{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026page=3468\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026page=3467\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026page=3469\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026page=3495\u0026view=compact"},"meta":{"pages":{"current_page":3468,"next_page":3469,"prev_page":3467,"total_pages":3495,"limit_value":10,"offset_value":34670,"total_count":34948,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_353_c02_c3139","type":"File","attributes":{"title":"Wrestling George Mason University vs. James Madison University","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353_c02_c3139#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAndy Woodall\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353_c02_c3139#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_353_c02_c3139","ref_ssm":["vifgm_repositories_2_resources_353_c02_c3139"],"id":"vifgm_repositories_2_resources_353_c02_c3139","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353_c02","parent_ssi":"vifgm_repositories_2_resources_353_c02","parent_ssim":["vifgm_repositories_2_resources_353","vifgm_repositories_2_resources_353_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_353","vifgm_repositories_2_resources_353_c02"],"parent_unittitles_ssm":["George Mason University Broadside photograph collection","Series 2: Negatives and contact sheets, 1973-2001"],"parent_unittitles_tesim":["George Mason University Broadside photograph collection","Series 2: Negatives and contact sheets, 1973-2001"],"text":["George Mason University Broadside photograph collection","Series 2: Negatives and contact sheets, 1973-2001","Wrestling George Mason University vs. James Madison University","box 25","page 42","Andy Woodall"],"title_filing_ssi":"Wrestling George Mason University vs. James Madison University","title_ssm":["Wrestling George Mason University vs. James Madison University"],"title_tesim":["Wrestling George Mason University vs. James Madison University"],"unitdate_other_ssim":["February 17, 1998"],"normalized_date_ssm":["1998"],"normalized_title_ssm":["Wrestling George Mason University vs. James Madison University"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Broadside photograph collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3264,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1998],"containers_ssim":["box 25","page 42"],"scopecontent_html_tesm":["\u003cp\u003eAndy Woodall\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Andy Woodall"],"_nest_path_":"/components#1/components#3138","timestamp":"2026-05-21T05:10:24.808Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"text":["R0135","/repositories/2/resources/353","George Mason University Broadside photograph collection","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit ","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints ","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints ","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints ","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints ","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints ","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints ","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints ","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints ","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints ","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints ","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints ","Smithsonian Museum of Natural History and Hirshhorn Museum. ","Prints ","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints ","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints ","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. ","Prints ","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints ","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. ","Color prints ","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. ","Prints ","G: Gillette, Giroux, Susan Gordon, GMView staff ","Prints ","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. ","Prints ","I: Julio Iglesias, Earl Ingram.","Prints ","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints ","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints ","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. ","Prints ","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints ","Ernie Nestor, Oliver North, Renaldo Nehemiah. ","Prints ","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints ","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints ","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. ","Prints ","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. ","Prints ","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints ","Ben Vereen and Leslie Uggans at the Center for the Performing Arts. ","Prints ","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. ","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints ","Registration lines, Michael McDermot.","Prints ","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. ","Prints; negatives ","Boxer Zeine Afif. ","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives ","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. ","Negatives; prints ","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints ","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. ","Negatives; prints ","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University. ","Negatives; prints ","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. ","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. ","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives ","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives ","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; Eric Leeper","Frames 34-39; Myrna Garza","Frames 40-8; Myrna Garza","Frames 42-4; David Pasztor","Frames 7-24; David Pasztor","Eric Leeper and David Pasztor","Frames 23-29; Myrna Garza","Frames 30-34; Myrna Garza","Frames 35-41; Myrna Garza","Frames 27-33; Dan Crawford and Myrna Garza","Frames 37-1; Dan Crawford and Myrna Garza","Dan Crawford and Myrna Garza","Frames 3-11; Dan Crawford and Myrna Garza","Frames 39-44; Eric Leeper and David Pasztor","Frames 1-11; Eric Leeper and David Pasztor","Frames 12-17; Eric Leeper and David Pasztor","David Pasztor","Eric Leeper","Eric Leeper","Myrna Garza","Frames 32-36; Ray Huber","contact sheet only; B.S.B.?","B.S.B.?","Frames 1-12; Myrna Garza","Frames 14-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 26-32; Myrna Garza","Frames 19-23; Myrna Garza; contact sheet only","Frames 25-32; Myrna Garza; contact sheet only","Frames 33-34; Myrna Garza; contact sheet only","Eric Leeper","Eric Leeper","Frames 3-7; Myrna Garza","Frames 8-19; Myrna Garza","Frames 8-19; Myrna Garza","Frames 23-27; Myrna Garza","Dan Crawford","Frames 39-5; Margarita Collantes","Frames 5-7; Margarita Collantes","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 21-30; Barry Nelson","Frames 29-43; Myrna Garza","Frames 44-1; Myrna Garza","Frame 3; Myrna Garza","Eric Leeper","Frames 8-15; Barry Nelson","Frame 18; Barry Nelson","Frame 19; Barry Nelson","Frame 20-21; Barry Nelson","Frame 29-37; Barry Nelson","Frame 37-41 Barry Nelson","Frame 42-44; Barry Nelson","Frames 1-3; Barry Nelson","Frame 45; Barry Nelson","Harry Stodd","Frame 24-39; Myrna Garza","Frame 37-1; Myrna Garza","Frame 2-5; Myrna Garza","Omar Saab","Frame 26-31; Barry Nelson","Frame 32-44; Barry Nelson","Frame 19; Barry Nelson","Frame 4-6; Barry Nelson","Frame 3; Barry Nelson","Frames; 38-5; Barry Nelson","Frame 5-10 Barry Nelson","Frame 11-15; Barry Nelson","Frames 4-8; Myrna Garza","Frames 8-12; Myrna Garza","Frames 13-17; Myrna Garza","Frame 18; Myrna Garza","Frame 19; Myrna Garza","Frames 43-5; Barry Nelson","Frames 5a-13; Barry Nelson","Frames 40-42; Barry Nelson","Frames 43-4; Barry Nelson","Frames 6-10; Barry Nelson","Frames 11-16; Barry Nelson","Frame 17; Barry Nelson","Frames 18-21; Barry Nelson","Frame 22; Barry Nelson","Barry Boyd","Myrna Garza","Frames 35-3; Barry Boyd","Frames 7-10; Barry Boyd","Frames 10-14; Myrna Garza","Barry Boyd","Frames 8-14; Mirza Garza","Frames 15-21; Mirza Garza","Steve Skouron","Frames 35-37; Barry Nelson","Frames 38-18; Barry Nelson","Frames 19-25; Barry Nelson","Eric Leeper","Steve Skouron","Myrna Garza; Henry Loman","Frames 30-38; Barry Nelson","Frames 43-3; Barry Nelson","Joe Coutaldo","Frames 12-19; Myrna Garza","Frames 20-24; Myrna Garza","Frames 37-39","Frames 28-38","Frames 14-23; Barry Nelson","Frames 24-34; Barry Nelson","Frames 33-34; Barry Nelson","Frames 35-40 \u0026 41-42; Barry Nelson","Frames 3-9; Barry Nelson","Frames 10-11; Barry Nelson","Frame 12; Barry Nelson","Frames 13-15; Barry Nelson","Frames 16-21; Barry Nelson","Frames 43-5 Myrna Garza","Frames 15-20; Myrna Garza","Frames 20-26; Barry Boyd","Frames 22-27; Barry Nelson","Frames 28-34; Barry Nelson","Frames 3-4; Barry Nelson","Frames 38-42; David Pasgton","Frames 43-13; David Pasgton","Frames 4-22; David Pasgton","Frames 23-27; David Pasgton","Barry Nelson","Barry Nelson","22-25; Myrna Garza","26-33; Myrna Garza","34-10; Myrna Garza","Myrna Garza","Myrna Garza","Frames 23-32; Myrna Garza","Frames 33-77; Myrna Garza","Frames 24-5; Myrna Garza","Frames 43-7; Myrna Garza","Barry Boyd","David Pasztor","Barry Boyd","Frames 2-43; Myrna Garza","Frames 6-13; Barry Boyd","Frames 14-23; Myrna Garza","Frames 18-27; Barry Nelson","Frames 29-36; Barry Nelson","Frames 1-10; Barry Boyd","Frames 12-33; Barry Boyd","Barry Boyd","Barry Boyd","Dan Grawford","Frames 42-3; Barry Nelson","Frames 4-16; Barry Nelson","Frames 18-23; Barry Nelson","Frames 20-22; Myrna Garza","Frames 23-25; Myrna Garza","Frames 26-27; Myrna Garza","Frames 28-29; Myrna Garza","Frames 30-31; Myrna Garza","Frames 34-35; Myrna Garza","Frames 37-41; Myrna Garza","Barry Nelson","Barry Nelson","Barry Nelson","Frames 28-31; Myrna Garza","Frames 32-36; Myrna Garza","Frames 38-3; Myrna Garza","Frame 29; Barry Nelson","Frames 30-32; Barry Nelson","Frames 34-1; Barry Nelson","Frames 2-3; Barry Nelson","Frame 8; Barry Nelson","Frames 9-14; Barry Nelson","Frames 8-12; Barry Nelson","Frames 36-40; Barry Nelson","Frames 41-44; Barry Nelson","Frames 1-10; Barry Nelson","Frames 11-12; Barry Nelson","Frames 13-14; Barry Nelson","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 18-28; Myrna Garza","Frames 29-35; Myrna Garza","Barry Boyd","Barry Boyd","Barry Nelson","Barry Nelson","Barry Nelson","Connie Bedell","Barry Boyd","Myrna Garza","Myrna Garza","Myrna Garza; contact sheet only","Myrna Garza; contact sheet only","Tom Welch; contact sheet only","Tom Welch","Tom Welch","Frames 2-16; Connie Bedell","Tuan Tran","Tuan Tran","Tuan Tran","Myrna Garza","Barry Boyd","Frames 37-42; Myrna Garza","Frames 43-5; Myrna Garza","Frames 6-10; Myrna Garza","Frames 11-18; Myrna Garza","Frame 25; Connie Bedell","Frames 1-9; Myrna Garza","Frames 10-14; Myrna Garza","Frames 15-21; Myrna Garza","Frames 22-28; Myrna Garza","Frames 29-55; Myrna Garza","Frames 35-40; Myrna Garza","Frames 43-4; Myrna Garza","Frames 5-10; Myrna Garza","Myrna Garza","Frames 20-22; Barry Boyd","Frames 23-35; Barry Boyd","Bob Starbiro","Frame 4; Libby Tart","Frames 2-5; Libby Tart","Frames 6-9; Libby Tart","Frames 10-14; Libby Tart","Frames 15-18; Libby Tart","Frames 3-8; Myrna Garza","Frames 8-13; Myrna Garza","Frames 13-17; Myrna Garza","18-22; Myrna Garza","Frames 11-16; Robert Duston","Frames 17-22; Robert Duston","Frames 23-32; Kent Wilhelmi","Frames 39-42; Robert Duston","Frames 1-7; Robert Duston","Frames 35-38; Kent Wilhelmi","Frames 39-42; Kent Wilhelmi","Frames 43-4; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 10; Kent Wilhelmi","Frames 10-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 28-37; Paul Watters","Frames 21-24: Paul Watters","2 contact sheets: Bill Rook","Frames 21-22: Paul Watters","Frames 23-26; 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Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Mango Vanderburg","Prissy Gonzalez","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Sean Alderman","Andy Woodall","GiGi Kruse","GiGi Kruse","George Dimintron","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Cristina Ghergu","GiGi Kruse","GiGi Kruse","Chris Quay","Shin Yu","Shin Yu","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","Shin Yu","Shin Yu","Sean Alderman","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Mourgo and Prissy","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","Sean","GiGi Kruse","Rhea Carpeno","Karla Rosales","GiGi Kruse","GiGi Kruse","Cristina Ghergu","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Karla Rosales","GiGi Kruse","GiGi Kruse","Sean Alderman","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","No credit","Karla Rosales","Karla Rosales","Karla Rosales","No credit","GiGi Kruse","GiGi Kruse","Abdallah Omeish","GiGi Kruse and George Dimintrov","No credit","Andy Woodall","Andy Woodall and Molly Sugrul","Molly Sugrul","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Mounbel Gayton","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","George Dimitrov","Birgitta Sunderland","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Birgitta Sunderland","Andy Woodall","Andy Woodall","Hasim Nazarei","Andy Woodall","Andy Woodall","Chris Quay","Andy Woodall","GiGi Kruse","GiGi Kruse","Chris Quay","Jim Foster","Andy Woodall","Andy Woodall","GiGi Kruse","Jimmie Foster","Joey Kamide","Andy Woodall","Jimmie Foster","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Jim Foster","Andy Woodall","GiGi Kruse","Andy Woodall","Jimmie Foster","Andy Woodall","Jimmie Foster","Andy Woodall","Jimmie Foster","Jimmie Foster","Jimmie Foster","Andy Woodall","Jimmie Foster","Jimmie Foster","Andy Woodall","Andy Woodall","GiGi Kruse","Jimmie Foster","Chris Quay","Jimmie Foster","GiGi Kruse","Jimmie Foster","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","Chris Quay","Jimmie Foster","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","No credit","Andy Woodall","Chris Quay","Mark Sypher","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Foster and Woobal","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Frame 38; GiGi Kruse","Frames 43, 34, 37; GiGi Kruse","GiGi Kruse","Bonnie Teske","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","Bonnie Teske","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Jimmie Foster Jr.","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Bonnie Teske","Bonnie Teske","Bonnie Teske","GiGi Kruse; Andy Woodall","Bonnie Teske","Bonnie Teske","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Zack","GiGi Kruse","GiGi Kruse","Marcelo Braga","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Bonnie Teske","Mark Sypher","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Binnie Teske","Binnie Teske","Binnie Teske","Binnie Teske","Broadside photographers","Broadside photographers","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Mark Sypher","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Frames 40A, 38A, 34A, 32A; Jimmie Foster Jr.","Andy Woodall","Frames 5A, 6A, 4A; Carrie Klinker","Frame 31; Andy Woodall","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Jimmie Foster Jr.","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker and Mark Sypher","Mark Sypher","Jimmie Foster Jr.","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher; postcard","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","[MFS] Mark Sypher","Paul Sodhi","Paul Sodhi","Jimmie Foster Jr.","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Melody Mowrey","Melody Mowrey","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Melody Mowrey","Mark Sypher","Mark Sypher","Andy Woodall","Andy Woodall","Andy Woodall","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey; color negatives","Melody Mowrey","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","GiGi","GiGi","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher; paper with photo request","Mark Sypher","Mark Sypher","Mark Sypher","Shannon Schneider","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","David Manning","Mark Sypher","Mark Sypher","Mark Sypher","C. Quay","Mark Sypher","Mark Sypher","David Manning","David Manning","Mark Sypher","David Manning","David Manning","David Manning","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","David Manning; color negatives","David Manning; color negatives","David Manning; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","J. Hornic; color negatives","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Liz Haas; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","C Quay","Dave Manning","Dave Manning; color negatives","Dave Manning","Dave Manning","Chris DP; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Chantee; color negatives","Chantee; color negatives","Erin; color negatives","Erin; color negatives","Chantee; color negatives","Chantee; color negatives","Chantee; color negatives","Marjan; color negatives","Jason Hornick","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Chris DP; color negatives","Chris DP; color negatives","Dave Manning; color negatives","Chris DP; color negatives","Dave Manning; color negatives","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"normalized_title_ssm":["George Mason University Broadside photograph collection"],"collection_title_tesim":["George Mason University Broadside photograph collection"],"collection_ssim":["George Mason University Broadside photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"places_ssim":["Fairfax (Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e\n","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e\n","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e\n","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e\n","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e\n","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit "],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAll Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eColor prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eDavis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.\u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNew Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eVirginia Peddler, Christmas Attic, Christmas Gallery.\u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eStudent Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eNewspaper prints; drawings\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eChinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eInternational Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePatriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eCenter Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003e\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eSmithsonian Museum of Natural History and Hirshhorn Museum. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eComputers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eParking garage construction, parking deck, parking lots.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eA: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eB: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eC: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eD: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eE: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. \u003c/p\u003e\n","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eF: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eG: Gillette, Giroux, Susan Gordon, GMView staff \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eH: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eI: Julio Iglesias, Earl Ingram.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eJ: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eK: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eWilliam F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eMarvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.\u003c/p\u003e\n","\u003cp\u003eColor Prints \u003c/p\u003e","\u003cp\u003eErnie Nestor, Oliver North, Renaldo Nehemiah. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eEdward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.\u003c/p\u003e\n","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eDavid Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eOne unidentified print of a politician\u003c/p\u003e","\u003cp\u003eEllen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eStewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eScott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eBen Vereen and Leslie Uggans at the Center for the Performing Arts. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eThe Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGame Room, Health and Fitness Guide, Hemlock Overlook.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eRegistration lines, Michael McDermot.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. \u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eBoxer Zeine Afif. \u003c/p\u003e\n","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives; color prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eFootball Club, Jackson, E., Coach Football.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eOne unidentified print\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eWomen's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eMidnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. \u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.\u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. \u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eDuckworth, M., George Mason University vs. Juanita, American University, Lewis University. \u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eAdams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eArgunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. \u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eJay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. \u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eWillard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eKingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eShea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eTwo prints, one of a baseball game, the other of swans in a pond.\u003c/p\u003e","\u003cp\u003eFootball kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.\u003c/p\u003e\n","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.\u003c/p\u003e\n","\u003cp\u003eContact sheets; color prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eContact sheet only; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 1; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 2; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 3; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 4-5; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 6; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 7; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 8; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 9; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 10; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 11; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 12; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 13; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 14; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 15; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 16; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 17; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 18; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 19; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 20; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 21; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 22; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 23; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 24; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 25; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 26; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 27; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 28; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 29; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 30; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 31; Kerry L. 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Wesley\u003c/p\u003e","\u003cp\u003eGail C.\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eJames Nosius\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eElizabeth Gastman\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMike Murray\u003c/p\u003e","\u003cp\u003eJason\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eDave Holka\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTyler Hacers\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eChelsie Losan\u003c/p\u003e","\u003cp\u003eNo credit; color negatives\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAlexis Scalice\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eM. Idosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Lee; Amy Hatchinson\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eMat Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom Legro\u003c/p\u003e","\u003cp\u003eStacey Levine\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eStacey Levine\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAbdallah Omeish\u003c/p\u003e","\u003cp\u003eAbdallah Omeish\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eAbdallah Omeish\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eStacey Levine\u003c/p\u003e","\u003cp\u003eTom 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints ","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints ","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints ","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints ","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints ","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints ","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints ","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints ","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints ","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints ","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints ","Smithsonian Museum of Natural History and Hirshhorn Museum. ","Prints ","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints ","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints ","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. ","Prints ","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints ","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. ","Color prints ","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. ","Prints ","G: Gillette, Giroux, Susan Gordon, GMView staff ","Prints ","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. ","Prints ","I: Julio Iglesias, Earl Ingram.","Prints ","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints ","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints ","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. ","Prints ","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints ","Ernie Nestor, Oliver North, Renaldo Nehemiah. ","Prints ","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints ","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints ","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. ","Prints ","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. ","Prints ","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints ","Ben Vereen and Leslie Uggans at the Center for the Performing Arts. ","Prints ","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. ","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints ","Registration lines, Michael McDermot.","Prints ","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. ","Prints; negatives ","Boxer Zeine Afif. ","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives ","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. ","Negatives; prints ","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints ","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. ","Negatives; prints ","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University. ","Negatives; prints ","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. ","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. ","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives ","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives ","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; 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Barry Boyd","Frames 14-16; Tuan Tran","Frames 17-21; Andrew Cseplo","Diane Strauss","Frames 20-26; Andrew Cseplo","Frames 27-31; Myrna Garza","Frames 32-39; Libby Tart","Diane Strauss","Frames 27-36; Myrna Garza","Frames 38-40; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 43-4; Libby Tart","Frames 5-10; Libby Tart","Paul Watters","Paul Watters","Paul Watters","Paul Watters","Tuan Tran","Andrew Cseplo","Myrna Garza","unknown photographer, LB","unknown photographer, LB","Jim Ognibene; contact sheet only","Myrna Garza","Libby Tart","Frames 7-18; Paul Watters","Frames 3-6; Paul Watters","Frames 33-40; Paul Watters","Frames 4-41; Paul Watters","Frames 29-32; Paul Watters","Frames 21-25; Paul Watters","Frames 12-22; Paul Watters","Contact sheet only","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Clyde Peterson","Barry Boyd","Clyde Peterson","Lee Strang","Audrey H","Barry Boyd","Barry Boyd","Libby Tart","Steve Casimiro","Jorge Ochoa","Jennifer Stone","Barry Boyd","Barry Boyd","Jorge Ochoa","Andrew Cseplo","Libby Tart","Barry Boyd","John Terry; contact sheet only","Lee Strang","Steve Casimiro","Jennifer Stone","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Andrew Cseplo","Jorge Ochoa","Jorge Ochoa","Jorge Ochoa","Jennifer Stone","Steve Casimiro; contact sheet only","Steve Casimiro","Steve Casimiro","Jorge Ochoa","Lee Strang","Lee Strang","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Contact sheet only","Jennifer Stone","Lee Strang","Steve Casimiro; contact sheet only","Jennifer Stone","Lee Strang","Tuan Tran","Tuan Tran","Jorge Ochoa","Jorge Ochoa","Tuan Tran","Steve Casimiro; contact sheet only","Lee Strang","Tuan Tran","Tuan Tran","Tuan Tran","Alex C. Loyd","Rasmus Nelson","Rasmus Nielson","John Buttner","Steve Casimiro","Steve Casimiro","Rasmus Nielson","Steve Casimiro","John Buttner","Curt Stevens","John Buttner","Tom Horan","Tim Z (Harrison?)","Paul Torpey","Gordon","Paul Torpey","Gordon","Tim Harrison","Adrienne Thies","Caesar Vallejos","Tim Harrison","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey; negatives only","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Charles Harvey","Tom Horan","Paul Torpey; contact sheet only; 2 contact sheets","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Adrienne Thies; 2 contact sheets","Adrienne Thies","Adrienne Thies","Caesar Vallejos","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey; 2 contact sheets","Charlie Harvey","Adrienne Thies","Steve Elfers; Tom Horan","Charlie Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Caesar Vallejos","Paul Torpey","Caesar Vallejos","Caesar Vallejos","Brent Ebel","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey; Paul Torpey","Paul Torpey","Tim Harrison","Paul Torpey","Charles Harvey","Charles Harvey \u0026 Paul Torpey","Dave Motes","Charles Harvey","Tim Harrison","Contact sheet only","Negatives only","Contact sheet only","Two contact sheets; two negatives","Contact sheet only","Negatives only","Contact sheet only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Tom Horan","O'Dell","Mousa; color negatives","Mousa; color negatives","Dave Motes; color negatives","Dave Motes; color negatives","Color negatives","Corrine; color negatives","Corrine; color negatives","John V; color negatives","John V; color negatives","GiGi Kruse","Corrine S.","Jen Sears","Tom LeGro","Michael Tolosa","Matt Rourke","Tom LeGro","Tom LeGro","Abdallah Omeish; Matt Rourke","Tim Ngo","Tom LeGro","Abdallah Omeish","Abdallah Omeish; Matt Rourke","Stacey Levine","Tom LeGro","Gerardo Reira-Vega and Matt Rourke","Gerardo Reira-Vega and Matt Rourke","Matt Rourke; Tom LeGro","Matt Rourke","Color negatives","Color negatives","Sarah","K.R.","K.R.","Carol M. and James H.","L.T.","L.T.","L.T.","L.T.","Matt","Jimmie Foster","Carol","Carol","Marion Clarke","Marion Clarke","Michael Tolosa","Michael Tolosa","Michael Tolosa","Mike Murray","Mike Murray","Matt Lee","Amy Hatchinson","Michael Tolosa","Michael Tolosa","Rahonl","Denis M.","Denis M.","Denis M.","J. Nagtus","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","No credit","No credit","Tom LeGro","No credit","Sharon Teeler","Tom LeGro","Tom LeGro","Matt Lee","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","T. Wesley","T. Wesley","Gail C.","Michael Tolosa","Tom LeGro","Tom LeGro","Michael Tolosa","Magali","James Nosius","Magali","No credit","No credit","No credit","No credit","Matt Lee","Tom LeGro","No credit","No credit","Elizabeth Gastman","Michael Tolosa","No credit","Tom LeGro","Mike Murray","Jason","Tom LeGro","Tom LeGro","Tom LeGro","Morian","Morian","Tom LeGro","Tom LeGro","Michael Tolosa","Michael Tolosa","No credit","No credit","Dave Holka","Michael Tolosa","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Michael Tolosa","Michael Tolosa","Michael Tolosa","Michael Tolosa","Michael Tolosa","No credit","Tom LeGro","No credit","Michael Tolosa","Michael Tolosa","Michael Tolosa","No credit","No credit","No credit","No credit","Michael Tolosa","No credit","Michael Tolosa","No credit","No credit","No credit","No credit","No credit","No credit","Michael Tolosa","Michael Tolosa","No credit","No credit","Tom LeGro","Michael Tolosa","Nate Bowles","Michael Tolosa","Tyler Hacers","Michael Tolosa","Chelsie Losan","No credit; color negatives","Tom LeGro","No credit","Michael Tolosa","Tom LeGro","Tom LeGro","Michael Tolosa","Tom LeGro","Tom LeGro","Alexis Scalice","Michael Tolosa","Tom LeGro","Matt Rourke","Tom LeGro","Audrey Markowitz","No credit","No credit","No credit","Tom LeGro","Tom LeGro","Michael Tolosa","Nate Bowles","Tom LeGro","Tom LeGro","Nate Bowles","Audrey Markowitz","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Nate Bowles","Tom LeGro","M. Idosa","Tom LeGro","Tom LeGro","Nathan Bowles","Michael Tolosa","No credit","No credit","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","Jen Sears","Matt Rourke","Matt Rourke","Jen Sears","Yumin Chung","Nathan Bowles","Matt Rourke","Yumin Chung","Tom LeGro","Matt Rourke","Matt Lee; Amy Hatchinson","Matt Rourke","GiGi Kruse","Yumin Chung","Jen Sears","Tom LeGro","Matt Rourke","Tom LeGro","Yumin Chung","Tom LeGro","Jen Sears","Tom LeGro","Matt Rourke","GiGi Kruse","Mat Rourke","Matt Rourke","Tom LeGro","Tom LeGro","Matt Rourke","GiGi Kruse","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Matt Lee","Matt Rourke","Michael Tolosa","Tom LeGro","Tom LeGro","Matt Rourke","Matt Rourke","Matt Rourke","Tom LeGro","Matt Lee","Jen Sears","Michael Tolosa","Michael Tolosa","Michael Tolosa","Tom LeGro","No credit","Matt Lee","Tom Legro","Stacey Levine","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Stacey Levine","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","Matt Rourke","Stacey Levine","Tom LeGro","Stacey Levine","Stacey Levine","Matthew Rourke","Tom LeGro","GiGi Kruse","Abdallah Omeish","Matt Rourke","Timothy NGO","Tom LeGro","Aaron Gilletes","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Marian","GiGi Kruse","Tom LeGro","Stacey Levine","GiGi Kruse","GiGi Kruse","GiGi Kruse","Matt Rourke","Matt Rourke","Matt Rourke","Stacey Levine","Matt Rourke","Tom LeGro","Abdallah Omeish","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Gerardo Reira-Vega","GiGi Kruse","GiGi Kruse","No credit","GiGi Kruse","Matt Rourke","No credit","Matt Rourke","Matt Rourke","GiGi Kruse","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Matt Rourke","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro; Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","Matt Rourke","Katie Koestner","GiGi Kruse","No credit","Tom LeGro","Matt Rourke","Matt Rourke","Alex A. 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Jimmie Foster Jr.","Andy Woodall","Frames 5A, 6A, 4A; Carrie Klinker","Frame 31; Andy Woodall","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Jimmie Foster Jr.","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker and Mark Sypher","Mark Sypher","Jimmie Foster Jr.","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher; postcard","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","[MFS] Mark Sypher","Paul Sodhi","Paul Sodhi","Jimmie Foster Jr.","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Melody Mowrey","Melody Mowrey","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Melody Mowrey","Mark Sypher","Mark Sypher","Andy Woodall","Andy Woodall","Andy Woodall","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey; color negatives","Melody Mowrey","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","GiGi","GiGi","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher; paper with photo request","Mark Sypher","Mark Sypher","Mark Sypher","Shannon Schneider","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","David Manning","Mark Sypher","Mark Sypher","Mark Sypher","C. Quay","Mark Sypher","Mark Sypher","David Manning","David Manning","Mark Sypher","David Manning","David Manning","David Manning","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","David Manning; color negatives","David Manning; color negatives","David Manning; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","J. Hornic; color negatives","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Liz Haas; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","C Quay","Dave Manning","Dave Manning; color negatives","Dave Manning","Dave Manning","Chris DP; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Chantee; color negatives","Chantee; color negatives","Erin; color negatives","Erin; color negatives","Chantee; color negatives","Chantee; color negatives","Chantee; color negatives","Marjan; color negatives","Jason Hornick","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Chris DP; color negatives","Chris DP; color negatives","Dave Manning; color negatives","Chris DP; color negatives","Dave Manning; color negatives"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_40527b8694c4bad584f02a2a832141da\" label=\"Abstract\"\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:24.808Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353_c02_c3139"}},{"id":"vifgm_repositories_2_resources_353_c02_c3120","type":"File","attributes":{"title":"Wrestling George Mason University vs. VMI","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353_c02_c3120#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAndy Woodall\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353_c02_c3120#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_353_c02_c3120","ref_ssm":["vifgm_repositories_2_resources_353_c02_c3120"],"id":"vifgm_repositories_2_resources_353_c02_c3120","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353_c02","parent_ssi":"vifgm_repositories_2_resources_353_c02","parent_ssim":["vifgm_repositories_2_resources_353","vifgm_repositories_2_resources_353_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_353","vifgm_repositories_2_resources_353_c02"],"parent_unittitles_ssm":["George Mason University Broadside photograph collection","Series 2: Negatives and contact sheets, 1973-2001"],"parent_unittitles_tesim":["George Mason University Broadside photograph collection","Series 2: Negatives and contact sheets, 1973-2001"],"text":["George Mason University Broadside photograph collection","Series 2: Negatives and contact sheets, 1973-2001","Wrestling George Mason University vs. VMI","box 25","page 23","Andy Woodall"],"title_filing_ssi":"Wrestling George Mason University vs. VMI","title_ssm":["Wrestling George Mason University vs. VMI"],"title_tesim":["Wrestling George Mason University vs. VMI"],"unitdate_other_ssim":["February 6, 1998"],"normalized_date_ssm":["1998"],"normalized_title_ssm":["Wrestling George Mason University vs. VMI"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Broadside photograph collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3245,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1998],"containers_ssim":["box 25","page 23"],"scopecontent_html_tesm":["\u003cp\u003eAndy Woodall\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Andy Woodall"],"_nest_path_":"/components#1/components#3119","timestamp":"2026-05-21T05:10:24.808Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"text":["R0135","/repositories/2/resources/353","George Mason University Broadside photograph collection","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit ","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints ","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints ","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints ","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints ","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints ","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints ","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints ","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints ","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints ","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints ","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints ","Smithsonian Museum of Natural History and Hirshhorn Museum. ","Prints ","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints ","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints ","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. ","Prints ","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints ","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. ","Color prints ","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. ","Prints ","G: Gillette, Giroux, Susan Gordon, GMView staff ","Prints ","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. ","Prints ","I: Julio Iglesias, Earl Ingram.","Prints ","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints ","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints ","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. ","Prints ","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints ","Ernie Nestor, Oliver North, Renaldo Nehemiah. ","Prints ","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints ","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints ","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. ","Prints ","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. ","Prints ","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints ","Ben Vereen and Leslie Uggans at the Center for the Performing Arts. ","Prints ","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. ","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints ","Registration lines, Michael McDermot.","Prints ","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. ","Prints; negatives ","Boxer Zeine Afif. ","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives ","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. ","Negatives; prints ","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints ","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. ","Negatives; prints ","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University. ","Negatives; prints ","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. ","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. ","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives ","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives ","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; Eric Leeper","Frames 34-39; Myrna Garza","Frames 40-8; Myrna Garza","Frames 42-4; David Pasztor","Frames 7-24; David Pasztor","Eric Leeper and David Pasztor","Frames 23-29; Myrna Garza","Frames 30-34; Myrna Garza","Frames 35-41; Myrna Garza","Frames 27-33; Dan Crawford and Myrna Garza","Frames 37-1; Dan Crawford and Myrna Garza","Dan Crawford and Myrna Garza","Frames 3-11; Dan Crawford and Myrna Garza","Frames 39-44; Eric Leeper and David Pasztor","Frames 1-11; Eric Leeper and David Pasztor","Frames 12-17; Eric Leeper and David Pasztor","David Pasztor","Eric Leeper","Eric Leeper","Myrna Garza","Frames 32-36; Ray Huber","contact sheet only; B.S.B.?","B.S.B.?","Frames 1-12; Myrna Garza","Frames 14-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 26-32; Myrna Garza","Frames 19-23; Myrna Garza; contact sheet only","Frames 25-32; Myrna Garza; contact sheet only","Frames 33-34; Myrna Garza; contact sheet only","Eric Leeper","Eric Leeper","Frames 3-7; Myrna Garza","Frames 8-19; Myrna Garza","Frames 8-19; Myrna Garza","Frames 23-27; Myrna Garza","Dan Crawford","Frames 39-5; Margarita Collantes","Frames 5-7; Margarita Collantes","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 21-30; Barry Nelson","Frames 29-43; Myrna Garza","Frames 44-1; Myrna Garza","Frame 3; Myrna Garza","Eric Leeper","Frames 8-15; Barry Nelson","Frame 18; Barry Nelson","Frame 19; Barry Nelson","Frame 20-21; Barry Nelson","Frame 29-37; Barry Nelson","Frame 37-41 Barry Nelson","Frame 42-44; Barry Nelson","Frames 1-3; Barry Nelson","Frame 45; Barry Nelson","Harry Stodd","Frame 24-39; Myrna Garza","Frame 37-1; Myrna Garza","Frame 2-5; Myrna Garza","Omar Saab","Frame 26-31; Barry Nelson","Frame 32-44; Barry Nelson","Frame 19; Barry Nelson","Frame 4-6; Barry Nelson","Frame 3; Barry Nelson","Frames; 38-5; Barry Nelson","Frame 5-10 Barry Nelson","Frame 11-15; Barry Nelson","Frames 4-8; Myrna Garza","Frames 8-12; Myrna Garza","Frames 13-17; Myrna Garza","Frame 18; Myrna Garza","Frame 19; Myrna Garza","Frames 43-5; Barry Nelson","Frames 5a-13; Barry Nelson","Frames 40-42; Barry Nelson","Frames 43-4; Barry Nelson","Frames 6-10; Barry Nelson","Frames 11-16; Barry Nelson","Frame 17; Barry Nelson","Frames 18-21; Barry Nelson","Frame 22; Barry Nelson","Barry Boyd","Myrna Garza","Frames 35-3; Barry Boyd","Frames 7-10; Barry Boyd","Frames 10-14; Myrna Garza","Barry Boyd","Frames 8-14; Mirza Garza","Frames 15-21; Mirza Garza","Steve Skouron","Frames 35-37; Barry Nelson","Frames 38-18; Barry Nelson","Frames 19-25; Barry Nelson","Eric Leeper","Steve Skouron","Myrna Garza; Henry Loman","Frames 30-38; Barry Nelson","Frames 43-3; Barry Nelson","Joe Coutaldo","Frames 12-19; Myrna Garza","Frames 20-24; Myrna Garza","Frames 37-39","Frames 28-38","Frames 14-23; Barry Nelson","Frames 24-34; Barry Nelson","Frames 33-34; Barry Nelson","Frames 35-40 \u0026 41-42; Barry Nelson","Frames 3-9; Barry Nelson","Frames 10-11; Barry Nelson","Frame 12; Barry Nelson","Frames 13-15; Barry Nelson","Frames 16-21; Barry Nelson","Frames 43-5 Myrna Garza","Frames 15-20; Myrna Garza","Frames 20-26; Barry Boyd","Frames 22-27; Barry Nelson","Frames 28-34; Barry Nelson","Frames 3-4; Barry Nelson","Frames 38-42; David Pasgton","Frames 43-13; David Pasgton","Frames 4-22; David Pasgton","Frames 23-27; David Pasgton","Barry Nelson","Barry Nelson","22-25; Myrna Garza","26-33; Myrna Garza","34-10; Myrna Garza","Myrna Garza","Myrna Garza","Frames 23-32; Myrna Garza","Frames 33-77; Myrna Garza","Frames 24-5; Myrna Garza","Frames 43-7; Myrna Garza","Barry Boyd","David Pasztor","Barry Boyd","Frames 2-43; Myrna Garza","Frames 6-13; Barry Boyd","Frames 14-23; Myrna Garza","Frames 18-27; Barry Nelson","Frames 29-36; Barry Nelson","Frames 1-10; Barry Boyd","Frames 12-33; Barry Boyd","Barry Boyd","Barry Boyd","Dan Grawford","Frames 42-3; Barry Nelson","Frames 4-16; Barry Nelson","Frames 18-23; Barry Nelson","Frames 20-22; Myrna Garza","Frames 23-25; Myrna Garza","Frames 26-27; Myrna Garza","Frames 28-29; Myrna Garza","Frames 30-31; Myrna Garza","Frames 34-35; Myrna Garza","Frames 37-41; Myrna Garza","Barry Nelson","Barry Nelson","Barry Nelson","Frames 28-31; Myrna Garza","Frames 32-36; Myrna Garza","Frames 38-3; Myrna Garza","Frame 29; Barry Nelson","Frames 30-32; Barry Nelson","Frames 34-1; Barry Nelson","Frames 2-3; Barry Nelson","Frame 8; Barry Nelson","Frames 9-14; Barry Nelson","Frames 8-12; Barry Nelson","Frames 36-40; Barry Nelson","Frames 41-44; Barry Nelson","Frames 1-10; Barry Nelson","Frames 11-12; Barry Nelson","Frames 13-14; Barry Nelson","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 18-28; Myrna Garza","Frames 29-35; Myrna Garza","Barry Boyd","Barry Boyd","Barry Nelson","Barry Nelson","Barry Nelson","Connie Bedell","Barry Boyd","Myrna Garza","Myrna Garza","Myrna Garza; contact sheet only","Myrna Garza; contact sheet only","Tom Welch; contact sheet only","Tom Welch","Tom Welch","Frames 2-16; Connie Bedell","Tuan Tran","Tuan Tran","Tuan Tran","Myrna Garza","Barry Boyd","Frames 37-42; Myrna Garza","Frames 43-5; Myrna Garza","Frames 6-10; Myrna Garza","Frames 11-18; Myrna Garza","Frame 25; Connie Bedell","Frames 1-9; Myrna Garza","Frames 10-14; Myrna Garza","Frames 15-21; Myrna Garza","Frames 22-28; Myrna Garza","Frames 29-55; Myrna Garza","Frames 35-40; Myrna Garza","Frames 43-4; Myrna Garza","Frames 5-10; Myrna Garza","Myrna Garza","Frames 20-22; Barry Boyd","Frames 23-35; Barry Boyd","Bob Starbiro","Frame 4; Libby Tart","Frames 2-5; Libby Tart","Frames 6-9; Libby Tart","Frames 10-14; Libby Tart","Frames 15-18; Libby Tart","Frames 3-8; Myrna Garza","Frames 8-13; Myrna Garza","Frames 13-17; Myrna Garza","18-22; Myrna Garza","Frames 11-16; Robert Duston","Frames 17-22; Robert Duston","Frames 23-32; Kent Wilhelmi","Frames 39-42; Robert Duston","Frames 1-7; Robert Duston","Frames 35-38; Kent Wilhelmi","Frames 39-42; Kent Wilhelmi","Frames 43-4; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 10; Kent Wilhelmi","Frames 10-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 28-37; Paul Watters","Frames 21-24: Paul Watters","2 contact sheets: Bill Rook","Frames 21-22: Paul Watters","Frames 23-26; Paul Watters","Frames 16-20; Paul Watters","Frame 33; Paul Watters","Frames 30-40; Rob Duston","Frames 42-3; Rob Duston","Frames 4-6; Rob Duston","Frames 7-8; Rob Duston","Frames 9-15; Rob Duston","Frames 5-18; Libby Tart","Frames 13-22; Libby Tart","Frames 5-15; Myrna Garza","Frames 22-26; Myrna Garza","Barry Boyd","Paul Watters","Frames 12-15; Kent Wilhelmi","Paul Watters","Paul Watters","Frames 37-44; Kent Wilhelmi","Frames 1-3; Kent Wilhelmi","Frames 34-42; Barry Boyd","Frames 43-8; Barry Boyd","Frames 9-21; Barry Boyd","Frames 19-29; Paul Watters","Frames 30-31; Paul Watters","Frames 43-43; Kent Wilhelmi","Frame 44; Kent Wilhelmi","Frames 1-2; Kent Wilhelmi","Frame 3; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 14; Eric Leeper","Frame 27; Kent Wilhelmi","Frames 30-33; Kent Wilhelmi","Frames 13-24; Kent Wilhelmi","Frames 25-27; Kent Wilhelmi","Andrew Nickle","Frames 4-16; Myrna Garza","Frames 19-31; Bill Rook","Frames 33-39; Paul Watters","Frames 3-12; Myrna Garza","Frames 40-2; Myrna Garza","Frames 3-4; Myrna Garza","Frame 5; Myrna Garza","Frame 6; Myrna Garza","Myrna Garza","Barry Boyd","Barry Boyd","Myrna Garza","Myrna Garza","Paul Watters","Frame 6; Paul Watters","Frames 8-11; Paul Watters","Frames 13-14; Ray Huber","Frames 15-20; Paul Watters","Frames 7-13; Jim Ognibene","Frames 15-19; Jim Ognibene","Judy Schaeffer","Frames 25-1; William Holmes","Frames 2-14; William Holmes","Andrew Cseplo","Frames 40-44; Myrna Garza","Frame 1; Myrna Garza","Frame 2: Myrna Garza","Frames 3-4; Myrna Garza","Frames 7-9; Myrna Garza","Frames 29-43; Tom Fox","Frames 44-14; Tom Fox","Frames 29-44; Andrew Nickle","Frames 1-19; Andrew Nickle","Frames 15-30; Jerry Boyd","Frame 26; Jerry Boyd","Libby Tart","Paul Watters","Libby Tart","Barry Boyd","Frames 37-2; Rob Duston","Frames 3-9; Rob Duston","Frames 41-44; Myrna Garza","Frames 39-40; Myrna Garza","Andrew Nickle","Frames 1-5; Jim Ognibeni","Frames 36-41; Andrew Cseplo","Frames 42-9; Andrew Cseplo","Frames 11-12; Andrew Cseplo","Frames 40-2; Kent Wilhelmi","Frames 36-39; Kent Wilhelmi","Frames 3-5; Kent Wilhelmi","Bill Holmes","Andrew Nickle","Frames 1-4; Barry Boyd","Frames 33-35; Paul Watters","Frames 1-5; Myrna Garza","Frames 29-38; Myrna Garza","Frames 33-34; Barry Boyd","Frame 36; Barry Boyd","Frame 41; Barry Boyd","Frames 11-2; Barry Boyd","Frames 18-29; Robert Duston","Frames 30-34; Robert Duston","Frames 38-42; Tom Fox","Frames 3-13; Tom Fox","Frames 14-18; Tom Fox","Paul Watters and Tuan Tran","Robert Duston","Frames 25-29; Myrna Garza","Frames 31-36; Myrna Garza","Frames 4-11; Connie Bedell","Frames 43-4; Suki Roberts","Frames 6-12; Myrna Garza","Barry Boyd","Barry Boyd","Bill Holmes","Connie Bedell","Lee Strang","Frames 1-10; Myrna Garza","Frames 11-20; Myrna Garza","Frames 38-44; Paul Watters","Frames 2-11; Paul Watters","Lee Strang","Frames 25-30; Jim Ognibene","Frames 37-16; Jim Ognibene","Jim Ognibene","Frames 8-24; Paul Watters","Frames 41-2; Libby Tart","Frames 3-12; Libby Tart","Frames 13-14; Libby Tart","Frames 40-3; Barry Boyd","Frames 38-1; Paul Watters","Frames 26-36; Judle Muscolino","Andrew Cseplo","Andrew Cseplo","Frames 1-4, 8; Myrna Garza","Frames 5-7, 13; Myrna Garza","Frames 9-12; Myrna Garza","Frames 6-13; Barry Boyd","Lee Strang","Frames 27-28; Lee Strang","Frames 32-33; Lee Strang","Frames 34-11; Lee Strang","Frames 10-14; Libby Tart","Frames 15-20; Libby Tart","Frames 22-27; Libby Tart","Frame 28; Libby Tart","Frames 33-34; Libby Tart","Henry Lowman","Frames 36-4; Paul Watters","Frames 26-36; Myrna Garza","Frames 37-38; Myrna Garza","Frames 40-41; Myrna Garza","Frames 42-44; Myrna Garza","Barry Boyd","Frames 14-19; Jim Ognibene","Frames 20-30; Jim Ognibene","Frame 28; Paul Watters","Frames 40-9; Paul Watters","Frame 10; Paul Watters","Frames 11-14; Paul Watters","Frames 7-11; Paul Watters","Frames 13-18; Myrna Garza","Frames 16-18; Myrna Garza","Frames 19-34; Myrna Garza","Frames 34-11; Myrna Garza","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Jim Pugh","Barry Boyd","Barry Boyd","Frames 3-4; Barry Boyd","Frames 14-16; Tuan Tran","Frames 17-21; Andrew Cseplo","Diane Strauss","Frames 20-26; Andrew Cseplo","Frames 27-31; Myrna Garza","Frames 32-39; Libby Tart","Diane Strauss","Frames 27-36; Myrna Garza","Frames 38-40; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 43-4; Libby Tart","Frames 5-10; Libby Tart","Paul Watters","Paul Watters","Paul Watters","Paul Watters","Tuan Tran","Andrew Cseplo","Myrna Garza","unknown photographer, LB","unknown photographer, LB","Jim Ognibene; contact sheet only","Myrna Garza","Libby Tart","Frames 7-18; Paul Watters","Frames 3-6; Paul Watters","Frames 33-40; Paul Watters","Frames 4-41; Paul Watters","Frames 29-32; Paul Watters","Frames 21-25; Paul Watters","Frames 12-22; Paul Watters","Contact sheet only","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Clyde Peterson","Barry Boyd","Clyde Peterson","Lee Strang","Audrey H","Barry Boyd","Barry Boyd","Libby Tart","Steve Casimiro","Jorge Ochoa","Jennifer Stone","Barry Boyd","Barry Boyd","Jorge Ochoa","Andrew Cseplo","Libby Tart","Barry Boyd","John Terry; contact sheet only","Lee Strang","Steve Casimiro","Jennifer Stone","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Andrew Cseplo","Jorge Ochoa","Jorge Ochoa","Jorge Ochoa","Jennifer Stone","Steve Casimiro; contact sheet only","Steve Casimiro","Steve Casimiro","Jorge Ochoa","Lee Strang","Lee Strang","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Contact sheet only","Jennifer Stone","Lee Strang","Steve Casimiro; contact sheet only","Jennifer Stone","Lee Strang","Tuan Tran","Tuan Tran","Jorge Ochoa","Jorge Ochoa","Tuan Tran","Steve Casimiro; contact sheet only","Lee Strang","Tuan Tran","Tuan Tran","Tuan Tran","Alex C. Loyd","Rasmus Nelson","Rasmus Nielson","John Buttner","Steve Casimiro","Steve Casimiro","Rasmus Nielson","Steve Casimiro","John Buttner","Curt Stevens","John Buttner","Tom Horan","Tim Z (Harrison?)","Paul Torpey","Gordon","Paul Torpey","Gordon","Tim Harrison","Adrienne Thies","Caesar Vallejos","Tim Harrison","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey; negatives only","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Charles Harvey","Tom Horan","Paul Torpey; contact sheet only; 2 contact sheets","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Adrienne Thies; 2 contact sheets","Adrienne Thies","Adrienne Thies","Caesar Vallejos","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey; 2 contact sheets","Charlie Harvey","Adrienne Thies","Steve Elfers; Tom Horan","Charlie Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Caesar Vallejos","Paul Torpey","Caesar Vallejos","Caesar Vallejos","Brent Ebel","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey; Paul Torpey","Paul Torpey","Tim Harrison","Paul Torpey","Charles Harvey","Charles Harvey \u0026 Paul Torpey","Dave Motes","Charles Harvey","Tim Harrison","Contact sheet only","Negatives only","Contact sheet only","Two contact sheets; two negatives","Contact sheet only","Negatives only","Contact sheet only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Tom Horan","O'Dell","Mousa; color negatives","Mousa; color negatives","Dave Motes; color negatives","Dave Motes; color negatives","Color negatives","Corrine; color negatives","Corrine; color negatives","John V; color negatives","John V; color negatives","GiGi Kruse","Corrine S.","Jen Sears","Tom LeGro","Michael Tolosa","Matt Rourke","Tom LeGro","Tom LeGro","Abdallah Omeish; Matt Rourke","Tim Ngo","Tom LeGro","Abdallah Omeish","Abdallah Omeish; Matt Rourke","Stacey Levine","Tom LeGro","Gerardo Reira-Vega and Matt Rourke","Gerardo Reira-Vega and Matt Rourke","Matt Rourke; Tom LeGro","Matt Rourke","Color negatives","Color negatives","Sarah","K.R.","K.R.","Carol M. and James H.","L.T.","L.T.","L.T.","L.T.","Matt","Jimmie Foster","Carol","Carol","Marion Clarke","Marion Clarke","Michael Tolosa","Michael Tolosa","Michael Tolosa","Mike Murray","Mike Murray","Matt Lee","Amy Hatchinson","Michael Tolosa","Michael Tolosa","Rahonl","Denis M.","Denis M.","Denis M.","J. 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These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"normalized_title_ssm":["George Mason University Broadside photograph collection"],"collection_title_tesim":["George Mason University Broadside photograph collection"],"collection_ssim":["George Mason University Broadside photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"places_ssim":["Fairfax (Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e\n","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e\n","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e\n","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e\n","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e\n","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit "],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAll Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eColor prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eDavis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.\u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNew Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eVirginia Peddler, Christmas Attic, Christmas Gallery.\u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eStudent Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eNewspaper prints; drawings\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eChinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eInternational Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePatriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eCenter Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003e\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eSmithsonian Museum of Natural History and Hirshhorn Museum. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eComputers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eParking garage construction, parking deck, parking lots.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eA: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eB: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eC: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eD: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eE: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. \u003c/p\u003e\n","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eF: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eG: Gillette, Giroux, Susan Gordon, GMView staff \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eH: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eI: Julio Iglesias, Earl Ingram.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eJ: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eK: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eWilliam F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eMarvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.\u003c/p\u003e\n","\u003cp\u003eColor Prints \u003c/p\u003e","\u003cp\u003eErnie Nestor, Oliver North, Renaldo Nehemiah. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eEdward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.\u003c/p\u003e\n","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eDavid Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eOne unidentified print of a politician\u003c/p\u003e","\u003cp\u003eEllen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eStewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eScott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eBen Vereen and Leslie Uggans at the Center for the Performing Arts. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eThe Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGame Room, Health and Fitness Guide, Hemlock Overlook.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eRegistration lines, Michael McDermot.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. \u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eBoxer Zeine Afif. \u003c/p\u003e\n","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives; color prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eFootball Club, Jackson, E., Coach Football.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eOne unidentified print\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eWomen's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eMidnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. \u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.\u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. \u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eDuckworth, M., George Mason University vs. Juanita, American University, Lewis University. \u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eAdams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eArgunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. \u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eJay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. \u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eWillard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eKingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eShea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eTwo prints, one of a baseball game, the other of swans in a pond.\u003c/p\u003e","\u003cp\u003eFootball kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.\u003c/p\u003e\n","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.\u003c/p\u003e\n","\u003cp\u003eContact sheets; color prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eContact sheet only; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 1; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 2; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 3; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 4-5; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 6; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 7; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 8; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 9; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 10; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 11; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 12; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 13; Kerry L. 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Nagtus\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eSharon Teeler\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eT. Wesley\u003c/p\u003e","\u003cp\u003eT. Wesley\u003c/p\u003e","\u003cp\u003eGail C.\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eJames Nosius\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eElizabeth Gastman\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMike Murray\u003c/p\u003e","\u003cp\u003eJason\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eDave Holka\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTyler Hacers\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eChelsie Losan\u003c/p\u003e","\u003cp\u003eNo credit; color negatives\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAlexis Scalice\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eM. Idosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Lee; Amy Hatchinson\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eMat Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom Legro\u003c/p\u003e","\u003cp\u003eStacey Levine\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints ","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints ","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints ","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints ","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints ","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints ","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints ","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints ","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints ","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints ","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints ","Smithsonian Museum of Natural History and Hirshhorn Museum. ","Prints ","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints ","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints ","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. ","Prints ","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints ","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. ","Color prints ","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. ","Prints ","G: Gillette, Giroux, Susan Gordon, GMView staff ","Prints ","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. ","Prints ","I: Julio Iglesias, Earl Ingram.","Prints ","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints ","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints ","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. ","Prints ","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints ","Ernie Nestor, Oliver North, Renaldo Nehemiah. ","Prints ","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints ","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints ","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. ","Prints ","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. ","Prints ","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints ","Ben Vereen and Leslie Uggans at the Center for the Performing Arts. ","Prints ","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. ","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints ","Registration lines, Michael McDermot.","Prints ","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. ","Prints; negatives ","Boxer Zeine Afif. ","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives ","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. ","Negatives; prints ","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints ","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. ","Negatives; prints ","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University. ","Negatives; prints ","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. ","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. ","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives ","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives ","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; Eric Leeper","Frames 34-39; Myrna Garza","Frames 40-8; Myrna Garza","Frames 42-4; David Pasztor","Frames 7-24; David Pasztor","Eric Leeper and David Pasztor","Frames 23-29; Myrna Garza","Frames 30-34; Myrna Garza","Frames 35-41; Myrna Garza","Frames 27-33; Dan Crawford and Myrna Garza","Frames 37-1; Dan Crawford and Myrna Garza","Dan Crawford and Myrna Garza","Frames 3-11; Dan Crawford and Myrna Garza","Frames 39-44; Eric Leeper and David Pasztor","Frames 1-11; Eric Leeper and David Pasztor","Frames 12-17; Eric Leeper and David Pasztor","David Pasztor","Eric Leeper","Eric Leeper","Myrna Garza","Frames 32-36; Ray Huber","contact sheet only; B.S.B.?","B.S.B.?","Frames 1-12; Myrna Garza","Frames 14-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 26-32; Myrna Garza","Frames 19-23; Myrna Garza; contact sheet only","Frames 25-32; Myrna Garza; contact sheet only","Frames 33-34; Myrna Garza; contact sheet only","Eric Leeper","Eric Leeper","Frames 3-7; Myrna Garza","Frames 8-19; Myrna Garza","Frames 8-19; Myrna Garza","Frames 23-27; Myrna Garza","Dan Crawford","Frames 39-5; Margarita Collantes","Frames 5-7; Margarita Collantes","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 21-30; Barry Nelson","Frames 29-43; Myrna Garza","Frames 44-1; Myrna Garza","Frame 3; Myrna Garza","Eric Leeper","Frames 8-15; Barry Nelson","Frame 18; Barry Nelson","Frame 19; Barry Nelson","Frame 20-21; Barry Nelson","Frame 29-37; Barry Nelson","Frame 37-41 Barry Nelson","Frame 42-44; Barry Nelson","Frames 1-3; Barry Nelson","Frame 45; Barry Nelson","Harry Stodd","Frame 24-39; Myrna Garza","Frame 37-1; Myrna Garza","Frame 2-5; Myrna Garza","Omar Saab","Frame 26-31; Barry Nelson","Frame 32-44; Barry Nelson","Frame 19; Barry Nelson","Frame 4-6; Barry Nelson","Frame 3; Barry Nelson","Frames; 38-5; Barry Nelson","Frame 5-10 Barry Nelson","Frame 11-15; Barry Nelson","Frames 4-8; Myrna Garza","Frames 8-12; Myrna Garza","Frames 13-17; Myrna Garza","Frame 18; Myrna Garza","Frame 19; Myrna Garza","Frames 43-5; Barry Nelson","Frames 5a-13; Barry Nelson","Frames 40-42; Barry Nelson","Frames 43-4; Barry Nelson","Frames 6-10; Barry Nelson","Frames 11-16; Barry Nelson","Frame 17; Barry Nelson","Frames 18-21; Barry Nelson","Frame 22; Barry Nelson","Barry Boyd","Myrna Garza","Frames 35-3; Barry Boyd","Frames 7-10; Barry Boyd","Frames 10-14; Myrna Garza","Barry Boyd","Frames 8-14; Mirza Garza","Frames 15-21; Mirza Garza","Steve Skouron","Frames 35-37; Barry Nelson","Frames 38-18; Barry Nelson","Frames 19-25; Barry Nelson","Eric Leeper","Steve Skouron","Myrna Garza; Henry Loman","Frames 30-38; Barry Nelson","Frames 43-3; Barry Nelson","Joe Coutaldo","Frames 12-19; Myrna Garza","Frames 20-24; Myrna Garza","Frames 37-39","Frames 28-38","Frames 14-23; Barry Nelson","Frames 24-34; Barry Nelson","Frames 33-34; Barry Nelson","Frames 35-40 \u0026 41-42; Barry Nelson","Frames 3-9; Barry Nelson","Frames 10-11; Barry Nelson","Frame 12; Barry Nelson","Frames 13-15; Barry Nelson","Frames 16-21; Barry Nelson","Frames 43-5 Myrna Garza","Frames 15-20; Myrna Garza","Frames 20-26; Barry Boyd","Frames 22-27; Barry Nelson","Frames 28-34; Barry Nelson","Frames 3-4; Barry Nelson","Frames 38-42; David Pasgton","Frames 43-13; David Pasgton","Frames 4-22; David Pasgton","Frames 23-27; David Pasgton","Barry Nelson","Barry Nelson","22-25; Myrna Garza","26-33; Myrna Garza","34-10; Myrna Garza","Myrna Garza","Myrna Garza","Frames 23-32; Myrna Garza","Frames 33-77; Myrna Garza","Frames 24-5; Myrna Garza","Frames 43-7; Myrna Garza","Barry Boyd","David Pasztor","Barry Boyd","Frames 2-43; Myrna Garza","Frames 6-13; Barry Boyd","Frames 14-23; Myrna Garza","Frames 18-27; Barry Nelson","Frames 29-36; Barry Nelson","Frames 1-10; Barry Boyd","Frames 12-33; Barry Boyd","Barry Boyd","Barry Boyd","Dan Grawford","Frames 42-3; Barry Nelson","Frames 4-16; Barry Nelson","Frames 18-23; Barry Nelson","Frames 20-22; Myrna Garza","Frames 23-25; Myrna Garza","Frames 26-27; Myrna Garza","Frames 28-29; Myrna Garza","Frames 30-31; Myrna Garza","Frames 34-35; Myrna Garza","Frames 37-41; Myrna Garza","Barry Nelson","Barry Nelson","Barry Nelson","Frames 28-31; Myrna Garza","Frames 32-36; Myrna Garza","Frames 38-3; Myrna Garza","Frame 29; Barry Nelson","Frames 30-32; Barry Nelson","Frames 34-1; Barry Nelson","Frames 2-3; Barry Nelson","Frame 8; Barry Nelson","Frames 9-14; Barry Nelson","Frames 8-12; Barry Nelson","Frames 36-40; Barry Nelson","Frames 41-44; Barry Nelson","Frames 1-10; Barry Nelson","Frames 11-12; Barry Nelson","Frames 13-14; Barry Nelson","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 18-28; Myrna Garza","Frames 29-35; Myrna Garza","Barry Boyd","Barry Boyd","Barry Nelson","Barry Nelson","Barry Nelson","Connie Bedell","Barry Boyd","Myrna Garza","Myrna Garza","Myrna Garza; contact sheet only","Myrna Garza; contact sheet only","Tom Welch; contact sheet only","Tom Welch","Tom Welch","Frames 2-16; Connie Bedell","Tuan Tran","Tuan Tran","Tuan Tran","Myrna Garza","Barry Boyd","Frames 37-42; Myrna Garza","Frames 43-5; Myrna Garza","Frames 6-10; Myrna Garza","Frames 11-18; Myrna Garza","Frame 25; Connie Bedell","Frames 1-9; Myrna Garza","Frames 10-14; Myrna Garza","Frames 15-21; Myrna Garza","Frames 22-28; Myrna Garza","Frames 29-55; Myrna Garza","Frames 35-40; Myrna Garza","Frames 43-4; Myrna Garza","Frames 5-10; Myrna Garza","Myrna Garza","Frames 20-22; Barry Boyd","Frames 23-35; Barry Boyd","Bob Starbiro","Frame 4; Libby Tart","Frames 2-5; Libby Tart","Frames 6-9; Libby Tart","Frames 10-14; Libby Tart","Frames 15-18; Libby Tart","Frames 3-8; Myrna Garza","Frames 8-13; Myrna Garza","Frames 13-17; Myrna Garza","18-22; Myrna Garza","Frames 11-16; Robert Duston","Frames 17-22; Robert Duston","Frames 23-32; Kent Wilhelmi","Frames 39-42; Robert Duston","Frames 1-7; Robert Duston","Frames 35-38; Kent Wilhelmi","Frames 39-42; Kent Wilhelmi","Frames 43-4; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 10; Kent Wilhelmi","Frames 10-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 28-37; Paul Watters","Frames 21-24: Paul Watters","2 contact sheets: Bill Rook","Frames 21-22: Paul Watters","Frames 23-26; Paul Watters","Frames 16-20; Paul Watters","Frame 33; Paul Watters","Frames 30-40; Rob Duston","Frames 42-3; Rob Duston","Frames 4-6; Rob Duston","Frames 7-8; Rob Duston","Frames 9-15; Rob Duston","Frames 5-18; Libby Tart","Frames 13-22; Libby Tart","Frames 5-15; Myrna Garza","Frames 22-26; Myrna Garza","Barry Boyd","Paul Watters","Frames 12-15; Kent Wilhelmi","Paul Watters","Paul Watters","Frames 37-44; Kent Wilhelmi","Frames 1-3; Kent Wilhelmi","Frames 34-42; Barry Boyd","Frames 43-8; Barry Boyd","Frames 9-21; Barry Boyd","Frames 19-29; Paul Watters","Frames 30-31; Paul Watters","Frames 43-43; Kent Wilhelmi","Frame 44; Kent Wilhelmi","Frames 1-2; Kent Wilhelmi","Frame 3; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 14; Eric Leeper","Frame 27; Kent Wilhelmi","Frames 30-33; Kent Wilhelmi","Frames 13-24; Kent Wilhelmi","Frames 25-27; Kent Wilhelmi","Andrew Nickle","Frames 4-16; Myrna Garza","Frames 19-31; Bill Rook","Frames 33-39; Paul Watters","Frames 3-12; Myrna Garza","Frames 40-2; Myrna Garza","Frames 3-4; Myrna Garza","Frame 5; Myrna Garza","Frame 6; Myrna Garza","Myrna Garza","Barry Boyd","Barry Boyd","Myrna Garza","Myrna Garza","Paul Watters","Frame 6; Paul Watters","Frames 8-11; Paul Watters","Frames 13-14; Ray Huber","Frames 15-20; Paul Watters","Frames 7-13; Jim Ognibene","Frames 15-19; Jim Ognibene","Judy Schaeffer","Frames 25-1; William Holmes","Frames 2-14; William Holmes","Andrew Cseplo","Frames 40-44; Myrna Garza","Frame 1; Myrna Garza","Frame 2: Myrna Garza","Frames 3-4; Myrna Garza","Frames 7-9; Myrna Garza","Frames 29-43; Tom Fox","Frames 44-14; Tom Fox","Frames 29-44; Andrew Nickle","Frames 1-19; Andrew Nickle","Frames 15-30; Jerry Boyd","Frame 26; Jerry Boyd","Libby Tart","Paul Watters","Libby Tart","Barry Boyd","Frames 37-2; Rob Duston","Frames 3-9; Rob Duston","Frames 41-44; Myrna Garza","Frames 39-40; Myrna Garza","Andrew Nickle","Frames 1-5; Jim Ognibeni","Frames 36-41; Andrew Cseplo","Frames 42-9; Andrew Cseplo","Frames 11-12; Andrew Cseplo","Frames 40-2; Kent Wilhelmi","Frames 36-39; Kent Wilhelmi","Frames 3-5; Kent Wilhelmi","Bill Holmes","Andrew Nickle","Frames 1-4; Barry Boyd","Frames 33-35; Paul Watters","Frames 1-5; Myrna Garza","Frames 29-38; Myrna Garza","Frames 33-34; Barry Boyd","Frame 36; Barry Boyd","Frame 41; Barry Boyd","Frames 11-2; Barry Boyd","Frames 18-29; Robert Duston","Frames 30-34; Robert Duston","Frames 38-42; Tom Fox","Frames 3-13; Tom Fox","Frames 14-18; Tom Fox","Paul Watters and Tuan Tran","Robert Duston","Frames 25-29; Myrna Garza","Frames 31-36; Myrna Garza","Frames 4-11; Connie Bedell","Frames 43-4; Suki Roberts","Frames 6-12; Myrna Garza","Barry Boyd","Barry Boyd","Bill Holmes","Connie Bedell","Lee Strang","Frames 1-10; Myrna Garza","Frames 11-20; Myrna Garza","Frames 38-44; Paul Watters","Frames 2-11; Paul Watters","Lee Strang","Frames 25-30; Jim Ognibene","Frames 37-16; Jim Ognibene","Jim Ognibene","Frames 8-24; Paul Watters","Frames 41-2; Libby Tart","Frames 3-12; Libby Tart","Frames 13-14; Libby Tart","Frames 40-3; Barry Boyd","Frames 38-1; Paul Watters","Frames 26-36; Judle Muscolino","Andrew Cseplo","Andrew Cseplo","Frames 1-4, 8; Myrna Garza","Frames 5-7, 13; Myrna Garza","Frames 9-12; Myrna Garza","Frames 6-13; Barry Boyd","Lee Strang","Frames 27-28; Lee Strang","Frames 32-33; Lee Strang","Frames 34-11; Lee Strang","Frames 10-14; Libby Tart","Frames 15-20; Libby Tart","Frames 22-27; Libby Tart","Frame 28; Libby Tart","Frames 33-34; Libby Tart","Henry Lowman","Frames 36-4; Paul Watters","Frames 26-36; Myrna Garza","Frames 37-38; Myrna Garza","Frames 40-41; Myrna Garza","Frames 42-44; Myrna Garza","Barry Boyd","Frames 14-19; Jim Ognibene","Frames 20-30; Jim Ognibene","Frame 28; Paul Watters","Frames 40-9; Paul Watters","Frame 10; Paul Watters","Frames 11-14; Paul Watters","Frames 7-11; Paul Watters","Frames 13-18; Myrna Garza","Frames 16-18; Myrna Garza","Frames 19-34; Myrna Garza","Frames 34-11; Myrna Garza","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Jim Pugh","Barry Boyd","Barry Boyd","Frames 3-4; Barry Boyd","Frames 14-16; Tuan Tran","Frames 17-21; Andrew Cseplo","Diane Strauss","Frames 20-26; Andrew Cseplo","Frames 27-31; Myrna Garza","Frames 32-39; Libby Tart","Diane Strauss","Frames 27-36; Myrna Garza","Frames 38-40; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 43-4; Libby Tart","Frames 5-10; Libby Tart","Paul Watters","Paul Watters","Paul Watters","Paul Watters","Tuan Tran","Andrew Cseplo","Myrna Garza","unknown photographer, LB","unknown photographer, LB","Jim Ognibene; contact sheet only","Myrna Garza","Libby Tart","Frames 7-18; Paul Watters","Frames 3-6; Paul Watters","Frames 33-40; Paul Watters","Frames 4-41; Paul Watters","Frames 29-32; Paul Watters","Frames 21-25; Paul Watters","Frames 12-22; Paul Watters","Contact sheet only","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Clyde Peterson","Barry Boyd","Clyde Peterson","Lee Strang","Audrey H","Barry Boyd","Barry Boyd","Libby Tart","Steve Casimiro","Jorge Ochoa","Jennifer Stone","Barry Boyd","Barry Boyd","Jorge Ochoa","Andrew Cseplo","Libby Tart","Barry Boyd","John Terry; contact sheet only","Lee Strang","Steve Casimiro","Jennifer Stone","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Andrew Cseplo","Jorge Ochoa","Jorge Ochoa","Jorge Ochoa","Jennifer Stone","Steve Casimiro; contact sheet only","Steve Casimiro","Steve Casimiro","Jorge Ochoa","Lee Strang","Lee Strang","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Contact sheet only","Jennifer Stone","Lee Strang","Steve Casimiro; contact sheet only","Jennifer Stone","Lee Strang","Tuan Tran","Tuan Tran","Jorge Ochoa","Jorge Ochoa","Tuan Tran","Steve Casimiro; contact sheet only","Lee Strang","Tuan Tran","Tuan Tran","Tuan Tran","Alex C. Loyd","Rasmus Nelson","Rasmus Nielson","John Buttner","Steve Casimiro","Steve Casimiro","Rasmus Nielson","Steve Casimiro","John Buttner","Curt Stevens","John Buttner","Tom Horan","Tim Z (Harrison?)","Paul Torpey","Gordon","Paul Torpey","Gordon","Tim Harrison","Adrienne Thies","Caesar Vallejos","Tim Harrison","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey; negatives only","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Charles Harvey","Tom Horan","Paul Torpey; contact sheet only; 2 contact sheets","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Adrienne Thies; 2 contact sheets","Adrienne Thies","Adrienne Thies","Caesar Vallejos","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey; 2 contact sheets","Charlie Harvey","Adrienne Thies","Steve Elfers; Tom Horan","Charlie Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Caesar Vallejos","Paul Torpey","Caesar Vallejos","Caesar Vallejos","Brent Ebel","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey; Paul Torpey","Paul Torpey","Tim Harrison","Paul Torpey","Charles Harvey","Charles Harvey \u0026 Paul Torpey","Dave Motes","Charles Harvey","Tim Harrison","Contact sheet only","Negatives only","Contact sheet only","Two contact sheets; two negatives","Contact sheet only","Negatives only","Contact sheet only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Tom Horan","O'Dell","Mousa; color negatives","Mousa; color negatives","Dave Motes; color negatives","Dave Motes; color negatives","Color negatives","Corrine; color negatives","Corrine; color negatives","John V; color negatives","John V; color negatives","GiGi Kruse","Corrine S.","Jen Sears","Tom LeGro","Michael Tolosa","Matt Rourke","Tom LeGro","Tom LeGro","Abdallah Omeish; Matt Rourke","Tim Ngo","Tom LeGro","Abdallah Omeish","Abdallah Omeish; Matt Rourke","Stacey Levine","Tom LeGro","Gerardo Reira-Vega and Matt Rourke","Gerardo Reira-Vega and Matt Rourke","Matt Rourke; Tom LeGro","Matt Rourke","Color negatives","Color negatives","Sarah","K.R.","K.R.","Carol M. and James H.","L.T.","L.T.","L.T.","L.T.","Matt","Jimmie Foster","Carol","Carol","Marion Clarke","Marion Clarke","Michael Tolosa","Michael Tolosa","Michael Tolosa","Mike Murray","Mike Murray","Matt Lee","Amy Hatchinson","Michael Tolosa","Michael Tolosa","Rahonl","Denis M.","Denis M.","Denis M.","J. 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These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. 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Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:24.808Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353_c02_c3120"}},{"id":"vifgm_repositories_2_resources_353_c02_c3121","type":"File","attributes":{"title":"Wrestling George Mason University vs. VMI","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353_c02_c3121#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAndy Woodall\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353_c02_c3121#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_353_c02_c3121","ref_ssm":["vifgm_repositories_2_resources_353_c02_c3121"],"id":"vifgm_repositories_2_resources_353_c02_c3121","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353_c02","parent_ssi":"vifgm_repositories_2_resources_353_c02","parent_ssim":["vifgm_repositories_2_resources_353","vifgm_repositories_2_resources_353_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_353","vifgm_repositories_2_resources_353_c02"],"parent_unittitles_ssm":["George Mason University Broadside photograph collection","Series 2: Negatives and contact sheets, 1973-2001"],"parent_unittitles_tesim":["George Mason University Broadside photograph collection","Series 2: Negatives and contact sheets, 1973-2001"],"text":["George Mason University Broadside photograph collection","Series 2: Negatives and contact sheets, 1973-2001","Wrestling George Mason University vs. VMI","box 25","page 24","Andy Woodall"],"title_filing_ssi":"Wrestling George Mason University vs. VMI","title_ssm":["Wrestling George Mason University vs. VMI"],"title_tesim":["Wrestling George Mason University vs. VMI"],"unitdate_other_ssim":["February 6, 1998"],"normalized_date_ssm":["1998"],"normalized_title_ssm":["Wrestling George Mason University vs. VMI"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Broadside photograph collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3246,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1998],"containers_ssim":["box 25","page 24"],"scopecontent_html_tesm":["\u003cp\u003eAndy Woodall\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Andy Woodall"],"_nest_path_":"/components#1/components#3120","timestamp":"2026-05-21T05:10:24.808Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"text":["R0135","/repositories/2/resources/353","George Mason University Broadside photograph collection","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit ","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints ","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints ","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints ","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints ","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints ","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints ","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints ","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints ","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints ","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints ","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints ","Smithsonian Museum of Natural History and Hirshhorn Museum. ","Prints ","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints ","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints ","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. ","Prints ","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints ","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. ","Color prints ","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. ","Prints ","G: Gillette, Giroux, Susan Gordon, GMView staff ","Prints ","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. ","Prints ","I: Julio Iglesias, Earl Ingram.","Prints ","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints ","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints ","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. ","Prints ","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints ","Ernie Nestor, Oliver North, Renaldo Nehemiah. ","Prints ","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints ","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints ","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. ","Prints ","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. ","Prints ","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints ","Ben Vereen and Leslie Uggans at the Center for the Performing Arts. ","Prints ","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. ","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints ","Registration lines, Michael McDermot.","Prints ","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. ","Prints; negatives ","Boxer Zeine Afif. ","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives ","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. ","Negatives; prints ","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints ","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. ","Negatives; prints ","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University. ","Negatives; prints ","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. ","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. ","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives ","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives ","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; Eric Leeper","Frames 34-39; Myrna Garza","Frames 40-8; Myrna Garza","Frames 42-4; David Pasztor","Frames 7-24; David Pasztor","Eric Leeper and David Pasztor","Frames 23-29; Myrna Garza","Frames 30-34; Myrna Garza","Frames 35-41; Myrna Garza","Frames 27-33; Dan Crawford and Myrna Garza","Frames 37-1; Dan Crawford and Myrna Garza","Dan Crawford and Myrna Garza","Frames 3-11; Dan Crawford and Myrna Garza","Frames 39-44; Eric Leeper and David Pasztor","Frames 1-11; Eric Leeper and David Pasztor","Frames 12-17; Eric Leeper and David Pasztor","David Pasztor","Eric Leeper","Eric Leeper","Myrna Garza","Frames 32-36; Ray Huber","contact sheet only; B.S.B.?","B.S.B.?","Frames 1-12; Myrna Garza","Frames 14-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 26-32; Myrna Garza","Frames 19-23; Myrna Garza; contact sheet only","Frames 25-32; Myrna Garza; contact sheet only","Frames 33-34; Myrna Garza; contact sheet only","Eric Leeper","Eric Leeper","Frames 3-7; Myrna Garza","Frames 8-19; Myrna Garza","Frames 8-19; Myrna Garza","Frames 23-27; Myrna Garza","Dan Crawford","Frames 39-5; Margarita Collantes","Frames 5-7; Margarita Collantes","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 21-30; Barry Nelson","Frames 29-43; Myrna Garza","Frames 44-1; Myrna Garza","Frame 3; Myrna Garza","Eric Leeper","Frames 8-15; Barry Nelson","Frame 18; Barry Nelson","Frame 19; Barry Nelson","Frame 20-21; Barry Nelson","Frame 29-37; Barry Nelson","Frame 37-41 Barry Nelson","Frame 42-44; Barry Nelson","Frames 1-3; Barry Nelson","Frame 45; Barry Nelson","Harry Stodd","Frame 24-39; Myrna Garza","Frame 37-1; Myrna Garza","Frame 2-5; Myrna Garza","Omar Saab","Frame 26-31; Barry Nelson","Frame 32-44; Barry Nelson","Frame 19; Barry Nelson","Frame 4-6; Barry Nelson","Frame 3; Barry Nelson","Frames; 38-5; Barry Nelson","Frame 5-10 Barry Nelson","Frame 11-15; Barry Nelson","Frames 4-8; Myrna Garza","Frames 8-12; Myrna Garza","Frames 13-17; Myrna Garza","Frame 18; Myrna Garza","Frame 19; Myrna Garza","Frames 43-5; Barry Nelson","Frames 5a-13; Barry Nelson","Frames 40-42; Barry Nelson","Frames 43-4; Barry Nelson","Frames 6-10; Barry Nelson","Frames 11-16; Barry Nelson","Frame 17; Barry Nelson","Frames 18-21; Barry Nelson","Frame 22; Barry Nelson","Barry Boyd","Myrna Garza","Frames 35-3; Barry Boyd","Frames 7-10; Barry Boyd","Frames 10-14; Myrna Garza","Barry Boyd","Frames 8-14; Mirza Garza","Frames 15-21; Mirza Garza","Steve Skouron","Frames 35-37; Barry Nelson","Frames 38-18; Barry Nelson","Frames 19-25; Barry Nelson","Eric Leeper","Steve Skouron","Myrna Garza; Henry Loman","Frames 30-38; Barry Nelson","Frames 43-3; Barry Nelson","Joe Coutaldo","Frames 12-19; Myrna Garza","Frames 20-24; Myrna Garza","Frames 37-39","Frames 28-38","Frames 14-23; Barry Nelson","Frames 24-34; Barry Nelson","Frames 33-34; Barry Nelson","Frames 35-40 \u0026 41-42; Barry Nelson","Frames 3-9; Barry Nelson","Frames 10-11; Barry Nelson","Frame 12; Barry Nelson","Frames 13-15; Barry Nelson","Frames 16-21; Barry Nelson","Frames 43-5 Myrna Garza","Frames 15-20; Myrna Garza","Frames 20-26; Barry Boyd","Frames 22-27; Barry Nelson","Frames 28-34; Barry Nelson","Frames 3-4; Barry Nelson","Frames 38-42; David Pasgton","Frames 43-13; David Pasgton","Frames 4-22; David Pasgton","Frames 23-27; David Pasgton","Barry Nelson","Barry Nelson","22-25; Myrna Garza","26-33; Myrna Garza","34-10; Myrna Garza","Myrna Garza","Myrna Garza","Frames 23-32; Myrna Garza","Frames 33-77; Myrna Garza","Frames 24-5; Myrna Garza","Frames 43-7; Myrna Garza","Barry Boyd","David Pasztor","Barry Boyd","Frames 2-43; Myrna Garza","Frames 6-13; Barry Boyd","Frames 14-23; Myrna Garza","Frames 18-27; Barry Nelson","Frames 29-36; Barry Nelson","Frames 1-10; Barry Boyd","Frames 12-33; Barry Boyd","Barry Boyd","Barry Boyd","Dan Grawford","Frames 42-3; Barry Nelson","Frames 4-16; Barry Nelson","Frames 18-23; Barry Nelson","Frames 20-22; Myrna Garza","Frames 23-25; Myrna Garza","Frames 26-27; Myrna Garza","Frames 28-29; Myrna Garza","Frames 30-31; Myrna Garza","Frames 34-35; Myrna Garza","Frames 37-41; Myrna Garza","Barry Nelson","Barry Nelson","Barry Nelson","Frames 28-31; Myrna Garza","Frames 32-36; Myrna Garza","Frames 38-3; Myrna Garza","Frame 29; Barry Nelson","Frames 30-32; Barry Nelson","Frames 34-1; Barry Nelson","Frames 2-3; Barry Nelson","Frame 8; Barry Nelson","Frames 9-14; Barry Nelson","Frames 8-12; Barry Nelson","Frames 36-40; Barry Nelson","Frames 41-44; Barry Nelson","Frames 1-10; Barry Nelson","Frames 11-12; Barry Nelson","Frames 13-14; Barry Nelson","Frames 15-19; Barry Nelson","Frame 20; Barry Nelson","Frames 18-28; Myrna Garza","Frames 29-35; Myrna Garza","Barry Boyd","Barry Boyd","Barry Nelson","Barry Nelson","Barry Nelson","Connie Bedell","Barry Boyd","Myrna Garza","Myrna Garza","Myrna Garza; contact sheet only","Myrna Garza; contact sheet only","Tom Welch; contact sheet only","Tom Welch","Tom Welch","Frames 2-16; Connie Bedell","Tuan Tran","Tuan Tran","Tuan Tran","Myrna Garza","Barry Boyd","Frames 37-42; Myrna Garza","Frames 43-5; Myrna Garza","Frames 6-10; Myrna Garza","Frames 11-18; Myrna Garza","Frame 25; Connie Bedell","Frames 1-9; Myrna Garza","Frames 10-14; Myrna Garza","Frames 15-21; Myrna Garza","Frames 22-28; Myrna Garza","Frames 29-55; Myrna Garza","Frames 35-40; Myrna Garza","Frames 43-4; Myrna Garza","Frames 5-10; Myrna Garza","Myrna Garza","Frames 20-22; Barry Boyd","Frames 23-35; Barry Boyd","Bob Starbiro","Frame 4; Libby Tart","Frames 2-5; Libby Tart","Frames 6-9; Libby Tart","Frames 10-14; Libby Tart","Frames 15-18; Libby Tart","Frames 3-8; Myrna Garza","Frames 8-13; Myrna Garza","Frames 13-17; Myrna Garza","18-22; Myrna Garza","Frames 11-16; Robert Duston","Frames 17-22; Robert Duston","Frames 23-32; Kent Wilhelmi","Frames 39-42; Robert Duston","Frames 1-7; Robert Duston","Frames 35-38; Kent Wilhelmi","Frames 39-42; Kent Wilhelmi","Frames 43-4; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 10; Kent Wilhelmi","Frames 10-19; Myrna Garza","Frames 20-25; Myrna Garza","Frames 28-37; Paul Watters","Frames 21-24: Paul Watters","2 contact sheets: Bill Rook","Frames 21-22: Paul Watters","Frames 23-26; Paul Watters","Frames 16-20; Paul Watters","Frame 33; Paul Watters","Frames 30-40; Rob Duston","Frames 42-3; Rob Duston","Frames 4-6; Rob Duston","Frames 7-8; Rob Duston","Frames 9-15; Rob Duston","Frames 5-18; Libby Tart","Frames 13-22; Libby Tart","Frames 5-15; Myrna Garza","Frames 22-26; Myrna Garza","Barry Boyd","Paul Watters","Frames 12-15; Kent Wilhelmi","Paul Watters","Paul Watters","Frames 37-44; Kent Wilhelmi","Frames 1-3; Kent Wilhelmi","Frames 34-42; Barry Boyd","Frames 43-8; Barry Boyd","Frames 9-21; Barry Boyd","Frames 19-29; Paul Watters","Frames 30-31; Paul Watters","Frames 43-43; Kent Wilhelmi","Frame 44; Kent Wilhelmi","Frames 1-2; Kent Wilhelmi","Frame 3; Kent Wilhelmi","Frame 9; Kent Wilhelmi","Frame 14; Eric Leeper","Frame 27; Kent Wilhelmi","Frames 30-33; Kent Wilhelmi","Frames 13-24; Kent Wilhelmi","Frames 25-27; Kent Wilhelmi","Andrew Nickle","Frames 4-16; Myrna Garza","Frames 19-31; Bill Rook","Frames 33-39; Paul Watters","Frames 3-12; Myrna Garza","Frames 40-2; 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Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Mango Vanderburg","Prissy Gonzalez","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Sean Alderman","Andy Woodall","GiGi Kruse","GiGi Kruse","George Dimintron","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Cristina Ghergu","GiGi Kruse","GiGi Kruse","Chris Quay","Shin Yu","Shin Yu","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","Shin Yu","Shin Yu","Sean Alderman","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Mourgo and Prissy","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","Sean","GiGi Kruse","Rhea Carpeno","Karla Rosales","GiGi Kruse","GiGi Kruse","Cristina Ghergu","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Karla Rosales","GiGi Kruse","GiGi Kruse","Sean Alderman","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","No credit","Karla Rosales","Karla Rosales","Karla Rosales","No credit","GiGi Kruse","GiGi Kruse","Abdallah Omeish","GiGi Kruse and George Dimintrov","No credit","Andy Woodall","Andy Woodall and Molly Sugrul","Molly Sugrul","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Mounbel Gayton","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","George Dimitrov","Birgitta Sunderland","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Birgitta Sunderland","Andy Woodall","Andy Woodall","Hasim Nazarei","Andy Woodall","Andy Woodall","Chris Quay","Andy Woodall","GiGi Kruse","GiGi Kruse","Chris Quay","Jim Foster","Andy Woodall","Andy Woodall","GiGi Kruse","Jimmie Foster","Joey Kamide","Andy Woodall","Jimmie Foster","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Jim Foster","Andy Woodall","GiGi Kruse","Andy Woodall","Jimmie Foster","Andy Woodall","Jimmie Foster","Andy Woodall","Jimmie Foster","Jimmie Foster","Jimmie Foster","Andy Woodall","Jimmie Foster","Jimmie Foster","Andy Woodall","Andy Woodall","GiGi Kruse","Jimmie Foster","Chris Quay","Jimmie Foster","GiGi Kruse","Jimmie Foster","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","Chris Quay","Jimmie Foster","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","No credit","Andy Woodall","Chris Quay","Mark Sypher","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Foster and Woobal","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Frame 38; GiGi Kruse","Frames 43, 34, 37; GiGi Kruse","GiGi Kruse","Bonnie Teske","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","Bonnie Teske","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Jimmie Foster Jr.","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Bonnie Teske","Bonnie Teske","Bonnie Teske","GiGi Kruse; Andy Woodall","Bonnie Teske","Bonnie Teske","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Zack","GiGi Kruse","GiGi Kruse","Marcelo Braga","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Bonnie Teske","Mark Sypher","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Binnie Teske","Binnie Teske","Binnie Teske","Binnie Teske","Broadside photographers","Broadside photographers","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Mark Sypher","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Frames 40A, 38A, 34A, 32A; Jimmie Foster Jr.","Andy Woodall","Frames 5A, 6A, 4A; Carrie Klinker","Frame 31; Andy Woodall","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Jimmie Foster Jr.","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker and Mark Sypher","Mark Sypher","Jimmie Foster Jr.","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher; postcard","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","[MFS] Mark Sypher","Paul Sodhi","Paul Sodhi","Jimmie Foster Jr.","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Melody Mowrey","Melody Mowrey","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Melody Mowrey","Mark Sypher","Mark Sypher","Andy Woodall","Andy Woodall","Andy Woodall","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey; color negatives","Melody Mowrey","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","GiGi","GiGi","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher; paper with photo request","Mark Sypher","Mark Sypher","Mark Sypher","Shannon Schneider","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","David Manning","Mark Sypher","Mark Sypher","Mark Sypher","C. Quay","Mark Sypher","Mark Sypher","David Manning","David Manning","Mark Sypher","David Manning","David Manning","David Manning","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","David Manning; color negatives","David Manning; color negatives","David Manning; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","J. Hornic; color negatives","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Liz Haas; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","C Quay","Dave Manning","Dave Manning; color negatives","Dave Manning","Dave Manning","Chris DP; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Chantee; color negatives","Chantee; color negatives","Erin; color negatives","Erin; color negatives","Chantee; color negatives","Chantee; color negatives","Chantee; color negatives","Marjan; color negatives","Jason Hornick","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Chris DP; color negatives","Chris DP; color negatives","Dave Manning; color negatives","Chris DP; color negatives","Dave Manning; color negatives","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"normalized_title_ssm":["George Mason University Broadside photograph collection"],"collection_title_tesim":["George Mason University Broadside photograph collection"],"collection_ssim":["George Mason University Broadside photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"places_ssim":["Fairfax (Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e\n","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e\n","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e\n","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e\n","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e\n","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit "],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAll Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eColor prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eDavis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.\u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNew Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eVirginia Peddler, Christmas Attic, Christmas Gallery.\u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eStudent Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eNewspaper prints; drawings\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eAids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eChinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eInternational Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePatriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eCenter Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eBombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003e\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eSmithsonian Museum of Natural History and Hirshhorn Museum. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eComputers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eParking garage construction, parking deck, parking lots.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eA: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eB: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eC: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eD: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eE: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. \u003c/p\u003e\n","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eF: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eG: Gillette, Giroux, Susan Gordon, GMView staff \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eH: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eI: Julio Iglesias, Earl Ingram.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eJ: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eK: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eWilliam F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eMarvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.\u003c/p\u003e\n","\u003cp\u003eColor Prints \u003c/p\u003e","\u003cp\u003eErnie Nestor, Oliver North, Renaldo Nehemiah. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eEdward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.\u003c/p\u003e\n","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003eDavid Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eOne unidentified print of a politician\u003c/p\u003e","\u003cp\u003eEllen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eStewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eScott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eBen Vereen and Leslie Uggans at the Center for the Performing Arts. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eThe Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. \u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGame Room, Health and Fitness Guide, Hemlock Overlook.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003eRegistration lines, Michael McDermot.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. \u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eBoxer Zeine Afif. \u003c/p\u003e\n","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives; color prints\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eFootball Club, Jackson, E., Coach Football.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eOne unidentified print\u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eWomen's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eMidnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. \u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eGeorge Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.\u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. \u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eDuckworth, M., George Mason University vs. Juanita, American University, Lewis University. \u003c/p\u003e\n","\u003cp\u003eNegatives; prints \u003c/p\u003e","\u003cp\u003eNegatives; prints\u003c/p\u003e","\u003cp\u003eAdams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eNegatives\u003c/p\u003e","\u003cp\u003eArgunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. \u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eJay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. \u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eWillard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eTargott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives\u003c/p\u003e","\u003cp\u003eKingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eShea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.\u003c/p\u003e\n","\u003cp\u003ePrints; negatives \u003c/p\u003e","\u003cp\u003eTwo prints, one of a baseball game, the other of swans in a pond.\u003c/p\u003e","\u003cp\u003eFootball kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.\u003c/p\u003e\n","\u003cp\u003eColor prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.\u003c/p\u003e\n","\u003cp\u003eContact sheets; color prints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.\u003c/p\u003e\n","\u003cp\u003ePrints \u003c/p\u003e","\u003cp\u003ePrints\u003c/p\u003e","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eContact sheet only; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 1; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 2; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 3; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 4-5; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 6; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 7; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 8; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 9; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 10; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 11; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 12; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 13; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 14; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 15; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 16; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 17; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 18; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 19; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 20; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 21; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 22; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 23; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 24; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 25; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 26; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 27; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 28; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 29; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 30; Kerry L. Miller\u003c/p\u003e","\u003cp\u003eFrame 31; Kerry L. 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Wesley\u003c/p\u003e","\u003cp\u003eGail C.\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eJames Nosius\u003c/p\u003e","\u003cp\u003eMagali\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eElizabeth Gastman\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMike Murray\u003c/p\u003e","\u003cp\u003eJason\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eMorian\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eDave Holka\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTyler Hacers\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eChelsie Losan\u003c/p\u003e","\u003cp\u003eNo credit; color negatives\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAlexis Scalice\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eAudrey Markowitz\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNate Bowles\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eM. Idosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eNathan Bowles\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Lee; Amy Hatchinson\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eYumin Chung\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eMat Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eJen Sears\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eMichael Tolosa\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eNo credit\u003c/p\u003e","\u003cp\u003eMatt Lee\u003c/p\u003e","\u003cp\u003eTom Legro\u003c/p\u003e","\u003cp\u003eStacey Levine\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eStacey Levine\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eAbdallah Omeish\u003c/p\u003e","\u003cp\u003eAbdallah Omeish\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eAbdallah Omeish\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eGiGi Kruse\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eTom LeGro\u003c/p\u003e","\u003cp\u003eMatt Rourke\u003c/p\u003e","\u003cp\u003eStacey Levine\u003c/p\u003e","\u003cp\u003eTom 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Prints","All Fall Down, Alicia's Lead, Kismet, Keith, Patriot Day, Grey, M., Anna Sole, Blues to Venus, Fetish, Pat McGee band, Tengo Oago, Frodus, Teen Beat Concert, Tsunami, Eric Gamlen, Red Hot Chili Peppers, Violent Femmes, Mancake, The Moonlighters, Ghoti Hook, Trent Reznor, Burning Airlines, The Mighty Mighty Bosstones, Counting Crows, Deadman's Ball, Jamiroquei, Tenzin Phun Tsock, Delta 72, Superchunk, Spring Thaw, Reverie, Tashi Dhondup, Robin Finck, Brian Ritchie, Suicide Machine, Promise Ring, Versus, Rusted Overtones, The United States Marine Band, Snoop Dogg, Violent Femmes, Warped Tour 1997, Unity Project.","Prints ","Color prints","Negatives; prints","Prints","Prints; negatives","Davis,T., Dowsett, H., Harrell, G., Sargeant Barnes, N. F., Housing Security Officer Mays, T., Officer Oglesby, A.","Negatives; prints ","Prints","New Century College, West Building, Computer Labs, Center for Global Education, Child Development Center, Science and Tech, Internet Multimedia Center, Drug Education Center.","Prints ","Virginia Peddler, Christmas Attic, Christmas Gallery.","Negatives; prints ","Negatives; prints","Negatives; prints","Student Apartments, Freshman Move-In, Study Lounge, President's Park, Roosevelt Hall.","Prints ","Newspaper prints; drawings","Prints","Prints","Aids Walk, Arcade Convention, GMU Anniversary, Alcohol Awareness Week, Cardboard Community, Clothesline Project, Blood Drive, Bloodmobile, Brother Jim, Body Awareness Week, Black Freshman Weekend, BSA Talent Show, Big Band Gala, Welcome Week, Bomb Threat and Crime Solvers.","Prints ","Chinese New Year Festivities, Chalk the Walk,Drag Show, Fidelity Investments, Mason Ambassador Meeting, Self Defense Classes, Peace Corps Author Meeting, Bolshoi Symphony, Affirmation Action Debate, GLBT,GMU Dancers, Hunger Banquet, Home Coming Parade, Hispanic Gala Dinner, Higher Education Bond and Election Day, Hilal Group Presentation.","Prints ","International Week, Inaugural Service Prayer, It Won't Happen To Me, Job Fair, Live Jazz Band, Victim's Right Walk, Good Eating Habits, National Body Awareness Week, Health and Fitness Day, Poetry Reading, Choir, Conversation Hour, Got Milk Promotion, Student Dance, Mason Day, Mason Statue Unveiling, Mass Mutual, Marriott Scholarships, Mindfulness Lecture, Midnite Madness, Million Man and Woman March, Dance and Spirit of Native American.","Prints ","Patriots Day, Sesame Street Live, Service Fair, Swing Dancers, Step Show-'98', Students-Scerbo, Mcrsinn, Slyvia, Tleena, Ya Boi and Kim, Taste of Fairfax, Theatre (photographs by professional photographers), Task Force on Drinking, Take Back the Night, Tom Horton's Activities, Technology Convention 1998, Witch Watch 1996, Winnipeg Ballet, Warp Tour 1997.","Prints ","Prints","Prints; negatives","Prints","Center Hall Staircase, Mason's Office, Dinning Room, Facade. Professional photographs by Dennis McWaters.","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Prints","Bookstore, Java George, Bank, Center Gallery, Food Stop, Construction, Library, Information Booth.","Prints ","Prints","Prints","Bombay Bistro, Pizza 'n' Pasta, Denny's, Golden Lion, Anita's, Patriot Books, Burke Lake Park, Washington D.C., Habana Village, Coco-Loco, Copacabana, Polly Esther, Red Moon Saloon, Vienna's Grille, The Bank, Lulu's, Fat Tuesday, Natural Mystics, The Golden Goose, Tyson's Corner, The Flower Gallery, Georgetown Park, Potomac Mills, Seasons, Old Navy, Picco's, Consignment, Fairfax Surf Shop, Pier One Imports, Paint Your Own Pottery, Crossroads, BlackCat, Bridges, Red Hot and Blue, Tastee, TT Reynolds, Mozzarella's Cafe, Dolce Vita, Rio Grande Cafe, Havabite Eatery, Hennessy's Cafe, Topkapi, BlackEyed Pea, ShoGun, Shark Club, Peking, House of Gyro, Old Country Buffet, The Connaught Place, China Gourmet, Chili's, Outback, The Second Yard, Dunkin' Donuts, PJ Skidoos, The Wave, Brion's Grille, Fairfax Fall Festival.","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","\"Portrait of a Lady\" and \"G.I. Jane\" publicity images.","Prints ","Smithsonian Museum of Natural History and Hirshhorn Museum. ","Prints ","Prints","Prints","Prints","Prints","Computers, police cars, posting board, computer mouse, beer bottle, peanuts, fruit, rice, dollar bill.","Prints ","Prints","Prints","Parking garage construction, parking deck, parking lots.","Prints; negatives","Prints","Prints","A: Uvaldo Acosta, Mike Adamle, Paul Anderson, George Allen, Tom Arnold, Jose Alonso, Richard Armitage, Ailinger, R., Paula Antonavich, Vassily Aksynov, Madeleine Albriecht. Professional and Broadside staff photographs.","Prints ","B: Donald Byrd, George Bush, Lee Brown, Joe Biden, Michael Boyle, John B. Burns, Andras Balazsy, Mary Frances Berry, Michael Bolton, Gerald L. Baliles (Governor of Virginia 1986-1990), D.R. Butler, Herman Beavers, Carol Burke, Dean Bumgarner, Ben Bagdikian, Marion Barry, Dennis Brutus, Harry Belafonte, Scott Bailey, Tony Bennet, Dr. Brack Brown, A'lelia Bundles, Dick Bavseh, Jerry Brown, Dr. Brutus. Professional and Broadside staff photographs. ","Prints ","C: Bill Clinton, Larry Czarda, Mary Clark, David Copperfield, Dr. Dagumar Cronn, Pat Carretla, Dr. Cook, Atlanta Mayor Bill Campbell, Shirley Chisholm, Father Bob at new chapel site, . Professional and Broadside staff photographs.","Prints ","D: Joann Di Gennero, Bill Dolan, Ashonda Davenport, Lt. Fletcher Daniels, Theresa Domzal, Dumont.","Prints; negatives","E: Dalton Ebanks, Mick Ellis, Lynn Emanuel, Mark Earley. ","Color prints ","F: Elizabeth Fulcher, Kim Farfone and Jerome Jackson, James J. Flecther, Betty Friedan, Dr. Fukuyama, Dean Fletcher, C. Fuchs, Mike Farris, Emily Miller. ","Prints ","G: Gillette, Giroux, Susan Gordon, GMView staff ","Prints ","H: Holly Hughes, Hampson, Bob Hattoy, David Halberstam, Hall, Cathy Hughes, Tom Horton, Alam E. Hammad, Joy Hughes, Dr. Robert Hawke, Anthony Hogan. ","Prints ","I: Julio Iglesias, Earl Ingram.","Prints ","J: William Jones, many prints of George Johnson from 1978 to the opening of the Johnson Center, Bianca Jones, Mike Judge, Dr. Jones (Environmental Science and Policy), Allan Jackson, Paul Jacobs, Dr. Charles Jones, Rick Jensen, Susan Jones, Mrs. Johnson, George Mason Bank opening with George Johnson and Tom Davis.","Prints ","K: Connie Kirkland, Robert Krug, David Keene, Herb Krusen, John Kizzy, Robin Kane R, Katie Koestner.","Prints ","William F. Longwell, basketball coaches Lewis and Jim Larranaga, Josh Lineberger, Brian Lamb, John Lave, Sara Lawless, Dr. Laue, Seymor Lipset. ","Prints ","Marvin Murray, GMU Mascot, Wynton Marsalis, Herbie Mann, John McGeehen, Marvin R. Murray, Jim Moran, many photographs of Alan and Sally Merten, Julianne Malveaux, John Mason, Colman McCarthy, Thomas Mallon, Marilyn Mobley, Stak Muir, Sharon McGrayre, Sally Mohle. Professional and Broadside staff photographs.","Color Prints ","Ernie Nestor, Oliver North, Renaldo Nehemiah. ","Prints ","Edward James Olmos, Louise O'Malley and Jeffrey Riley, Joseph Opala, Tom O'Connor, Owens.","Color prints ","David Potter, Joe Pescale, Princess Pale Moon, Sally Pettyjohn, Mo at Patriot's Day, Ambassador Hafiz Pashayev, Stan Parris.","Prints ","One unidentified print of a politician","Ellen Rubin, Dr. Rossini, Georgie Redmond, Rothbart, Judge William Rehnquist, George Johnson and Charles Robb, Janet Reno, Dr. Priscilla Regan. ","Prints ","Stewart Jeffrey, Mauice Scherens, Charles Smith, Phyllis Slade-Martin, Steven Smith, Chief Sanders, Dr. Dusko Sekulic, Ann Simonton, Dr. Donald Swaiey, Ambassador Rouben Shugarian (Armenia), Halina Sibler (Shindler's List survivor), Brooke Stevens, Dana Shalala. Professional and Broadside photographs. ","Prints ","Scott Turner, Michael Tapscott, Mary Thomas, Alex Thorne, Dr. Anita Taylor.","Prints ","Ben Vereen and Leslie Uggans at the Center for the Performing Arts. ","Prints ","The Westheads, Paul Westhead, Barry Williams, Aime Willard, Roger Wilkens, Wilder, D., Dr. George Walter, Frank Wolf, Barbara Walters, Miviam De Costa Willis, Darlene Walker, Senator Warner, Dr. Rhonda Williams, William Windom, Lee Wood, Dan Walsch. ","Prints ","Prints","Prints","Prints","Prints","Prints","Prints","Game Room, Health and Fitness Guide, Hemlock Overlook.","Prints ","Registration lines, Michael McDermot.","Prints ","Prints","Prints","Prints; negatives","Prints","Prints","Prints","Prints","Prints","Prints","George Mason University vs. University of Connecticut, George Mason University vs. University of North Carolina at Wilmington, George Mason University vs. James Madison University, George Mason University vs. Old Dominion University, George Mason University vs. University of Maryland Baltimore County, George Mason University vs. William and Mary, George Mason University vs. New York Tech, Head Coach-Bill Brown and Trevor Haqs. ","Prints; negatives ","Boxer Zeine Afif. ","Negatives","Negatives","Prints","Negatives; color prints","Prints","Negatives","Football Club, Jackson, E., Coach Football.","Prints; negatives","One unidentified print","Prints","Women's lacrosse vs. Virginia Tech, Women's lacrosse vs. University of Maryland Baltimore County, Old Dominion University and Loyola.","Prints; negatives ","Midnight Madness, George Mason University vs. DC Explorers, George Mason University vs. William and Mary, Langley's 1000-PT Ball, George Mason University vs. James Madison University, Miskiri, J., O'Randall, Anderson, R., Cavey, A., Mc Cants, C., Langley, N., Redd (Layup), Wanjara, Westhead, Evans, G., Alford, K. ","Negatives; prints ","George Mason University vs. Loyola, Maryland, University of North Carolina at Wilmington, Drexel, Virginia Commonwealth University, William and Mary.","Negatives; prints ","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina, American University. ","Negatives; prints ","Duckworth, M., George Mason University vs. Juanita, American University, Lewis University. ","Negatives; prints ","Negatives; prints","Adams, A., Alderman, S., George Mason University vs. University of North Carolina at Wilmington, St. Joseph's, University of Virginia, Virginia, Hampton, Southern Charleston, Coastal Carolina.","Prints; negatives","Negatives","Argunes, B., Halla, M., Devers, G.,Mobil Track Meet, Guthrue, D., Amina, Bernabean, S., Achion, J., Aden, I., Baumann, J., Morgan, A., Ogola, F., Cook, J. ","Prints; negatives","Jay, K., George Mason University vs. William and Mary, Virginia Commonwealth University, Old Dominion University, Kirk,T., Pearson, C. ","Prints; negatives","Willard, George Mason University vs. Maryland, St. Clara, Old Dominion University, Villanova, Washington State, Pennsylvania State University, Fresno State, East Carolina University, American University, University of North Carolina at Wilmington.","Prints; negatives","Targott, S., George Mason University vs. George Washington University, St. Mary, East Carolina University, American University.","Prints; negatives","Kingsley-Ibeh, J., Domokos, V., Kovacs, B., George Mason University vs. West Virginia, Virginia Commonwealth University, Maryland, American University, East Carolina University, and Alumni Game-98.","Prints; negatives ","Shea, S., Barlow, R., George Mason University vs. Virginia Tech, Coppin State, Virginia Military Institute.","Prints; negatives ","Two prints, one of a baseball game, the other of swans in a pond.","Football kiosk, Forensics Team trophies, student election candidates, 3-C Class, Ramadan, President's Roundtable, Pi Kappa Phi, Delta Sigma Pi, Student Senate, Student Leadership conference, Greek Sing, Free Tibet Display, English Language Institute, ROTC, Alpha Xi Delta, Chalk The Walk, Pi Kappa Sigma, Chi Omega, Zeta Tau Alpha, Theta Chi, Alpha Phi Karoke, GMU-TV, Kappa Alpha Rush Week, team building.","Color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library, sculpture, students on campus.","Contact sheets; color prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Pond and Patriot Center, Registrar's Office, Student Union Buildings, St. Robert Bellarmine Chapel, Robinson Hall, Thompson Hall,University Park Townhouses, Science and Tech I, Student Apartment Beating Incident, Call box, Aquatic Center, Krug Hall, Krasnow Institute, Finley Building, Fenwick Library.","Prints ","Prints","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","Contact sheet only; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4-5; Kerry L. Miller","Frame 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 35; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 11-17; Jay Caine","Frame 8; Jay Caine","Frames 35-36; Jay Caine","Frames 3; Jay Caine","Frames 32; Jay Caine","Frames 2; Jay Caine","Frames 7-10; Kerry L. Miller","Frames 12, 13; Kerry L. Miller","Frame 3-6; Kerry L. Miller","26-33; Kerry L. Miller","21-24; Kerry L. Miller","Frame 36; Jay Caine","Frame 7; Jay Caine","Frames 40-43; Jay Caine","Frames 12-14; Jay Caine","Frames 27,28,31; Jay Caine","Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frames 14-17; Kerry L. Miller","Frames 18-23; Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 24; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frame 39; Michele J. Rubenstein","Frames 12-14; Michele J. Rubenstein","Frames 13-16; Kerry L. Miller","Frames 7-9; Kerry L. Miller","Frames 19-40; Kerry L. Miller","Frames 32-35; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 18-32; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 20,21; Jay Caine; contact sheet only","Jay Caine; contact sheet only","Kerry L. Miller; contact sheet only","Keith Dorset","Frames 31-36; Kerry L. Miller","Frames 6-10; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44-1; Kerry L. Miller","Frames 37-40; Kerry L. Miller","Frames 19-23; Michele J. Rubenstein","Frames 24-32; Michele J. Rubenstein","Sally Thatcher","Includes images of Linda Graham, Jay Caine, Danny Lackey, and Chuck Kaufman. Photos by Michele J. Rubenstein .","Includes images of Chuck Kaufman, Ann Poe, Jay Caine, and Danny Lackey. Photos by Michele J. Rubenstein.","Kerry L. Miller","Frames 15,16; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 38-42; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 36,37; Kerry L. Miller","Frames 2-4; Kerry L. Miller","Frames 11,13; Kerry L. Miller","Frames 13,16,12; Jay Caine","Frames: 11,12,14,16,19; Jay Caine","Frames: 13,28; Jay Caine","Frame 21; Jay Caine","Frame 25; Jay Caine","Frames 21,23; Kerry L. Miller","Frames 13-17; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 32; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 22; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 6-10; Kerry L. Miller","Frames 2,3,37; Kerry L. Miller","Frames 11,16; Kerry L. Miller","Frames 38-1; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Michele J. Rubenstein","Frames 29,30; Michele J. Rubenstein","Frame 32; Michele J. Rubenstein","Michele J. Rubenstein","Frame 13; Michele J. Rubenstein","Frames 14,16,17; Michele J. Rubenstein","Frame 12; Michele J. Rubenstein","Michele J. Rubenstein","Jay Caine","Frame 8; Jay Caine","Michele J. Rubenstein","Jay Caine","Kerry L. Miller","Kerry L. Miller","Frames 4, 5, 9, 12, 17; Jay Caine","Frames 7-8, 10-11; Jay Caine","Frames 6, 13-16; Jay Caine","Frames 29-34; Jay Caine","Frames 18, 20-22; Jay Caine","Keith Dorset","Frames 19-23; Jay Caine","Frames 24-27;Jay Caine","Frames 28,29; Jay Caine","Frames 30-33; Jay Caine","Michele J. Rubenstein","Jay Caine","Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frame 5; Kerry L. Miller","Frames 3-9; Kerry L. Miller","Frames 13-15; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-17; Michele J. Rubenstein","Frames 44-5; Michele J. Rubenstein","Frames 42-44; Kerry L. Miller","Frames 37-41; Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frames 2; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 33-2; Keith Dorset","Frames 25-31; Keith Dorset","Frames 1-10; Michele J. Rubenstein","Frames 11-13; Michele J. Rubenstein","Frame 14; Michele J. Rubenstein","Frames 16,17; Michele J. Rubenstein","Frame 15; Michele J. Rubenstein","Frames 34,35; Kerry L. Miller","Frames 29-33; Kerry L. Miller","Jay Caine","Keith Dorset","Michele J. Rubenstein","Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 20-35; Kerry L. Miller","Keith Dorset \u0026 Michele J. Rubenstein","Frame 8; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 2-7; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Kerry L. Miller","Jim Ferrote","Frame 29; Jim Ferrote","Patricia Katson","Frames 17-34; Kerry L. Miller","Frames 3-6; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 13; Kerry L. Miller","Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 4-20; Kerry L. Miller","Frames 21-34A; Kerry L. Miller","Michele J. Rubenstein","Kerry L. Miller","Kerry L. Miller","Frame 9-13; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 17; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 14; Kerry L. Miller","Michele J. Rubenstein","Frames 2-8; Jay Caine","Frames 42-1; Jay Caine","Frame 34; Jay Caine","Frames 30-33; Jay Caine","Frame 1; Rod Burfield","Frames 14-16; Rod Burfield","Frames 18-29; Rod Burfield","Frames 14, 31; Rod Burfield","Frame 44; Rod Burfield","Kerry L. Miller","Kerry L. Miller","Frames 4-8; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 15, 17, 23; Kerry L. Miller","Frames 20, 16, 17; Kerry L. Miller","Frames 16, 22; Kerry L. Miller","Frame 19; Kerry L. Miller","Frame 22; Kerry L. Miller","Frames 11-14; Keith Dorset","Frame 20; Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Frames 32-34; No credit","Frames 39-40; Kerry L. Miller","Frame 41; Kerry L. Miller","Frame 38; Kerry L. Miller","Frames 35-27; Rod Burfield","Jorge Tejada","Jorge Tejada","Keith Dorset","Frames 18,19; Keith Dorset and J. Metza","Frames 29-38; Keith Dorset and J. Metza","Frames 26-29; Keith Dorset and J. Metza","Frame 20; Keith Dorset and J. Metza","Frames 22-28; Michele J. Rubenstein","Michele J. Rubenstein","Frame 37; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 18; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 19-21; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 27-40; Kerry L. Miller","Keith Dorset","Frames 34-44; Keith Dorset","Frame 33; Keith Dorset","Rod Burfield","Rod Burfield","Frames 20-39; Keith Dorset","Frames 39-37; Keith Dorset","Frames 40, 41; Keith Dorset","Frames 1, 43, 44; Keith Dorset","Pastor Kenneth Lee and Mrs. Curtis - Chairman of Virginia Committee for Victory over Communism. Photographs by Kerry L. Miller.","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 11-14; Keith Dorset","Frames 18-19; Keith Dorset","Keith Dorset","Frames 1, 3, 39, 43; Keith Dorset","Frames 39-5; Keith Dorset","Frames 4-15; Michele J. Rubenstein","Frames 14-20; Michele J. Rubenstein","Frames 0-3; Michele J. Rubenstein","Frames 37-35; Kerry L. Miller","Frames 27,28; Keith Dorset","Frames 38-42; Kerry L. Miller","Keith Dorset","Frames 35-38; Kerry L. Miller","Frames 23, 24; Kerry L. Miller","Frames 30-32; Kerry L. Miller","Frames 25-29; Kerry L. Miller","Frames 41, 42; Kerry L. Miller","Frames 39, 40; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 37,38; Keith Dorset","Keith Dorset","Frames 22-24; Keith Dorset","Frames 30-32; Keith Dorset","Frames 33-3; Keith Dorset","Frames 27-29; Keith Dorset","Frames 26-29; Keith Dorset","Frames 9-15; Kerry L. Miller","Frames 43-7; Kerry L. Miller","Frames 16-20; Kerry L. Miller","Frame 26; Kerry L. Miller","Frames 14, 15, 19; Kerry L. Miller","Frame 17; Kerry L. Miller","Frames 24-25; Kerry L. Miller","Frames 29-32; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 33-36; Kerry L. Miller","Frames 35-42; Keith Dorset; contact sheet only","Keith Dorset; contact sheet only","Frames 22; Keith Dorset; contact sheet only","Frames 37;Keith Dorset","Frame 36; Keith Dorset","Frames 35-44; Keith Dorset","Frames 2-10; Keith Dorset","Frame 33; Keith Dorset","Frame 21-24; Kerry L. Miller","Kerry L. Miller","Frames 2, 3; Kerry L. Miller","Frames 4-9; Kerry L. Miller","Frames 17-33; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 25-44,1,2; Keith Dorset","Frames 19-24; Keith Dorset","Frames 20-22; Keith Dorset","Betty Plummer","Frames 1-7; Betty Plummer","Frame 20A; Betty Plummer","Frame 37-3; Keith Dorset; contact sheet only","Frame 4; Keith Dorset; contact sheet only","Frames 11,12; Keith Dorset; contact sheet only","Frame: 9; Keith Dorset; contact sheet only","Frames 18-22; Mike Rumfelt; contact sheet only","Frames 24-29; Rod Burfield; contact sheet only","Frames 12-14; Kerry L. Miller; contact sheet only","Frames 20A-28; Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 9,10,33-36A; Kerry L. Miller","Frames 13-19; Kerry L. Miller","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frame 33; Keith Dorset","Frame 30; Keith Dorset","Frame 34; Keith Dorset","Keith Dorset","Keith Dorset","Michele J. Rubenstein","Frames 23-25; Keith Dorset","Frames 8-11; Keith Dorset","Frames 13-22; Keith Dorset","Betty Plummer","Kerry L. Miller","Betty Plummer","Frames 9-13; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 14-19; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Betty Plummer","Betty Plummer","Betty Plummer","Keith Dorset","Frames 26-27; Rod Burfield","Frames 28-29; Rod Burfield","Rod Burfield","Frames 16-20; Betty Plummer","Frame 12; Betty Plummer","Frame 10; Betty Plummer","Frame 14; Betty Plummer","Frame 21; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 34; Kerry L. Miller","Frame 28; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 21, 15; Keith Dorset","Frame 16; Keith Dorset","Frames 18, 20;ll Keith Dorset","Frame 22; Keith Dorset","Frames 23,24; Keith Dorset","Keith Dorset","Betty Plummer and Keith Dorset","Frames 18-24; Michele J. Rubenstein","Frames 10-18; Michele J. Rubenstein","Frames 7,8; Michele J. Rubenstein","Frames 9, 10; Michele J. Rubenstein","Frames 30-28; Michele J. Rubenstein","Frames 31-34; Michele J. Rubenstein","Frames 5-6; Michele J. Rubenstein","Frame 4; Michele J. Rubenstein","Frames 8-16; Kerry L. Miller","Frames 44, 1, 2; Kerry L. Miller","Frames 43-41; Kerry L. Miller","Frame 3-4; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9-10; Kerry L. Miller","Frame 7; Kerry L. Miller","Mac Thompson","Frames 8-11; Kerry L. Miller","Frames 25-36; Kerry L. Miller","Frames 23-24; Kerry L. Miller","Frames 30-33; Kerry L. Miller","Frame 37; Kerry L. Miller","Frames 39, 40, 44; Kerry L. Miller","Frames 2, 4, 8-10; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 5-7; Kerry L. Miller","Kerry L. Miller; Contact sheet only","Kerry L. Miller","Frames 2,3,5-7; Kerry L. Miller","Frame 4; Kerry L. Miller","Chuck Kauffman","Jay Caine","Michele J. Rubenstein","Michele J. Rubenstein","Keith Dorset","Frames 35-36; Keith Dorset","Frames 37-38; Keith Dorset","Frame 39; Keith Dorset","Frames 40-41; Keith Dorset","Frames 42-43; Keith Dorset","Frames 44,1,2; Keith Dorset","Frames 3-4; Keith Dorset","Frame 5; Keith Dorset","Frames 10-11; Keith Dorset","Frames 12-14; Keith Dorset","Frames 4, 25, 7,4, 20; Keith Dorset","Frames 17,18,19,21; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Frame 6; Keith Dorset","Frame 7; Keith Dorset","Frames 8-9; Keith Dorset","Keith Dorset","Frames 7-9; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 19; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frames 5-6; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 20, 21, 23; Keith Dorset","Fram 22; Keith Dorset","Keith Dorset","Michele J. Rubenstein","Michele J. Rubenstein","Michele J. Rubenstein","Frames 35-42; Keith Dorset","Frames 27-28; Keith Dorset","Frames 26-23; Keith Dorset","John Harchick; contact sheet only","Vince Ramik; contact sheet only","Steve Casimiro; contact sheet only","Steve Casimiro; contact sheet only","Vince Ramik; contact sheet only","Vince Ramik; contact sheet only","Frame 1-10; contact sheet only","contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller; contact sheet only","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Michele J. Rubenstein","Frames 9-12; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 2-3; Kerry L. Miller","Frames 44,1,5,8; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 32-38; Kerry L. Miller","Frames 32,36,37; Kerry L. Miller","Frames 33-37; Kerry L. Miller","Frames 34-43; Kerry L. Miller","Frames 39-43; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Bruce Meader","Frames 34-36; Keith Dorset","Frames 30-32; Keith Dorset","Frames 17,19,24; Keith Dorset","Jay Kutsko / R.S.; contact sheet only","Frames 22 and 26; Kerry L. Miller","Frames 1 and 25; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 28-29; Kerry L. Miller","Frames 36-39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 3; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Stefan Dobrowolski","Frames 33-34; Keith Dorset","Frames 24-31; Keith Dorset","Frame 34; Keith Dorset","Frames 35-43; Keith Dorset","Frame 40; Keith Dorset","Frames 45-46; Keith Dorset","Frame 44; Keith Dorset","Frames 35,36,38,39; Keith Dorset","Frame 41; Keith Dorset","Frames 37-39; Keith Dorset","Sam O'Neal","Frames 21-25; Kerry L. Miller","Fram 14; Kerry L. Miller","Frame 18; Kerry L. Miller","Kerry L. Miller","Frames 3-7; Kerry L. Miller","Keith Dorset","Frame 7; Keith Dorset","Keith Dorset","Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 16; Kerry L. Miller","Kerry L. Miller","Frame 16; Kerry L. Miller","Frames 1-7; Bruce Meader","Frames 8-11; Bruce Meader","Frames 29-34; Stefan Dobrowolski","Frames 38,25,40; Stefan Dobrowolski","Frames 36,37,39; Stefan Dobrowolski","Frames 44-41,1; Stefan Dobrowolski","Frames 5-20;Michele J. Rubenstein","Frames 27-31; Michele J. Rubenstein","Frames 26-30; Bruce Meader","Frames 21-25; Bruce Meader","Frames 35-39; Stefan Dobrowolski","Frames 40-43; Stefan Dobrowolski","Frames 44,1; Stefan Dobrowolski","Frames 2-5; Stefan Dobrowolski","Keith Dorset","Frame 31; Keith Dorset","Frames 33-38, 42; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40-41; Kerry L. Miller","Frame 44; Kerry L. Miller","Frames 1-4; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Frames 5-7; Stefan Dobrowolski","Kerry L. Miller","Frames 36-38; Kerry L. Miller","Frame 40; Kerry L. Miller","Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 41-43; Keith Dorset","Frames 8-11; Stefan Dobrowolski","Frames 31-32; Stefan Dobrowolski","Frames 36-42; Stefan Dobrowolski","Frame 6; Stefan Dobrowolski","Ann Poe","Frames 12-16; Ann Poe","Sam O'Neal","Frame 34; Sam O'Neal","Sam O'Neal","Frames 35-38; Sam O'Neal","Nickelson","Frames 24,11; Keith Dorset","Frames 19-16, 23,10; Keith Dorset","Frames 20-22; Keith Dorset","Frames 1-7, 44; Stefan Dobrowolski","Frames 16-18; Stefan Dobrowolski","Frames 8-12; Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Frame 1; Bruce Meader; contact sheet only","Frames 4-14; Bruce Meader; contact sheet only","Frames 2-3; Bruce Meader; contact sheet only","Frames 38-41; Kerry L. Miller","Frames 3-5; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 41-43; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 36; Kerry L. Miller","Frame 28; Kerry L. Miller","Sam O'Neal","Frames 30-32; Keith Dorset","Frame 21; Keith Dorset","Frames 18-18; Keith Dorset","Frame 33; Keith Dorset","Keith Dorset","Frames 42-44; Kerry L. Miller","Frames 1,2,5,6; Kerry L. Miller","Frames 12,15; Kerry L. Miller","Frames 13; Kerry L. Miller","Frames 29-27; Kerry L. Miller","Kerry L. Miller","Keith Dorset","Frame 35; Keith Dorset","Frame 38; Keith Dorset","Keith Dorset","Tom Philion","Frames 1-7; Stefan Dobrowolski","Frames 8-10; Stefan Dobrowolski","Frames 35-44; Stefan Dobrowolski","Frames 11-13; Stefan Dobrowolski","Tom Philion","Frames 1-3, 44-49; Tom Philion","Frames 5-8; Tom Philion","Keith Dorset","Keith Dorset","Keith Dorset","Frame 26; Keith Dorset","Frames 29-30; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Frames 16-19, 31; Kerry L. Miller","Frame 21; Kerry L. Miller","Frames 10-13; Kerry L. Miller","Frames 6-8; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frames 1-5, A2, A3; Kerry L. Miller","Frames 44,1,2; Kerry L. Miller","Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 2-8; Stefan Dobrowolski","Frames 1,2,44-40; Stefan Dobrowolski","Keith Dorset","Frames 26-28; Keith Dorset","Frames 26,27-29,43-44; Kerry L. Miller","Frames 35-38; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 41; Kerry L. Miller","Frames 21-23; Kerry L. Miller","Kerry L. Miller; contact sheet only","Frame 31; Kerry L. Miller; contact sheet only","Sam O'Neal and Stefan Dobrowolski","Frames 1-14, 41-44; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski; contact sheet only","Frame 20; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 22; Kerry L. Miller","Frame 23; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frame 29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 35-36; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 10; Kerry L. Miller","Frames 22-31; Sam O'Neal and Stefan Dobrowolski","Frames 14-20; Sam O'Neal and Stefan Dobrowolski","Frames 26-32; Keith Dorset","Frames 33-36; Keith Dorset","Keith Dorset","Keith Dorset","Frames 24-26; Keith Dorset","Frame 8; Keith Dorset","Keith Dorset","Frames 42-43; Keith Dorset","Frame 41; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 27; Kerry L. Miller","Sam O'Neal and Stefan Dobrowolski","Sam O'Neal and Stefan Dobrowolski","Kerry L. Miller","Frames 13-17; Kerry L. Miller","Kerry Dorset","Frame 14; Keith Dorset","Frame 14; Keith Dorset","Keith Dorset","Frames 16-17; Keith Dorset","Frames 16-17; Keith Dorset","Keith Dorset","Trisha Katson","Frames 7-9; Kerry L. Miller","Frames 27,26,6; Kerry L. Miller","Frames 34, 37, 40; Kerry L. Miller","Frames 38, 5, 24, 26; Kerry L. Miller","Frame 1; Kerry L. Miller","Frames 35, 6, 25, 26; Kerry L. Miller","Frames 42, 4; Kerry L. Miller","Frames 2, 44; Kerry L. Miller","Frames 33, 36; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 3, 43; Kerry L. Miller","Frames 28, 43, 3; Kerry L. Miller","Frames 29, 32, 33; Kerry L. Miller","Frames 30, 32, 37, 40; Kerry L. Miller","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 39; Kerry L. Miller","Kerry L. Miller","Frames 9-22; Stefan Dobrowolski","Frames 23-28; Stefan Dobrowolski","Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 35; Kerry L. Miller","Frames 23, 38; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 18, 34; Kerry L. Miller","Frames 19, 25; Kerry L. Miller","Frame 20; Kerry L. Miller","Frames 17, 33, 37; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 31, 27; Keith Dorset","Frame 30; Keith Dorset","Frames 24-26; Keith Dorset","Frames 35, 36; Keith Dorset","Frames 37, 38; Keith Dorset","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 37-39; Kerry L. Miller","Frame 6; Kerry L. Miller","Frames 3-4; Kerry L. Miller","Frame 33; Kerry L. Miller","Frame 16; Kerry L. Miller","Frame 9; Kerry L. Miller","Kerry L. Miller","Frames 27-29; Kerry L. Miller","Frame 30; Kerry L. Miller","Frames 17-22; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 25; Kerry L. Miller","Chuck Kaufman","Frames 28-30; Chuck Kaufman","Frame 27; Chuck Kaufman","Jay Kutsko","Stefan Dobrowolski","Frames 23-24; Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Stefan Dobrowolski","Frame 19; Stefan Dobrowolski","Kerry L. Miller","Kerry L. Miller","Frames 18, 17, 23; Kerry L. Miller","Frame 31; Kerry L. Miller","Frame 26; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 22; Keith Dorset","Frames 16-20; Keith Dorset","Frame 23; Keith Dorset","Keith Dorset","Jay Kutsko","Pete Lyon","Frames 4-7; Barbara Lambrone","Barbara Lambrone","Keith Dorset","Keith Dorset","Frames 41, 42, 1; Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 44; Kerry L. Miller","Sam O'Neal","Frames 5, 6; Kerry L. Miller","Frame 7; Kerry L. Miller","Frames 8, 9; Kerry L. Miller","Frames 28, 29; Pete Lyon","Frames 22, 23; Pete Lyon","Frames 26, 27; Pete Lyon","Frames 18, 19; Pete Lyon","Frames 20, 21; Pete Lyon","Frames 34-36; Stefan Dobrowolski","Frames 31-33; Stefan Dobrowolski","Keith Dorset","Frames 3-8; Pete Lyon","Frames 18-12; Pete Lyon","Pete Lyon","Patricia Katson","Frames 34-44; Barbara Lamborne","Frames 3-8; Barbara Lamborne","Frames 13-20; Kerry L. Miller","Frame 12; Kerry L. Miller","Kerry L. Miller","Frames 7-8; Kerry L. Miller","Kerry L. Miller","Frames 4-6; Kerry L. Miller","Frame 4; Kerry L. Miller","Frames 17, 18; Kerry L. Miller","Frames 6-7, Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 5-23; Pete Lyon","Frames 25-28; Pete Lyon","Sam O'Neal","Carol Kulenquski","Frames 10-13; Carol Kulenquski","Frame 15; Carol Kulenquski","Frame 14; Carol Kulenquski","Stefan Dobrowolski","Frames 34-40; Stefan Dobrowolski","Ann Poe","Frames 15-16; Kerry L. Miller","Frames 4-10; Kerry L. Miller","Frames 17, 18, 25; Kerry L. Miller","Keith Dorset","Keith Dorset","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 40-44; Stefan Dobrowolski","Frames 30-31; Stefan Dobrowolski","Pete Lyon","Pete Lyon","Kerry L. Miller","Frames 42-44, 1; Barbara Lambrone","Kerry L. Miller","Frame 35; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 3; Kerry L. Miller","Pete Lyon","Pete Lyon","Pete Lyon","Pete Lyon","Frame 31; Kerry L. Miller","Kerry L. Miller","Frames 32, 33; Kerry L. Miller","Frame 5; Pete Lyon","Frames 14-19; Pete Lyon","Pete Lyon","Pete Lyon","Frames 27-37; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 44, 8; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 5; Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 43, 9; Kerry L. Miller","Frames 28-32; Barbara Lamborne","2 contact sheets: Pete Lyon","Stefan Dobrowolski","Spitz","Frames 26, 18-22; Kerry L. Miller and Sam O'Neal","Kerry Frames 28, 29, 17, 33, 23-25; Kerry L. Miller and Sam O'Neal","Frames 34, 16; Kerry L. Miller and Sam O'Neal","Frames 8-9; Kerry L. Miller and Sam O'Neal","Frames 5,7; Kerry L. Miller and Sam O'Neal","Frames 14; Kerry L. Miller and Sam O'Neal","Frames 15; Kerry L. Miller and Sam O'Neal","Frames 30-32, 35-36; Kerry L. Miller and Sam O'Neal","Kerry L. Miller","Frames 33-37; Barbara Lambrone","Frames 29-31: Barbara Lambrone","Frames 1-2, 42-44; Barbara Lambrone","Pete Lyon","Pete Lyon","Pete Lyon","Frames 26-35; Patricia Katson","Frames 25,27,40; Patricia Katson","Frame 36; Patricia Katson","Frame 38; Patricia Katson","Pete Lyon","Frames 37-41; Pete Lyon","Stefan Dobrowolski","Frame 36; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Frames 25-28; Kerry L. Miller","Kerry L. Miller","Frames 17-19; Kerry L. Miller","Frames 15,20; Kerry L. Miller","Frame 5; Kerry L. Miller","Frames 26,27; Kerry L. Miller","Frame 21; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 23,24; Kerry L. Miller","Kerry L. Miller and Stefan Dobrowolski","Frame 17; Kerry L. Miller and Stefan Dobrowolski","Kerry L. Miller and Stefan Dobrowolski","Frames 41,42; C.K. (Carol Kulenquski?)","Frames 34,40; C.K. (Carol Kulenquski?)","Stefan Dobrowolski","Stefan Dobrowolski","Pete Lyon","Keith Dorset","Frames 20-22; Kerry L. Miller","Kerry L. Miller","Frame 33; Kerry L. Miller; contact sheet only","Stefan Dobrowolski","Frames 21-23; Barbara Lambrone","Sam O'Neal","Frames 3-6; Kerry L. Miller","Frames 21-25; Kerry L. Miller","Frames 31-33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 37; Kerry L. Miller","Sam O'Neal","Barbara Lambrone","Keith Dorset and Stefan Dobrowolski","Frames 15-18; Keith Dorset and Stefan Dobrowolski","Frames 13,14; Keith Dorset and Stefan Dobrowolski","Keith Dorset","Keith Dorset","Pete Lyon","Frames 11-17; Pete Lyon","Frames 17,18,37,38; Kerry L. Miller","Frames 20-23; Kerry L. Miller","Frame 36; Kerry L. Miller","Frames 34,35; Kerry L. Miller","Frame 27; Kerry L. Miller","Frame 28; Kerry L. Miller","Frames 32,33; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14,15; Kerry L. Miller","Frames 19-20; Kerry L. Miller","Frames 25-26; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 27-28; Kerry L. Miller","Frames 29-31; Kerry L. Miller","Frame 35; Kerry L. Miller","Frames 18-21; Kerry L. Miller","Frame 24; Kerry L. Miller","Frame 15; Kerry L. Miller","Frame 13; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Frames 11,12; Kerry L. Miller","Sam O'Neal","Frames 12-14; Sam O'Neal","(there are a lot of negatives missing from this page) Frames 22-26; Keith Dorset","Frames 27,28; Keith Dorset","Frames 32-36; Keith Dorset","Frames 11-20; Pete Lyon; contact sheet only","Frames 4,5; Pete Lyon; contact sheet only","Frames 7-9; Pete Lyon; contact sheet only","Frames 13-16; Keith Dorset","Frame 8; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11,12; Kerry L. Miller","Frame 3; Kerry L. Miller","Frame 4; Kerry L. Miller","Frame 7; Kerry L. Miller","Frame 42; Kerry L. Miller","Frame 43; Kerry L. Miller","Frame 44; Kerry L. Miller","Frame 1; Kerry L. Miller","Frame 2; Kerry L. Miller","Frame 41; Kerry L. Miller","Kerry L. Miller","Frame 39; Kerry L. Miller","Frames 40,41; Kerry L. Miller","Frames 42,43; Kerry L. Miller","Frames 44,1; Kerry L. Miller","Frames 2,3; Kerry L. Miller","Frames 4,5; Kerry L. Miller","Frames 6,7; Kerry L. Miller","Frames 8,9; Kerry L. Miller","Frames 10,11; Kerry L. Miller","Frame 12; Kerry L. Miller","Frames 40-42; Karl Bowden","Frames 4,5; Karl Bowden","Kerry L. Miller; contact sheet only","Frames 30,37; Jeff Lunn; contact sheet only","28,38,39; Jeff Lunn; contact sheet only","Frame 33; Jeff Lunn; contact sheet only","Frames 26,27; Jeff Lunn; contact sheet only","Frames 30,41; Jeff Lunn; contact sheet only","Frames 23,31; Jeff Lunn; contact sheet only","Frame 25; Jeff Lunn; contact sheet only","Frame 22; Jeff Lunn; contact sheet only","Frame 24; Jeff Lunn; contact sheet only","Frame 35; Jeff Lunn; contact sheet only","Frame 36; Jeff Lunn; contact sheet only","Frame 40; Jeff Lunn; contact sheet only","Jan Peeples","Kerry L. Miller","Frames 28-32; Kerry L. Miller","Frames 25-27; Kerry L. Miller","Pete Lyon","Pete Lyon","Frames 31-34; Pete Lyon","Myrna Garza","Myrna Garza","Trisha Katson","Frames 38-41; Pete Lyon","Frames 44-42; Pete Lyon","Frame 8; Pete Lyon","Myrna Garza","Frames 10,11; Keith Dorset","Keith Dorset","Frame 23; Jeff Lunn","Jeff Lunn","Jeff Lunn","Frames 20-23; Karl Bowden","Karl Bowden","Frames 16-19; Karl Bowden","Karl Bowden","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Frame 43; Keith Dorset","Keith Dorset","Kerry L. Miller","Frames 32-33; Kerry L. Miller","Frames 12-13; Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frame 31; Kerry L. Miller","Vince Campanella","Vince Campanella","Keith Dorset","Frame 5; Keith Dorset","Karl Bowden","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Frame 25; Kerry L. Miller","Frame 29; Kerry L. Miller","Frames 7-11; Kerry L. Miller","Frames 6-9; Kerry L. Miller","Kerry L. Miller","Frames 11-13; Kerry L. Miller","Jeff Lunn","Jeff Lunn","Frame 5; Myrna Garza","Frames 11-13; Myrna Garza","Frames 20-27; Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 21-27; Karl Bowden","Frames 1-7; Karl Bowden","Frame 16; Karl Bowden","Keith Dorset","Jeff Lunn","Frames 12, 14; Jeff Lunn","Frames 13,15,16; Jeff Lunn","Frame 17; Jeff Lunn","Pete Lyon","Frames 23-28; Myrna Garza","Frames 33-36; Myrna Garza","Frame 4; Myrna Garza","Frame 42; Keith Dorset","Frames 3-5; Keith Dorset","Frames 21-29; Karl Bowden","Frames 39-44; Karl Bowden","Frames 5-10; Karl Bowden","Frames 3-4; Karl Bowden","Myrna Garza","Frames 7-10; Myrna Garza","Frames 11-14; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 27-34; Karl Bowden","Frames 19-26; Karl Bowden","Frames 15-18; Jeff Lunn","Frames 19-24; Jeff Lunn","Frame 21; Jeff Lunn","Frames 10-75; Pete Lyon","Frames 30-36; Pete Lyon","Frames 13-17; Pete Lyon","Frames 2-44; Myrna Garza","Frame 4; Myrna Garza","Frames 7-9; Myrna Garza","Frame 43; Myrna Garza","Jeff Lunn","Frame 29; Jeff Lunn","Jeff Lunn","Frames 9-11; Kerry L. Miller","Frames 12-14; Kerry L. Miller","Frames 33-37; Pete Lyon","Frames 17-21; Pete Lyon","Frames 25-30; Pete Lyon","Frame 4; Pete Lyon","Frame 2; Pete Lyon","Keith Dorset","Keith Dorset","Karl Bowden","Keith Dorset","Frame 44; Keith Dorset","Keith Dorset","Frames 12-21; Karl Bowden","Frames 22-26; Karl Bowden","Kerry L. Miller","Myrna Garza","Frame 44; Myrna Garza","Frames 3,6,7; Myrna Garza","Frame 8; Myrna Garza","Myrna Garza","Frames 13-14; Myrna Garza","Frames 15-17; Myrna Garza","Frame 18; Myrna Garza","Frame 39; Myrna Garza","Frames 24-29; Myrna Garza","Frames 34-39; Pete Lyon","Frames 22-27; Pete Lyon","Pete Lyon","Frames 29-32; Kerry L. Miller","Frames 33; Kerry L. Miller","Frames 34-36; Kerry L. Miller","Frame 36A; Kerry L. Miller","Frames 27-28; Kerry L. Miller","Frames 1-5; Kerry L. Miller","Frames 6-7; Kerry L. Miller","Frames 19-20A; Kerry L. Miller","Frame 25; Kerry L. Miller","Frames 22-24; Kerry L. Miller","Frames 17-18; Kerry L. Miller","Frame 15; Kerry L. Miller","Frames 11-13; Kerry L. Miller","Frames 9-10; Kerry L. Miller","Frame 8; Kerry L. Miller","Frames 9,10,16; Kerry L. Miller","Frame 12; Kerry L. Miller","Frame 13; Kerry L. Miller","Frame 14; Kerry L. Miller","Frames 17-23; Kerry L. Miller","Frames 27-30; Kerry L. Miller","Frames 24-26; Kerry L. Miller","Vince Campenella","Karl Bowden","Karl Bowden","Frames 39-40; Myrna Garza","Frame 29; Myrna Garza","Frames 17,1-4; Myrna Garza","Frames 30-38; Myrna Garza","Frames 18-28; Myrna Garza","Frame 16; Myrna Garza","Myrna Garza","Frames 13-15; Kerry L. Miller","Frames 1-9; Kerry L. Miller","Frames 4-5; Kerry L. Miller","Frames 23-26; Kerry L. Miller","Frame 31; Kerry L. Miller","Frames 32-34; Kerry L. Miller","Frames 11,12,35; Kerry L. Miller","Frames 11-12; Kerry L. Miller","Frames 6-10; P.L.","Frames 31-32; Kerry L. Miller","Frames 30,29,42-44; Kerry L. Miller","Frames 34-36; P.L.","Frames 22-25; P.L.","Myrna Garza","Keith Dorset","Keith Dorset","Frames 1-10; Myrna Garza","Frames 11-14; Myrna Garza","Frames 16-20; Myrna Garza","Frame 39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-13; Myrna Garza","Keith Dorset","Frames 3-12; Kerry L. Miller","Dam Buchalao","Frames 15-20; Myrna Garza","Frames 21-27; Myrna Garza","Frame 28; Myrna Garza","Keith Dorset","Keith Dorset","Frames 34,4; Keith Dorset","Keith Dorset","Keith Dorset","Keith Dorset","Frames 11-17; Pete Lyon","Frames 18-21; Pete Lyon","Kerry L. Miller","Frames 1-27; Karl Bowden","Frames 28-36; Karl Bowden","Frames 44-5; Myrna Garza","Frames 22-28; Myrna Garza","Frames 19-21; Myrna Garza","Frames 29-35; Myrna Garza","Frames 36-38; Myrna Garza","Pete Lyon","Keith Dorset","Myrna Garza","Myrna Garza","Frames 23-31; Myrna Garza","Frames 6-9; Myrna Garza","Frames 37-41; Myrna Garza","Frames 35-36; Myrna Garza","Frames 7-12; Myrna Garza","Keith Dorset","Frames 30, 31-38; M.W.","Frames 39-40; M.W.","Frame 41; M.W.","Myrna Garza","Frames 8-10, 11-13; Kerry L. Miller","Karl Bowden","Frames 29-39; Myrna Garza","Frames 40-1; Myrna Garza","Frames 2-10; Myrna Garza","Frames 12-15; Myrna Garza","Keith Dorset","Frames 24-28; Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Keith Dorset","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Frames 22-28; Myrna Garza","Frames 30-33; Myrna Garza","Frames 34-45; Myrna Garza","Frames 34-35; Myrna Garza","Frames 34-35; Myrna Garza","Frame 39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 44-4;Myrna Garza","Myrna Garza","Pete Lyon","Frames 43-76; Pete Lyon","Pete Lyon","Keith Dorset","Frame 12","Frames 17-20","Frames 22-23","Frames 25-26","Frame 24","Frames 1-3","Contact sheet only","Eric Leeper","Frames 6-16; Eric Leeper","Frames 33-24; Eric Leeper","Frames 7A; Keith Dorset","Frames 13 - 17; Ray Cardinale","Frames 18-25; Ray Cardinale","Frames 32; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 23-24; Myrna Garza","Frame 30; Myrna Garza","Frames 34-1; Ray Cardinale","Myrna Garza","Frames 6-8; Eric Leeper","Eric Leeper","Frame 36","Frame 37","Frames 11-10; Myrna Garza","Frames 2-5; Myrna Garza","Ray Cardinale","Myrna Garza","Myrna Garza","Frames 37-39; Myrna Garza","Frames 36-29; Myrna Garza","Frames 23-25; Myrna Garza","Frame 18; Kerry L. Miller","Frame 19-21; Kerry L. Miller","Kerry L. Miller","Frames 22-23; Kerry L. Miller","Frame 32; Kerry L. Miller","Frame 43; Kerry L. Miller","Frames 29-30; Kerry L. Miller","Keith Dorset","Frames 36-2; Ray Cardinale","Frames 26-30; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale; contact sheet stuck to contact sheet 34","Ray Cardinale; contact sheet stuck to contact sheet 33","Frames 33-39; Kerry L. Miller","Frame 9; Kerry L. Miller","Frame 10; Kerry L. Miller","Frame 11; Kerry L. Miller","Frames 12; Kerry L. Miller","Frames 14-15; Kerry L. Miller","Frame 16; Kerry L. Miller","Ray Cardinale","Ray Cardinale","Frame 33","Frame 33","Frames 35, 36, 39-Z","Frames 24-28; Myrna Garza","Frames 29-33; Myrna Garza","Frames 19-21; Myrna Garza","Frames 14-17; Myrna Garza","Carl Shapiro","Ray Cardinale","Ray Cardinale","Kerry L. Miller","Keith Dorset","Frames 37-41; Keith Dorset","Keith Dorset","Keith Dorset","Ray Cardinale","Myrna Garza","Frames 3-44; Ray Cardinale","Ray Cardinale","Frames 17-76; Ray Cardinale","Frames 12-76; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 8-9; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 16-18; Ray Cardinale","Ray Cardinale","Ray Cardinale","Frames 10-19; Ray Cardinale","Ray Cardinale","Ray Cardinale","Ray Cardinale","Eric Leeper","Ray Cardinale","Frames 1-77; Eric Leeper","Myrna Garza","Myrna Garza","Myrna Garza","Frame 56; Donna Gobie","Frames 6-11; Donna Gobie","Ray Cardinale","Dan Crawford","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kerry L. Miller","Kim Fretz","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Donna Gobie","Ray Cardinale","Ray Cardinale","Dan Crawford","Ray Cardinale","Ray Cardinale","Kim Fretz","Kerry L. Miller","Kerry L. Miller","Myrna Garza","Myrna Garza","Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Frame 40; Myrna Garza","Myrna Garza","Frames 23-29","Frames 31","Frames 32","Ray Cardinale","Frames 0-7; Dan Crawford","Frame 1; Dan Crawford","Frames 5-7; Dan Crawford","Frames 8-21; Dan Crawford","David Pazstor","Myrna Garza","Dan Crawford","Ray Cardinale","Dan Crawford","Frames 35-41; Dan Crawford","Frames 19-33; Dan Crawford","Frames 30, 31; Kerry L. Miller","Kerry L. Miller","Myrna Garza","Kerry L. Miller","Frames 28, 29; Kerry L. Miller","Kerry L. Miller","Eric Leeper","Ray Cardinale","Ray Cardinale","Donna Gobie","Frames 7-19; Donna Gobie","Frames 20-22; Donna Gobie","Myrna Garza","Myrna Garza","Myrna Garza","Frames 3-10; Myrna Garza","Frame 10; Myrna Garza","Ray Cardinale","Ray Cardinale","Frames 19-23, 31-32; Myrna Garza","Frames 24-31; Myrna Garza","Frames 30-37; Myrna Garza","Myrna Garza","Buzz McClain","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Eric Leeper","Frames 31-33; Myrna Garza","Frames 19-30; Myrna Garza","Frames 17-19; Kerry L. Miller","B.S.B.?","Kerry L. Miller","Frames 2-19; Kerry L. Miller","Frames 20-31; Kerry L. Miller","Frames 1-6; Myrna Garza","Frames 7-8; Myrna Garza","Frames 9-10; Myrna Garza","Frames 21-25; Myrna Garza","Frames 11-16; Myrna Garza","Frames 17-20; Myrna Garza","Frames 26-30; Myrna Garza","Frames 31-32; Myrna Garza","Eric Leeper","Eric Leeper","Eric Leeper","Frames 17-19; Myrna Garza","Frames 11-14; Myrna Garza","Frames 13-23; Myrna Garza","Frames 24-27;Myrna Garza","Frames 31-34;Myrna Garza","Frames 6-8 + 36; Myrna Garza","Frames 9-14; Myrna Garza","Frames 15-17; Myrna Garza","Frames 18-22; Myrna Garza","Frames 23-26; Myrna Garza","Frames 27-30; Myrna Garza","Frames 39-40; Myrna Garza","Myrna Garza","Frames 36-38; Myrna Garza","Myrna Garza","Frames 22-24; Myrna Garza","Frames 25-31; Myrna Garza","Frames 16-21; Myrna Garza","Frames 8-11; Myrna Garza","Frames 2-7; Myrna Garza","Frames 4 and 7; Myrna Garza","Frame 5; Myrna Garza","Frames 12-15; Myrna Garza","Frames 30-32; Dan Crawford and Ray Huber","Frames 33-35; Dan Crawford and Ray Huber","Frames 36-38; Dan Crawford and Ray Huber","Frames 4-7; Dan Crawford and Ray Huber","Dan Crawford and Ray Huber","Frames 8-9; Dan Crawford and Ray Huber","Frame 3; Ray Huber","Frames 20-24; Ray Huber","Frames 39-1; Ray Huber","Frames 3-5; Ray Huber","Frames 0-5; David Paztor","Frames 6-28; Larry Boltz","Frames 33-37; Kim Fretz","Frames 38-39; Kim Fretz","Frames 40-1; Kim Fretz","Frames 27-31; Myrna Garza","Frames 16-20; Myrna Garza","Frames 21-26; Myrna Garza","Dan Crawford","Frame 15; Dan Crawford and Ray Huber","Frame 16; Dan Crawford and Ray Huber","Frames 9-13;Dan Crawford and Ray Huber","Frames 17-20; Dan Crawford and Ray Huber","Frames 20-30; Myrna Garza","Frames 31-42; Myrna Garza","Frames 43-5; Myrna Garza","Larry Boltz","Frames 34-43; Patty Sarsfield","Frames 29-33; Larry Boltz","Frames 8-12; Myrna Garza","Frames 12-18; Myrna Garza","Frames 38-44; Gretchen Brandenberg","Frames 1-3; Gretchen Brandenberg","Frame 3; Gretchen Brandenberg","Frames 4-14; Gretchen Brandenberg","Frames 20-24; Dan Crawford","Frames 25-30; Dan Crawford","Frames 31-36; Dan Crawford","Dan Crawford and Myrna Garza","Frames 35-31; Myrna Garza","Frames 43-7; Myrna Garza","Dan Crawford","Frames 31-37; Myrna Garza","Frames 38-6; Myrna Garza","Frames 8-9; Myrna Garza","Frames 37-42; Gretchen Brandenberg","Frames 43-2; Gretchen Brandenberg","Frames 1-4; Ray Huber","Frames 5-6; Ray Huber","Frames 6-10; Ray Huber","Frames 12-14; Ray Huber","Frame 15; Ray Huber","Frame 16; Ray Huber","Frame 19; Ray Huber","Frame 20; Ray Huber","Frames 21-22; Ray Huber","Frames 32-34, 38, 39; Myrna Garza","Frames 13-19; Myrna Garza","Frames 40-43, 35; Myrna Garza","Frame 37; Myrna Garza","Frames 25-32; Barbara Kyte","Frames 17-24; Barbara Kyte","Frames 26-28; Gretchen Brandenberg","Frames 32-37; David Pazstor","Frame 25; Dan Crawford","Frame 26; Dan Crawford","Frame 29; Dan Crawford","Frames 1-14; Dan Crawford","Frames 15-22; Dan Crawford","Frame 23; Dan Crawford","Frames 30-36; Dan Crawford","Frames 2-7; Myrna Garza","Frames 14-18; Myrna Garza","Frames 19-25; Myrna Garza","Frame 26; Myrna Garza","Frames 27-24; Myrna Garza","Gretchen Brandenberg","Frames 41, 43, 44, 7, 8; Gretchen Brandenberg","Frame 6; Gretchen Brandenberg","Frames 11-14; David Pasztor","Frames 12-15; Myrna Garza","Frames 16-19; Myrna Garza","Frames 21-24; Myrna Garza","Frames 25-34; Myrna Garza","Frames 35-39; Myrna Garza","Frames 40-43; Myrna Garza","Dan Crawford","Myrna Garza","Frames 28-41; Barbara Kyte","Frames 42-8; Barbara Kyte","Eric Leeper","Eric Leeper","Eric Leeper","Frames 1-5; Barbara Kyte","Frames 15-20; Barbara Kyte","Ray Huber","Frames 10-19; Barbara Kyte","Myrna Garza","Myrna Garza","David Pasztor","Frame 26; David Pasztor","Eric Leeper","Myrna Garza","Kerry L. Miller","Kerry L. Miller","Eric Leeper and David Pasztor","Eric Leeper","Myrna Garza","Eric Leeper","Eric Leeper","Dan Crawford","Eric Leeper and Kerry L. Miller","Kerry L. Miller","Frames 2-5; Kerry L. Miller","Kerry L. Miller","Frames 10-17; Dan Crawford and Myrna Garza","Frames 18-21; Dan Crawford and Myrna Garza","Frames 32-37; Dan Crawford and Myrna Garza","Dan Crawford","Frames 10-11; Eric Leeper","Frame 12; Eric Leeper","Frame 13; Eric Leeper","Frame 14; Eric Leeper","Frames 35-36; Eric Leeper","Frame 37; Eric Leeper","Frames 38-41; Eric Leeper","Frame 20; Eric Leeper","Frames 21-22; Eric Leeper","Frames 23-26; Eric Leeper","Frames 33-35; Kassie Corey and Gretchen Brandenberg","Frames 36-44; Kassie Corey and Gretchen Brandenberg","Frames 2-4; Kassie Corey and Gretchen Brandenberg","Frames 6-14; Kassie Corey and Gretchen Brandenberg","Frames 15-18; Eric Leeper","Frames 19-21; Eric Leeper","Frames 22-23; Eric Leeper","Frame 26; Eric Leeper","Frame 27; Eric Leeper","Frame 30; Eric Leeper","Frame 32; Eric Leeper","Frames 34-36: Eric Leeper","Frame 37; Eric Leeper","Frame 38; Eric Leeper","Frame 39; Eric Leeper","Frames 10-11; Eric Leeper","Frames 12-14; Eric Leeper","Frame 18; Eric Leeper","Frames 18-24; Eric Leeper","Frames 25-26; Eric Leeper","Frames 27-28; Eric Leeper","Frames 31-33; Eric Leeper","Frame 35; Eric Leeper","Frames 36-39; Eric Leeper","Frames 40-41; Eric Leeper","Frames 31-39; Myrna Garza","Frames 40-43; Myrna Garza","Frames 13-17; Myrna Garza","Frames 18-24; Myrna Garza","Frames 5-13; Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Barbara Kyte and Myrna Garza","Frames 44-10; David Pasztor and Dan Crawford","Frame 44; David Pasztor and Dan Crawford","Frame 2; David Pasztor and Dan Crawford","Frame 25-31; David Pasztor and Dan Crawford","Frames 38-42; David Pasztor and Dan Crawford","Frames 43-1; David Pasztor and Dan Crawford","Frames 42-7; Barbara Kyte","Frames 30-40; Barbara Kyte","Eric Leeper","Frames 33-35; Myrna Garza","Frames 37-38; Myrna Garza","Frames 39-40; Myrna Garza","Frames 41-2: Myrna Garza","Frame 3; Myrna Garza","Dan Crawford","Dan Crawford","Myrna Garza","Myrna Garza","Dan Crawford","Frames 16-19; David Pasztor","Frames 21-28; Eric Leeper","Barbara Kyte","Barbara Kyte","Barbara Kyte","Eric Leeper","Frames 10-13, Eric Leeper","Frames 7-9; 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Barry Boyd","Frames 14-16; Tuan Tran","Frames 17-21; Andrew Cseplo","Diane Strauss","Frames 20-26; Andrew Cseplo","Frames 27-31; Myrna Garza","Frames 32-39; Libby Tart","Diane Strauss","Frames 27-36; Myrna Garza","Frames 38-40; Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Myrna Garza","Frames 43-4; Libby Tart","Frames 5-10; Libby Tart","Paul Watters","Paul Watters","Paul Watters","Paul Watters","Tuan Tran","Andrew Cseplo","Myrna Garza","unknown photographer, LB","unknown photographer, LB","Jim Ognibene; contact sheet only","Myrna Garza","Libby Tart","Frames 7-18; Paul Watters","Frames 3-6; Paul Watters","Frames 33-40; Paul Watters","Frames 4-41; Paul Watters","Frames 29-32; Paul Watters","Frames 21-25; Paul Watters","Frames 12-22; Paul Watters","Contact sheet only","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Clyde Peterson","Barry Boyd","Clyde Peterson","Lee Strang","Audrey H","Barry Boyd","Barry Boyd","Libby Tart","Steve Casimiro","Jorge Ochoa","Jennifer Stone","Barry Boyd","Barry Boyd","Jorge Ochoa","Andrew Cseplo","Libby Tart","Barry Boyd","John Terry; contact sheet only","Lee Strang","Steve Casimiro","Jennifer Stone","Barry Boyd","Barry Boyd","Barry Boyd","Barry Boyd","Andrew Cseplo","Jorge Ochoa","Jorge Ochoa","Jorge Ochoa","Jennifer Stone","Steve Casimiro; contact sheet only","Steve Casimiro","Steve Casimiro","Jorge Ochoa","Lee Strang","Lee Strang","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Steve Casimiro","Contact sheet only","Jennifer Stone","Lee Strang","Steve Casimiro; contact sheet only","Jennifer Stone","Lee Strang","Tuan Tran","Tuan Tran","Jorge Ochoa","Jorge Ochoa","Tuan Tran","Steve Casimiro; contact sheet only","Lee Strang","Tuan Tran","Tuan Tran","Tuan Tran","Alex C. Loyd","Rasmus Nelson","Rasmus Nielson","John Buttner","Steve Casimiro","Steve Casimiro","Rasmus Nielson","Steve Casimiro","John Buttner","Curt Stevens","John Buttner","Tom Horan","Tim Z (Harrison?)","Paul Torpey","Gordon","Paul Torpey","Gordon","Tim Harrison","Adrienne Thies","Caesar Vallejos","Tim Harrison","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey; negatives only","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey","Charles Harvey","Tom Horan","Paul Torpey; contact sheet only; 2 contact sheets","Charles Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Adrienne Thies; 2 contact sheets","Adrienne Thies","Adrienne Thies","Caesar Vallejos","Tim Harrison","Tim Harrison","Paul Torpey","Paul Torpey; 2 contact sheets","Charlie Harvey","Adrienne Thies","Steve Elfers; Tom Horan","Charlie Harvey","Paul Torpey","Paul Torpey","Paul Torpey","Caesar Vallejos","Paul Torpey","Caesar Vallejos","Caesar Vallejos","Brent Ebel","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Paul Torpey","Charles Harvey; Paul Torpey","Paul Torpey","Tim Harrison","Paul Torpey","Charles Harvey","Charles Harvey \u0026 Paul Torpey","Dave Motes","Charles Harvey","Tim Harrison","Contact sheet only","Negatives only","Contact sheet only","Two contact sheets; two negatives","Contact sheet only","Negatives only","Contact sheet only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Negatives only","Tom Horan","O'Dell","Mousa; color negatives","Mousa; color negatives","Dave Motes; color negatives","Dave Motes; color negatives","Color negatives","Corrine; color negatives","Corrine; color negatives","John V; color negatives","John V; color negatives","GiGi Kruse","Corrine S.","Jen Sears","Tom LeGro","Michael Tolosa","Matt Rourke","Tom LeGro","Tom LeGro","Abdallah Omeish; Matt Rourke","Tim Ngo","Tom LeGro","Abdallah Omeish","Abdallah Omeish; Matt Rourke","Stacey Levine","Tom LeGro","Gerardo Reira-Vega and Matt Rourke","Gerardo Reira-Vega and Matt Rourke","Matt Rourke; Tom LeGro","Matt Rourke","Color negatives","Color negatives","Sarah","K.R.","K.R.","Carol M. and James H.","L.T.","L.T.","L.T.","L.T.","Matt","Jimmie Foster","Carol","Carol","Marion Clarke","Marion Clarke","Michael Tolosa","Michael Tolosa","Michael Tolosa","Mike Murray","Mike Murray","Matt Lee","Amy Hatchinson","Michael Tolosa","Michael Tolosa","Rahonl","Denis M.","Denis M.","Denis M.","J. Nagtus","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","No credit","No credit","Tom LeGro","No credit","Sharon Teeler","Tom LeGro","Tom LeGro","Matt Lee","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","T. Wesley","T. Wesley","Gail C.","Michael Tolosa","Tom LeGro","Tom LeGro","Michael Tolosa","Magali","James Nosius","Magali","No credit","No credit","No credit","No credit","Matt Lee","Tom LeGro","No credit","No credit","Elizabeth Gastman","Michael Tolosa","No credit","Tom LeGro","Mike Murray","Jason","Tom LeGro","Tom LeGro","Tom LeGro","Morian","Morian","Tom LeGro","Tom LeGro","Michael Tolosa","Michael Tolosa","No credit","No credit","Dave Holka","Michael Tolosa","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Michael Tolosa","Michael Tolosa","Michael Tolosa","Michael Tolosa","Michael Tolosa","No credit","Tom LeGro","No credit","Michael Tolosa","Michael Tolosa","Michael Tolosa","No credit","No credit","No credit","No credit","Michael Tolosa","No credit","Michael Tolosa","No credit","No credit","No credit","No credit","No credit","No credit","Michael Tolosa","Michael Tolosa","No credit","No credit","Tom LeGro","Michael Tolosa","Nate Bowles","Michael Tolosa","Tyler Hacers","Michael Tolosa","Chelsie Losan","No credit; color negatives","Tom LeGro","No credit","Michael Tolosa","Tom LeGro","Tom LeGro","Michael Tolosa","Tom LeGro","Tom LeGro","Alexis Scalice","Michael Tolosa","Tom LeGro","Matt Rourke","Tom LeGro","Audrey Markowitz","No credit","No credit","No credit","Tom LeGro","Tom LeGro","Michael Tolosa","Nate Bowles","Tom LeGro","Tom LeGro","Nate Bowles","Audrey Markowitz","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Nate Bowles","Tom LeGro","M. Idosa","Tom LeGro","Tom LeGro","Nathan Bowles","Michael Tolosa","No credit","No credit","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","Jen Sears","Matt Rourke","Matt Rourke","Jen Sears","Yumin Chung","Nathan Bowles","Matt Rourke","Yumin Chung","Tom LeGro","Matt Rourke","Matt Lee; Amy Hatchinson","Matt Rourke","GiGi Kruse","Yumin Chung","Jen Sears","Tom LeGro","Matt Rourke","Tom LeGro","Yumin Chung","Tom LeGro","Jen Sears","Tom LeGro","Matt Rourke","GiGi Kruse","Mat Rourke","Matt Rourke","Tom LeGro","Tom LeGro","Matt Rourke","GiGi Kruse","Tom LeGro","Matt Rourke","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Matt Lee","Matt Rourke","Michael Tolosa","Tom LeGro","Tom LeGro","Matt Rourke","Matt Rourke","Matt Rourke","Tom LeGro","Matt Lee","Jen Sears","Michael Tolosa","Michael Tolosa","Michael Tolosa","Tom LeGro","No credit","Matt Lee","Tom Legro","Stacey Levine","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Stacey Levine","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","GiGi Kruse","Tom LeGro","Tom LeGro","Matt Rourke","Stacey Levine","Tom LeGro","Stacey Levine","Stacey Levine","Matthew Rourke","Tom LeGro","GiGi Kruse","Abdallah Omeish","Matt Rourke","Timothy NGO","Tom LeGro","Aaron Gilletes","Tom LeGro","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Marian","GiGi Kruse","Tom LeGro","Stacey Levine","GiGi Kruse","GiGi Kruse","GiGi Kruse","Matt Rourke","Matt Rourke","Matt Rourke","Stacey Levine","Matt Rourke","Tom LeGro","Abdallah Omeish","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Tom LeGro","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","Abdallah Omeish","Tom LeGro","Gerardo Reira-Vega","GiGi Kruse","GiGi Kruse","No credit","GiGi Kruse","Matt Rourke","No credit","Matt Rourke","Matt Rourke","GiGi Kruse","Matt Rourke","Tom LeGro","Stacey Levine","Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Matt Rourke","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Tom LeGro; Matt Rourke","Matt Rourke","Abdallah Omeish","GiGi Kruse","Tom LeGro","Tom LeGro","GiGi Kruse","Matt Rourke","Katie Koestner","GiGi Kruse","No credit","Tom LeGro","Matt Rourke","Matt Rourke","Alex A. Rushton","Alex A. Rushton","Alex A. 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color negatives","Abdallah Omeish","Abdallah Omeish","Chris Quay","Chris Quay","Chris Quay","Abdallah Omeish","Abdallah Omeish","Chris Quay","GiGi Kruse","GiGi Kruse","Alex Rushton","Chris Quay","GiGi Kruse","GiGi Kruse","Andy Woodall","Brendan McEvoy","No credit","GiGi Kruse","GiGi Kruse","Brenden McEvoy","Brenden McEvoy","Andy Woodall","Chris Quay","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","Abdallah Omeish","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Abdallah Omeish","Andy Woodall","GiGi Kruse","Andy Woodall","Skylar and Wes Royer","Andy Woodall","Andy Woodall; Chris Clay","GiGi Kruse; Shin YU","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Shin Yu","Shin Yu","George Dimintron","No credit","GiGi Kruse","GiGi Kruse","Christina Ghergu","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","George Dimintron","Andy Woodall","Karla Rosales","GiGi Kruse","Abdallah Omeish","Woody Roberts","GiGi Kruse","Rhea Calpeno","GiGi Kruse","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Abdallah Omeish","Andy Woodall","GiGi Kruse","No credit","GiGi Kruse","George Dimintron","Abdallah Omeish","GiGi Kruse, Andy Woodall, Abdullah Omeish","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse; Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Mango Vanderburg","Prissy Gonzalez","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Sean Alderman","Andy Woodall","GiGi Kruse","GiGi Kruse","George Dimintron","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Cristina Ghergu","GiGi Kruse","GiGi Kruse","Chris Quay","Shin Yu","Shin Yu","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","GiGi Kruse","Shin Yu","Shin Yu","Sean Alderman","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","Mourgo and Prissy","GiGi Kruse","Andy Woodall","GiGi Kruse","GiGi Kruse","Sean","GiGi Kruse","Rhea Carpeno","Karla Rosales","GiGi Kruse","GiGi Kruse","Cristina Ghergu","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Karla Rosales","GiGi Kruse","GiGi Kruse","Sean Alderman","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","No credit","Karla Rosales","Karla Rosales","Karla Rosales","No credit","GiGi Kruse","GiGi Kruse","Abdallah Omeish","GiGi Kruse and George Dimintrov","No credit","Andy Woodall","Andy Woodall and Molly Sugrul","Molly Sugrul","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Mounbel Gayton","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","George Dimitrov","Birgitta Sunderland","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Birgitta Sunderland","Andy Woodall","Andy Woodall","Hasim Nazarei","Andy Woodall","Andy Woodall","Chris Quay","Andy Woodall","GiGi Kruse","GiGi Kruse","Chris Quay","Jim Foster","Andy Woodall","Andy Woodall","GiGi Kruse","Jimmie Foster","Joey Kamide","Andy Woodall","Jimmie Foster","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","Jim Foster","Andy Woodall","GiGi Kruse","Andy Woodall","Jimmie Foster","Andy Woodall","Jimmie Foster","Andy Woodall","Jimmie Foster","Jimmie Foster","Jimmie Foster","Andy Woodall","Jimmie Foster","Jimmie Foster","Andy Woodall","Andy Woodall","GiGi Kruse","Jimmie Foster","Chris Quay","Jimmie Foster","GiGi Kruse","Jimmie Foster","Andy Woodall","Jimmie Foster","Andy Woodall","Andy Woodall","Chris Quay","Jimmie Foster","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","No credit","Andy Woodall","Chris Quay","Mark Sypher","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","GiGi Kruse","Foster and Woobal","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Frame 38; GiGi Kruse","Frames 43, 34, 37; GiGi Kruse","GiGi Kruse","Bonnie Teske","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","GiGi Kruse","Andy Woodall","Bonnie Teske","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Jimmie Foster Jr.","Jimmie Foster Jr.","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Bonnie Teske","Bonnie Teske","Bonnie Teske","GiGi Kruse; Andy Woodall","Bonnie Teske","Bonnie Teske","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Zack","GiGi Kruse","GiGi Kruse","Marcelo Braga","GiGi Kruse","GiGi Kruse","GiGi Kruse","Jimmie Foster Jr.","Jimmie Foster Jr.","Bonnie Teske","Mark Sypher","Jimmie Foster Jr.","Jimmie Foster Jr.","GiGi Kruse","GiGi Kruse","Andy Woodall","Andy Woodall","Andy Woodall","Andy Woodall","Jimmie Foster Jr.","Binnie Teske","Binnie Teske","Binnie Teske","Binnie Teske","Broadside photographers","Broadside photographers","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Mark Sypher","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","GiGi Kruse","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Frames 40A, 38A, 34A, 32A; Jimmie Foster Jr.","Andy Woodall","Frames 5A, 6A, 4A; Carrie Klinker","Frame 31; Andy Woodall","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Jimmie Foster Jr.","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker and Mark Sypher","Mark Sypher","Jimmie Foster Jr.","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher; postcard","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Carrie Klinker","Carrie Klinker","Carrie Klinker","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","[MFS] Mark Sypher","Paul Sodhi","Paul Sodhi","Jimmie Foster Jr.","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Melody Mowrey","Melody Mowrey","Melody Mowrey","Chris DP","Melody Mowrey","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey","Melody Mowrey","Mark Sypher","Mark Sypher","Andy Woodall","Andy Woodall","Andy Woodall","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Mark Sypher","Melody Mowrey; color negatives","Melody Mowrey","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","Chris DP","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Chris DP","Mark Sypher","GiGi","GiGi","Chris DP","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher; paper with photo request","Mark Sypher","Mark Sypher","Mark Sypher","Shannon Schneider","Chris DP","Mark Sypher","Mark Sypher","Mark Sypher","Chris DP","David Manning","Mark Sypher","Mark Sypher","Mark Sypher","C. Quay","Mark Sypher","Mark Sypher","David Manning","David Manning","Mark Sypher","David Manning","David Manning","David Manning","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","David Manning; color negatives","David Manning; color negatives","David Manning; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","J. Hornic; color negatives","Jimmie Foster Jr.","Mark Sypher","Mark Sypher","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Liz Haas; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Mark Sypher; color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","C Quay","Dave Manning","Dave Manning; color negatives","Dave Manning","Dave Manning","Chris DP; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning; color negatives","Dave Manning; color negatives","Chantee; color negatives","Chantee; color negatives","Erin; color negatives","Erin; color negatives","Chantee; color negatives","Chantee; color negatives","Chantee; color negatives","Marjan; color negatives","Jason Hornick","Dave Manning; color negatives","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Dave Manning","Chris DP; color negatives","Chris DP; color negatives","Dave Manning; color negatives","Chris DP; color negatives","Dave Manning; color negatives"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_40527b8694c4bad584f02a2a832141da\" label=\"Abstract\"\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:24.808Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_353_c02_c3121"}},{"id":"viblbv_repositories_2_resources_2291_c02_c02_c80","type":"File","attributes":{"title":"Wright Brothers","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2291_c02_c02_c80#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_2291_c02_c02_c80","ref_ssm":["viblbv_repositories_2_resources_2291_c02_c02_c80"],"id":"viblbv_repositories_2_resources_2291_c02_c02_c80","ead_ssi":"viblbv_repositories_2_resources_2291","_root_":"viblbv_repositories_2_resources_2291","_nest_parent_":"viblbv_repositories_2_resources_2291_c02_c02","parent_ssi":"viblbv_repositories_2_resources_2291_c02_c02","parent_ssim":["viblbv_repositories_2_resources_2291","viblbv_repositories_2_resources_2291_c02","viblbv_repositories_2_resources_2291_c02_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_2291","viblbv_repositories_2_resources_2291_c02","viblbv_repositories_2_resources_2291_c02_c02"],"parent_unittitles_ssm":["William Hewitt Phillips Papers","Series II: 2010 Donation","Subseries B: Subject Files"],"parent_unittitles_tesim":["William Hewitt Phillips Papers","Series II: 2010 Donation","Subseries B: Subject Files"],"text":["William Hewitt Phillips Papers","Series II: 2010 Donation","Subseries B: Subject Files","Wright Brothers","[3 folders]","box 44","folder 1"],"title_filing_ssi":"Wright Brothers","title_ssm":["Wright Brothers"],"title_tesim":["Wright Brothers"],"unitdate_other_ssim":["1962-2004, n.d."],"normalized_date_ssm":["1962/2004"],"normalized_title_ssm":["Wright Brothers"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["William Hewitt Phillips Papers"],"physdesc_tesim":["[3 folders]"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":718,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"containers_ssim":["box 44","folder 1"],"_nest_path_":"/components#1/components#1/components#79","timestamp":"2026-05-21T02:43:59.002Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2291","ead_ssi":"viblbv_repositories_2_resources_2291","_root_":"viblbv_repositories_2_resources_2291","_nest_parent_":"viblbv_repositories_2_resources_2291","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2291.xml","title_filing_ssi":"Phillips, William Hewitt, Papers","title_ssm":["William Hewitt Phillips Papers"],"title_tesim":["William Hewitt Phillips Papers"],"unitdate_ssm":["1918-2008"],"unitdate_inclusive_ssm":["1918-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2005.019"],"text":["Ms.2005.019","William Hewitt Phillips Papers","Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aerospace engineers","United States -- National Advisory Committee for Aeronautics -- Officials and employees","United States -- National Aeronautics and Space Administration -- Officials and employees","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection is divided into two series. ","Series I, comprising the 1997 and 2004 donations of papers, to a large extent retains the original order in which it was received, though some minor changes have been made for the sake of consistency. The majority of the collection, consisting of subject files, is arranged alphabetically by topic. Phillips' formal reports are arranged chronologically. The arrangement and file titles of a few folders have been changed to provide consistency to the alphabetical order. The materials have been divided among five subseries:","Subseries A: Subject Files. The files were originally housed in four cabinets, later transferred to six boxes by the donor, and finally transferred to permanent boxes during archival processing. The contents of each original cabinet had been arranged in a generally alphabetical order, but there was no overall arrangement among the individual cabinets. Thus, the alphabetical order of the original Cabinet 1 comprises Boxes 1-5; of Cabinet 2, Boxes 5-11; of Cabinet 3, Boxes 11-21; and of Cabinet 4, Boxes 21-25.","Subseries B: NACA and NASA Reports. Arranged chronologically, this subseries contains files on reports and talks given by Phillips related to his professional research.","Subseries C: Other Writings and Lectures by Phillips. This subseries includes drafts, notes, and other materials relating to writings and lectures by Phillips. It is arranged alphabetically by topic and includes a draft of Phillips' autobiography, detailing his personal and professional life.","Subseries D: Lectures and Courses Presented by Others. Originally found in no particular order, this set of files from lectures and courses presented by those other than Phillips is now arranged by name of presenter.","Subseries E: Oversize Materials. These materials were found separated from the rest of the materials in the collection and consist of \"Typical Printouts from the Eppler Program.\"","Series II, the 2010 donation, contains the same types of materials found in Series I. These papers had no original arrangement but instead consisted mostly of loose papers together with a few individual folders and printed materials. The materials have been divided among seven subseries: ","Subseries A: Writings and Lectures. Included in this subseries are files relating to the output of Phillips' research, both in a professional capacity and as a model aircraft enthusiast. The files include not only drafts and published works, but background materials and correspondence. Arranged alphabetically by title or subject.","Subseries B: Subject Files. Arranged alphabetically, this subseries contains materials gathered by Phillips in the course of his research on various topics and his involvement in various professional- and hobby-related activities. Much of the material relates to Phillips' interest in model aircraft.","Subseries C: Correspondence Files. Though personal matters are sometimes discussed, the correspondence in these files relates largely to Phillips' work and his pursuits in model aircraft design, building, and testing. Arranged alphabetically by correspondent.","Subseries D: Photographs. Nearly all of the photos in this series are of Phillips individually or include him at various events. ","Subseries E: Personal Life, Education, and Career. Included in this series are materials relating to Phillips' education at Belmont High School and the Massachusetts Institution of Technology. Also here are records and mementos from his NACA / NASA career, including his many awards. Documenting Phillips' personal life is a set of diaries that he maintained throughout his adult life. ","Subseries F: Oversize Materials contains large photographs, awards, and Phillips's high school diploma.","William Hewitt Phillips, known more familiarly as Hewitt Phillips, was born in Merseyside, England, in 1918, but moved with his parents at age two to the United States. He studied aeronautical engineering at the Massachusetts Institute of Technology (MIT), obtaining an S. B. degree in 1939 and an S.M. in 1940. During his childhood, he developed an interest in model aircraft, and he maintained an active interest in the hobby throughout his life.","In July 1940, Phillips commenced service with the National Advisory Committee for Aeronautics (NACA), where he was assigned to the Flight Research Division at Langley Research Center (Hampton, Virginia), specializing in the study of aircraft flying qualities and stability. Within this broader assignment, Phillips' task involved the improvement of World War II military aircraft flying qualities. Following the war, Phillips' research related to the development of jet-powered fighter airplanes, supersonic airplanes, stability augmentation and its effect on pilot control, automatic control, and gust alleviation. In 1947, Phillips married Viola Ohler, then head of Langley's editorial office. The couple had three children.","As the U. S. space program commenced, Phillips became chief of the Space Mechanics Division, supervising research in the areas of space rendezvous, navigation, and lunar landing and developing flight simulators for the Gemini and Apollo programs. To train astronauts for lunar landings, Phillips developed the Lunar Landing Facility. He later served as an analyst and consultant in the development of the space shuttle. ","Phillips retired from NASA in February 1979 but continued in the position of distinguished research associate, performing original research on solar-powered aircraft, propellers, airfoil design and wind-tunnel studies of the use of canard surfaces for the space shuttle. He died in 2009.","The guide to the William Hewitt Phillips Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the 2005 accession of the William Hewitt Phillips Papers commenced in September 2008 and was completed in February 2009. Processing of the second accession commenced in July 2014 and was completed in September 2014. ","Additional processing, arrangement, and description of the William Hewitt Phillips Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the  National Historical Publications and Records Commission (NHPRC)  in 2024. ","Phillips, W. Hewitt,  Journey in Aeronautical Research: a Career at NASA Langley Research Center  (Washington, D.C.: NASA History Office, 1998). Call number: TL540 P54 J687 1998 Large Spec (in the Rare Book Collection at Virginia Tech Special Collections and University Archives.","This collection contains the papers of William Hewitt Phillips, an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA) at Langley Research Center and chief of the Flight Dynamics and Control Division from 1970 to 1979. The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at Langley and spans from his work on World War II-era aircraft to the early U.S. space program and beyond, as well as his longstanding and active interest in model aircraft design and testing. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; simulation of space operations (particularly the Lunar Landing Research Facility), and model aircraft. An item of note is a typescript draft of Phillips' autobiography,  Journey into Aeronautical Research: a Career at NASA Langley Research Center .","[also includes \"Simulator Studies of Several Lateral Stability Augmentation Concepts for Light Aircraft\" by H. Douglas Garner (Langly Working Paper 999, Oct 6 1971)]","The following items were removed from the collection and cataloged for the Rare Book Collection:","Maxim, Hiram S.  Artificial and Natural Flight . New York: MacMillan, 1908.","Byers, Bruce K.  Destination Moon: A History of the Lunar Orbiter Program  (NASA Technical Memorandum TM X-3487). Washington DC: NASA, 1977.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of William Hewitt Phillips (1918-2009), an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA). The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at the Langley Research Center and spans from his work on World War II-era aircraft to the early U.S. space program and beyond. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; and simulation of space operations (particularly the Lunar Landing Research Facility).","Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration","Phillips, William H. (William Hewitt), 1918-2009","The materials in the collection are in English."],"unitid_tesim":["Ms.2005.019"],"normalized_title_ssm":["William Hewitt Phillips Papers"],"collection_title_tesim":["William Hewitt Phillips Papers"],"collection_ssim":["William Hewitt Phillips Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Phillips, William H. (William Hewitt), 1918-2009"],"creator_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"creator_persname_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"creators_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The William Hewitt Phillips Papers were donated to Special Collections and University Archives in 1997, 2005, and 2010."],"access_subjects_ssim":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aerospace engineers","United States -- National Advisory Committee for Aeronautics -- Officials and employees","United States -- National Aeronautics and Space Administration -- Officials and employees"],"access_subjects_ssm":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aerospace engineers","United States -- National Advisory Committee for Aeronautics -- Officials and employees","United States -- National Aeronautics and Space Administration -- Officials and employees"],"has_online_content_ssim":["false"],"extent_ssm":["28.5 Cubic Feet 57 boxes; 1 oversize folder"],"extent_tesim":["28.5 Cubic Feet 57 boxes; 1 oversize folder"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/329\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series. \u003c/p\u003e\n","\u003cp\u003eSeries I, comprising the 1997 and 2004 donations of papers, to a large extent retains the original order in which it was received, though some minor changes have been made for the sake of consistency. The majority of the collection, consisting of subject files, is arranged alphabetically by topic. Phillips' formal reports are arranged chronologically. The arrangement and file titles of a few folders have been changed to provide consistency to the alphabetical order. The materials have been divided among five subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A: Subject Files. The files were originally housed in four cabinets, later transferred to six boxes by the donor, and finally transferred to permanent boxes during archival processing. The contents of each original cabinet had been arranged in a generally alphabetical order, but there was no overall arrangement among the individual cabinets. Thus, the alphabetical order of the original Cabinet 1 comprises Boxes 1-5; of Cabinet 2, Boxes 5-11; of Cabinet 3, Boxes 11-21; and of Cabinet 4, Boxes 21-25.\u003c/p\u003e\n","\u003cp\u003eSubseries B: NACA and NASA Reports. Arranged chronologically, this subseries contains files on reports and talks given by Phillips related to his professional research.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Other Writings and Lectures by Phillips. This subseries includes drafts, notes, and other materials relating to writings and lectures by Phillips. It is arranged alphabetically by topic and includes a draft of Phillips' autobiography, detailing his personal and professional life.\u003c/p\u003e\n","\u003cp\u003eSubseries D: Lectures and Courses Presented by Others. Originally found in no particular order, this set of files from lectures and courses presented by those other than Phillips is now arranged by name of presenter.\u003c/p\u003e\n","\u003cp\u003eSubseries E: Oversize Materials. These materials were found separated from the rest of the materials in the collection and consist of \"Typical Printouts from the Eppler Program.\"\u003c/p\u003e\n","\u003cp\u003eSeries II, the 2010 donation, contains the same types of materials found in Series I. These papers had no original arrangement but instead consisted mostly of loose papers together with a few individual folders and printed materials. The materials have been divided among seven subseries: \u003c/p\u003e\n","\u003cp\u003eSubseries A: Writings and Lectures. Included in this subseries are files relating to the output of Phillips' research, both in a professional capacity and as a model aircraft enthusiast. The files include not only drafts and published works, but background materials and correspondence. Arranged alphabetically by title or subject.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Subject Files. Arranged alphabetically, this subseries contains materials gathered by Phillips in the course of his research on various topics and his involvement in various professional- and hobby-related activities. Much of the material relates to Phillips' interest in model aircraft.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Correspondence Files. Though personal matters are sometimes discussed, the correspondence in these files relates largely to Phillips' work and his pursuits in model aircraft design, building, and testing. Arranged alphabetically by correspondent.\u003c/p\u003e\n","\u003cp\u003eSubseries D: Photographs. Nearly all of the photos in this series are of Phillips individually or include him at various events. \u003c/p\u003e\n","\u003cp\u003eSubseries E: Personal Life, Education, and Career. Included in this series are materials relating to Phillips' education at Belmont High School and the Massachusetts Institution of Technology. Also here are records and mementos from his NACA / NASA career, including his many awards. Documenting Phillips' personal life is a set of diaries that he maintained throughout his adult life. \u003c/p\u003e\n","\u003cp\u003eSubseries F: Oversize Materials contains large photographs, awards, and Phillips's high school diploma.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series. ","Series I, comprising the 1997 and 2004 donations of papers, to a large extent retains the original order in which it was received, though some minor changes have been made for the sake of consistency. The majority of the collection, consisting of subject files, is arranged alphabetically by topic. Phillips' formal reports are arranged chronologically. The arrangement and file titles of a few folders have been changed to provide consistency to the alphabetical order. The materials have been divided among five subseries:","Subseries A: Subject Files. The files were originally housed in four cabinets, later transferred to six boxes by the donor, and finally transferred to permanent boxes during archival processing. The contents of each original cabinet had been arranged in a generally alphabetical order, but there was no overall arrangement among the individual cabinets. Thus, the alphabetical order of the original Cabinet 1 comprises Boxes 1-5; of Cabinet 2, Boxes 5-11; of Cabinet 3, Boxes 11-21; and of Cabinet 4, Boxes 21-25.","Subseries B: NACA and NASA Reports. Arranged chronologically, this subseries contains files on reports and talks given by Phillips related to his professional research.","Subseries C: Other Writings and Lectures by Phillips. This subseries includes drafts, notes, and other materials relating to writings and lectures by Phillips. It is arranged alphabetically by topic and includes a draft of Phillips' autobiography, detailing his personal and professional life.","Subseries D: Lectures and Courses Presented by Others. Originally found in no particular order, this set of files from lectures and courses presented by those other than Phillips is now arranged by name of presenter.","Subseries E: Oversize Materials. These materials were found separated from the rest of the materials in the collection and consist of \"Typical Printouts from the Eppler Program.\"","Series II, the 2010 donation, contains the same types of materials found in Series I. These papers had no original arrangement but instead consisted mostly of loose papers together with a few individual folders and printed materials. The materials have been divided among seven subseries: ","Subseries A: Writings and Lectures. Included in this subseries are files relating to the output of Phillips' research, both in a professional capacity and as a model aircraft enthusiast. The files include not only drafts and published works, but background materials and correspondence. Arranged alphabetically by title or subject.","Subseries B: Subject Files. Arranged alphabetically, this subseries contains materials gathered by Phillips in the course of his research on various topics and his involvement in various professional- and hobby-related activities. Much of the material relates to Phillips' interest in model aircraft.","Subseries C: Correspondence Files. Though personal matters are sometimes discussed, the correspondence in these files relates largely to Phillips' work and his pursuits in model aircraft design, building, and testing. Arranged alphabetically by correspondent.","Subseries D: Photographs. Nearly all of the photos in this series are of Phillips individually or include him at various events. ","Subseries E: Personal Life, Education, and Career. Included in this series are materials relating to Phillips' education at Belmont High School and the Massachusetts Institution of Technology. Also here are records and mementos from his NACA / NASA career, including his many awards. Documenting Phillips' personal life is a set of diaries that he maintained throughout his adult life. ","Subseries F: Oversize Materials contains large photographs, awards, and Phillips's high school diploma."],"bioghist_html_tesm":["\u003cp\u003eWilliam Hewitt Phillips, known more familiarly as Hewitt Phillips, was born in Merseyside, England, in 1918, but moved with his parents at age two to the United States. He studied aeronautical engineering at the Massachusetts Institute of Technology (MIT), obtaining an S. B. degree in 1939 and an S.M. in 1940. During his childhood, he developed an interest in model aircraft, and he maintained an active interest in the hobby throughout his life.\u003c/p\u003e\n","\u003cp\u003eIn July 1940, Phillips commenced service with the National Advisory Committee for Aeronautics (NACA), where he was assigned to the Flight Research Division at Langley Research Center (Hampton, Virginia), specializing in the study of aircraft flying qualities and stability. Within this broader assignment, Phillips' task involved the improvement of World War II military aircraft flying qualities. Following the war, Phillips' research related to the development of jet-powered fighter airplanes, supersonic airplanes, stability augmentation and its effect on pilot control, automatic control, and gust alleviation. In 1947, Phillips married Viola Ohler, then head of Langley's editorial office. The couple had three children.\u003c/p\u003e\n","\u003cp\u003eAs the U. S. space program commenced, Phillips became chief of the Space Mechanics Division, supervising research in the areas of space rendezvous, navigation, and lunar landing and developing flight simulators for the Gemini and Apollo programs. To train astronauts for lunar landings, Phillips developed the Lunar Landing Facility. He later served as an analyst and consultant in the development of the space shuttle. \u003c/p\u003e\n","\u003cp\u003ePhillips retired from NASA in February 1979 but continued in the position of distinguished research associate, performing original research on solar-powered aircraft, propellers, airfoil design and wind-tunnel studies of the use of canard surfaces for the space shuttle. He died in 2009.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["William Hewitt Phillips, known more familiarly as Hewitt Phillips, was born in Merseyside, England, in 1918, but moved with his parents at age two to the United States. He studied aeronautical engineering at the Massachusetts Institute of Technology (MIT), obtaining an S. B. degree in 1939 and an S.M. in 1940. During his childhood, he developed an interest in model aircraft, and he maintained an active interest in the hobby throughout his life.","In July 1940, Phillips commenced service with the National Advisory Committee for Aeronautics (NACA), where he was assigned to the Flight Research Division at Langley Research Center (Hampton, Virginia), specializing in the study of aircraft flying qualities and stability. Within this broader assignment, Phillips' task involved the improvement of World War II military aircraft flying qualities. Following the war, Phillips' research related to the development of jet-powered fighter airplanes, supersonic airplanes, stability augmentation and its effect on pilot control, automatic control, and gust alleviation. In 1947, Phillips married Viola Ohler, then head of Langley's editorial office. The couple had three children.","As the U. S. space program commenced, Phillips became chief of the Space Mechanics Division, supervising research in the areas of space rendezvous, navigation, and lunar landing and developing flight simulators for the Gemini and Apollo programs. To train astronauts for lunar landings, Phillips developed the Lunar Landing Facility. He later served as an analyst and consultant in the development of the space shuttle. ","Phillips retired from NASA in February 1979 but continued in the position of distinguished research associate, performing original research on solar-powered aircraft, propellers, airfoil design and wind-tunnel studies of the use of canard surfaces for the space shuttle. He died in 2009."],"odd_html_tesm":["\u003cp\u003eThe guide to the William Hewitt Phillips Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the William Hewitt Phillips Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], William Hewitt Phillips Papers, Ms2005-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], William Hewitt Phillips Papers, Ms2005-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the 2005 accession of the William Hewitt Phillips Papers commenced in September 2008 and was completed in February 2009. Processing of the second accession commenced in July 2014 and was completed in September 2014. \u003c/p\u003e","\u003cp\u003eAdditional processing, arrangement, and description of the William Hewitt Phillips Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e in 2024. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the 2005 accession of the William Hewitt Phillips Papers commenced in September 2008 and was completed in February 2009. Processing of the second accession commenced in July 2014 and was completed in September 2014. ","Additional processing, arrangement, and description of the William Hewitt Phillips Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the  National Historical Publications and Records Commission (NHPRC)  in 2024. "],"relatedmaterial_html_tesm":["\u003cp\u003ePhillips, W. Hewitt, \u003ctitle render=\"italic\"\u003eJourney in Aeronautical Research: a Career at NASA Langley Research Center\u003c/title\u003e (Washington, D.C.: NASA History Office, 1998). Call number: TL540 P54 J687 1998 Large Spec (in the Rare Book Collection at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Phillips, W. Hewitt,  Journey in Aeronautical Research: a Career at NASA Langley Research Center  (Washington, D.C.: NASA History Office, 1998). Call number: TL540 P54 J687 1998 Large Spec (in the Rare Book Collection at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of William Hewitt Phillips, an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA) at Langley Research Center and chief of the Flight Dynamics and Control Division from 1970 to 1979. The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at Langley and spans from his work on World War II-era aircraft to the early U.S. space program and beyond, as well as his longstanding and active interest in model aircraft design and testing. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; simulation of space operations (particularly the Lunar Landing Research Facility), and model aircraft. An item of note is a typescript draft of Phillips' autobiography, \u003ctitle render=\"italic\"\u003eJourney into Aeronautical Research: a Career at NASA Langley Research Center\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e[also includes \"Simulator Studies of Several Lateral Stability Augmentation Concepts for Light Aircraft\" by H. Douglas Garner (Langly Working Paper 999, Oct 6 1971)]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note"],"scopecontent_tesim":["This collection contains the papers of William Hewitt Phillips, an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA) at Langley Research Center and chief of the Flight Dynamics and Control Division from 1970 to 1979. The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at Langley and spans from his work on World War II-era aircraft to the early U.S. space program and beyond, as well as his longstanding and active interest in model aircraft design and testing. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; simulation of space operations (particularly the Lunar Landing Research Facility), and model aircraft. An item of note is a typescript draft of Phillips' autobiography,  Journey into Aeronautical Research: a Career at NASA Langley Research Center .","[also includes \"Simulator Studies of Several Lateral Stability Augmentation Concepts for Light Aircraft\" by H. Douglas Garner (Langly Working Paper 999, Oct 6 1971)]"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items were removed from the collection and cataloged for the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003eMaxim, Hiram S. \u003ctitle render=\"italic\"\u003eArtificial and Natural Flight\u003c/title\u003e. New York: MacMillan, 1908.\u003c/p\u003e\n","\u003cp\u003eByers, Bruce K. \u003ctitle render=\"italic\"\u003eDestination Moon: A History of the Lunar Orbiter Program\u003c/title\u003e (NASA Technical Memorandum TM X-3487). Washington DC: NASA, 1977.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following items were removed from the collection and cataloged for the Rare Book Collection:","Maxim, Hiram S.  Artificial and Natural Flight . New York: MacMillan, 1908.","Byers, Bruce K.  Destination Moon: A History of the Lunar Orbiter Program  (NASA Technical Memorandum TM X-3487). Washington DC: NASA, 1977."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32415d476b4953a68a5bd3a12803d2b5\" label=\"Abstract\"\u003eThis collection contains the papers of William Hewitt Phillips (1918-2009), an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA). The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at the Langley Research Center and spans from his work on World War II-era aircraft to the early U.S. space program and beyond. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; and simulation of space operations (particularly the Lunar Landing Research Facility).\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers of William Hewitt Phillips (1918-2009), an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA). The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at the Langley Research Center and spans from his work on World War II-era aircraft to the early U.S. space program and beyond. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; and simulation of space operations (particularly the Lunar Landing Research Facility)."],"names_coll_ssim":["United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration"],"names_ssim":["Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration","Phillips, William H. 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"],"total_component_count_is":6598,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:21:57.649Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_349_c01_c2273"}},{"id":"viw_repositories_2_resources_8677_c20_c11","type":"File","attributes":{"title":"Writer-in-Residence Program","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8677_c20_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8677_c20_c11","ref_ssm":["viw_repositories_2_resources_8677_c20_c11"],"id":"viw_repositories_2_resources_8677_c20_c11","ead_ssi":"viw_repositories_2_resources_8677","_root_":"viw_repositories_2_resources_8677","_nest_parent_":"viw_repositories_2_resources_8677_c20","parent_ssi":"viw_repositories_2_resources_8677_c20","parent_ssim":["viw_repositories_2_resources_8677","viw_repositories_2_resources_8677_c20"],"parent_ids_ssim":["viw_repositories_2_resources_8677","viw_repositories_2_resources_8677_c20"],"parent_unittitles_ssm":["Christopher Bram Papers","Series 20: College of William \u0026 Mary"],"parent_unittitles_tesim":["Christopher Bram Papers","Series 20: College of William \u0026 Mary"],"text":["Christopher Bram Papers","Series 20: College of William \u0026 Mary","Writer-in-Residence Program","Box 32","Folder 11"],"title_filing_ssi":"Writer-in-Residence Program","title_ssm":["Writer-in-Residence Program"],"title_tesim":["Writer-in-Residence Program"],"unitdate_inclusive_ssm":["1998"],"normalized_date_ssm":["1998"],"normalized_title_ssm":["Writer-in-Residence Program"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Christopher Bram Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":402,"parent_access_restrict_tesm":["Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1998],"containers_ssim":["Box 32","Folder 11"],"_nest_path_":"/components#19/components#10","timestamp":"2026-05-21T14:07:55.426Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8677","ead_ssi":"viw_repositories_2_resources_8677","_root_":"viw_repositories_2_resources_8677","_nest_parent_":"viw_repositories_2_resources_8677","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8677.xml","title_filing_ssi":"Bram, Christopher","title_ssm":["Christopher Bram Papers"],"title_tesim":["Christopher Bram Papers"],"unitdate_ssm":["1968-2014","1975-2000"],"unitdate_bulk_ssim":["1975-2000"],"unitdate_inclusive_ssm":["1968-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 99 B73","/repositories/2/resources/8677"],"text":["Mss. 99 B73","/repositories/2/resources/8677","Christopher Bram Papers","Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications","Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","The collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual.","  Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\n\n ","Administrative History:  Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n ","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence."," As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Processed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015.","The Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026 Mary, including materials from his undergraduate studies at William \u0026 Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection.","Scope and Contents Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate.","Copies of reviews of books written by Christopher Bram.","**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.","**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.","**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.","**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.","A hand-drawn personal calendar recording birthdays and other personal events in 1983.","from top: Christopher Bram; Sue Claire Yeats; Pryor Baird","copied from David Levine in the New York Review of Books","Scope and Contents Philmont Scout Ranch (1960s), Pipsico Scout Reservation (1960s), Virginia Beach Fall (1965), District Camporee (1960s, 1968), Blue Heron WWW 349 (1960s),Spring Camporee Pavab District (1966), Boy Scouts of America Junior Assistant Scoutmaster (1960s), \"Can-Do\" Leader National Champions (1960s), The Way District Camporee (1967), Instructor (1960s), 50 Miler Award (1960s), Tiger B.S.A. Patrol (1960s), Bison B.S.A. Patrol (1960s), U.S.S. Oglethorpe Patch, 1960s, Arrow of Light Award (1960s), Webelo Den (1960s), Troop Guide (1960s), Be Prepared (1960s), Eagle and Fleur-de-Lis (1960s), Star Rank (1960s)","DVD-R labeled \"Happy Birthday Chris.\"","Scope and Contents DVD-R labeled \"Happy Birthday Chris\" in a thin plastic CD case. Cardstock insert says \"Happy Birthday Chris: The Movie\" and has a drawing of a tiger.","Audio CD of SiriusXM program The Morning Jolt with Larry Flick from January 31, 2012 featuring an interview with Bram.","Cassette tape labeled \"Songs by Stan Leventhal.\" Track listing for side one: 1. Fragile 2. Home Away from Home 3. Spare the Time. Side two is blank.","VHS tape labeled \"Christopher Bram; Book Chat with David Rain; produced by Paul Peterson and David Rain.\"","Scope and Contents VHS tape label \"Universal Studios Home Video; She's Alive! Creating the Brice of Frankenstein; Prod./Dir.: David J. Skal\"","VHS tape labeled \"Gods and Monsters Screening Cassette.\"","Scope and Contents VHS tape labeled \"G\u0026M\", which may stand for Gods and Monsters.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of English","Bram, Christopher, 1952-","English"],"unitid_tesim":["Mss. 99 B73","/repositories/2/resources/8677"],"normalized_title_ssm":["Christopher Bram Papers"],"collection_title_tesim":["Christopher Bram Papers"],"collection_ssim":["Christopher Bram Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Bram, Christopher, 1952-"],"creator_ssim":["Bram, Christopher, 1952-"],"creator_persname_ssim":["Bram, Christopher, 1952-"],"creators_ssim":["Bram, Christopher, 1952-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["1999-16 (1 box including correspondence, notebooks of writing while a student at the College, and memorabilia) received 5/4/1999; 2000-04 (1 box book reviews) received 1/19/2000; 2000-36 (card announcing book) received 7/2/2000; 2001-39 (2 boxes) received 9/17/2001; 2003-69 (Swem remarks) received 12/3/2003; 3 boxes received Fall 2008 (2008 addition). Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"access_subjects_ssm":["Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["21.75 Linear Feet"],"extent_tesim":["21.75 Linear Feet"],"genreform_ssim":["Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual."],"bioghist_html_tesm":["\u003cbioghist altrender=\"Biographical Information\" encodinganalog=\"545$a\"\u003e  Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\n\n \u003c/bioghist\u003e","\u003cbioghist altrender=\"Administrative History\" encodinganalog=\"545$b\"\u003e \u003chead\u003eAdministrative History:\u003c/head\u003e Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n \u003c/bioghist\u003e","\u003cp\u003eNovelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\u003c/p\u003e\n","\u003cp\u003e As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\u003c/p\u003e\n","\u003cp\u003e Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\u003c/p\u003e","\u003cp\u003eNovelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Administrative History:","Biographical Information:","Administrative History:"],"bioghist_tesim":["  Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\n\n ","Administrative History:  Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n ","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence."," As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others."],"prefercite_html_tesm":["\u003cp\u003eChristopher Bram Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Christopher Bram Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026amp; Mary, including materials from his undergraduate studies at William \u0026amp; Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection.\u003c/p\u003e","\u003cp\u003eScope and Contents Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate.\u003c/p\u003e","\u003cp\u003eCopies of reviews of books written by Christopher Bram.\u003c/p\u003e","\u003cp\u003e**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.\u003c/p\u003e","\u003cp\u003e**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.\u003c/p\u003e","\u003cp\u003e**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.\u003c/p\u003e","\u003cp\u003e**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.\u003c/p\u003e","\u003cp\u003eA hand-drawn personal calendar recording birthdays and other personal events in 1983.\u003c/p\u003e","\u003cp\u003efrom top: Christopher Bram; Sue Claire Yeats; Pryor Baird\u003c/p\u003e","\u003cp\u003ecopied from David Levine in the New York Review of Books\u003c/p\u003e","\u003cp\u003eScope and Contents Philmont Scout Ranch (1960s), Pipsico Scout Reservation (1960s), Virginia Beach Fall (1965), District Camporee (1960s, 1968), Blue Heron WWW 349 (1960s),Spring Camporee Pavab District (1966), Boy Scouts of America Junior Assistant Scoutmaster (1960s), \"Can-Do\" Leader National Champions (1960s), The Way District Camporee (1967), Instructor (1960s), 50 Miler Award (1960s), Tiger B.S.A. Patrol (1960s), Bison B.S.A. Patrol (1960s), U.S.S. Oglethorpe Patch, 1960s, Arrow of Light Award (1960s), Webelo Den (1960s), Troop Guide (1960s), Be Prepared (1960s), Eagle and Fleur-de-Lis (1960s), Star Rank (1960s)\u003c/p\u003e","\u003cp\u003eDVD-R labeled \"Happy Birthday Chris.\"\u003c/p\u003e","\u003cp\u003eScope and Contents DVD-R labeled \"Happy Birthday Chris\" in a thin plastic CD case. Cardstock insert says \"Happy Birthday Chris: The Movie\" and has a drawing of a tiger.\u003c/p\u003e","\u003cp\u003eAudio CD of SiriusXM program The Morning Jolt with Larry Flick from January 31, 2012 featuring an interview with Bram.\u003c/p\u003e","\u003cp\u003eCassette tape labeled \"Songs by Stan Leventhal.\" Track listing for side one: 1. Fragile 2. Home Away from Home 3. Spare the Time. Side two is blank.\u003c/p\u003e","\u003cp\u003eVHS tape labeled \"Christopher Bram; Book Chat with David Rain; produced by Paul Peterson and David Rain.\"\u003c/p\u003e","\u003cp\u003eScope and Contents VHS tape label \"Universal Studios Home Video; She's Alive! Creating the Brice of Frankenstein; Prod./Dir.: David J. Skal\"\u003c/p\u003e","\u003cp\u003eVHS tape labeled \"Gods and Monsters Screening Cassette.\"\u003c/p\u003e","\u003cp\u003eScope and Contents VHS tape labeled \"G\u0026amp;M\", which may stand for Gods and Monsters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026 Mary, including materials from his undergraduate studies at William \u0026 Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection.","Scope and Contents Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate.","Copies of reviews of books written by Christopher Bram.","**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.","**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.","**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.","**RESTRICTED MATERIALS** All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve.","A hand-drawn personal calendar recording birthdays and other personal events in 1983.","from top: Christopher Bram; Sue Claire Yeats; Pryor Baird","copied from David Levine in the New York Review of Books","Scope and Contents Philmont Scout Ranch (1960s), Pipsico Scout Reservation (1960s), Virginia Beach Fall (1965), District Camporee (1960s, 1968), Blue Heron WWW 349 (1960s),Spring Camporee Pavab District (1966), Boy Scouts of America Junior Assistant Scoutmaster (1960s), \"Can-Do\" Leader National Champions (1960s), The Way District Camporee (1967), Instructor (1960s), 50 Miler Award (1960s), Tiger B.S.A. Patrol (1960s), Bison B.S.A. Patrol (1960s), U.S.S. Oglethorpe Patch, 1960s, Arrow of Light Award (1960s), Webelo Den (1960s), Troop Guide (1960s), Be Prepared (1960s), Eagle and Fleur-de-Lis (1960s), Star Rank (1960s)","DVD-R labeled \"Happy Birthday Chris.\"","Scope and Contents DVD-R labeled \"Happy Birthday Chris\" in a thin plastic CD case. Cardstock insert says \"Happy Birthday Chris: The Movie\" and has a drawing of a tiger.","Audio CD of SiriusXM program The Morning Jolt with Larry Flick from January 31, 2012 featuring an interview with Bram.","Cassette tape labeled \"Songs by Stan Leventhal.\" Track listing for side one: 1. Fragile 2. Home Away from Home 3. Spare the Time. Side two is blank.","VHS tape labeled \"Christopher Bram; Book Chat with David Rain; produced by Paul Peterson and David Rain.\"","Scope and Contents VHS tape label \"Universal Studios Home Video; She's Alive! Creating the Brice of Frankenstein; Prod./Dir.: David J. Skal\"","VHS tape labeled \"Gods and Monsters Screening Cassette.\"","Scope and Contents VHS tape labeled \"G\u0026M\", which may stand for Gods and Monsters."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of English"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English","Bram, Christopher, 1952-"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"persname_ssim":["Bram, Christopher, 1952-"],"language_ssim":["English"],"total_component_count_is":747,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:07:55.426Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8677_c20_c11"}},{"id":"viu_repositories_3_resources_177_c06_c79","type":"File","attributes":{"title":"Writers and Writing (3 folders)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c06_c79#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_177_c06_c79","ref_ssm":["viu_repositories_3_resources_177_c06_c79"],"id":"viu_repositories_3_resources_177_c06_c79","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177_c06","parent_ssi":"viu_repositories_3_resources_177_c06","parent_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c06"],"parent_ids_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c06"],"parent_unittitles_ssm":["Jan Karon papers","Topical Files"],"parent_unittitles_tesim":["Jan Karon papers","Topical Files"],"text":["Jan Karon papers","Topical Files","Writers and Writing (3 folders)","box 100"],"title_filing_ssi":"Writers and Writing (3 folders)","title_ssm":["Writers and Writing (3 folders)"],"title_tesim":["Writers and Writing (3 folders)"],"unitdate_bulk_ssim":["1986-1999, undated"],"normalized_title_ssm":["Writers and Writing (3 folders)"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Jan Karon papers"],"extent_ssm":["3 folder(s)"],"extent_tesim":["3 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":734,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["box 100"],"_nest_path_":"/components#5/components#78","timestamp":"2026-05-20T23:45:23.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_177","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_177.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133789","title_filing_ssi":"Karon, Jan, papers","title_ssm":["Jan Karon papers"],"title_tesim":["Jan Karon papers"],"unitdate_ssm":["1918-2018","1964-2018"],"unitdate_bulk_ssim":["1964-2018"],"unitdate_inclusive_ssm":["1918-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"text":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177","Jan Karon papers","Esmont (Albemarle County, Va. : Dwelling)\t","Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising","This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use.","The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.","Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon","All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. ","The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.","The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont","Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.","There are no use restrictions.","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-","English"],"unitid_tesim":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"normalized_title_ssm":["Jan Karon papers"],"collection_title_tesim":["Jan Karon papers"],"collection_ssim":["Jan Karon papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Esmont (Albemarle County, Va. : Dwelling)\t"],"geogname_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"creator_ssm":["Karon, Jan (Janice), 1937-"],"creator_ssim":["Karon, Jan (Janice), 1937-"],"creator_persname_ssim":["Karon, Jan (Janice), 1937-"],"creators_ssim":["Karon, Jan (Janice), 1937-"],"places_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"acqinfo_ssim":["The Jan Karon papers were given to the University of Virginia Library on October 2, 2014, by Jan Karon."],"access_subjects_ssim":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"access_subjects_ssm":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"extent_tesim":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"physfacet_tesim":["17 audio cassettes, 26 videocassettes, 46 disks, and 2 hard drives."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe restricted files contain personally identifiable information and cannot be used by patrons.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). \u003c/p\u003e\n","\u003cp\u003eSeries III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). \u003c/p\u003e\n","\u003cp\u003eSeries IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). \u003c/p\u003e\n","\u003cp\u003eSeries V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).\u003c/p\u003e\n","\u003cp\u003eSeries VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).\u003c/p\u003e\n","\u003cp\u003eSeries VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). \u003c/p\u003e\n","\u003cp\u003eSeries VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.\u003c/p\u003e","\u003cp\u003eAdditions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files."],"bioghist_html_tesm":["\u003cp\u003eJan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  \u003c/p\u003e\n","\u003cp\u003eAt fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. \u003c/p\u003e\n","\u003cp\u003eKaron's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.\u003c/p\u003e\n","\u003cp\u003eDuring the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.\u003c/p\u003e\n","\u003cp\u003eAfter their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. \u003c/p\u003e\n","\u003cp\u003eShe became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.\u003c/p\u003e\n","\u003cp\u003eHer daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \u003ctitle\u003e\"Miami Herald\"\u003c/title\u003e, the \u003ctitle\u003e\"Charlotte Observer\"\u003c/title\u003e, and a stint in Central America for the \u003ctitle\u003e\"U.S. News and World Report\"\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003eIn order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.\u003c/p\u003e\n","\u003cp\u003eSoon, she approached the editor of \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e. The ensuing two years of writing  the priest's story for \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e resulted in her first novel,  \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e, published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.\u003c/p\u003e\n","\u003cp\u003eThe second and third Mitford novels, \u003ctitle\u003e\"A Light in the Window\"\u003c/title\u003e and \u003ctitle\u003e\"These High Green Hills\"\u003c/title\u003e, were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.\u003c/p\u003e\n","\u003cp\u003eJan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  \u003c/p\u003e\n","\u003cp\u003eIn 2013, \u003ctitle\u003e\"Somewhere Safe with Somebody Good\"\u003c/title\u003e, which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \u003ctitle\u003e\"Come Rain or Come Shine\"\u003c/title\u003e debuting at #1 on the \u003ctitle\u003e\"New York Times\"\u003c/title\u003e list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.\u003c/p\u003e\n","\u003cp\u003eFor more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \u003ctitle\u003e\"The Charlotte Observer\"\u003c/title\u003e, August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon"],"originalsloc_html_tesm":["\u003cp\u003eAll original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers."],"phystech_html_tesm":["\u003cp\u003eThere are two hard drives in this collection that are currently unavailable.\u003c/p\u003e","\u003cp\u003ePlease contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eThe born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.\u003c/p\u003e","\u003cp\u003ePreservation and Use copies have been created for these disks by the Accessioning Archivist.\u003c/p\u003e","\u003cp\u003eThree disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions."],"scopecontent_html_tesm":["\u003cp\u003eThe Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.\u003c/p\u003e","\u003cp\u003eThese correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.\u003c/p\u003e","\u003cp\u003eInterviews can also be found in publicity files.\u003c/p\u003e","\u003cp\u003eAgents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.\u003c/p\u003e","\u003cp\u003eThese files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.\u003c/p\u003e","\u003cp\u003eThis file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.\u003c/p\u003e","\u003cp\u003eOther examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.\u003c/p\u003e","\u003cp\u003eWriter in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.\u003c/p\u003e","\u003cp\u003eFile includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"\u003c/p\u003e","\u003cp\u003eThis correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by Bishop Harvey, June 8, 2000.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by him; McMillan assisted Jan Karon with questions about information used in \u003ctitle\u003eHome to Holly Springs\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eIncludes a card featuring a watercolor of Esmont, October 30, 2003.\u003c/p\u003e","\u003cp\u003eNote that some greeting card folders will also contain thank you cards and postcards from friends and family.\u003c/p\u003e","\u003cp\u003eOne letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.\u003c/p\u003e","\u003cp\u003eIncludes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.\u003c/p\u003e","\u003cp\u003eCorrespondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the \u003ctitle\u003eJan Karon's Mitford Cookbook \u0026amp; Kitchen Reader\u003c/title\u003e; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.\u003c/p\u003e","\u003cp\u003eAlso includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.\u003c/p\u003e","\u003cp\u003eIncludes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.\u003c/p\u003e","\u003cp\u003ePages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.\u003c/p\u003e","\u003cp\u003eAccompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book \u003ctitle\u003eMiss Fannie's Hat.\u003c/title\u003e Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"\u003c/p\u003e","\u003cp\u003eIncludes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.\u003c/p\u003e","\u003cp\u003eThis folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. \u003c/p\u003e\n","\u003cp\u003eThere are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).\u003c/p\u003e\n","\u003cp\u003eUpon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.\u003c/p\u003e\n","\u003cp\u003eOther Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"\u003c/p\u003e","\u003cp\u003eCorrespondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. \u003c/p\u003e\n","\u003cp\u003eIn 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. \u003c/p\u003e\n","\u003cp\u003eAlso included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. \u003c/p\u003e\n","\u003cp\u003eIn addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. \u003c/p\u003e\n","\u003cp\u003eBox ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont"],"separatedmaterial_html_tesm":["\u003cp\u003eFour books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"\u003c/p\u003e","\u003cp\u003eTwo books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:\u003c/p\u003e\n","\u003cp\u003eGarden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)\u003c/p\u003e\n","\u003cp\u003e\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"\u003c/p\u003e","\u003cp\u003eThe DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time."],"userestrict_html_tesm":["\u003cp\u003eThere are no use restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no use restrictions."],"names_ssim":["Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_coll_ssim":["Setzer family -- correspondence"],"famname_ssim":["Setzer family -- correspondence"],"persname_ssim":["Karon, Jan (Janice), 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_177_c06_c79"}},{"id":"viw_repositories_2_resources_1130_c01_c01_c13","type":"File","attributes":{"title":"Writer's Festival","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1130_c01_c01_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_1130_c01_c01_c13","ref_ssm":["viw_repositories_2_resources_1130_c01_c01_c13"],"id":"viw_repositories_2_resources_1130_c01_c01_c13","ead_ssi":"viw_repositories_2_resources_1130","_root_":"viw_repositories_2_resources_1130","_nest_parent_":"viw_repositories_2_resources_1130_c01_c01","parent_ssi":"viw_repositories_2_resources_1130_c01_c01","parent_ssim":["viw_repositories_2_resources_1130","viw_repositories_2_resources_1130_c01","viw_repositories_2_resources_1130_c01_c01"],"parent_ids_ssim":["viw_repositories_2_resources_1130","viw_repositories_2_resources_1130_c01","viw_repositories_2_resources_1130_c01_c01"],"parent_unittitles_ssm":["Department of English records","Publications","Box 1"],"parent_unittitles_tesim":["Department of English records","Publications","Box 1"],"text":["Department of English records","Publications","Box 1","Writer's Festival","Box 1","folder 13"],"title_filing_ssi":"Writer's Festival","title_ssm":["Writer's Festival"],"title_tesim":["Writer's Festival"],"unitdate_inclusive_ssm":["1979-2004"],"normalized_date_ssm":["1979/2004"],"normalized_title_ssm":["Writer's Festival"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Department of English records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":15,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"containers_ssim":["Box 1","folder 13"],"_nest_path_":"/components#0/components#0/components#12","timestamp":"2026-05-21T08:10:56.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1130","ead_ssi":"viw_repositories_2_resources_1130","_root_":"viw_repositories_2_resources_1130","_nest_parent_":"viw_repositories_2_resources_1130","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1130.xml","title_filing_ssi":"Department of English records","title_ssm":["Department of English records"],"title_tesim":["Department of English records"],"unitdate_ssm":["1922-2013"],"unitdate_inclusive_ssm":["1922-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 205","/repositories/2/resources/1130"],"text":["UA 205","/repositories/2/resources/1130","Department of English records","College of William and Mary--History--20th century","Screenwriting","Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","This collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection.","Box and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013.","Offices of the Presidents, Office of the Provost, Dean of Arts \u0026 Sciences, and related units."," Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).","This collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.","This series consist of publications and course material related to the Department of English at the College of William and Mary.","Brochure describing the Lemon Project circa 2009-2010","Invitation to reception to celebrate the renovation of Tucker Hall, November 13, 2013.","This series contains subject files and audiovisual material related to the Writing Resources Center at the College of William and Mary. Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.","Contains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. Includes annual reports, a history of the department, curriculum changes, and correspondence from the Dean of Arts and Sciences.","This series contains minutes from department meetings from 1972-1989; undergraduate curriculum review correspondence from 1969-1986; undergraduate policy committee correspondence from 1993; and correspondence realted to the William and Mary Assessment Program from 1994.","Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Deptartment of English","College of William and Mary. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. 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Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"custodhist_html_tesm":["\u003cp\u003eThis collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["This collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection."],"prefercite_html_tesm":["\u003cp\u003eDepartment of English records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Department of English records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. 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Includes annual reports, a history of the department, curriculum changes, and correspondence from the Dean of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eThis series contains minutes from department meetings from 1972-1989; undergraduate curriculum review correspondence from 1969-1986; undergraduate policy committee correspondence from 1993; and correspondence realted to the William and Mary Assessment Program from 1994.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.","This series consist of publications and course material related to the Department of English at the College of William and Mary.","Brochure describing the Lemon Project circa 2009-2010","Invitation to reception to celebrate the renovation of Tucker Hall, November 13, 2013.","This series contains subject files and audiovisual material related to the Writing Resources Center at the College of William and Mary. Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.","Contains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. Includes annual reports, a history of the department, curriculum changes, and correspondence from the Dean of Arts and Sciences.","This series contains minutes from department meetings from 1972-1989; undergraduate curriculum review correspondence from 1969-1986; undergraduate policy committee correspondence from 1993; and correspondence realted to the William and Mary Assessment Program from 1994."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. 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WAC has also maintained Peer Tutoring and Writing Fellows programs, providing talented students with opportunities to teach their skills to others. Writing fellows are assigned to specific classes and give feedback on written assignments, while peer tutors assist students through the university's Writing Center, which collaborates with but is no longer directly part of WAC. 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EAD markup completed by Elizabeth Beckman in December 2014."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of records created as part of George Mason University's Writing Across the Curriculum program. It includes documents produced as a result of the administration of the program, such as surveys of students and faculty members, correspondence, notes, statistics, meeting summaries, reports, and information related to student writing awards, as well as material produced by academic departments and faculty, such as criteria for assessing writing within different academic departments and syllabi from writing-intensive courses. Also included are records related to Writing Fellows and Peer Tutors associated with specific classes and with the university's Writing Center, as well as planning notes from and copies of the WAC program's Newsletter and the George Mason Review. 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It includes documents produced as a result of the administration of the program, such as surveys of students and faculty members, correspondence, notes, statistics, meeting summaries, reports, and information related to student writing awards, as well as material produced by academic departments and faculty, such as criteria for assessing writing within different academic departments and syllabi from writing-intensive courses. Also included are records related to Writing Fellows and Peer Tutors associated with specific classes and with the university's Writing Center, as well as planning notes from and copies of the WAC program's Newsletter and the George Mason Review. The records date from 1980-2014, with the bulk of materials dating from 1990-2013."," Series 1: Administrative Records contains statistical information, surveys, summaries, reports, correspondence, and general information related to the implementation and regular operations of the Writing Across the Curriculum program."," Series 2: Writing Assessment contains meeting minutes, correspondence, notes, and lists from the Writing Assessment Group, as well as rubrics, sample essays, reports, and records of workshops for various academic departments."," Series 3: Syllabi under review contains syllabi from classes to be designated as writing-intensive organized by academic department. ","  Series 4: Peer Tutors/Writing Fellows contains Peer Tutoring course information, as well as employment information and files on individual Writing Fellows and Peer Tutors, including faculty recommendations and student evaluations of Writing Fellows. "," Series 5: Writing Awards contains budget lists, correspondence, and photocopies of certificates for student departmental writing awards. ","  Series 6: Writing Intensive Courses includes criteria, reports, proposals, and correspondence related to the designation of courses as writing intensive. 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EAD markup completed by Elizabeth Beckman in December 2014."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of records created as part of George Mason University's Writing Across the Curriculum program. It includes documents produced as a result of the administration of the program, such as surveys of students and faculty members, correspondence, notes, statistics, meeting summaries, reports, and information related to student writing awards, as well as material produced by academic departments and faculty, such as criteria for assessing writing within different academic departments and syllabi from writing-intensive courses. Also included are records related to Writing Fellows and Peer Tutors associated with specific classes and with the university's Writing Center, as well as planning notes from and copies of the WAC program's Newsletter and the George Mason Review. 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The records date from 1980-2014, with the bulk of materials dating from 1990-2013."," Series 1: Administrative Records contains statistical information, surveys, summaries, reports, correspondence, and general information related to the implementation and regular operations of the Writing Across the Curriculum program."," Series 2: Writing Assessment contains meeting minutes, correspondence, notes, and lists from the Writing Assessment Group, as well as rubrics, sample essays, reports, and records of workshops for various academic departments."," Series 3: Syllabi under review contains syllabi from classes to be designated as writing-intensive organized by academic department. ","  Series 4: Peer Tutors/Writing Fellows contains Peer Tutoring course information, as well as employment information and files on individual Writing Fellows and Peer Tutors, including faculty recommendations and student evaluations of Writing Fellows. 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