{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=File\u0026page=7","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=File\u0026page=6","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=File\u0026page=8","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=File\u0026page=1925"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":1925,"limit_value":10,"offset_value":60,"total_count":19243,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_381_c05_c26","type":"File","attributes":{"title":"1912-1924 Martha's Road","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_381_c05_c26","ref_ssm":["vifgm_repositories_2_resources_381_c05_c26"],"id":"vifgm_repositories_2_resources_381_c05_c26","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381_c05","parent_ssi":"vifgm_repositories_2_resources_381_c05","parent_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_ids_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review","1912-1924 Martha's Road","box 54","folder 4"],"title_filing_ssi":"1912-1924 Martha's Road","title_ssm":["1912-1924 Martha's Road"],"title_tesim":["1912-1924 Martha's Road"],"unitdate_other_ssim":["1997-2009"],"normalized_date_ssm":["1997/2009"],"normalized_title_ssm":["1912-1924 Martha's Road"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":298,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 54","folder 4"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#4/components#25","timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_381","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_381.xml","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231","/repositories/2/resources/381"],"text":["C0231","/repositories/2/resources/381","Civic Association of Hollin Hills records","Hollin Hills (Va.)","Regional planning -- Virginia","Housing","Architecture -- Designs and plans","There are no access restrictions.","This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5","George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills","English"],"unitid_tesim":["C0231","/repositories/2/resources/381"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Hollin Hills (Va.)"],"geogname_ssim":["Hollin Hills (Va.)"],"creator_ssm":["Civic Association of Hollin Hills"],"creator_ssim":["Civic Association of Hollin Hills"],"creator_corpname_ssim":["Civic Association of Hollin Hills"],"creators_ssim":["Civic Association of Hollin Hills"],"places_ssim":["Hollin Hills (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"access_subjects_ssm":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["36.5 Linear Feet (73 boxes)"],"extent_tesim":["36.5 Linear Feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n      \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n      \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e\n","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e\n","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e\n","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e\n","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e\n","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e\n","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. 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It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005 \u003c/p\u003e\n","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e\n","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e\n","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e\n","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e\n","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f11857ba58224a8b7c3c698cf2f251d5\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_906970ce956a95a6f5dd00741ceed53f\"\u003eR47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5\u003c/physloc\u003e"],"physloc_tesim":["R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5"],"names_coll_ssim":["Civic Association of Hollin Hills"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c05_c26"}},{"id":"vifgm_hollinhills_c05_c26","type":"File","attributes":{"title":"1912-1924 Martha's Road,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c26#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_hollinhills_c05_c26","ref_ssm":["vifgm_hollinhills_c05_c26"],"id":"vifgm_hollinhills_c05_c26","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills_c05","parent_ssi":"vifgm_hollinhills_c05","parent_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_ids_ssim":["vifgm_hollinhills","vifgm_hollinhills_c05"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 5: Design Review,"],"text":["Civic Association of Hollin Hills records","Series 5: Design Review,","1912-1924 Martha's Road,","Box 54","Folder 4",""],"title_filing_ssi":"1912-1924 Martha's Road, \n","title_ssm":["1912-1924 Martha's Road,"],"title_tesim":["1912-1924 Martha's Road,"],"unitdate_other_ssim":["1997-2009\n"],"normalized_date_ssm":["1997/2009"],"normalized_title_ssm":["1912-1924 Martha's Road,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":298,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["Box 54","Folder 4"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#4/components#25","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_hollinhills","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills","ead_source_url_ssi":"data/gmu/hollinhills.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/hollinhills.html","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231"],"text":["C0231","Civic Association of Hollin Hills records","Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern.","There are no access restrictions.","This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills.","English\n\t\t"],"unitid_tesim":["C0231"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Civic Association of Hollin Hills."],"creator_ssim":["Civic Association of Hollin Hills."],"creator_corpname_ssim":["Civic Association of Hollin Hills."],"creators_ssim":["Civic Association of Hollin Hills."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"access_subjects_ssm":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"has_online_content_ssim":["false"],"extent_ssm":["36.5 linear feet (73 boxes)"],"extent_tesim":["36.5 linear feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n        \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n        \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and 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copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the 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series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. 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It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\n\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005\n\u003c/p\u003e","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref8\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"names_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"corpname_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_hollinhills_c05_c26"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","type":"File","attributes":{"title":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","Box 11","folder 31"],"title_filing_ssi":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"title_tesim":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"unitdate_inclusive_ssm":["1914-2008"],"normalized_date_ssm":["1914/2008"],"normalized_title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 31"],"_nest_path_":"/components#0/components#0/components#10/components#5","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","type":"File","attributes":{"title":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c12_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\"","\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","Box 12","folder 36"],"title_filing_ssi":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"title_tesim":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"unitdate_inclusive_ssm":["1929-2008"],"normalized_date_ssm":["1929/2008"],"normalized_title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":50,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 12","folder 36"],"_nest_path_":"/components#0/components#0/components#11/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01"}},{"id":"vihart_repositories_4_resources_229_c01_c04","type":"File","attributes":{"title":"1943 Madison reunions (folder 1 of 2)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_229_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_229_c01_c04","ref_ssm":["vihart_repositories_4_resources_229_c01_c04"],"id":"vihart_repositories_4_resources_229_c01_c04","ead_ssi":"vihart_repositories_4_resources_229","_root_":"vihart_repositories_4_resources_229","_nest_parent_":"vihart_repositories_4_resources_229_c01","parent_ssi":"vihart_repositories_4_resources_229_c01","parent_ssim":["vihart_repositories_4_resources_229","vihart_repositories_4_resources_229_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_229","vihart_repositories_4_resources_229_c01"],"parent_unittitles_ssm":["Emily Lewis Lee Papers","Photographs"],"parent_unittitles_tesim":["Emily Lewis Lee Papers","Photographs"],"text":["Emily Lewis Lee Papers","Photographs","1943 Madison reunions (folder 1 of 2)","box 3","folder 1"],"title_filing_ssi":"1943 Madison reunions (folder 1 of 2)","title_ssm":["1943 Madison reunions (folder 1 of 2)"],"title_tesim":["1943 Madison reunions (folder 1 of 2)"],"unitdate_inclusive_ssm":["2000-2001"],"normalized_date_ssm":["2000/2001"],"normalized_title_ssm":["1943 Madison reunions (folder 1 of 2)"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Emily Lewis Lee Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":26,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":86,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2000,2001],"containers_ssim":["box 3","folder 1"],"_nest_path_":"/components#0/components#3","timestamp":"2026-05-21T00:17:52.266Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_229","ead_ssi":"vihart_repositories_4_resources_229","_root_":"vihart_repositories_4_resources_229","_nest_parent_":"vihart_repositories_4_resources_229","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_229.xml","title_ssm":["Emily Lewis Lee Papers"],"title_tesim":["Emily Lewis Lee Papers"],"unitdate_ssm":["1940-2006"],"unitdate_inclusive_ssm":["1940-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0185","/repositories/4/resources/229"],"text":["SC 0185","/repositories/4/resources/229","Emily Lewis Lee Papers","Universities and colleges -- Ceremonial maces -- Virginia","Scrapbooks","Photographs","Letters (correspondence)","Newspaper clippings","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in two series. All series are arranged chronologically. Exceptions to this arrangement scheme were made in order to group like materials together and as a result chronological arrangements are approximate.","University Activities and Alumni Relations, 1941-2006 Photographs, 1940-2006","Emily Virginia Lewis Lee (1922-2014) graduated from Madison College as part of the class of 1943 with a degree in Home Economics. After graduation, she entered Johns Hopkins in Baltimore to begin a six month internship, after which she completed another six months at Halloran Hospital on Staten Island. She then entered the Army Medical Corps as a dietician and was trained in Atlantic City. She met her husband, Luther M. Lee (1923-1996), while stationed in North Carolina when she was a first lieutenant. She was discharged from the army at the end of the war, and later on became a dietician at the Veterans Administration hospital. Since then has been a proud and active alumni of her alma mater. Emily Lee has served on the Alumni Association, the Education and Student Life Committee, the Board of Visitors from 1980-1983, and as the fund agent for the class of 1943. In 1981, she received the \"Distinguished Alumni Service Award\" for her work for the university.","During initial processing campaigns, scrapbooks were disbound. Others remain intact. Photographs were also individually sleeved in acid-free envelopes and described at the item level.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018.  This collection was previously cataloged as SC 5007 . At this time the collection was minimally reprocessed. Newspaper clippings were discarded as were materials lacking discernable research value. The overall arrangement was also simplified.","This collection documents Emily Lewis Lee work with James Madison University's Alumni Association, the Board of Visitors, attendance at JMU events, and reunions with her classmates. Much of her correspondence includes letters to her fellow alumnae from the class of 1943. Her awards, appointments and accompanying news clippings are included as are booklets compiled for alumni reunion weekends and homecomings. Of special interest is the history of the university's processional mace, a gift of the Class of 1943, presented to the University on Founder's Day, 1979. Of more recent interest are a 2001 interview with journalist Nancy Bondurant Jones and two subsequent articles on World War II and plans for an Alumni Center Terrace to honor JMU's contribution to it. Many photographs are included that document reunions and special celebrations at James Madison University.","Series 5: Photographs, 1940-2006, contains a 5x7\" black and white print of Emily Lewis Lee presenting the mace to President Carrier in 1979, an 8x10\" of her reunion group ca. 1983 and four snap shots of awards and reunion banquets from the early 1980s. Also includes photographs from ten scrapbooks documenting reunions and events, as well as graduation photos from her commencement in 1943. A file of photographs document Emily Lewis's time as a student at Madison College and include group photographs, the University Farm/College Camp, May Day, and Lincoln House.","Includes photographs of Lincoln House, May Day 1943, and the University Farm as well as other buildings and events.","Series 1: University Activities and Alumni Relations, 1941-2006, is comprised of correspondence, scrapbooks, and ephemera, related to Emily Lewis Lee's involvement with James Madison University as a student and as an alumna. ","Correspondence contains letters primarily regarding reunion planning, plus Lee's annual \"Lee News\" bulletins for 1981, 1983-1991, with similar reports in 1997, 1999 and 2001.","Scrapbooks contain two large disbound scrapbooks largely of color photographs compiled either for or after the 35th, 40th and 45th Reunions of the Class of '43. The first of these has a small selection of black \u0026 white photographs from the 1940s. One scrapbook documents Lee's time as a student during 1941-1943. Of particular interest is a program for \"Plantation Idyll,\" a \"musical water pageant\" presented by Camp Strawderman (Edinburg, Virginia). The cast includes a \"Mammy\" character, \"Negro servants,\" and \"Pickaninnies.\" Emily Lewis Lee served as an usher for the production. Another scrapbook, 1946-1947, 2000-2003, documents Lee's work and research on World War II veterans who were JMU alumni. A related research file is included in this series.","Also included are three guestbooks containing signatures from alumni receptions and luncheons dating from 1956-1989. The first of these books belonged to the Madison Alumni Richmond Chapter, and the other two are most likely from on-campus alumni events.","Related subject matter is located in the Photographs series.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The collection includes James Madison University related correspondence, newsclippings, photographs, scrapbooks, interview, and reunion booklets.","James Madison University Libraries Special Collections","Madison College. Alumnae Association","James Madison University -- Insignia -- History","James Madison University. Alumnae Association","University Farm (1929-)","Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Roop, Ralph Goodwin, 1915-2006","Jones, Nancy Bondurant, 1930-2017","English"],"unitid_tesim":["SC 0185","/repositories/4/resources/229"],"normalized_title_ssm":["Emily Lewis Lee Papers"],"collection_title_tesim":["Emily Lewis Lee Papers"],"collection_ssim":["Emily Lewis Lee Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Lee, Emily Lewis, 1922-2014"],"creator_ssim":["Lee, Emily Lewis, 1922-2014"],"creator_persname_ssim":["Lee, Emily Lewis, 1922-2014"],"creators_ssim":["Lee, Emily Lewis, 1922-2014"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Received from Alumni Relations in May 2003. The photos pertaining to the '43 Madison group reunions and University events were added later than the rest of the collection in July 2012. A group of photographs documenting Emily Lewis's time as a student were transferred to Special Collections by the Centennial Office in 2008. They were added to the collection in April 2023."],"access_subjects_ssim":["Universities and colleges -- Ceremonial maces -- Virginia","Scrapbooks","Photographs","Letters (correspondence)","Newspaper clippings"],"access_subjects_ssm":["Universities and colleges -- Ceremonial maces -- Virginia","Scrapbooks","Photographs","Letters (correspondence)","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.97 cubic feet 5 boxes"],"extent_tesim":["1.97 cubic feet 5 boxes"],"genreform_ssim":["Scrapbooks","Photographs","Letters (correspondence)","Newspaper clippings"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series. All series are arranged chronologically. Exceptions to this arrangement scheme were made in order to group like materials together and as a result chronological arrangements are approximate.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eUniversity Activities and Alumni Relations, 1941-2006\u003c/item\u003e\n      \u003citem\u003ePhotographs, 1940-2006\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series. All series are arranged chronologically. Exceptions to this arrangement scheme were made in order to group like materials together and as a result chronological arrangements are approximate.","University Activities and Alumni Relations, 1941-2006 Photographs, 1940-2006"],"bioghist_html_tesm":["\u003cp\u003eEmily Virginia Lewis Lee (1922-2014) graduated from Madison College as part of the class of 1943 with a degree in Home Economics. After graduation, she entered Johns Hopkins in Baltimore to begin a six month internship, after which she completed another six months at Halloran Hospital on Staten Island. She then entered the Army Medical Corps as a dietician and was trained in Atlantic City. She met her husband, Luther M. Lee (1923-1996), while stationed in North Carolina when she was a first lieutenant. She was discharged from the army at the end of the war, and later on became a dietician at the Veterans Administration hospital. Since then has been a proud and active alumni of her alma mater. Emily Lee has served on the Alumni Association, the Education and Student Life Committee, the Board of Visitors from 1980-1983, and as the fund agent for the class of 1943. In 1981, she received the \"Distinguished Alumni Service Award\" for her work for the university.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Information"],"bioghist_tesim":["Emily Virginia Lewis Lee (1922-2014) graduated from Madison College as part of the class of 1943 with a degree in Home Economics. After graduation, she entered Johns Hopkins in Baltimore to begin a six month internship, after which she completed another six months at Halloran Hospital on Staten Island. She then entered the Army Medical Corps as a dietician and was trained in Atlantic City. She met her husband, Luther M. Lee (1923-1996), while stationed in North Carolina when she was a first lieutenant. She was discharged from the army at the end of the war, and later on became a dietician at the Veterans Administration hospital. Since then has been a proud and active alumni of her alma mater. Emily Lee has served on the Alumni Association, the Education and Student Life Committee, the Board of Visitors from 1980-1983, and as the fund agent for the class of 1943. In 1981, she received the \"Distinguished Alumni Service Award\" for her work for the university."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Emily Lewis Lee Papers, 1940-2006, SC 0185, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Emily Lewis Lee Papers, 1940-2006, SC 0185, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eDuring initial processing campaigns, scrapbooks were disbound. Others remain intact. Photographs were also individually sleeved in acid-free envelopes and described at the item level.\u003c/p\u003e","\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5007\u003c/emph\u003e. At this time the collection was minimally reprocessed. Newspaper clippings were discarded as were materials lacking discernable research value. The overall arrangement was also simplified.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["During initial processing campaigns, scrapbooks were disbound. Others remain intact. Photographs were also individually sleeved in acid-free envelopes and described at the item level.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018.  This collection was previously cataloged as SC 5007 . At this time the collection was minimally reprocessed. Newspaper clippings were discarded as were materials lacking discernable research value. The overall arrangement was also simplified."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents Emily Lewis Lee work with James Madison University's Alumni Association, the Board of Visitors, attendance at JMU events, and reunions with her classmates. Much of her correspondence includes letters to her fellow alumnae from the class of 1943. Her awards, appointments and accompanying news clippings are included as are booklets compiled for alumni reunion weekends and homecomings. Of special interest is the history of the university's processional mace, a gift of the Class of 1943, presented to the University on Founder's Day, 1979. Of more recent interest are a 2001 interview with journalist Nancy Bondurant Jones and two subsequent articles on World War II and plans for an Alumni Center Terrace to honor JMU's contribution to it. Many photographs are included that document reunions and special celebrations at James Madison University.\u003c/p\u003e","\u003cp\u003eSeries 5: Photographs, 1940-2006, contains a 5x7\" black and white print of Emily Lewis Lee presenting the mace to President Carrier in 1979, an 8x10\" of her reunion group ca. 1983 and four snap shots of awards and reunion banquets from the early 1980s. Also includes photographs from ten scrapbooks documenting reunions and events, as well as graduation photos from her commencement in 1943. A file of photographs document Emily Lewis's time as a student at Madison College and include group photographs, the University Farm/College Camp, May Day, and Lincoln House.\u003c/p\u003e","\u003cp\u003eIncludes photographs of Lincoln House, May Day 1943, and the University Farm as well as other buildings and events.\u003c/p\u003e","\u003cp\u003eSeries 1: University Activities and Alumni Relations, 1941-2006, is comprised of correspondence, scrapbooks, and ephemera, related to Emily Lewis Lee's involvement with James Madison University as a student and as an alumna. \u003c/p\u003e\n","\u003cp\u003eCorrespondence contains letters primarily regarding reunion planning, plus Lee's annual \"Lee News\" bulletins for 1981, 1983-1991, with similar reports in 1997, 1999 and 2001.\u003c/p\u003e\n","\u003cp\u003eScrapbooks contain two large disbound scrapbooks largely of color photographs compiled either for or after the 35th, 40th and 45th Reunions of the Class of '43. The first of these has a small selection of black \u0026amp; white photographs from the 1940s. One scrapbook documents Lee's time as a student during 1941-1943. Of particular interest is a program for \"Plantation Idyll,\" a \"musical water pageant\" presented by Camp Strawderman (Edinburg, Virginia). The cast includes a \"Mammy\" character, \"Negro servants,\" and \"Pickaninnies.\" Emily Lewis Lee served as an usher for the production. Another scrapbook, 1946-1947, 2000-2003, documents Lee's work and research on World War II veterans who were JMU alumni. A related research file is included in this series.\u003c/p\u003e\n","\u003cp\u003eAlso included are three guestbooks containing signatures from alumni receptions and luncheons dating from 1956-1989. The first of these books belonged to the Madison Alumni Richmond Chapter, and the other two are most likely from on-campus alumni events.\u003c/p\u003e\n","\u003cp\u003eRelated subject matter is located in the Photographs series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents","Scope and Content"],"scopecontent_tesim":["This collection documents Emily Lewis Lee work with James Madison University's Alumni Association, the Board of Visitors, attendance at JMU events, and reunions with her classmates. Much of her correspondence includes letters to her fellow alumnae from the class of 1943. Her awards, appointments and accompanying news clippings are included as are booklets compiled for alumni reunion weekends and homecomings. Of special interest is the history of the university's processional mace, a gift of the Class of 1943, presented to the University on Founder's Day, 1979. Of more recent interest are a 2001 interview with journalist Nancy Bondurant Jones and two subsequent articles on World War II and plans for an Alumni Center Terrace to honor JMU's contribution to it. Many photographs are included that document reunions and special celebrations at James Madison University.","Series 5: Photographs, 1940-2006, contains a 5x7\" black and white print of Emily Lewis Lee presenting the mace to President Carrier in 1979, an 8x10\" of her reunion group ca. 1983 and four snap shots of awards and reunion banquets from the early 1980s. Also includes photographs from ten scrapbooks documenting reunions and events, as well as graduation photos from her commencement in 1943. A file of photographs document Emily Lewis's time as a student at Madison College and include group photographs, the University Farm/College Camp, May Day, and Lincoln House.","Includes photographs of Lincoln House, May Day 1943, and the University Farm as well as other buildings and events.","Series 1: University Activities and Alumni Relations, 1941-2006, is comprised of correspondence, scrapbooks, and ephemera, related to Emily Lewis Lee's involvement with James Madison University as a student and as an alumna. ","Correspondence contains letters primarily regarding reunion planning, plus Lee's annual \"Lee News\" bulletins for 1981, 1983-1991, with similar reports in 1997, 1999 and 2001.","Scrapbooks contain two large disbound scrapbooks largely of color photographs compiled either for or after the 35th, 40th and 45th Reunions of the Class of '43. The first of these has a small selection of black \u0026 white photographs from the 1940s. One scrapbook documents Lee's time as a student during 1941-1943. Of particular interest is a program for \"Plantation Idyll,\" a \"musical water pageant\" presented by Camp Strawderman (Edinburg, Virginia). The cast includes a \"Mammy\" character, \"Negro servants,\" and \"Pickaninnies.\" Emily Lewis Lee served as an usher for the production. Another scrapbook, 1946-1947, 2000-2003, documents Lee's work and research on World War II veterans who were JMU alumni. A related research file is included in this series.","Also included are three guestbooks containing signatures from alumni receptions and luncheons dating from 1956-1989. The first of these books belonged to the Madison Alumni Richmond Chapter, and the other two are most likely from on-campus alumni events.","Related subject matter is located in the Photographs series."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00d153fa7d2692b6c8d81ba696d5bdb7\"\u003eThe collection includes James Madison University related correspondence, newsclippings, photographs, scrapbooks, interview, and reunion booklets.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes James Madison University related correspondence, newsclippings, photographs, scrapbooks, interview, and reunion booklets."],"names_coll_ssim":["Madison College. Alumnae Association","James Madison University -- Insignia -- History","James Madison University. Alumnae Association"],"names_ssim":["James Madison University Libraries Special Collections","Madison College. Alumnae Association","James Madison University -- Insignia -- History","James Madison University. Alumnae Association","University Farm (1929-)","Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Roop, Ralph Goodwin, 1915-2006","Jones, Nancy Bondurant, 1930-2017"],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College. Alumnae Association","James Madison University -- Insignia -- History","James Madison University. Alumnae Association","University Farm (1929-)"],"persname_ssim":["Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Roop, Ralph Goodwin, 1915-2006","Jones, Nancy Bondurant, 1930-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":245,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:17:52.266Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_229_c01_c04"}},{"id":"vihart_repositories_4_resources_229_c01_c05","type":"File","attributes":{"title":"1943 Madison reunions (folder 2 of 2)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_229_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_229_c01_c05","ref_ssm":["vihart_repositories_4_resources_229_c01_c05"],"id":"vihart_repositories_4_resources_229_c01_c05","ead_ssi":"vihart_repositories_4_resources_229","_root_":"vihart_repositories_4_resources_229","_nest_parent_":"vihart_repositories_4_resources_229_c01","parent_ssi":"vihart_repositories_4_resources_229_c01","parent_ssim":["vihart_repositories_4_resources_229","vihart_repositories_4_resources_229_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_229","vihart_repositories_4_resources_229_c01"],"parent_unittitles_ssm":["Emily Lewis Lee Papers","Photographs"],"parent_unittitles_tesim":["Emily Lewis Lee Papers","Photographs"],"text":["Emily Lewis Lee Papers","Photographs","1943 Madison reunions (folder 2 of 2)","box 3","folder 2"],"title_filing_ssi":"1943 Madison reunions (folder 2 of 2)","title_ssm":["1943 Madison reunions (folder 2 of 2)"],"title_tesim":["1943 Madison reunions (folder 2 of 2)"],"unitdate_inclusive_ssm":["2000-2001"],"normalized_date_ssm":["2000/2001"],"normalized_title_ssm":["1943 Madison reunions (folder 2 of 2)"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Emily Lewis Lee Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":113,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2000,2001],"containers_ssim":["box 3","folder 2"],"_nest_path_":"/components#0/components#4","timestamp":"2026-05-21T00:17:52.266Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_229","ead_ssi":"vihart_repositories_4_resources_229","_root_":"vihart_repositories_4_resources_229","_nest_parent_":"vihart_repositories_4_resources_229","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_229.xml","title_ssm":["Emily Lewis Lee Papers"],"title_tesim":["Emily Lewis Lee Papers"],"unitdate_ssm":["1940-2006"],"unitdate_inclusive_ssm":["1940-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0185","/repositories/4/resources/229"],"text":["SC 0185","/repositories/4/resources/229","Emily Lewis Lee Papers","Universities and colleges -- Ceremonial maces -- Virginia","Scrapbooks","Photographs","Letters (correspondence)","Newspaper clippings","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in two series. All series are arranged chronologically. Exceptions to this arrangement scheme were made in order to group like materials together and as a result chronological arrangements are approximate.","University Activities and Alumni Relations, 1941-2006 Photographs, 1940-2006","Emily Virginia Lewis Lee (1922-2014) graduated from Madison College as part of the class of 1943 with a degree in Home Economics. After graduation, she entered Johns Hopkins in Baltimore to begin a six month internship, after which she completed another six months at Halloran Hospital on Staten Island. She then entered the Army Medical Corps as a dietician and was trained in Atlantic City. She met her husband, Luther M. Lee (1923-1996), while stationed in North Carolina when she was a first lieutenant. She was discharged from the army at the end of the war, and later on became a dietician at the Veterans Administration hospital. Since then has been a proud and active alumni of her alma mater. Emily Lee has served on the Alumni Association, the Education and Student Life Committee, the Board of Visitors from 1980-1983, and as the fund agent for the class of 1943. In 1981, she received the \"Distinguished Alumni Service Award\" for her work for the university.","During initial processing campaigns, scrapbooks were disbound. Others remain intact. Photographs were also individually sleeved in acid-free envelopes and described at the item level.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018.  This collection was previously cataloged as SC 5007 . At this time the collection was minimally reprocessed. Newspaper clippings were discarded as were materials lacking discernable research value. The overall arrangement was also simplified.","This collection documents Emily Lewis Lee work with James Madison University's Alumni Association, the Board of Visitors, attendance at JMU events, and reunions with her classmates. Much of her correspondence includes letters to her fellow alumnae from the class of 1943. Her awards, appointments and accompanying news clippings are included as are booklets compiled for alumni reunion weekends and homecomings. Of special interest is the history of the university's processional mace, a gift of the Class of 1943, presented to the University on Founder's Day, 1979. Of more recent interest are a 2001 interview with journalist Nancy Bondurant Jones and two subsequent articles on World War II and plans for an Alumni Center Terrace to honor JMU's contribution to it. Many photographs are included that document reunions and special celebrations at James Madison University.","Series 5: Photographs, 1940-2006, contains a 5x7\" black and white print of Emily Lewis Lee presenting the mace to President Carrier in 1979, an 8x10\" of her reunion group ca. 1983 and four snap shots of awards and reunion banquets from the early 1980s. Also includes photographs from ten scrapbooks documenting reunions and events, as well as graduation photos from her commencement in 1943. A file of photographs document Emily Lewis's time as a student at Madison College and include group photographs, the University Farm/College Camp, May Day, and Lincoln House.","Includes photographs of Lincoln House, May Day 1943, and the University Farm as well as other buildings and events.","Series 1: University Activities and Alumni Relations, 1941-2006, is comprised of correspondence, scrapbooks, and ephemera, related to Emily Lewis Lee's involvement with James Madison University as a student and as an alumna. ","Correspondence contains letters primarily regarding reunion planning, plus Lee's annual \"Lee News\" bulletins for 1981, 1983-1991, with similar reports in 1997, 1999 and 2001.","Scrapbooks contain two large disbound scrapbooks largely of color photographs compiled either for or after the 35th, 40th and 45th Reunions of the Class of '43. The first of these has a small selection of black \u0026 white photographs from the 1940s. One scrapbook documents Lee's time as a student during 1941-1943. Of particular interest is a program for \"Plantation Idyll,\" a \"musical water pageant\" presented by Camp Strawderman (Edinburg, Virginia). The cast includes a \"Mammy\" character, \"Negro servants,\" and \"Pickaninnies.\" Emily Lewis Lee served as an usher for the production. Another scrapbook, 1946-1947, 2000-2003, documents Lee's work and research on World War II veterans who were JMU alumni. A related research file is included in this series.","Also included are three guestbooks containing signatures from alumni receptions and luncheons dating from 1956-1989. The first of these books belonged to the Madison Alumni Richmond Chapter, and the other two are most likely from on-campus alumni events.","Related subject matter is located in the Photographs series.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The collection includes James Madison University related correspondence, newsclippings, photographs, scrapbooks, interview, and reunion booklets.","James Madison University Libraries Special Collections","Madison College. Alumnae Association","James Madison University -- Insignia -- History","James Madison University. Alumnae Association","University Farm (1929-)","Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Roop, Ralph Goodwin, 1915-2006","Jones, Nancy Bondurant, 1930-2017","English"],"unitid_tesim":["SC 0185","/repositories/4/resources/229"],"normalized_title_ssm":["Emily Lewis Lee Papers"],"collection_title_tesim":["Emily Lewis Lee Papers"],"collection_ssim":["Emily Lewis Lee Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Lee, Emily Lewis, 1922-2014"],"creator_ssim":["Lee, Emily Lewis, 1922-2014"],"creator_persname_ssim":["Lee, Emily Lewis, 1922-2014"],"creators_ssim":["Lee, Emily Lewis, 1922-2014"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Received from Alumni Relations in May 2003. The photos pertaining to the '43 Madison group reunions and University events were added later than the rest of the collection in July 2012. A group of photographs documenting Emily Lewis's time as a student were transferred to Special Collections by the Centennial Office in 2008. They were added to the collection in April 2023."],"access_subjects_ssim":["Universities and colleges -- Ceremonial maces -- Virginia","Scrapbooks","Photographs","Letters (correspondence)","Newspaper clippings"],"access_subjects_ssm":["Universities and colleges -- Ceremonial maces -- Virginia","Scrapbooks","Photographs","Letters (correspondence)","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.97 cubic feet 5 boxes"],"extent_tesim":["1.97 cubic feet 5 boxes"],"genreform_ssim":["Scrapbooks","Photographs","Letters (correspondence)","Newspaper clippings"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series. All series are arranged chronologically. Exceptions to this arrangement scheme were made in order to group like materials together and as a result chronological arrangements are approximate.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eUniversity Activities and Alumni Relations, 1941-2006\u003c/item\u003e\n      \u003citem\u003ePhotographs, 1940-2006\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series. All series are arranged chronologically. Exceptions to this arrangement scheme were made in order to group like materials together and as a result chronological arrangements are approximate.","University Activities and Alumni Relations, 1941-2006 Photographs, 1940-2006"],"bioghist_html_tesm":["\u003cp\u003eEmily Virginia Lewis Lee (1922-2014) graduated from Madison College as part of the class of 1943 with a degree in Home Economics. After graduation, she entered Johns Hopkins in Baltimore to begin a six month internship, after which she completed another six months at Halloran Hospital on Staten Island. She then entered the Army Medical Corps as a dietician and was trained in Atlantic City. She met her husband, Luther M. Lee (1923-1996), while stationed in North Carolina when she was a first lieutenant. She was discharged from the army at the end of the war, and later on became a dietician at the Veterans Administration hospital. Since then has been a proud and active alumni of her alma mater. Emily Lee has served on the Alumni Association, the Education and Student Life Committee, the Board of Visitors from 1980-1983, and as the fund agent for the class of 1943. In 1981, she received the \"Distinguished Alumni Service Award\" for her work for the university.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Information"],"bioghist_tesim":["Emily Virginia Lewis Lee (1922-2014) graduated from Madison College as part of the class of 1943 with a degree in Home Economics. After graduation, she entered Johns Hopkins in Baltimore to begin a six month internship, after which she completed another six months at Halloran Hospital on Staten Island. She then entered the Army Medical Corps as a dietician and was trained in Atlantic City. She met her husband, Luther M. Lee (1923-1996), while stationed in North Carolina when she was a first lieutenant. She was discharged from the army at the end of the war, and later on became a dietician at the Veterans Administration hospital. Since then has been a proud and active alumni of her alma mater. Emily Lee has served on the Alumni Association, the Education and Student Life Committee, the Board of Visitors from 1980-1983, and as the fund agent for the class of 1943. In 1981, she received the \"Distinguished Alumni Service Award\" for her work for the university."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Emily Lewis Lee Papers, 1940-2006, SC 0185, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Emily Lewis Lee Papers, 1940-2006, SC 0185, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eDuring initial processing campaigns, scrapbooks were disbound. Others remain intact. Photographs were also individually sleeved in acid-free envelopes and described at the item level.\u003c/p\u003e","\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5007\u003c/emph\u003e. At this time the collection was minimally reprocessed. Newspaper clippings were discarded as were materials lacking discernable research value. The overall arrangement was also simplified.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["During initial processing campaigns, scrapbooks were disbound. Others remain intact. Photographs were also individually sleeved in acid-free envelopes and described at the item level.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018.  This collection was previously cataloged as SC 5007 . At this time the collection was minimally reprocessed. Newspaper clippings were discarded as were materials lacking discernable research value. The overall arrangement was also simplified."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents Emily Lewis Lee work with James Madison University's Alumni Association, the Board of Visitors, attendance at JMU events, and reunions with her classmates. Much of her correspondence includes letters to her fellow alumnae from the class of 1943. Her awards, appointments and accompanying news clippings are included as are booklets compiled for alumni reunion weekends and homecomings. Of special interest is the history of the university's processional mace, a gift of the Class of 1943, presented to the University on Founder's Day, 1979. Of more recent interest are a 2001 interview with journalist Nancy Bondurant Jones and two subsequent articles on World War II and plans for an Alumni Center Terrace to honor JMU's contribution to it. Many photographs are included that document reunions and special celebrations at James Madison University.\u003c/p\u003e","\u003cp\u003eSeries 5: Photographs, 1940-2006, contains a 5x7\" black and white print of Emily Lewis Lee presenting the mace to President Carrier in 1979, an 8x10\" of her reunion group ca. 1983 and four snap shots of awards and reunion banquets from the early 1980s. Also includes photographs from ten scrapbooks documenting reunions and events, as well as graduation photos from her commencement in 1943. A file of photographs document Emily Lewis's time as a student at Madison College and include group photographs, the University Farm/College Camp, May Day, and Lincoln House.\u003c/p\u003e","\u003cp\u003eIncludes photographs of Lincoln House, May Day 1943, and the University Farm as well as other buildings and events.\u003c/p\u003e","\u003cp\u003eSeries 1: University Activities and Alumni Relations, 1941-2006, is comprised of correspondence, scrapbooks, and ephemera, related to Emily Lewis Lee's involvement with James Madison University as a student and as an alumna. \u003c/p\u003e\n","\u003cp\u003eCorrespondence contains letters primarily regarding reunion planning, plus Lee's annual \"Lee News\" bulletins for 1981, 1983-1991, with similar reports in 1997, 1999 and 2001.\u003c/p\u003e\n","\u003cp\u003eScrapbooks contain two large disbound scrapbooks largely of color photographs compiled either for or after the 35th, 40th and 45th Reunions of the Class of '43. The first of these has a small selection of black \u0026amp; white photographs from the 1940s. One scrapbook documents Lee's time as a student during 1941-1943. Of particular interest is a program for \"Plantation Idyll,\" a \"musical water pageant\" presented by Camp Strawderman (Edinburg, Virginia). The cast includes a \"Mammy\" character, \"Negro servants,\" and \"Pickaninnies.\" Emily Lewis Lee served as an usher for the production. Another scrapbook, 1946-1947, 2000-2003, documents Lee's work and research on World War II veterans who were JMU alumni. A related research file is included in this series.\u003c/p\u003e\n","\u003cp\u003eAlso included are three guestbooks containing signatures from alumni receptions and luncheons dating from 1956-1989. The first of these books belonged to the Madison Alumni Richmond Chapter, and the other two are most likely from on-campus alumni events.\u003c/p\u003e\n","\u003cp\u003eRelated subject matter is located in the Photographs series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents","Scope and Content"],"scopecontent_tesim":["This collection documents Emily Lewis Lee work with James Madison University's Alumni Association, the Board of Visitors, attendance at JMU events, and reunions with her classmates. Much of her correspondence includes letters to her fellow alumnae from the class of 1943. Her awards, appointments and accompanying news clippings are included as are booklets compiled for alumni reunion weekends and homecomings. Of special interest is the history of the university's processional mace, a gift of the Class of 1943, presented to the University on Founder's Day, 1979. Of more recent interest are a 2001 interview with journalist Nancy Bondurant Jones and two subsequent articles on World War II and plans for an Alumni Center Terrace to honor JMU's contribution to it. Many photographs are included that document reunions and special celebrations at James Madison University.","Series 5: Photographs, 1940-2006, contains a 5x7\" black and white print of Emily Lewis Lee presenting the mace to President Carrier in 1979, an 8x10\" of her reunion group ca. 1983 and four snap shots of awards and reunion banquets from the early 1980s. Also includes photographs from ten scrapbooks documenting reunions and events, as well as graduation photos from her commencement in 1943. A file of photographs document Emily Lewis's time as a student at Madison College and include group photographs, the University Farm/College Camp, May Day, and Lincoln House.","Includes photographs of Lincoln House, May Day 1943, and the University Farm as well as other buildings and events.","Series 1: University Activities and Alumni Relations, 1941-2006, is comprised of correspondence, scrapbooks, and ephemera, related to Emily Lewis Lee's involvement with James Madison University as a student and as an alumna. ","Correspondence contains letters primarily regarding reunion planning, plus Lee's annual \"Lee News\" bulletins for 1981, 1983-1991, with similar reports in 1997, 1999 and 2001.","Scrapbooks contain two large disbound scrapbooks largely of color photographs compiled either for or after the 35th, 40th and 45th Reunions of the Class of '43. The first of these has a small selection of black \u0026 white photographs from the 1940s. One scrapbook documents Lee's time as a student during 1941-1943. Of particular interest is a program for \"Plantation Idyll,\" a \"musical water pageant\" presented by Camp Strawderman (Edinburg, Virginia). The cast includes a \"Mammy\" character, \"Negro servants,\" and \"Pickaninnies.\" Emily Lewis Lee served as an usher for the production. Another scrapbook, 1946-1947, 2000-2003, documents Lee's work and research on World War II veterans who were JMU alumni. A related research file is included in this series.","Also included are three guestbooks containing signatures from alumni receptions and luncheons dating from 1956-1989. The first of these books belonged to the Madison Alumni Richmond Chapter, and the other two are most likely from on-campus alumni events.","Related subject matter is located in the Photographs series."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00d153fa7d2692b6c8d81ba696d5bdb7\"\u003eThe collection includes James Madison University related correspondence, newsclippings, photographs, scrapbooks, interview, and reunion booklets.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes James Madison University related correspondence, newsclippings, photographs, scrapbooks, interview, and reunion booklets."],"names_coll_ssim":["Madison College. Alumnae Association","James Madison University -- Insignia -- History","James Madison University. Alumnae Association"],"names_ssim":["James Madison University Libraries Special Collections","Madison College. Alumnae Association","James Madison University -- Insignia -- History","James Madison University. Alumnae Association","University Farm (1929-)","Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Roop, Ralph Goodwin, 1915-2006","Jones, Nancy Bondurant, 1930-2017"],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College. Alumnae Association","James Madison University -- Insignia -- History","James Madison University. Alumnae Association","University Farm (1929-)"],"persname_ssim":["Lee, Emily Lewis, 1922-2014","Roop, V. Inez Graybeal (Vivian Inez), 1913-2010","Roop, Ralph Goodwin, 1915-2006","Jones, Nancy Bondurant, 1930-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":245,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:17:52.266Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_229_c01_c05"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c13_c01","type":"File","attributes":{"title":"\"1946-1954: Cold Wars and the Dream Deferred\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c13_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c13_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c13_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c13_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c13","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c13","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c13"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c13"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends","\"1946-1954: Cold Wars and the Dream Deferred\"","Box 13","folder 45"],"title_filing_ssi":"\"1946-1954: Cold Wars and the Dream Deferred\"","title_ssm":["\"1946-1954: Cold Wars and the Dream Deferred\""],"title_tesim":["\"1946-1954: Cold Wars and the Dream Deferred\""],"unitdate_inclusive_ssm":["1950-2008"],"normalized_date_ssm":["1950/2008"],"normalized_title_ssm":["\"1946-1954: Cold Wars and the Dream Deferred\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":60,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 13","folder 45"],"_nest_path_":"/components#0/components#0/components#12/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c13_c01"}},{"id":"wvmturhc_repositories_2_resources_5375_c06_c240","type":"File","attributes":{"title":"1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5375_c06_c240#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5375_c06_c240","ref_ssm":["wvmturhc_repositories_2_resources_5375_c06_c240"],"id":"wvmturhc_repositories_2_resources_5375_c06_c240","ead_ssi":"wvmturhc_repositories_2_resources_5375","_root_":"wvmturhc_repositories_2_resources_5375","_nest_parent_":"wvmturhc_repositories_2_resources_5375_c06","parent_ssi":"wvmturhc_repositories_2_resources_5375_c06","parent_ssim":["wvmturhc_repositories_2_resources_5375","wvmturhc_repositories_2_resources_5375_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5375","wvmturhc_repositories_2_resources_5375_c06"],"parent_unittitles_ssm":["Pearl S. Buck, Author, Literary Manuscripts","Series 6. Other Works"],"parent_unittitles_tesim":["Pearl S. Buck, Author, Literary Manuscripts","Series 6. Other Works"],"text":["Pearl S. Buck, Author, Literary Manuscripts","Series 6. Other Works","1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","Box 63","Folder 254.1"],"title_filing_ssi":"1949 Introduction to  The Good Earth ; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"title_tesim":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"unitdate_inclusive_ssm":["1949, 2014"],"normalized_date_ssm":["1949/2014"],"normalized_title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Pearl S. Buck, Author, Literary Manuscripts"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":597,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"containers_ssim":["Box 63","Folder 254.1"],"_nest_path_":"/components#5/components#239","timestamp":"2026-05-21T01:24:29.099Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5375","ead_ssi":"wvmturhc_repositories_2_resources_5375","_root_":"wvmturhc_repositories_2_resources_5375","_nest_parent_":"wvmturhc_repositories_2_resources_5375","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5375.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198663","title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"unitdate_ssm":["circa 1923-2014","circa 1923-1973"],"unitdate_bulk_ssim":["circa 1923-1973"],"unitdate_inclusive_ssm":["circa 1923-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"text":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375","Pearl S. Buck, Author, Literary Manuscripts","China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers.","Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States","No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.","727","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis,  Pearl S. Buck's Manuscripts: The Harvest of Half a Century  (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel,  East Wind, West Wind ; \n a typescript of  Sons ; \n original holograph and typescripts of  The Patriot ; \n typescripts of  The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of  Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents --  The Exile  and  The Fighting Angel  -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled  Of Men and Women ;"," typescripts of  How it Happens ;"," multiple drafts of  The Joy of Children ; and"," multiple drafts of her autobiographies,  My Several Worlds  and  A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including  The Big Fight ,  The Big Wave , and  Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of  All Men Are Brothers , Buck's translation of one of China's most famous novels,  Shui Hu Chuan  (also known as  Water Margin  or  Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal  The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to  The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel,  East Wind, West Wind  (box 77b, folder 1 and 2).","Signed letter to Rare Signatures, A\u0026M 435:","  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:","  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960","English \n.    "],"unitid_tesim":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"normalized_title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_ssim":["Pearl S. Buck, Author, Literary Manuscripts"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"geogname_ssim":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"places_ssim":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"access_subjects_ssm":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"extent_tesim":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003ePearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.\u003c/p\u003e\n","\u003cp\u003e Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature.\u003c/p\u003e\n","\u003cp\u003e By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934.\u003c/p\u003e\n","\u003cp\u003e Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.\u003c/p\u003e\n","\u003cp\u003e Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.\u003c/p\u003e\n","\u003cp\u003e After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026amp;M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e727\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["727"],"scopecontent_html_tesm":["\u003cp\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China.\u003c/p\u003e\n","\u003cp\u003e The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck.\u003c/p\u003e\n","\u003cp\u003e Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more.\u003c/p\u003e\n","\u003cp\u003e Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects.\u003c/p\u003e\n","\u003cp\u003e For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author, Papers.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eOverview of Record Series:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e The collection includes eight series:\u003c/p\u003e\n","\u003cp\u003e Series 1. Novels; ca. 1930-1973.\u003clb\u003e\u003c/lb\u003e\n Series 2. Non-fiction; ca. 1936-1972.\u003clb\u003e\u003c/lb\u003e\n Series 3. Children's Books; ca. 1940-1967.\u003clb\u003e\u003c/lb\u003e\n Series 4. Translation; ca. 1933.\u003clb\u003e\u003c/lb\u003e\n Series 5. Collections of Short Stories; ca. 1934-1973.\u003clb\u003e\u003c/lb\u003e\n Series 6. Other Works; ca. 1923-1967, 2014.\u003clb\u003e\u003c/lb\u003e\n Series 7. Miscellaneous; ca. 1960-2014.\u003clb\u003e\u003c/lb\u003e\n Series 8. Oversized; ca. 1930-1995.\u003c/p\u003e\n","\u003cp\u003e Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis, \u003cemph render=\"italic\"\u003ePearl S. Buck's Manuscripts: The Harvest of Half a Century\u003c/emph\u003e (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis.\u003c/p\u003e\n","\u003cp\u003e Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified.\u003c/p\u003e\n","\u003cp\u003e Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86.\u003c/p\u003e\n","\u003cp\u003e Regarding terminology in this finding aid:\u003c/p\u003e\n","\u003cp\u003e \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper.\u003c/p\u003e\n","\u003cp\u003e \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination.\u003c/p\u003e\n","\u003cp\u003e \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\".\u003c/p\u003e\n","\u003cp\u003e \"Holograph\" indicates an entirely handwritten work (as opposed to typescript).\u003c/p\u003e\n","\u003cp\u003e \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys.\u003c/p\u003e\n","\u003cp\u003e \"PSB\" stands for Pearl S. Buck.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003clb\u003e\u003c/lb\u003e\n paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n a typescript of \u003cemph render=\"italic\"\u003eSons\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n original holograph and typescripts of \u003cemph render=\"italic\"\u003eThe Patriot\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n typescripts of \u003cemph render=\"italic\"\u003eThe Angry Wife\u003c/emph\u003e, her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and\u003clb\u003e\u003c/lb\u003e\n multiple drafts of \u003cemph render=\"italic\"\u003eImperial Woman\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents -- \u003cemph render=\"italic\"\u003eThe Exile\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Fighting Angel\u003c/emph\u003e -- two novels that helped earn her the 1938 Nobel Prize in Literature;\u003c/p\u003e\n","\u003cp\u003e a mixed manuscript of the book titled \u003cemph render=\"italic\"\u003eOf Men and Women\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e typescripts of \u003cemph render=\"italic\"\u003eHow it Happens\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e multiple drafts of \u003cemph render=\"italic\"\u003eThe Joy of Children\u003c/emph\u003e; and\u003c/p\u003e\n","\u003cp\u003e multiple drafts of her autobiographies, \u003cemph render=\"italic\"\u003eMy Several Worlds\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eA Bridge for Passing\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including \u003cemph render=\"italic\"\u003eThe Big Fight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Big Wave\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eMatthew, Mark, Luke and John\u003c/emph\u003e. Galleys can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes two typescript drafts of \u003cemph render=\"italic\"\u003eAll Men Are Brothers\u003c/emph\u003e, Buck's translation of one of China's most famous novels, \u003cemph render=\"italic\"\u003eShui Hu Chuan\u003c/emph\u003e (also known as \u003cemph render=\"italic\"\u003eWater Margin\u003c/emph\u003e or \u003cemph render=\"italic\"\u003eShui Hu Zhuan\u003c/emph\u003e). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work.\u003c/p\u003e\n","\u003cp\u003e Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e a January 1923 issue of the journal \u003cemph render=\"italic\"\u003eThe Atlantic Monthly\u003c/emph\u003e, containing Buck's first published article, \"In China, Too\" (box 70, folder 282);\u003c/p\u003e\n","\u003cp\u003e a typescript introduction to \u003cemph render=\"italic\"\u003eThe Good Earth\u003c/emph\u003e, 1949 (box 63, folder 254.1);\u003c/p\u003e\n","\u003cp\u003e a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);\u003c/p\u003e\n","\u003cp\u003e a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and\u003c/p\u003e\n","\u003cp\u003e typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).\u003c/p\u003e","\u003cp\u003eIncludes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);\u003c/p\u003e\n","\u003cp\u003e records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and\u003c/p\u003e\n","\u003cp\u003e a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365).\u003c/p\u003e\n","\u003cp\u003e Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others.\u003c/p\u003e\n","\u003cp\u003e Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21).\u003c/p\u003e\n","\u003cp\u003e Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders.\u003c/p\u003e\n","\u003cp\u003e Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.\u003c/p\u003e","\u003cp\u003eIncludes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e (box 77b, folder 1 and 2).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis,  Pearl S. Buck's Manuscripts: The Harvest of Half a Century  (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel,  East Wind, West Wind ; \n a typescript of  Sons ; \n original holograph and typescripts of  The Patriot ; \n typescripts of  The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of  Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents --  The Exile  and  The Fighting Angel  -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled  Of Men and Women ;"," typescripts of  How it Happens ;"," multiple drafts of  The Joy of Children ; and"," multiple drafts of her autobiographies,  My Several Worlds  and  A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including  The Big Fight ,  The Big Wave , and  Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of  All Men Are Brothers , Buck's translation of one of China's most famous novels,  Shui Hu Chuan  (also known as  Water Margin  or  Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal  The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to  The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel,  East Wind, West Wind  (box 77b, folder 1 and 2)."],"separatedmaterial_html_tesm":["\u003cp\u003eSigned letter to Rare Signatures, A\u0026amp;M 435:\u003c/p\u003e\n","\u003cp\u003e  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.\u003c/p\u003e\n","\u003cp\u003eBook to Book Collection:\u003c/p\u003e\n","\u003cp\u003e  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Signed letter to Rare Signatures, A\u0026M 435:","  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:","  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f211b751a051bc9538415405c40b491b\"\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).\u003c/abstract\u003e"],"abstract_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_467f19ef8fc1a4b71aa23048ffda005d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"names_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"corpname_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College"],"persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"language_ssim":["English \n.    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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"containers_ssim":["box 12","folder 15"],"_nest_path_":"/components#6/components#89","timestamp":"2026-05-21T02:43:21.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2390","ead_ssi":"viblbv_repositories_2_resources_2390","_root_":"viblbv_repositories_2_resources_2390","_nest_parent_":"viblbv_repositories_2_resources_2390","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2390.xml","title_filing_ssi":"Zallen, Richard, Dr., Papers","title_ssm":["Dr. Richard Zallen Papers"],"title_tesim":["Dr. Richard Zallen Papers"],"unitdate_ssm":["1940-2007"],"unitdate_inclusive_ssm":["1940-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2008.069"],"text":["Ms.2008.069","Dr. Richard Zallen Papers","Faculty and staff","Physics","Science and Technology","University History","Students and alumni","Physicists","The collection is open for research.","The collection maintains original order. Papers are organized by topic and generally appear in reverse chronological order. Correspondence appears alphabetically.","Richard Henry Zallen was born in New York City in 1937. After receiving his bachelors of science in physics from Rensselaer Polytechnic Institute in 1957, Zallen continued his education at Harvard University‐eventually receiving his Ph.D. in Applied Physics in 1964. From 1966 to 1983, Dr. Zallen worked at the Xerox Research Laboratories in Rochester, New York. While working at Xerox, he was part of a team that patented Spin Coated Photoconductor Films. ","After his research at Xerox, Dr. Zallen served as a professor of physics at Virginia Tech. In 1976 Dr. Zallen became a fellow of the American Physical Society. During his sabbaticals, Dr. Zallen held several visiting appointments. From 1971 to 1972 he acted as the visiting associate professor of physics at the Technion, The Israel Institute of Technology, in Haifa; in the summer of 1979 he was the visiting professor at the Université de Paris VI; from 1990 to 1991 he was the SERC senior research fellow at Imperial College in London; and in 1998 he served as the visiting professor at Imperial College in London. ","Dr. Zallen's primary research interest lies in experimental studies of the optical properties of solids. In pursuance of his interests, Dr. Zallen has published more than one hundred articles and a widely cited book,  The Physics of Amorphous Solids . ","In 2006, the Virginia Tech Board of Visitors honored Dr. Zallen with the title  professor emeritus.","The guide to the Dr. Richard Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Dr. Richard Zallen Papers commenced in August 2008 and was completed in October 2008.","Also available from VT Special Collections and University Archives and Newman Library is a book by Dr. Richard Zallen:  The Physics of Amorphous Solids . New York: Wiley, c1983. Call number: QC176.8.A44 Z34 1983.  Request via the library catalog online.","The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech, specializing in condensed matter research, largely during the second half of the twentieth century. The papers include information concerning Zallen's study at Harvard and his work at Xerox; research notes; professional correspondence; Virginia Tech lectures; drafts of published works; and materials concerning trips, sabbaticals, and conferences. The corporate and governmental institutions with which Zallen worked include: the Office of Naval Research, Raytheon Manufacturing Company, Texas Instruments, and IBM. Examples of mentioned geographical locations are Israel, Belgium, China, England, France, Canada, Italy, and a host of cities in the United States. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of  melt-spun amorphous,  and stamps from various countries. Expanatory notes made by Zallen in 2006 annotate many documents. Some significant documents include supporting patent materials for Spin Coated Photoconductor Films, letters concerning the protest by industrial scientists at Xerox over the escalation of the war in Indo-China, and copies of APS Solid State Correspondence discussing the formation of Solid-State Physics. ","( Please note:  Many of the folders in this collection contain two sets of dates. Dates within parentheses designate the date originally provided by the creator and usually indicate when an event/research occurred. Dates outside of parentheses indicate the chronological range of materials found within the collection. )","Includes notes on the quantum theory of radiation and absorption edges and a photo from the Technion.","Includes charts and diagrams.","Includes  Technical Memorandum T-189  of Sep 17 1959,  Measurement and Interpretation of Absorption Spectra of Solids in the Absorption Edge Region  of Dec 15 1960 by D. M. Warschauer and  Electroluminescence under Pulsed Square Wave Excitation  by R. Zallen, V. T. Eriksen, and H. Ahlburg.","Includes one VHS tape and one CD.","On videocassette.","[see correspondence for Ai-Lien Juno]","Some documents are in Hebrew.","Includes historic letters about the formation of the Division of Solid-State Physics.","Entitled Chapter Two on folder but numbering indicates folder represents original Chapter One.","Entitled Chapter Three on folder but numbering indicates folder represents original Chapter Four.","Entitled Chapter Four on folder but numbering indicates folder represents original Chapter Five.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech specializing in condensed matter research. Papers largely cover the second half of the twentieth century and include information on research at Xerox; professional correspondence; Virginia Tech lecture notes; drafts of published work; and documents concerning trips, sabbaticals, and conferences. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of  melt-spun amorphous,  and stamps from various countries.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department","Zallen, Richard, b.1937","The materials in the collection are in English."],"unitid_tesim":["Ms.2008.069"],"normalized_title_ssm":["Dr. Richard Zallen Papers"],"collection_title_tesim":["Dr. Richard Zallen Papers"],"collection_ssim":["Dr. Richard Zallen Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Zallen, Richard, b.1937"],"creator_ssim":["Zallen, Richard, b.1937"],"creator_persname_ssim":["Zallen, Richard, b.1937"],"creators_ssim":["Zallen, Richard, b.1937"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Dr. Richard Zallen Papers were donated to Special Collections and University Archives in 2007."],"access_subjects_ssim":["Faculty and staff","Physics","Science and Technology","University History","Students and alumni","Physicists"],"access_subjects_ssm":["Faculty and staff","Physics","Science and Technology","University History","Students and alumni","Physicists"],"has_online_content_ssim":["false"],"extent_ssm":["17.4 Cubic Feet 36 boxes"],"extent_tesim":["17.4 Cubic Feet 36 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection maintains original order. Papers are organized by topic and generally appear in reverse chronological order. Correspondence appears alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection maintains original order. Papers are organized by topic and generally appear in reverse chronological order. Correspondence appears alphabetically."],"bioghist_html_tesm":["\u003cp\u003eRichard Henry Zallen was born in New York City in 1937. After receiving his bachelors of science in physics from Rensselaer Polytechnic Institute in 1957, Zallen continued his education at Harvard University‐eventually receiving his Ph.D. in Applied Physics in 1964. From 1966 to 1983, Dr. Zallen worked at the Xerox Research Laboratories in Rochester, New York. While working at Xerox, he was part of a team that patented Spin Coated Photoconductor Films. \u003c/p\u003e\n","\u003cp\u003eAfter his research at Xerox, Dr. Zallen served as a professor of physics at Virginia Tech. In 1976 Dr. Zallen became a fellow of the American Physical Society. During his sabbaticals, Dr. Zallen held several visiting appointments. From 1971 to 1972 he acted as the visiting associate professor of physics at the Technion, The Israel Institute of Technology, in Haifa; in the summer of 1979 he was the visiting professor at the Université de Paris VI; from 1990 to 1991 he was the SERC senior research fellow at Imperial College in London; and in 1998 he served as the visiting professor at Imperial College in London. \u003c/p\u003e\n","\u003cp\u003eDr. Zallen's primary research interest lies in experimental studies of the optical properties of solids. In pursuance of his interests, Dr. Zallen has published more than one hundred articles and a widely cited book, \u003ctitle render=\"italic\"\u003eThe Physics of Amorphous Solids\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003eIn 2006, the Virginia Tech Board of Visitors honored Dr. Zallen with the title \u003ctitle render=\"doublequote\"\u003eprofessor emeritus.\u003c/title\u003e \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Richard Henry Zallen was born in New York City in 1937. After receiving his bachelors of science in physics from Rensselaer Polytechnic Institute in 1957, Zallen continued his education at Harvard University‐eventually receiving his Ph.D. in Applied Physics in 1964. From 1966 to 1983, Dr. Zallen worked at the Xerox Research Laboratories in Rochester, New York. While working at Xerox, he was part of a team that patented Spin Coated Photoconductor Films. ","After his research at Xerox, Dr. Zallen served as a professor of physics at Virginia Tech. In 1976 Dr. Zallen became a fellow of the American Physical Society. During his sabbaticals, Dr. Zallen held several visiting appointments. From 1971 to 1972 he acted as the visiting associate professor of physics at the Technion, The Israel Institute of Technology, in Haifa; in the summer of 1979 he was the visiting professor at the Université de Paris VI; from 1990 to 1991 he was the SERC senior research fellow at Imperial College in London; and in 1998 he served as the visiting professor at Imperial College in London. ","Dr. Zallen's primary research interest lies in experimental studies of the optical properties of solids. In pursuance of his interests, Dr. Zallen has published more than one hundred articles and a widely cited book,  The Physics of Amorphous Solids . ","In 2006, the Virginia Tech Board of Visitors honored Dr. Zallen with the title  professor emeritus."],"odd_html_tesm":["\u003cp\u003eThe guide to the Dr. Richard Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Dr. Richard Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dr. Richard Zallen Papers, Ms2008-069, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dr. Richard Zallen Papers, Ms2008-069, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Dr. Richard Zallen Papers commenced in August 2008 and was completed in October 2008.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Dr. Richard Zallen Papers commenced in August 2008 and was completed in October 2008."],"relatedmaterial_html_tesm":["\u003cp\u003eAlso available from VT Special Collections and University Archives and Newman Library is a book by Dr. Richard Zallen: \u003ctitle render=\"italic\"\u003eThe Physics of Amorphous Solids\u003c/title\u003e. New York: Wiley, c1983. Call number: QC176.8.A44 Z34 1983. \u003ca target=\"_blank\" href=\"https://catalog.lib.vt.edu/cgi-bin/koha/opac-detail.pl?biblionumber=1006857\"\u003eRequest via the library catalog online.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Also available from VT Special Collections and University Archives and Newman Library is a book by Dr. Richard Zallen:  The Physics of Amorphous Solids . New York: Wiley, c1983. Call number: QC176.8.A44 Z34 1983.  Request via the library catalog online."],"scopecontent_html_tesm":["\u003cp\u003eThe Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech, specializing in condensed matter research, largely during the second half of the twentieth century. The papers include information concerning Zallen's study at Harvard and his work at Xerox; research notes; professional correspondence; Virginia Tech lectures; drafts of published works; and materials concerning trips, sabbaticals, and conferences. The corporate and governmental institutions with which Zallen worked include: the Office of Naval Research, Raytheon Manufacturing Company, Texas Instruments, and IBM. Examples of mentioned geographical locations are Israel, Belgium, China, England, France, Canada, Italy, and a host of cities in the United States. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of \u003ctitle render=\"doublequote\"\u003emelt-spun amorphous,\u003c/title\u003e and stamps from various countries. Expanatory notes made by Zallen in 2006 annotate many documents. Some significant documents include supporting patent materials for Spin Coated Photoconductor Films, letters concerning the protest by industrial scientists at Xerox over the escalation of the war in Indo-China, and copies of APS Solid State Correspondence discussing the formation of Solid-State Physics. \u003c/p\u003e\n","\u003cp\u003e(\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Many of the folders in this collection contain two sets of dates. Dates within parentheses designate the date originally provided by the creator and usually indicate when an event/research occurred. Dates outside of parentheses indicate the chronological range of materials found within the collection. )\u003c/p\u003e","\u003cp\u003eIncludes notes on the quantum theory of radiation and absorption edges and a photo from the Technion.\u003c/p\u003e","\u003cp\u003eIncludes charts and diagrams.\u003c/p\u003e","\u003cp\u003eIncludes \u003ctitle render=\"doublequote\"\u003eTechnical Memorandum T-189\u003c/title\u003e of Sep 17 1959, \u003ctitle render=\"doublequote\"\u003eMeasurement and Interpretation of Absorption Spectra of Solids in the Absorption Edge Region\u003c/title\u003e of Dec 15 1960 by D. M. Warschauer and \u003ctitle render=\"doublequote\"\u003eElectroluminescence under Pulsed Square Wave Excitation\u003c/title\u003e by R. Zallen, V. T. Eriksen, and H. Ahlburg.\u003c/p\u003e","\u003cp\u003eIncludes one VHS tape and one CD.\u003c/p\u003e","\u003cp\u003eOn videocassette.\u003c/p\u003e","\u003cp\u003e[see correspondence for Ai-Lien Juno]\u003c/p\u003e","\u003cp\u003eSome documents are in Hebrew.\u003c/p\u003e","\u003cp\u003eIncludes historic letters about the formation of the Division of Solid-State Physics.\u003c/p\u003e","\u003cp\u003eEntitled Chapter Two on folder but numbering indicates folder represents original Chapter One.\u003c/p\u003e","\u003cp\u003eEntitled Chapter Three on folder but numbering indicates folder represents original Chapter Four.\u003c/p\u003e","\u003cp\u003eEntitled Chapter Four on folder but numbering indicates folder represents original Chapter Five.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech, specializing in condensed matter research, largely during the second half of the twentieth century. The papers include information concerning Zallen's study at Harvard and his work at Xerox; research notes; professional correspondence; Virginia Tech lectures; drafts of published works; and materials concerning trips, sabbaticals, and conferences. The corporate and governmental institutions with which Zallen worked include: the Office of Naval Research, Raytheon Manufacturing Company, Texas Instruments, and IBM. Examples of mentioned geographical locations are Israel, Belgium, China, England, France, Canada, Italy, and a host of cities in the United States. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of  melt-spun amorphous,  and stamps from various countries. Expanatory notes made by Zallen in 2006 annotate many documents. Some significant documents include supporting patent materials for Spin Coated Photoconductor Films, letters concerning the protest by industrial scientists at Xerox over the escalation of the war in Indo-China, and copies of APS Solid State Correspondence discussing the formation of Solid-State Physics. ","( Please note:  Many of the folders in this collection contain two sets of dates. Dates within parentheses designate the date originally provided by the creator and usually indicate when an event/research occurred. Dates outside of parentheses indicate the chronological range of materials found within the collection. )","Includes notes on the quantum theory of radiation and absorption edges and a photo from the Technion.","Includes charts and diagrams.","Includes  Technical Memorandum T-189  of Sep 17 1959,  Measurement and Interpretation of Absorption Spectra of Solids in the Absorption Edge Region  of Dec 15 1960 by D. M. Warschauer and  Electroluminescence under Pulsed Square Wave Excitation  by R. Zallen, V. T. Eriksen, and H. Ahlburg.","Includes one VHS tape and one CD.","On videocassette.","[see correspondence for Ai-Lien Juno]","Some documents are in Hebrew.","Includes historic letters about the formation of the Division of Solid-State Physics.","Entitled Chapter Two on folder but numbering indicates folder represents original Chapter One.","Entitled Chapter Three on folder but numbering indicates folder represents original Chapter Four.","Entitled Chapter Four on folder but numbering indicates folder represents original Chapter Five."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_448414a858bcdf42379c7aaf1fc1a76a\" label=\"Abstract\"\u003eThe Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech specializing in condensed matter research. Papers largely cover the second half of the twentieth century and include information on research at Xerox; professional correspondence; Virginia Tech lecture notes; drafts of published work; and documents concerning trips, sabbaticals, and conferences. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of \u003ctitle render=\"doublequote\"\u003emelt-spun amorphous,\u003c/title\u003e and stamps from various countries.\u003c/abstract\u003e"],"abstract_tesim":["The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech specializing in condensed matter research. Papers largely cover the second half of the twentieth century and include information on research at Xerox; professional correspondence; Virginia Tech lecture notes; drafts of published work; and documents concerning trips, sabbaticals, and conferences. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of  melt-spun amorphous,  and stamps from various countries."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department","Zallen, Richard, b.1937"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department"],"persname_ssim":["Zallen, Richard, b.1937"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":547,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:43:21.591Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2390_c07_c90"}},{"id":"wvmturhc_repositories_2_resources_3918_c08_c04","type":"File","attributes":{"title":"1965 Graduation","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c08_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3918_c08_c04","ref_ssm":["wvmturhc_repositories_2_resources_3918_c08_c04"],"id":"wvmturhc_repositories_2_resources_3918_c08_c04","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918_c08","parent_ssi":"wvmturhc_repositories_2_resources_3918_c08","parent_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_unittitles_ssm":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"parent_unittitles_tesim":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"text":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]","1965 Graduation","Box 118","Folder 4"],"title_filing_ssi":"1965 Graduation","title_ssm":["1965 Graduation"],"title_tesim":["1965 Graduation"],"unitdate_inclusive_ssm":["ca. 1965-2001"],"normalized_date_ssm":["1965/2001"],"normalized_title_ssm":["1965 Graduation"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, News Service, Photographs"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1663,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["Box 118","Folder 4"],"_nest_path_":"/components#7/components#3","timestamp":"2026-05-21T00:56:00.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3918","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3918.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197715","title_ssm":["West Virginia University, News Service, Photographs"],"title_tesim":["West Virginia University, News Service, Photographs"],"unitdate_ssm":["ca. 1890-2007","1950-2007"],"unitdate_bulk_ssim":["1950-2007"],"unitdate_inclusive_ssm":["ca. 1890-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"text":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918","West Virginia University, News Service, Photographs","Morgantown (W. Va.)","West Virginia University - buildings.","West Virginia University  -- Students","No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives","5188, 5212, 5213, 5038","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group;  12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty.","English"],"unitid_tesim":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"normalized_title_ssm":["West Virginia University, News Service, Photographs"],"collection_title_tesim":["West Virginia University, News Service, Photographs"],"collection_ssim":["West Virginia University, News Service, Photographs"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University - buildings.","West Virginia University  -- Students"],"access_subjects_ssm":["West Virginia University - buildings.","West Virginia University  -- Students"],"has_online_content_ssim":["false"],"extent_ssm":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"extent_tesim":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eColiseum, Proposed Drawing; 2 negatives\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026amp;M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e5188, 5212, 5213, 5038\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["5188, 5212, 5213, 5038"],"scopecontent_html_tesm":["\u003cp\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.\u003c/p\u003e\n","\u003cp\u003eThis collection includes 15 series:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Project Files; ca. 1964-2007; boxes 1-89.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b.\u003clb\u003e\u003c/lb\u003e\nSeries 3. Aerial Prints; ca. 1961-1984; box 102.\u003clb\u003e\u003c/lb\u003e\nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Slides; ca. 1980-1992; boxes 105-111.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Slides in Boxes; ca. 1990-1998; box 121.\u003clb\u003e\u003c/lb\u003e\nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Subjects; ca. 1950-1992; boxes 135-138.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Transparencies 8 x 10; undated; box 139.\u003clb\u003e\u003c/lb\u003e\nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143.\u003clb\u003e\u003c/lb\u003e\nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144.\u003clb\u003e\u003c/lb\u003e\nSeries 15. Miscellaneous Material; undated; box 145.\u003c/p\u003e","\u003cp\u003eThis series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.\u003c/p\u003e","\u003cp\u003eKick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives\u003c/p\u003e","\u003cp\u003eArchery, Physical Education; 9 negatives\u003c/p\u003e","\u003cp\u003e5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives\u003c/p\u003e","\u003cp\u003eTerra-Alta, Biological Study; John L.; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Student Instructors; Pat Tork; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eKeith Glancy; B. Criswell; catalogue made; 1 copy negative\u003c/p\u003e","\u003cp\u003eJoe Hutchinson; 6 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Laundry Room; Pat Tork; 2 negatives\u003c/p\u003e","\u003cp\u003eMr. Wagner; Education; Dr. Jarecke; 3 negatives\u003c/p\u003e","\u003cp\u003ePresident's House, light fixtures; Jim Reed; 3 negatives\u003c/p\u003e","\u003cp\u003eGlenlock Hall, Housing; Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Rifle Practice; Pat Tork; 7 negatives\u003c/p\u003e","\u003cp\u003eNelson Smith, Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eKathy Omari [?], Portrait\u003c/p\u003e","\u003cp\u003eIndustrial Engineering Conference; Ray Shaffer; 14 negatives\u003c/p\u003e","\u003cp\u003eDan Boggs, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eNeil E. Bolyard, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eGordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; George Kirk; 33 negatives\u003c/p\u003e","\u003cp\u003eSafety Education; Dr. Yost; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs, Student Body; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins; 1 negative\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; Democrat; 1965-1969; 3 negatives\u003c/p\u003e","\u003cp\u003eParking Lot; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; Copy; 1 negative\u003c/p\u003e","\u003cp\u003eStudent Affairs, Staff Meeting; 3 negatives\u003c/p\u003e","\u003cp\u003eCamp Dawson; 18 negatives\u003c/p\u003e","\u003cp\u003eAthletic Publication- Football, Cheerleaders; 18 negatives\u003c/p\u003e","\u003cp\u003eMartha Harris; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Auto Presentation; Dr. Yost; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Union, Bid Opening; Criswell; 8 negatives\u003c/p\u003e","\u003cp\u003eEducation Workshop; Groupe; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama Production of \"The Women\"; Boyd; 10 negatives\u003c/p\u003e","\u003cp\u003eWest Virginia Collection, Library; Shetler; 17 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Engineering; Mr. Boyle; 2 negatives\u003c/p\u003e","\u003cp\u003eMrs. Bachman, Board of Governors; Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eFrank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative\u003c/p\u003e","\u003cp\u003eWestern Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; Kirk; 56 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; Potrait; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; Drake; 8 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Photo by Mrs. Pearse\u003c/p\u003e","\u003cp\u003eAthletic Department, Baseball; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative\u003c/p\u003e","\u003cp\u003eEngineering, Slides; Dr. Wren; 23 negatives\u003c/p\u003e","\u003cp\u003eDr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 7 negatives\u003c/p\u003e","\u003cp\u003eRoy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eSnow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives\u003c/p\u003e","\u003cp\u003eUniversity High School, Project; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Richmond Game; Music-Udell; 9 negatives\u003c/p\u003e","\u003cp\u003eBand Brothers; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Mrs. Blackburn; 8 negatives\u003c/p\u003e","\u003cp\u003eFrank Borkowski, Concert Orchestra Rehearsal; 17 negatives\u003c/p\u003e","\u003cp\u003eProfessor Perley Isaac Reed, Mountainlair; 12 negatives\u003c/p\u003e","\u003cp\u003eCommencement; Don Bond; 13 negatives\u003c/p\u003e","\u003cp\u003ePublications; Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Phillipine Visitors; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Sarkesian; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Reading Room; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Homecoming Game; Virginia Tech; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives\u003c/p\u003e","\u003cp\u003eBob Conners; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. James Henning, Chairman of the Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William H. Mernyk, Economics; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eRed Brown Heart Fund Award; Barrett; 6 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Bolyard; 27 negatives\u003c/p\u003e","\u003cp\u003eHealth Center; 10 negatives\u003c/p\u003e","\u003cp\u003ePhysical Lab Display; 2 negatives\u003c/p\u003e","\u003cp\u003eEd Sprague; 4 negatives\u003c/p\u003e","\u003cp\u003eProduction of \"American Dream\", Drama; Mr. Boyd; 2 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production; Mr. Nels; 6 negatives\u003c/p\u003e","\u003cp\u003eChemistry Building, Annex Plan Drawings; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology Department, Photos of Birds; Professor Birch; 8 negatives\u003c/p\u003e","\u003cp\u003eMechanical and Aerospace Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU slides, Television Workshop, Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Athletic Director; 3 negatives\u003c/p\u003e","\u003cp\u003eHigh School Drama Workshop; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eSocial Work Building; 4 negatives\u003c/p\u003e","\u003cp\u003eInterior of Arnold Hall; Women studying; 6 negatives\u003c/p\u003e","\u003cp\u003eMary Jane Schuster, Assistant Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eDean Ray Duncan; 4 negatives\u003c/p\u003e","\u003cp\u003eDrama, Unknown Play; Dr. Burrows; 8 negatives\u003c/p\u003e","\u003cp\u003eDrawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio, Joyce Breach, Music Practice; 24 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Dr. Diener; 1 negative\u003c/p\u003e","\u003cp\u003eJoyce Breach; 5 negatives\u003c/p\u003e","\u003cp\u003eWrestling, 1965 Winners; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; two negatives\u003c/p\u003e","\u003cp\u003ePolywood Charts, Engineering Department; Jim Kent; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Practice, Mrs. Lorrence [?]; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Golay, Vice President; 5 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, West Virginia State Seal; 1 negative\u003c/p\u003e","\u003cp\u003eConcert Orchestra, Music Department; Borkowski; 4 negatives\u003c/p\u003e","\u003cp\u003eOpera Production; 24 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 5 negatives\u003c/p\u003e","\u003cp\u003eCommerce Scholarship; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eScouting Award, President Paul Miller; 4 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Building Model; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives\u003c/p\u003e","\u003cp\u003eMiss Keener, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Wise, Board of Governors; 2 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Engineering Slides, Dr. Wen; 20 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Wrestling, Pat Tork; 11 negatives\u003c/p\u003e","\u003cp\u003eMusic Meeting, Dean Duncan; 40 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus Residence Hall, Twin Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, College of Engineering; 5 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 18 negatives\u003c/p\u003e","\u003cp\u003eDean Richard Duncan, First Dean of the Creative Arts Center; 1 negative\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Subject Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eMusic Production of the \"Devil and Daniel Webster; 20 negatives\u003c/p\u003e","\u003cp\u003eKappa Delta, Sorority House; 5 negatives\u003c/p\u003e","\u003cp\u003eEisland Hall, Views from in front of music building; 8 negatives\u003c/p\u003e","\u003cp\u003eState 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives\u003c/p\u003e","\u003cp\u003eLibrary, Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eJunior Achievement; Jim Watkins; 7 negatives\u003c/p\u003e","\u003cp\u003eRobert B. Smawley, Provost Office; 4 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering; Ray Schaffer; 17 negatives\u003c/p\u003e","\u003cp\u003eDr. Festivus P. Summers; Criswell; 1negative\u003c/p\u003e","\u003cp\u003eCriswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, Evansdale; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Band at Camp Dawson, Udell; 11 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 4 negatives\u003c/p\u003e","\u003cp\u003eMilitary First Solo Flight,Cherokee 140; Cullen; 1 negative\u003c/p\u003e","\u003cp\u003eCharles Weakley, Chemistry Department; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Chemical; Mr. Boyle; 9 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Neil Bolyard; 22 negatives\u003c/p\u003e","\u003cp\u003eSam Boyd, Drama department; 8 negatives\u003c/p\u003e","\u003cp\u003eRadio and TV slides; Van Camp; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama production of \"Don Juan\"; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eHumanities Conference, Dr. Ikenberry; 9 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Mrs. Pearse; 13 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Mr Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eForeign Offices, Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs Group; Jim Watkins; St. Committee; 2 negatives\u003c/p\u003e","\u003cp\u003eNews-Info, Criswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Weirton Steel Display; 5 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Scholarship; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Kennedy; Reading C; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Scene; Old Picture; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives\u003c/p\u003e","\u003cp\u003eir View Main Campus, May 6 1960; L.O. Myers; 2 negatives\u003c/p\u003e","\u003cp\u003eStudents walking around Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eIntramural Soccer; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Daily Athenaeum Newsroom; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center Dental Lab; 4 negatives\u003c/p\u003e","\u003cp\u003eRecreation; 2 negatives\u003c/p\u003e","\u003cp\u003eBiology Lab; 3 negatives\u003c/p\u003e","\u003cp\u003eAgricultural School, Research; 2 negatives\u003c/p\u003e","\u003cp\u003eGreek Charity Project, Downtown; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building, Air View; 2 negatives\u003c/p\u003e","\u003cp\u003eHistory Department Classroom; 2 negatives\u003c/p\u003e","\u003cp\u003eOgleby Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Air Views; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; Dr. Schaub; 8 negatives\u003c/p\u003e","\u003cp\u003eTelephone Operators, Helen Criss; 3 negatives\u003c/p\u003e","\u003cp\u003eMilitary Ceremony, Major Wade; 11 negatives\u003c/p\u003e","\u003cp\u003ePresident Charles Wise Jr., Board of Governors; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Robert Slonneger, Mechanical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eMargaret Lorince, Professor of Music; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin, Groupe; 4 negatives\u003c/p\u003e","\u003cp\u003eAerospace Symposium; Mr. Walters; 7 negatives\u003c/p\u003e","\u003cp\u003eMain Campus, Aerial View; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Aerial View; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Building; 8 negatives\u003c/p\u003e","\u003cp\u003eThe Women; 4 negatives\u003c/p\u003e","\u003cp\u003eGroups-The Women; 9 negatives\u003c/p\u003e","\u003cp\u003eChemistry slides; Tony Winston; 6 negatives\u003c/p\u003e","\u003cp\u003eBook slides; Dr. Manning; 3 negatives\u003c/p\u003e","\u003cp\u003eSlide copies- Pygmies; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Homecoming-Girls; 63 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Music Department; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident Miller and Senator Randolph; Pen Presentation; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building; Shaffer; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Hess; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; Udell; 7 negatives\u003c/p\u003e","\u003cp\u003ePep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; William and Mary Game; Udell; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Citadel Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Pre-season; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Syracuse Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWelfare Department, Group photo; 17 negatives\u003c/p\u003e","\u003cp\u003eJames M. Mullendore Senior; 6 negatives\u003c/p\u003e","\u003cp\u003eRobert Iden-Nels; University photo; 9 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus views; Morgantown Ordinance; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Department, charts and slides; M. Patterson; 13 negatives\u003c/p\u003e","\u003cp\u003eBiology Department; slides; 4 negatives\u003c/p\u003e","\u003cp\u003eHealth Center, Moving; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU High School Speech Institution, group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Summer Art Institute, group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss; 8 negatives\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 25 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 14 negatives\u003c/p\u003e","\u003cp\u003eInternational Night, Field House; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Professor Fowler; 44 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Carter Tork; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Concert, Mr. Borkowski; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Music Department; Bud Udell; 3 negatives\u003c/p\u003e","\u003cp\u003eOperetta, Joe Goltz; 17 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Executive Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, lab and office; Criswell; 12 negatives\u003c/p\u003e","\u003cp\u003eChildren's Theater; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Morgantown \"1965\"; 9 negatives\u003c/p\u003e","\u003cp\u003eD. Brewer; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production; Thieves Cornwal; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning, Music Department; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eFirst students at Evansdale Twin Towers; 12 negatives\u003c/p\u003e","\u003cp\u003eMusical Group-Brass, R. Sherman; 7 negatives\u003c/p\u003e","\u003cp\u003eGlenn Snyder, Group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference, Group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp; Group Photo; 6 negatives\u003c/p\u003e","\u003cp\u003eLynn Duncan; 8 negatives\u003c/p\u003e","\u003cp\u003eIden Family photos; 10 negatives\u003c/p\u003e","\u003cp\u003eDrama Department, Phillips; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis \"65\"; 27 negatives\u003c/p\u003e","\u003cp\u003eDr. Patterson; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School, Wrestling team, 1 negative\u003c/p\u003e","\u003cp\u003eJohn Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eWV State Wrestling, 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production, \"Lady Precious Stream\"; 10 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell, woodworking; 12 negatives\u003c/p\u003e","\u003cp\u003eStudent Committee; Legislature; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Dr. Carter; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Hess; 15 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Stewart, Math Department; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Yost, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eLocusts; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Showcase display, \"Student Life on Campus\"; 18 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Neil Bolyard; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Humphry, Chemistry Department, Presidential Award; 5 negatives\u003c/p\u003e","\u003cp\u003eAWS; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU extension, Forum teachers; 6 negatives\u003c/p\u003e","\u003cp\u003eOld Woodburn Hall, before 1900; 3 negatives\u003c/p\u003e","\u003cp\u003eBelcastro Trio, State Department; Criswell; 46 negatives\u003c/p\u003e","\u003cp\u003eDr. Kent, portraits; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 10 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 1 negative\u003c/p\u003e","\u003cp\u003eOld Mechanical Hall II; 2 negatives\u003c/p\u003e","\u003cp\u003ePeter Bonays; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Sciences Building; Baker; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, GUD; 4 negatives\u003c/p\u003e","\u003cp\u003eGordon Craig, Speaker; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Check presentation; 5 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Frank Carlomheno; 5 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama production; Burrows; 14 negatives\u003c/p\u003e","\u003cp\u003eMusic- Summer camp; f. Borkowski; 2 negatives\u003c/p\u003e","\u003cp\u003eArt Department, Joe Moss; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. A. Reed; 2 negatives\u003c/p\u003e","\u003cp\u003eEconomic Education Workshop; Maron Lee; 64 negatives\u003c/p\u003e","\u003cp\u003eWoman's Hall, Stalnaker; 15 negatives\u003c/p\u003e","\u003cp\u003eMiss McClure, Campus Cover Girl; 6 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 8 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 24 negatives\u003c/p\u003e","\u003cp\u003eCheerleaders, Physical Education; Bill Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Forestry building; 9 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, 99th Anniversary Dinner; 34 negatives\u003c/p\u003e","\u003cp\u003eScholarship Winners 1966, Neil Bolyard; 37 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives\u003c/p\u003e","\u003cp\u003eUnited Fund; 20 negatives\u003c/p\u003e","\u003cp\u003eRegional Wrestling Winners; 6 negatives\u003c/p\u003e","\u003cp\u003ePortnoy, Music department; 12 negatives\u003c/p\u003e","\u003cp\u003eBig Ten Wrestling; 6 negatives\u003c/p\u003e","\u003cp\u003eChamber of Commerce; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives\u003c/p\u003e","\u003cp\u003eCoach Carlin, News Conference; 6 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, exteriors; 5 negatives\u003c/p\u003e","\u003cp\u003eOffice of Physical Planning, copies of master plan; C. Wagner; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. C.C. Patterson, Engineering; 9 negatives\u003c/p\u003e","\u003cp\u003eClassroom; 4 negatives\u003c/p\u003e","\u003cp\u003eChi-Omega Sorority; Criswell; 10 negatives\u003c/p\u003e","\u003cp\u003eRoad signs and radar, Civil Engineering; 24 negatives\u003c/p\u003e","\u003cp\u003eChas Tomas, Physics; 12 negatives\u003c/p\u003e","\u003cp\u003eSlides of old photos of Morgantown; Shetler; 32 negatives\u003c/p\u003e","\u003cp\u003eForestry Building entrance; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 2 negatives\u003c/p\u003e","\u003cp\u003eJerry Andrick; 4 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker, Chemistry; 2 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU golfing; 7 negatives\u003c/p\u003e","\u003cp\u003eGary Zinn; 1 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, St. Patrick's Day; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 39 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU bookstore, Award winners; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Preparatory, M. Lorince; 15 negatives\u003c/p\u003e","\u003cp\u003eForestry classroom, Dr. Roch; 2 negatives\u003c/p\u003e","\u003cp\u003ePete Yost; \"All-State\"; 7 negatives\u003c/p\u003e","\u003cp\u003ePlay Day, Tork; 20 negatives\u003c/p\u003e","\u003cp\u003eAmerican Women Surgeons, group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America; 85 negatives\u003c/p\u003e","\u003cp\u003eLa Traviata, WVU Opera production; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, group photo; Larry Castle; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Women's Club; 31 negatives\u003c/p\u003e","\u003cp\u003eWVU computer music; 4 negatives\u003c/p\u003e","\u003cp\u003eEugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives\u003c/p\u003e","\u003cp\u003eArmand Singer, Professor of Romance Languages; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Sinkford; 15 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Physics; 22 negatives\u003c/p\u003e","\u003cp\u003eWVU Women; 34 negatives\u003c/p\u003e","\u003cp\u003eJerry Parmer, Engineering Department; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Udell; 2 negatives\u003c/p\u003e","\u003cp\u003eTextbook of Wood Technology, book photo; Chemical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, interior views; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Paul Ausborn Miller; 7 negatives\u003c/p\u003e","\u003cp\u003eEmory Bacon; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Registration; 24 negatives\u003c/p\u003e","\u003cp\u003eDrawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative\u003c/p\u003e","\u003cp\u003eCultural Center; 5 negatives\u003c/p\u003e","\u003cp\u003eNews and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Centennial Seal, 1867-1967; 1 negative\u003c/p\u003e","\u003cp\u003eSlides- men working at the river; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Neisus, in his office reading the Appalachian Review; 2 negatives\u003c/p\u003e","\u003cp\u003eScholarship Presentation, Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eAthletic Department, Cross Country; 23 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, group photo; 2 negatives\u003c/p\u003e","\u003cp\u003eBoard of Public Works; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; 1 negative\u003c/p\u003e","\u003cp\u003eBurger Chef; 4 negatives\u003c/p\u003e","\u003cp\u003eCharley Hockenberry; 5 negatives\u003c/p\u003e","\u003cp\u003eSlides by Professor Linsky; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU President Miller, Reception; 8 negatives\u003c/p\u003e","\u003cp\u003eLabor Conference, Fred Teller; 11 negatives\u003c/p\u003e","\u003cp\u003eLabor Studies, J. MacKensie; 50 negatives\u003c/p\u003e","\u003cp\u003eDean R. S. Dunbar JR.; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Manpower in Appalachia; Fred Teller; 57 negatives\u003c/p\u003e","\u003cp\u003eSlides by Jim Kent; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, speaker copies; 2 negatives\u003c/p\u003e","\u003cp\u003ePat Tork, passport photos; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Igor Sarkissian; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering slides, Dr. Schaub; 10 negatives\u003c/p\u003e","\u003cp\u003eJamison, AWS; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; Udell; 4 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Officers Visit; 5 negatives\u003c/p\u003e","\u003cp\u003eDriver Training class, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; 3 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship; Parmer; 6 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America Contest; 86 negatives\u003c/p\u003e","\u003cp\u003e\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Campbell; 2 negatives\u003c/p\u003e","\u003cp\u003eGreg Myers, WVU Soccer coach; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Student Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eA. Larson; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Cross Country, group photos; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Citadel game; 7 negatives\u003c/p\u003e","\u003cp\u003eState High School Cross Country; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives\u003c/p\u003e","\u003cp\u003eDr. Robert F. Munn, Provost and Director of Libraries; 2 negatives\u003c/p\u003e","\u003cp\u003eTheodora Schubert, first girl student in Forestry; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides- Radiation Intensity, Jim Kent; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eE. Moore Hall, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eWVU Law Building, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eScholarship Awards for music, Mrs. Inberg; 4 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 14 negatives\u003c/p\u003e","\u003cp\u003eJoe Gluck, in his office; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic Programs, Arno Druker; 9 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. McMillion, passport photo; 5 negatives\u003c/p\u003e","\u003cp\u003eStudent Organization charts, J. Watkins; 15 negatives\u003c/p\u003e","\u003cp\u003eCentennial Film copies; 6 negatives\u003c/p\u003e","\u003cp\u003eCopies of speakers, Bill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChester A. Arents, Dean of the School of Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eQuint Wilson, Dean of Journalism; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives\u003c/p\u003e","\u003cp\u003eJerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative\u003c/p\u003e","\u003cp\u003eThomas C. Campbell, Dean of College of Commerce; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, Don Portnoy; 159 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp, music camp; 53 negatives\u003c/p\u003e","\u003cp\u003eWVU Music Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eCaptain Cullen, Military Commission; 10 negatives\u003c/p\u003e","\u003cp\u003eGreater West Virginia Weekend; 24 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; Dr. Barton; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers Lounge ; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, WVU vs. Penn State game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU band at Kentucky game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Don Bond, portraits; 3 negatives\u003c/p\u003e","\u003cp\u003eBoard of Education Grant for drama and cultural education; 132 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America, University High School chapter; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Arya; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Link Day; 8 negatives\u003c/p\u003e","\u003cp\u003eMr. Jones, WVU President's assistant; 2 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 6 negatives\u003c/p\u003e","\u003cp\u003eslides, Dr. Moh, 2 negatives\u003c/p\u003e","\u003cp\u003eRaphael Bachman, Dean of Pharmacy; 2 negatives\u003c/p\u003e","\u003cp\u003eYork Junior College students; 6 negatives\u003c/p\u003e","\u003cp\u003ecopy for news service; 2 negatives\u003c/p\u003e","\u003cp\u003eNews Service, Dickerson; 2 negatives\u003c/p\u003e","\u003cp\u003eGuy Harry Stewart, Professor of Journalism; 13 negatives\u003c/p\u003e","\u003cp\u003eKenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives\u003c/p\u003e","\u003cp\u003eSnow scenes at WVU; pylons 2; 25 negatives\u003c/p\u003e","\u003cp\u003eRay Duncan, Dean of Physical Education; portraits; 7 negatives\u003c/p\u003e","\u003cp\u003eLeo Horacek, Professor Emeritus of Music; 4 negatives\u003c/p\u003e","\u003cp\u003eOfficers of the A.W.S.; 16 negatives\u003c/p\u003e","\u003cp\u003eRoy W. Bahl, Professor of Economics; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 5 negatives\u003c/p\u003e","\u003cp\u003eRichard E. Duncan, Dean of the Creative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Jay Barton, Chairman of the Biology Department; 6 negatives\u003c/p\u003e","\u003cp\u003eGeorge Kirk, Vice President of Finance; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative\u003c/p\u003e","\u003cp\u003eJoseph Goltz, Director of the WVU Opera Group; First director; 4 negatives\u003c/p\u003e","\u003cp\u003eBen Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives\u003c/p\u003e","\u003cp\u003eAda Lease, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eCarolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial work group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Howard Perry Simons; Chemical Engineering; 26 negatives\u003c/p\u003e","\u003cp\u003eJames A. Kent, Nuclear Engineering; Polywood; 45 negatives\u003c/p\u003e","\u003cp\u003eStanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives\u003c/p\u003e","\u003cp\u003eLabor Institute at Mont Chateau; 6 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Twin Towers, exterior views; 5 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior view- lobby; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Dining hall, dorm room; 10 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior views of the lounge; 8 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, exterior shots; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir, Joe Golz; 6 negatives\u003c/p\u003e","\u003cp\u003eVice President Hubert Humphrey, visit to WVU; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eProtestors at the WVU Commencement; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Baseball, publicity shots; 57 negatives\u003c/p\u003e","\u003cp\u003eWVU Tennis and Golf; 23 negatives\u003c/p\u003e","\u003cp\u003eWVa Collection Story, librarians at work; 7 negatives\u003c/p\u003e","\u003cp\u003eMr. Preston Harper; 4 negatives\u003c/p\u003e","\u003cp\u003eRalph Bean in a meeting; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Bray, Board of Governors; 1 negative\u003c/p\u003e","\u003cp\u003eWrestling- Southern Conference Tournament; 2 negatives\u003c/p\u003e","\u003cp\u003eTrack and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives\u003c/p\u003e","\u003cp\u003eWVU College of Law, exterior shots; 7 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Award Presentation; news service; 8 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, road and billboard signs; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education- Driver's Education cars; Dr. yost; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Facility, Forestry Building; Boyles; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Gary Kenamondo, news and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eRadio and Television productions; 16 negatives\u003c/p\u003e","\u003cp\u003eMr. Graber, WVU Drama Department; portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides; joint mechanism of ultrasonic welding; 5 negatives\u003c/p\u003e","\u003cp\u003enature slides, News Service; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Bates, News-Service; 2 negatives\u003c/p\u003e","\u003cp\u003eSuper Wood; WVU engineering; experiment; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering and Bio-physics; TAM; 6 negatives\u003c/p\u003e","\u003cp\u003eLeo Fishman, Professor of Economics and Finance; 3 negatives\u003c/p\u003e","\u003cp\u003eDriver's Education Class; WVU Physical Education; 3 negatives\u003c/p\u003e","\u003cp\u003eUnion Carbide presentation, Engineering Department; 4 negatives\u003c/p\u003e","\u003cp\u003eNew York Bond Company; 6 negatives\u003c/p\u003e","\u003cp\u003eCollege of Commerce, Bankers Scholarship presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eBud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives\u003c/p\u003e","\u003cp\u003eConstruction of the Creative Arts Center slides; 2 negatives\u003c/p\u003e","\u003cp\u003eRuel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives\u003c/p\u003e","\u003cp\u003eslides of the Annals New York Academy of Sciences; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Engineering slides; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. Dozo and Dr. Olson, visiting vets; 5 negatives\u003c/p\u003e","\u003cp\u003eWes Coppock; News-Service; 1 negative\u003c/p\u003e","\u003cp\u003eMargaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eSchool of Speech Communications, Leonard Davis; 21 negatives\u003c/p\u003e","\u003cp\u003eWeirton Story, News-Information; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School on Campus Drive; children playing; 6 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides, Blackshaw; 15 negatives\u003c/p\u003e","\u003cp\u003eMr. Brown, Commerce; 2 negatives\u003c/p\u003e","\u003cp\u003eAlumni Giving Incentive Award, Dave Tork; 3 negatives\u003c/p\u003e","\u003cp\u003ephotos of books by Earl L. Core, cover picture; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Computer Center; 12 negatives\u003c/p\u003e","\u003cp\u003eUSS West Virginia Mast Plaque; 10 negatives\u003c/p\u003e","\u003cp\u003eJohn Luchak; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Commencement; 27 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School; 20 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones in his office; 7 negatives\u003c/p\u003e","\u003cp\u003eHerman Godes, Pianist; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Clyde English, Head of Organ Department 1945-1980; 4 negatives\u003c/p\u003e","\u003cp\u003ePresbysterian Church Cross; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair construction; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, Vice President of Finance and Administration; 6 negatives\u003c/p\u003e","\u003cp\u003eParmer, Aero-Space; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Athletic Department picnic; 20 negatives\u003c/p\u003e","\u003cp\u003eJames Thompson in his lab; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, night view; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, front closeup; pylons; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center view from Evansdale Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestlers; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestling Team; group photo; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education Conference, Pete Yost; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003e5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin at WVU graduation; 23 negatives\u003c/p\u003e","\u003cp\u003ePercival Hall- Forestry Center, night views; 5 negatives\u003c/p\u003e","\u003cp\u003eMr. Sledge, Student Affairs; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives\u003c/p\u003e","\u003cp\u003eportraits of Honoraries at 1966 WVU Commencement; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Band publicity shots; 12 negatives\u003c/p\u003e","\u003cp\u003eReverend Paine, Episcopalian; Clergy, Church; 7 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers complex, drawing; 3 negatives\u003c/p\u003e","\u003cp\u003eColonel Jansen Retirement; 10 negatives\u003c/p\u003e","\u003cp\u003eFestival of Ideas, Humphrey, Etc.; 103 negatives\u003c/p\u003e","\u003cp\u003eRegistration at Field House; 9 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Group; 3 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlehemeno; 4 negatives\u003c/p\u003e","\u003cp\u003eSherlocker, Physical Education; 5 negatives\u003c/p\u003e","\u003cp\u003eCanning, Music Group; 4 negatives\u003c/p\u003e","\u003cp\u003eMilan; 32 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Portraits\u003c/p\u003e","\u003cp\u003eDrama, \"Kiss Me Kate\"; 11 negatives\u003c/p\u003e","\u003cp\u003eAngel Street; 14 negatives\u003c/p\u003e","\u003cp\u003eRepresentative of Ghana; 5 negatives, prints\u003c/p\u003e","\u003cp\u003eDanville, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Frasure, College of Arts and Sciences, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning with Carolyn Reyer; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 4 negatives\u003c/p\u003e","\u003cp\u003eHUD Meeting at Mt. Chateau; Transportation; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Canning, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William Miernyk, Economics Research, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDrama, Merchant of Venice; 9 negatives\u003c/p\u003e","\u003cp\u003eDonald Portnoy, Music, at Piano with Violin; 12 negatives\u003c/p\u003e","\u003cp\u003eTennis Action Shots; 8 negatives\u003c/p\u003e","\u003cp\u003eProfessor Jones, Chair, Electrical Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eChemistry Award; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama; 12 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eLorensen, Law School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Kelly, Vice President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Halter, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eVergil Clark, Head of Physical Plant, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident's Home; 12 negatives\u003c/p\u003e","\u003cp\u003eBiology, Dr. Chen, Culture Room; 8 negatives\u003c/p\u003e","\u003cp\u003eChemistry, Tony Winston, Labs; 55 negatives\u003c/p\u003e","\u003cp\u003eElectrical Engineering; 10 negatives\u003c/p\u003e","\u003cp\u003eGeneral Biology, Trees; 7 negatives\u003c/p\u003e","\u003cp\u003eCoopers Rock, Gorge Overlook; 17 negatives\u003c/p\u003e","\u003cp\u003eHunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Dance Group; 24 negatives\u003c/p\u003e","\u003cp\u003e\"Esso Story\"; President Harlow with Two Other Men; 6 negatives\u003c/p\u003e","\u003cp\u003eCanning and Brown, \"Composers\"; 2 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Story; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Project; 12 negatives\u003c/p\u003e","\u003cp\u003eAgronotty Awards; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Coal Research; 9 negatives\u003c/p\u003e","\u003cp\u003eMen's Swim Team; 23 negatives\u003c/p\u003e","\u003cp\u003eComedy, Lysistrata; 9 negatives\u003c/p\u003e","\u003cp\u003eNational Merit Scholarship, President Harlow Speaking; 35 negatives\u003c/p\u003e","\u003cp\u003eRecreation Department, Senior Citizens; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Band Uniforms; 3 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp; 48 negatives\u003c/p\u003e","\u003cp\u003eOpera, The Marriage of Figaro; 23 negatives\u003c/p\u003e","\u003cp\u003eOpera, Susannah by Carlisle Floyd; 27 negatives\u003c/p\u003e","\u003cp\u003eState Bankers Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eAirplanes, Cessna Foundation; 24 negatives\u003c/p\u003e","\u003cp\u003eGulf Oil Presentation; 3 negatives\u003c/p\u003e","\u003cp\u003eBruce D. McComas, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDick Bell, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRifle Team; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic, Phil Faini, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003e00624; Dr. Harlow, Du Pont Presentation; 10 negatives\u003c/p\u003e","\u003cp\u003eSoccer Action; 9 negatives\u003c/p\u003e","\u003cp\u003eGeorge Weaver, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology, Cancer Research; 4 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives\u003c/p\u003e","\u003cp\u003ePeggy Staggers, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eArmy, ROTC; 50 negatives\u003c/p\u003e","\u003cp\u003eCoach Harrick, Portrait, Baseball, 300 Victory, 11 negatives\u003c/p\u003e","\u003cp\u003eLibrary View; Building, 2 negatives\u003c/p\u003e","\u003cp\u003eColonel Reynolds, Student Affairs, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Luckoks and Majorettes; 9 negatives\u003c/p\u003e","\u003cp\u003eSports, Basketball Group, Athletic Publication; 6 negatives\u003c/p\u003e","\u003cp\u003eClark Wagner, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eSteering Committee, Homecoming; 4 negatives\u003c/p\u003e","\u003cp\u003eSports, Soccer Squad, Mountaineer Field; 1 negative\u003c/p\u003e","\u003cp\u003eBlithe Spirit, Drama, Play; 11 negatives\u003c/p\u003e","\u003cp\u003eDolls House, Drama, Play, Creative Arts Center; 12 negatives\u003c/p\u003e","\u003cp\u003eCaesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives\u003c/p\u003e","\u003cp\u003eThe Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives\u003c/p\u003e","\u003cp\u003eYWCA Officers, Cabinet, Becky Stewart; 7 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors, Portraits; 12 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eAlumni Day at Law School; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Chas Norman, Lab, Biology; 12 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins in Office; 12 negatives\u003c/p\u003e","\u003cp\u003eSara Ruth Meek, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 19 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 20 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 24 negatives\u003c/p\u003e","\u003cp\u003eHigh School Speech Institute; 22 negatives\u003c/p\u003e","\u003cp\u003eHelicopter in Mont Chateau; 14 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors; 3 negatives\u003c/p\u003e","\u003cp\u003eForestry Display, Laskin; 14 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs; 10 negatives\u003c/p\u003e","\u003cp\u003eAfrican Statues from Twin Towers, Betty Bogel; 16 negatives\u003c/p\u003e","\u003cp\u003eScience Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eLeonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives\u003c/p\u003e","\u003cp\u003eAWS Officers, Portraits; 21 negatives\u003c/p\u003e","\u003cp\u003eOak Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eCarol Watson; 7 negatives\u003c/p\u003e","\u003cp\u003eSmall Maple Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eSlides for Mechanical Engineering, Entropy; 25 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp. Group; 1 negative\u003c/p\u003e","\u003cp\u003eHigh School Journalism; 32 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Class; 3 negatives\u003c/p\u003e","\u003cp\u003eTransportaion; 22 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Heating Plant; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Guides; 17 negatives\u003c/p\u003e","\u003cp\u003eJohn Brisbow, Assistant Director of Admissions; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; 26 negatives\u003c/p\u003e","\u003cp\u003eDr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026amp; Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives\u003c/p\u003e","\u003cp\u003eCross Country, Coach and Captain in Action, Sports; 12 negative\u003c/p\u003e","\u003cp\u003eGirl with Rifle; 2 negatives\u003c/p\u003e","\u003cp\u003eMerchant of Venice, Drama, Publicity; 7 negatives\u003c/p\u003e","\u003cp\u003eUrban Mass Transit, Vestibule; 18 negatives\u003c/p\u003e","\u003cp\u003eSatellite Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Parkersburg Branch, Drawing; 1 negative\u003c/p\u003e","\u003cp\u003eCredit Union, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eHousing and Urban Development; 7 negativs\u003c/p\u003e","\u003cp\u003eJohn R. Mackenzi, Director of Education, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJames H. Schaub, Professor of Civil Engineering, Portrait;4 negatives\u003c/p\u003e","\u003cp\u003eHarold J. Shamberger, Assistant to President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003e00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives\u003c/p\u003e","\u003cp\u003eWrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives\u003c/p\u003e","\u003cp\u003eCross Country Team, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Jung; 17 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots; 12 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 12 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots for Dr. Jung, 5 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 7 negatives\u003c/p\u003e","\u003cp\u003eBug Shots for C. K. Dorsey, Insects; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Engineering Building; 4 negatives\u003c/p\u003e","\u003cp\u003eConference; 12 negatives\u003c/p\u003e","\u003cp\u003eRobert L. Iden, Manager of Printing Services, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Steve Harrick, Presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eMullenax, Interview, New Zealand; 9 negatives\u003c/p\u003e","\u003cp\u003eJohn Goodwin, Commerce, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 22 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 16 negatives\u003c/p\u003e","\u003cp\u003eClifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives\u003c/p\u003e","\u003cp\u003eJohn Clarkson, Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSeigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDick Detombe, Assistant Track Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Stacy Barton, ETV; 12 negatives\u003c/p\u003e","\u003cp\u003eJerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Hefflin, 18th President; 20 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003ePaul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003eInformation Booth, Structure; 6 negatives\u003c/p\u003e","\u003cp\u003eUniversity Singers, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eStrings Band Practice, Music Department; 22 negatives\u003c/p\u003e","\u003cp\u003eMusic Scholarship Award; 4 negatives\u003c/p\u003e","\u003cp\u003eScenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives\u003c/p\u003e","\u003cp\u003eLecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives\u003c/p\u003e","\u003cp\u003eMorgantown Woman's Music Club Scholarship, Group; 5 negatives\u003c/p\u003e","\u003cp\u003eJames Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk; 12 negatives\u003c/p\u003e","\u003cp\u003eGeorge Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003ePaul Selby, Dean of College of Law; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation;\u003c/p\u003e","\u003cp\u003eBudd Udell with Band; 11 negatives\u003c/p\u003e","\u003cp\u003eDale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives\u003c/p\u003e","\u003cp\u003eBand Photos, French Horn; 12 negatives\u003c/p\u003e","\u003cp\u003eMarching Band Formations; 25 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 5 negatives\u003c/p\u003e","\u003cp\u003eScott Stringham Conducting; 12 negatives\u003c/p\u003e","\u003cp\u003ePercussion Ensemble, School of Music; 1 negative\u003c/p\u003e","\u003cp\u003eHomcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives\u003c/p\u003e","\u003cp\u003e00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Princess, Headshots; 8 negatives\u003c/p\u003e","\u003cp\u003eGold Diggers, Weekend Candidates, Portrait; 23 negatives\u003c/p\u003e","\u003cp\u003eBill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives\u003c/p\u003e","\u003cp\u003eKevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCoach SFC Joe Gravens, Jr.; 4 negatives\u003c/p\u003e","\u003cp\u003ePat Hamilton, Board of Governors; 6 negatives\u003c/p\u003e","\u003cp\u003eD. Hercules, Headshot; 1 negative\u003c/p\u003e","\u003cp\u003eDr. William Morris, Portrait\u003c/p\u003e","\u003cp\u003eGeorge Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives\u003c/p\u003e","\u003cp\u003eGeorge Smyth, Planning Architect, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Stewart, Soccer Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eGreg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRadio-TV Control Room; 5 negatives\u003c/p\u003e","\u003cp\u003eHistorical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Sewage Treatment; 11 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Child Plays-Story for John Reach at Med Center; 8 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications; 6 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications, John Luchor; 16 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Information Desk and Lounge; 7 negatives\u003c/p\u003e","\u003cp\u003eRadio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives\u003c/p\u003e","\u003cp\u003eKappa Kappa Psi, Music Honorary, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFreshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives\u003c/p\u003e","\u003cp\u003eThermomister Temperature Measuring Device; 2 negatives\u003c/p\u003e","\u003cp\u003eSeintillation Device; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Entertainers\"; 19 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 23 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 4 negatives\u003c/p\u003e","\u003cp\u003eBell from USS West Virginia; 7 negatives\u003c/p\u003e","\u003cp\u003ePresident's Summer Home; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Merchant of Venice\"; 12 negatives\u003c/p\u003e","\u003cp\u003eLight Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSnow Around Campus, Historic Buildings; 34 negatives\u003c/p\u003e","\u003cp\u003eNew Buildings around Campus; 14 negatives\u003c/p\u003e","\u003cp\u003eTheater; 1 negative\u003c/p\u003e","\u003cp\u003eTheater Interior, Creative Arts; 1 negative\u003c/p\u003e","\u003cp\u003eR.O.T.C.; 39 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen, Sally Sotak, Portrait\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 24 negatives\u003c/p\u003e","\u003cp\u003eHeart Valve Story, Engineering; 15 negatives\u003c/p\u003e","\u003cp\u003eHeart Story, Med Center; 6 negatives\u003c/p\u003e","\u003cp\u003eColonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship, Union Carbide; 4 negatives\u003c/p\u003e","\u003cp\u003eBird Story; 1 negative\u003c/p\u003e","\u003cp\u003eWoodburn Circle, Traffic Pattern; 8 negatives\u003c/p\u003e","\u003cp\u003eFreshmen Basket Ball Team, Sports, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eArt Department; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group; 9 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Students; 40 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 1 negative\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 8 negatives\u003c/p\u003e","\u003cp\u003eAmrerican Arts Trio, Music, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eBaroque Ensemble, Music, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFine and Lively Arts Committee, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives\u003c/p\u003e","\u003cp\u003eBaker and Coombs Windows; 13 negatives\u003c/p\u003e","\u003cp\u003eDr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Interiors, Creative Arts Story; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 5 negatives\u003c/p\u003e","\u003cp\u003eView of Med Center from Pierpont Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eArmstrong Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eMed Center, Pylons; 19 negatives\u003c/p\u003e","\u003cp\u003eStudent Union Building, Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 3 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, Historic Building; 7 negatives\u003c/p\u003e","\u003cp\u003eSummit Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eIBM Computer Installation, Publication Office; 2 negatives\u003c/p\u003e","\u003cp\u003eIBM Typesetting in Printing Composing Room;\u003c/p\u003e","\u003cp\u003eTransatlantic Debators; 7 negatives\u003c/p\u003e","\u003cp\u003eProfessor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Harry Ernst, Director of University Relations, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU TV Tower Site; 6 negatives\u003c/p\u003e","\u003cp\u003eJoe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Super Wood; 9 negatives\u003c/p\u003e","\u003cp\u003eHighschool Wrestling Tournament; 10 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 22 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 17 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Archery Class; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Space Craft Diagrams; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement Honoraries, Portrait; 12 negatives\u003c/p\u003e","\u003cp\u003eState Science Fair; 12 negatives\u003c/p\u003e","\u003cp\u003eInternational Night; 5 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eNorm Parsons, Intramural Director; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives\u003c/p\u003e","\u003cp\u003e16 mm Movie Camera used on copy work, Radio and TV; 9 negatives\u003c/p\u003e","\u003cp\u003eDrama Publicity Photos; 3 negatives\u003c/p\u003e","\u003cp\u003eTom Gulli Ford, Swimming, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Martin, Dance; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Slides for Dr. Moore; 14 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Asphalt Research; 25 negatives\u003c/p\u003e","\u003cp\u003eWidebusch Family, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group;  12 negatives\u003c/p\u003e","\u003cp\u003eDon Knotts, Group; 1 negative\u003c/p\u003e","\u003cp\u003eNational Science Foundation Grants; 11 negatives\u003c/p\u003e","\u003cp\u003eW. Va. Collection, Library, Homecoming; 32 negatives\u003c/p\u003e","\u003cp\u003eBudd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, WVU Student Dance Group; 35 negatives\u003c/p\u003e","\u003cp\u003eBob Iden, Managerof Printing Services; 12 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall with Mast, Historic Building; 5 negatives\u003c/p\u003e","\u003cp\u003eElizabeth Moore Hall, Historic Building; 8 negatives\u003c/p\u003e","\u003cp\u003eJeff Warren; Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Peter Yost; Dean of Physical Education, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 27 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Med Center and Mountainlair; 8 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives\u003c/p\u003e","\u003cp\u003eMed Center; 3 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eStewart Hall, Historic Building; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Science Buiding; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Towers, Med Center; 7 negatives\u003c/p\u003e","\u003cp\u003eMont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Night View; 3 negatives\u003c/p\u003e","\u003cp\u003eLibrary Walk; 4 negatives\u003c/p\u003e","\u003cp\u003eLibrary Exterior View; 8 negatives\u003c/p\u003e","\u003cp\u003eView of Woodburn Circle from Oblebay Plaza; 3 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Circle; 2 negatives\u003c/p\u003e","\u003cp\u003eJazz Band; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Group; 16 negatives\u003c/p\u003e","\u003cp\u003eDave Shamberger, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eAgriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives\u003c/p\u003e","\u003cp\u003eHubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives\u003c/p\u003e","\u003cp\u003eJeff Davis, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 2 negatives\u003c/p\u003e","\u003cp\u003eCommencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 23 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 16 negatives\u003c/p\u003e","\u003cp\u003e\"The Maids and Deathwatch\", Theater Production; 9 negatives\u003c/p\u003e","\u003cp\u003eMed Center, News and Info;\u003c/p\u003e","\u003cp\u003eEngineering Department, Professor Jones, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eMountaineer Spirit, Female Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America; 93 negatives\u003c/p\u003e","\u003cp\u003eLouise Keener, Portrait\u003c/p\u003e","\u003cp\u003eFine Arts Camp, Music; 4 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Slides, Dr. Jones; 6 negatives\u003c/p\u003e","\u003cp\u003eInternational Program, Group; 8 negatives\u003c/p\u003e","\u003cp\u003eLegislative Committee, Interim, Group; 11 negatives\u003c/p\u003e","\u003cp\u003eViews from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Hall Clock Tower in Snow, Historic Building; 3 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 16 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 4 negatives\u003c/p\u003e","\u003cp\u003eJack Porter, Portrait, Development Office; 2 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlonheno, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives\u003c/p\u003e","\u003cp\u003eSenator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives\u003c/p\u003e","\u003cp\u003eDrama to Forensic Festival; 15 negatives\u003c/p\u003e","\u003cp\u003eSouthern Conference Awards, Athletic Publicity, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eCentennial Celebration Seal; 2 negatives\u003c/p\u003e","\u003cp\u003eMad Women, Portrait; 20 negatives\u003c/p\u003e","\u003cp\u003eHarold Neely, Portrat; 6 negatives\u003c/p\u003e","\u003cp\u003eFirst Brick Story; 10 negatives\u003c/p\u003e","\u003cp\u003e\"The Mad Woman of Chaillot\", Theater Production; 10 negatives\u003c/p\u003e","\u003cp\u003eHarry Ernst, Director of University Relations, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, WVU 100th Anniversary, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum Architectural Model; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Harlow, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003ePaul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology\u003c/p\u003e","\u003cp\u003eRichard Gardner, Controllers Office, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Art Gallery; 4 negatives\u003c/p\u003e","\u003cp\u003eStudents playing at Mountainlair Game Center; 12 negatives\u003c/p\u003e","\u003cp\u003eAthletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol\u003c/p\u003e","\u003cp\u003eWVU Athletic Council Award; Senior Athletic of the Year 1967-1968\u003c/p\u003e","\u003cp\u003eFormerly state park lodge\u003c/p\u003e","\u003cp\u003ePhy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education\u003c/p\u003e","\u003cp\u003eWardensville field day; Hardy Co.; Reymann Memorial Farms\u003c/p\u003e","\u003cp\u003eDean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right\u003c/p\u003e","\u003cp\u003eStan Romanoski, coach\u003c/p\u003e","\u003cp\u003eEngineering; climatologists\u003c/p\u003e","\u003cp\u003eFirst trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.\u003c/p\u003e","\u003cp\u003eDept. of Psychology; Charles D. Corman; Oglebay Hall\u003c/p\u003e","\u003cp\u003eShanbeyer, Luchack, Rhodayal, etc.\u003c/p\u003e","\u003cp\u003eDaniel O'Sullivan; plus campus views\u003c/p\u003e","\u003cp\u003eDr. Porter; Charley\u003c/p\u003e","\u003cp\u003eEngineering Department; Asten\u003c/p\u003e","\u003cp\u003eMary Filler Wiley\u003c/p\u003e","\u003cp\u003eElectrical Engineering?\u003c/p\u003e","\u003cp\u003eTheoretical and applied mechanics; mechanics engineering\u003c/p\u003e","\u003cp\u003eJim Hawkins with girl\u003c/p\u003e","\u003cp\u003eMorgantown Farm\u003c/p\u003e","\u003cp\u003ePharmacy Meeting at Towers\u003c/p\u003e","\u003cp\u003eMrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)\u003c/p\u003e","\u003cp\u003eEngineering school; Dean Arents - left\u003c/p\u003e","\u003cp\u003eEdmundo Elmore; Pan America Health Union\u003c/p\u003e","\u003cp\u003eGamma Sigma Delta\u003c/p\u003e","\u003cp\u003eLazor; Engineering Department\u003c/p\u003e","\u003cp\u003eDean Arents 2nd from right; PHS, Cincinnati Solid Waste Program\u003c/p\u003e","\u003cp\u003eFor Nick\u003c/p\u003e","\u003cp\u003eAmerican radio reporter, best known for his dramatic report of the Hindenburg Disaster\u003c/p\u003e","\u003cp\u003eLivestock Farm\u003c/p\u003e","\u003cp\u003eW.Va. Department of Mental Health; Pub. at Towers\u003c/p\u003e","\u003cp\u003eDave Tork\u003c/p\u003e","\u003cp\u003eAthletic Department; Richard Poland\u003c/p\u003e","\u003cp\u003eEngineering - Smith; Dean Chester A. Arents - center\u003c/p\u003e","\u003cp\u003eProofs straight to Poland\u003c/p\u003e","\u003cp\u003eL - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant\u003c/p\u003e","\u003cp\u003eTaught folklore; dulcimer player; collected ballads; Monticola advisor\u003c/p\u003e","\u003cp\u003eCollegium Musicum\u003c/p\u003e","\u003cp\u003eOliveria visit; Engineering Department\u003c/p\u003e","\u003cp\u003eWarren G. Tennant - Groundskeeper; Chinquapin (yellow) oak\u003c/p\u003e","\u003cp\u003eHistory Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies\u003c/p\u003e","\u003cp\u003eComedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"\u003c/p\u003e","\u003cp\u003eRoll 6\u003c/p\u003e","\u003cp\u003ePreston Co, WV; Garrett Co, MD; few remaining Boreal Bogs\u003c/p\u003e","\u003cp\u003eWith Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund\u003c/p\u003e","\u003cp\u003eBenedum Professor of Education, 68-86\u003c/p\u003e","\u003cp\u003eSteel Students Classroom\u003c/p\u003e","\u003cp\u003eProfessor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979\u003c/p\u003e","\u003cp\u003eBob Crawford\u003c/p\u003e","\u003cp\u003ePoster for Executive Conference\u003c/p\u003e","\u003cp\u003eBoyle\u003c/p\u003e","\u003cp\u003eBack row - far right; Stan Romanoski, Carl Hatfield\u003c/p\u003e","\u003cp\u003eSports Info Director\u003c/p\u003e","\u003cp\u003eRed Brown\u003c/p\u003e","\u003cp\u003eProfessor of Agriculture\u003c/p\u003e","\u003cp\u003eAgronomist, agriculture, professor of plant soil science\u003c/p\u003e","\u003cp\u003eChair, doctor, professor, horticulture, marigolds, roses\u003c/p\u003e","\u003cp\u003ePlant, physiology, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, physiology, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, chair, agriculture\u003c/p\u003e","\u003cp\u003ePhysiology, reproductive, professor, doctor, animal, nutritional, science, Davis College\u003c/p\u003e","\u003cp\u003eDoctor, plant, agriculture, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, professor, animal, carcass, beef, agriculture\u003c/p\u003e","\u003cp\u003eAgriculture, soil, chemistry\u003c/p\u003e","\u003cp\u003eProfessor, extension, plant, pathologist, entomologist, golden delicious apple\u003c/p\u003e","\u003cp\u003eWoodburn, freshmen, football, field, bleachers, athletics, team\u003c/p\u003e","\u003cp\u003eProfessor, patent examiner, law\u003c/p\u003e","\u003cp\u003eHealth Science lab\u003c/p\u003e","\u003cp\u003eDisplay set up in Mountainlair\u003c/p\u003e","\u003cp\u003eGroup and individual\u003c/p\u003e","\u003cp\u003eJ. Fannucci\u003c/p\u003e","\u003cp\u003eFaculty Dean, Business and Economics; Died Feb. 16, 1998\u003c/p\u003e","\u003cp\u003eWith Donald C. Portnoy, conductor\u003c/p\u003e","\u003cp\u003eDrama, theater, comedy, commedia, masked\u003c/p\u003e","\u003cp\u003eDuncan\u003c/p\u003e","\u003cp\u003eDiving, swimming, coaching; Coached for 30 years, record 290-159-2\u003c/p\u003e","\u003cp\u003eChitwood Hall, Stewart Hall, Martin Hall\u003c/p\u003e","\u003cp\u003eBenjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.\u003c/p\u003e","\u003cp\u003eContemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist\u003c/p\u003e","\u003cp\u003eProfessor, art, chair\u003c/p\u003e","\u003cp\u003eCollection, free-form, poem, fictional, town, spoon, river\u003c/p\u003e","\u003cp\u003eDavis College; Professor, reproductive, physiology, agriculture, faculty\u003c/p\u003e","\u003cp\u003eMusicians, trombone, trombonists, musical, drum, chamber\u003c/p\u003e","\u003cp\u003eP. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant\u003c/p\u003e","\u003cp\u003eHenry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836\u003c/p\u003e","\u003cp\u003eCollege of Commerce\u003c/p\u003e","\u003cp\u003eNot Bob Brown?\u003c/p\u003e","\u003cp\u003eMusic, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts\u003c/p\u003e","\u003cp\u003eDick Smith\u003c/p\u003e","\u003cp\u003eTV tower; motion picture staging\u003c/p\u003e","\u003cp\u003eU.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights\u003c/p\u003e","\u003cp\u003eDevelopmental psychologist, professor, chair, author, editor\u003c/p\u003e","\u003cp\u003eFounded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble\u003c/p\u003e","\u003cp\u003eFor engineering brochure\u003c/p\u003e","\u003cp\u003eEng. Elect.; Nelson Smith\u003c/p\u003e","\u003cp\u003eDave Zirz\u003c/p\u003e","\u003cp\u003eNews and Info; Ernst\u003c/p\u003e","\u003cp\u003eLeft, sitting; Doctor, professor, chair, mathematics\u003c/p\u003e","\u003cp\u003eMusic; Washington Trip\u003c/p\u003e","\u003cp\u003eChemistry building architecture; Clark Hall, Annex\u003c/p\u003e","\u003cp\u003eBookstore, WVU plate\u003c/p\u003e","\u003cp\u003eCoach - Stan Romanoski\u003c/p\u003e","\u003cp\u003eDoctor, music professor\u003c/p\u003e","\u003cp\u003eMike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director\u003c/p\u003e","\u003cp\u003eDick Smith, Dr. Moore\u003c/p\u003e","\u003cp\u003eProfessor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood\u003c/p\u003e","\u003cp\u003eChemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers\u003c/p\u003e","\u003cp\u003eRuth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President\u003c/p\u003e","\u003cp\u003eIntimate relationships, human sexuality, social work\u003c/p\u003e","\u003cp\u003eWith crutch - Jerry Stewart, other male?; catalog made\u003c/p\u003e","\u003cp\u003eBasketball coach\u003c/p\u003e","\u003cp\u003e1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher\u003c/p\u003e","\u003cp\u003eProfessor of Industrial Engineering\u003c/p\u003e","\u003cp\u003eProfessor of biology, chairman\u003c/p\u003e","\u003cp\u003eFAlconer, bird, red tailed hawk, prey, dog, bull terrier\u003c/p\u003e","\u003cp\u003eAuthor, children's books\u003c/p\u003e","\u003cp\u003eDean, professor of education, college of human resources and education, chair of secondary education\u003c/p\u003e","\u003cp\u003eChair, sociology\u003c/p\u003e","\u003cp\u003eForeign student coordinator, professor of military science\u003c/p\u003e","\u003cp\u003eFashion design lecturer\u003c/p\u003e","\u003cp\u003eBorn 1913, Died 4-27-2008; soprano, opera, voice professor\u003c/p\u003e","\u003cp\u003e1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers\u003c/p\u003e","\u003cp\u003eDoctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001\u003c/p\u003e","\u003cp\u003eProfessor, agriculture, biochemistry, nutrition\u003c/p\u003e","\u003cp\u003e1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895\u003c/p\u003e","\u003cp\u003eProfessor, forestry, wildlife management\u003c/p\u003e","\u003cp\u003eDr. Franklin Parker, Betty J. - Forum Festival\u003c/p\u003e","\u003cp\u003eLouis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA\u003c/p\u003e","\u003cp\u003eDoctor, director, student, health, service, physician\u003c/p\u003e","\u003cp\u003eDoctor, professor, emeritus, music, horn, theory, viola\u003c/p\u003e","\u003cp\u003eAuthor, social work\u003c/p\u003e","\u003cp\u003eFaculty, English\u003c/p\u003e","\u003cp\u003eHealth Science, physiology, meat animal, USDA\u003c/p\u003e","\u003cp\u003eFaculty, professor, English\u003c/p\u003e","\u003cp\u003eAppalachian Center Area Program Chairman, Parkersburg\u003c/p\u003e","\u003cp\u003eDoctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010\u003c/p\u003e","\u003cp\u003eFaculty, professor, doctor, plant physiology, ecology, conservationist\u003c/p\u003e","\u003cp\u003eMonticola advisor, professor, journalism\u003c/p\u003e","\u003cp\u003eB. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences\u003c/p\u003e","\u003cp\u003eVictorian Age specialist, English Department\u003c/p\u003e","\u003cp\u003eDoctor, psychology, professor, chair, author\u003c/p\u003e","\u003cp\u003eThis series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.\u003c/p\u003e","\u003cp\u003eThis series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026amp; Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.\u003c/p\u003e","\u003cp\u003eThis series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026amp; building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026amp; Seneca Station, and South Park.\u003c/p\u003e","\u003cp\u003eThis series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.\u003c/p\u003e","\u003cp\u003eThis series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.\u003c/p\u003e","\u003cp\u003eThis series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.\u003c/p\u003e","\u003cp\u003eThis series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.\u003c/p\u003e","\u003cp\u003eThis series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.\u003c/p\u003e","\u003cp\u003eThis series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of prints and negatives of WVU faculty portraits and other material.\u003c/p\u003e","\u003cp\u003eThis series consists of miscellaneous negatives and prints and a key to an old filing cabinet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group;  12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c205e75f30f8dced54f886847d78102\"\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.\u003c/abstract\u003e"],"abstract_tesim":["Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_30f75846d7e5acc21eafe687d4c0ed84\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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