpages on historical events such as the Vietnam War, calendars of major events in the mid 1970s, and contemporary maps. Additional working files include Baker's correspondence with publishers, publishing agreements, editorial evaluation reports, and programs from Camp Robinhood, a youth summer camp which Baker was involved with."],"title_filing_ssi":"Accession 2017.174 - Manuscripts and Research Material","title_ssm":["Accession 2017.174 - Manuscripts and Research Material"],"title_tesim":["Accession 2017.174 - Manuscripts and Research Material"],"unitdate_inclusive_ssm":["1962-2016"],"normalized_date_ssm":["1962/2016"],"normalized_title_ssm":["Accession 2017.174 - Manuscripts and Research Material"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Tom Baker papers"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":89,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"scopecontent_html_tesm":["\u003cp\u003eAccession 2017.174 comprises the bulk of the collection, consisting of drafts and working material for all four of Tom Baker's novels, \u003ctitle\u003eFull Frontal\u003c/title\u003e, \u003ctitle\u003eGreen\u003c/title\u003e, \u003ctitle\u003ePaperwhite Narcissus\u003c/title\u003e, and \u003ctitle\u003eThe Sound of One Horse Dancing\u003c/title\u003e. The drafts include multiple revisions of the novel Green, primarily the first draft and revisions 3, 6, and 7. While other revisions were not included in this accession, the existing progression provides insight into the changes the novel advanced through during the writing process. Multiple annotated drafts for the novel Paperwhite Narcissus are also included, with apparent annotations from different unnamed editors. \u003c/p\u003e","\u003cp\u003eFurther working files in the accession includes research material used by Baker during his writing process. The bulk of the research materials consists of printed webpages on historical events such as the Vietnam War, calendars of major events in the mid 1970s, and contemporary maps. Additional working files include Baker's correspondence with publishers, publishing agreements, editorial evaluation reports, and programs from Camp Robinhood, a youth summer camp which Baker was involved with.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Accession 2017.174 comprises the bulk of the collection, consisting of drafts and working material for all four of Tom Baker's novels,  Full Frontal ,  Green ,  Paperwhite Narcissus , and  The Sound of One Horse Dancing . The drafts include multiple revisions of the novel Green, primarily the first draft and revisions 3, 6, and 7. While other revisions were not included in this accession, the existing progression provides insight into the changes the novel advanced through during the writing process. Multiple annotated drafts for the novel Paperwhite Narcissus are also included, with apparent annotations from different unnamed editors. ","Further working files in the accession includes research material used by Baker during his writing process. The bulk of the research materials consists of printed webpages on historical events such as the Vietnam War, calendars of major events in the mid 1970s, and contemporary maps. Additional working files include Baker's correspondence with publishers, publishing agreements, editorial evaluation reports, and programs from Camp Robinhood, a youth summer camp which Baker was involved with."],"_nest_path_":"/components#2","timestamp":"2026-05-21T14:18:38.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8569","ead_ssi":"viw_repositories_2_resources_8569","_root_":"viw_repositories_2_resources_8569","_nest_parent_":"viw_repositories_2_resources_8569","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8569.xml","title_filing_ssi":"Tom Baker papers","title_ssm":["Tom Baker papers"],"title_tesim":["Tom Baker papers"],"unitdate_ssm":["1962-2018"],"unitdate_inclusive_ssm":["1962-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.160","/repositories/2/resources/8569"],"text":["UA 5.160","/repositories/2/resources/8569","Tom Baker papers","College of William and Mary--Alumni and alumnae","Novelists, American","Authors, American--20th century","Homosexuality--Fiction.","Gay men's writings, American","Manuscripts for publication","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged by accession in the order in which it was received, with corresponding subseries within each accession. Original order and folder titles were retained where possible; folder titles were inferred where necessary.","Tom Baker is a William \u0026 Mary graduate with multiple published works. He primarily worked as a corporate advertiser before transitioning to full-time writing in 2010, since then having published three novels and a book of short stories. Novels he has authored include  The Sound of One Horse Dancing, Full Frontal, Paperwhite Narcissus,  and  Green . All of his novels explore perspectives of gay men in the backdrop of major historical events of the 20th century. Each deals with themes of sexual discovery during periods of time in which LGBTQ+ individuals were not openly accepted by society at large.","Baker's novels Full Frontal and Paperwhite Narcissus have won the Beverly Hills Book Award in the LGBT Fiction category in 2013 and 2015 respectively. For the majority of his professional life, he lived in Santa Monica Canyon, CA; he now lives in Gloucester, MA. ","The Tom Baker papers consist primarily of drafts, working copies, manuscripts, and published copies of the author and William \u0026 Mary alumnus Tom Baker's published literary works. The written works represented are  The Sound of One Horse Dancing  (2011),  Full Frontal  (2012),  Paperwhite Narcissus  (2014),   Green  (2017), and various short stories. Also included are some pieces of correspondence to and from Baker regarding the status of his work, as well as working files of research material for the settings of the novels  Green  and  Paperwhite Narcissus The materials provide insight into the professional literary career and creative process of Baker as he wrote novels that incorporated the use of historical settings as well as the perspective of a gay man in the United States in the mid and late 20th century.","Accession 2012.095 is composed of working drafts, annotated copies, and proofs used during Baker's writing process for the novel  The Sound of One Horse Dancing  and for various short stories. Some drafts are annotated by individuals who read the drafts on Baker's behalf; the only named editor is Brenda Koplin, a freelance copy editor. The material of this accession provides insight into the writing process which Baker employed to create the final product of  The Sound of One Horse Dancing  as well as the ways in which the novel evolved across iterations. Additionally, the accession provides Baker's perspective during the final edit process with the publisher, iUniverse, and the steps to bring a work into published print.","Accession 2012.421 is composed of working drafts  Full Frontal  and additional drafts of  The Sound of One Horse Dancing . The drafts of  Full Frontal  are primarily revisions with no examples of annotation, while he drafts of  The Sound of One Horse Dancing  include annotations broken down by chapter by an unnamed reviewer. The drafts provide insight into the evolution of Full Frontal as well as additional insight into the production of  The Sound of One Horse Dancing .","Accession 2017.174 comprises the bulk of the collection, consisting of drafts and working material for all four of Tom Baker's novels,  Full Frontal ,  Green ,  Paperwhite Narcissus , and  The Sound of One Horse Dancing . The drafts include multiple revisions of the novel Green, primarily the first draft and revisions 3, 6, and 7. While other revisions were not included in this accession, the existing progression provides insight into the changes the novel advanced through during the writing process. Multiple annotated drafts for the novel Paperwhite Narcissus are also included, with apparent annotations from different unnamed editors. ","Further working files in the accession includes research material used by Baker during his writing process. The bulk of the research materials consists of printed webpages on historical events such as the Vietnam War, calendars of major events in the mid 1970s, and contemporary maps. Additional working files include Baker's correspondence with publishers, publishing agreements, editorial evaluation reports, and programs from Camp Robinhood, a youth summer camp which Baker was involved with.","Tom Baker Podcast Interview. Interview conducted by the Written on the Edge Podcast with Tom Baker.  Downloaded from Written on the Edge Podcast after notification by Tom Baker.","An early review copy of  Green  (2017) was removed and cataloged in the Rare Books Collections in Swem Library's Special Collections Research Center.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Baker, Tom, 1944-","English"],"unitid_tesim":["UA 5.160","/repositories/2/resources/8569"],"normalized_title_ssm":["Tom Baker papers"],"collection_title_tesim":["Tom Baker papers"],"collection_ssim":["Tom Baker papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["College of William and Mary--Alumni and alumnae"],"geogname_ssim":["College of William and Mary--Alumni and alumnae"],"creator_ssm":["Baker, Tom, 1944-"],"creator_ssim":["Baker, Tom, 1944-"],"creator_persname_ssim":["Baker, Tom, 1944-"],"creators_ssim":["Baker, Tom, 1944-"],"places_ssim":["College of William and Mary--Alumni and alumnae"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Tom Baker in 2012, with other accruals later in 2012 and 2017."],"access_subjects_ssim":["Novelists, American","Authors, American--20th century","Homosexuality--Fiction.","Gay men's writings, American","Manuscripts for publication"],"access_subjects_ssm":["Novelists, American","Authors, American--20th century","Homosexuality--Fiction.","Gay men's writings, American","Manuscripts for publication"],"has_online_content_ssim":["false"],"extent_ssm":["8.88 Linear Feet 18 Full Hollinger boxes, 1 Half Hollinger box, 1 textile box"],"extent_tesim":["8.88 Linear Feet 18 Full Hollinger boxes, 1 Half Hollinger box, 1 textile box"],"genreform_ssim":["Manuscripts for publication"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by accession in the order in which it was received, with corresponding subseries within each accession. Original order and folder titles were retained where possible; folder titles were inferred where necessary.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by accession in the order in which it was received, with corresponding subseries within each accession. Original order and folder titles were retained where possible; folder titles were inferred where necessary."],"bioghist_html_tesm":["\u003cp\u003eTom Baker is a William \u0026amp; Mary graduate with multiple published works. He primarily worked as a corporate advertiser before transitioning to full-time writing in 2010, since then having published three novels and a book of short stories. Novels he has authored include \u003ctitle\u003eThe Sound of One Horse Dancing, Full Frontal, Paperwhite Narcissus,\u003c/title\u003e and \u003ctitle\u003eGreen\u003c/title\u003e. All of his novels explore perspectives of gay men in the backdrop of major historical events of the 20th century. Each deals with themes of sexual discovery during periods of time in which LGBTQ+ individuals were not openly accepted by society at large.\u003c/p\u003e\n","\u003cp\u003eBaker's novels Full Frontal and Paperwhite Narcissus have won the Beverly Hills Book Award in the LGBT Fiction category in 2013 and 2015 respectively. For the majority of his professional life, he lived in Santa Monica Canyon, CA; he now lives in Gloucester, MA. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Tom Baker is a William \u0026 Mary graduate with multiple published works. He primarily worked as a corporate advertiser before transitioning to full-time writing in 2010, since then having published three novels and a book of short stories. Novels he has authored include  The Sound of One Horse Dancing, Full Frontal, Paperwhite Narcissus,  and  Green . All of his novels explore perspectives of gay men in the backdrop of major historical events of the 20th century. Each deals with themes of sexual discovery during periods of time in which LGBTQ+ individuals were not openly accepted by society at large.","Baker's novels Full Frontal and Paperwhite Narcissus have won the Beverly Hills Book Award in the LGBT Fiction category in 2013 and 2015 respectively. For the majority of his professional life, he lived in Santa Monica Canyon, CA; he now lives in Gloucester, MA. "],"prefercite_html_tesm":["\u003cp\u003eTom Baker papers, Special Collection Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Tom Baker papers, Special Collection Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Tom Baker papers consist primarily of drafts, working copies, manuscripts, and published copies of the author and William \u0026amp; Mary alumnus Tom Baker's published literary works. The written works represented are \u003ctitle\u003eThe Sound of One Horse Dancing\u003c/title\u003e (2011), \u003ctitle\u003eFull Frontal\u003c/title\u003e (2012), \u003ctitle\u003ePaperwhite Narcissus\u003c/title\u003e (2014),  \u003ctitle\u003eGreen\u003c/title\u003e (2017), and various short stories. Also included are some pieces of correspondence to and from Baker regarding the status of his work, as well as working files of research material for the settings of the novels \u003ctitle\u003eGreen\u003c/title\u003e and \u003ctitle\u003ePaperwhite Narcissus\u003c/title\u003eThe materials provide insight into the professional literary career and creative process of Baker as he wrote novels that incorporated the use of historical settings as well as the perspective of a gay man in the United States in the mid and late 20th century.\u003c/p\u003e","\u003cp\u003eAccession 2012.095 is composed of working drafts, annotated copies, and proofs used during Baker's writing process for the novel \u003ctitle\u003eThe Sound of One Horse Dancing\u003c/title\u003e and for various short stories. Some drafts are annotated by individuals who read the drafts on Baker's behalf; the only named editor is Brenda Koplin, a freelance copy editor. The material of this accession provides insight into the writing process which Baker employed to create the final product of \u003ctitle\u003eThe Sound of One Horse Dancing\u003c/title\u003e as well as the ways in which the novel evolved across iterations. Additionally, the accession provides Baker's perspective during the final edit process with the publisher, iUniverse, and the steps to bring a work into published print.\u003c/p\u003e","\u003cp\u003eAccession 2012.421 is composed of working drafts \u003ctitle\u003eFull Frontal\u003c/title\u003e and additional drafts of \u003ctitle\u003eThe Sound of One Horse Dancing\u003c/title\u003e. The drafts of \u003ctitle\u003eFull Frontal\u003c/title\u003e are primarily revisions with no examples of annotation, while he drafts of \u003ctitle\u003eThe Sound of One Horse Dancing\u003c/title\u003e include annotations broken down by chapter by an unnamed reviewer. The drafts provide insight into the evolution of Full Frontal as well as additional insight into the production of \u003ctitle\u003eThe Sound of One Horse Dancing\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eAccession 2017.174 comprises the bulk of the collection, consisting of drafts and working material for all four of Tom Baker's novels, \u003ctitle\u003eFull Frontal\u003c/title\u003e, \u003ctitle\u003eGreen\u003c/title\u003e, \u003ctitle\u003ePaperwhite Narcissus\u003c/title\u003e, and \u003ctitle\u003eThe Sound of One Horse Dancing\u003c/title\u003e. The drafts include multiple revisions of the novel Green, primarily the first draft and revisions 3, 6, and 7. While other revisions were not included in this accession, the existing progression provides insight into the changes the novel advanced through during the writing process. Multiple annotated drafts for the novel Paperwhite Narcissus are also included, with apparent annotations from different unnamed editors. \u003c/p\u003e\n","\u003cp\u003eFurther working files in the accession includes research material used by Baker during his writing process. The bulk of the research materials consists of printed webpages on historical events such as the Vietnam War, calendars of major events in the mid 1970s, and contemporary maps. Additional working files include Baker's correspondence with publishers, publishing agreements, editorial evaluation reports, and programs from Camp Robinhood, a youth summer camp which Baker was involved with.\u003c/p\u003e","\u003cp\u003eTom Baker Podcast Interview. Interview conducted by the Written on the Edge Podcast with Tom Baker.  Downloaded from Written on the Edge Podcast after notification by Tom Baker.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Tom Baker papers consist primarily of drafts, working copies, manuscripts, and published copies of the author and William \u0026 Mary alumnus Tom Baker's published literary works. The written works represented are  The Sound of One Horse Dancing  (2011),  Full Frontal  (2012),  Paperwhite Narcissus  (2014),   Green  (2017), and various short stories. Also included are some pieces of correspondence to and from Baker regarding the status of his work, as well as working files of research material for the settings of the novels  Green  and  Paperwhite Narcissus The materials provide insight into the professional literary career and creative process of Baker as he wrote novels that incorporated the use of historical settings as well as the perspective of a gay man in the United States in the mid and late 20th century.","Accession 2012.095 is composed of working drafts, annotated copies, and proofs used during Baker's writing process for the novel  The Sound of One Horse Dancing  and for various short stories. Some drafts are annotated by individuals who read the drafts on Baker's behalf; the only named editor is Brenda Koplin, a freelance copy editor. The material of this accession provides insight into the writing process which Baker employed to create the final product of  The Sound of One Horse Dancing  as well as the ways in which the novel evolved across iterations. Additionally, the accession provides Baker's perspective during the final edit process with the publisher, iUniverse, and the steps to bring a work into published print.","Accession 2012.421 is composed of working drafts  Full Frontal  and additional drafts of  The Sound of One Horse Dancing . The drafts of  Full Frontal  are primarily revisions with no examples of annotation, while he drafts of  The Sound of One Horse Dancing  include annotations broken down by chapter by an unnamed reviewer. The drafts provide insight into the evolution of Full Frontal as well as additional insight into the production of  The Sound of One Horse Dancing .","Accession 2017.174 comprises the bulk of the collection, consisting of drafts and working material for all four of Tom Baker's novels,  Full Frontal ,  Green ,  Paperwhite Narcissus , and  The Sound of One Horse Dancing . The drafts include multiple revisions of the novel Green, primarily the first draft and revisions 3, 6, and 7. While other revisions were not included in this accession, the existing progression provides insight into the changes the novel advanced through during the writing process. Multiple annotated drafts for the novel Paperwhite Narcissus are also included, with apparent annotations from different unnamed editors. ","Further working files in the accession includes research material used by Baker during his writing process. The bulk of the research materials consists of printed webpages on historical events such as the Vietnam War, calendars of major events in the mid 1970s, and contemporary maps. Additional working files include Baker's correspondence with publishers, publishing agreements, editorial evaluation reports, and programs from Camp Robinhood, a youth summer camp which Baker was involved with.","Tom Baker Podcast Interview. Interview conducted by the Written on the Edge Podcast with Tom Baker.  Downloaded from Written on the Edge Podcast after notification by Tom Baker."],"separatedmaterial_html_tesm":["\u003cp\u003eAn early review copy of \u003ctitle\u003eGreen \u003c/title\u003e(2017) was removed and cataloged in the Rare Books Collections in Swem Library's Special Collections Research Center.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["An early review copy of  Green  (2017) was removed and cataloged in the Rare Books Collections in Swem Library's Special Collections Research Center."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Baker, Tom, 1944-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Baker, Tom, 1944-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":159,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:18:38.651Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8569_c03"}},{"id":"viu_repositories_3_resources_779_c03","type":"Series","attributes":{"title":"Accession 2019-0235","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_779_c03","ref_ssm":["viu_repositories_3_resources_779_c03"],"id":"viu_repositories_3_resources_779_c03","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","parent_ssi":"viu_repositories_3_resources_779","parent_ssim":["viu_repositories_3_resources_779"],"parent_ids_ssim":["viu_repositories_3_resources_779"],"parent_unittitles_ssm":["Virginia Folklore Society records"],"parent_unittitles_tesim":["Virginia Folklore Society records"],"text":["Virginia Folklore Society records","Accession 2019-0235","English","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"title_filing_ssi":"Accession 2019-0235","title_ssm":["Accession 2019-0235"],"title_tesim":["Accession 2019-0235"],"unitdate_inclusive_ssm":["1905-2007"],"normalized_date_ssm":["1905/2007"],"normalized_title_ssm":["Accession 2019-0235"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Folklore Society records"],"extent_ssm":["8 Cubic Feet 8 cubic foot boxes"],"extent_tesim":["8 Cubic Feet 8 cubic foot boxes"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":202,"parent_access_restrict_tesm":["Boxes 27 and 28 do not circulate."],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"language_ssim":["English"],"arrangement_html_tesm":["\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"_nest_path_":"/components#2","timestamp":"2026-05-20T23:46:00.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"text":["MSS 9936","Archival Resource Key","/repositories/3/resources/779","Virginia Folklore Society records","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. ","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"normalized_title_ssm":["Virginia Folklore Society records"],"collection_title_tesim":["Virginia Folklore Society records"],"collection_ssim":["Virginia Folklore Society records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e\n","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e\n","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e\n","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e\n","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e\n","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e\n","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e\n","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e\n","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e\n","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e\n","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e\n","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e\n","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e\n","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e\n","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e\n","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e\n","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e\n","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e\n","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e\n","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. "],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e\n","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e\n","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e\n","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"names_ssim":["Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":210,"online_item_count_is":173,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:46:00.461Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779_c03"}},{"id":"vihart_repositories_4_resources_326_c03","type":"Series","attributes":{"title":"Accession 2020-0716","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_326_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_326_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_326_c03","ref_ssm":["vihart_repositories_4_resources_326_c03"],"id":"vihart_repositories_4_resources_326_c03","ead_ssi":"vihart_repositories_4_resources_326","_root_":"vihart_repositories_4_resources_326","_nest_parent_":"vihart_repositories_4_resources_326","parent_ssi":"vihart_repositories_4_resources_326","parent_ssim":["vihart_repositories_4_resources_326"],"parent_ids_ssim":["vihart_repositories_4_resources_326"],"parent_unittitles_ssm":["Nancy Bondurant Jones Papers"],"parent_unittitles_tesim":["Nancy Bondurant Jones Papers"],"text":["Nancy Bondurant Jones Papers","Accession 2020-0716","Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015","Where possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series.","Series comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish."],"title_filing_ssi":"Accession 2020-0716","title_ssm":["Accession 2020-0716"],"title_tesim":["Accession 2020-0716"],"unitdate_inclusive_ssm":["1945-2011"],"normalized_date_ssm":["1945/2011"],"normalized_title_ssm":["Accession 2020-0716"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Nancy Bondurant Jones Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":18,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":339,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"names_ssim":["Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015"],"persname_ssim":["Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015"],"processinfo_html_tesm":["\u003cp\u003eWhere possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Where possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series."],"scopecontent_html_tesm":["\u003cp\u003eSeries comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish."],"_nest_path_":"/components#2","timestamp":"2026-05-21T00:22:06.237Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_326","ead_ssi":"vihart_repositories_4_resources_326","_root_":"vihart_repositories_4_resources_326","_nest_parent_":"vihart_repositories_4_resources_326","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_326.xml","title_ssm":["Nancy Bondurant Jones Papers"],"title_tesim":["Nancy Bondurant Jones Papers"],"unitdate_ssm":["1909-2011","1991-2007"],"unitdate_bulk_ssim":["1991-2007"],"unitdate_inclusive_ssm":["1909-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0192","/repositories/4/resources/326"],"text":["SC 0192","/repositories/4/resources/326","Nancy Bondurant Jones Papers","Education, Higher -- Virginia -- Harrisonburg","College students -- Manners and customs","Curriculum change -- History -- 20th century","Teachers colleges -- History","Universities and colleges -- Virginia -- History","Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Original media restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","All media items are pending processing and reformatting. Media items include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.","Due to duplication in the  Daily News-Record \n and other periodicals, a collection of scrapbooks containing exclusively newspaper clippings of Jones's articles was returned to the donors.","The collection is arranged in three series.","Subject Files, 1909-2010 Personal Papers, 1979-2011 Accession 2020-0716, 1945-2011"," Obituary for Nancy Bondurant Jones,  Daily News-Record , December 14, 2017. ","Jones, Nancy B.   Rooted on Blue Stone Hill: A History of James Madison University.  Santa Fe, NM; Staunton, VA: Center for American Places, 2004.","Nancy Bondurant Jones (1930-2017) was a well-known writer and historian in the Shenandoah Valley. She was born to Dr. Charles H. and Therma Barclay Bondurant in Roanoke. In 1956, she married Phillip Lawrence Jones, who passed away in 1979. She had two daughters, three sons, six grandchildren, and two great-grandchildren at the time of her death in December 2017. ","Jones began her extensive teaching and writing career by getting her Bachelor of Arts at Shepherd College in West Virginia in 1953. Beyond Shepherd, she did additional work at George Washington University, University of Maryland, James Madison University, and University of Virginia. She also received fellowships from the University of Virginia and American University.","After twenty-nine years of teaching at schools in Montgomery County, Maryland and in Rockingham County at Elkton and Turner Ashby high schools, Jones spent the reminder of her career as a freelance writer. Her writing extended across newspapers, journals, speeches, and published books. Some of her most notable writing was done for the local newspaper, the  Daily News-Record  in which she wrote a weekly column, \"Remembrances,\" for eleven years based on personal memories supported with historical fact. After completing her writing for the  DNR , she went on to contribute columns and articles to the Staunton-based paper  eightyone , and to JMU's  Montpelier  magazine. Jones also penned over a dozen books for various local businesses and organizations. Some notable titles include:  Rooted on Bluestone Hill: A History of James Madison University  (2004),  Called to Care: A History of the Nursing Program at Rockingham Memorial Hospital  (2004), and  Ageless Legacy: A History of Virginia Mennonite Retirement Community  (2004), all of which were nominated for the Library of Virginia's outstanding non-fiction award. ","Outside of her writing career, Jones was active in the local and statewide community. In 1983, she ran unsuccessfully as the Democratic candidate for the Virginia House of Delegates District 27. She was also the former president of the Harrisonburg Pilot Club, the Rockingham Country Teacher's Association, and the Shenandoah Branch of the National Association of American Pen Women. Beyond these organizations, Jones served on the boards of Greater Madison at JMU, the Sorenson Institute, and the Arts Council of the Valley. Personally, she was a member of the Emmanuel Episcopal Church and opened one of the first bed and breakfasts in the area in the mid-1980s.","For her extensive work through teaching, writing, and community involvement Jones was given a few honors including being cited in the 1989/1990 edition of  Who's Who in American Education \n and being named Women of the Year in 2000 by the Working Women's Forum.","In addition to all this work, Jones also worked at JMU for eight years. After retiring from teaching English at Turner Ashby High School in 1989, Jones began working for JMU in former President Dr. Ronald E. Carrier's office as the social events coordinator for Carrier and his wife, Edith. Soon she began writing Dr. Carrier's speeches and other documents as requested.In the early 1990s, Dr. Carrier commissioned her to write a book on the history of JMU that would appeal to a general audience. This book,  Rooted on Bluestone Hill , was published in 2004.","The initial accession of the Nancy Bondurant Jones Papers was processed by former Special Collections Librarian Chris Bolgiano in March 2005. The 2017 donation that comprises the bulk of the collection was combined with the original accession. The collection, as a whole, was donated in good condition and required minimal preservation work. The preservation work that was done included removing tape and rusty staples or paperclips from the papers. Loose papers have been interfiled with corresponding subject files. Duplicate items in the collection were discarded. Any Social Security Numbers in the collection were redacted and the original documents discarded. Education records for the Shenandoah Electric Company Scholarship have been removed. It appeared as if Jones was a reader for the scholarship applications. All documents of a personal nature, specifically financial and medical, were returned to the donors. The original arrangement of the collection has been maintained where possible. Books have been cataloged separately. Some loose items found in books have been interfiled in related folders. All these items are identified in their corresponding folders. All media items are pending processing and reformatting.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  The 2004 portion of this collection was previously cataloged as SC 5013.","Where possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series.","The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), consist of materials primarily consisting of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. The bulk of the papers correspond to Shenandoah Valley and Virginia history, although some of the papers relate to national history including historical events like the Los Angeles Riots and women's suffrage. Other topics, like cancer or cars, are broader in scope. The collection also includes responses, forms, and letters from JMU alumni, faculty emeriti, and former university presidents that Jones acquired during her research for  Rooted on Bluestone Hill.  Arranged in two series, there is overlap in some instances between the two. Select draft manuscripts of Jones's other published works are included. The original, intended arrangement from the creator has been maintained where possible. Changes to the arrangement include alphabetizing where needed, slight changes to folder titles when necessary, and interfiling loose papers with existing files.","Arranged alphabetically.","Series 1: Subject Files, 1909-2010 (bulk 1991-2005), contains papers relating to research that Jones did for her professional writing. It also comprises of papers related to JMU's history, including papers from the 2004 collection, general JMU history, and files related to Dr. Carrier. The series also includes documents and ephemera from the Harrisonburg community, including the local government and local events. The topics of the files range from local to national interest.","Combined from the 2004 portion of the collection relating to Jones's research for  Rooted on Bluestone Hill , the series includes responses to forms Jones sent to faculty emeriti and graduates soliciting personal experiences and memories for the book, plus a few older items that respondents sent her. These include several letters by Dr. Julian Burruss, the first president of the university, to Beatrice Marable, the first student applicant at the new school in 1909, and the text of a speech Ms. Marable gave in 1945. Items from Presidents Duke and Miller are also included in the 2004 portion of the collection. Interviews concerning the conflicts between Dr. Carrier and faculty over the curriculum in the 1990s, a short memoir by Dr. Carrier, and an interview with Dr. Carrier's son, Michael are incorporated into the collection as well.","Arranged chronologically and then alphabetically.","Series 2: Personal Papers, 1979-2011 (bulk 1992-2007), contains papers relating to Jones's professional and personal involvements. These include annotated drafts of books and articles, documents relating to institutions such as the Sorensen Institute and the National League of American Pen Women, and speeches and interviews throughout the years. All folders with number titles, such as the 100s, 200s, etc, contain selections of  Daily-News Record  columns authored by Jones. Many full-length drafts of her books as well as documents relating to their publication are included. In addition, a resignation-like thank you letter from Jones to Dr. Carrier is included in General Correspondence, box 17, folder 1. Media items in this series include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.","Series comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish.","All published monographs have been cataloged individually and placed in Special Collections' rare book collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), document the career and personal life of local teacher and writer Nancy Bondurant Jones. The collection mainly consists of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. Also included are responses and letters from JMU alumni and Presidents Burruss, Duke, and Miller that Jones acquired during her research for   Rooted on Bluestone Hill.","James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Bradley Foundry (Va.)","Michie Tavern (Charlottesville, Va.)","National Association for the Advancement of Colored People","WSVA (Radio station : Harrisonburg, Va.)","Rockingham Memorial Hospital (Harrisonburg, Va.)","National League of American Pen Women","Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F.","Bingham, George Caleb, 1811-1879","Boyd, Belle, 1844-1900","Madison, Bishop (James), 1749-1812","Frederikson, Edna, 1904-1998","Maury, Matthew Fontaine, 1806-1873","Reed, Walter, 1851-1902","Showker, Zane D. (Zane Durwood), 1926-2004","Wayland, John Walter, 1872-1962","Wampler, Charles W., Jr., 1915-2017","Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015","English"],"unitid_tesim":["SC 0192","/repositories/4/resources/326"],"normalized_title_ssm":["Nancy Bondurant Jones Papers"],"collection_title_tesim":["Nancy Bondurant Jones Papers"],"collection_ssim":["Nancy Bondurant Jones Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"creator_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"creator_persname_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"creators_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["A small portion of the collection related to her work on   Rooted on Bluestone Hill  was donated by Nancy Bondurant Jones in 2004. The bulk of the collection was donated by Martin Jones and Randy Jones, Nancy's sons, in May 2017. A third donation was made in July 2020."],"access_subjects_ssim":["Education, Higher -- Virginia -- Harrisonburg","College students -- Manners and customs","Curriculum change -- History -- 20th century","Teachers colleges -- History","Universities and colleges -- Virginia -- History","Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs"],"access_subjects_ssm":["Education, Higher -- Virginia -- Harrisonburg","College students -- Manners and customs","Curriculum change -- History -- 20th century","Teachers colleges -- History","Universities and colleges -- Virginia -- History","Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7.19 cubic feet 21 boxes"],"extent_tesim":["7.19 cubic feet 21 boxes"],"genreform_ssim":["Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal media restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Original media restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eAll media items are pending processing and reformatting. Media items include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All media items are pending processing and reformatting. Media items include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others."],"appraisal_html_tesm":["\u003cp\u003eDue to duplication in the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e\n and other periodicals, a collection of scrapbooks containing exclusively newspaper clippings of Jones's articles was returned to the donors.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["Due to duplication in the  Daily News-Record \n and other periodicals, a collection of scrapbooks containing exclusively newspaper clippings of Jones's articles was returned to the donors."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eSubject Files, 1909-2010\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1979-2011\u003c/item\u003e\n      \u003citem\u003eAccession 2020-0716, 1945-2011\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series.","Subject Files, 1909-2010 Personal Papers, 1979-2011 Accession 2020-0716, 1945-2011"],"bibliography_html_tesm":["\u003cbibref\u003e Obituary for Nancy Bondurant Jones, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, December 14, 2017. \u003c/bibref\u003e","\u003cbibref\u003eJones, Nancy B.  \u003cemph render=\"italic\"\u003eRooted on Blue Stone Hill: A History of James Madison University.\u003c/emph\u003e Santa Fe, NM; Staunton, VA: Center for American Places, 2004.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[" Obituary for Nancy Bondurant Jones,  Daily News-Record , December 14, 2017. ","Jones, Nancy B.   Rooted on Blue Stone Hill: A History of James Madison University.  Santa Fe, NM; Staunton, VA: Center for American Places, 2004."],"bioghist_html_tesm":["\u003cp\u003eNancy Bondurant Jones (1930-2017) was a well-known writer and historian in the Shenandoah Valley. She was born to Dr. Charles H. and Therma Barclay Bondurant in Roanoke. In 1956, she married Phillip Lawrence Jones, who passed away in 1979. She had two daughters, three sons, six grandchildren, and two great-grandchildren at the time of her death in December 2017. \u003c/p\u003e\n","\u003cp\u003eJones began her extensive teaching and writing career by getting her Bachelor of Arts at Shepherd College in West Virginia in 1953. Beyond Shepherd, she did additional work at George Washington University, University of Maryland, James Madison University, and University of Virginia. She also received fellowships from the University of Virginia and American University.\u003c/p\u003e\n","\u003cp\u003eAfter twenty-nine years of teaching at schools in Montgomery County, Maryland and in Rockingham County at Elkton and Turner Ashby high schools, Jones spent the reminder of her career as a freelance writer. Her writing extended across newspapers, journals, speeches, and published books. Some of her most notable writing was done for the local newspaper, the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e in which she wrote a weekly column, \"Remembrances,\" for eleven years based on personal memories supported with historical fact. After completing her writing for the \u003cemph render=\"italic\"\u003eDNR\u003c/emph\u003e, she went on to contribute columns and articles to the Staunton-based paper \u003cemph render=\"italic\"\u003eeightyone\u003c/emph\u003e, and to JMU's \u003cemph render=\"italic\"\u003eMontpelier\u003c/emph\u003e magazine. Jones also penned over a dozen books for various local businesses and organizations. Some notable titles include: \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill: A History of James Madison University\u003c/emph\u003e (2004), \u003cemph render=\"italic\"\u003eCalled to Care: A History of the Nursing Program at Rockingham Memorial Hospital\u003c/emph\u003e (2004), and \u003cemph render=\"italic\"\u003eAgeless Legacy: A History of Virginia Mennonite Retirement Community\u003c/emph\u003e (2004), all of which were nominated for the Library of Virginia's outstanding non-fiction award. \u003c/p\u003e\n","\u003cp\u003eOutside of her writing career, Jones was active in the local and statewide community. In 1983, she ran unsuccessfully as the Democratic candidate for the Virginia House of Delegates District 27. She was also the former president of the Harrisonburg Pilot Club, the Rockingham Country Teacher's Association, and the Shenandoah Branch of the National Association of American Pen Women. Beyond these organizations, Jones served on the boards of Greater Madison at JMU, the Sorenson Institute, and the Arts Council of the Valley. Personally, she was a member of the Emmanuel Episcopal Church and opened one of the first bed and breakfasts in the area in the mid-1980s.\u003c/p\u003e\n","\u003cp\u003eFor her extensive work through teaching, writing, and community involvement Jones was given a few honors including being cited in the 1989/1990 edition of \u003cemph render=\"italic\"\u003eWho's Who in American Education\u003c/emph\u003e\n and being named Women of the Year in 2000 by the Working Women's Forum.\u003c/p\u003e\n","\u003cp\u003eIn addition to all this work, Jones also worked at JMU for eight years. After retiring from teaching English at Turner Ashby High School in 1989, Jones began working for JMU in former President Dr. Ronald E. Carrier's office as the social events coordinator for Carrier and his wife, Edith. Soon she began writing Dr. Carrier's speeches and other documents as requested.In the early 1990s, Dr. Carrier commissioned her to write a book on the history of JMU that would appeal to a general audience. This book, \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill\u003c/emph\u003e, was published in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nancy Bondurant Jones (1930-2017) was a well-known writer and historian in the Shenandoah Valley. She was born to Dr. Charles H. and Therma Barclay Bondurant in Roanoke. In 1956, she married Phillip Lawrence Jones, who passed away in 1979. She had two daughters, three sons, six grandchildren, and two great-grandchildren at the time of her death in December 2017. ","Jones began her extensive teaching and writing career by getting her Bachelor of Arts at Shepherd College in West Virginia in 1953. Beyond Shepherd, she did additional work at George Washington University, University of Maryland, James Madison University, and University of Virginia. She also received fellowships from the University of Virginia and American University.","After twenty-nine years of teaching at schools in Montgomery County, Maryland and in Rockingham County at Elkton and Turner Ashby high schools, Jones spent the reminder of her career as a freelance writer. Her writing extended across newspapers, journals, speeches, and published books. Some of her most notable writing was done for the local newspaper, the  Daily News-Record  in which she wrote a weekly column, \"Remembrances,\" for eleven years based on personal memories supported with historical fact. After completing her writing for the  DNR , she went on to contribute columns and articles to the Staunton-based paper  eightyone , and to JMU's  Montpelier  magazine. Jones also penned over a dozen books for various local businesses and organizations. Some notable titles include:  Rooted on Bluestone Hill: A History of James Madison University  (2004),  Called to Care: A History of the Nursing Program at Rockingham Memorial Hospital  (2004), and  Ageless Legacy: A History of Virginia Mennonite Retirement Community  (2004), all of which were nominated for the Library of Virginia's outstanding non-fiction award. ","Outside of her writing career, Jones was active in the local and statewide community. In 1983, she ran unsuccessfully as the Democratic candidate for the Virginia House of Delegates District 27. She was also the former president of the Harrisonburg Pilot Club, the Rockingham Country Teacher's Association, and the Shenandoah Branch of the National Association of American Pen Women. Beyond these organizations, Jones served on the boards of Greater Madison at JMU, the Sorenson Institute, and the Arts Council of the Valley. Personally, she was a member of the Emmanuel Episcopal Church and opened one of the first bed and breakfasts in the area in the mid-1980s.","For her extensive work through teaching, writing, and community involvement Jones was given a few honors including being cited in the 1989/1990 edition of  Who's Who in American Education \n and being named Women of the Year in 2000 by the Working Women's Forum.","In addition to all this work, Jones also worked at JMU for eight years. After retiring from teaching English at Turner Ashby High School in 1989, Jones began working for JMU in former President Dr. Ronald E. Carrier's office as the social events coordinator for Carrier and his wife, Edith. Soon she began writing Dr. Carrier's speeches and other documents as requested.In the early 1990s, Dr. Carrier commissioned her to write a book on the history of JMU that would appeal to a general audience. This book,  Rooted on Bluestone Hill , was published in 2004."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), SC 0192, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), SC 0192, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe initial accession of the Nancy Bondurant Jones Papers was processed by former Special Collections Librarian Chris Bolgiano in March 2005. The 2017 donation that comprises the bulk of the collection was combined with the original accession. The collection, as a whole, was donated in good condition and required minimal preservation work. The preservation work that was done included removing tape and rusty staples or paperclips from the papers. Loose papers have been interfiled with corresponding subject files. Duplicate items in the collection were discarded. Any Social Security Numbers in the collection were redacted and the original documents discarded. Education records for the Shenandoah Electric Company Scholarship have been removed. It appeared as if Jones was a reader for the scholarship applications. All documents of a personal nature, specifically financial and medical, were returned to the donors. The original arrangement of the collection has been maintained where possible. Books have been cataloged separately. Some loose items found in books have been interfiled in related folders. All these items are identified in their corresponding folders. All media items are pending processing and reformatting.\u003c/p\u003e","\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThe 2004 portion of this collection was previously cataloged as SC 5013.\u003c/emph\u003e\n \u003c/p\u003e","\u003cp\u003eWhere possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The initial accession of the Nancy Bondurant Jones Papers was processed by former Special Collections Librarian Chris Bolgiano in March 2005. The 2017 donation that comprises the bulk of the collection was combined with the original accession. The collection, as a whole, was donated in good condition and required minimal preservation work. The preservation work that was done included removing tape and rusty staples or paperclips from the papers. Loose papers have been interfiled with corresponding subject files. Duplicate items in the collection were discarded. Any Social Security Numbers in the collection were redacted and the original documents discarded. Education records for the Shenandoah Electric Company Scholarship have been removed. It appeared as if Jones was a reader for the scholarship applications. All documents of a personal nature, specifically financial and medical, were returned to the donors. The original arrangement of the collection has been maintained where possible. Books have been cataloged separately. Some loose items found in books have been interfiled in related folders. All these items are identified in their corresponding folders. All media items are pending processing and reformatting.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  The 2004 portion of this collection was previously cataloged as SC 5013.","Where possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series."],"scopecontent_html_tesm":["\u003cp\u003eThe Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), consist of materials primarily consisting of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. The bulk of the papers correspond to Shenandoah Valley and Virginia history, although some of the papers relate to national history including historical events like the Los Angeles Riots and women's suffrage. Other topics, like cancer or cars, are broader in scope. The collection also includes responses, forms, and letters from JMU alumni, faculty emeriti, and former university presidents that Jones acquired during her research for \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill.\u003c/emph\u003e Arranged in two series, there is overlap in some instances between the two. Select draft manuscripts of Jones's other published works are included. The original, intended arrangement from the creator has been maintained where possible. Changes to the arrangement include alphabetizing where needed, slight changes to folder titles when necessary, and interfiling loose papers with existing files.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Subject Files, 1909-2010 (bulk 1991-2005), contains papers relating to research that Jones did for her professional writing. It also comprises of papers related to JMU's history, including papers from the 2004 collection, general JMU history, and files related to Dr. Carrier. The series also includes documents and ephemera from the Harrisonburg community, including the local government and local events. The topics of the files range from local to national interest.\u003c/p\u003e\n","\u003cp\u003eCombined from the 2004 portion of the collection relating to Jones's research for \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill\u003c/emph\u003e, the series includes responses to forms Jones sent to faculty emeriti and graduates soliciting personal experiences and memories for the book, plus a few older items that respondents sent her. These include several letters by Dr. Julian Burruss, the first president of the university, to Beatrice Marable, the first student applicant at the new school in 1909, and the text of a speech Ms. Marable gave in 1945. Items from Presidents Duke and Miller are also included in the 2004 portion of the collection. Interviews concerning the conflicts between Dr. Carrier and faculty over the curriculum in the 1990s, a short memoir by Dr. Carrier, and an interview with Dr. Carrier's son, Michael are incorporated into the collection as well.\u003c/p\u003e","\u003cp\u003eArranged chronologically and then alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Personal Papers, 1979-2011 (bulk 1992-2007), contains papers relating to Jones's professional and personal involvements. These include annotated drafts of books and articles, documents relating to institutions such as the Sorensen Institute and the National League of American Pen Women, and speeches and interviews throughout the years. All folders with number titles, such as the 100s, 200s, etc, contain selections of \u003cemph render=\"italic\"\u003eDaily-News Record\u003c/emph\u003e columns authored by Jones. Many full-length drafts of her books as well as documents relating to their publication are included. In addition, a resignation-like thank you letter from Jones to Dr. Carrier is included in General Correspondence, box 17, folder 1. Media items in this series include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.\u003c/p\u003e","\u003cp\u003eSeries comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), consist of materials primarily consisting of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. The bulk of the papers correspond to Shenandoah Valley and Virginia history, although some of the papers relate to national history including historical events like the Los Angeles Riots and women's suffrage. Other topics, like cancer or cars, are broader in scope. The collection also includes responses, forms, and letters from JMU alumni, faculty emeriti, and former university presidents that Jones acquired during her research for  Rooted on Bluestone Hill.  Arranged in two series, there is overlap in some instances between the two. Select draft manuscripts of Jones's other published works are included. The original, intended arrangement from the creator has been maintained where possible. Changes to the arrangement include alphabetizing where needed, slight changes to folder titles when necessary, and interfiling loose papers with existing files.","Arranged alphabetically.","Series 1: Subject Files, 1909-2010 (bulk 1991-2005), contains papers relating to research that Jones did for her professional writing. It also comprises of papers related to JMU's history, including papers from the 2004 collection, general JMU history, and files related to Dr. Carrier. The series also includes documents and ephemera from the Harrisonburg community, including the local government and local events. The topics of the files range from local to national interest.","Combined from the 2004 portion of the collection relating to Jones's research for  Rooted on Bluestone Hill , the series includes responses to forms Jones sent to faculty emeriti and graduates soliciting personal experiences and memories for the book, plus a few older items that respondents sent her. These include several letters by Dr. Julian Burruss, the first president of the university, to Beatrice Marable, the first student applicant at the new school in 1909, and the text of a speech Ms. Marable gave in 1945. Items from Presidents Duke and Miller are also included in the 2004 portion of the collection. Interviews concerning the conflicts between Dr. Carrier and faculty over the curriculum in the 1990s, a short memoir by Dr. Carrier, and an interview with Dr. Carrier's son, Michael are incorporated into the collection as well.","Arranged chronologically and then alphabetically.","Series 2: Personal Papers, 1979-2011 (bulk 1992-2007), contains papers relating to Jones's professional and personal involvements. These include annotated drafts of books and articles, documents relating to institutions such as the Sorensen Institute and the National League of American Pen Women, and speeches and interviews throughout the years. All folders with number titles, such as the 100s, 200s, etc, contain selections of  Daily-News Record  columns authored by Jones. Many full-length drafts of her books as well as documents relating to their publication are included. In addition, a resignation-like thank you letter from Jones to Dr. Carrier is included in General Correspondence, box 17, folder 1. Media items in this series include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.","Series comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish."],"separatedmaterial_html_tesm":["\u003cp\u003eAll published monographs have been cataloged individually and placed in Special Collections' rare book collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["All published monographs have been cataloged individually and placed in Special Collections' rare book collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_893ac77db70c9a599a0610b4ee6c6ed7\"\u003eThe Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), document the career and personal life of local teacher and writer Nancy Bondurant Jones. The collection mainly consists of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. Also included are responses and letters from JMU alumni and Presidents Burruss, Duke, and Miller that Jones acquired during her research for \u003cemph render=\"italic\"\u003e Rooted on Bluestone Hill.\u003c/emph\u003e\u003c/abstract\u003e"],"abstract_tesim":["The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), document the career and personal life of local teacher and writer Nancy Bondurant Jones. The collection mainly consists of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. Also included are responses and letters from JMU alumni and Presidents Burruss, Duke, and Miller that Jones acquired during her research for   Rooted on Bluestone Hill."],"names_coll_ssim":["State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F."],"names_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Bradley Foundry (Va.)","Michie Tavern (Charlottesville, Va.)","National Association for the Advancement of Colored People","WSVA (Radio station : Harrisonburg, Va.)","Rockingham Memorial Hospital (Harrisonburg, Va.)","National League of American Pen Women","Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F.","Bingham, George Caleb, 1811-1879","Boyd, Belle, 1844-1900","Madison, Bishop (James), 1749-1812","Frederikson, Edna, 1904-1998","Maury, Matthew Fontaine, 1806-1873","Reed, Walter, 1851-1902","Showker, Zane D. (Zane Durwood), 1926-2004","Wayland, John Walter, 1872-1962","Wampler, Charles W., Jr., 1915-2017","Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Bradley Foundry (Va.)","Michie Tavern (Charlottesville, Va.)","National Association for the Advancement of Colored People","WSVA (Radio station : Harrisonburg, Va.)","Rockingham Memorial Hospital (Harrisonburg, Va.)","National League of American Pen Women"],"persname_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is primarily arranged by accession records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is primarily arranged by accession records."],"bioghist_html_tesm":["\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Office_of_Community_Engagement_and_Scholarship\" title=\"Office of Community Engagement and Scholarship\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"odd_html_tesm":["\u003cp\u003eEvaluations, forms, guides, research files, reports, photographs, cds and dvds documenting William \u0026amp; Mary student spring break service trips.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Evaluations, forms, guides, research files, reports, photographs, cds and dvds documenting William \u0026 Mary student spring break service trips."],"prefercite_html_tesm":["\u003cp\u003eOffice of Community Engagement and Scholarship, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Office of Community Engagement and Scholarship, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection is processed by accessions received. This finding aid may be updated to reflect new descriptions and acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection is processed by accessions received. This finding aid may be updated to reflect new descriptions and acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eRecords from the Office of Community Engagement and Scholarship at William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eItems compiled by the Office of Community Engagement. The majority of which are newspaper clippings and web articles pertaining to the service trips and community service programs William and Mary students participated in.\u003c/p\u003e","\u003cp\u003e20 newspaper clippings dated from 2004 to 2007.\u003c/p\u003e","\u003cp\u003e7 copies of William \u0026amp; Mary News, from 2000 to 2007, and an issue of William \u0026amp; Mary in the News 1999-2000 that had a sticky note stuck to the cover page that read \"Annual Make a Difference Day\".\u003c/p\u003e","\u003cp\u003eLocal News: Williamsburg Daily Press April 27, 2006; and Life Williamsburg Daily Press January 30, 2003.\u003c/p\u003e","\u003cp\u003e20 printed articles, half of which are undated, the other half are dated from 2004 to 2008.\u003c/p\u003e","\u003cp\u003eTwo photographs, four transparency slides with seven pages of public service goals, one office of Student Volunteer Services brochure, Williamsburg's Next Door Neighbors 2007 vol. 1 issue 6, State of Service 2000 report from the Virginia Campus Outreach Opportunity League, and the July 2007 Outlook newsletter from the Greater Williamsburg Chamber and Tourism Alliance.\u003c/p\u003e","\u003cp\u003eOne black pleather bound scrapbook containing photos and newspaper clippings. The clippings are placed closely to images on several pages, but do not always appear to relate to those images.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records from the Office of Community Engagement and Scholarship at William \u0026 Mary.","Items compiled by the Office of Community Engagement. The majority of which are newspaper clippings and web articles pertaining to the service trips and community service programs William and Mary students participated in.","20 newspaper clippings dated from 2004 to 2007.","7 copies of William \u0026 Mary News, from 2000 to 2007, and an issue of William \u0026 Mary in the News 1999-2000 that had a sticky note stuck to the cover page that read \"Annual Make a Difference Day\".","Local News: Williamsburg Daily Press April 27, 2006; and Life Williamsburg Daily Press January 30, 2003.","20 printed articles, half of which are undated, the other half are dated from 2004 to 2008.","Two photographs, four transparency slides with seven pages of public service goals, one office of Student Volunteer Services brochure, Williamsburg's Next Door Neighbors 2007 vol. 1 issue 6, State of Service 2000 report from the Virginia Campus Outreach Opportunity League, and the July 2007 Outlook newsletter from the Greater Williamsburg Chamber and Tourism Alliance.","One black pleather bound scrapbook containing photos and newspaper clippings. The clippings are placed closely to images on several pages, but do not always appear to relate to those images."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","College of William and Mary. Office of Public and Community Service"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Office of Public and Community Service"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:08.508Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4503_c03"}},{"id":"viw_repositories_2_resources_4344_c03","type":"Series","attributes":{"title":"Accession 2023.065: LASU photographs and scrapbooks","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4344_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_4344_c03","ref_ssm":["viw_repositories_2_resources_4344_c03"],"id":"viw_repositories_2_resources_4344_c03","ead_ssi":"viw_repositories_2_resources_4344","_root_":"viw_repositories_2_resources_4344","_nest_parent_":"viw_repositories_2_resources_4344","parent_ssi":"viw_repositories_2_resources_4344","parent_ssim":["viw_repositories_2_resources_4344"],"parent_ids_ssim":["viw_repositories_2_resources_4344"],"parent_unittitles_ssm":["Latin American Student Union (LASU) records"],"parent_unittitles_tesim":["Latin American Student Union (LASU) records"],"text":["Latin American Student Union (LASU) records","Accession 2023.065: LASU photographs and scrapbooks"],"title_filing_ssi":"Accession 2023.065: LASU photographs and scrapbooks","title_ssm":["Accession 2023.065: LASU photographs and scrapbooks"],"title_tesim":["Accession 2023.065: LASU photographs and scrapbooks"],"unitdate_inclusive_ssm":["Circa 1998-2019"],"normalized_date_ssm":["1998/2019"],"normalized_title_ssm":["Accession 2023.065: LASU photographs and scrapbooks"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Latin American Student Union (LASU) records"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":3,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"_nest_path_":"/components#2","timestamp":"2026-05-21T00:50:44.769Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_4344","ead_ssi":"viw_repositories_2_resources_4344","_root_":"viw_repositories_2_resources_4344","_nest_parent_":"viw_repositories_2_resources_4344","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4344.xml","title_filing_ssi":"Latin American Student Union (LASU) records","title_ssm":["Latin American Student Union (LASU) records"],"title_tesim":["Latin American Student Union (LASU) records"],"unitdate_ssm":["2008-2012"],"unitdate_inclusive_ssm":["2008-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.057","/repositories/2/resources/4344"],"text":["UA 7.057","/repositories/2/resources/4344","Latin American Student Union (LASU) records","College of William and Mary--Students","Latin American students","Minority college students","Student Life--2000's","Student Organizations","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected. The finding aid will be updated to reflect additions to the collection","This collection was previously part of the Student Organizations Collection.","Acc. 2011.192 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in March 2011. Acc. 2011.281-283 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2011. Materials received after 2011 were processed by William \u0026 Mary Special Collections staff.","Hispanic Cultural Organization (UA 7.041); University Archives Poster Collection (UA 12); University Artifact Collection (UA 13).","This collection contains administrative records, fliers, photographs, scrapbooks and posters created by the Latin American Student Union (LASU). The LASU is a student group at William \u0026 Mary. Included in the records are drafts of the group's consitution, agendas from meetings, and posters and fliers related to the LASU sponsored event \"State Terrorism in Latin America Awareness Week\" in March 2011.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English Spanish; Castilian"],"unitid_tesim":["UA 7.057","/repositories/2/resources/4344"],"normalized_title_ssm":["Latin American Student Union (LASU) records"],"collection_title_tesim":["Latin American Student Union (LASU) records"],"collection_ssim":["Latin American Student Union (LASU) records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Various Gifts. Acc. 2011.192 was hand delivered to the SCRC by Stephany Lazo on 3/29/2011. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Latin American students","Minority college students","Student Life--2000's","Student Organizations"],"access_subjects_ssm":["College of William and Mary--Students","Latin American students","Minority college students","Student Life--2000's","Student Organizations"],"has_online_content_ssim":["false"],"extent_ssm":["1.20 Linear Feet"],"extent_tesim":["1.20 Linear Feet"],"date_range_isim":[2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected. The finding aid will be updated to reflect additions to the collection\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected. The finding aid will be updated to reflect additions to the collection"],"custodhist_html_tesm":["\u003cp\u003eThis collection was previously part of the Student Organizations Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["This collection was previously part of the Student Organizations Collection."],"prefercite_html_tesm":["\u003cp\u003eLatin American Student Union records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Latin American Student Union records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2011.192 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in March 2011. Acc. 2011.281-283 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2011. Materials received after 2011 were processed by William \u0026amp; Mary Special Collections staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2011.192 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in March 2011. Acc. 2011.281-283 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2011. Materials received after 2011 were processed by William \u0026 Mary Special Collections staff."],"relatedmaterial_html_tesm":["\u003cp\u003eHispanic Cultural Organization (UA 7.041); University Archives Poster Collection (UA 12); University Artifact Collection (UA 13).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Hispanic Cultural Organization (UA 7.041); University Archives Poster Collection (UA 12); University Artifact Collection (UA 13)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains administrative records, fliers, photographs, scrapbooks and posters created by the Latin American Student Union (LASU). The LASU is a student group at William \u0026amp; Mary. Included in the records are drafts of the group's consitution, agendas from meetings, and posters and fliers related to the LASU sponsored event \"State Terrorism in Latin America Awareness Week\" in March 2011.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains administrative records, fliers, photographs, scrapbooks and posters created by the Latin American Student Union (LASU). The LASU is a student group at William \u0026 Mary. Included in the records are drafts of the group's consitution, agendas from meetings, and posters and fliers related to the LASU sponsored event \"State Terrorism in Latin America Awareness Week\" in March 2011."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:50:44.769Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4344_c03"}},{"id":"viw_repositories_2_resources_4347_c09","type":"Series","attributes":{"title":"Accession 2023.104: HIV/AIDS awareness education","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4347_c09#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis accession consists of material related to Larry Griffith's experience providing HIV/AIDS awareness education to middle-school, high school and college-age students in the Williamsburg area. Materials include transcripts of his remarks, student feedback, articles about side-effects of HIV medication, interview questions for one of Larry's doctors, and correspondence. Larry provided a statement and inventory describing the materials, \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4347_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_4347_c09","ref_ssm":["viw_repositories_2_resources_4347_c09"],"id":"viw_repositories_2_resources_4347_c09","ead_ssi":"viw_repositories_2_resources_4347","_root_":"viw_repositories_2_resources_4347","_nest_parent_":"viw_repositories_2_resources_4347","parent_ssi":"viw_repositories_2_resources_4347","parent_ssim":["viw_repositories_2_resources_4347"],"parent_ids_ssim":["viw_repositories_2_resources_4347"],"parent_unittitles_ssm":["Lawrence D. Griffith papers"],"parent_unittitles_tesim":["Lawrence D. Griffith papers"],"text":["Lawrence D. Griffith papers","Accession 2023.104: HIV/AIDS awareness education","This accession consists of material related to Larry Griffith's experience providing HIV/AIDS awareness education to middle-school, high school and college-age students in the Williamsburg area. Materials include transcripts of his remarks, student feedback, articles about side-effects of HIV medication, interview questions for one of Larry's doctors, and correspondence. Larry provided a statement and inventory describing the materials, ","\"An Proposed Addendum to the Griffith Papers Reflecting Mr. Griffith's efforts at HIV/AIDS awareness and Safe-sex Advocacy\" An excerpt of this statement reads: ","\"It is not only for vain  glory that I've left these HIV Awareness/Safe-sex materials to Swem. For me, they represent a variety of purposes. Firstly, it might help future students to become aware of the great anguish that befell all those in the AIDS community, not only those with AIDS, but their family, their loved one, their healthcare workers, and their advocates. Secondly, these materials represent fact-based data that forms the basis for effective safe-sex and AIDS awareness education.","From modes of transmission to modes of safer-sex , to data on the life cycle of HIV, all data presented is correct, in accordance with CDC guidelines, and is as relevant today as they were at the time, ca. early 1990's. Thirdly, I hope these materials might serve as historical, raw data for a studies in public policy, or for a local/WM-alum history of HIV awareness education, a source of data, in essence.\""],"title_filing_ssi":"Accession 2023.104: HIV/AIDS awareness education","title_ssm":["Accession 2023.104: HIV/AIDS awareness education"],"title_tesim":["Accession 2023.104: HIV/AIDS awareness education"],"unitdate_inclusive_ssm":["1996-2005"],"normalized_date_ssm":["1996/2005"],"normalized_title_ssm":["Accession 2023.104: HIV/AIDS awareness education"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Lawrence D. Griffith papers"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":9,"parent_access_restrict_tesm":["Collection is open to all researchers. Preliminary review of scrapbooks in accessions Acc. 2008.132 and 2009.13 by Special Collections Research Center staff is required due to potentially restricted financial information in the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Copyright to the website is retained by the creator and his heirs."],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"scopecontent_html_tesm":["\u003cp\u003eThis accession consists of material related to Larry Griffith's experience providing HIV/AIDS awareness education to middle-school, high school and college-age students in the Williamsburg area. Materials include transcripts of his remarks, student feedback, articles about side-effects of HIV medication, interview questions for one of Larry's doctors, and correspondence. Larry provided a statement and inventory describing the materials, \u003c/p\u003e","\u003cp\u003e\"An Proposed Addendum to the Griffith Papers Reflecting Mr. Griffith's efforts at HIV/AIDS awareness and Safe-sex Advocacy\" An excerpt of this statement reads: \u003c/p\u003e","\u003cp\u003e\"It is not only for vain  glory that I've left these HIV Awareness/Safe-sex materials to Swem. For me, they represent a variety of purposes. Firstly, it might help future students to become aware of the great anguish that befell all those in the AIDS community, not only those with AIDS, but their family, their loved one, their healthcare workers, and their advocates. Secondly, these materials represent fact-based data that forms the basis for effective safe-sex and AIDS awareness education.\u003c/p\u003e","\u003cp\u003eFrom modes of transmission to modes of safer-sex , to data on the life cycle of HIV, all data presented is correct, in accordance with CDC guidelines, and is as relevant today as they were at the time, ca. early 1990's. Thirdly, I hope these materials might serve as historical, raw data for a studies in public policy, or for a local/WM-alum history of HIV awareness education, a source of data, in essence.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This accession consists of material related to Larry Griffith's experience providing HIV/AIDS awareness education to middle-school, high school and college-age students in the Williamsburg area. Materials include transcripts of his remarks, student feedback, articles about side-effects of HIV medication, interview questions for one of Larry's doctors, and correspondence. Larry provided a statement and inventory describing the materials, ","\"An Proposed Addendum to the Griffith Papers Reflecting Mr. Griffith's efforts at HIV/AIDS awareness and Safe-sex Advocacy\" An excerpt of this statement reads: ","\"It is not only for vain  glory that I've left these HIV Awareness/Safe-sex materials to Swem. For me, they represent a variety of purposes. Firstly, it might help future students to become aware of the great anguish that befell all those in the AIDS community, not only those with AIDS, but their family, their loved one, their healthcare workers, and their advocates. Secondly, these materials represent fact-based data that forms the basis for effective safe-sex and AIDS awareness education.","From modes of transmission to modes of safer-sex , to data on the life cycle of HIV, all data presented is correct, in accordance with CDC guidelines, and is as relevant today as they were at the time, ca. early 1990's. Thirdly, I hope these materials might serve as historical, raw data for a studies in public policy, or for a local/WM-alum history of HIV awareness education, a source of data, in essence.\""],"_nest_path_":"/components#8","timestamp":"2026-05-21T14:16:22.578Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_4347","ead_ssi":"viw_repositories_2_resources_4347","_root_":"viw_repositories_2_resources_4347","_nest_parent_":"viw_repositories_2_resources_4347","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4347.xml","title_filing_ssi":"Lawrence D. Griffith papers","title_ssm":["Lawrence D. Griffith papers"],"title_tesim":["Lawrence D. Griffith papers"],"unitdate_ssm":["1994-2009"],"unitdate_inclusive_ssm":["1994-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.086","/repositories/2/resources/4347"],"text":["UA 5.086","/repositories/2/resources/4347","Lawrence D. Griffith papers","AIDS (Disease)--Research--United States","Ecology--Environmental aspects","Gay, Lesbian, Bisexual, Transgendered Students and Alumni","Genealogy","HIV infections--United States","HIV infections--Social aspects--United States","Homosexuality and art","United States--Politics and Government","Scrapbooks","Collection is open to all researchers. Preliminary review of scrapbooks in accessions Acc. 2008.132 and 2009.13 by Special Collections Research Center staff is required due to potentially restricted financial information in the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection has not yet been fully rehoused and described, which may require extra time considerations for users.","Lawrence (Larry) Griffith graduated from William \u0026 Mary in 1981 with a BA in English. Griffith began his career at Colonial Williamsburg and was the 2008 curator of plants at Colonial Williamsburg in Williamsburg, Virginia. He was president of Lambda Alliance while a student in 1979 and a board member of the William and Mary GALA (Gay and Lesbian Alumni Association). Griffith was a garden columnist for the Daily Press from 1991-1992. He is the author of the books Flowers and Herbs of Early America published in 2008. Griffith's partner is Curtis Moyer.","Accessioned and minimally described by Amy C. Schindler in December 2008, and January and December 2009. The collection may be updated to reflect new aquisitions to the collection.","Larry Griffith participated in the Stephens Oral History Project and recordings of his interviews are available as part of the University Archives Oral History Collection (UA 43).","The collection is composed of scrapbooks and HIV/AID awarness educational materials created by Lawrence Griffith from the 1990s through 2009. The collection also includes copies of Griffith's website \"Gryffiddiott.com.\" Griffith composed an introduction for the collection, which is available in box 1.","Extracts from his introduction include:","\"The scrapbooks that I have given to the College represent my life as a professional, middle-class, middle-aged, completely actualized gay man with HIV who has stridently enunciated those causes that I believe in: gay rights, human rights, HIV education and prevention, left of center politics, sexual dynamics, spirituality, and global and timely issues such as global warning and energy policy.\"","\"These scrapbooks were not assembled in any specific method. Each scrapbook ought to represent a discreet time of assembly, but documents and ephemera from different periods may have been inserted. I did not attempt to sequence the pages in any order in any particular scrapbook. More than not, the pages were arranged so as to have graphic appeal. Related text passages were separated by pages of graphics.\"","In addition to the scrapbooks about Griffith's life, there are scrapbooks containing family genealogical information compiled by Griffith. The collected material follows Harrison Patillo Griffith and his antecedents and descendents including: Ezekial, Benjamin, and Stephen Griffith; Harrison Patillo Griffith; Stepeh Harrison, Thomas Twitty, Walter Pat Griffith; Stepehn and L. David Griffith; Lindsey and Jonathan David Griffith; Rev. Henry Patillo; Major Richard Harrison; House and Westmoreland family histories; Twitty family history; Lanford, Posey, Woodruff, and other associated families including the Pridmore family, Byars family. For this portion of the collection, Lawrence Griffith offers the following introduction: ","\"My success in life was almost preordained, that I had an assured future based on my family's race, relative wealth, and culturally, a champion of education.  In essence, White Privilege. It's time for that part of the South that is loving, forgiving, thoughtful, kind, and beneficent to pull rank morally. I choose to think of the South as that of Harper Lee, Tennessee Williams, Maya Angelou, William Faulkner, William Styron, Rev. Martin Luther King, Jr., Ann Richards, Jimmy Carter, William Percy, Robert Penn Warren, Flannery O'Connor, Alice Walker, and other titans of intellect and wisdom.  Jazz, the Blues, Soul, and Gospel gave depth to the American soul.\" ","\"Rev. Robert E. Lee, IV, a collateral descendant of the general, has disavowed that part of his past that held chattel slavery as moral. That my own family were slave owners is a matter of public record. An 1830 South Carolina census shows a head of household as Benjamin Griffith, and his wife Amelia Westmoreland Griffith, numerous children and 14 slaves, including 5 children under the age of 10.  Not huge landowners but their lives and livelihood were enhanced through chattel slavery. Because of the wealth, generated through slave ownership, their grandchild, a Captain in the C.S.A. (wounded at Gettysburg), attended Furman College. His son, my great grandfather, graduated from medical school in Baltimore and became an ophthalmologist, his fortune unimpeded by penury. His son, my grandfather, graduated from Wofford College, because there was ready cash; my father matriculated at Georgia Tech and finished at Columbia University after the War. I attended The College of William and Mary because good education was non-negotiable, and there was ready cash. It's called white privilege and it's generational.  here was no question that I would not go to college. It had always been that way. My family valued education, the investigation of things outside of one's immediate purview, when one's world view is expanded and you come to regard other peoples as sharing the very traits you call your own. I simply will not apologize for education.\" ","\"My family were also of among the most exalted, at the apex of, the Southern social pyramid, and among the fiercest defenders of Dixie.  But like the Rev. Robert E. Lee IV my father was able to separate himself from the worst atrocities of the South, while never straying far from its very special culture. And like the present Robert E. Lee, my father had no patience with apologists. We talked once about the Civil War and he said it's history and settled. A naive, but good man. In all these cases, of persons pursuing higher education, ready money, was the key to educational advancement, and thus social advancement.  You were more likely to do more in life if ready cash were available.  That's not typically an African-American fate. How do we move forward?  First, apologize. I can apologize about my family's past, but I feel no guilt. I am not responsible for another's actions over which I had no input. But I undoubtedly profited from it, intellectually and culturally. And I can be a witness to white privilege and be vocal about my good fortune.\" ","This accession consists of material related to Larry Griffith's experience providing HIV/AIDS awareness education to middle-school, high school and college-age students in the Williamsburg area. Materials include transcripts of his remarks, student feedback, articles about side-effects of HIV medication, interview questions for one of Larry's doctors, and correspondence. Larry provided a statement and inventory describing the materials, ","\"An Proposed Addendum to the Griffith Papers Reflecting Mr. Griffith's efforts at HIV/AIDS awareness and Safe-sex Advocacy\" An excerpt of this statement reads: ","\"It is not only for vain  glory that I've left these HIV Awareness/Safe-sex materials to Swem. For me, they represent a variety of purposes. Firstly, it might help future students to become aware of the great anguish that befell all those in the AIDS community, not only those with AIDS, but their family, their loved one, their healthcare workers, and their advocates. Secondly, these materials represent fact-based data that forms the basis for effective safe-sex and AIDS awareness education.","From modes of transmission to modes of safer-sex , to data on the life cycle of HIV, all data presented is correct, in accordance with CDC guidelines, and is as relevant today as they were at the time, ca. early 1990's. Thirdly, I hope these materials might serve as historical, raw data for a studies in public policy, or for a local/WM-alum history of HIV awareness education, a source of data, in essence.\"","A signed copy of Griffith's book Flowers and Herbs of Early America (Photography by Barbara Temple Lombardi, Yale University Press, 2008) was received from the author on December 2, 2008 and has been added to the Archives Book Collection in the Special Collections Research Center.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Copyright to the website is retained by the creator and his heirs.","Special Collections Research Center","William \u0026 Mary GALA (Gay and Lesbian Alumni/ae), Inc","Griffith family","English"],"unitid_tesim":["UA 5.086","/repositories/2/resources/4347"],"normalized_title_ssm":["Lawrence D. Griffith papers"],"collection_title_tesim":["Lawrence D. Griffith papers"],"collection_ssim":["Lawrence D. Griffith papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Copyright to the website is retained by the creator and his heirs."],"acqinfo_ssim":["Acc. 2008.132 received from Lawrence D. Griffith on 11/10/2008 and 12/2/2008. Acc. 2009.13 received from Lawrence D. Griffith on 1/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["AIDS (Disease)--Research--United States","Ecology--Environmental aspects","Gay, Lesbian, Bisexual, Transgendered Students and Alumni","Genealogy","HIV infections--United States","HIV infections--Social aspects--United States","Homosexuality and art","United States--Politics and Government","Scrapbooks"],"access_subjects_ssm":["AIDS (Disease)--Research--United States","Ecology--Environmental aspects","Gay, Lesbian, Bisexual, Transgendered Students and Alumni","Genealogy","HIV infections--United States","HIV infections--Social aspects--United States","Homosexuality and art","United States--Politics and Government","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet 9 boxes"],"extent_tesim":["8.50 Linear Feet 9 boxes"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Preliminary review of scrapbooks in accessions Acc. 2008.132 and 2009.13 by Special Collections Research Center staff is required due to potentially restricted financial information in the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Preliminary review of scrapbooks in accessions Acc. 2008.132 and 2009.13 by Special Collections Research Center staff is required due to potentially restricted financial information in the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection has not yet been fully rehoused and described, which may require extra time considerations for users.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection has not yet been fully rehoused and described, which may require extra time considerations for users."],"bioghist_html_tesm":["\u003cp\u003eLawrence (Larry) Griffith graduated from William \u0026amp; Mary in 1981 with a BA in English. Griffith began his career at Colonial Williamsburg and was the 2008 curator of plants at Colonial Williamsburg in Williamsburg, Virginia. He was president of Lambda Alliance while a student in 1979 and a board member of the William and Mary GALA (Gay and Lesbian Alumni Association). Griffith was a garden columnist for the Daily Press from 1991-1992. He is the author of the books Flowers and Herbs of Early America published in 2008. Griffith's partner is Curtis Moyer.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Lawrence (Larry) Griffith graduated from William \u0026 Mary in 1981 with a BA in English. Griffith began his career at Colonial Williamsburg and was the 2008 curator of plants at Colonial Williamsburg in Williamsburg, Virginia. He was president of Lambda Alliance while a student in 1979 and a board member of the William and Mary GALA (Gay and Lesbian Alumni Association). Griffith was a garden columnist for the Daily Press from 1991-1992. He is the author of the books Flowers and Herbs of Early America published in 2008. Griffith's partner is Curtis Moyer."],"prefercite_html_tesm":["\u003cp\u003eLawrence D. Griffith Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lawrence D. Griffith Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally described by Amy C. Schindler in December 2008, and January and December 2009. The collection may be updated to reflect new aquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally described by Amy C. Schindler in December 2008, and January and December 2009. The collection may be updated to reflect new aquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eLarry Griffith participated in the Stephens Oral History Project and recordings of his interviews are available as part of the University Archives Oral History Collection (UA 43).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Larry Griffith participated in the Stephens Oral History Project and recordings of his interviews are available as part of the University Archives Oral History Collection (UA 43)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed of scrapbooks and HIV/AID awarness educational materials created by Lawrence Griffith from the 1990s through 2009. The collection also includes copies of Griffith's website \"Gryffiddiott.com.\" Griffith composed an introduction for the collection, which is available in box 1.\u003c/p\u003e\n","\u003cp\u003eExtracts from his introduction include:\u003c/p\u003e\n","\u003cp\u003e\"The scrapbooks that I have given to the College represent my life as a professional, middle-class, middle-aged, completely actualized gay man with HIV who has stridently enunciated those causes that I believe in: gay rights, human rights, HIV education and prevention, left of center politics, sexual dynamics, spirituality, and global and timely issues such as global warning and energy policy.\"\u003c/p\u003e\n","\u003cp\u003e\"These scrapbooks were not assembled in any specific method. Each scrapbook ought to represent a discreet time of assembly, but documents and ephemera from different periods may have been inserted. I did not attempt to sequence the pages in any order in any particular scrapbook. More than not, the pages were arranged so as to have graphic appeal. Related text passages were separated by pages of graphics.\"\u003c/p\u003e\n","\u003cp\u003eIn addition to the scrapbooks about Griffith's life, there are scrapbooks containing family genealogical information compiled by Griffith. The collected material follows Harrison Patillo Griffith and his antecedents and descendents including: Ezekial, Benjamin, and Stephen Griffith; Harrison Patillo Griffith; Stepeh Harrison, Thomas Twitty, Walter Pat Griffith; Stepehn and L. David Griffith; Lindsey and Jonathan David Griffith; Rev. Henry Patillo; Major Richard Harrison; House and Westmoreland family histories; Twitty family history; Lanford, Posey, Woodruff, and other associated families including the Pridmore family, Byars family. For this portion of the collection, Lawrence Griffith offers the following introduction: \u003c/p\u003e\n","\u003cp\u003e\"My success in life was almost preordained, that I had an assured future based on my family's race, relative wealth, and culturally, a champion of education.  In essence, White Privilege. It's time for that part of the South that is loving, forgiving, thoughtful, kind, and beneficent to pull rank morally. I choose to think of the South as that of Harper Lee, Tennessee Williams, Maya Angelou, William Faulkner, William Styron, Rev. Martin Luther King, Jr., Ann Richards, Jimmy Carter, William Percy, Robert Penn Warren, Flannery O'Connor, Alice Walker, and other titans of intellect and wisdom.  Jazz, the Blues, Soul, and Gospel gave depth to the American soul.\" \u003c/p\u003e\n","\u003cp\u003e\"Rev. Robert E. Lee, IV, a collateral descendant of the general, has disavowed that part of his past that held chattel slavery as moral. That my own family were slave owners is a matter of public record. An 1830 South Carolina census shows a head of household as Benjamin Griffith, and his wife Amelia Westmoreland Griffith, numerous children and 14 slaves, including 5 children under the age of 10.  Not huge landowners but their lives and livelihood were enhanced through chattel slavery. Because of the wealth, generated through slave ownership, their grandchild, a Captain in the C.S.A. (wounded at Gettysburg), attended Furman College. His son, my great grandfather, graduated from medical school in Baltimore and became an ophthalmologist, his fortune unimpeded by penury. His son, my grandfather, graduated from Wofford College, because there was ready cash; my father matriculated at Georgia Tech and finished at Columbia University after the War. I attended The College of William and Mary because good education was non-negotiable, and there was ready cash. It's called white privilege and it's generational.  here was no question that I would not go to college. It had always been that way. My family valued education, the investigation of things outside of one's immediate purview, when one's world view is expanded and you come to regard other peoples as sharing the very traits you call your own. I simply will not apologize for education.\" \u003c/p\u003e\n","\u003cp\u003e\"My family were also of among the most exalted, at the apex of, the Southern social pyramid, and among the fiercest defenders of Dixie.  But like the Rev. Robert E. Lee IV my father was able to separate himself from the worst atrocities of the South, while never straying far from its very special culture. And like the present Robert E. Lee, my father had no patience with apologists. We talked once about the Civil War and he said it's history and settled. A naive, but good man. In all these cases, of persons pursuing higher education, ready money, was the key to educational advancement, and thus social advancement.  You were more likely to do more in life if ready cash were available.  That's not typically an African-American fate. How do we move forward?  First, apologize. I can apologize about my family's past, but I feel no guilt. I am not responsible for another's actions over which I had no input. But I undoubtedly profited from it, intellectually and culturally. And I can be a witness to white privilege and be vocal about my good fortune.\" \u003c/p\u003e","\u003cp\u003eThis accession consists of material related to Larry Griffith's experience providing HIV/AIDS awareness education to middle-school, high school and college-age students in the Williamsburg area. Materials include transcripts of his remarks, student feedback, articles about side-effects of HIV medication, interview questions for one of Larry's doctors, and correspondence. Larry provided a statement and inventory describing the materials, \u003c/p\u003e\n","\u003cp\u003e\"An Proposed Addendum to the Griffith Papers Reflecting Mr. Griffith's efforts at HIV/AIDS awareness and Safe-sex Advocacy\" An excerpt of this statement reads: \u003c/p\u003e\n","\u003cp\u003e\"It is not only for vain  glory that I've left these HIV Awareness/Safe-sex materials to Swem. For me, they represent a variety of purposes. Firstly, it might help future students to become aware of the great anguish that befell all those in the AIDS community, not only those with AIDS, but their family, their loved one, their healthcare workers, and their advocates. Secondly, these materials represent fact-based data that forms the basis for effective safe-sex and AIDS awareness education.\u003c/p\u003e\n","\u003cp\u003eFrom modes of transmission to modes of safer-sex , to data on the life cycle of HIV, all data presented is correct, in accordance with CDC guidelines, and is as relevant today as they were at the time, ca. early 1990's. Thirdly, I hope these materials might serve as historical, raw data for a studies in public policy, or for a local/WM-alum history of HIV awareness education, a source of data, in essence.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection is composed of scrapbooks and HIV/AID awarness educational materials created by Lawrence Griffith from the 1990s through 2009. The collection also includes copies of Griffith's website \"Gryffiddiott.com.\" Griffith composed an introduction for the collection, which is available in box 1.","Extracts from his introduction include:","\"The scrapbooks that I have given to the College represent my life as a professional, middle-class, middle-aged, completely actualized gay man with HIV who has stridently enunciated those causes that I believe in: gay rights, human rights, HIV education and prevention, left of center politics, sexual dynamics, spirituality, and global and timely issues such as global warning and energy policy.\"","\"These scrapbooks were not assembled in any specific method. Each scrapbook ought to represent a discreet time of assembly, but documents and ephemera from different periods may have been inserted. I did not attempt to sequence the pages in any order in any particular scrapbook. More than not, the pages were arranged so as to have graphic appeal. Related text passages were separated by pages of graphics.\"","In addition to the scrapbooks about Griffith's life, there are scrapbooks containing family genealogical information compiled by Griffith. The collected material follows Harrison Patillo Griffith and his antecedents and descendents including: Ezekial, Benjamin, and Stephen Griffith; Harrison Patillo Griffith; Stepeh Harrison, Thomas Twitty, Walter Pat Griffith; Stepehn and L. David Griffith; Lindsey and Jonathan David Griffith; Rev. Henry Patillo; Major Richard Harrison; House and Westmoreland family histories; Twitty family history; Lanford, Posey, Woodruff, and other associated families including the Pridmore family, Byars family. For this portion of the collection, Lawrence Griffith offers the following introduction: ","\"My success in life was almost preordained, that I had an assured future based on my family's race, relative wealth, and culturally, a champion of education.  In essence, White Privilege. It's time for that part of the South that is loving, forgiving, thoughtful, kind, and beneficent to pull rank morally. I choose to think of the South as that of Harper Lee, Tennessee Williams, Maya Angelou, William Faulkner, William Styron, Rev. Martin Luther King, Jr., Ann Richards, Jimmy Carter, William Percy, Robert Penn Warren, Flannery O'Connor, Alice Walker, and other titans of intellect and wisdom.  Jazz, the Blues, Soul, and Gospel gave depth to the American soul.\" ","\"Rev. Robert E. Lee, IV, a collateral descendant of the general, has disavowed that part of his past that held chattel slavery as moral. That my own family were slave owners is a matter of public record. An 1830 South Carolina census shows a head of household as Benjamin Griffith, and his wife Amelia Westmoreland Griffith, numerous children and 14 slaves, including 5 children under the age of 10.  Not huge landowners but their lives and livelihood were enhanced through chattel slavery. Because of the wealth, generated through slave ownership, their grandchild, a Captain in the C.S.A. (wounded at Gettysburg), attended Furman College. His son, my great grandfather, graduated from medical school in Baltimore and became an ophthalmologist, his fortune unimpeded by penury. His son, my grandfather, graduated from Wofford College, because there was ready cash; my father matriculated at Georgia Tech and finished at Columbia University after the War. I attended The College of William and Mary because good education was non-negotiable, and there was ready cash. It's called white privilege and it's generational.  here was no question that I would not go to college. It had always been that way. My family valued education, the investigation of things outside of one's immediate purview, when one's world view is expanded and you come to regard other peoples as sharing the very traits you call your own. I simply will not apologize for education.\" ","\"My family were also of among the most exalted, at the apex of, the Southern social pyramid, and among the fiercest defenders of Dixie.  But like the Rev. Robert E. Lee IV my father was able to separate himself from the worst atrocities of the South, while never straying far from its very special culture. And like the present Robert E. Lee, my father had no patience with apologists. We talked once about the Civil War and he said it's history and settled. A naive, but good man. In all these cases, of persons pursuing higher education, ready money, was the key to educational advancement, and thus social advancement.  You were more likely to do more in life if ready cash were available.  That's not typically an African-American fate. How do we move forward?  First, apologize. I can apologize about my family's past, but I feel no guilt. I am not responsible for another's actions over which I had no input. But I undoubtedly profited from it, intellectually and culturally. And I can be a witness to white privilege and be vocal about my good fortune.\" ","This accession consists of material related to Larry Griffith's experience providing HIV/AIDS awareness education to middle-school, high school and college-age students in the Williamsburg area. Materials include transcripts of his remarks, student feedback, articles about side-effects of HIV medication, interview questions for one of Larry's doctors, and correspondence. Larry provided a statement and inventory describing the materials, ","\"An Proposed Addendum to the Griffith Papers Reflecting Mr. Griffith's efforts at HIV/AIDS awareness and Safe-sex Advocacy\" An excerpt of this statement reads: ","\"It is not only for vain  glory that I've left these HIV Awareness/Safe-sex materials to Swem. For me, they represent a variety of purposes. Firstly, it might help future students to become aware of the great anguish that befell all those in the AIDS community, not only those with AIDS, but their family, their loved one, their healthcare workers, and their advocates. Secondly, these materials represent fact-based data that forms the basis for effective safe-sex and AIDS awareness education.","From modes of transmission to modes of safer-sex , to data on the life cycle of HIV, all data presented is correct, in accordance with CDC guidelines, and is as relevant today as they were at the time, ca. early 1990's. Thirdly, I hope these materials might serve as historical, raw data for a studies in public policy, or for a local/WM-alum history of HIV awareness education, a source of data, in essence.\""],"separatedmaterial_html_tesm":["\u003cp\u003eA signed copy of Griffith's book Flowers and Herbs of Early America (Photography by Barbara Temple Lombardi, Yale University Press, 2008) was received from the author on December 2, 2008 and has been added to the Archives Book Collection in the Special Collections Research Center.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A signed copy of Griffith's book Flowers and Herbs of Early America (Photography by Barbara Temple Lombardi, Yale University Press, 2008) was received from the author on December 2, 2008 and has been added to the Archives Book Collection in the Special Collections Research Center."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Copyright to the website is retained by the creator and his heirs.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Copyright to the website is retained by the creator and his heirs."],"names_coll_ssim":["William \u0026 Mary GALA (Gay and Lesbian Alumni/ae), Inc","Griffith family"],"names_ssim":["Special Collections Research Center","William \u0026 Mary GALA (Gay and Lesbian Alumni/ae), Inc","Griffith family"],"corpname_ssim":["Special Collections Research Center","William \u0026 Mary GALA (Gay and Lesbian Alumni/ae), Inc"],"famname_ssim":["Griffith family"],"language_ssim":["English"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:16:22.578Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4347_c09"}},{"id":"viw_repositories_2_resources_9681_c01","type":"Series","attributes":{"title":"Accession 2023.136: Newsletters \u0026 Scrapbooks","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9681_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9681_c01","ref_ssm":["viw_repositories_2_resources_9681_c01"],"id":"viw_repositories_2_resources_9681_c01","ead_ssi":"viw_repositories_2_resources_9681","_root_":"viw_repositories_2_resources_9681","_nest_parent_":"viw_repositories_2_resources_9681","parent_ssi":"viw_repositories_2_resources_9681","parent_ssim":["viw_repositories_2_resources_9681"],"parent_ids_ssim":["viw_repositories_2_resources_9681"],"parent_unittitles_ssm":["Vintage Ladies of Williamsburg records"],"parent_unittitles_tesim":["Vintage Ladies of Williamsburg records"],"text":["Vintage Ladies of Williamsburg records","Accession 2023.136: Newsletters \u0026 Scrapbooks"],"title_filing_ssi":"Accession 2023.136: Newsletters \u0026 Scrapbooks","title_ssm":["Accession 2023.136: Newsletters \u0026 Scrapbooks"],"title_tesim":["Accession 2023.136: Newsletters \u0026 Scrapbooks"],"unitdate_inclusive_ssm":["1999-2007"],"normalized_date_ssm":["1999/2007"],"normalized_title_ssm":["Accession 2023.136: Newsletters \u0026 Scrapbooks"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Vintage Ladies of Williamsburg records"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open to all researchers. 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