{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=11","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=10","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=12","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=93"},"meta":{"pages":{"current_page":11,"next_page":12,"prev_page":10,"total_pages":93,"limit_value":10,"offset_value":100,"total_count":929,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_52_c04_c27","type":"Item","attributes":{"title":"A Visit to Hillwood Museum and Gardens, 2000","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_52_c04_c27#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_52_c04_c27","ref_ssm":["virmu_repositories_2_resources_52_c04_c27"],"id":"virmu_repositories_2_resources_52_c04_c27","ead_ssi":"virmu_repositories_2_resources_52","_root_":"virmu_repositories_2_resources_52","_nest_parent_":"virmu_repositories_2_resources_52_c04","parent_ssi":"virmu_repositories_2_resources_52_c04","parent_ssim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27), 1971/2023","Series 4: Media, 1971/2004"],"parent_ids_ssim":["virmu_repositories_2_resources_52","virmu_repositories_2_resources_52_c04"],"title_filing_ssi":"A Visit to Hillwood Museum and Gardens","title_ssm":["A Visit to Hillwood Museum and Gardens"],"title_tesim":["A Visit to Hillwood Museum and Gardens"],"normalized_title_ssm":["A Visit to Hillwood Museum and Gardens, 2000"],"text":["A Visit to Hillwood Museum and Gardens, 2000","Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27), 1971/2023","Series 4: Media, 1971/2004","box SC-27 Box 3"],"parent_unittitles_ssm":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27), 1971/2023","Series 4: Media, 1971/2004"],"parent_unittitles_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27), 1971/2023","Series 4: Media, 1971/2004"],"normalized_date_ssm":["2000"],"unitdate_other_ssim":["2000"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":230,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27), 1971/2023"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"physfacet_tesim":["1 VHS"],"containers_ssim":["box SC-27 Box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[2000],"_nest_path_":"/components#3/components#26","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_52","ead_ssi":"virmu_repositories_2_resources_52","_root_":"virmu_repositories_2_resources_52","_nest_parent_":"virmu_repositories_2_resources_52","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_52.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/52","title_filing_ssi":"McCanless, Christel Ludewig (SC-27)","title_ssm":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"title_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"unitdate_ssm":["1971-2023"],"unitdate_inclusive_ssm":["1971-2023"],"normalized_date_ssm":["1971/2023"],"normalized_title_ssm":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27), 1971/2023"],"text":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27), 1971/2023","SC-27","/repositories/2/resources/52","The collection is open for research.","The collection is organized into six series. Series 1, 2, and 6 are divided into sub-series by topic.","Series 1\n        Reference Files\n      \n      \n        Series 2\n        Research Files\n      \n      \n        Series 3\n        Images\n      \n      \n        Series 4\n        Media\n      \n      \n        Series 5\n        Realia\n      \n      \n        Series 6\n        \"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files","Fabergé and his Works: An Annotated Bibliography of the First Century of his Art, 1994","Fabergé Eggs: A Retrospective Encyclopedia, 2001","Born on November 20, 1939, in Peenemünde, Germany, Christel Ludewig McCanless is a former librarian and noted Fabergé scholar. She currently resides with her husband George in Huntsville, Alabama, where she immigrated with her parents after fleeing Russian occupied East Germany in 1953. Her father, Hermann R. R. Ludewig, was a missile and space engineer at the Peenemünde Army Research Center under Wernher von Braun.","While serving as the Library Director of the University of Alabama in Huntsville in the 1960s, she became interested in the art of Fabergé after reading Robert K. Massie's book, \"Nicholas and Alexandra,\" and Morton Shulman's book, \"Anyone Can Make a Million.\" Massie's book provided the historical details of imperial Russia in which the decorative art of the Russian court jeweler, Peter Carl Fabergé, flourished. Shulman's book discussed how one \"can make a million\" in collecting art objects. As a practicing librarian, McCanless instead began collecting pieces of paper, in the form of books and journals, which mentioned Fabergé and his art.","In 1994, she published her first book, \"Fabergé and His Works: An Annotated Bibliography of the First Century of His Art,\" the first annotated bibliography of literature about Fabergé. Her second book followed in 2001, which she co-authored with Australian scholar Will Lowes. \"Fabergé Eggs: A Retrospective Encyclopedia\" is the only work of its kind and is the premiere reference work on the subject.","Through the course of her work, McCanless connected with a tremendous network of fellow Faberge scholars and enthusiasts and as a result, went on to found the \"Fabergé Research Newsletter\" and \"Fabergé Research\" website in 2006. The site continues to serve as a vehicle for disseminating new research and discoveries about Fabergé and his art.","Additional biographical information can be found at Encyclopedia.com (link provided by McCanless).","The collection is comprised of materials donated by Christel Ludewig McCanless. The original donation occured in 2016, with periodic accretions received a few times each year. Series 6 was donated in November 2019.","Original order and folder titles were retained during processing.","The collection's inclusive dates are 1971-2019, with the bulk of the material dating from the 1990s-2000s. The collection is comprised of correspondence, writings, research materials, bibliographic records, auction results, audiovisual materials, slides, books, posters, and realia.","The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the \"Fabergé Research Newsletter\" and \"Fabergé Research Site\" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork.","Virginia Museum of Fine Arts Archives","Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","English"],"collection_title_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27), 1971/2023"],"collection_ssim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27), 1971/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-27","/repositories/2/resources/52"],"unitid_tesim":["SC-27","/repositories/2/resources/52"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_persname_ssim":["Fabergé, Peter Carl, 1846-1920"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Fabergé (Firm)"],"creators_ssim":["Fabergé, Peter Carl, 1846-1920","Virginia Museum of Fine Arts Archives","Fabergé (Firm)"],"access_terms_ssm":["The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 6 boxes; 283 folders, 90 items"],"extent_tesim":["7.5 Linear Feet 6 boxes; 283 folders, 90 items"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series. Series 1, 2, and 6 are divided into sub-series by topic.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eReference Files\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eResearch Files\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eImages\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eMedia\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eRealia\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003e\"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series. Series 1, 2, and 6 are divided into sub-series by topic.","Series 1\n        Reference Files\n      \n      \n        Series 2\n        Research Files\n      \n      \n        Series 3\n        Images\n      \n      \n        Series 4\n        Media\n      \n      \n        Series 5\n        Realia\n      \n      \n        Series 6\n        \"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files"],"bibliography_html_tesm":["\u003cbibref\u003eFabergé and his Works: An Annotated Bibliography of the First Century of his Art, 1994\u003c/bibref\u003e\n    ","\u003cbibref\u003eFabergé Eggs: A Retrospective Encyclopedia, 2001\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library"],"bibliography_tesim":["Fabergé and his Works: An Annotated Bibliography of the First Century of his Art, 1994","Fabergé Eggs: A Retrospective Encyclopedia, 2001"],"bioghist_html_tesm":["\u003cp\u003eBorn on November 20, 1939, in Peenemünde, Germany, Christel Ludewig McCanless is a former librarian and noted Fabergé scholar. She currently resides with her husband George in Huntsville, Alabama, where she immigrated with her parents after fleeing Russian occupied East Germany in 1953. Her father, Hermann R. R. Ludewig, was a missile and space engineer at the Peenemünde Army Research Center under Wernher von Braun.\u003c/p\u003e","\u003cp\u003eWhile serving as the Library Director of the University of Alabama in Huntsville in the 1960s, she became interested in the art of Fabergé after reading Robert K. Massie's book, \"Nicholas and Alexandra,\" and Morton Shulman's book, \"Anyone Can Make a Million.\" Massie's book provided the historical details of imperial Russia in which the decorative art of the Russian court jeweler, Peter Carl Fabergé, flourished. Shulman's book discussed how one \"can make a million\" in collecting art objects. As a practicing librarian, McCanless instead began collecting pieces of paper, in the form of books and journals, which mentioned Fabergé and his art.\u003c/p\u003e","\u003cp\u003eIn 1994, she published her first book, \"Fabergé and His Works: An Annotated Bibliography of the First Century of His Art,\" the first annotated bibliography of literature about Fabergé. Her second book followed in 2001, which she co-authored with Australian scholar Will Lowes. \"Fabergé Eggs: A Retrospective Encyclopedia\" is the only work of its kind and is the premiere reference work on the subject. \u003c/p\u003e","\u003cp\u003eThrough the course of her work, McCanless connected with a tremendous network of fellow Faberge scholars and enthusiasts and as a result, went on to found the \"Fabergé Research Newsletter\" and \"Fabergé Research\" website in 2006. The site continues to serve as a vehicle for disseminating new research and discoveries about Fabergé and his art. \u003c/p\u003e","\u003cp\u003eAdditional biographical information can be found at \u003ca href=\"https://www.encyclopedia.com/arts/educational-magazines/mccanless-christel-ludewig-1939\"\u003eEncyclopedia.com\u003c/a\u003e (link provided by McCanless).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born on November 20, 1939, in Peenemünde, Germany, Christel Ludewig McCanless is a former librarian and noted Fabergé scholar. She currently resides with her husband George in Huntsville, Alabama, where she immigrated with her parents after fleeing Russian occupied East Germany in 1953. Her father, Hermann R. R. Ludewig, was a missile and space engineer at the Peenemünde Army Research Center under Wernher von Braun.","While serving as the Library Director of the University of Alabama in Huntsville in the 1960s, she became interested in the art of Fabergé after reading Robert K. Massie's book, \"Nicholas and Alexandra,\" and Morton Shulman's book, \"Anyone Can Make a Million.\" Massie's book provided the historical details of imperial Russia in which the decorative art of the Russian court jeweler, Peter Carl Fabergé, flourished. Shulman's book discussed how one \"can make a million\" in collecting art objects. As a practicing librarian, McCanless instead began collecting pieces of paper, in the form of books and journals, which mentioned Fabergé and his art.","In 1994, she published her first book, \"Fabergé and His Works: An Annotated Bibliography of the First Century of His Art,\" the first annotated bibliography of literature about Fabergé. Her second book followed in 2001, which she co-authored with Australian scholar Will Lowes. \"Fabergé Eggs: A Retrospective Encyclopedia\" is the only work of its kind and is the premiere reference work on the subject.","Through the course of her work, McCanless connected with a tremendous network of fellow Faberge scholars and enthusiasts and as a result, went on to found the \"Fabergé Research Newsletter\" and \"Fabergé Research\" website in 2006. The site continues to serve as a vehicle for disseminating new research and discoveries about Fabergé and his art.","Additional biographical information can be found at Encyclopedia.com (link provided by McCanless)."],"custodhist_html_tesm":["\u003cp\u003eThe collection is comprised of materials donated by Christel Ludewig McCanless. The original donation occured in 2016, with periodic accretions received a few times each year. Series 6 was donated in November 2019.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection is comprised of materials donated by Christel Ludewig McCanless. The original donation occured in 2016, with periodic accretions received a few times each year. Series 6 was donated in November 2019."],"prefercite_html_tesm":["\u003cp\u003eChristel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27). Gift of Christel Ludewig McCanless. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27). Gift of Christel Ludewig McCanless. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1971-2019, with the bulk of the material dating from the 1990s-2000s. The collection is comprised of correspondence, writings, research materials, bibliographic records, auction results, audiovisual materials, slides, books, posters, and realia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1971-2019, with the bulk of the material dating from the 1990s-2000s. The collection is comprised of correspondence, writings, research materials, bibliographic records, auction results, audiovisual materials, slides, books, posters, and realia."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4799b33a63dffe7738fd647f366439db\"\u003eThe collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the \"Fabergé Research Newsletter\" and \"Fabergé Research Site\" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the \"Fabergé Research Newsletter\" and \"Fabergé Research Site\" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Fabergé (Firm)"],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920"],"persname_ssim":["Fabergé, Peter Carl, 1846-1920"],"names_ssim":["Virginia Museum of Fine Arts Archives","Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920"],"language_ssim":["English"],"total_component_count_is":337,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_52_c04_c27"}},{"id":"virmu_repositories_2_resources_15986_c01_c03","type":"File","attributes":{"title":"Awards and Certificates, 1974/2004","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15986_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_15986_c01_c03","ref_ssm":["virmu_repositories_2_resources_15986_c01_c03"],"id":"virmu_repositories_2_resources_15986_c01_c03","ead_ssi":"virmu_repositories_2_resources_15986","_root_":"virmu_repositories_2_resources_15986","_nest_parent_":"virmu_repositories_2_resources_15986_c01","parent_ssi":"virmu_repositories_2_resources_15986_c01","parent_ssim":["Marsha Polier Artist Archives (VA-13), 1968/2023","Series 1: Artist Files, 1968/2023"],"parent_ids_ssim":["virmu_repositories_2_resources_15986","virmu_repositories_2_resources_15986_c01"],"title_filing_ssi":"Awards and Certificates","title_ssm":["Awards and Certificates"],"title_tesim":["Awards and Certificates"],"normalized_title_ssm":["Awards and Certificates, 1974/2004"],"text":["Awards and Certificates, 1974/2004","Marsha Polier Artist Archives (VA-13), 1968/2023","Series 1: Artist Files, 1968/2023","box VA-13 Box 1","folder VA13.01.0.003"],"parent_unittitles_ssm":["Marsha Polier Artist Archives (VA-13), 1968/2023","Series 1: Artist Files, 1968/2023"],"parent_unittitles_tesim":["Marsha Polier Artist Archives (VA-13), 1968/2023","Series 1: Artist Files, 1968/2023"],"normalized_date_ssm":["1974/2004"],"unitdate_inclusive_ssm":["1974-2004"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":4,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"containers_ssim":["box VA-13 Box 1","folder VA13.01.0.003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Open for Research: The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"_nest_path_":"/components#0/components#2","timestamp":"2026-08-14T22:40:21.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_15986","ead_ssi":"virmu_repositories_2_resources_15986","_root_":"virmu_repositories_2_resources_15986","_nest_parent_":"virmu_repositories_2_resources_15986","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_15986.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/15986","title_filing_ssi":"Polier, Marsha (VA-13)","title_ssm":["Marsha Polier Artist Archives (VA-13)"],"title_tesim":["Marsha Polier Artist Archives (VA-13)"],"unitdate_ssm":["1968-2023"],"unitdate_inclusive_ssm":["1968-2023"],"normalized_date_ssm":["1968/2023"],"normalized_title_ssm":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"text":["Marsha Polier Artist Archives (VA-13), 1968/2023","VA-13","/repositories/2/resources/15986","Women artists.","Artists -- Virginia","Photography, Artistic","Open for Research: The collection is open for research.","The collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","In 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A.","Early in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes.","Marsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally.","Source: \"VCU School of the Arts, Alumni Edition 1\"","The collection was donated to the VMFA Archives by Marsha Polier in October 2023.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Born in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant.","Virginia Museum of Fine Arts Archives","Polier-Grossman, Marsha","English\n."],"collection_title_tesim":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"collection_ssim":["Marsha Polier Artist Archives (VA-13), 1968/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-13","/repositories/2/resources/15986"],"unitid_tesim":["VA-13","/repositories/2/resources/15986"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Polier-Grossman, Marsha"],"creator_ssim":["Polier-Grossman, Marsha"],"creator_persname_ssim":["Polier-Grossman, Marsha"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Polier-Grossman, Marsha","Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Women artists.","Artists -- Virginia","Photography, Artistic"],"access_subjects_ssm":["Women artists.","Artists -- Virginia","Photography, Artistic"],"has_online_content_ssim":["false"],"extent_ssm":["1 box 1 box"],"extent_tesim":["1 box 1 box"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eOpen for Research: The collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for Research: The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 6 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series."],"bioghist_html_tesm":["\u003cp\u003eIn 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A. \u003c/p\u003e","\u003cp\u003eEarly in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes. \u003c/p\u003e","\u003cp\u003eMarsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally. \u003c/p\u003e","\u003cp\u003eSource: \"VCU School of the Arts, Alumni Edition 1\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1972 Marsha Polier Grossman graduated from VCU with a BFA from the Department of Communication Arts and Design. Thus, well prepared as a graphic designer, she has put her education to use as an illustrator for the Division of State Planning and Community Affairs, as an assistant art director for an advertising agency, as an instructor of photography at the Virginia Museum of Fine Arts, as a freelance photographer, and as a part-time graphic designer for Philip Morris U.S.A.","Early in the 1970s she simply started dabbling with watercolors on her own photographs, and was so pleased with the results that she began to explore the procedure in earnest. The diversity of the medium intrigues Marsha, and she feels that she has only begun to tap its potential. Sometimes she experiments with oils, pastels, or crayons, but watercolor remains her favorite medium because of its translucent quality and the control that she can maintain with brushes.","Marsha has distinguished herself in the fine art of hand colored photography. Her work has been published both nationally and internationally.","Source: \"VCU School of the Arts, Alumni Edition 1\""],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Marsha Polier in October 2023.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Marsha Polier in October 2023."],"prefercite_html_tesm":["\u003cp\u003eMarsha Polier Artist Archives (VA-13). Gift of Marsha Polier. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Marsha Polier Artist Archives (VA-13). Gift of Marsha Polier. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of correspondence, ephemera, newspapers, and postcards that document Grossman's life and career."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c40a73731030f0bccd99894fe4221b9d\"\u003eBorn in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant.\u003c/abstract\u003e\n    "],"abstract_tesim":["Born in 1949, Marsha Polier Grossman has held a long career acting in various artistic roles, such as graphic designer, photographer, and instructor, to name a few. In the 1970s and 1980s, Grossman frequently exhibited at the Virginia Museum of Fine Arts, alongside other prominent Virginia photographers. Her collection includes examples of her artwork, correspondence with other artists, and information on exhibitions in which she was a participant."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"persname_ssim":["Polier-Grossman, Marsha"],"names_ssim":["Virginia Museum of Fine Arts Archives","Polier-Grossman, Marsha"],"language_ssim":["English\n."],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:21.394Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15986_c01_c03"}},{"id":"virmu_repositories_2_resources_61_c02_c01_c284","type":"Item","attributes":{"title":"A Wonderful Life, November 21 - December 17, 2000, 2000","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_61_c02_c01_c284#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_61_c02_c01_c284","ref_ssm":["virmu_repositories_2_resources_61_c02_c01_c284"],"id":"virmu_repositories_2_resources_61_c02_c01_c284","ead_ssi":"virmu_repositories_2_resources_61","_root_":"virmu_repositories_2_resources_61","_nest_parent_":"virmu_repositories_2_resources_61_c02_c01","parent_ssi":"virmu_repositories_2_resources_61_c02_c01","parent_ssim":["Collateral and Other Publications (PB-05), 1952/2023","Series 2: Theater Programs, 1955/2003","Sub-Series 2.1: Theater Programs, 1955/2003"],"parent_ids_ssim":["virmu_repositories_2_resources_61","virmu_repositories_2_resources_61_c02","virmu_repositories_2_resources_61_c02_c01"],"title_filing_ssi":"A Wonderful Life, November 21 - December 17, 2000","title_ssm":["A Wonderful Life, November 21 - December 17, 2000"],"title_tesim":["A Wonderful Life, November 21 - December 17, 2000"],"normalized_title_ssm":["A Wonderful Life, November 21 - December 17, 2000, 2000"],"text":["A Wonderful Life, November 21 - December 17, 2000, 2000","Collateral and Other Publications (PB-05), 1952/2023","Series 2: Theater Programs, 1955/2003","Sub-Series 2.1: Theater Programs, 1955/2003","Shelf Publications Archive","Item PB05.02.0.283"],"parent_unittitles_ssm":["Collateral and Other Publications (PB-05), 1952/2023","Series 2: Theater Programs, 1955/2003","Sub-Series 2.1: Theater Programs, 1955/2003"],"parent_unittitles_tesim":["Collateral and Other Publications (PB-05), 1952/2023","Series 2: Theater Programs, 1955/2003","Sub-Series 2.1: Theater Programs, 1955/2003"],"normalized_date_ssm":["2000"],"unitdate_other_ssim":["2000"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":327,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Collateral and Other Publications (PB-05), 1952/2023"],"extent_ssm":["2 copies"],"extent_tesim":["2 copies"],"containers_ssim":["Shelf Publications Archive","Item PB05.02.0.283"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. 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The collection contains all kinds of formats, from small catalogs to postcards to newsletters to reports."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. 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One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1\n        Art Production, 1966-1986\n      \n      \n        Series 2\n        Artwork, 1969-2015\n      \n      \n        Series 3\n        Biographical, 1945-2021","Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material","Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials; \"Rubin Peacock: 50 Years of Bronze Sculpture\" by Rubin Peacock","The collection was donated to the VMFA Archives by Rubin Peacock in January 2022.","In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.","The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.","Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-","English\n,       Latin\n."],"collection_title_tesim":["Rubin Peacock Artist Archives (VA-08), 1945/2021"],"collection_ssim":["Rubin Peacock Artist Archives (VA-08), 1945/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-08","/repositories/2/resources/435"],"unitid_tesim":["VA-08","/repositories/2/resources/435"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_persname_ssim":["Peacock, Rubin, 1941-"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Peacock, Rubin, 1941-","Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"access_subjects_ssm":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"extent_tesim":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eArt Production, 1966-1986\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtwork, 1969-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBiographical, 1945-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1\n        Art Production, 1966-1986\n      \n      \n        Series 2\n        Artwork, 1969-2015\n      \n      \n        Series 3\n        Biographical, 1945-2021"],"bibliography_html_tesm":["\u003cbibref\u003eRubin Peacock: 50 Years of Bronze Sculpture, 2019\u003c/bibref\u003e\n    ","\u003cbibref\u003eRecent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980\u003c/bibref\u003e\n  ","\u003cbibref\u003eExhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982\u003c/bibref\u003e\n    ","\u003cbibref\u003eExhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980\u003c/bibref\u003e\n  ","\u003cbibref\u003eArtist File: Miscellaneous Uncataloged Material\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material"],"bioghist_html_tesm":["\u003cp\u003eRubin Clifton Peacock\u003c/p\u003e","\u003cp\u003eBorn: September 8, 1941, Winston-Salem, NC\u003c/p\u003e","\u003cp\u003eRubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.\u003c/p\u003e","\u003cp\u003eRubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.\u003c/p\u003e","\u003cp\u003eAfter taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.\u003c/p\u003e","\u003cp\u003eRubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.\u003c/p\u003e","\u003cp\u003eSources: Collection materials; \u003ca href=\"https://vmfashop.com/books-media/collections/rubin-peacock-50-years-of-bronze-sculpture.html\"\u003e\"Rubin Peacock: 50 Years of Bronze Sculpture\"\u003c/a\u003e by Rubin Peacock\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials; \"Rubin Peacock: 50 Years of Bronze Sculpture\" by Rubin Peacock"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Rubin Peacock in January 2022.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Rubin Peacock in January 2022."],"prefercite_html_tesm":["\u003cp\u003eRubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Rubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_170051d948295468442c2d85cb740f8f\"\u003eThis collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"persname_ssim":["Peacock, Rubin, 1941-"],"names_coll_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"names_ssim":["Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-"],"language_ssim":["English\n,       Latin\n."],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:29.647Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_435_c03_c05"}},{"id":"virmu_repositories_2_resources_239_c07_c05","type":"File","attributes":{"title":"Bank Account Reports, 1994/2000","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_239_c07_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_239_c07_c05","ref_ssm":["virmu_repositories_2_resources_239_c07_c05"],"id":"virmu_repositories_2_resources_239_c07_c05","ead_ssi":"virmu_repositories_2_resources_239","_root_":"virmu_repositories_2_resources_239","_nest_parent_":"virmu_repositories_2_resources_239_c07","parent_ssi":"virmu_repositories_2_resources_239_c07","parent_ssim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","Series 7: Financial Records, 1955/2006"],"parent_ids_ssim":["virmu_repositories_2_resources_239","virmu_repositories_2_resources_239_c07"],"title_filing_ssi":"Bank Account Reports","title_ssm":["Bank Account Reports"],"title_tesim":["Bank Account Reports"],"normalized_title_ssm":["Bank Account Reports, 1994/2000"],"text":["Bank Account Reports, 1994/2000","Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","Series 7: Financial Records, 1955/2006","box SC-04 Box 11","folder Folder 5","Item SC04.07.0.005","English"],"parent_unittitles_ssm":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","Series 7: Financial Records, 1955/2006"],"parent_unittitles_tesim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","Series 7: Financial Records, 1955/2006"],"normalized_date_ssm":["1994/2000"],"unitdate_other_ssim":["1994-2000"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":282,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007"],"containers_ssim":["box SC-04 Box 11","folder Folder 5","Item SC04.07.0.005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This series is restricted. Access to restricted materials may require written permission of the donor and/or Director."],"language_ssim":["English"],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000],"_nest_path_":"/components#6/components#4","timestamp":"2026-08-14T22:40:21.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_239","ead_ssi":"virmu_repositories_2_resources_239","_root_":"virmu_repositories_2_resources_239","_nest_parent_":"virmu_repositories_2_resources_239","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_239.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/239","title_filing_ssi":"Council (SC-04)","title_ssm":["Records of the Council of the Virginia Museum of Fine Arts (SC-04)"],"title_tesim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04)"],"unitdate_ssm":["1953-2007"],"unitdate_inclusive_ssm":["1953-2007"],"normalized_date_ssm":["1953/2007"],"normalized_title_ssm":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007"],"text":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007","SC-04","/repositories/2/resources/239","This collection is open for research.","All files from \"Series 7: Financial Records\" are restricted for 25 years after creation, with the exception of (1) Treasurer's Reports, which are public, and (2) Audits, which are restricted permanently. Access to restricted materials may require written permission of the donor.","The collection is organized into seven series, and items are arranged chronologically within each series. Items with no date are placed at the end of a series.","Series 1\n        Minutes, 1955-2006\n      \n      \n        Series 2\n        Annual Reports, 1959-2006\n      \n      \n        Series 3\n        Committee Reports and Subject Files, 1955-2005\n      \n      \n        Series 4\n        Special Events, 1953-2007\n      \n      \n        Series 5\n        Council Shop, 1962-2007\n      \n      \n        Series 6\n        Presidents' Files and Officers' Reports, 1956-2005\n      \n      \n        Series 7\n        Financial Records, 1955-2006\n      \n      \n        [Unprocessed Files]\n        Unprocessed Files, 1992-2013","\"The Councillor\" (1978-present)","The Council Handbook-Directory (1959-present)","\"History of the Virginia Museum of Fine Arts Council, 1955-1990\" by Jane Davenport Reid","\"History of the Shop of the Virginia Museum of Fine Arts, 1980-1990\" by Jane Davenport Reid","Virginia Crafts Today, 1984","Fine Arts and Flowers (11 folders, 1987-2012)","The Council: Serving VMFA Since 1955, 2005","Council of the Virginia Museum of Fine Arts (8 folders)","The collection is composed of archival materials donated by the Council of the Virginia Museum of Fine Arts. The bulk of the material was located in the Council office, while other material was gathered from past Council Presidents. The majority of the collection was accessioned into the VMFA Archives' collection in September 2005 and August 2014. Subsequent small accretions of select committee files and past Presidents' papers have been integrated into the collection. A large accretion of files of all types were donated in October 2017 and remain unprocessed.","The collection was originally processed between September 2005 and January 2006. During processing, original newspaper clippings were photocopied, with identifiers transferred, and all non-archival financial materials were destroyed. Issues of The Councillor and yearly membership handbook-directories were transferred to the Library's collection.","In 2014 the collection received a large donation of material from past Presidents. These files were integrated into the collection, which necessitated some reorganization of the existing records, as follows: Series 3 \"Officers' Reports\" was eliminated and integrated with Series 6, formerly \"Presidents' Files\" and now renamed \"Presidents' Files and Officers' Reports\". A new series was added, Series 7 \"Financial Records\".","In 2017 the collection received a large donation of mixed records. That material is still unprocessed and is listed as \"[Series 8: Unprocessed Files]\".","The collection's inclusive dates are 1953-2007, with the bulk of the material dating from the 1960s to the 1990s. The collection is comprised of correspondence, minutes, reports, invitations, programs, financial statements, photographs, clippings, notes and other ephemeral material.","The collection documents the rich history of the Council of the Virginia Museum of Fine Arts, the museum's oldest and longest-running support group. Founded in 1955 by a group of interested women, the Council has grown greatly over the years in membership, events, projects and support given to the museum. The collection spans the entire six decade history of the Council through minutes, officer's reports, committee reports, subject/event files, and some past Presidents' files. A large portion of the documentation is devoted to the Council Sales Shop, begun in 1962, and turned over to the museum in 2010.","Virginia Museum of Fine Arts Archives","English\n."],"collection_title_tesim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007"],"collection_ssim":["Records of the Council of the Virginia Museum of Fine Arts (SC-04), 1953/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-04","/repositories/2/resources/239"],"unitid_tesim":["SC-04","/repositories/2/resources/239"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Virginia Museum of Fine Arts Archives"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 17 boxes; 308 folders and 4 unprocessed boxes"],"extent_tesim":["21.25 Linear Feet 17 boxes; 308 folders and 4 unprocessed boxes"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. \u003c/p\u003e","\u003cp\u003eAll files from \"Series 7: Financial Records\" are restricted for 25 years after creation, with the exception of (1) Treasurer's Reports, which are public, and (2) Audits, which are restricted permanently. Access to restricted materials may require written permission of the donor.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","All files from \"Series 7: Financial Records\" are restricted for 25 years after creation, with the exception of (1) Treasurer's Reports, which are public, and (2) Audits, which are restricted permanently. Access to restricted materials may require written permission of the donor."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into seven series, and items are arranged chronologically within each series. Items with no date are placed at the end of a series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eMinutes, 1955-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eAnnual Reports, 1959-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eCommittee Reports and Subject Files, 1955-2005\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eSpecial Events, 1953-2007\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCouncil Shop, 1962-2007\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePresidents' Files and Officers' Reports, 1956-2005\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eFinancial Records, 1955-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003e[Unprocessed Files]\u003c/label\u003e\n        \u003citem\u003eUnprocessed Files, 1992-2013\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into seven series, and items are arranged chronologically within each series. Items with no date are placed at the end of a series.","Series 1\n        Minutes, 1955-2006\n      \n      \n        Series 2\n        Annual Reports, 1959-2006\n      \n      \n        Series 3\n        Committee Reports and Subject Files, 1955-2005\n      \n      \n        Series 4\n        Special Events, 1953-2007\n      \n      \n        Series 5\n        Council Shop, 1962-2007\n      \n      \n        Series 6\n        Presidents' Files and Officers' Reports, 1956-2005\n      \n      \n        Series 7\n        Financial Records, 1955-2006\n      \n      \n        [Unprocessed Files]\n        Unprocessed Files, 1992-2013"],"bibliography_html_tesm":["\u003cbibref\u003e\"The Councillor\" (1978-present)\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Council Handbook-Directory (1959-present)\u003c/bibref\u003e\n    ","\u003cbibref\u003e\"History of the Virginia Museum of Fine Arts Council, 1955-1990\" by Jane Davenport Reid\u003c/bibref\u003e\n    ","\u003cbibref\u003e\"History of the Shop of the Virginia Museum of Fine Arts, 1980-1990\" by Jane Davenport Reid\u003c/bibref\u003e\n  ","\u003cbibref\u003eVirginia Crafts Today, 1984\u003c/bibref\u003e\n    ","\u003cbibref\u003eFine Arts and Flowers (11 folders, 1987-2012)\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Council: Serving VMFA Since 1955, 2005\u003c/bibref\u003e\n  ","\u003cbibref\u003eCouncil of the Virginia Museum of Fine Arts (8 folders)\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Council Publications","Related Materials - VMFA Library: Exhibition Files","Related Materials: VMFA Library - Subject File"],"bibliography_tesim":["\"The Councillor\" (1978-present)","The Council Handbook-Directory (1959-present)","\"History of the Virginia Museum of Fine Arts Council, 1955-1990\" by Jane Davenport Reid","\"History of the Shop of the Virginia Museum of Fine Arts, 1980-1990\" by Jane Davenport Reid","Virginia Crafts Today, 1984","Fine Arts and Flowers (11 folders, 1987-2012)","The Council: Serving VMFA Since 1955, 2005","Council of the Virginia Museum of Fine Arts (8 folders)"],"bioghist_heading_ssm":["Historical Note"],"custodhist_html_tesm":["\u003cp\u003eThe collection is composed of archival materials donated by the Council of the Virginia Museum of Fine Arts. The bulk of the material was located in the Council office, while other material was gathered from past Council Presidents. The majority of the collection was accessioned into the VMFA Archives' collection in September 2005 and August 2014. Subsequent small accretions of select committee files and past Presidents' papers have been integrated into the collection. A large accretion of files of all types were donated in October 2017 and remain unprocessed.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection is composed of archival materials donated by the Council of the Virginia Museum of Fine Arts. The bulk of the material was located in the Council office, while other material was gathered from past Council Presidents. The majority of the collection was accessioned into the VMFA Archives' collection in September 2005 and August 2014. Subsequent small accretions of select committee files and past Presidents' papers have been integrated into the collection. A large accretion of files of all types were donated in October 2017 and remain unprocessed."],"processinfo_html_tesm":["\u003cp\u003eThe collection was originally processed between September 2005 and January 2006. During processing, original newspaper clippings were photocopied, with identifiers transferred, and all non-archival financial materials were destroyed. Issues of The Councillor and yearly membership handbook-directories were transferred to the Library's collection. \u003c/p\u003e","\u003cp\u003eIn 2014 the collection received a large donation of material from past Presidents. These files were integrated into the collection, which necessitated some reorganization of the existing records, as follows: Series 3 \"Officers' Reports\" was eliminated and integrated with Series 6, formerly \"Presidents' Files\" and now renamed \"Presidents' Files and Officers' Reports\". A new series was added, Series 7 \"Financial Records\". \u003c/p\u003e","\u003cp\u003eIn 2017 the collection received a large donation of mixed records. That material is still unprocessed and is listed as \"[Series 8: Unprocessed Files]\".\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was originally processed between September 2005 and January 2006. During processing, original newspaper clippings were photocopied, with identifiers transferred, and all non-archival financial materials were destroyed. Issues of The Councillor and yearly membership handbook-directories were transferred to the Library's collection.","In 2014 the collection received a large donation of material from past Presidents. These files were integrated into the collection, which necessitated some reorganization of the existing records, as follows: Series 3 \"Officers' Reports\" was eliminated and integrated with Series 6, formerly \"Presidents' Files\" and now renamed \"Presidents' Files and Officers' Reports\". A new series was added, Series 7 \"Financial Records\".","In 2017 the collection received a large donation of mixed records. That material is still unprocessed and is listed as \"[Series 8: Unprocessed Files]\"."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1953-2007, with the bulk of the material dating from the 1960s to the 1990s. The collection is comprised of correspondence, minutes, reports, invitations, programs, financial statements, photographs, clippings, notes and other ephemeral material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1953-2007, with the bulk of the material dating from the 1960s to the 1990s. The collection is comprised of correspondence, minutes, reports, invitations, programs, financial statements, photographs, clippings, notes and other ephemeral material."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c1223386d12666d3b50cba19f3c35344\"\u003eThe collection documents the rich history of the Council of the Virginia Museum of Fine Arts, the museum's oldest and longest-running support group. Founded in 1955 by a group of interested women, the Council has grown greatly over the years in membership, events, projects and support given to the museum. The collection spans the entire six decade history of the Council through minutes, officer's reports, committee reports, subject/event files, and some past Presidents' files. A large portion of the documentation is devoted to the Council Sales Shop, begun in 1962, and turned over to the museum in 2010.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the rich history of the Council of the Virginia Museum of Fine Arts, the museum's oldest and longest-running support group. Founded in 1955 by a group of interested women, the Council has grown greatly over the years in membership, events, projects and support given to the museum. The collection spans the entire six decade history of the Council through minutes, officer's reports, committee reports, subject/event files, and some past Presidents' files. A large portion of the documentation is devoted to the Council Sales Shop, begun in 1962, and turned over to the museum in 2010."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English\n."],"total_component_count_is":501,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:21.394Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_239_c07_c05"}},{"id":"virmu_repositories_2_resources_28_c01_c774","type":"File","attributes":{"title":"Basso Bongo, 1999/2000","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_28_c01_c774#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_28_c01_c774","ref_ssm":["virmu_repositories_2_resources_28_c01_c774"],"id":"virmu_repositories_2_resources_28_c01_c774","ead_ssi":"virmu_repositories_2_resources_28","_root_":"virmu_repositories_2_resources_28","_nest_parent_":"virmu_repositories_2_resources_28_c01","parent_ssi":"virmu_repositories_2_resources_28_c01","parent_ssim":["Records of Fast/Forward (RG-25), 1985/2001","Series 1: Season Files, 1985/2001"],"parent_ids_ssim":["virmu_repositories_2_resources_28","virmu_repositories_2_resources_28_c01"],"title_filing_ssi":"Basso Bongo","title_ssm":["Basso Bongo"],"title_tesim":["Basso Bongo"],"normalized_title_ssm":["Basso Bongo, 1999/2000"],"text":["Basso Bongo, 1999/2000","Records of Fast/Forward (RG-25), 1985/2001","Series 1: Season Files, 1985/2001","box RG-25 Box 16","folder Folder 22","Item RG25.01.0.774","English"],"parent_unittitles_ssm":["Records of Fast/Forward (RG-25), 1985/2001","Series 1: Season Files, 1985/2001"],"parent_unittitles_tesim":["Records of Fast/Forward (RG-25), 1985/2001","Series 1: Season Files, 1985/2001"],"normalized_date_ssm":["1999/2000"],"unitdate_other_ssim":["1999-2000"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":775,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of Fast/Forward (RG-25), 1985/2001"],"containers_ssim":["box RG-25 Box 16","folder Folder 22","Item RG25.01.0.774"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"language_ssim":["English"],"date_range_isim":[1999,2000],"_nest_path_":"/components#0/components#773","timestamp":"2026-08-14T22:40:24.249Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_28","ead_ssi":"virmu_repositories_2_resources_28","_root_":"virmu_repositories_2_resources_28","_nest_parent_":"virmu_repositories_2_resources_28","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_28.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/28","title_filing_ssi":"Fast/Forward (RG-25)","title_ssm":["Records of Fast/Forward (RG-25)"],"title_tesim":["Records of Fast/Forward (RG-25)"],"unitdate_ssm":["1985-2001"],"unitdate_inclusive_ssm":["1985-2001"],"normalized_date_ssm":["1985/2001"],"normalized_title_ssm":["Records of Fast/Forward (RG-25), 1985/2001"],"text":["Records of Fast/Forward (RG-25), 1985/2001","RG-25","/repositories/2/resources/28","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Season Files, 1985-2001, undated\n      \n      \n        Series 2\n        Film Programs, 1985-1998\n      \n      \n        Series 3\n        Mountain Lake Symposium, 1985-1992, undated","The collection was transferred from the Collections Department through periodic deposits.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English\n."],"collection_title_tesim":["Records of Fast/Forward (RG-25), 1985/2001"],"collection_ssim":["Records of Fast/Forward (RG-25), 1985/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-25","/repositories/2/resources/28"],"unitid_tesim":["RG-25","/repositories/2/resources/28"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["43.75 Linear Feet 35 boxes"],"extent_tesim":["43.75 Linear Feet 35 boxes"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSeason Files, 1985-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eFilm Programs, 1985-1998\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eMountain Lake Symposium, 1985-1992, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Season Files, 1985-2001, undated\n      \n      \n        Series 2\n        Film Programs, 1985-1998\n      \n      \n        Series 3\n        Mountain Lake Symposium, 1985-1992, undated"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Collections Department through periodic deposits.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Collections Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of Fast/Forward (RG-25). VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Records of Fast/Forward (RG-25). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English\n."],"total_component_count_is":938,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:24.249Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_28_c01_c774"}},{"id":"virmu_repositories_2_resources_465","type":"collection","attributes":{"title":"Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_465#creator","type":"document_value","attributes":{"value":"Wigfall, Benjamin L., 1930-2017","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_465#abstract_or_scope","type":"document_value","attributes":{"value":"The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_465#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_465","ead_ssi":"virmu_repositories_2_resources_465","_root_":"virmu_repositories_2_resources_465","_nest_parent_":"virmu_repositories_2_resources_465","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_465.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/465","title_filing_ssi":"Wigfall, Benjamin (VA-12)","title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"normalized_date_ssm":["1880/2023"],"normalized_title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"text":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023","VA-12","/repositories/2/resources/465","Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints).","The collection is open for research.","The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Benjamin L. Wigfall, 1944-2023\n      \n      \n        Series 2\n        Mary Carter Wigfall, 1949-2017\n      \n      \n        Series 3\n        Wigfall Family Records, 1944-2014\n      \n      \n        Series 4\n        Communications Village, 1880-1980\n      \n      \n        Series 5\n        Watermark/Cargo Gallery, 1969-2004\n      \n      \n        Series 6\n        Migrant Children's Center, 1965-1999\n      \n      \n        Series 7\n        New York, 1917-2018\n      \n      \n        Series 8\n        Art and Printmaking, 1951-1993\n      \n      \n        Series 9\n        Photography Projects - Communications Village, 1970s-2000s\n      \n      \n        Series 10\n        Other Artists and Friends, 1949-2020","Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy.","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design.","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.","The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.","In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.","The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970.","English"],"collection_title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"collection_ssim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-12","/repositories/2/resources/465"],"unitid_tesim":["VA-12","/repositories/2/resources/465"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"access_subjects_ssm":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"has_online_content_ssim":["false"],"extent_ssm":["21.875 Linear Feet 50 boxes; 63 folders"],"extent_tesim":["21.875 Linear Feet 50 boxes; 63 folders"],"genreform_ssim":["Woodcuts (prints).","Etchings (prints)."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBenjamin L. Wigfall, 1944-2023\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eMary Carter Wigfall, 1949-2017\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWigfall Family Records, 1944-2014\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eCommunications Village, 1880-1980\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eWatermark/Cargo Gallery, 1969-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eMigrant Children's Center, 1965-1999\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eNew York, 1917-2018\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003eArt and Printmaking, 1951-1993\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003ePhotography Projects - Communications Village, 1970s-2000s\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eOther Artists and Friends, 1949-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Benjamin L. Wigfall, 1944-2023\n      \n      \n        Series 2\n        Mary Carter Wigfall, 1949-2017\n      \n      \n        Series 3\n        Wigfall Family Records, 1944-2014\n      \n      \n        Series 4\n        Communications Village, 1880-1980\n      \n      \n        Series 5\n        Watermark/Cargo Gallery, 1969-2004\n      \n      \n        Series 6\n        Migrant Children's Center, 1965-1999\n      \n      \n        Series 7\n        New York, 1917-2018\n      \n      \n        Series 8\n        Art and Printmaking, 1951-1993\n      \n      \n        Series 9\n        Photography Projects - Communications Village, 1970s-2000s\n      \n      \n        Series 10\n        Other Artists and Friends, 1949-2020"],"bioghist_html_tesm":["\u003cp\u003eBenjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. \u003c/p\u003e","\u003cp\u003eAfter receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. \u003c/p\u003e","\u003cp\u003eWigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy.","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design.","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York."],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022."],"prefercite_html_tesm":["\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.\u003c/p\u003e","\u003cp\u003eItem-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4aa27f66a6c0c2bf8444280ed5caacf4\"\u003eThe collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"names_coll_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"language_ssim":["English"],"total_component_count_is":397,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_465","ead_ssi":"virmu_repositories_2_resources_465","_root_":"virmu_repositories_2_resources_465","_nest_parent_":"virmu_repositories_2_resources_465","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_465.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/465","title_filing_ssi":"Wigfall, Benjamin (VA-12)","title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"normalized_date_ssm":["1880/2023"],"normalized_title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"text":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023","VA-12","/repositories/2/resources/465","Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints).","The collection is open for research.","The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Benjamin L. Wigfall, 1944-2023\n      \n      \n        Series 2\n        Mary Carter Wigfall, 1949-2017\n      \n      \n        Series 3\n        Wigfall Family Records, 1944-2014\n      \n      \n        Series 4\n        Communications Village, 1880-1980\n      \n      \n        Series 5\n        Watermark/Cargo Gallery, 1969-2004\n      \n      \n        Series 6\n        Migrant Children's Center, 1965-1999\n      \n      \n        Series 7\n        New York, 1917-2018\n      \n      \n        Series 8\n        Art and Printmaking, 1951-1993\n      \n      \n        Series 9\n        Photography Projects - Communications Village, 1970s-2000s\n      \n      \n        Series 10\n        Other Artists and Friends, 1949-2020","Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy.","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design.","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.","The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.","In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.","The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970.","English"],"collection_title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"collection_ssim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-12","/repositories/2/resources/465"],"unitid_tesim":["VA-12","/repositories/2/resources/465"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"access_subjects_ssm":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"has_online_content_ssim":["false"],"extent_ssm":["21.875 Linear Feet 50 boxes; 63 folders"],"extent_tesim":["21.875 Linear Feet 50 boxes; 63 folders"],"genreform_ssim":["Woodcuts (prints).","Etchings (prints)."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBenjamin L. Wigfall, 1944-2023\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eMary Carter Wigfall, 1949-2017\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWigfall Family Records, 1944-2014\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eCommunications Village, 1880-1980\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eWatermark/Cargo Gallery, 1969-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eMigrant Children's Center, 1965-1999\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eNew York, 1917-2018\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003eArt and Printmaking, 1951-1993\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003ePhotography Projects - Communications Village, 1970s-2000s\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eOther Artists and Friends, 1949-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Benjamin L. Wigfall, 1944-2023\n      \n      \n        Series 2\n        Mary Carter Wigfall, 1949-2017\n      \n      \n        Series 3\n        Wigfall Family Records, 1944-2014\n      \n      \n        Series 4\n        Communications Village, 1880-1980\n      \n      \n        Series 5\n        Watermark/Cargo Gallery, 1969-2004\n      \n      \n        Series 6\n        Migrant Children's Center, 1965-1999\n      \n      \n        Series 7\n        New York, 1917-2018\n      \n      \n        Series 8\n        Art and Printmaking, 1951-1993\n      \n      \n        Series 9\n        Photography Projects - Communications Village, 1970s-2000s\n      \n      \n        Series 10\n        Other Artists and Friends, 1949-2020"],"bioghist_html_tesm":["\u003cp\u003eBenjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. \u003c/p\u003e","\u003cp\u003eAfter receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. \u003c/p\u003e","\u003cp\u003eWigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy.","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design.","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York."],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022."],"prefercite_html_tesm":["\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.\u003c/p\u003e","\u003cp\u003eItem-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4aa27f66a6c0c2bf8444280ed5caacf4\"\u003eThe collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"names_coll_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"language_ssim":["English"],"total_component_count_is":397,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_465"}},{"id":"virmu_repositories_2_resources_199","type":"collection","attributes":{"title":"Beuford Smith Archives (SC-32), 1964/2003","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_199#creator","type":"document_value","attributes":{"value":"Smith, Beuford, 1941-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_199#abstract_or_scope","type":"document_value","attributes":{"value":"The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_199#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_199","ead_ssi":"virmu_repositories_2_resources_199","_root_":"virmu_repositories_2_resources_199","_nest_parent_":"virmu_repositories_2_resources_199","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_199.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/199","title_filing_ssi":"Smith, Beuford (SC-32)","title_ssm":["Beuford Smith Archives (SC-32)"],"title_tesim":["Beuford Smith Archives (SC-32)"],"unitdate_ssm":["1964-2003"],"unitdate_inclusive_ssm":["1964-2003"],"normalized_date_ssm":["1964/2003"],"normalized_title_ssm":["Beuford Smith Archives (SC-32), 1964/2003"],"text":["Beuford Smith Archives (SC-32), 1964/2003","SC-32","/repositories/2/resources/199","Photography, Artistic","African American photographers","Black photographers","The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website.","The collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1\n        Kamoinge Workshop, 1964-late 1990s\n      \n      \n        Series 2\n        Louis Draper, 1966-2003","The collection was donated to the VMFA in August 2019 by Beuford Smith.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002).","Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-","English\n."],"collection_title_tesim":["Beuford Smith Archives (SC-32), 1964/2003"],"collection_ssim":["Beuford Smith Archives (SC-32), 1964/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-32","/repositories/2/resources/199"],"unitid_tesim":["SC-32","/repositories/2/resources/199"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Smith, Beuford, 1941-","Smith, Beuford, 1941-"],"creator_ssim":["Smith, Beuford, 1941-","Smith, Beuford, 1941-"],"creator_persname_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏"],"creators_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-","Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Artistic","African American photographers","Black photographers"],"access_subjects_ssm":["Photography, Artistic","African American photographers","Black photographers"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box; 54 items"],"extent_tesim":["0.25 Linear Feet 1 box; 54 items"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eKamoinge Workshop, 1964-late 1990s\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eLouis Draper, 1966-2003\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1\n        Kamoinge Workshop, 1964-late 1990s\n      \n      \n        Series 2\n        Louis Draper, 1966-2003"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA in August 2019 by Beuford Smith.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA in August 2019 by Beuford Smith."],"prefercite_html_tesm":["\u003cp\u003eBeuford Smith Archives (SC-32). Gift of the Beuford Smith Collection. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Beuford Smith Archives (SC-32). Gift of the Beuford Smith Collection. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_302afc3659ca2f43180973899648c17a\"\u003eThe collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002).\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002)."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏"],"names_coll_ssim":["Kamoinge Inc.‏","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002"],"persname_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-"],"names_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-"],"language_ssim":["English\n."],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:21.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_199","ead_ssi":"virmu_repositories_2_resources_199","_root_":"virmu_repositories_2_resources_199","_nest_parent_":"virmu_repositories_2_resources_199","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_199.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/199","title_filing_ssi":"Smith, Beuford (SC-32)","title_ssm":["Beuford Smith Archives (SC-32)"],"title_tesim":["Beuford Smith Archives (SC-32)"],"unitdate_ssm":["1964-2003"],"unitdate_inclusive_ssm":["1964-2003"],"normalized_date_ssm":["1964/2003"],"normalized_title_ssm":["Beuford Smith Archives (SC-32), 1964/2003"],"text":["Beuford Smith Archives (SC-32), 1964/2003","SC-32","/repositories/2/resources/199","Photography, Artistic","African American photographers","Black photographers","The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website.","The collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1\n        Kamoinge Workshop, 1964-late 1990s\n      \n      \n        Series 2\n        Louis Draper, 1966-2003","The collection was donated to the VMFA in August 2019 by Beuford Smith.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002).","Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-","English\n."],"collection_title_tesim":["Beuford Smith Archives (SC-32), 1964/2003"],"collection_ssim":["Beuford Smith Archives (SC-32), 1964/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-32","/repositories/2/resources/199"],"unitid_tesim":["SC-32","/repositories/2/resources/199"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Smith, Beuford, 1941-","Smith, Beuford, 1941-"],"creator_ssim":["Smith, Beuford, 1941-","Smith, Beuford, 1941-"],"creator_persname_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏"],"creators_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-","Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Artistic","African American photographers","Black photographers"],"access_subjects_ssm":["Photography, Artistic","African American photographers","Black photographers"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box; 54 items"],"extent_tesim":["0.25 Linear Feet 1 box; 54 items"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eKamoinge Workshop, 1964-late 1990s\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eLouis Draper, 1966-2003\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1\n        Kamoinge Workshop, 1964-late 1990s\n      \n      \n        Series 2\n        Louis Draper, 1966-2003"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA in August 2019 by Beuford Smith.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA in August 2019 by Beuford Smith."],"prefercite_html_tesm":["\u003cp\u003eBeuford Smith Archives (SC-32). Gift of the Beuford Smith Collection. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Beuford Smith Archives (SC-32). Gift of the Beuford Smith Collection. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_302afc3659ca2f43180973899648c17a\"\u003eThe collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002).\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002)."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏"],"names_coll_ssim":["Kamoinge Inc.‏","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002"],"persname_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-"],"names_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.‏","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","DeCarava, Roy, 1919-2009","Howard, Herman","Gloster, Dorothy","Gloster, Brandon","Kunsman, Eric T., 1975-","Saretzky, Gary D.","Leipzig, Melvin, 1935-"],"language_ssim":["English\n."],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:21.394Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_199"}},{"id":"virmu_repositories_2_resources_6_c02_c30","type":"File","attributes":{"title":"Bill Floyd (consignment), 1994/2000","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02_c30#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c02_c30","ref_ssm":["virmu_repositories_2_resources_6_c02_c30"],"id":"virmu_repositories_2_resources_6_c02_c30","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c02","parent_ssi":"virmu_repositories_2_resources_6_c02","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 2: Sales and Representation, 1980/2020"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c02"],"title_filing_ssi":"Bill Floyd (consignment)","title_ssm":["Bill Floyd (consignment)"],"title_tesim":["Bill Floyd (consignment)"],"normalized_title_ssm":["Bill Floyd (consignment), 1994/2000"],"text":["Bill Floyd (consignment), 1994/2000","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 2: Sales and Representation, 1980/2020","box VA-02 Box 7","folder VA02.02.0.029"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 2: Sales and Representation, 1980/2020"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 2: Sales and Representation, 1980/2020"],"normalized_date_ssm":["1994/2000"],"unitdate_inclusive_ssm":["1994-2000"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":297,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 7","folder VA02.02.0.029"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000],"_nest_path_":"/components#1/components#29","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02_c30"}},{"id":"virmu_repositories_2_resources_6_c03_c07_c22","type":"File","attributes":{"title":"Bill Hunt, 1997/2000","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c03_c07_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c03_c07_c22","ref_ssm":["virmu_repositories_2_resources_6_c03_c07_c22"],"id":"virmu_repositories_2_resources_6_c03_c07_c22","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c03_c07","parent_ssi":"virmu_repositories_2_resources_6_c03_c07","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.06: Correspondence, 1973/2018"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c03","virmu_repositories_2_resources_6_c03_c07"],"title_filing_ssi":"Bill Hunt","title_ssm":["Bill Hunt"],"title_tesim":["Bill Hunt"],"normalized_title_ssm":["Bill Hunt, 1997/2000"],"text":["Bill Hunt, 1997/2000","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.06: Correspondence, 1973/2018","box VA-02 Box 13","folder VA02.03.06.022"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.06: Correspondence, 1973/2018"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 3: Working Files, 1958/2019","Sub-Series 3.06: Correspondence, 1973/2018"],"normalized_date_ssm":["1997/2000"],"unitdate_inclusive_ssm":["1997-2000"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":439,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 13","folder VA02.03.06.022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1997,1998,1999,2000],"_nest_path_":"/components#2/components#6/components#21","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c03_c07_c22"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Museum of Fine Arts","value":"Virginia Museum of Fine Arts","hits":929},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Annual Reports (PB-02), 1935/2018","value":"Annual Reports (PB-02), 1935/2018","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Annual+Reports+%28PB-02%29%2C+1935%2F2018\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts"}},{"attributes":{"label":"Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023","value":"Benjamin L. 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