{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=9","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=8","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=10","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=198"},"meta":{"pages":{"current_page":9,"next_page":10,"prev_page":8,"total_pages":198,"limit_value":10,"offset_value":80,"total_count":1973,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_2015","type":"collection","attributes":{"title":"Antonetta Cowsert, Social Worker and Musician, Scrapbook","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2015#creator","type":"document_value","attributes":{"value":"Cowsert, Antonetta, Compiler","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2015#abstract_or_scope","type":"document_value","attributes":{"value":"One scrapbook of newspaper clippings, photographs, newsletters, and other material regarding the life of Antonetta (Toni) Canacari Cowsert, a blind musician and social worker. 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She was born May 30, 1922, in Fairmont, West Virginia, a daughter of the late Leo and Angelina Cortez Canacari; she passed away Thursday morning, Jan. 24, 2008, at Monongalia General Hospital. ","Toni lost her sight in an accident at the age of 13 months. But growing up in a home with a father who had a beautiful tenor voice, she became quite precocious at music. Her family always had a piano and she constantly absorbed the ever-present sound of opera music playing in the house. ","She studied Braille and entered West Virginia University in 1942. ","She began practice teaching at University High School in 1944, and finally received a bachelor of music degree in 1945. ","She spent a year as a graduate student and then obtained her master's degree in specialized work with the blind from the University of Pennsylvania. While there, she also helped several other blind students from all of the United States, who came to the University for an education. ","She trained to become proficient with Optacon, an electronic reading aid for the blind which helps a person to read typing and computer printouts. ","She attended a world conference in Rome, and returned to Philadelphia where she met her husband, the late Harris Reed \"Red\" Cowsert. At the time they met, she was working on site at veteran's hospitals helping injured soldiers. ","Toni embarked on several careers throughout her life, as an entertainer, teacher, counselor and advocate. She sang and played on the radio, at civic clubs, in solo performances, with choirs at churches and in schools, and with the WVU Chorale. She also sang the national anthem at state functions hosted by Gov. Gaston Caperton. 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Interment took place at a later date at East Oak Grove Cemetery.","In 2022, in order to preserve the material, all content was removed from the scrapbook pages when possible.  A few items were so adhered to the scrapbook pages that they could not be removed; they were left on the adhesive pages and a sheet of acid free paper separates them from other materials.  To preserve the original arrangement, photocopies were made of the scrapbook pages as they were originally.  The original binder with the empty \"magnetic\" pages (covered in adhesive and plastic) was discarded.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","One scrapbook of newspaper clippings, photographs, newsletters, and other material regarding the life of Antonetta (Toni) Canacari Cowsert, a blind musician and social worker. 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Interment took place at a later date at East Oak Grove Cemetery.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Antonetta C. \"Toni\" Cowsert was a blind musician and social worker who worked in Morgantown, West Virginia and Philadelphia, Pennsylvania. She was born May 30, 1922, in Fairmont, West Virginia, a daughter of the late Leo and Angelina Cortez Canacari; she passed away Thursday morning, Jan. 24, 2008, at Monongalia General Hospital. ","Toni lost her sight in an accident at the age of 13 months. But growing up in a home with a father who had a beautiful tenor voice, she became quite precocious at music. Her family always had a piano and she constantly absorbed the ever-present sound of opera music playing in the house. ","She studied Braille and entered West Virginia University in 1942. ","She began practice teaching at University High School in 1944, and finally received a bachelor of music degree in 1945. ","She spent a year as a graduate student and then obtained her master's degree in specialized work with the blind from the University of Pennsylvania. While there, she also helped several other blind students from all of the United States, who came to the University for an education. ","She trained to become proficient with Optacon, an electronic reading aid for the blind which helps a person to read typing and computer printouts. ","She attended a world conference in Rome, and returned to Philadelphia where she met her husband, the late Harris Reed \"Red\" Cowsert. At the time they met, she was working on site at veteran's hospitals helping injured soldiers. ","Toni embarked on several careers throughout her life, as an entertainer, teacher, counselor and advocate. She sang and played on the radio, at civic clubs, in solo performances, with choirs at churches and in schools, and with the WVU Chorale. She also sang the national anthem at state functions hosted by Gov. 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To preserve the original arrangement, photocopies were made of the scrapbook pages as they were originally.  The original binder with the empty \"magnetic\" pages (covered in adhesive and plastic) was discarded.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2022, in order to preserve the material, all content was removed from the scrapbook pages when possible.  A few items were so adhered to the scrapbook pages that they could not be removed; they were left on the adhesive pages and a sheet of acid free paper separates them from other materials.  To preserve the original arrangement, photocopies were made of the scrapbook pages as they were originally.  The original binder with the empty \"magnetic\" pages (covered in adhesive and plastic) was discarded."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_526d712ec341ca26b7ba6d87e9f48072\"\u003eOne scrapbook of newspaper clippings, photographs, newsletters, and other material regarding the life of Antonetta (Toni) Canacari Cowsert, a blind musician and social worker. Born in 1932, she earned a bachelor's degree in music at West Virginia University, and a degree in social work at the University of Pennsylvania in Philadelphia. 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While there, she also helped several other blind students from all of the United States, who came to the University for an education. \u003c/p\u003e\n","\u003cp\u003eShe trained to become proficient with Optacon, an electronic reading aid for the blind which helps a person to read typing and computer printouts. \u003c/p\u003e\n","\u003cp\u003eShe attended a world conference in Rome, and returned to Philadelphia where she met her husband, the late Harris Reed \"Red\" Cowsert. At the time they met, she was working on site at veteran's hospitals helping injured soldiers. \u003c/p\u003e\n","\u003cp\u003eToni embarked on several careers throughout her life, as an entertainer, teacher, counselor and advocate. She sang and played on the radio, at civic clubs, in solo performances, with choirs at churches and in schools, and with the WVU Chorale. She also sang the national anthem at state functions hosted by Gov. Gaston Caperton. \u003c/p\u003e\n","\u003cp\u003eShe also served on the Commission for Disabled Persons in West Virginia and Pennsylvania with Governor Jay Rockefeller and Governor Richard Thornburg, and was honored in 1997 with an Award of Accomplishment by the West Virginia Italian Heritage Festival for her outstanding achievements. \u003c/p\u003e\n","\u003cp\u003eHer relatives included her sister, Beatrice Galli, her husband, Alfred, of Morgantown; and great-nieces, Jennifer Galli, of Philadelphia, and Christina Galli, of Ogden, Maryland. \u003c/p\u003e\n","\u003cp\u003eIn addition to her parents she was preceded in death by a nephew, Allen Galli. \u003c/p\u003e\n","\u003cp\u003eThe Hastings Funeral Home, 153 Spruce Street, Morgantown, provided cremation services. Friends gathered in the Great Room of Heritage Point from 1-2 p.m. on Wednesday, January 30. A memorial service was then held at 2 p.m. with the Reverend Violet Petso officiating. Interment took place at a later date at East Oak Grove Cemetery.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Antonetta C. \"Toni\" Cowsert was a blind musician and social worker who worked in Morgantown, West Virginia and Philadelphia, Pennsylvania. She was born May 30, 1922, in Fairmont, West Virginia, a daughter of the late Leo and Angelina Cortez Canacari; she passed away Thursday morning, Jan. 24, 2008, at Monongalia General Hospital. ","Toni lost her sight in an accident at the age of 13 months. But growing up in a home with a father who had a beautiful tenor voice, she became quite precocious at music. Her family always had a piano and she constantly absorbed the ever-present sound of opera music playing in the house. ","She studied Braille and entered West Virginia University in 1942. ","She began practice teaching at University High School in 1944, and finally received a bachelor of music degree in 1945. ","She spent a year as a graduate student and then obtained her master's degree in specialized work with the blind from the University of Pennsylvania. While there, she also helped several other blind students from all of the United States, who came to the University for an education. ","She trained to become proficient with Optacon, an electronic reading aid for the blind which helps a person to read typing and computer printouts. ","She attended a world conference in Rome, and returned to Philadelphia where she met her husband, the late Harris Reed \"Red\" Cowsert. At the time they met, she was working on site at veteran's hospitals helping injured soldiers. ","Toni embarked on several careers throughout her life, as an entertainer, teacher, counselor and advocate. She sang and played on the radio, at civic clubs, in solo performances, with choirs at churches and in schools, and with the WVU Chorale. She also sang the national anthem at state functions hosted by Gov. Gaston Caperton. ","She also served on the Commission for Disabled Persons in West Virginia and Pennsylvania with Governor Jay Rockefeller and Governor Richard Thornburg, and was honored in 1997 with an Award of Accomplishment by the West Virginia Italian Heritage Festival for her outstanding achievements. ","Her relatives included her sister, Beatrice Galli, her husband, Alfred, of Morgantown; and great-nieces, Jennifer Galli, of Philadelphia, and Christina Galli, of Ogden, Maryland. ","In addition to her parents she was preceded in death by a nephew, Allen Galli. ","The Hastings Funeral Home, 153 Spruce Street, Morgantown, provided cremation services. Friends gathered in the Great Room of Heritage Point from 1-2 p.m. on Wednesday, January 30. A memorial service was then held at 2 p.m. with the Reverend Violet Petso officiating. Interment took place at a later date at East Oak Grove Cemetery."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Antonetta Cowsert, Social Worker and Musician Scrapbook, A\u0026amp;M 3622, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Antonetta Cowsert, Social Worker and Musician Scrapbook, A\u0026M 3622, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2022, in order to preserve the material, all content was removed from the scrapbook pages when possible.  A few items were so adhered to the scrapbook pages that they could not be removed; they were left on the adhesive pages and a sheet of acid free paper separates them from other materials.  To preserve the original arrangement, photocopies were made of the scrapbook pages as they were originally.  The original binder with the empty \"magnetic\" pages (covered in adhesive and plastic) was discarded.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2022, in order to preserve the material, all content was removed from the scrapbook pages when possible.  A few items were so adhered to the scrapbook pages that they could not be removed; they were left on the adhesive pages and a sheet of acid free paper separates them from other materials.  To preserve the original arrangement, photocopies were made of the scrapbook pages as they were originally.  The original binder with the empty \"magnetic\" pages (covered in adhesive and plastic) was discarded."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_526d712ec341ca26b7ba6d87e9f48072\"\u003eOne scrapbook of newspaper clippings, photographs, newsletters, and other material regarding the life of Antonetta (Toni) Canacari Cowsert, a blind musician and social worker. Born in 1932, she earned a bachelor's degree in music at West Virginia University, and a degree in social work at the University of Pennsylvania in Philadelphia. She worked as a social worker and teacher for social service agencies and public school districts in the Philadelphia area while participating in many local choirs. She returned to Morgantown, West Virginia in 1979 where she continued her community service and musical activities.\u003c/abstract\u003e"],"abstract_tesim":["One scrapbook of newspaper clippings, photographs, newsletters, and other material regarding the life of Antonetta (Toni) Canacari Cowsert, a blind musician and social worker. Born in 1932, she earned a bachelor's degree in music at West Virginia University, and a degree in social work at the University of Pennsylvania in Philadelphia. She worked as a social worker and teacher for social service agencies and public school districts in the Philadelphia area while participating in many local choirs. She returned to Morgantown, West Virginia in 1979 where she continued her community service and musical activities."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_94dad7b8253fe46ee4d16cf91461739e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Cowsert, Antonetta, Compiler"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Cowsert, Antonetta, Compiler"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:10:14.977Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2015"}},{"id":"vircu_repositories_3_resources_302","type":"collection","attributes":{"title":"A. Patrick L. Prest, Jr. papers","creator":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_302#creator","type":"document_value","attributes":{"value":"Prest, A. Patrick L., Rev., Jr.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_302#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Prest papers are comprised mostly of materials pertaining to his work as a hospital chaplain and educator. There are some materials contained in the collection from the Department of Patient Counseling that date after Prest's retirement in 1993. These papers offer insight into how the Clinical Pastoral Education (CPE) program was formed and administered as well as trends in the professionalization of clinical pastoral care. The collection is divided into six series. Materials of particular interest are detailed in the series descriptions.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_302#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_3_resources_302","ead_ssi":"vircu_repositories_3_resources_302","_root_":"vircu_repositories_3_resources_302","_nest_parent_":"vircu_repositories_3_resources_302","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_302.xml","title_filing_ssi":"Prest, A. Patrick L., Jr. papers","title_ssm":["A. Patrick L. Prest, Jr. papers"],"title_tesim":["A. Patrick L. Prest, Jr. papers"],"unitdate_ssm":["1941-2014"],"unitdate_inclusive_ssm":["1941-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.11.69"],"text":["2016.11.69","A. Patrick L. Prest, Jr. papers","The collection is open to research; however, some files with confidential information are restricted; please consult Special Collections and Archives staff for details. All student records located in series 1 and 6 are subject to the Family Educational Rights and Privacy Act (FERPA) restrictions.","Restricted due to confidential information. Please see the archivist for details.","Access restricted due to FERPA.","Restricted due to confidential information. Please see the archivist for details.","Access restricted due to FERPA.","Access restricted due to FERPA."," The Rev. Dr. Alan Patrick Llewelyn Prest, Jr. was born in Detroit, Michigan and grew up in Massachusetts.  He earned a degree in business from Lehigh University in 1951 before receiving his Masters of Divinity from the Episcopal Theological Seminary in Cambridge, Massachusetts in 1954. Following his residency in clinical pastoral education at St. Luke's Hospital in Houston, Texas, Prest served a chaplain at Bellevue Hospital in New York City. ","After a short tenure at Bellevue, Prest came to the Medical College of Virginia (MCV) where he succeeded the Rev. Dr. George D. Ossman who had served as the first chaplain and as a clinical pastoral educator beginning in 1943. The MCV administration tasked Prest with securing accreditation for the clinical pastoral education program which had been initiated in 1958. Under Prest's leadership the program received accreditation from the Council for Clinical Training (now the Association for Clinical Pastoral Education) one year later. During the pastoral education program's formative years, Prest served as administrator and hospital chaplain. He also established a cooperative program with the School of Theology at Virginia Union University (VUU) for which he was an adjunct instructor teaching courses in pastoral counseling and clinical orientation. ","The educational program with Prest at the helm remained administratively part of the MCV Hospital until the creation of Virginia Commonwealth University in 1968. The VCU Board of Visitors established a new school for the allied health programs at the former MCV and the program in pastoral counseling was a logical choice for this new administrative home. This move split the education program from the pastoral care service component and the latter remained based in the hospital as the department of pastoral care. Prest remained responsible for both units and coordinated both units as they trained counselors and provided pastoral care in the hospital. The Board of Visitors promoted Prest to full professor and acknowledged his administrative role by naming him chair of the Program in Patient Counseling. He continued in this role until his retirement in 1993.","In addition to his work at VCU, Prest devoted time to professional activities. In 1967 he organized the Virginia Institute for Pastoral Care, one of the oldest pastoral counseling centers in the United States. The Institute supported both the MCV and University of Virginia chaplaincy programs as they struggled to secure adequate funding to sustain their respective programs. Prest also helped to organize the Virginia Association for Allied Health Professionals and served as its first president. He was also active with the Virginia Board of Professional Counselors for a period of eleven years, including two terms as chair. ","Following Prest's retirement, the program in patient counseling continued to develop and it finally received departmental status within the School of Allied Health Professions in 2010. The Master of Science degree program was established in 2000 and a dual-degree arrangement with the School of Theology at VUU began. In 2007 the department enrolled its first students in pastoral counseling track of the School of Allied Health Professions' doctoral program in health related sciences. The department also initiated a distance learning program at New College in Abingdon and Memorial Hospital in Martinsburg, Virginia. Thanks to the generosity of the Lantz family the department established two endowed positions, the Rev. Robert B. Lantz Chair of the Department of Patient Counseling and the Katherine I. Lantz Professor of Patient Counseling. ","Sources: \n\"A Brief History of CPE at MCV\" (see box:folder 3:12) \nVCU School of Allied Health Professions, Patient Counseling, History of Personnel (http://sahp.vcu.edu/departments/ptc/about-us/history-of-personnel/) \n \nVCU School of Allied Health Professions, Patient Counseling, Program History (http://sahp.vcu.edu/departments/ptc/about-us/program-history/)\n","The Department of Patient Counseling had someone organize the papers prior to the donation. Special Collections and Archives staff changed a few of the folder titles to more accurately reflect the contents of those folders, but the majority were retained as written. Additional information, such as dates, were added to existing folder titles when necessary. The files were rearranged from how the collection was originally received in order to facilitate better access and description of the collection.","The Prest papers are comprised mostly of materials pertaining to his work as a hospital chaplain and educator. There are some materials contained in the collection from the Department of Patient Counseling that date after Prest's retirement in 1993. These papers offer insight into how the Clinical Pastoral Education (CPE) program was formed and administered as well as trends in the professionalization of clinical pastoral care. The collection is divided into six series. Materials of particular interest are detailed in the series descriptions.","Series 1 MCV/VCU, 1954-2014. This series includes papers, publications, reports, accreditation materials, correspondence, and memoranda related to the pastoral care program at the Medical College of Virginia (MCV) and later Virginia Commonwealth University (VCU).","The accreditation materials for the Council for Clinical Training and the Association for Clinical Pastoral Education provide information on the early days of the program and includes examples of program activities, self-studies, and site reports required for the accreditation process. Since these materials span from 1957 to 2010 it also illustrates how the accreditation process has evolved.","Various reports in this series offer insight into how the program functioned as well as how it expanded and changed over time. The annual reports of the Chaplains' Department supply a summary of activities and statistics from the first decade of the program. A 1964 Old Dominion Foundation grant application demonstrates how the program was growinig and in need of funds to support its expanding mission and the 1975 mission and goals report and the 1987 Virginia Cluster report highlight trends and changes in pastoral education.","Additional materials of interest are a group of letters between 1968 and 1970 discussing whether the CPE program violated Article IV Section 67 of the Virginia Constitution regarding the separation of church and state. Also of interest are the chapel bulletins from the 1950s-1970s used for the four services held on Sundays at the hospital. In addition to detailing the order of service, the bulletins contain announcements about patient counseling services and a devotional or meditation usually written by one of the counselor-chaplains.","Other materials in the series include the hospital chaplain's log books summerizing interactions with patients and their families, hosptial chapel information, proposals for a master's degree in patient counseling, articles, clippings, and newsletters featuring the department and staff, photographs, and a scrapbook.","Series 2: Council for Clinical Training (CCT), 1953-1977. The series consists of materials such as correspondences, newsletters, reports, and conference programs and papers. The documents in this series provide some insight into the organization responsible for accrediting the CPE program and personnel at MCV when it was established. There is one folder of materials for the Association for Clinical Pastoral Education (ACPE) which is the current accrediting body. CCT merged with three other organizations in 1967 to form ACPE. Of interest in this series are the evaluations of Prest during his tenure at St. Luke's which were submitted to CCT for his accreditation with the organization.","Series 3: Writings, 1967-1986. This series is comprised of articles and manuscripts drafts written by Prest and others as well as presentation notes and text. Subjects explored include suicide, death and dying, and grief.","Series 4: Subject Files, 1941, 1955-1984. The series contains articles and materials concerning topics of interest to Prest.","Series 5: Educational Papers, 1952-1954. In this series are papers from his time as a student at Episcopal Theological Seminary and includes class assignments, lecture notes, and exams.","Series 6: Virginia Union University, 1968-1989. This series contains materials relating to his work as an adjunct professor including syllabi, course assignments, and some faculty materials such as meetings and minutes.","Summaries of Prest's group sessions with students where they discussed interactions with patients and case studies. These include Prest's evaluation of students during the session.","Includes the schedule and lectures from \"A Series of Eight Lectures of Concern to Theologican and Physicians\" sponsored by the Chaplain's Department and a copy of the orientation program schedule for CPE students.","Includes information on symbols of different religions, 1967 design floor plans, letter about possible renovation, 1992.","Includes agendas, minutes, and notes, for some of the meetings of the committees.","A Ride Down Memory Lane, Highways to Healing,  created as part of the celebration of 55 years of clinical pastoral education and 70 years of pastoral care at VCU. Includes photographs and bios of staff as well as copies of articles and documents related to the VCU Department of Patient Counseling and the Department of Pastoral Care at VCU Medical Center.","The documents pertain to Prest's work as an assistant supervisor at St. Luke's Hospital in Houston, Texas. The materials include self-evaluations by Prest and reports from his training supervisor, Armen D. Jorjorian.","Includes the conference schedule, papers from presenters, workshop information, committee reports, and membership list.","Includes form letters, newsletters, committee reports, budget information, and similar materials related to the organization.","Includes miscellaneous pamphlets, correspondence, and articles related to CCT or pastoral education in general.","Includes conference programs, papers, committee reports, and notes from the 1957 and 1958 national conferences; minutes of the Regional Conference for Institutional Chaplains in 1958 as well as some related correspondence; and correspondence about the southeastern region of the NCCPE meeting in Richmond, Virginia in 1960 and includes the handout titled \"Discussion Questions in Clinical Pastoral Education.","There are no restrictions.","VCU Health Sciences Library","Virginia Commonwealth University. Department of Patient Counseling","Prest, A. Patrick L., Rev., Jr.","English \n.    "],"unitid_tesim":["2016.11.69"],"normalized_title_ssm":["A. Patrick L. Prest, Jr. papers"],"collection_title_tesim":["A. Patrick L. Prest, Jr. papers"],"collection_ssim":["A. Patrick L. Prest, Jr. papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Prest, A. Patrick L., Rev., Jr."],"creator_ssim":["Prest, A. Patrick L., Rev., Jr."],"creator_persname_ssim":["Prest, A. Patrick L., Rev., Jr."],"creators_ssim":["Prest, A. Patrick L., Rev., Jr."],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The papers were donated by the Department of Patient Counseling in the School of Allied Health Professionals at Virginia Commonwealth University in November 2016."],"has_online_content_ssim":["false"],"extent_ssm":["5.1 Linear Feet 10 doc cases, 1 print box"],"extent_tesim":["5.1 Linear Feet 10 doc cases, 1 print box"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research; however, some files with confidential information are restricted; please consult Special Collections and Archives staff for details. All student records located in series 1 and 6 are subject to the Family Educational Rights and Privacy Act (FERPA) restrictions.\u003c/p\u003e","\u003cp\u003eRestricted due to confidential information. Please see the archivist for details.\u003c/p\u003e","\u003cp\u003eAccess restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eRestricted due to confidential information. Please see the archivist for details.\u003c/p\u003e","\u003cp\u003eAccess restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eAccess restricted due to FERPA.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["The collection is open to research; however, some files with confidential information are restricted; please consult Special Collections and Archives staff for details. All student records located in series 1 and 6 are subject to the Family Educational Rights and Privacy Act (FERPA) restrictions.","Restricted due to confidential information. Please see the archivist for details.","Access restricted due to FERPA.","Restricted due to confidential information. Please see the archivist for details.","Access restricted due to FERPA.","Access restricted due to FERPA."],"bioghist_html_tesm":["\u003cp\u003e The Rev. Dr. Alan Patrick Llewelyn Prest, Jr. was born in Detroit, Michigan and grew up in Massachusetts.  He earned a degree in business from Lehigh University in 1951 before receiving his Masters of Divinity from the Episcopal Theological Seminary in Cambridge, Massachusetts in 1954. Following his residency in clinical pastoral education at St. Luke's Hospital in Houston, Texas, Prest served a chaplain at Bellevue Hospital in New York City. \u003c/p\u003e","\u003cp\u003eAfter a short tenure at Bellevue, Prest came to the Medical College of Virginia (MCV) where he succeeded the Rev. Dr. George D. Ossman who had served as the first chaplain and as a clinical pastoral educator beginning in 1943. The MCV administration tasked Prest with securing accreditation for the clinical pastoral education program which had been initiated in 1958. Under Prest's leadership the program received accreditation from the Council for Clinical Training (now the Association for Clinical Pastoral Education) one year later. During the pastoral education program's formative years, Prest served as administrator and hospital chaplain. He also established a cooperative program with the School of Theology at Virginia Union University (VUU) for which he was an adjunct instructor teaching courses in pastoral counseling and clinical orientation. \u003c/p\u003e","\u003cp\u003eThe educational program with Prest at the helm remained administratively part of the MCV Hospital until the creation of Virginia Commonwealth University in 1968. The VCU Board of Visitors established a new school for the allied health programs at the former MCV and the program in pastoral counseling was a logical choice for this new administrative home. This move split the education program from the pastoral care service component and the latter remained based in the hospital as the department of pastoral care. Prest remained responsible for both units and coordinated both units as they trained counselors and provided pastoral care in the hospital. The Board of Visitors promoted Prest to full professor and acknowledged his administrative role by naming him chair of the Program in Patient Counseling. He continued in this role until his retirement in 1993.\u003c/p\u003e","\u003cp\u003eIn addition to his work at VCU, Prest devoted time to professional activities. In 1967 he organized the Virginia Institute for Pastoral Care, one of the oldest pastoral counseling centers in the United States. The Institute supported both the MCV and University of Virginia chaplaincy programs as they struggled to secure adequate funding to sustain their respective programs. Prest also helped to organize the Virginia Association for Allied Health Professionals and served as its first president. He was also active with the Virginia Board of Professional Counselors for a period of eleven years, including two terms as chair. \u003c/p\u003e","\u003cp\u003eFollowing Prest's retirement, the program in patient counseling continued to develop and it finally received departmental status within the School of Allied Health Professions in 2010. The Master of Science degree program was established in 2000 and a dual-degree arrangement with the School of Theology at VUU began. In 2007 the department enrolled its first students in pastoral counseling track of the School of Allied Health Professions' doctoral program in health related sciences. The department also initiated a distance learning program at New College in Abingdon and Memorial Hospital in Martinsburg, Virginia. Thanks to the generosity of the Lantz family the department established two endowed positions, the Rev. Robert B. Lantz Chair of the Department of Patient Counseling and the Katherine I. Lantz Professor of Patient Counseling. \u003c/p\u003e","\u003cp\u003eSources:\u003clb\u003e\u003c/lb\u003e\n\"A Brief History of CPE at MCV\" (see box:folder 3:12)\u003clb\u003e\u003c/lb\u003e\nVCU School of Allied Health Professions, Patient Counseling, History of Personnel (http://sahp.vcu.edu/departments/ptc/about-us/history-of-personnel/)\u003clb\u003e\u003c/lb\u003e\n \nVCU School of Allied Health Professions, Patient Counseling, Program History (http://sahp.vcu.edu/departments/ptc/about-us/program-history/)\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":[" The Rev. Dr. Alan Patrick Llewelyn Prest, Jr. was born in Detroit, Michigan and grew up in Massachusetts.  He earned a degree in business from Lehigh University in 1951 before receiving his Masters of Divinity from the Episcopal Theological Seminary in Cambridge, Massachusetts in 1954. Following his residency in clinical pastoral education at St. Luke's Hospital in Houston, Texas, Prest served a chaplain at Bellevue Hospital in New York City. ","After a short tenure at Bellevue, Prest came to the Medical College of Virginia (MCV) where he succeeded the Rev. Dr. George D. Ossman who had served as the first chaplain and as a clinical pastoral educator beginning in 1943. The MCV administration tasked Prest with securing accreditation for the clinical pastoral education program which had been initiated in 1958. Under Prest's leadership the program received accreditation from the Council for Clinical Training (now the Association for Clinical Pastoral Education) one year later. During the pastoral education program's formative years, Prest served as administrator and hospital chaplain. He also established a cooperative program with the School of Theology at Virginia Union University (VUU) for which he was an adjunct instructor teaching courses in pastoral counseling and clinical orientation. ","The educational program with Prest at the helm remained administratively part of the MCV Hospital until the creation of Virginia Commonwealth University in 1968. The VCU Board of Visitors established a new school for the allied health programs at the former MCV and the program in pastoral counseling was a logical choice for this new administrative home. This move split the education program from the pastoral care service component and the latter remained based in the hospital as the department of pastoral care. Prest remained responsible for both units and coordinated both units as they trained counselors and provided pastoral care in the hospital. The Board of Visitors promoted Prest to full professor and acknowledged his administrative role by naming him chair of the Program in Patient Counseling. He continued in this role until his retirement in 1993.","In addition to his work at VCU, Prest devoted time to professional activities. In 1967 he organized the Virginia Institute for Pastoral Care, one of the oldest pastoral counseling centers in the United States. The Institute supported both the MCV and University of Virginia chaplaincy programs as they struggled to secure adequate funding to sustain their respective programs. Prest also helped to organize the Virginia Association for Allied Health Professionals and served as its first president. He was also active with the Virginia Board of Professional Counselors for a period of eleven years, including two terms as chair. ","Following Prest's retirement, the program in patient counseling continued to develop and it finally received departmental status within the School of Allied Health Professions in 2010. The Master of Science degree program was established in 2000 and a dual-degree arrangement with the School of Theology at VUU began. In 2007 the department enrolled its first students in pastoral counseling track of the School of Allied Health Professions' doctoral program in health related sciences. The department also initiated a distance learning program at New College in Abingdon and Memorial Hospital in Martinsburg, Virginia. Thanks to the generosity of the Lantz family the department established two endowed positions, the Rev. Robert B. Lantz Chair of the Department of Patient Counseling and the Katherine I. Lantz Professor of Patient Counseling. ","Sources: \n\"A Brief History of CPE at MCV\" (see box:folder 3:12) \nVCU School of Allied Health Professions, Patient Counseling, History of Personnel (http://sahp.vcu.edu/departments/ptc/about-us/history-of-personnel/) \n \nVCU School of Allied Health Professions, Patient Counseling, Program History (http://sahp.vcu.edu/departments/ptc/about-us/program-history/)\n"],"prefercite_html_tesm":["\u003cp\u003eA. Patrick L. Prest, Jr. papers, Accession # 2016.11.69, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA\u003c/p\u003e"],"prefercite_tesim":["A. Patrick L. Prest, Jr. papers, Accession # 2016.11.69, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA"],"processinfo_html_tesm":["\u003cp\u003eThe Department of Patient Counseling had someone organize the papers prior to the donation. Special Collections and Archives staff changed a few of the folder titles to more accurately reflect the contents of those folders, but the majority were retained as written. Additional information, such as dates, were added to existing folder titles when necessary. The files were rearranged from how the collection was originally received in order to facilitate better access and description of the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Department of Patient Counseling had someone organize the papers prior to the donation. Special Collections and Archives staff changed a few of the folder titles to more accurately reflect the contents of those folders, but the majority were retained as written. Additional information, such as dates, were added to existing folder titles when necessary. The files were rearranged from how the collection was originally received in order to facilitate better access and description of the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Prest papers are comprised mostly of materials pertaining to his work as a hospital chaplain and educator. There are some materials contained in the collection from the Department of Patient Counseling that date after Prest's retirement in 1993. These papers offer insight into how the Clinical Pastoral Education (CPE) program was formed and administered as well as trends in the professionalization of clinical pastoral care. The collection is divided into six series. Materials of particular interest are detailed in the series descriptions.\u003c/p\u003e\n","\u003cp\u003eSeries 1 MCV/VCU, 1954-2014. This series includes papers, publications, reports, accreditation materials, correspondence, and memoranda related to the pastoral care program at the Medical College of Virginia (MCV) and later Virginia Commonwealth University (VCU).\u003c/p\u003e\n","\u003cp\u003eThe accreditation materials for the Council for Clinical Training and the Association for Clinical Pastoral Education provide information on the early days of the program and includes examples of program activities, self-studies, and site reports required for the accreditation process. Since these materials span from 1957 to 2010 it also illustrates how the accreditation process has evolved.\u003c/p\u003e\n","\u003cp\u003eVarious reports in this series offer insight into how the program functioned as well as how it expanded and changed over time. The annual reports of the Chaplains' Department supply a summary of activities and statistics from the first decade of the program. A 1964 Old Dominion Foundation grant application demonstrates how the program was growinig and in need of funds to support its expanding mission and the 1975 mission and goals report and the 1987 Virginia Cluster report highlight trends and changes in pastoral education.\u003c/p\u003e\n","\u003cp\u003eAdditional materials of interest are a group of letters between 1968 and 1970 discussing whether the CPE program violated Article IV Section 67 of the Virginia Constitution regarding the separation of church and state. Also of interest are the chapel bulletins from the 1950s-1970s used for the four services held on Sundays at the hospital. In addition to detailing the order of service, the bulletins contain announcements about patient counseling services and a devotional or meditation usually written by one of the counselor-chaplains.\u003c/p\u003e\n","\u003cp\u003eOther materials in the series include the hospital chaplain's log books summerizing interactions with patients and their families, hosptial chapel information, proposals for a master's degree in patient counseling, articles, clippings, and newsletters featuring the department and staff, photographs, and a scrapbook.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Council for Clinical Training (CCT), 1953-1977. The series consists of materials such as correspondences, newsletters, reports, and conference programs and papers. The documents in this series provide some insight into the organization responsible for accrediting the CPE program and personnel at MCV when it was established. There is one folder of materials for the Association for Clinical Pastoral Education (ACPE) which is the current accrediting body. CCT merged with three other organizations in 1967 to form ACPE. Of interest in this series are the evaluations of Prest during his tenure at St. Luke's which were submitted to CCT for his accreditation with the organization.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Writings, 1967-1986. This series is comprised of articles and manuscripts drafts written by Prest and others as well as presentation notes and text. Subjects explored include suicide, death and dying, and grief.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Subject Files, 1941, 1955-1984. The series contains articles and materials concerning topics of interest to Prest.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Educational Papers, 1952-1954. In this series are papers from his time as a student at Episcopal Theological Seminary and includes class assignments, lecture notes, and exams.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Virginia Union University, 1968-1989. This series contains materials relating to his work as an adjunct professor including syllabi, course assignments, and some faculty materials such as meetings and minutes.\u003c/p\u003e","\u003cp\u003eSummaries of Prest's group sessions with students where they discussed interactions with patients and case studies. These include Prest's evaluation of students during the session.\u003c/p\u003e","\u003cp\u003eIncludes the schedule and lectures from \"A Series of Eight Lectures of Concern to Theologican and Physicians\" sponsored by the Chaplain's Department and a copy of the orientation program schedule for CPE students.\u003c/p\u003e","\u003cp\u003eIncludes information on symbols of different religions, 1967 design floor plans, letter about possible renovation, 1992.\u003c/p\u003e","\u003cp\u003eIncludes agendas, minutes, and notes, for some of the meetings of the committees.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Ride Down Memory Lane, Highways to Healing,\u003c/title\u003e created as part of the celebration of 55 years of clinical pastoral education and 70 years of pastoral care at VCU. Includes photographs and bios of staff as well as copies of articles and documents related to the VCU Department of Patient Counseling and the Department of Pastoral Care at VCU Medical Center.\u003c/p\u003e","\u003cp\u003eThe documents pertain to Prest's work as an assistant supervisor at St. Luke's Hospital in Houston, Texas. The materials include self-evaluations by Prest and reports from his training supervisor, Armen D. Jorjorian.\u003c/p\u003e","\u003cp\u003eIncludes the conference schedule, papers from presenters, workshop information, committee reports, and membership list.\u003c/p\u003e","\u003cp\u003eIncludes form letters, newsletters, committee reports, budget information, and similar materials related to the organization.\u003c/p\u003e","\u003cp\u003eIncludes miscellaneous pamphlets, correspondence, and articles related to CCT or pastoral education in general.\u003c/p\u003e","\u003cp\u003eIncludes conference programs, papers, committee reports, and notes from the 1957 and 1958 national conferences; minutes of the Regional Conference for Institutional Chaplains in 1958 as well as some related correspondence; and correspondence about the southeastern region of the NCCPE meeting in Richmond, Virginia in 1960 and includes the handout titled \"Discussion Questions in Clinical Pastoral Education.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Prest papers are comprised mostly of materials pertaining to his work as a hospital chaplain and educator. There are some materials contained in the collection from the Department of Patient Counseling that date after Prest's retirement in 1993. These papers offer insight into how the Clinical Pastoral Education (CPE) program was formed and administered as well as trends in the professionalization of clinical pastoral care. The collection is divided into six series. Materials of particular interest are detailed in the series descriptions.","Series 1 MCV/VCU, 1954-2014. This series includes papers, publications, reports, accreditation materials, correspondence, and memoranda related to the pastoral care program at the Medical College of Virginia (MCV) and later Virginia Commonwealth University (VCU).","The accreditation materials for the Council for Clinical Training and the Association for Clinical Pastoral Education provide information on the early days of the program and includes examples of program activities, self-studies, and site reports required for the accreditation process. Since these materials span from 1957 to 2010 it also illustrates how the accreditation process has evolved.","Various reports in this series offer insight into how the program functioned as well as how it expanded and changed over time. The annual reports of the Chaplains' Department supply a summary of activities and statistics from the first decade of the program. A 1964 Old Dominion Foundation grant application demonstrates how the program was growinig and in need of funds to support its expanding mission and the 1975 mission and goals report and the 1987 Virginia Cluster report highlight trends and changes in pastoral education.","Additional materials of interest are a group of letters between 1968 and 1970 discussing whether the CPE program violated Article IV Section 67 of the Virginia Constitution regarding the separation of church and state. Also of interest are the chapel bulletins from the 1950s-1970s used for the four services held on Sundays at the hospital. In addition to detailing the order of service, the bulletins contain announcements about patient counseling services and a devotional or meditation usually written by one of the counselor-chaplains.","Other materials in the series include the hospital chaplain's log books summerizing interactions with patients and their families, hosptial chapel information, proposals for a master's degree in patient counseling, articles, clippings, and newsletters featuring the department and staff, photographs, and a scrapbook.","Series 2: Council for Clinical Training (CCT), 1953-1977. The series consists of materials such as correspondences, newsletters, reports, and conference programs and papers. The documents in this series provide some insight into the organization responsible for accrediting the CPE program and personnel at MCV when it was established. There is one folder of materials for the Association for Clinical Pastoral Education (ACPE) which is the current accrediting body. CCT merged with three other organizations in 1967 to form ACPE. Of interest in this series are the evaluations of Prest during his tenure at St. Luke's which were submitted to CCT for his accreditation with the organization.","Series 3: Writings, 1967-1986. This series is comprised of articles and manuscripts drafts written by Prest and others as well as presentation notes and text. Subjects explored include suicide, death and dying, and grief.","Series 4: Subject Files, 1941, 1955-1984. The series contains articles and materials concerning topics of interest to Prest.","Series 5: Educational Papers, 1952-1954. In this series are papers from his time as a student at Episcopal Theological Seminary and includes class assignments, lecture notes, and exams.","Series 6: Virginia Union University, 1968-1989. This series contains materials relating to his work as an adjunct professor including syllabi, course assignments, and some faculty materials such as meetings and minutes.","Summaries of Prest's group sessions with students where they discussed interactions with patients and case studies. These include Prest's evaluation of students during the session.","Includes the schedule and lectures from \"A Series of Eight Lectures of Concern to Theologican and Physicians\" sponsored by the Chaplain's Department and a copy of the orientation program schedule for CPE students.","Includes information on symbols of different religions, 1967 design floor plans, letter about possible renovation, 1992.","Includes agendas, minutes, and notes, for some of the meetings of the committees.","A Ride Down Memory Lane, Highways to Healing,  created as part of the celebration of 55 years of clinical pastoral education and 70 years of pastoral care at VCU. Includes photographs and bios of staff as well as copies of articles and documents related to the VCU Department of Patient Counseling and the Department of Pastoral Care at VCU Medical Center.","The documents pertain to Prest's work as an assistant supervisor at St. Luke's Hospital in Houston, Texas. The materials include self-evaluations by Prest and reports from his training supervisor, Armen D. Jorjorian.","Includes the conference schedule, papers from presenters, workshop information, committee reports, and membership list.","Includes form letters, newsletters, committee reports, budget information, and similar materials related to the organization.","Includes miscellaneous pamphlets, correspondence, and articles related to CCT or pastoral education in general.","Includes conference programs, papers, committee reports, and notes from the 1957 and 1958 national conferences; minutes of the Regional Conference for Institutional Chaplains in 1958 as well as some related correspondence; and correspondence about the southeastern region of the NCCPE meeting in Richmond, Virginia in 1960 and includes the handout titled \"Discussion Questions in Clinical Pastoral Education."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Virginia Commonwealth University. Department of Patient Counseling","Prest, A. Patrick L., Rev., Jr."],"names_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. Department of Patient Counseling","Prest, A. Patrick L., Rev., Jr."],"corpname_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. Department of Patient Counseling"],"persname_ssim":["Prest, A. Patrick L., Rev., Jr."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:43:11.646Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_302","ead_ssi":"vircu_repositories_3_resources_302","_root_":"vircu_repositories_3_resources_302","_nest_parent_":"vircu_repositories_3_resources_302","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_302.xml","title_filing_ssi":"Prest, A. Patrick L., Jr. papers","title_ssm":["A. Patrick L. Prest, Jr. papers"],"title_tesim":["A. Patrick L. Prest, Jr. papers"],"unitdate_ssm":["1941-2014"],"unitdate_inclusive_ssm":["1941-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.11.69"],"text":["2016.11.69","A. Patrick L. Prest, Jr. papers","The collection is open to research; however, some files with confidential information are restricted; please consult Special Collections and Archives staff for details. All student records located in series 1 and 6 are subject to the Family Educational Rights and Privacy Act (FERPA) restrictions.","Restricted due to confidential information. Please see the archivist for details.","Access restricted due to FERPA.","Restricted due to confidential information. Please see the archivist for details.","Access restricted due to FERPA.","Access restricted due to FERPA."," The Rev. Dr. Alan Patrick Llewelyn Prest, Jr. was born in Detroit, Michigan and grew up in Massachusetts.  He earned a degree in business from Lehigh University in 1951 before receiving his Masters of Divinity from the Episcopal Theological Seminary in Cambridge, Massachusetts in 1954. Following his residency in clinical pastoral education at St. Luke's Hospital in Houston, Texas, Prest served a chaplain at Bellevue Hospital in New York City. ","After a short tenure at Bellevue, Prest came to the Medical College of Virginia (MCV) where he succeeded the Rev. Dr. George D. Ossman who had served as the first chaplain and as a clinical pastoral educator beginning in 1943. The MCV administration tasked Prest with securing accreditation for the clinical pastoral education program which had been initiated in 1958. Under Prest's leadership the program received accreditation from the Council for Clinical Training (now the Association for Clinical Pastoral Education) one year later. During the pastoral education program's formative years, Prest served as administrator and hospital chaplain. He also established a cooperative program with the School of Theology at Virginia Union University (VUU) for which he was an adjunct instructor teaching courses in pastoral counseling and clinical orientation. ","The educational program with Prest at the helm remained administratively part of the MCV Hospital until the creation of Virginia Commonwealth University in 1968. The VCU Board of Visitors established a new school for the allied health programs at the former MCV and the program in pastoral counseling was a logical choice for this new administrative home. This move split the education program from the pastoral care service component and the latter remained based in the hospital as the department of pastoral care. Prest remained responsible for both units and coordinated both units as they trained counselors and provided pastoral care in the hospital. The Board of Visitors promoted Prest to full professor and acknowledged his administrative role by naming him chair of the Program in Patient Counseling. He continued in this role until his retirement in 1993.","In addition to his work at VCU, Prest devoted time to professional activities. In 1967 he organized the Virginia Institute for Pastoral Care, one of the oldest pastoral counseling centers in the United States. The Institute supported both the MCV and University of Virginia chaplaincy programs as they struggled to secure adequate funding to sustain their respective programs. Prest also helped to organize the Virginia Association for Allied Health Professionals and served as its first president. He was also active with the Virginia Board of Professional Counselors for a period of eleven years, including two terms as chair. ","Following Prest's retirement, the program in patient counseling continued to develop and it finally received departmental status within the School of Allied Health Professions in 2010. The Master of Science degree program was established in 2000 and a dual-degree arrangement with the School of Theology at VUU began. In 2007 the department enrolled its first students in pastoral counseling track of the School of Allied Health Professions' doctoral program in health related sciences. The department also initiated a distance learning program at New College in Abingdon and Memorial Hospital in Martinsburg, Virginia. Thanks to the generosity of the Lantz family the department established two endowed positions, the Rev. Robert B. Lantz Chair of the Department of Patient Counseling and the Katherine I. Lantz Professor of Patient Counseling. ","Sources: \n\"A Brief History of CPE at MCV\" (see box:folder 3:12) \nVCU School of Allied Health Professions, Patient Counseling, History of Personnel (http://sahp.vcu.edu/departments/ptc/about-us/history-of-personnel/) \n \nVCU School of Allied Health Professions, Patient Counseling, Program History (http://sahp.vcu.edu/departments/ptc/about-us/program-history/)\n","The Department of Patient Counseling had someone organize the papers prior to the donation. Special Collections and Archives staff changed a few of the folder titles to more accurately reflect the contents of those folders, but the majority were retained as written. Additional information, such as dates, were added to existing folder titles when necessary. The files were rearranged from how the collection was originally received in order to facilitate better access and description of the collection.","The Prest papers are comprised mostly of materials pertaining to his work as a hospital chaplain and educator. There are some materials contained in the collection from the Department of Patient Counseling that date after Prest's retirement in 1993. These papers offer insight into how the Clinical Pastoral Education (CPE) program was formed and administered as well as trends in the professionalization of clinical pastoral care. The collection is divided into six series. Materials of particular interest are detailed in the series descriptions.","Series 1 MCV/VCU, 1954-2014. This series includes papers, publications, reports, accreditation materials, correspondence, and memoranda related to the pastoral care program at the Medical College of Virginia (MCV) and later Virginia Commonwealth University (VCU).","The accreditation materials for the Council for Clinical Training and the Association for Clinical Pastoral Education provide information on the early days of the program and includes examples of program activities, self-studies, and site reports required for the accreditation process. Since these materials span from 1957 to 2010 it also illustrates how the accreditation process has evolved.","Various reports in this series offer insight into how the program functioned as well as how it expanded and changed over time. The annual reports of the Chaplains' Department supply a summary of activities and statistics from the first decade of the program. A 1964 Old Dominion Foundation grant application demonstrates how the program was growinig and in need of funds to support its expanding mission and the 1975 mission and goals report and the 1987 Virginia Cluster report highlight trends and changes in pastoral education.","Additional materials of interest are a group of letters between 1968 and 1970 discussing whether the CPE program violated Article IV Section 67 of the Virginia Constitution regarding the separation of church and state. Also of interest are the chapel bulletins from the 1950s-1970s used for the four services held on Sundays at the hospital. In addition to detailing the order of service, the bulletins contain announcements about patient counseling services and a devotional or meditation usually written by one of the counselor-chaplains.","Other materials in the series include the hospital chaplain's log books summerizing interactions with patients and their families, hosptial chapel information, proposals for a master's degree in patient counseling, articles, clippings, and newsletters featuring the department and staff, photographs, and a scrapbook.","Series 2: Council for Clinical Training (CCT), 1953-1977. The series consists of materials such as correspondences, newsletters, reports, and conference programs and papers. The documents in this series provide some insight into the organization responsible for accrediting the CPE program and personnel at MCV when it was established. There is one folder of materials for the Association for Clinical Pastoral Education (ACPE) which is the current accrediting body. CCT merged with three other organizations in 1967 to form ACPE. Of interest in this series are the evaluations of Prest during his tenure at St. Luke's which were submitted to CCT for his accreditation with the organization.","Series 3: Writings, 1967-1986. This series is comprised of articles and manuscripts drafts written by Prest and others as well as presentation notes and text. Subjects explored include suicide, death and dying, and grief.","Series 4: Subject Files, 1941, 1955-1984. The series contains articles and materials concerning topics of interest to Prest.","Series 5: Educational Papers, 1952-1954. In this series are papers from his time as a student at Episcopal Theological Seminary and includes class assignments, lecture notes, and exams.","Series 6: Virginia Union University, 1968-1989. This series contains materials relating to his work as an adjunct professor including syllabi, course assignments, and some faculty materials such as meetings and minutes.","Summaries of Prest's group sessions with students where they discussed interactions with patients and case studies. These include Prest's evaluation of students during the session.","Includes the schedule and lectures from \"A Series of Eight Lectures of Concern to Theologican and Physicians\" sponsored by the Chaplain's Department and a copy of the orientation program schedule for CPE students.","Includes information on symbols of different religions, 1967 design floor plans, letter about possible renovation, 1992.","Includes agendas, minutes, and notes, for some of the meetings of the committees.","A Ride Down Memory Lane, Highways to Healing,  created as part of the celebration of 55 years of clinical pastoral education and 70 years of pastoral care at VCU. Includes photographs and bios of staff as well as copies of articles and documents related to the VCU Department of Patient Counseling and the Department of Pastoral Care at VCU Medical Center.","The documents pertain to Prest's work as an assistant supervisor at St. Luke's Hospital in Houston, Texas. The materials include self-evaluations by Prest and reports from his training supervisor, Armen D. Jorjorian.","Includes the conference schedule, papers from presenters, workshop information, committee reports, and membership list.","Includes form letters, newsletters, committee reports, budget information, and similar materials related to the organization.","Includes miscellaneous pamphlets, correspondence, and articles related to CCT or pastoral education in general.","Includes conference programs, papers, committee reports, and notes from the 1957 and 1958 national conferences; minutes of the Regional Conference for Institutional Chaplains in 1958 as well as some related correspondence; and correspondence about the southeastern region of the NCCPE meeting in Richmond, Virginia in 1960 and includes the handout titled \"Discussion Questions in Clinical Pastoral Education.","There are no restrictions.","VCU Health Sciences Library","Virginia Commonwealth University. Department of Patient Counseling","Prest, A. Patrick L., Rev., Jr.","English \n.    "],"unitid_tesim":["2016.11.69"],"normalized_title_ssm":["A. Patrick L. Prest, Jr. papers"],"collection_title_tesim":["A. Patrick L. Prest, Jr. papers"],"collection_ssim":["A. Patrick L. Prest, Jr. papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Prest, A. Patrick L., Rev., Jr."],"creator_ssim":["Prest, A. Patrick L., Rev., Jr."],"creator_persname_ssim":["Prest, A. Patrick L., Rev., Jr."],"creators_ssim":["Prest, A. Patrick L., Rev., Jr."],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The papers were donated by the Department of Patient Counseling in the School of Allied Health Professionals at Virginia Commonwealth University in November 2016."],"has_online_content_ssim":["false"],"extent_ssm":["5.1 Linear Feet 10 doc cases, 1 print box"],"extent_tesim":["5.1 Linear Feet 10 doc cases, 1 print box"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research; however, some files with confidential information are restricted; please consult Special Collections and Archives staff for details. All student records located in series 1 and 6 are subject to the Family Educational Rights and Privacy Act (FERPA) restrictions.\u003c/p\u003e","\u003cp\u003eRestricted due to confidential information. Please see the archivist for details.\u003c/p\u003e","\u003cp\u003eAccess restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eRestricted due to confidential information. Please see the archivist for details.\u003c/p\u003e","\u003cp\u003eAccess restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eAccess restricted due to FERPA.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["The collection is open to research; however, some files with confidential information are restricted; please consult Special Collections and Archives staff for details. All student records located in series 1 and 6 are subject to the Family Educational Rights and Privacy Act (FERPA) restrictions.","Restricted due to confidential information. Please see the archivist for details.","Access restricted due to FERPA.","Restricted due to confidential information. Please see the archivist for details.","Access restricted due to FERPA.","Access restricted due to FERPA."],"bioghist_html_tesm":["\u003cp\u003e The Rev. Dr. Alan Patrick Llewelyn Prest, Jr. was born in Detroit, Michigan and grew up in Massachusetts.  He earned a degree in business from Lehigh University in 1951 before receiving his Masters of Divinity from the Episcopal Theological Seminary in Cambridge, Massachusetts in 1954. Following his residency in clinical pastoral education at St. Luke's Hospital in Houston, Texas, Prest served a chaplain at Bellevue Hospital in New York City. \u003c/p\u003e","\u003cp\u003eAfter a short tenure at Bellevue, Prest came to the Medical College of Virginia (MCV) where he succeeded the Rev. Dr. George D. Ossman who had served as the first chaplain and as a clinical pastoral educator beginning in 1943. The MCV administration tasked Prest with securing accreditation for the clinical pastoral education program which had been initiated in 1958. Under Prest's leadership the program received accreditation from the Council for Clinical Training (now the Association for Clinical Pastoral Education) one year later. During the pastoral education program's formative years, Prest served as administrator and hospital chaplain. He also established a cooperative program with the School of Theology at Virginia Union University (VUU) for which he was an adjunct instructor teaching courses in pastoral counseling and clinical orientation. \u003c/p\u003e","\u003cp\u003eThe educational program with Prest at the helm remained administratively part of the MCV Hospital until the creation of Virginia Commonwealth University in 1968. The VCU Board of Visitors established a new school for the allied health programs at the former MCV and the program in pastoral counseling was a logical choice for this new administrative home. This move split the education program from the pastoral care service component and the latter remained based in the hospital as the department of pastoral care. Prest remained responsible for both units and coordinated both units as they trained counselors and provided pastoral care in the hospital. The Board of Visitors promoted Prest to full professor and acknowledged his administrative role by naming him chair of the Program in Patient Counseling. He continued in this role until his retirement in 1993.\u003c/p\u003e","\u003cp\u003eIn addition to his work at VCU, Prest devoted time to professional activities. In 1967 he organized the Virginia Institute for Pastoral Care, one of the oldest pastoral counseling centers in the United States. The Institute supported both the MCV and University of Virginia chaplaincy programs as they struggled to secure adequate funding to sustain their respective programs. Prest also helped to organize the Virginia Association for Allied Health Professionals and served as its first president. He was also active with the Virginia Board of Professional Counselors for a period of eleven years, including two terms as chair. \u003c/p\u003e","\u003cp\u003eFollowing Prest's retirement, the program in patient counseling continued to develop and it finally received departmental status within the School of Allied Health Professions in 2010. The Master of Science degree program was established in 2000 and a dual-degree arrangement with the School of Theology at VUU began. In 2007 the department enrolled its first students in pastoral counseling track of the School of Allied Health Professions' doctoral program in health related sciences. The department also initiated a distance learning program at New College in Abingdon and Memorial Hospital in Martinsburg, Virginia. Thanks to the generosity of the Lantz family the department established two endowed positions, the Rev. Robert B. Lantz Chair of the Department of Patient Counseling and the Katherine I. Lantz Professor of Patient Counseling. \u003c/p\u003e","\u003cp\u003eSources:\u003clb\u003e\u003c/lb\u003e\n\"A Brief History of CPE at MCV\" (see box:folder 3:12)\u003clb\u003e\u003c/lb\u003e\nVCU School of Allied Health Professions, Patient Counseling, History of Personnel (http://sahp.vcu.edu/departments/ptc/about-us/history-of-personnel/)\u003clb\u003e\u003c/lb\u003e\n \nVCU School of Allied Health Professions, Patient Counseling, Program History (http://sahp.vcu.edu/departments/ptc/about-us/program-history/)\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":[" The Rev. Dr. Alan Patrick Llewelyn Prest, Jr. was born in Detroit, Michigan and grew up in Massachusetts.  He earned a degree in business from Lehigh University in 1951 before receiving his Masters of Divinity from the Episcopal Theological Seminary in Cambridge, Massachusetts in 1954. Following his residency in clinical pastoral education at St. Luke's Hospital in Houston, Texas, Prest served a chaplain at Bellevue Hospital in New York City. ","After a short tenure at Bellevue, Prest came to the Medical College of Virginia (MCV) where he succeeded the Rev. Dr. George D. Ossman who had served as the first chaplain and as a clinical pastoral educator beginning in 1943. The MCV administration tasked Prest with securing accreditation for the clinical pastoral education program which had been initiated in 1958. Under Prest's leadership the program received accreditation from the Council for Clinical Training (now the Association for Clinical Pastoral Education) one year later. During the pastoral education program's formative years, Prest served as administrator and hospital chaplain. He also established a cooperative program with the School of Theology at Virginia Union University (VUU) for which he was an adjunct instructor teaching courses in pastoral counseling and clinical orientation. ","The educational program with Prest at the helm remained administratively part of the MCV Hospital until the creation of Virginia Commonwealth University in 1968. The VCU Board of Visitors established a new school for the allied health programs at the former MCV and the program in pastoral counseling was a logical choice for this new administrative home. This move split the education program from the pastoral care service component and the latter remained based in the hospital as the department of pastoral care. Prest remained responsible for both units and coordinated both units as they trained counselors and provided pastoral care in the hospital. The Board of Visitors promoted Prest to full professor and acknowledged his administrative role by naming him chair of the Program in Patient Counseling. He continued in this role until his retirement in 1993.","In addition to his work at VCU, Prest devoted time to professional activities. In 1967 he organized the Virginia Institute for Pastoral Care, one of the oldest pastoral counseling centers in the United States. The Institute supported both the MCV and University of Virginia chaplaincy programs as they struggled to secure adequate funding to sustain their respective programs. Prest also helped to organize the Virginia Association for Allied Health Professionals and served as its first president. He was also active with the Virginia Board of Professional Counselors for a period of eleven years, including two terms as chair. ","Following Prest's retirement, the program in patient counseling continued to develop and it finally received departmental status within the School of Allied Health Professions in 2010. The Master of Science degree program was established in 2000 and a dual-degree arrangement with the School of Theology at VUU began. In 2007 the department enrolled its first students in pastoral counseling track of the School of Allied Health Professions' doctoral program in health related sciences. The department also initiated a distance learning program at New College in Abingdon and Memorial Hospital in Martinsburg, Virginia. Thanks to the generosity of the Lantz family the department established two endowed positions, the Rev. Robert B. Lantz Chair of the Department of Patient Counseling and the Katherine I. Lantz Professor of Patient Counseling. ","Sources: \n\"A Brief History of CPE at MCV\" (see box:folder 3:12) \nVCU School of Allied Health Professions, Patient Counseling, History of Personnel (http://sahp.vcu.edu/departments/ptc/about-us/history-of-personnel/) \n \nVCU School of Allied Health Professions, Patient Counseling, Program History (http://sahp.vcu.edu/departments/ptc/about-us/program-history/)\n"],"prefercite_html_tesm":["\u003cp\u003eA. Patrick L. Prest, Jr. papers, Accession # 2016.11.69, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA\u003c/p\u003e"],"prefercite_tesim":["A. Patrick L. Prest, Jr. papers, Accession # 2016.11.69, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA"],"processinfo_html_tesm":["\u003cp\u003eThe Department of Patient Counseling had someone organize the papers prior to the donation. Special Collections and Archives staff changed a few of the folder titles to more accurately reflect the contents of those folders, but the majority were retained as written. Additional information, such as dates, were added to existing folder titles when necessary. The files were rearranged from how the collection was originally received in order to facilitate better access and description of the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Department of Patient Counseling had someone organize the papers prior to the donation. Special Collections and Archives staff changed a few of the folder titles to more accurately reflect the contents of those folders, but the majority were retained as written. Additional information, such as dates, were added to existing folder titles when necessary. The files were rearranged from how the collection was originally received in order to facilitate better access and description of the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Prest papers are comprised mostly of materials pertaining to his work as a hospital chaplain and educator. There are some materials contained in the collection from the Department of Patient Counseling that date after Prest's retirement in 1993. These papers offer insight into how the Clinical Pastoral Education (CPE) program was formed and administered as well as trends in the professionalization of clinical pastoral care. The collection is divided into six series. Materials of particular interest are detailed in the series descriptions.\u003c/p\u003e\n","\u003cp\u003eSeries 1 MCV/VCU, 1954-2014. This series includes papers, publications, reports, accreditation materials, correspondence, and memoranda related to the pastoral care program at the Medical College of Virginia (MCV) and later Virginia Commonwealth University (VCU).\u003c/p\u003e\n","\u003cp\u003eThe accreditation materials for the Council for Clinical Training and the Association for Clinical Pastoral Education provide information on the early days of the program and includes examples of program activities, self-studies, and site reports required for the accreditation process. Since these materials span from 1957 to 2010 it also illustrates how the accreditation process has evolved.\u003c/p\u003e\n","\u003cp\u003eVarious reports in this series offer insight into how the program functioned as well as how it expanded and changed over time. The annual reports of the Chaplains' Department supply a summary of activities and statistics from the first decade of the program. A 1964 Old Dominion Foundation grant application demonstrates how the program was growinig and in need of funds to support its expanding mission and the 1975 mission and goals report and the 1987 Virginia Cluster report highlight trends and changes in pastoral education.\u003c/p\u003e\n","\u003cp\u003eAdditional materials of interest are a group of letters between 1968 and 1970 discussing whether the CPE program violated Article IV Section 67 of the Virginia Constitution regarding the separation of church and state. Also of interest are the chapel bulletins from the 1950s-1970s used for the four services held on Sundays at the hospital. In addition to detailing the order of service, the bulletins contain announcements about patient counseling services and a devotional or meditation usually written by one of the counselor-chaplains.\u003c/p\u003e\n","\u003cp\u003eOther materials in the series include the hospital chaplain's log books summerizing interactions with patients and their families, hosptial chapel information, proposals for a master's degree in patient counseling, articles, clippings, and newsletters featuring the department and staff, photographs, and a scrapbook.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Council for Clinical Training (CCT), 1953-1977. The series consists of materials such as correspondences, newsletters, reports, and conference programs and papers. The documents in this series provide some insight into the organization responsible for accrediting the CPE program and personnel at MCV when it was established. There is one folder of materials for the Association for Clinical Pastoral Education (ACPE) which is the current accrediting body. CCT merged with three other organizations in 1967 to form ACPE. Of interest in this series are the evaluations of Prest during his tenure at St. Luke's which were submitted to CCT for his accreditation with the organization.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Writings, 1967-1986. This series is comprised of articles and manuscripts drafts written by Prest and others as well as presentation notes and text. Subjects explored include suicide, death and dying, and grief.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Subject Files, 1941, 1955-1984. The series contains articles and materials concerning topics of interest to Prest.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Educational Papers, 1952-1954. In this series are papers from his time as a student at Episcopal Theological Seminary and includes class assignments, lecture notes, and exams.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Virginia Union University, 1968-1989. This series contains materials relating to his work as an adjunct professor including syllabi, course assignments, and some faculty materials such as meetings and minutes.\u003c/p\u003e","\u003cp\u003eSummaries of Prest's group sessions with students where they discussed interactions with patients and case studies. These include Prest's evaluation of students during the session.\u003c/p\u003e","\u003cp\u003eIncludes the schedule and lectures from \"A Series of Eight Lectures of Concern to Theologican and Physicians\" sponsored by the Chaplain's Department and a copy of the orientation program schedule for CPE students.\u003c/p\u003e","\u003cp\u003eIncludes information on symbols of different religions, 1967 design floor plans, letter about possible renovation, 1992.\u003c/p\u003e","\u003cp\u003eIncludes agendas, minutes, and notes, for some of the meetings of the committees.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Ride Down Memory Lane, Highways to Healing,\u003c/title\u003e created as part of the celebration of 55 years of clinical pastoral education and 70 years of pastoral care at VCU. Includes photographs and bios of staff as well as copies of articles and documents related to the VCU Department of Patient Counseling and the Department of Pastoral Care at VCU Medical Center.\u003c/p\u003e","\u003cp\u003eThe documents pertain to Prest's work as an assistant supervisor at St. Luke's Hospital in Houston, Texas. The materials include self-evaluations by Prest and reports from his training supervisor, Armen D. Jorjorian.\u003c/p\u003e","\u003cp\u003eIncludes the conference schedule, papers from presenters, workshop information, committee reports, and membership list.\u003c/p\u003e","\u003cp\u003eIncludes form letters, newsletters, committee reports, budget information, and similar materials related to the organization.\u003c/p\u003e","\u003cp\u003eIncludes miscellaneous pamphlets, correspondence, and articles related to CCT or pastoral education in general.\u003c/p\u003e","\u003cp\u003eIncludes conference programs, papers, committee reports, and notes from the 1957 and 1958 national conferences; minutes of the Regional Conference for Institutional Chaplains in 1958 as well as some related correspondence; and correspondence about the southeastern region of the NCCPE meeting in Richmond, Virginia in 1960 and includes the handout titled \"Discussion Questions in Clinical Pastoral Education.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Prest papers are comprised mostly of materials pertaining to his work as a hospital chaplain and educator. There are some materials contained in the collection from the Department of Patient Counseling that date after Prest's retirement in 1993. These papers offer insight into how the Clinical Pastoral Education (CPE) program was formed and administered as well as trends in the professionalization of clinical pastoral care. The collection is divided into six series. Materials of particular interest are detailed in the series descriptions.","Series 1 MCV/VCU, 1954-2014. This series includes papers, publications, reports, accreditation materials, correspondence, and memoranda related to the pastoral care program at the Medical College of Virginia (MCV) and later Virginia Commonwealth University (VCU).","The accreditation materials for the Council for Clinical Training and the Association for Clinical Pastoral Education provide information on the early days of the program and includes examples of program activities, self-studies, and site reports required for the accreditation process. Since these materials span from 1957 to 2010 it also illustrates how the accreditation process has evolved.","Various reports in this series offer insight into how the program functioned as well as how it expanded and changed over time. The annual reports of the Chaplains' Department supply a summary of activities and statistics from the first decade of the program. A 1964 Old Dominion Foundation grant application demonstrates how the program was growinig and in need of funds to support its expanding mission and the 1975 mission and goals report and the 1987 Virginia Cluster report highlight trends and changes in pastoral education.","Additional materials of interest are a group of letters between 1968 and 1970 discussing whether the CPE program violated Article IV Section 67 of the Virginia Constitution regarding the separation of church and state. Also of interest are the chapel bulletins from the 1950s-1970s used for the four services held on Sundays at the hospital. In addition to detailing the order of service, the bulletins contain announcements about patient counseling services and a devotional or meditation usually written by one of the counselor-chaplains.","Other materials in the series include the hospital chaplain's log books summerizing interactions with patients and their families, hosptial chapel information, proposals for a master's degree in patient counseling, articles, clippings, and newsletters featuring the department and staff, photographs, and a scrapbook.","Series 2: Council for Clinical Training (CCT), 1953-1977. The series consists of materials such as correspondences, newsletters, reports, and conference programs and papers. The documents in this series provide some insight into the organization responsible for accrediting the CPE program and personnel at MCV when it was established. There is one folder of materials for the Association for Clinical Pastoral Education (ACPE) which is the current accrediting body. CCT merged with three other organizations in 1967 to form ACPE. Of interest in this series are the evaluations of Prest during his tenure at St. Luke's which were submitted to CCT for his accreditation with the organization.","Series 3: Writings, 1967-1986. This series is comprised of articles and manuscripts drafts written by Prest and others as well as presentation notes and text. Subjects explored include suicide, death and dying, and grief.","Series 4: Subject Files, 1941, 1955-1984. The series contains articles and materials concerning topics of interest to Prest.","Series 5: Educational Papers, 1952-1954. In this series are papers from his time as a student at Episcopal Theological Seminary and includes class assignments, lecture notes, and exams.","Series 6: Virginia Union University, 1968-1989. This series contains materials relating to his work as an adjunct professor including syllabi, course assignments, and some faculty materials such as meetings and minutes.","Summaries of Prest's group sessions with students where they discussed interactions with patients and case studies. These include Prest's evaluation of students during the session.","Includes the schedule and lectures from \"A Series of Eight Lectures of Concern to Theologican and Physicians\" sponsored by the Chaplain's Department and a copy of the orientation program schedule for CPE students.","Includes information on symbols of different religions, 1967 design floor plans, letter about possible renovation, 1992.","Includes agendas, minutes, and notes, for some of the meetings of the committees.","A Ride Down Memory Lane, Highways to Healing,  created as part of the celebration of 55 years of clinical pastoral education and 70 years of pastoral care at VCU. Includes photographs and bios of staff as well as copies of articles and documents related to the VCU Department of Patient Counseling and the Department of Pastoral Care at VCU Medical Center.","The documents pertain to Prest's work as an assistant supervisor at St. Luke's Hospital in Houston, Texas. The materials include self-evaluations by Prest and reports from his training supervisor, Armen D. Jorjorian.","Includes the conference schedule, papers from presenters, workshop information, committee reports, and membership list.","Includes form letters, newsletters, committee reports, budget information, and similar materials related to the organization.","Includes miscellaneous pamphlets, correspondence, and articles related to CCT or pastoral education in general.","Includes conference programs, papers, committee reports, and notes from the 1957 and 1958 national conferences; minutes of the Regional Conference for Institutional Chaplains in 1958 as well as some related correspondence; and correspondence about the southeastern region of the NCCPE meeting in Richmond, Virginia in 1960 and includes the handout titled \"Discussion Questions in Clinical Pastoral Education."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Virginia Commonwealth University. Department of Patient Counseling","Prest, A. Patrick L., Rev., Jr."],"names_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. Department of Patient Counseling","Prest, A. Patrick L., Rev., Jr."],"corpname_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. Department of Patient Counseling"],"persname_ssim":["Prest, A. Patrick L., Rev., Jr."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:43:11.646Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_302"}},{"id":"viblbv_repositories_2_resources_4534","type":"collection","attributes":{"title":"Appalachian History Films","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4534#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of 34 films relating to local, regional, and Appalachian history, dating from 1981-2005. The films are in a range of formats and were likely collected by one person before being transferred to Special Collections and University Archives in the early 2000s.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4534#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4534","ead_ssi":"viblbv_repositories_2_resources_4534","_root_":"viblbv_repositories_2_resources_4534","_nest_parent_":"viblbv_repositories_2_resources_4534","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4534.xml","title_filing_ssi":"Appalachian History Films","title_ssm":["Appalachian History Films"],"title_tesim":["Appalachian History Films"],"unitdate_ssm":["1981-2005, undated"],"unitdate_inclusive_ssm":["1981-2005, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.068"],"text":["Ms.2025.068","Appalachian History Films","Local/Regional History and Appalachian South","The collection is open for research.","The guide to the Appalachian History Films by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The bulk of these films are in U-matic format (and one in Beta), which Special Collections and University Archives does not have equipment for. Please contact us if you have questions about viewing/accessing these films. ","We can facilite viewing of the films in VHS, DVD, and CD-Rom format in our reading room. ","The processing, arrangement, and description of the Appalachian History Films was completed in August 2025.","This collection consists of 34 films relating to local, regional, and Appalachian history, dating from 1981-2005. The films are in a range of formats and were likely collected by one person before being transferred to Special Collections and University Archives in the early 2000s.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Special Collections and University Archives, Virginia Tech","English \n.    "],"unitid_tesim":["Ms.2025.068"],"normalized_title_ssm":["Appalachian History Films"],"collection_title_tesim":["Appalachian History Films"],"collection_ssim":["Appalachian History Films"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The films in this collection were transferred to Special Collections and University Archives prior to 2010."],"access_subjects_ssim":["Local/Regional History and Appalachian South"],"access_subjects_ssm":["Local/Regional History and Appalachian South"],"has_online_content_ssim":["false"],"extent_ssm":["2.8 Cubic Feet 2 boxes"],"extent_tesim":["2.8 Cubic Feet 2 boxes"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"odd_html_tesm":["\u003cp\u003eThe guide to the Appalachian History Films by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Appalachian History Films by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"phystech_html_tesm":["\u003cp\u003eThe bulk of these films are in U-matic format (and one in Beta), which Special Collections and University Archives does not have equipment for. Please contact us if you have questions about viewing/accessing these films. \u003c/p\u003e","\u003cp\u003eWe can facilite viewing of the films in VHS, DVD, and CD-Rom format in our reading room. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The bulk of these films are in U-matic format (and one in Beta), which Special Collections and University Archives does not have equipment for. Please contact us if you have questions about viewing/accessing these films. ","We can facilite viewing of the films in VHS, DVD, and CD-Rom format in our reading room. "],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Appalachian History Films, 1981-2005, undated, Ms2025-068 Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Appalachian History Films, 1981-2005, undated, Ms2025-068 Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Appalachian History Films was completed in August 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Appalachian History Films was completed in August 2025."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 34 films relating to local, regional, and Appalachian history, dating from 1981-2005. The films are in a range of formats and were likely collected by one person before being transferred to Special Collections and University Archives in the early 2000s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of 34 films relating to local, regional, and Appalachian history, dating from 1981-2005. The films are in a range of formats and were likely collected by one person before being transferred to Special Collections and University Archives in the early 2000s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["English \n.    "],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:19:38.683Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4534","ead_ssi":"viblbv_repositories_2_resources_4534","_root_":"viblbv_repositories_2_resources_4534","_nest_parent_":"viblbv_repositories_2_resources_4534","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4534.xml","title_filing_ssi":"Appalachian History Films","title_ssm":["Appalachian History Films"],"title_tesim":["Appalachian History Films"],"unitdate_ssm":["1981-2005, undated"],"unitdate_inclusive_ssm":["1981-2005, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.068"],"text":["Ms.2025.068","Appalachian History Films","Local/Regional History and Appalachian South","The collection is open for research.","The guide to the Appalachian History Films by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The bulk of these films are in U-matic format (and one in Beta), which Special Collections and University Archives does not have equipment for. Please contact us if you have questions about viewing/accessing these films. ","We can facilite viewing of the films in VHS, DVD, and CD-Rom format in our reading room. ","The processing, arrangement, and description of the Appalachian History Films was completed in August 2025.","This collection consists of 34 films relating to local, regional, and Appalachian history, dating from 1981-2005. The films are in a range of formats and were likely collected by one person before being transferred to Special Collections and University Archives in the early 2000s.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Special Collections and University Archives, Virginia Tech","English \n.    "],"unitid_tesim":["Ms.2025.068"],"normalized_title_ssm":["Appalachian History Films"],"collection_title_tesim":["Appalachian History Films"],"collection_ssim":["Appalachian History Films"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The films in this collection were transferred to Special Collections and University Archives prior to 2010."],"access_subjects_ssim":["Local/Regional History and Appalachian South"],"access_subjects_ssm":["Local/Regional History and Appalachian South"],"has_online_content_ssim":["false"],"extent_ssm":["2.8 Cubic Feet 2 boxes"],"extent_tesim":["2.8 Cubic Feet 2 boxes"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"odd_html_tesm":["\u003cp\u003eThe guide to the Appalachian History Films by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Appalachian History Films by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"phystech_html_tesm":["\u003cp\u003eThe bulk of these films are in U-matic format (and one in Beta), which Special Collections and University Archives does not have equipment for. Please contact us if you have questions about viewing/accessing these films. \u003c/p\u003e","\u003cp\u003eWe can facilite viewing of the films in VHS, DVD, and CD-Rom format in our reading room. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The bulk of these films are in U-matic format (and one in Beta), which Special Collections and University Archives does not have equipment for. Please contact us if you have questions about viewing/accessing these films. ","We can facilite viewing of the films in VHS, DVD, and CD-Rom format in our reading room. "],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Appalachian History Films, 1981-2005, undated, Ms2025-068 Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Appalachian History Films, 1981-2005, undated, Ms2025-068 Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Appalachian History Films was completed in August 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Appalachian History Films was completed in August 2025."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 34 films relating to local, regional, and Appalachian history, dating from 1981-2005. The films are in a range of formats and were likely collected by one person before being transferred to Special Collections and University Archives in the early 2000s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of 34 films relating to local, regional, and Appalachian history, dating from 1981-2005. The films are in a range of formats and were likely collected by one person before being transferred to Special Collections and University Archives in the early 2000s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["English \n.    "],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:19:38.683Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4534"}},{"id":"wvmturhc_repositories_2_resources_6940","type":"collection","attributes":{"title":"Appalachian Prints Collection","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6940#creator","type":"document_value","attributes":{"value":"West Virginia University. Libraries. West Virginia and Regional History Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6940#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes prints pertaining to West Virginia and the surrounding area. Many have been taken out of publications. 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For ease of use, we have retained the original series.","A\u0026M 169, 754, 1064, and 1954.","This collection includes prints pertaining to West Virginia and the surrounding area. Many have been taken out of publications. Subjects include the U.S. Civil War; various WV cities, landscapes, and geographical features; and various local industries.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Libraries. West Virginia and Regional History Center","English \n.    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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":275,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:43:08.391Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6940"}},{"id":"viblbv_repositories_2_resources_2680","type":"collection","attributes":{"title":"Appalachian Regional Commission Teaching Project Records,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2680#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists of five bound reports produced for the Appalachian Regional Commission Teaching Project from the years 2001-2006.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2680#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2680","ead_ssi":"viblbv_repositories_2_resources_2680","_root_":"viblbv_repositories_2_resources_2680","_nest_parent_":"viblbv_repositories_2_resources_2680","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2680.xml","title_filing_ssi":"Appalachian Regional Commission Teaching Project Records","title_ssm":["Appalachian Regional Commission Teaching Project Records,"],"title_tesim":["Appalachian Regional Commission Teaching Project Records,"],"unitdate_ssm":["2001-2006"],"unitdate_inclusive_ssm":["2001-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2011.041"],"text":["Ms.2011.041","Appalachian Regional Commission Teaching Project Records,","Local/Regional History and Appalachian South","Collection is open for research.","Reports are arranged in chronological order.","The Appalachian Teaching Project (ATP) gives college students the opportunity to engage in research projects that address endemic challenges facing Appalachian communities. Led by the Consortium of Appalachian Centers and Institutes, a coalition of 15 Appalachian studies organizations, the program includes coursework and active research on issues related to building a sustainable future for Appalachian communities. Faculty and students at each participating institution design and carry out research projects tailored to the needs of targeted communities, many of which are in economically distressed counties. Project reports are presented at a conference held each December in Washington, D.C.","Supported by Appalachian Regional Commission (ARC) to help build student leadership capacity, the program teaches real-world leadership skills, taking students out of the classroom and into their communities. The research conducted helps guide communities toward local solutions that help solve significant problems in a sustainable way; and the research presentations challenge ARC to take a fresh look at issues and solutions in the Appalachian Region. 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Since the program's inception in 2001, research projects have addressed such issues as water quality, local leadership development, the environment, and regional history. Topics for 2010 included sustainable agriculture and food systems, building community through public art, rural governance and strategic planning, and the implications of the Marcellus Shale industry.","The Appalachian Studies Program is an academic program supporting teaching, research, and service on issues pertaining to Appalachia. The Appalachian studies minor focuses on complex cultural, political, economic, and environmental issues in the study of an important American region. 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The course of study ranges from mythic to modern Appalachian America and also provides opportunity for cross-cultural study of mountain cultures worldwide."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Appalachian Regional Commission Teaching Project Records, Ms2011-041, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Appalachian Regional Commission Teaching Project Records, Ms2011-041, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Appalachian Regional Commission Teaching Project Records was completed in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Appalachian Regional Commission Teaching Project Records was completed in March 2011."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of five bound reports produced for the Appalachian Regional Commission Teaching Project from the years 2001-2006.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection consists of five bound reports produced for the Appalachian Regional Commission Teaching Project from the years 2001-2006."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Appalachian Regional Commission Teaching Project Records must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Appalachian Regional Commission Teaching Project Records must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0117cb4fa2fd9ae5a6e45de04ec58513\" label=\"Abstract\"\u003eThe collection consists of five bound reports produced for the Appalachian Regional Commission Teaching Project from the years 2001-2006.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of five bound reports produced for the Appalachian Regional Commission Teaching Project from the years 2001-2006."],"names_coll_ssim":["Appalachian Regional Commission"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Appalachian Regional Commission"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Appalachian Regional Commission"],"language_ssim":["English \n.    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Ward, Jr. Included in the collection are notebooks and articles pertaining to Ward while he was the Chaplain at Eastern State Hospital in Williamsburg, Virginia, biographical material related to Ward, a notebook describing Ward's experience at Magruder and Camp Peary, correspondence with various members of the Rockefeller family, and correspondence related to the 250th anniversary celebration of the founding of Williamsburg, Virginia. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9","ead_ssi":"viw_repositories_2_resources_9","_root_":"viw_repositories_2_resources_9","_nest_parent_":"viw_repositories_2_resources_9","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9.xml","title_filing_ssi":"Ward, Archibald F., Jr.","title_ssm":["Archibald F. Ward, Jr. Papers"],"title_tesim":["Archibald F. Ward, Jr. Papers"],"unitdate_ssm":["1939-2007","1945-1960"],"unitdate_bulk_ssim":["1945-1960"],"unitdate_inclusive_ssm":["1939-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00210","/repositories/2/resources/9"],"text":["MS 00210","/repositories/2/resources/9","Archibald F. Ward, Jr. Papers","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Social life and customs","Eastern State Hospital (Va.)--History","Chaplains, Hospital.","Correspondence","Diaries","Notebooks","Pamphlets","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","  Archibald F. Ward, Jr. was born in Lumberton, North Carolina in 1912, received his Masters of Divinity from Crozer Theological Seminary in 1937 and moved to Williamsburg, Virginia in 1942. He was involved in the Magruder Neighborhood whose lands were being acquisitioned by Camp Peary, felt strongly about the treatment of Black people, was Minister of the Williamsburg Baptist Church and accepted a position of the first full-time chaplain at Eastern State Hospital.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \"http://scdbwiki.swem.wm.edu/wiki/index.php/Archibald F. Ward, Jr.\" Archibald F. Ward, Jr.\n\n ","Administrative History:  Archibald Floyd Ward, Jr. was born in Lumberton, North Carolina, and he was a minister of the Calvary Baptist Church then later the Williamsburg Baptist Church.  In addition, he became the president of the Williamsburg Rotary Club, and he later joined the staff of Eastern State Hospital as a chaplain.\n\n ","Audiovisual material has been digitized and is available to view in the reading room. At least 72 hours advanced notice required for access.","Acc. 2013.106 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013. Fully described by Phillip Nicholas in September 2014.  Accession 2017.042 described by Anne Johnson in 2021.","This collection contains correspondence, clippings, notebooks, and other material related to Archibald F. Ward, Jr. Included in the collection are notebooks and articles pertaining to Ward while he was the Chaplain at Eastern State Hospital in Williamsburg, Virginia, biographical material related to Ward, a notebook describing Ward's experience at Magruder and Camp Peary, correspondence with various members of the Rockefeller family, and correspondence related to the 250th anniversary celebration of the founding of Williamsburg, Virginia. ","The collection also includes correspondence concerning local issues while Ward was chairman of the Williamsburg Citizens Association in the 1940's, the Platform for Democracy talk in 1949 (including speeches), correspondence between Ward and James W. Miller, professor of philosophy at William and Mary, and correspondence and speeches with and by Thomas Verner Smith.","Box 4, Accession 2017.042 includes sermans by A.F. Ward, Jr. and material from the various places he worked.","Lastly, the collection includes film and soundscriber recordings, which have been digitized. ","Postcard of Williamsburg Baptist Church in Williamsburg, Virginia","Photograph, with persons identified on photocopy, of the Williamsburg Baptist Church Christmas Candlelight Service \"preparing for processional.\"","Early research papers from Crozer Theological Papers.","Sermons, some are from when he worked at Eastern State Hospital.  There is a list of the sermons in the front of the folder.","Bulletins, flyers, correspondence and a photograph, with many children labeled, of the 1947 interdenominational Bible School.","Mostly news clippings, with photocopy of a letter from Sue Barron Silverstein to Dr. David C. Wilson about Dr. Ward.","Procedures, reports and other general material.","Reports and papers written by A.F. Ward.","Mostly articles and articles about criminals, the court system and use of mental hospitals.","Home films of travels and soundscriber disks of sermons. These materials have been digitized. 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Ward, Jr.\n\n \u003c/bioghist\u003e","\u003cbioghist altrender=\"Administrative History\" encodinganalog=\"545$b\"\u003e \u003chead\u003eAdministrative History:\u003c/head\u003e Archibald Floyd Ward, Jr. was born in Lumberton, North Carolina, and he was a minister of the Calvary Baptist Church then later the Williamsburg Baptist Church.  In addition, he became the president of the Williamsburg Rotary Club, and he later joined the staff of Eastern State Hospital as a chaplain.\n\n \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Administrative History:"],"bioghist_tesim":["  Archibald F. Ward, Jr. was born in Lumberton, North Carolina in 1912, received his Masters of Divinity from Crozer Theological Seminary in 1937 and moved to Williamsburg, Virginia in 1942. He was involved in the Magruder Neighborhood whose lands were being acquisitioned by Camp Peary, felt strongly about the treatment of Black people, was Minister of the Williamsburg Baptist Church and accepted a position of the first full-time chaplain at Eastern State Hospital.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \"http://scdbwiki.swem.wm.edu/wiki/index.php/Archibald F. Ward, Jr.\" Archibald F. Ward, Jr.\n\n ","Administrative History:  Archibald Floyd Ward, Jr. was born in Lumberton, North Carolina, and he was a minister of the Calvary Baptist Church then later the Williamsburg Baptist Church.  In addition, he became the president of the Williamsburg Rotary Club, and he later joined the staff of Eastern State Hospital as a chaplain.\n\n "],"phystech_html_tesm":["\u003cp\u003eAudiovisual material has been digitized and is available to view in the reading room. At least 72 hours advanced notice required for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Audiovisual material has been digitized and is available to view in the reading room. At least 72 hours advanced notice required for access."],"prefercite_html_tesm":["\u003cp\u003eArchibald F. Ward, Jr. Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Archibald F. Ward, Jr. Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2013.106 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013. Fully described by Phillip Nicholas in September 2014.  Accession 2017.042 described by Anne Johnson in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2013.106 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013. Fully described by Phillip Nicholas in September 2014.  Accession 2017.042 described by Anne Johnson in 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, clippings, notebooks, and other material related to Archibald F. Ward, Jr. Included in the collection are notebooks and articles pertaining to Ward while he was the Chaplain at Eastern State Hospital in Williamsburg, Virginia, biographical material related to Ward, a notebook describing Ward's experience at Magruder and Camp Peary, correspondence with various members of the Rockefeller family, and correspondence related to the 250th anniversary celebration of the founding of Williamsburg, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe collection also includes correspondence concerning local issues while Ward was chairman of the Williamsburg Citizens Association in the 1940's, the Platform for Democracy talk in 1949 (including speeches), correspondence between Ward and James W. Miller, professor of philosophy at William and Mary, and correspondence and speeches with and by Thomas Verner Smith.\u003c/p\u003e\n","\u003cp\u003eBox 4, Accession 2017.042 includes sermans by A.F. Ward, Jr. and material from the various places he worked.\u003c/p\u003e\n","\u003cp\u003eLastly, the collection includes film and soundscriber recordings, which have been digitized. \u003c/p\u003e","\u003cp\u003ePostcard of Williamsburg Baptist Church in Williamsburg, Virginia\u003c/p\u003e\n","\u003cp\u003ePhotograph, with persons identified on photocopy, of the Williamsburg Baptist Church Christmas Candlelight Service \"preparing for processional.\"\u003c/p\u003e","\u003cp\u003eEarly research papers from Crozer Theological Papers.\u003c/p\u003e","\u003cp\u003eSermons, some are from when he worked at Eastern State Hospital.  There is a list of the sermons in the front of the folder.\u003c/p\u003e","\u003cp\u003eBulletins, flyers, correspondence and a photograph, with many children labeled, of the 1947 interdenominational Bible School.\u003c/p\u003e","\u003cp\u003eMostly news clippings, with photocopy of a letter from Sue Barron Silverstein to Dr. David C. Wilson about Dr. Ward.\u003c/p\u003e","\u003cp\u003eProcedures, reports and other general material.\u003c/p\u003e","\u003cp\u003eReports and papers written by A.F. Ward.\u003c/p\u003e","\u003cp\u003eMostly articles and articles about criminals, the court system and use of mental hospitals.\u003c/p\u003e","\u003cp\u003eHome films of travels and soundscriber disks of sermons. These materials have been digitized. At least 72 hours advanced notice required for access.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, clippings, notebooks, and other material related to Archibald F. Ward, Jr. Included in the collection are notebooks and articles pertaining to Ward while he was the Chaplain at Eastern State Hospital in Williamsburg, Virginia, biographical material related to Ward, a notebook describing Ward's experience at Magruder and Camp Peary, correspondence with various members of the Rockefeller family, and correspondence related to the 250th anniversary celebration of the founding of Williamsburg, Virginia. ","The collection also includes correspondence concerning local issues while Ward was chairman of the Williamsburg Citizens Association in the 1940's, the Platform for Democracy talk in 1949 (including speeches), correspondence between Ward and James W. Miller, professor of philosophy at William and Mary, and correspondence and speeches with and by Thomas Verner Smith.","Box 4, Accession 2017.042 includes sermans by A.F. Ward, Jr. and material from the various places he worked.","Lastly, the collection includes film and soundscriber recordings, which have been digitized. ","Postcard of Williamsburg Baptist Church in Williamsburg, Virginia","Photograph, with persons identified on photocopy, of the Williamsburg Baptist Church Christmas Candlelight Service \"preparing for processional.\"","Early research papers from Crozer Theological Papers.","Sermons, some are from when he worked at Eastern State Hospital.  There is a list of the sermons in the front of the folder.","Bulletins, flyers, correspondence and a photograph, with many children labeled, of the 1947 interdenominational Bible School.","Mostly news clippings, with photocopy of a letter from Sue Barron Silverstein to Dr. David C. Wilson about Dr. Ward.","Procedures, reports and other general material.","Reports and papers written by A.F. Ward.","Mostly articles and articles about criminals, the court system and use of mental hospitals.","Home films of travels and soundscriber disks of sermons. These materials have been digitized. At least 72 hours advanced notice required for access."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Camp Peary (Va.)","Eastern State Hospital (Va.)"],"names_ssim":["Special Collections Research Center","Camp Peary (Va.)","Eastern State Hospital (Va.)","Ward, Archibald Floyd, Jr., 1912-2000"],"corpname_ssim":["Special Collections Research Center","Camp Peary (Va.)","Eastern State Hospital (Va.)"],"persname_ssim":["Ward, Archibald Floyd, Jr., 1912-2000"],"language_ssim":["English"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:05:18.446Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9","ead_ssi":"viw_repositories_2_resources_9","_root_":"viw_repositories_2_resources_9","_nest_parent_":"viw_repositories_2_resources_9","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9.xml","title_filing_ssi":"Ward, Archibald F., Jr.","title_ssm":["Archibald F. Ward, Jr. Papers"],"title_tesim":["Archibald F. Ward, Jr. Papers"],"unitdate_ssm":["1939-2007","1945-1960"],"unitdate_bulk_ssim":["1945-1960"],"unitdate_inclusive_ssm":["1939-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00210","/repositories/2/resources/9"],"text":["MS 00210","/repositories/2/resources/9","Archibald F. Ward, Jr. Papers","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Social life and customs","Eastern State Hospital (Va.)--History","Chaplains, Hospital.","Correspondence","Diaries","Notebooks","Pamphlets","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","  Archibald F. Ward, Jr. was born in Lumberton, North Carolina in 1912, received his Masters of Divinity from Crozer Theological Seminary in 1937 and moved to Williamsburg, Virginia in 1942. He was involved in the Magruder Neighborhood whose lands were being acquisitioned by Camp Peary, felt strongly about the treatment of Black people, was Minister of the Williamsburg Baptist Church and accepted a position of the first full-time chaplain at Eastern State Hospital.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \"http://scdbwiki.swem.wm.edu/wiki/index.php/Archibald F. Ward, Jr.\" Archibald F. Ward, Jr.\n\n ","Administrative History:  Archibald Floyd Ward, Jr. was born in Lumberton, North Carolina, and he was a minister of the Calvary Baptist Church then later the Williamsburg Baptist Church.  In addition, he became the president of the Williamsburg Rotary Club, and he later joined the staff of Eastern State Hospital as a chaplain.\n\n ","Audiovisual material has been digitized and is available to view in the reading room. At least 72 hours advanced notice required for access.","Acc. 2013.106 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013. Fully described by Phillip Nicholas in September 2014.  Accession 2017.042 described by Anne Johnson in 2021.","This collection contains correspondence, clippings, notebooks, and other material related to Archibald F. Ward, Jr. Included in the collection are notebooks and articles pertaining to Ward while he was the Chaplain at Eastern State Hospital in Williamsburg, Virginia, biographical material related to Ward, a notebook describing Ward's experience at Magruder and Camp Peary, correspondence with various members of the Rockefeller family, and correspondence related to the 250th anniversary celebration of the founding of Williamsburg, Virginia. ","The collection also includes correspondence concerning local issues while Ward was chairman of the Williamsburg Citizens Association in the 1940's, the Platform for Democracy talk in 1949 (including speeches), correspondence between Ward and James W. Miller, professor of philosophy at William and Mary, and correspondence and speeches with and by Thomas Verner Smith.","Box 4, Accession 2017.042 includes sermans by A.F. Ward, Jr. and material from the various places he worked.","Lastly, the collection includes film and soundscriber recordings, which have been digitized. ","Postcard of Williamsburg Baptist Church in Williamsburg, Virginia","Photograph, with persons identified on photocopy, of the Williamsburg Baptist Church Christmas Candlelight Service \"preparing for processional.\"","Early research papers from Crozer Theological Papers.","Sermons, some are from when he worked at Eastern State Hospital.  There is a list of the sermons in the front of the folder.","Bulletins, flyers, correspondence and a photograph, with many children labeled, of the 1947 interdenominational Bible School.","Mostly news clippings, with photocopy of a letter from Sue Barron Silverstein to Dr. David C. Wilson about Dr. Ward.","Procedures, reports and other general material.","Reports and papers written by A.F. Ward.","Mostly articles and articles about criminals, the court system and use of mental hospitals.","Home films of travels and soundscriber disks of sermons. These materials have been digitized. At least 72 hours advanced notice required for access.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Camp Peary (Va.)","Eastern State Hospital (Va.)","Ward, Archibald Floyd, Jr., 1912-2000","English"],"unitid_tesim":["MS 00210","/repositories/2/resources/9"],"normalized_title_ssm":["Archibald F. Ward, Jr. Papers"],"collection_title_tesim":["Archibald F. Ward, Jr. Papers"],"collection_ssim":["Archibald F. Ward, Jr. Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Social life and customs"],"geogname_ssim":["Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Social life and customs"],"creator_ssm":["Ward, Archibald Floyd, Jr., 1912-2000"],"creator_ssim":["Ward, Archibald Floyd, Jr., 1912-2000"],"creator_persname_ssim":["Ward, Archibald Floyd, Jr., 1912-2000"],"creators_ssim":["Ward, Archibald Floyd, Jr., 1912-2000"],"places_ssim":["Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Social life and customs"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2004.32 and Acc. 2004.42 gift via the Williamsburg Historic Records Association. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Eastern State Hospital (Va.)--History","Chaplains, Hospital.","Correspondence","Diaries","Notebooks","Pamphlets"],"access_subjects_ssm":["Eastern State Hospital (Va.)--History","Chaplains, Hospital.","Correspondence","Diaries","Notebooks","Pamphlets"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"genreform_ssim":["Correspondence","Diaries","Notebooks","Pamphlets"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cbioghist altrender=\"Biographical Information\" encodinganalog=\"545$a\"\u003e  Archibald F. Ward, Jr. was born in Lumberton, North Carolina in 1912, received his Masters of Divinity from Crozer Theological Seminary in 1937 and moved to Williamsburg, Virginia in 1942. He was involved in the Magruder Neighborhood whose lands were being acquisitioned by Camp Peary, felt strongly about the treatment of Black people, was Minister of the Williamsburg Baptist Church and accepted a position of the first full-time chaplain at Eastern State Hospital.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \"http://scdbwiki.swem.wm.edu/wiki/index.php/Archibald F. Ward, Jr.\" Archibald F. Ward, Jr.\n\n \u003c/bioghist\u003e","\u003cbioghist altrender=\"Administrative History\" encodinganalog=\"545$b\"\u003e \u003chead\u003eAdministrative History:\u003c/head\u003e Archibald Floyd Ward, Jr. was born in Lumberton, North Carolina, and he was a minister of the Calvary Baptist Church then later the Williamsburg Baptist Church.  In addition, he became the president of the Williamsburg Rotary Club, and he later joined the staff of Eastern State Hospital as a chaplain.\n\n \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Administrative History:"],"bioghist_tesim":["  Archibald F. Ward, Jr. was born in Lumberton, North Carolina in 1912, received his Masters of Divinity from Crozer Theological Seminary in 1937 and moved to Williamsburg, Virginia in 1942. He was involved in the Magruder Neighborhood whose lands were being acquisitioned by Camp Peary, felt strongly about the treatment of Black people, was Minister of the Williamsburg Baptist Church and accepted a position of the first full-time chaplain at Eastern State Hospital.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \"http://scdbwiki.swem.wm.edu/wiki/index.php/Archibald F. Ward, Jr.\" Archibald F. Ward, Jr.\n\n ","Administrative History:  Archibald Floyd Ward, Jr. was born in Lumberton, North Carolina, and he was a minister of the Calvary Baptist Church then later the Williamsburg Baptist Church.  In addition, he became the president of the Williamsburg Rotary Club, and he later joined the staff of Eastern State Hospital as a chaplain.\n\n "],"phystech_html_tesm":["\u003cp\u003eAudiovisual material has been digitized and is available to view in the reading room. At least 72 hours advanced notice required for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Audiovisual material has been digitized and is available to view in the reading room. At least 72 hours advanced notice required for access."],"prefercite_html_tesm":["\u003cp\u003eArchibald F. Ward, Jr. Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Archibald F. Ward, Jr. Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2013.106 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013. Fully described by Phillip Nicholas in September 2014.  Accession 2017.042 described by Anne Johnson in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2013.106 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2013. Fully described by Phillip Nicholas in September 2014.  Accession 2017.042 described by Anne Johnson in 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, clippings, notebooks, and other material related to Archibald F. Ward, Jr. Included in the collection are notebooks and articles pertaining to Ward while he was the Chaplain at Eastern State Hospital in Williamsburg, Virginia, biographical material related to Ward, a notebook describing Ward's experience at Magruder and Camp Peary, correspondence with various members of the Rockefeller family, and correspondence related to the 250th anniversary celebration of the founding of Williamsburg, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe collection also includes correspondence concerning local issues while Ward was chairman of the Williamsburg Citizens Association in the 1940's, the Platform for Democracy talk in 1949 (including speeches), correspondence between Ward and James W. Miller, professor of philosophy at William and Mary, and correspondence and speeches with and by Thomas Verner Smith.\u003c/p\u003e\n","\u003cp\u003eBox 4, Accession 2017.042 includes sermans by A.F. Ward, Jr. and material from the various places he worked.\u003c/p\u003e\n","\u003cp\u003eLastly, the collection includes film and soundscriber recordings, which have been digitized. \u003c/p\u003e","\u003cp\u003ePostcard of Williamsburg Baptist Church in Williamsburg, Virginia\u003c/p\u003e\n","\u003cp\u003ePhotograph, with persons identified on photocopy, of the Williamsburg Baptist Church Christmas Candlelight Service \"preparing for processional.\"\u003c/p\u003e","\u003cp\u003eEarly research papers from Crozer Theological Papers.\u003c/p\u003e","\u003cp\u003eSermons, some are from when he worked at Eastern State Hospital.  There is a list of the sermons in the front of the folder.\u003c/p\u003e","\u003cp\u003eBulletins, flyers, correspondence and a photograph, with many children labeled, of the 1947 interdenominational Bible School.\u003c/p\u003e","\u003cp\u003eMostly news clippings, with photocopy of a letter from Sue Barron Silverstein to Dr. David C. Wilson about Dr. Ward.\u003c/p\u003e","\u003cp\u003eProcedures, reports and other general material.\u003c/p\u003e","\u003cp\u003eReports and papers written by A.F. Ward.\u003c/p\u003e","\u003cp\u003eMostly articles and articles about criminals, the court system and use of mental hospitals.\u003c/p\u003e","\u003cp\u003eHome films of travels and soundscriber disks of sermons. These materials have been digitized. At least 72 hours advanced notice required for access.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, clippings, notebooks, and other material related to Archibald F. Ward, Jr. Included in the collection are notebooks and articles pertaining to Ward while he was the Chaplain at Eastern State Hospital in Williamsburg, Virginia, biographical material related to Ward, a notebook describing Ward's experience at Magruder and Camp Peary, correspondence with various members of the Rockefeller family, and correspondence related to the 250th anniversary celebration of the founding of Williamsburg, Virginia. ","The collection also includes correspondence concerning local issues while Ward was chairman of the Williamsburg Citizens Association in the 1940's, the Platform for Democracy talk in 1949 (including speeches), correspondence between Ward and James W. Miller, professor of philosophy at William and Mary, and correspondence and speeches with and by Thomas Verner Smith.","Box 4, Accession 2017.042 includes sermans by A.F. Ward, Jr. and material from the various places he worked.","Lastly, the collection includes film and soundscriber recordings, which have been digitized. ","Postcard of Williamsburg Baptist Church in Williamsburg, Virginia","Photograph, with persons identified on photocopy, of the Williamsburg Baptist Church Christmas Candlelight Service \"preparing for processional.\"","Early research papers from Crozer Theological Papers.","Sermons, some are from when he worked at Eastern State Hospital.  There is a list of the sermons in the front of the folder.","Bulletins, flyers, correspondence and a photograph, with many children labeled, of the 1947 interdenominational Bible School.","Mostly news clippings, with photocopy of a letter from Sue Barron Silverstein to Dr. David C. Wilson about Dr. Ward.","Procedures, reports and other general material.","Reports and papers written by A.F. Ward.","Mostly articles and articles about criminals, the court system and use of mental hospitals.","Home films of travels and soundscriber disks of sermons. These materials have been digitized. At least 72 hours advanced notice required for access."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Camp Peary (Va.)","Eastern State Hospital (Va.)"],"names_ssim":["Special Collections Research Center","Camp Peary (Va.)","Eastern State Hospital (Va.)","Ward, Archibald Floyd, Jr., 1912-2000"],"corpname_ssim":["Special Collections Research Center","Camp Peary (Va.)","Eastern State Hospital (Va.)"],"persname_ssim":["Ward, Archibald Floyd, Jr., 1912-2000"],"language_ssim":["English"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:05:18.446Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9"}},{"id":"vifgm_arenastage","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage#creator","type":"document_value","attributes":{"value":"Arena Stage","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes information about and architectural plans for Arena's various buildings over the years.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains documents collected from throughout the runs of various productions.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","","","","","","","","","","","","","","","","","","","","","","","","","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production photos collected in books.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","","","","","","","","","","","","","","","","","","","","","","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Model sits on top of map case\n","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event\n","Reel 2 of 3\n","Reel 3 of 3\n","Partially Unraveling\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Vinegar\n","Unraveling - Vinegar\n","","","","","","","","","Both the title (besides Reel 1) and the date have been blacked out\n","Title has been blacked out\n","","","","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","","","","","","","","","Tape 3\n","Tape 4\n","Tape 5\n","Tape 6\n","Reel #168\n","Reel #169\n","Reel #170\n","3 copies\n","2 copies\n","2 copies\n","","","","","","","","","","","","","","","","","","","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational 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subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range 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subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\nContains letters from Sigourney 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3: Casting information contains notes on casting for productions arranged alphabetically by 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subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena 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2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized 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subseries contains research on various playwrights, both living and dead, whose work has been performed at 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subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the 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subseries contains documents collected from throughout the runs of various 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subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. 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subseries contains production photos collected in 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series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at 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subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e","\u003cp\u003ePartially 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- Vinegar\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTape 3\n\u003c/p\u003e","\u003cp\u003eTape 4\n\u003c/p\u003e","\u003cp\u003eTape 5\n\u003c/p\u003e","\u003cp\u003eTape 6\n\u003c/p\u003e","\u003cp\u003eReel #168\n\u003c/p\u003e","\u003cp\u003eReel #169\n\u003c/p\u003e","\u003cp\u003eReel #170\n\u003c/p\u003e","\u003cp\u003e3 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes information about and architectural plans for Arena's various buildings over the years.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains documents collected from throughout the runs of various productions.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","","","","","","","","","","","","","","","","","","","","","","","","","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production photos collected in books.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","","","","","","","","","","","","","","","","","","","","","","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Model sits on top of map case\n","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event\n","Reel 2 of 3\n","Reel 3 of 3\n","Partially Unraveling\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Vinegar\n","Unraveling - Vinegar\n","","","","","","","","","Both the title (besides Reel 1) and the date have been blacked out\n","Title has been blacked out\n","","","","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","","","","","","","","","Tape 3\n","Tape 4\n","Tape 5\n","Tape 6\n","Reel #168\n","Reel #169\n","Reel #170\n","3 copies\n","2 copies\n","2 copies\n","","","","","","","","","","","","","","","","","","","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational 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subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range 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subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\nContains letters from Sigourney 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3: Casting information contains notes on casting for productions arranged alphabetically by 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subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena 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2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized 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subseries contains research on various playwrights, both living and dead, whose work has been performed at 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subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the 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subseries contains documents collected from throughout the runs of various 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subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. 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subseries contains production photos collected in 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series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at 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subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e","\u003cp\u003ePartially 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- Vinegar\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTape 3\n\u003c/p\u003e","\u003cp\u003eTape 4\n\u003c/p\u003e","\u003cp\u003eTape 5\n\u003c/p\u003e","\u003cp\u003eTape 6\n\u003c/p\u003e","\u003cp\u003eReel #168\n\u003c/p\u003e","\u003cp\u003eReel #169\n\u003c/p\u003e","\u003cp\u003eReel #170\n\u003c/p\u003e","\u003cp\u003e3 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. 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Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416"}},{"id":"viu_repositories_8_resources_1275","type":"collection","attributes":{"title":"Arlene Keeling Collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_8_resources_1275#abstract_or_scope","type":"document_value","attributes":{"value":"Emerita Professor, University of Virginia School of Nursing; co-founder of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Includes coronary care nursing materials (1962-1975) and research data from \"time-in–bed\" study. Some items restricted. Also a significant collection of general nursing history materials, including 19th and early-20th century nursing practice and treatment materials, photographs, and artifacts. Original prescription orders from 1893 and 1904. Military nursing represented in Civil-War era sanitary reports, and items from the two world wars.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_8_resources_1275#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_8_resources_1275","ead_ssi":"viu_repositories_8_resources_1275","_root_":"viu_repositories_8_resources_1275","_nest_parent_":"viu_repositories_8_resources_1275","ead_source_url_ssi":"data/oai/UVA/repositories_8_resources_1275.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/142098","title_ssm":["Arlene Keeling Collection"],"title_tesim":["Arlene Keeling Collection"],"unitdate_ssm":["1861-2006"],"unitdate_inclusive_ssm":["1861-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2022-048","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/8/resources/1275"],"text":["2022-048","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/8/resources/1275","Arlene Keeling Collection","The collection is arranged in four a standard manuscript boxes, with references to artifact donations and oversize images shelved elsewhere. Box 01 containes materials concerning professional activities and research, organized by subject heading. Box 02 contains personal and professional photographs, as well as the Mountainside Hospital School of Nursing yearbooks. Box 03 contains Keeling's nursing history collection, organized by subject heading or general identification. Box 04 contains the Coronary Care Unit Study materials: grant application, data analysis, bibliography and reprints, and, finally, the two folders of restricted items containing patient information.","Arlene Wynbeek Keeling, Ph.D., R.N., F.A.A.N., emertia professor, held the Centennial Distinguished Professor of Nursing at the University of Virginia School of Nursing and was the Director of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Dr. Keeling joined the faculty of the University of Virginia School of Nursing in 1992, becoming Associate Director of the Bjoring Center that year. Keeling was the chair of the School of Nursing's Acute and Specialty Care Department and the Coordinator of the Acute Care Nurse Practitioner Program. A member of Sigma Theta Tau Nursing Honor Society, Keeling has also served as president of the American Association for the History of Nursing.","Dr. Keeling graduated from Mountainside Hospital School of Nursing, in Montclair, New Jersey, and subsequently pursued her bachelors, masters, and doctoral degrees in nursing from the University of Virginia.  Over the years, she perfected a specialty in acute coronary care nursing, and in this capacity undertook a series of major research studies involving recovery times after invasive cardiac procedures, published in \"Applied Nursing Research\" in 1994; \"The American Journal of Critical Care\" in 1996, 2000, and 2004; and in \"Pacing Clinical Electrophysiology\" in 2000. In addition to numerous other scientific topics, Dr. Keeling's research interests, publications, and presentations encompass nursing history and women's studies. Her book \"Nursing and the Privilege of Prescription, 1893–2000\" won the 2007 American Association for the History of Nursing Lavinia L. Dock award for exemplary historical research and writing. In 2010, Keeling published, with two faculty colleagues, Barbara Brodie and John Kirchgessner, \"The Voice of Professional Nursing Education: A 40-year History of the American Association of Colleges of Nursing.\" And with Barbra Mann Wall, she served as co-editor and contributing author for \"Nurses on the Front Line: When Disaster Strikes, 1878–2010,\" where she examined the 1918 influenza epidemic in Boston. The University Virginia Nursing Alumni Association awarded Dr. Keeling the Distinguished Professor Award in 2000 and the Faculty Leadership Award in 2005.","The Arlene W. Keeling collection contains a limited number of professional and personal materials assembled by Dr. Keeling over her career. These principally concern her coronary care time-in-bed-study research data, and interview transcripts relative to a history of coronary care nursing, 1962–1975, including items from the Bethany Hospital Coronary Care Unit (Kansas City, Kansas). Related items are cardiac nursing patient teaching materials, American Heart Association program materials, and American College of Cardiology brochures. Correspondence files and publication/presentation records illustrate Keeling's professional interests. A sizable collection of photographs documents various professional events, among them the University of Virginia Nursing School Centennial, as well as a trip to England for a nursing conference. Also included are copy photographs used in various publications, and two yearbooks from the Mountainside School of Nursing.","Of particular importance to nursing history researchers is a collection of original manuscript materials, prints, and photographs which Dr. Keeling acquired for use in Bjoring center exhibitions, presentations, and research projects. These include late-nineteenth to early-twentieth-century materials concerning nursing practice and medical treatments, including images of nurses, in addition to a group of original prescription orders made in 1893 and 1904 in Portland Maine. Military Nursing is represented in two Civil-War-era Sanitary Board Reports, and in a variety of World-War-One and World-War-Two-era items, including postcards, a poster, and newspaper articles. Other materials suitable for teaching the history of nursing round out the collection, including a variety of nineteenth and twentieth-century artifacts.  ","Emerita Professor, University of Virginia School of Nursing; co-founder of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Includes coronary care nursing materials (1962-1975) and research data from \"time-in–bed\" study. Some items restricted. Also a significant collection of general nursing history materials, including 19th and early-20th century nursing practice and treatment materials,    photographs, and artifacts. Original prescription orders from 1893 and 1904. Military nursing represented in Civil-War era sanitary reports, and items from the two world wars.","The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry","English"],"unitid_tesim":["2022-048","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/8/resources/1275"],"normalized_title_ssm":["Arlene Keeling Collection"],"collection_title_tesim":["Arlene Keeling Collection"],"collection_ssim":["Arlene Keeling Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"has_online_content_ssim":["false"],"extent_ssm":["2.0 Linear Feet"],"extent_tesim":["2.0 Linear Feet"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four a standard manuscript boxes, with references to artifact donations and oversize images shelved elsewhere. Box 01 containes materials concerning professional activities and research, organized by subject heading. Box 02 contains personal and professional photographs, as well as the Mountainside Hospital School of Nursing yearbooks. Box 03 contains Keeling's nursing history collection, organized by subject heading or general identification. Box 04 contains the Coronary Care Unit Study materials: grant application, data analysis, bibliography and reprints, and, finally, the two folders of restricted items containing patient information.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in four a standard manuscript boxes, with references to artifact donations and oversize images shelved elsewhere. Box 01 containes materials concerning professional activities and research, organized by subject heading. Box 02 contains personal and professional photographs, as well as the Mountainside Hospital School of Nursing yearbooks. Box 03 contains Keeling's nursing history collection, organized by subject heading or general identification. Box 04 contains the Coronary Care Unit Study materials: grant application, data analysis, bibliography and reprints, and, finally, the two folders of restricted items containing patient information."],"bioghist_html_tesm":["\u003cp\u003eArlene Wynbeek Keeling, Ph.D., R.N., F.A.A.N., emertia professor, held the Centennial Distinguished Professor of Nursing at the University of Virginia School of Nursing and was the Director of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Dr. Keeling joined the faculty of the University of Virginia School of Nursing in 1992, becoming Associate Director of the Bjoring Center that year. Keeling was the chair of the School of Nursing's Acute and Specialty Care Department and the Coordinator of the Acute Care Nurse Practitioner Program. A member of Sigma Theta Tau Nursing Honor Society, Keeling has also served as president of the American Association for the History of Nursing.\u003c/p\u003e\n","\u003cp\u003eDr. Keeling graduated from Mountainside Hospital School of Nursing, in Montclair, New Jersey, and subsequently pursued her bachelors, masters, and doctoral degrees in nursing from the University of Virginia.  Over the years, she perfected a specialty in acute coronary care nursing, and in this capacity undertook a series of major research studies involving recovery times after invasive cardiac procedures, published in \"Applied Nursing Research\" in 1994; \"The American Journal of Critical Care\" in 1996, 2000, and 2004; and in \"Pacing Clinical Electrophysiology\" in 2000. In addition to numerous other scientific topics, Dr. Keeling's research interests, publications, and presentations encompass nursing history and women's studies. Her book \"Nursing and the Privilege of Prescription, 1893–2000\" won the 2007 American Association for the History of Nursing Lavinia L. Dock award for exemplary historical research and writing. In 2010, Keeling published, with two faculty colleagues, Barbara Brodie and John Kirchgessner, \"The Voice of Professional Nursing Education: A 40-year History of the American Association of Colleges of Nursing.\" And with Barbra Mann Wall, she served as co-editor and contributing author for \"Nurses on the Front Line: When Disaster Strikes, 1878–2010,\" where she examined the 1918 influenza epidemic in Boston. The University Virginia Nursing Alumni Association awarded Dr. Keeling the Distinguished Professor Award in 2000 and the Faculty Leadership Award in 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Arlene Wynbeek Keeling, Ph.D., R.N., F.A.A.N., emertia professor, held the Centennial Distinguished Professor of Nursing at the University of Virginia School of Nursing and was the Director of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Dr. Keeling joined the faculty of the University of Virginia School of Nursing in 1992, becoming Associate Director of the Bjoring Center that year. Keeling was the chair of the School of Nursing's Acute and Specialty Care Department and the Coordinator of the Acute Care Nurse Practitioner Program. A member of Sigma Theta Tau Nursing Honor Society, Keeling has also served as president of the American Association for the History of Nursing.","Dr. Keeling graduated from Mountainside Hospital School of Nursing, in Montclair, New Jersey, and subsequently pursued her bachelors, masters, and doctoral degrees in nursing from the University of Virginia.  Over the years, she perfected a specialty in acute coronary care nursing, and in this capacity undertook a series of major research studies involving recovery times after invasive cardiac procedures, published in \"Applied Nursing Research\" in 1994; \"The American Journal of Critical Care\" in 1996, 2000, and 2004; and in \"Pacing Clinical Electrophysiology\" in 2000. In addition to numerous other scientific topics, Dr. Keeling's research interests, publications, and presentations encompass nursing history and women's studies. Her book \"Nursing and the Privilege of Prescription, 1893–2000\" won the 2007 American Association for the History of Nursing Lavinia L. Dock award for exemplary historical research and writing. In 2010, Keeling published, with two faculty colleagues, Barbara Brodie and John Kirchgessner, \"The Voice of Professional Nursing Education: A 40-year History of the American Association of Colleges of Nursing.\" And with Barbra Mann Wall, she served as co-editor and contributing author for \"Nurses on the Front Line: When Disaster Strikes, 1878–2010,\" where she examined the 1918 influenza epidemic in Boston. The University Virginia Nursing Alumni Association awarded Dr. Keeling the Distinguished Professor Award in 2000 and the Faculty Leadership Award in 2005."],"scopecontent_html_tesm":["\u003cp\u003eThe Arlene W. Keeling collection contains a limited number of professional and personal materials assembled by Dr. Keeling over her career. These principally concern her coronary care time-in-bed-study research data, and interview transcripts relative to a history of coronary care nursing, 1962–1975, including items from the Bethany Hospital Coronary Care Unit (Kansas City, Kansas). Related items are cardiac nursing patient teaching materials, American Heart Association program materials, and American College of Cardiology brochures. Correspondence files and publication/presentation records illustrate Keeling's professional interests. A sizable collection of photographs documents various professional events, among them the University of Virginia Nursing School Centennial, as well as a trip to England for a nursing conference. Also included are copy photographs used in various publications, and two yearbooks from the Mountainside School of Nursing.\u003c/p\u003e\n","\u003cp\u003eOf particular importance to nursing history researchers is a collection of original manuscript materials, prints, and photographs which Dr. Keeling acquired for use in Bjoring center exhibitions, presentations, and research projects. These include late-nineteenth to early-twentieth-century materials concerning nursing practice and medical treatments, including images of nurses, in addition to a group of original prescription orders made in 1893 and 1904 in Portland Maine. Military Nursing is represented in two Civil-War-era Sanitary Board Reports, and in a variety of World-War-One and World-War-Two-era items, including postcards, a poster, and newspaper articles. Other materials suitable for teaching the history of nursing round out the collection, including a variety of nineteenth and twentieth-century artifacts.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Arlene W. Keeling collection contains a limited number of professional and personal materials assembled by Dr. Keeling over her career. These principally concern her coronary care time-in-bed-study research data, and interview transcripts relative to a history of coronary care nursing, 1962–1975, including items from the Bethany Hospital Coronary Care Unit (Kansas City, Kansas). Related items are cardiac nursing patient teaching materials, American Heart Association program materials, and American College of Cardiology brochures. Correspondence files and publication/presentation records illustrate Keeling's professional interests. A sizable collection of photographs documents various professional events, among them the University of Virginia Nursing School Centennial, as well as a trip to England for a nursing conference. Also included are copy photographs used in various publications, and two yearbooks from the Mountainside School of Nursing.","Of particular importance to nursing history researchers is a collection of original manuscript materials, prints, and photographs which Dr. Keeling acquired for use in Bjoring center exhibitions, presentations, and research projects. These include late-nineteenth to early-twentieth-century materials concerning nursing practice and medical treatments, including images of nurses, in addition to a group of original prescription orders made in 1893 and 1904 in Portland Maine. Military Nursing is represented in two Civil-War-era Sanitary Board Reports, and in a variety of World-War-One and World-War-Two-era items, including postcards, a poster, and newspaper articles. Other materials suitable for teaching the history of nursing round out the collection, including a variety of nineteenth and twentieth-century artifacts.  "],"abstract_html_tesm":["\u003cabstract id=\"aspace_dc3897b1dcef3612253b0b3d847da37d\"\u003eEmerita Professor, University of Virginia School of Nursing; co-founder of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Includes coronary care nursing materials (1962-1975) and research data from \"time-in–bed\" study. Some items restricted. Also a significant collection of general nursing history materials, including 19th and early-20th century nursing practice and treatment materials,    photographs, and artifacts. Original prescription orders from 1893 and 1904. Military nursing represented in Civil-War era sanitary reports, and items from the two world wars.\u003c/abstract\u003e"],"abstract_tesim":["Emerita Professor, University of Virginia School of Nursing; co-founder of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Includes coronary care nursing materials (1962-1975) and research data from \"time-in–bed\" study. Some items restricted. Also a significant collection of general nursing history materials, including 19th and early-20th century nursing practice and treatment materials,    photographs, and artifacts. Original prescription orders from 1893 and 1904. Military nursing represented in Civil-War era sanitary reports, and items from the two world wars."],"names_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"corpname_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:40:28.448Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_8_resources_1275","ead_ssi":"viu_repositories_8_resources_1275","_root_":"viu_repositories_8_resources_1275","_nest_parent_":"viu_repositories_8_resources_1275","ead_source_url_ssi":"data/oai/UVA/repositories_8_resources_1275.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/142098","title_ssm":["Arlene Keeling Collection"],"title_tesim":["Arlene Keeling Collection"],"unitdate_ssm":["1861-2006"],"unitdate_inclusive_ssm":["1861-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2022-048","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/8/resources/1275"],"text":["2022-048","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/8/resources/1275","Arlene Keeling Collection","The collection is arranged in four a standard manuscript boxes, with references to artifact donations and oversize images shelved elsewhere. Box 01 containes materials concerning professional activities and research, organized by subject heading. Box 02 contains personal and professional photographs, as well as the Mountainside Hospital School of Nursing yearbooks. Box 03 contains Keeling's nursing history collection, organized by subject heading or general identification. Box 04 contains the Coronary Care Unit Study materials: grant application, data analysis, bibliography and reprints, and, finally, the two folders of restricted items containing patient information.","Arlene Wynbeek Keeling, Ph.D., R.N., F.A.A.N., emertia professor, held the Centennial Distinguished Professor of Nursing at the University of Virginia School of Nursing and was the Director of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Dr. Keeling joined the faculty of the University of Virginia School of Nursing in 1992, becoming Associate Director of the Bjoring Center that year. Keeling was the chair of the School of Nursing's Acute and Specialty Care Department and the Coordinator of the Acute Care Nurse Practitioner Program. A member of Sigma Theta Tau Nursing Honor Society, Keeling has also served as president of the American Association for the History of Nursing.","Dr. Keeling graduated from Mountainside Hospital School of Nursing, in Montclair, New Jersey, and subsequently pursued her bachelors, masters, and doctoral degrees in nursing from the University of Virginia.  Over the years, she perfected a specialty in acute coronary care nursing, and in this capacity undertook a series of major research studies involving recovery times after invasive cardiac procedures, published in \"Applied Nursing Research\" in 1994; \"The American Journal of Critical Care\" in 1996, 2000, and 2004; and in \"Pacing Clinical Electrophysiology\" in 2000. In addition to numerous other scientific topics, Dr. Keeling's research interests, publications, and presentations encompass nursing history and women's studies. Her book \"Nursing and the Privilege of Prescription, 1893–2000\" won the 2007 American Association for the History of Nursing Lavinia L. Dock award for exemplary historical research and writing. In 2010, Keeling published, with two faculty colleagues, Barbara Brodie and John Kirchgessner, \"The Voice of Professional Nursing Education: A 40-year History of the American Association of Colleges of Nursing.\" And with Barbra Mann Wall, she served as co-editor and contributing author for \"Nurses on the Front Line: When Disaster Strikes, 1878–2010,\" where she examined the 1918 influenza epidemic in Boston. The University Virginia Nursing Alumni Association awarded Dr. Keeling the Distinguished Professor Award in 2000 and the Faculty Leadership Award in 2005.","The Arlene W. Keeling collection contains a limited number of professional and personal materials assembled by Dr. Keeling over her career. These principally concern her coronary care time-in-bed-study research data, and interview transcripts relative to a history of coronary care nursing, 1962–1975, including items from the Bethany Hospital Coronary Care Unit (Kansas City, Kansas). Related items are cardiac nursing patient teaching materials, American Heart Association program materials, and American College of Cardiology brochures. Correspondence files and publication/presentation records illustrate Keeling's professional interests. A sizable collection of photographs documents various professional events, among them the University of Virginia Nursing School Centennial, as well as a trip to England for a nursing conference. Also included are copy photographs used in various publications, and two yearbooks from the Mountainside School of Nursing.","Of particular importance to nursing history researchers is a collection of original manuscript materials, prints, and photographs which Dr. Keeling acquired for use in Bjoring center exhibitions, presentations, and research projects. These include late-nineteenth to early-twentieth-century materials concerning nursing practice and medical treatments, including images of nurses, in addition to a group of original prescription orders made in 1893 and 1904 in Portland Maine. Military Nursing is represented in two Civil-War-era Sanitary Board Reports, and in a variety of World-War-One and World-War-Two-era items, including postcards, a poster, and newspaper articles. Other materials suitable for teaching the history of nursing round out the collection, including a variety of nineteenth and twentieth-century artifacts.  ","Emerita Professor, University of Virginia School of Nursing; co-founder of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Includes coronary care nursing materials (1962-1975) and research data from \"time-in–bed\" study. Some items restricted. Also a significant collection of general nursing history materials, including 19th and early-20th century nursing practice and treatment materials,    photographs, and artifacts. Original prescription orders from 1893 and 1904. Military nursing represented in Civil-War era sanitary reports, and items from the two world wars.","The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry","English"],"unitid_tesim":["2022-048","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/8/resources/1275"],"normalized_title_ssm":["Arlene Keeling Collection"],"collection_title_tesim":["Arlene Keeling Collection"],"collection_ssim":["Arlene Keeling Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"has_online_content_ssim":["false"],"extent_ssm":["2.0 Linear Feet"],"extent_tesim":["2.0 Linear Feet"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four a standard manuscript boxes, with references to artifact donations and oversize images shelved elsewhere. Box 01 containes materials concerning professional activities and research, organized by subject heading. Box 02 contains personal and professional photographs, as well as the Mountainside Hospital School of Nursing yearbooks. Box 03 contains Keeling's nursing history collection, organized by subject heading or general identification. Box 04 contains the Coronary Care Unit Study materials: grant application, data analysis, bibliography and reprints, and, finally, the two folders of restricted items containing patient information.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in four a standard manuscript boxes, with references to artifact donations and oversize images shelved elsewhere. Box 01 containes materials concerning professional activities and research, organized by subject heading. Box 02 contains personal and professional photographs, as well as the Mountainside Hospital School of Nursing yearbooks. Box 03 contains Keeling's nursing history collection, organized by subject heading or general identification. Box 04 contains the Coronary Care Unit Study materials: grant application, data analysis, bibliography and reprints, and, finally, the two folders of restricted items containing patient information."],"bioghist_html_tesm":["\u003cp\u003eArlene Wynbeek Keeling, Ph.D., R.N., F.A.A.N., emertia professor, held the Centennial Distinguished Professor of Nursing at the University of Virginia School of Nursing and was the Director of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Dr. Keeling joined the faculty of the University of Virginia School of Nursing in 1992, becoming Associate Director of the Bjoring Center that year. Keeling was the chair of the School of Nursing's Acute and Specialty Care Department and the Coordinator of the Acute Care Nurse Practitioner Program. A member of Sigma Theta Tau Nursing Honor Society, Keeling has also served as president of the American Association for the History of Nursing.\u003c/p\u003e\n","\u003cp\u003eDr. Keeling graduated from Mountainside Hospital School of Nursing, in Montclair, New Jersey, and subsequently pursued her bachelors, masters, and doctoral degrees in nursing from the University of Virginia.  Over the years, she perfected a specialty in acute coronary care nursing, and in this capacity undertook a series of major research studies involving recovery times after invasive cardiac procedures, published in \"Applied Nursing Research\" in 1994; \"The American Journal of Critical Care\" in 1996, 2000, and 2004; and in \"Pacing Clinical Electrophysiology\" in 2000. In addition to numerous other scientific topics, Dr. Keeling's research interests, publications, and presentations encompass nursing history and women's studies. Her book \"Nursing and the Privilege of Prescription, 1893–2000\" won the 2007 American Association for the History of Nursing Lavinia L. Dock award for exemplary historical research and writing. In 2010, Keeling published, with two faculty colleagues, Barbara Brodie and John Kirchgessner, \"The Voice of Professional Nursing Education: A 40-year History of the American Association of Colleges of Nursing.\" And with Barbra Mann Wall, she served as co-editor and contributing author for \"Nurses on the Front Line: When Disaster Strikes, 1878–2010,\" where she examined the 1918 influenza epidemic in Boston. The University Virginia Nursing Alumni Association awarded Dr. Keeling the Distinguished Professor Award in 2000 and the Faculty Leadership Award in 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Arlene Wynbeek Keeling, Ph.D., R.N., F.A.A.N., emertia professor, held the Centennial Distinguished Professor of Nursing at the University of Virginia School of Nursing and was the Director of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Dr. Keeling joined the faculty of the University of Virginia School of Nursing in 1992, becoming Associate Director of the Bjoring Center that year. Keeling was the chair of the School of Nursing's Acute and Specialty Care Department and the Coordinator of the Acute Care Nurse Practitioner Program. A member of Sigma Theta Tau Nursing Honor Society, Keeling has also served as president of the American Association for the History of Nursing.","Dr. Keeling graduated from Mountainside Hospital School of Nursing, in Montclair, New Jersey, and subsequently pursued her bachelors, masters, and doctoral degrees in nursing from the University of Virginia.  Over the years, she perfected a specialty in acute coronary care nursing, and in this capacity undertook a series of major research studies involving recovery times after invasive cardiac procedures, published in \"Applied Nursing Research\" in 1994; \"The American Journal of Critical Care\" in 1996, 2000, and 2004; and in \"Pacing Clinical Electrophysiology\" in 2000. In addition to numerous other scientific topics, Dr. Keeling's research interests, publications, and presentations encompass nursing history and women's studies. Her book \"Nursing and the Privilege of Prescription, 1893–2000\" won the 2007 American Association for the History of Nursing Lavinia L. Dock award for exemplary historical research and writing. In 2010, Keeling published, with two faculty colleagues, Barbara Brodie and John Kirchgessner, \"The Voice of Professional Nursing Education: A 40-year History of the American Association of Colleges of Nursing.\" And with Barbra Mann Wall, she served as co-editor and contributing author for \"Nurses on the Front Line: When Disaster Strikes, 1878–2010,\" where she examined the 1918 influenza epidemic in Boston. The University Virginia Nursing Alumni Association awarded Dr. Keeling the Distinguished Professor Award in 2000 and the Faculty Leadership Award in 2005."],"scopecontent_html_tesm":["\u003cp\u003eThe Arlene W. Keeling collection contains a limited number of professional and personal materials assembled by Dr. Keeling over her career. These principally concern her coronary care time-in-bed-study research data, and interview transcripts relative to a history of coronary care nursing, 1962–1975, including items from the Bethany Hospital Coronary Care Unit (Kansas City, Kansas). Related items are cardiac nursing patient teaching materials, American Heart Association program materials, and American College of Cardiology brochures. Correspondence files and publication/presentation records illustrate Keeling's professional interests. A sizable collection of photographs documents various professional events, among them the University of Virginia Nursing School Centennial, as well as a trip to England for a nursing conference. Also included are copy photographs used in various publications, and two yearbooks from the Mountainside School of Nursing.\u003c/p\u003e\n","\u003cp\u003eOf particular importance to nursing history researchers is a collection of original manuscript materials, prints, and photographs which Dr. Keeling acquired for use in Bjoring center exhibitions, presentations, and research projects. These include late-nineteenth to early-twentieth-century materials concerning nursing practice and medical treatments, including images of nurses, in addition to a group of original prescription orders made in 1893 and 1904 in Portland Maine. Military Nursing is represented in two Civil-War-era Sanitary Board Reports, and in a variety of World-War-One and World-War-Two-era items, including postcards, a poster, and newspaper articles. Other materials suitable for teaching the history of nursing round out the collection, including a variety of nineteenth and twentieth-century artifacts.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Arlene W. Keeling collection contains a limited number of professional and personal materials assembled by Dr. Keeling over her career. These principally concern her coronary care time-in-bed-study research data, and interview transcripts relative to a history of coronary care nursing, 1962–1975, including items from the Bethany Hospital Coronary Care Unit (Kansas City, Kansas). Related items are cardiac nursing patient teaching materials, American Heart Association program materials, and American College of Cardiology brochures. Correspondence files and publication/presentation records illustrate Keeling's professional interests. A sizable collection of photographs documents various professional events, among them the University of Virginia Nursing School Centennial, as well as a trip to England for a nursing conference. Also included are copy photographs used in various publications, and two yearbooks from the Mountainside School of Nursing.","Of particular importance to nursing history researchers is a collection of original manuscript materials, prints, and photographs which Dr. Keeling acquired for use in Bjoring center exhibitions, presentations, and research projects. These include late-nineteenth to early-twentieth-century materials concerning nursing practice and medical treatments, including images of nurses, in addition to a group of original prescription orders made in 1893 and 1904 in Portland Maine. Military Nursing is represented in two Civil-War-era Sanitary Board Reports, and in a variety of World-War-One and World-War-Two-era items, including postcards, a poster, and newspaper articles. Other materials suitable for teaching the history of nursing round out the collection, including a variety of nineteenth and twentieth-century artifacts.  "],"abstract_html_tesm":["\u003cabstract id=\"aspace_dc3897b1dcef3612253b0b3d847da37d\"\u003eEmerita Professor, University of Virginia School of Nursing; co-founder of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Includes coronary care nursing materials (1962-1975) and research data from \"time-in–bed\" study. Some items restricted. Also a significant collection of general nursing history materials, including 19th and early-20th century nursing practice and treatment materials,    photographs, and artifacts. Original prescription orders from 1893 and 1904. Military nursing represented in Civil-War era sanitary reports, and items from the two world wars.\u003c/abstract\u003e"],"abstract_tesim":["Emerita Professor, University of Virginia School of Nursing; co-founder of the Eleanor Crowder Bjoring Center for Nursing Historical Inquiry. Includes coronary care nursing materials (1962-1975) and research data from \"time-in–bed\" study. Some items restricted. Also a significant collection of general nursing history materials, including 19th and early-20th century nursing practice and treatment materials,    photographs, and artifacts. Original prescription orders from 1893 and 1904. Military nursing represented in Civil-War era sanitary reports, and items from the two world wars."],"names_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"corpname_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:40:28.448Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_8_resources_1275"}},{"id":"viu_repositories_3_resources_595","type":"collection","attributes":{"title":"Armstead L. Robinson papers","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_595#creator","type":"document_value","attributes":{"value":"Robinson, Armstead L., 1947-1995","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_595#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_595#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_595","ead_ssi":"viu_repositories_3_resources_595","_root_":"viu_repositories_3_resources_595","_nest_parent_":"viu_repositories_3_resources_595","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_595.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/516","title_filing_ssi":"Robinson, Armstead L., papers","title_ssm":["Armstead L. Robinson papers"],"title_tesim":["Armstead L. Robinson papers"],"unitdate_ssm":["1848-2001","1967-1992"],"unitdate_bulk_ssim":["1967-1992"],"unitdate_inclusive_ssm":["1848-2001"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"text":["MSS 12836","Archival Resource Key","/repositories/3/resources/595","Armstead L. Robinson papers","Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans","Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)","The collection is open for research use.","Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  ","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.","Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. ","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). ","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). ","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.","The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. ","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"","1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]","37 maps.","The ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]","Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission.","Albert and Shirley Small Special Collections Library","Robinson, Armstead L., 1947-1995","English"],"unitid_tesim":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"normalized_title_ssm":["Armstead L. Robinson papers"],"collection_title_tesim":["Armstead L. Robinson papers"],"collection_ssim":["Armstead L. Robinson papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"geogname_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"creator_ssm":["Robinson, Armstead L., 1947-1995"],"creator_ssim":["Robinson, Armstead L., 1947-1995"],"creator_persname_ssim":["Robinson, Armstead L., 1947-1995"],"creators_ssim":["Robinson, Armstead L., 1947-1995"],"places_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"access_terms_ssm":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"acqinfo_ssim":["Donated by Prof. Mildred W. Robinson, 12 June 2003;  \nTransfer by University of Virginia Press acquisitions editor Richard K. Holway, 9 August 2005; Tranfer by Carter G. Woodson Institute for Afro-American and African Studies, 2 October 2008."],"access_subjects_ssim":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"access_subjects_ssm":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"extent_tesim":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"genreform_ssim":["Audiocassettes.","letters (correspondence)"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eOriginal order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.\u003c/p\u003e","\u003cp\u003eSeries 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.\u003c/p\u003e","\u003cp\u003eSeries 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  \u003c/p\u003e","\u003cp\u003eSeries 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).\u003c/p\u003e","\u003cp\u003eSeries 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.\u003c/p\u003e","\u003cp\u003eSeries 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  ","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters."],"bioghist_html_tesm":["\u003cp\u003eArmstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.\u003c/p\u003e","\u003cp\u003eRobinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.\u003c/p\u003e","\u003cp\u003eRobinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. \u003c/p\u003e","\u003cp\u003eRobinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).\u003c/p\u003e","\u003cp\u003eIt is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). \u003c/p\u003e","\u003cp\u003eRobinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). \u003c/p\u003e","\u003cp\u003eHe served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).\u003c/p\u003e","\u003cp\u003eRobinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.\u003c/p\u003e","\u003cp\u003eRobinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].\u003c/p\u003e","\u003cp\u003eRobinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. ","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). ","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). ","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory."],"prefercite_html_tesm":["\u003cp\u003eMSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.\u003c/p\u003e","\u003cp\u003eThe scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.\u003c/p\u003e","\u003cp\u003e\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.\u003c/p\u003e","\u003cp\u003eAs to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.\u003c/p\u003e","\u003cp\u003eProminent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.\u003c/p\u003e","\u003cp\u003eThe collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. \u003c/p\u003e","\u003cp\u003eArmistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"\u003c/p\u003e","\u003cp\u003e1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]\u003c/p\u003e","\u003cp\u003e37 maps.\u003c/p\u003e","\u003cp\u003eThe ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. ","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"","1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]","37 maps.","The ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]"],"userestrict_html_tesm":["\u003cp\u003eSeveral folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson, Armstead L., 1947-1995"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Robinson, Armstead L., 1947-1995"],"language_ssim":["English"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:27.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_595","ead_ssi":"viu_repositories_3_resources_595","_root_":"viu_repositories_3_resources_595","_nest_parent_":"viu_repositories_3_resources_595","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_595.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/516","title_filing_ssi":"Robinson, Armstead L., papers","title_ssm":["Armstead L. Robinson papers"],"title_tesim":["Armstead L. Robinson papers"],"unitdate_ssm":["1848-2001","1967-1992"],"unitdate_bulk_ssim":["1967-1992"],"unitdate_inclusive_ssm":["1848-2001"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"text":["MSS 12836","Archival Resource Key","/repositories/3/resources/595","Armstead L. Robinson papers","Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans","Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)","The collection is open for research use.","Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  ","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.","Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. ","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). ","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). ","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.","The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. ","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"","1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]","37 maps.","The ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]","Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission.","Albert and Shirley Small Special Collections Library","Robinson, Armstead L., 1947-1995","English"],"unitid_tesim":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"normalized_title_ssm":["Armstead L. Robinson papers"],"collection_title_tesim":["Armstead L. Robinson papers"],"collection_ssim":["Armstead L. Robinson papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"geogname_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"creator_ssm":["Robinson, Armstead L., 1947-1995"],"creator_ssim":["Robinson, Armstead L., 1947-1995"],"creator_persname_ssim":["Robinson, Armstead L., 1947-1995"],"creators_ssim":["Robinson, Armstead L., 1947-1995"],"places_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"access_terms_ssm":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"acqinfo_ssim":["Donated by Prof. Mildred W. Robinson, 12 June 2003;  \nTransfer by University of Virginia Press acquisitions editor Richard K. Holway, 9 August 2005; Tranfer by Carter G. Woodson Institute for Afro-American and African Studies, 2 October 2008."],"access_subjects_ssim":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"access_subjects_ssm":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"extent_tesim":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"genreform_ssim":["Audiocassettes.","letters (correspondence)"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eOriginal order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.\u003c/p\u003e","\u003cp\u003eSeries 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.\u003c/p\u003e","\u003cp\u003eSeries 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  \u003c/p\u003e","\u003cp\u003eSeries 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).\u003c/p\u003e","\u003cp\u003eSeries 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.\u003c/p\u003e","\u003cp\u003eSeries 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  ","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters."],"bioghist_html_tesm":["\u003cp\u003eArmstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.\u003c/p\u003e","\u003cp\u003eRobinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.\u003c/p\u003e","\u003cp\u003eRobinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. \u003c/p\u003e","\u003cp\u003eRobinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).\u003c/p\u003e","\u003cp\u003eIt is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). \u003c/p\u003e","\u003cp\u003eRobinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). \u003c/p\u003e","\u003cp\u003eHe served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).\u003c/p\u003e","\u003cp\u003eRobinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.\u003c/p\u003e","\u003cp\u003eRobinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].\u003c/p\u003e","\u003cp\u003eRobinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. ","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). ","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). ","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory."],"prefercite_html_tesm":["\u003cp\u003eMSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.\u003c/p\u003e","\u003cp\u003eThe scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.\u003c/p\u003e","\u003cp\u003e\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.\u003c/p\u003e","\u003cp\u003eAs to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.\u003c/p\u003e","\u003cp\u003eProminent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.\u003c/p\u003e","\u003cp\u003eThe collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. \u003c/p\u003e","\u003cp\u003eArmistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"\u003c/p\u003e","\u003cp\u003e1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]\u003c/p\u003e","\u003cp\u003e37 maps.\u003c/p\u003e","\u003cp\u003eThe ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. ","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"","1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]","37 maps.","The ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]"],"userestrict_html_tesm":["\u003cp\u003eSeveral folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson, Armstead L., 1947-1995"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Robinson, Armstead L., 1947-1995"],"language_ssim":["English"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:27.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_595"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":14},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":391},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar 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