{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026page=7","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026page=6","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026page=8","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026page=4373"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":4373,"limit_value":10,"offset_value":60,"total_count":43726,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_1974_c04_c105","type":"File","attributes":{"title":"18th Virginia Infantry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c105#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c105","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c105"],"id":"viblbv_repositories_2_resources_1974_c04_c105","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","18th Virginia Infantry","box 41","folder 40"],"title_filing_ssi":"18th Virginia Infantry","title_ssm":["18th Virginia Infantry"],"title_tesim":["18th Virginia Infantry"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1968, 1981, 1983, 1995-2001"],"normalized_date_ssm":["1861/2001"],"normalized_title_ssm":["18th Virginia Infantry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":451,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["box 41","folder 40"],"_nest_path_":"/components#3/components#104","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004 This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996 All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005 This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011 This series contains records of Virginia units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d. This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including Soldiers Blue and Gray (1988) (nominated for the Pulitzer Prize in History), Civil War Virginia: Battleground for a Nation (1991), General A. P. Hill: The Story of a Confederate Warrior ; and Stonewall Jackson: The Man, the Soldier, the Legend (1997). He has also written two books for younger readers: Civil War! America Becomes One Nation (1992) and Standing Like a Stone Wall: the Life of General Thomas J. Jackson (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B. Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968 ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler. Echoes of 1861-1961 ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler. The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis. Manassas (Bull Run) National Battlefield Park, Virginia (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004 This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996 All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005 This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011 This series contains records of Virginia units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d. This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including Soldiers Blue and Gray (1988) (nominated for the Pulitzer Prize in History), Civil War Virginia: Battleground for a Nation (1991), General A. P. Hill: The Story of a Confederate Warrior ; and Stonewall Jackson: The Man, the Soldier, the Legend (1997). He has also written two books for younger readers: Civil War! America Becomes One Nation (1992) and Standing Like a Stone Wall: the Life of General Thomas J. Jackson (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B. Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968 ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler. Echoes of 1861-1961 ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler. The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis. Manassas (Bull Run) National Battlefield Park, Virginia (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c105"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","type":"File","attributes":{"title":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","Box 11","folder 31"],"title_filing_ssi":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"title_tesim":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"unitdate_inclusive_ssm":["1914-2008"],"normalized_date_ssm":["1914/2008"],"normalized_title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 31"],"_nest_path_":"/components#0/components#0/components#10/components#5","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","type":"File","attributes":{"title":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c12_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\"","\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","Box 12","folder 36"],"title_filing_ssi":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"title_tesim":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"unitdate_inclusive_ssm":["1929-2008"],"normalized_date_ssm":["1929/2008"],"normalized_title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":50,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 12","folder 36"],"_nest_path_":"/components#0/components#0/components#11/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01"}},{"id":"vilxw_repositories_5_resources_231_c03_c03_c14","type":"File","attributes":{"title":"1932","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c03_c03_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c03_c03_c14","ref_ssm":["vilxw_repositories_5_resources_231_c03_c03_c14"],"id":"vilxw_repositories_5_resources_231_c03_c03_c14","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c03_c03","parent_ssi":"vilxw_repositories_5_resources_231_c03_c03","parent_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c03","vilxw_repositories_5_resources_231_c03_c03"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c03","vilxw_repositories_5_resources_231_c03_c03"],"parent_unittitles_ssm":["O.W. Riegel Papers","Autobiography: \"Hacking It\"","Drafts"],"parent_unittitles_tesim":["O.W. Riegel Papers","Autobiography: \"Hacking It\"","Drafts"],"text":["O.W. Riegel Papers","Autobiography: \"Hacking It\"","Drafts","1932","English .","folder 35"],"title_filing_ssi":"1932","title_ssm":["1932"],"title_tesim":["1932"],"unitdate_inclusive_ssm":["1982-1996"],"normalized_date_ssm":["1982/1996"],"normalized_title_ssm":["1932"],"component_level_isim":[3],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":674,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"language_ssim":["English ."],"containers_ssim":["folder 35"],"_nest_path_":"/components#2/components#2/components#13","timestamp":"2026-05-20T21:30:16.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"text":["WLU.Coll.0387","/repositories/5/resources/231","O.W. Riegel Papers","Propaganda ","Journalism","This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid, financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster , and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.","There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English \n. "],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"normalized_title_ssm":["O.W. Riegel Papers"],"collection_title_tesim":["O.W. Riegel Papers"],"collection_ssim":["O.W. Riegel Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creators_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda ","Journalism"],"access_subjects_ssm":["Propaganda ","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"arrangement_html_tesm":["\u003cp\u003eSome items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e\n","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e","\u003cp\u003eItems in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's\u003c/p\u003e","\u003cp\u003eRiegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations that people felt deserved the award for 1963.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist primarily of correspondence addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e","\u003cp\u003eThe items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.\u003c/p\u003e","\u003cp\u003eThis subseries contains the most up-to-date version of Riegel's unpublished autobiography.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel took on various subjects related to his autobiography.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.\u003c/p\u003e","\u003cp\u003eItems in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.\u003c/p\u003e","\u003cp\u003eAs the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.\u003c/p\u003e","\u003cp\u003eThe Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.\u003c/p\u003e","\u003cp\u003eJournalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.\u003c/p\u003e","\u003cp\u003eRiegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.\u003c/p\u003e","\u003cp\u003eRiegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThis advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.\u003c/p\u003e","\u003cp\u003ethe Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.\u003c/p\u003e","\u003cp\u003eThe Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.\u003c/p\u003e","\u003cp\u003eDuring Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.\u003c/p\u003e","\u003cp\u003eMass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.\u003c/p\u003e","\u003cp\u003ePublicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.\u003c/p\u003e","\u003cp\u003eThis subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.\u003c/p\u003e","\u003cp\u003eMaterials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.\u003c/p\u003e","\u003cp\u003eThis subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.\u003c/p\u003e","\u003cp\u003eThis subseries consists of iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the receipts and charges Riegel kept from his travels in europe.\u003c/p\u003e","\u003cp\u003eThis subseries consists of maps of various european countries that Riegel traveled through.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eThe items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the West German Cultural Exchange program and its impact on its participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.\u003c/p\u003e","\u003cp\u003eRiegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.\u003c/p\u003e","\u003cp\u003eCorrespondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.\u003c/p\u003e","\u003cp\u003ePublications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.\u003c/p\u003e","\u003cp\u003eRiegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.\u003c/p\u003e","\u003cp\u003eTh inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.\u003c/p\u003e","\u003cp\u003eGoverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.\u003c/p\u003e","\u003cp\u003eGovernment reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.\u003c/p\u003e","\u003cp\u003eNewspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.\u003c/p\u003e","\u003cp\u003eRiegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.\u003c/p\u003e","\u003cp\u003eThe publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.\u003c/p\u003e","\u003cp\u003eItems in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.\u003c/p\u003e","\u003cp\u003eItems in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.\u003c/p\u003e","\u003cp\u003eRiegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.\u003c/p\u003e","\u003cp\u003eRiegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.\u003c/p\u003e","\u003cp\u003eEuropean propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.\u003c/p\u003e","\u003cp\u003eO.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.\u003c/p\u003e","\u003cp\u003eThese newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.\u003c/p\u003e","\u003cp\u003eRiegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.\u003c/p\u003e","\u003cp\u003eReports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.\u003c/p\u003e","\u003cp\u003eThe Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.\u003c/p\u003e","\u003cp\u003eThe Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.\u003c/p\u003e","\u003cp\u003eSegments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.\u003c/p\u003e","\u003cp\u003eRiegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.\u003c/p\u003e","\u003cp\u003eRiegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.\u003c/p\u003e","\u003cp\u003eRiegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.\u003c/p\u003e","\u003cp\u003eThe Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.\u003c/p\u003e","\u003cp\u003eRiegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.\u003c/p\u003e","\u003cp\u003eThe Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.\u003c/p\u003e","\u003cp\u003eItems from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.\u003c/p\u003e","\u003cp\u003eRiegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.\u003c/p\u003e","\u003cp\u003eThe two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.\u003c/p\u003e","\u003cp\u003eIncludes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.\u003c/p\u003e","\u003cp\u003eRiegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.\u003c/p\u003e","\u003cp\u003eThis folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"\u003c/p\u003e","\u003cp\u003eThis volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.\u003c/p\u003e","\u003cp\u003eRiegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid, financial statements on purchases, war ration books, and programs from events he attended.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.\u003c/p\u003e","\u003cp\u003ePublications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.\u003c/p\u003e","\u003cp\u003eThis subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.\u003c/p\u003e","\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.\u003c/p\u003e","\u003cp\u003eThis subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.\u003c/p\u003e","\u003cp\u003eThis subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.\u003c/p\u003e","\u003cp\u003eThis subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.\u003c/p\u003e","\u003cp\u003eThis subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on the efforts of Christian Trade Unions to combat the spread of Communism.\u003c/p\u003e","\u003cp\u003eThese radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".\u003c/p\u003e","\u003cp\u003eThe U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.\u003c/p\u003e","\u003cp\u003eItems in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.\u003c/p\u003e","\u003cp\u003eThis folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"\u003c/p\u003e","\u003cp\u003eA 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.\u003c/p\u003e","\u003cp\u003eThe Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.\u003c/p\u003e","\u003cp\u003eItems in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.\u003c/p\u003e","\u003cp\u003eItems in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.\u003c/p\u003e","\u003cp\u003eThis series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Communications was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.\u003c/p\u003e","\u003cp\u003eThis subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Movies was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Press was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Radio was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.\u003c/p\u003e","\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons\u003c/p\u003e","\u003cp\u003eItems in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.\u003c/p\u003e","\u003cp\u003eThis box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.\u003c/p\u003e","\u003cp\u003eRiegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.\u003c/p\u003e","\u003cp\u003eThe contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, \u003ci\u003eThe Jeffster\u003c/i\u003e, and photographs of the SIPA Awards banquet from 1953 and 1955.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of speeches and speech excerpts by various SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.\u003c/p\u003e","\u003cp\u003eThe contents in this sub-series consist of artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.\u003c/p\u003e","\u003cp\u003eAlice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.\u003c/p\u003e","\u003cp\u003eCongressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.\u003c/p\u003e","\u003cp\u003eRiegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.\u003c/p\u003e","\u003cp\u003eJim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.\u003c/p\u003e","\u003cp\u003eThis subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eAfter World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.\u003c/p\u003e","\u003cp\u003eRiegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid, financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster , and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"separatedmaterial_html_tesm":["\u003cp\u003eThere is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.\u003c/p\u003e","\u003cp\u003eSome items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.\u003c/p\u003e","\u003cp\u003eThe leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Riegel, Hunt"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English \n. "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2584,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:30:16.538Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c03_c03_c14"}},{"id":"viw_repositories_2_resources_8884_c03_c01_c42","type":"File","attributes":{"title":"1938 Excavation Report on Bruton Parish Church of 1683 by Dagmar von Toal","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8884_c03_c01_c42#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8884_c03_c01_c42","ref_ssm":["viw_repositories_2_resources_8884_c03_c01_c42"],"id":"viw_repositories_2_resources_8884_c03_c01_c42","ead_ssi":"viw_repositories_2_resources_8884","_root_":"viw_repositories_2_resources_8884","_nest_parent_":"viw_repositories_2_resources_8884_c03_c01","parent_ssi":"viw_repositories_2_resources_8884_c03_c01","parent_ssim":["viw_repositories_2_resources_8884","viw_repositories_2_resources_8884_c03","viw_repositories_2_resources_8884_c03_c01"],"parent_ids_ssim":["viw_repositories_2_resources_8884","viw_repositories_2_resources_8884_c03","viw_repositories_2_resources_8884_c03_c01"],"parent_unittitles_ssm":["J. Paul Hudson Papers","Series 3: Bruton Parish Church","Box 2"],"parent_unittitles_tesim":["J. Paul Hudson Papers","Series 3: Bruton Parish Church","Box 2"],"text":["J. Paul Hudson Papers","Series 3: Bruton Parish Church","Box 2","1938 Excavation Report on Bruton Parish Church of 1683 by Dagmar von Toal","Box 2","Folder 42"],"title_filing_ssi":"1938 Excavation Report on Bruton Parish Church of 1683 by Dagmar von Toal","title_ssm":["1938 Excavation Report on Bruton Parish Church of 1683 by Dagmar von Toal"],"title_tesim":["1938 Excavation Report on Bruton Parish Church of 1683 by Dagmar von Toal"],"unitdate_inclusive_ssm":["1992 May"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["1938 Excavation Report on Bruton Parish Church of 1683 by Dagmar von Toal"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["J. Paul Hudson Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":70,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1992],"containers_ssim":["Box 2","Folder 42"],"_nest_path_":"/components#2/components#0/components#41","timestamp":"2026-05-21T14:18:28.037Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8884","ead_ssi":"viw_repositories_2_resources_8884","_root_":"viw_repositories_2_resources_8884","_nest_parent_":"viw_repositories_2_resources_8884","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8884.xml","title_filing_ssi":"J. Paul Hudson Papers","title_ssm":["J. Paul Hudson Papers"],"title_tesim":["J. Paul Hudson Papers"],"unitdate_ssm":["1930-1998"],"unitdate_inclusive_ssm":["1930-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2001.29","/repositories/2/resources/8884"],"text":["Mss. Acc. 2001.29","/repositories/2/resources/8884","J. Paul Hudson Papers","Jamestown (Va.)--History","Williamsburg (Va.)--Buildings, structures, etc","Episcopal Church--Virginia--History","Notebooks","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","J. Paul Hudson worked for the National Park Service at Yosemite National Park, Morristown National Historical Park and as museum curator at Colonial National Historical Park (Jamestown, Va. and Yorktown, Va.). Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Bradley Glasebrook in 2002.","Bruton Parish Church (Williamsburg, Va.) Records, Series 5, Church History, J. Paul Hudson Papers, Box 61 and Box 62.","Historical notes compiled by J. Paul Hudson. Papers relate to colonial churches in Virginia. Primary focus is on the history of Bruton Parish Church and the church at Jamestown, Virginia and the people associated with them.","Includes box of index notes entitled \"Church Notes\" which is organized by subject, name of church and county and/or author.","Accession 2004.37:","Material regarding Church of St. Mary the Virgin, Bruton, England. Poem and photograph.","Accession 2004.44 addition:","Concerns Richard Burke. Includes blueprint of plaque, bulletins, September 13,1964, commemorating Richard Burke, second minister of Jamestown Church (performed marriage of Rolfe and Pocahantas), and correspondence relating to the Burke plaque at Jamestown Church.","Accession 2008.266:","Three binders containing copy of typed manuscript of \"Seventeenth-Century Glass Excavated at Jamestown, Virginia\" by J. Paul Hudson.  Dated September 1978.  An earlier version or part of this study is in book form in Swem's General Stacks:  NK5112 H79 1961 Seventeenth century glass wine bottles and seals excavated at Jamestown .","Hudson's career with the National Park Service. Includes his time at Yosemite National Park, Morristown National Historical Park, and Colonial National Historical Park, Jamestown and Yorktown. Box I.","Recollection of Geroge Washington birth home and Mt. Vernon","Box I","pp. 1-51","pp. 52-112","pp. 113-155","pp. 156-sources","Scope and Contents Includes condensed history, chronology of clergy at Bruton, chronology of Bruton Parish Chruch, 1614-1818, chronology of Middle Plantation Parish, 1633-1674, and reports on the 1938 excavation of Bruton churchyard in search of Bacon's vault. Historical survey and guide of churchyard. Chronology of people buried in churchyard. Research papers on pews, galleries, bell, organ, ornaments, font, silver, and objects owned by Bruton Parish. Various informational booklets. Minutes of Historical Advisory Committee and Bruton Vestry, 1632-1828. Correspondence with Thom Blair. Article on religion in Colonial Virginia. Famous Americans with Bruton association. Reports, correspondence, and articles of various family associations with Bruton Parish. Report on the Establishment Years, 1674-1802, by Thom Blair. History report on Bruton by Edward C. Riley. Condensed history by Hudson and W.A.R. Goodwin. Book entitled, \"Notes on the Early History of Bruton Parish Church\", compiled by Hudson, bound July 23, 1999. Boxes II, III, IV.","Folders 1-45","pp. 1-70.","pp. 71-143","Folders 1-43","Folders 1-71","pp. i-49","pp. 50-108","All are extra copies","2 copies","Report on the founding of the American Anglican Church at Jamestown. Jamestown ministries 1607-circa 1758. The churches at Jamestown 1607-1907. Publications of The Virginian Churchman with articles on Jamestown Church. Report on the Jamestown settlement in 1621-23. The Church in 1617 and 1639. Various brochures and booklet titles, \"The Church Comes to America,\" undated. Report by the Association for the Preservation of Virginia Antiquities on the Jamestown Church. Photos of church ruins and excavations. Box V.","2 copies","2nd copy","Scope and Contents Report on colonial churches of Virginia by Hudson. A brief guide to the colonial churches of Virginia, with map. Several articles on colonial churches in Historical Magazine of the Protestant Episcopal Church. Chronology of Virginia churches by A. Lawrence Kocher, circa 1957. Report titled \"Samuel Davies, Apostle of Dissent in Colonial Virginia\" by George Pilcher. The Dioceses of Virginia Parish Lines. Colonial churches which have disappeared and been excavated. Information, photos, brochures, and programs for opening Virginia churches. Boxes V and VI.","St. Paul's, Henrico, Randolph, Bristol, Nottoway, Lynnhaven, Albemarle, James City, Portsmouth","Christ Church, St. Mary's, Whitechapel, North Farnham, South Farnham, Truro, St. Martin's, Varina, Fairfax.","Charles River Shire, St. Peter's, Blisland, Sale, Overwharton, Fredericksville, St. Anne's, Frederick","Stone excavated in reference to Pontius Pilate","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Bruton Parish Church (Williamsburg, Va.)","Colonial National Historical Park (Va.)","Jamestown Church","United States. National Park Service","English"],"unitid_tesim":["Mss. Acc. 2001.29","/repositories/2/resources/8884"],"normalized_title_ssm":["J. Paul Hudson Papers"],"collection_title_tesim":["J. 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Accession 2004.37 by Sue Godson. Accession 2004.44 by Fred Boelt."],"access_subjects_ssim":["Episcopal Church--Virginia--History","Notebooks"],"access_subjects_ssm":["Episcopal Church--Virginia--History","Notebooks"],"has_online_content_ssim":["false"],"extent_ssm":["6.10 Linear Feet"],"extent_tesim":["6.10 Linear Feet"],"genreform_ssim":["Notebooks"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJ. Paul Hudson worked for the National Park Service at Yosemite National Park, Morristown National Historical Park and as museum curator at Colonial National Historical Park (Jamestown, Va. and Yorktown, Va.). Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/J._Paul_Hudson\" title=\"J. Paul Hudson\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["J. Paul Hudson worked for the National Park Service at Yosemite National Park, Morristown National Historical Park and as museum curator at Colonial National Historical Park (Jamestown, Va. and Yorktown, Va.). Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eJ. Paul Hudson Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["J. Paul Hudson Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bradley Glasebrook in 2002.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Bradley Glasebrook in 2002."],"relatedmaterial_html_tesm":["\u003cp\u003eBruton Parish Church (Williamsburg, Va.) Records, Series 5, Church History, J. Paul Hudson Papers, Box 61 and Box 62.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bruton Parish Church (Williamsburg, Va.) Records, Series 5, Church History, J. Paul Hudson Papers, Box 61 and Box 62."],"scopecontent_html_tesm":["\u003cp\u003eHistorical notes compiled by J. Paul Hudson. Papers relate to colonial churches in Virginia. Primary focus is on the history of Bruton Parish Church and the church at Jamestown, Virginia and the people associated with them.\u003c/p\u003e\n","\u003cp\u003eIncludes box of index notes entitled \"Church Notes\" which is organized by subject, name of church and county and/or author.\u003c/p\u003e\n","\u003cp\u003eAccession 2004.37:\u003c/p\u003e\n","\u003cp\u003eMaterial regarding Church of St. Mary the Virgin, Bruton, England. Poem and photograph.\u003c/p\u003e\n","\u003cp\u003eAccession 2004.44 addition:\u003c/p\u003e\n","\u003cp\u003eConcerns Richard Burke. Includes blueprint of plaque, bulletins, September 13,1964, commemorating Richard Burke, second minister of Jamestown Church (performed marriage of Rolfe and Pocahantas), and correspondence relating to the Burke plaque at Jamestown Church.\u003c/p\u003e\n","\u003cp\u003eAccession 2008.266:\u003c/p\u003e\n","\u003cp\u003eThree binders containing copy of typed manuscript of \"Seventeenth-Century Glass Excavated at Jamestown, Virginia\" by J. Paul Hudson.  Dated September 1978.  An earlier version or part of this study is in book form in Swem's General Stacks:  NK5112 H79 1961 \u003cemph render=\"italic\"\u003eSeventeenth century glass wine bottles and seals excavated at Jamestown\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eHudson's career with the National Park Service. Includes his time at Yosemite National Park, Morristown National Historical Park, and Colonial National Historical Park, Jamestown and Yorktown. Box I.\u003c/p\u003e","\u003cp\u003eRecollection of Geroge Washington birth home and Mt. Vernon\u003c/p\u003e","\u003cp\u003eBox I\u003c/p\u003e","\u003cp\u003epp. 1-51\u003c/p\u003e","\u003cp\u003epp. 52-112\u003c/p\u003e","\u003cp\u003epp. 113-155\u003c/p\u003e","\u003cp\u003epp. 156-sources\u003c/p\u003e","\u003cp\u003eScope and Contents Includes condensed history, chronology of clergy at Bruton, chronology of Bruton Parish Chruch, 1614-1818, chronology of Middle Plantation Parish, 1633-1674, and reports on the 1938 excavation of Bruton churchyard in search of Bacon's vault. Historical survey and guide of churchyard. Chronology of people buried in churchyard. Research papers on pews, galleries, bell, organ, ornaments, font, silver, and objects owned by Bruton Parish. Various informational booklets. Minutes of Historical Advisory Committee and Bruton Vestry, 1632-1828. Correspondence with Thom Blair. Article on religion in Colonial Virginia. Famous Americans with Bruton association. Reports, correspondence, and articles of various family associations with Bruton Parish. Report on the Establishment Years, 1674-1802, by Thom Blair. History report on Bruton by Edward C. Riley. Condensed history by Hudson and W.A.R. Goodwin. Book entitled, \"Notes on the Early History of Bruton Parish Church\", compiled by Hudson, bound July 23, 1999. Boxes II, III, IV.\u003c/p\u003e","\u003cp\u003eFolders 1-45\u003c/p\u003e","\u003cp\u003epp. 1-70.\u003c/p\u003e","\u003cp\u003epp. 71-143\u003c/p\u003e","\u003cp\u003eFolders 1-43\u003c/p\u003e","\u003cp\u003eFolders 1-71\u003c/p\u003e","\u003cp\u003epp. i-49\u003c/p\u003e","\u003cp\u003epp. 50-108\u003c/p\u003e","\u003cp\u003eAll are extra copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eReport on the founding of the American Anglican Church at Jamestown. Jamestown ministries 1607-circa 1758. The churches at Jamestown 1607-1907. Publications of The Virginian Churchman with articles on Jamestown Church. Report on the Jamestown settlement in 1621-23. The Church in 1617 and 1639. Various brochures and booklet titles, \"The Church Comes to America,\" undated. Report by the Association for the Preservation of Virginia Antiquities on the Jamestown Church. Photos of church ruins and excavations. Box V.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2nd copy\u003c/p\u003e","\u003cp\u003eScope and Contents Report on colonial churches of Virginia by Hudson. A brief guide to the colonial churches of Virginia, with map. Several articles on colonial churches in Historical Magazine of the Protestant Episcopal Church. Chronology of Virginia churches by A. Lawrence Kocher, circa 1957. Report titled \"Samuel Davies, Apostle of Dissent in Colonial Virginia\" by George Pilcher. The Dioceses of Virginia Parish Lines. Colonial churches which have disappeared and been excavated. Information, photos, brochures, and programs for opening Virginia churches. Boxes V and VI.\u003c/p\u003e","\u003cp\u003eSt. Paul's, Henrico, Randolph, Bristol, Nottoway, Lynnhaven, Albemarle, James City, Portsmouth\u003c/p\u003e","\u003cp\u003eChrist Church, St. Mary's, Whitechapel, North Farnham, South Farnham, Truro, St. Martin's, Varina, Fairfax.\u003c/p\u003e","\u003cp\u003eCharles River Shire, St. Peter's, Blisland, Sale, Overwharton, Fredericksville, St. Anne's, Frederick\u003c/p\u003e","\u003cp\u003eStone excavated in reference to Pontius Pilate\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Historical notes compiled by J. Paul Hudson. Papers relate to colonial churches in Virginia. Primary focus is on the history of Bruton Parish Church and the church at Jamestown, Virginia and the people associated with them.","Includes box of index notes entitled \"Church Notes\" which is organized by subject, name of church and county and/or author.","Accession 2004.37:","Material regarding Church of St. Mary the Virgin, Bruton, England. Poem and photograph.","Accession 2004.44 addition:","Concerns Richard Burke. Includes blueprint of plaque, bulletins, September 13,1964, commemorating Richard Burke, second minister of Jamestown Church (performed marriage of Rolfe and Pocahantas), and correspondence relating to the Burke plaque at Jamestown Church.","Accession 2008.266:","Three binders containing copy of typed manuscript of \"Seventeenth-Century Glass Excavated at Jamestown, Virginia\" by J. Paul Hudson.  Dated September 1978.  An earlier version or part of this study is in book form in Swem's General Stacks:  NK5112 H79 1961 Seventeenth century glass wine bottles and seals excavated at Jamestown .","Hudson's career with the National Park Service. Includes his time at Yosemite National Park, Morristown National Historical Park, and Colonial National Historical Park, Jamestown and Yorktown. Box I.","Recollection of Geroge Washington birth home and Mt. Vernon","Box I","pp. 1-51","pp. 52-112","pp. 113-155","pp. 156-sources","Scope and Contents Includes condensed history, chronology of clergy at Bruton, chronology of Bruton Parish Chruch, 1614-1818, chronology of Middle Plantation Parish, 1633-1674, and reports on the 1938 excavation of Bruton churchyard in search of Bacon's vault. Historical survey and guide of churchyard. Chronology of people buried in churchyard. Research papers on pews, galleries, bell, organ, ornaments, font, silver, and objects owned by Bruton Parish. Various informational booklets. Minutes of Historical Advisory Committee and Bruton Vestry, 1632-1828. Correspondence with Thom Blair. Article on religion in Colonial Virginia. Famous Americans with Bruton association. Reports, correspondence, and articles of various family associations with Bruton Parish. Report on the Establishment Years, 1674-1802, by Thom Blair. History report on Bruton by Edward C. Riley. Condensed history by Hudson and W.A.R. Goodwin. Book entitled, \"Notes on the Early History of Bruton Parish Church\", compiled by Hudson, bound July 23, 1999. Boxes II, III, IV.","Folders 1-45","pp. 1-70.","pp. 71-143","Folders 1-43","Folders 1-71","pp. i-49","pp. 50-108","All are extra copies","2 copies","Report on the founding of the American Anglican Church at Jamestown. Jamestown ministries 1607-circa 1758. The churches at Jamestown 1607-1907. Publications of The Virginian Churchman with articles on Jamestown Church. Report on the Jamestown settlement in 1621-23. The Church in 1617 and 1639. Various brochures and booklet titles, \"The Church Comes to America,\" undated. Report by the Association for the Preservation of Virginia Antiquities on the Jamestown Church. Photos of church ruins and excavations. Box V.","2 copies","2nd copy","Scope and Contents Report on colonial churches of Virginia by Hudson. A brief guide to the colonial churches of Virginia, with map. Several articles on colonial churches in Historical Magazine of the Protestant Episcopal Church. Chronology of Virginia churches by A. Lawrence Kocher, circa 1957. Report titled \"Samuel Davies, Apostle of Dissent in Colonial Virginia\" by George Pilcher. The Dioceses of Virginia Parish Lines. Colonial churches which have disappeared and been excavated. Information, photos, brochures, and programs for opening Virginia churches. Boxes V and VI.","St. Paul's, Henrico, Randolph, Bristol, Nottoway, Lynnhaven, Albemarle, James City, Portsmouth","Christ Church, St. Mary's, Whitechapel, North Farnham, South Farnham, Truro, St. Martin's, Varina, Fairfax.","Charles River Shire, St. Peter's, Blisland, Sale, Overwharton, Fredericksville, St. Anne's, Frederick","Stone excavated in reference to Pontius Pilate"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Bruton Parish Church (Williamsburg, Va.)","Colonial National Historical Park (Va.)","Jamestown Church","United States. National Park Service"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Bruton Parish Church (Williamsburg, Va.)","Colonial National Historical Park (Va.)","Jamestown Church","United States. National Park Service"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Bruton Parish Church (Williamsburg, Va.)","Colonial National Historical Park (Va.)","Jamestown Church","United States. National Park Service"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":272,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:18:28.037Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8884_c03_c01_c42"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c13_c01","type":"File","attributes":{"title":"\"1946-1954: Cold Wars and the Dream Deferred\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c13_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c13_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c13_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c13_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c13","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c13","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c13"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c13"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends","\"1946-1954: Cold Wars and the Dream Deferred\"","Box 13","folder 45"],"title_filing_ssi":"\"1946-1954: Cold Wars and the Dream Deferred\"","title_ssm":["\"1946-1954: Cold Wars and the Dream Deferred\""],"title_tesim":["\"1946-1954: Cold Wars and the Dream Deferred\""],"unitdate_inclusive_ssm":["1950-2008"],"normalized_date_ssm":["1950/2008"],"normalized_title_ssm":["\"1946-1954: Cold Wars and the Dream Deferred\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":60,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 13","folder 45"],"_nest_path_":"/components#0/components#0/components#12/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c13_c01"}},{"id":"wvmturhc_repositories_2_resources_5375_c06_c240","type":"File","attributes":{"title":"1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5375_c06_c240#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5375_c06_c240","ref_ssm":["wvmturhc_repositories_2_resources_5375_c06_c240"],"id":"wvmturhc_repositories_2_resources_5375_c06_c240","ead_ssi":"wvmturhc_repositories_2_resources_5375","_root_":"wvmturhc_repositories_2_resources_5375","_nest_parent_":"wvmturhc_repositories_2_resources_5375_c06","parent_ssi":"wvmturhc_repositories_2_resources_5375_c06","parent_ssim":["wvmturhc_repositories_2_resources_5375","wvmturhc_repositories_2_resources_5375_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5375","wvmturhc_repositories_2_resources_5375_c06"],"parent_unittitles_ssm":["Pearl S. 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Other Works","1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","Box 63","Folder 254.1"],"title_filing_ssi":"1949 Introduction to The Good Earth ; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"title_tesim":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"unitdate_inclusive_ssm":["1949, 2014"],"normalized_date_ssm":["1949/2014"],"normalized_title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Pearl S. Buck, Author, Literary Manuscripts"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":597,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"containers_ssim":["Box 63","Folder 254.1"],"_nest_path_":"/components#5/components#239","timestamp":"2026-05-21T01:24:29.099Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5375","ead_ssi":"wvmturhc_repositories_2_resources_5375","_root_":"wvmturhc_repositories_2_resources_5375","_nest_parent_":"wvmturhc_repositories_2_resources_5375","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5375.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198663","title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"unitdate_ssm":["circa 1923-2014","circa 1923-1973"],"unitdate_bulk_ssim":["circa 1923-1973"],"unitdate_inclusive_ssm":["circa 1923-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"text":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375","Pearl S. Buck, Author, Literary Manuscripts","China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers.","Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American -- 20th century","Women social reformers -- United States","No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.","727","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis, Pearl S. Buck's Manuscripts: The Harvest of Half a Century (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel, East Wind, West Wind ; \n a typescript of Sons ; \n original holograph and typescripts of The Patriot ; \n typescripts of The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents -- The Exile and The Fighting Angel -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled Of Men and Women ;"," typescripts of How it Happens ;"," multiple drafts of The Joy of Children ; and"," multiple drafts of her autobiographies, My Several Worlds and A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including The Big Fight , The Big Wave , and Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of All Men Are Brothers , Buck's translation of one of China's most famous novels, Shui Hu Chuan (also known as Water Margin or Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel, East Wind, West Wind (box 77b, folder 1 and 2).","Signed letter to Rare Signatures, A\u0026M 435:"," Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:"," Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960","English \n. "],"unitid_tesim":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"normalized_title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_ssim":["Pearl S. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American -- 20th century","Women social reformers -- United States"],"access_subjects_ssm":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American -- 20th century","Women social reformers -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"extent_tesim":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003ePearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.\u003c/p\u003e\n","\u003cp\u003e Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature.\u003c/p\u003e\n","\u003cp\u003e By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934.\u003c/p\u003e\n","\u003cp\u003e Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.\u003c/p\u003e\n","\u003cp\u003e Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.\u003c/p\u003e\n","\u003cp\u003e After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026amp;M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e727\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["727"],"scopecontent_html_tesm":["\u003cp\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China.\u003c/p\u003e\n","\u003cp\u003e The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck.\u003c/p\u003e\n","\u003cp\u003e Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more.\u003c/p\u003e\n","\u003cp\u003e Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects.\u003c/p\u003e\n","\u003cp\u003e For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author, Papers.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eOverview of Record Series:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e The collection includes eight series:\u003c/p\u003e\n","\u003cp\u003e Series 1. Novels; ca. 1930-1973.\u003clb\u003e\u003c/lb\u003e\n Series 2. Non-fiction; ca. 1936-1972.\u003clb\u003e\u003c/lb\u003e\n Series 3. Children's Books; ca. 1940-1967.\u003clb\u003e\u003c/lb\u003e\n Series 4. Translation; ca. 1933.\u003clb\u003e\u003c/lb\u003e\n Series 5. Collections of Short Stories; ca. 1934-1973.\u003clb\u003e\u003c/lb\u003e\n Series 6. Other Works; ca. 1923-1967, 2014.\u003clb\u003e\u003c/lb\u003e\n Series 7. Miscellaneous; ca. 1960-2014.\u003clb\u003e\u003c/lb\u003e\n Series 8. Oversized; ca. 1930-1995.\u003c/p\u003e\n","\u003cp\u003e Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis, \u003cemph render=\"italic\"\u003ePearl S. Buck's Manuscripts: The Harvest of Half a Century\u003c/emph\u003e (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis.\u003c/p\u003e\n","\u003cp\u003e Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified.\u003c/p\u003e\n","\u003cp\u003e Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86.\u003c/p\u003e\n","\u003cp\u003e Regarding terminology in this finding aid:\u003c/p\u003e\n","\u003cp\u003e \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper.\u003c/p\u003e\n","\u003cp\u003e \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination.\u003c/p\u003e\n","\u003cp\u003e \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\".\u003c/p\u003e\n","\u003cp\u003e \"Holograph\" indicates an entirely handwritten work (as opposed to typescript).\u003c/p\u003e\n","\u003cp\u003e \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys.\u003c/p\u003e\n","\u003cp\u003e \"PSB\" stands for Pearl S. Buck.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003clb\u003e\u003c/lb\u003e\n paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n a typescript of \u003cemph render=\"italic\"\u003eSons\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n original holograph and typescripts of \u003cemph render=\"italic\"\u003eThe Patriot\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n typescripts of \u003cemph render=\"italic\"\u003eThe Angry Wife\u003c/emph\u003e, her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and\u003clb\u003e\u003c/lb\u003e\n multiple drafts of \u003cemph render=\"italic\"\u003eImperial Woman\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents -- \u003cemph render=\"italic\"\u003eThe Exile\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Fighting Angel\u003c/emph\u003e -- two novels that helped earn her the 1938 Nobel Prize in Literature;\u003c/p\u003e\n","\u003cp\u003e a mixed manuscript of the book titled \u003cemph render=\"italic\"\u003eOf Men and Women\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e typescripts of \u003cemph render=\"italic\"\u003eHow it Happens\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e multiple drafts of \u003cemph render=\"italic\"\u003eThe Joy of Children\u003c/emph\u003e; and\u003c/p\u003e\n","\u003cp\u003e multiple drafts of her autobiographies, \u003cemph render=\"italic\"\u003eMy Several Worlds\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eA Bridge for Passing\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including \u003cemph render=\"italic\"\u003eThe Big Fight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Big Wave\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eMatthew, Mark, Luke and John\u003c/emph\u003e. Galleys can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes two typescript drafts of \u003cemph render=\"italic\"\u003eAll Men Are Brothers\u003c/emph\u003e, Buck's translation of one of China's most famous novels, \u003cemph render=\"italic\"\u003eShui Hu Chuan\u003c/emph\u003e (also known as \u003cemph render=\"italic\"\u003eWater Margin\u003c/emph\u003e or \u003cemph render=\"italic\"\u003eShui Hu Zhuan\u003c/emph\u003e). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work.\u003c/p\u003e\n","\u003cp\u003e Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e a January 1923 issue of the journal \u003cemph render=\"italic\"\u003eThe Atlantic Monthly\u003c/emph\u003e, containing Buck's first published article, \"In China, Too\" (box 70, folder 282);\u003c/p\u003e\n","\u003cp\u003e a typescript introduction to \u003cemph render=\"italic\"\u003eThe Good Earth\u003c/emph\u003e, 1949 (box 63, folder 254.1);\u003c/p\u003e\n","\u003cp\u003e a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);\u003c/p\u003e\n","\u003cp\u003e a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and\u003c/p\u003e\n","\u003cp\u003e typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).\u003c/p\u003e","\u003cp\u003eIncludes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);\u003c/p\u003e\n","\u003cp\u003e records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and\u003c/p\u003e\n","\u003cp\u003e a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365).\u003c/p\u003e\n","\u003cp\u003e Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others.\u003c/p\u003e\n","\u003cp\u003e Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21).\u003c/p\u003e\n","\u003cp\u003e Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders.\u003c/p\u003e\n","\u003cp\u003e Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.\u003c/p\u003e","\u003cp\u003eIncludes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e (box 77b, folder 1 and 2).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis, Pearl S. Buck's Manuscripts: The Harvest of Half a Century (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel, East Wind, West Wind ; \n a typescript of Sons ; \n original holograph and typescripts of The Patriot ; \n typescripts of The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents -- The Exile and The Fighting Angel -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled Of Men and Women ;"," typescripts of How it Happens ;"," multiple drafts of The Joy of Children ; and"," multiple drafts of her autobiographies, My Several Worlds and A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including The Big Fight , The Big Wave , and Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of All Men Are Brothers , Buck's translation of one of China's most famous novels, Shui Hu Chuan (also known as Water Margin or Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel, East Wind, West Wind (box 77b, folder 1 and 2)."],"separatedmaterial_html_tesm":["\u003cp\u003eSigned letter to Rare Signatures, A\u0026amp;M 435:\u003c/p\u003e\n","\u003cp\u003e Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.\u003c/p\u003e\n","\u003cp\u003eBook to Book Collection:\u003c/p\u003e\n","\u003cp\u003e Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Signed letter to Rare Signatures, A\u0026M 435:"," Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:"," Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f211b751a051bc9538415405c40b491b\"\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).\u003c/abstract\u003e"],"abstract_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_467f19ef8fc1a4b71aa23048ffda005d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"names_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"corpname_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College"],"persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"language_ssim":["English \n. "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":923,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:24:29.099Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5375_c06_c240"}},{"id":"vihart_repositories_4_resources_326_c01_c03","type":"File","attributes":{"title":"1950s","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_326_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_326_c01_c03","ref_ssm":["vihart_repositories_4_resources_326_c01_c03"],"id":"vihart_repositories_4_resources_326_c01_c03","ead_ssi":"vihart_repositories_4_resources_326","_root_":"vihart_repositories_4_resources_326","_nest_parent_":"vihart_repositories_4_resources_326_c01","parent_ssi":"vihart_repositories_4_resources_326_c01","parent_ssim":["vihart_repositories_4_resources_326","vihart_repositories_4_resources_326_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_326","vihart_repositories_4_resources_326_c01"],"parent_unittitles_ssm":["Nancy Bondurant Jones Papers","Subject Files"],"parent_unittitles_tesim":["Nancy Bondurant Jones Papers","Subject Files"],"text":["Nancy Bondurant Jones Papers","Subject Files","1950s","box 1","folder 3"],"title_filing_ssi":"1950s","title_ssm":["1950s"],"title_tesim":["1950s"],"unitdate_other_ssim":["1992, undated"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["1950s"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Nancy Bondurant Jones Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1992],"containers_ssim":["box 1","folder 3"],"_nest_path_":"/components#0/components#2","timestamp":"2026-05-21T00:22:06.237Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_326","ead_ssi":"vihart_repositories_4_resources_326","_root_":"vihart_repositories_4_resources_326","_nest_parent_":"vihart_repositories_4_resources_326","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_326.xml","title_ssm":["Nancy Bondurant Jones Papers"],"title_tesim":["Nancy Bondurant Jones Papers"],"unitdate_ssm":["1909-2011","1991-2007"],"unitdate_bulk_ssim":["1991-2007"],"unitdate_inclusive_ssm":["1909-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0192","/repositories/4/resources/326"],"text":["SC 0192","/repositories/4/resources/326","Nancy Bondurant Jones Papers","Education, Higher -- Virginia -- Harrisonburg","College students -- Manners and customs","Curriculum change -- History -- 20th century","Teachers colleges -- History","Universities and colleges -- Virginia -- History","Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Original media restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","All media items are pending processing and reformatting. Media items include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.","Due to duplication in the Daily News-Record \n and other periodicals, a collection of scrapbooks containing exclusively newspaper clippings of Jones's articles was returned to the donors.","The collection is arranged in three series.","Subject Files, 1909-2010 Personal Papers, 1979-2011 Accession 2020-0716, 1945-2011"," Obituary for Nancy Bondurant Jones, Daily News-Record , December 14, 2017. ","Jones, Nancy B. Rooted on Blue Stone Hill: A History of James Madison University. Santa Fe, NM; Staunton, VA: Center for American Places, 2004.","Nancy Bondurant Jones (1930-2017) was a well-known writer and historian in the Shenandoah Valley. She was born to Dr. Charles H. and Therma Barclay Bondurant in Roanoke. In 1956, she married Phillip Lawrence Jones, who passed away in 1979. She had two daughters, three sons, six grandchildren, and two great-grandchildren at the time of her death in December 2017. ","Jones began her extensive teaching and writing career by getting her Bachelor of Arts at Shepherd College in West Virginia in 1953. Beyond Shepherd, she did additional work at George Washington University, University of Maryland, James Madison University, and University of Virginia. She also received fellowships from the University of Virginia and American University.","After twenty-nine years of teaching at schools in Montgomery County, Maryland and in Rockingham County at Elkton and Turner Ashby high schools, Jones spent the reminder of her career as a freelance writer. Her writing extended across newspapers, journals, speeches, and published books. Some of her most notable writing was done for the local newspaper, the Daily News-Record in which she wrote a weekly column, \"Remembrances,\" for eleven years based on personal memories supported with historical fact. After completing her writing for the DNR , she went on to contribute columns and articles to the Staunton-based paper eightyone , and to JMU's Montpelier magazine. Jones also penned over a dozen books for various local businesses and organizations. Some notable titles include: Rooted on Bluestone Hill: A History of James Madison University (2004), Called to Care: A History of the Nursing Program at Rockingham Memorial Hospital (2004), and Ageless Legacy: A History of Virginia Mennonite Retirement Community (2004), all of which were nominated for the Library of Virginia's outstanding non-fiction award. ","Outside of her writing career, Jones was active in the local and statewide community. In 1983, she ran unsuccessfully as the Democratic candidate for the Virginia House of Delegates District 27. She was also the former president of the Harrisonburg Pilot Club, the Rockingham Country Teacher's Association, and the Shenandoah Branch of the National Association of American Pen Women. Beyond these organizations, Jones served on the boards of Greater Madison at JMU, the Sorenson Institute, and the Arts Council of the Valley. Personally, she was a member of the Emmanuel Episcopal Church and opened one of the first bed and breakfasts in the area in the mid-1980s.","For her extensive work through teaching, writing, and community involvement Jones was given a few honors including being cited in the 1989/1990 edition of Who's Who in American Education \n and being named Women of the Year in 2000 by the Working Women's Forum.","In addition to all this work, Jones also worked at JMU for eight years. After retiring from teaching English at Turner Ashby High School in 1989, Jones began working for JMU in former President Dr. Ronald E. Carrier's office as the social events coordinator for Carrier and his wife, Edith. Soon she began writing Dr. Carrier's speeches and other documents as requested.In the early 1990s, Dr. Carrier commissioned her to write a book on the history of JMU that would appeal to a general audience. This book, Rooted on Bluestone Hill , was published in 2004.","The initial accession of the Nancy Bondurant Jones Papers was processed by former Special Collections Librarian Chris Bolgiano in March 2005. The 2017 donation that comprises the bulk of the collection was combined with the original accession. The collection, as a whole, was donated in good condition and required minimal preservation work. The preservation work that was done included removing tape and rusty staples or paperclips from the papers. Loose papers have been interfiled with corresponding subject files. Duplicate items in the collection were discarded. Any Social Security Numbers in the collection were redacted and the original documents discarded. Education records for the Shenandoah Electric Company Scholarship have been removed. It appeared as if Jones was a reader for the scholarship applications. All documents of a personal nature, specifically financial and medical, were returned to the donors. The original arrangement of the collection has been maintained where possible. Books have been cataloged separately. Some loose items found in books have been interfiled in related folders. All these items are identified in their corresponding folders. All media items are pending processing and reformatting.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. The 2004 portion of this collection was previously cataloged as SC 5013.","Where possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series.","The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), consist of materials primarily consisting of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. The bulk of the papers correspond to Shenandoah Valley and Virginia history, although some of the papers relate to national history including historical events like the Los Angeles Riots and women's suffrage. Other topics, like cancer or cars, are broader in scope. The collection also includes responses, forms, and letters from JMU alumni, faculty emeriti, and former university presidents that Jones acquired during her research for Rooted on Bluestone Hill. Arranged in two series, there is overlap in some instances between the two. Select draft manuscripts of Jones's other published works are included. The original, intended arrangement from the creator has been maintained where possible. Changes to the arrangement include alphabetizing where needed, slight changes to folder titles when necessary, and interfiling loose papers with existing files.","Arranged alphabetically.","Series 1: Subject Files, 1909-2010 (bulk 1991-2005), contains papers relating to research that Jones did for her professional writing. It also comprises of papers related to JMU's history, including papers from the 2004 collection, general JMU history, and files related to Dr. Carrier. The series also includes documents and ephemera from the Harrisonburg community, including the local government and local events. The topics of the files range from local to national interest.","Combined from the 2004 portion of the collection relating to Jones's research for Rooted on Bluestone Hill , the series includes responses to forms Jones sent to faculty emeriti and graduates soliciting personal experiences and memories for the book, plus a few older items that respondents sent her. These include several letters by Dr. Julian Burruss, the first president of the university, to Beatrice Marable, the first student applicant at the new school in 1909, and the text of a speech Ms. Marable gave in 1945. Items from Presidents Duke and Miller are also included in the 2004 portion of the collection. Interviews concerning the conflicts between Dr. Carrier and faculty over the curriculum in the 1990s, a short memoir by Dr. Carrier, and an interview with Dr. Carrier's son, Michael are incorporated into the collection as well.","Arranged chronologically and then alphabetically.","Series 2: Personal Papers, 1979-2011 (bulk 1992-2007), contains papers relating to Jones's professional and personal involvements. These include annotated drafts of books and articles, documents relating to institutions such as the Sorensen Institute and the National League of American Pen Women, and speeches and interviews throughout the years. All folders with number titles, such as the 100s, 200s, etc, contain selections of Daily-News Record columns authored by Jones. Many full-length drafts of her books as well as documents relating to their publication are included. In addition, a resignation-like thank you letter from Jones to Dr. Carrier is included in General Correspondence, box 17, folder 1. Media items in this series include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.","Series comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish.","All published monographs have been cataloged individually and placed in Special Collections' rare book collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), document the career and personal life of local teacher and writer Nancy Bondurant Jones. The collection mainly consists of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. Also included are responses and letters from JMU alumni and Presidents Burruss, Duke, and Miller that Jones acquired during her research for Rooted on Bluestone Hill.","James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Bradley Foundry (Va.)","Michie Tavern (Charlottesville, Va.)","National Association for the Advancement of Colored People","WSVA (Radio station : Harrisonburg, Va.)","Rockingham Memorial Hospital (Harrisonburg, Va.)","National League of American Pen Women","Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F.","Bingham, George Caleb, 1811-1879","Boyd, Belle, 1844-1900","Madison, Bishop (James), 1749-1812","Frederikson, Edna, 1904-1998","Maury, Matthew Fontaine, 1806-1873","Reed, Walter, 1851-1902","Showker, Zane D. (Zane Durwood), 1926-2004","Wayland, John Walter, 1872-1962","Wampler, Charles W., Jr., 1915-2017","Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015","English"],"unitid_tesim":["SC 0192","/repositories/4/resources/326"],"normalized_title_ssm":["Nancy Bondurant Jones Papers"],"collection_title_tesim":["Nancy Bondurant Jones Papers"],"collection_ssim":["Nancy Bondurant Jones Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"creator_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"creator_persname_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"creators_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["A small portion of the collection related to her work on Rooted on Bluestone Hill was donated by Nancy Bondurant Jones in 2004. The bulk of the collection was donated by Martin Jones and Randy Jones, Nancy's sons, in May 2017. A third donation was made in July 2020."],"access_subjects_ssim":["Education, Higher -- Virginia -- Harrisonburg","College students -- Manners and customs","Curriculum change -- History -- 20th century","Teachers colleges -- History","Universities and colleges -- Virginia -- History","Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs"],"access_subjects_ssm":["Education, Higher -- Virginia -- Harrisonburg","College students -- Manners and customs","Curriculum change -- History -- 20th century","Teachers colleges -- History","Universities and colleges -- Virginia -- History","Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7.19 cubic feet 21 boxes"],"extent_tesim":["7.19 cubic feet 21 boxes"],"genreform_ssim":["Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal media restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Original media restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eAll media items are pending processing and reformatting. Media items include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All media items are pending processing and reformatting. Media items include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others."],"appraisal_html_tesm":["\u003cp\u003eDue to duplication in the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e\n and other periodicals, a collection of scrapbooks containing exclusively newspaper clippings of Jones's articles was returned to the donors.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["Due to duplication in the Daily News-Record \n and other periodicals, a collection of scrapbooks containing exclusively newspaper clippings of Jones's articles was returned to the donors."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n \u003citem\u003eSubject Files, 1909-2010\u003c/item\u003e\n \u003citem\u003ePersonal Papers, 1979-2011\u003c/item\u003e\n \u003citem\u003eAccession 2020-0716, 1945-2011\u003c/item\u003e\n \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series.","Subject Files, 1909-2010 Personal Papers, 1979-2011 Accession 2020-0716, 1945-2011"],"bibliography_html_tesm":["\u003cbibref\u003e Obituary for Nancy Bondurant Jones, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, December 14, 2017. \u003c/bibref\u003e","\u003cbibref\u003eJones, Nancy B. \u003cemph render=\"italic\"\u003eRooted on Blue Stone Hill: A History of James Madison University.\u003c/emph\u003e Santa Fe, NM; Staunton, VA: Center for American Places, 2004.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[" Obituary for Nancy Bondurant Jones, Daily News-Record , December 14, 2017. ","Jones, Nancy B. Rooted on Blue Stone Hill: A History of James Madison University. Santa Fe, NM; Staunton, VA: Center for American Places, 2004."],"bioghist_html_tesm":["\u003cp\u003eNancy Bondurant Jones (1930-2017) was a well-known writer and historian in the Shenandoah Valley. She was born to Dr. Charles H. and Therma Barclay Bondurant in Roanoke. In 1956, she married Phillip Lawrence Jones, who passed away in 1979. She had two daughters, three sons, six grandchildren, and two great-grandchildren at the time of her death in December 2017. \u003c/p\u003e\n","\u003cp\u003eJones began her extensive teaching and writing career by getting her Bachelor of Arts at Shepherd College in West Virginia in 1953. Beyond Shepherd, she did additional work at George Washington University, University of Maryland, James Madison University, and University of Virginia. She also received fellowships from the University of Virginia and American University.\u003c/p\u003e\n","\u003cp\u003eAfter twenty-nine years of teaching at schools in Montgomery County, Maryland and in Rockingham County at Elkton and Turner Ashby high schools, Jones spent the reminder of her career as a freelance writer. Her writing extended across newspapers, journals, speeches, and published books. Some of her most notable writing was done for the local newspaper, the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e in which she wrote a weekly column, \"Remembrances,\" for eleven years based on personal memories supported with historical fact. After completing her writing for the \u003cemph render=\"italic\"\u003eDNR\u003c/emph\u003e, she went on to contribute columns and articles to the Staunton-based paper \u003cemph render=\"italic\"\u003eeightyone\u003c/emph\u003e, and to JMU's \u003cemph render=\"italic\"\u003eMontpelier\u003c/emph\u003e magazine. Jones also penned over a dozen books for various local businesses and organizations. Some notable titles include: \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill: A History of James Madison University\u003c/emph\u003e (2004), \u003cemph render=\"italic\"\u003eCalled to Care: A History of the Nursing Program at Rockingham Memorial Hospital\u003c/emph\u003e (2004), and \u003cemph render=\"italic\"\u003eAgeless Legacy: A History of Virginia Mennonite Retirement Community\u003c/emph\u003e (2004), all of which were nominated for the Library of Virginia's outstanding non-fiction award. \u003c/p\u003e\n","\u003cp\u003eOutside of her writing career, Jones was active in the local and statewide community. In 1983, she ran unsuccessfully as the Democratic candidate for the Virginia House of Delegates District 27. She was also the former president of the Harrisonburg Pilot Club, the Rockingham Country Teacher's Association, and the Shenandoah Branch of the National Association of American Pen Women. Beyond these organizations, Jones served on the boards of Greater Madison at JMU, the Sorenson Institute, and the Arts Council of the Valley. Personally, she was a member of the Emmanuel Episcopal Church and opened one of the first bed and breakfasts in the area in the mid-1980s.\u003c/p\u003e\n","\u003cp\u003eFor her extensive work through teaching, writing, and community involvement Jones was given a few honors including being cited in the 1989/1990 edition of \u003cemph render=\"italic\"\u003eWho's Who in American Education\u003c/emph\u003e\n and being named Women of the Year in 2000 by the Working Women's Forum.\u003c/p\u003e\n","\u003cp\u003eIn addition to all this work, Jones also worked at JMU for eight years. After retiring from teaching English at Turner Ashby High School in 1989, Jones began working for JMU in former President Dr. Ronald E. Carrier's office as the social events coordinator for Carrier and his wife, Edith. Soon she began writing Dr. Carrier's speeches and other documents as requested.In the early 1990s, Dr. Carrier commissioned her to write a book on the history of JMU that would appeal to a general audience. This book, \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill\u003c/emph\u003e, was published in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nancy Bondurant Jones (1930-2017) was a well-known writer and historian in the Shenandoah Valley. She was born to Dr. Charles H. and Therma Barclay Bondurant in Roanoke. In 1956, she married Phillip Lawrence Jones, who passed away in 1979. She had two daughters, three sons, six grandchildren, and two great-grandchildren at the time of her death in December 2017. ","Jones began her extensive teaching and writing career by getting her Bachelor of Arts at Shepherd College in West Virginia in 1953. Beyond Shepherd, she did additional work at George Washington University, University of Maryland, James Madison University, and University of Virginia. She also received fellowships from the University of Virginia and American University.","After twenty-nine years of teaching at schools in Montgomery County, Maryland and in Rockingham County at Elkton and Turner Ashby high schools, Jones spent the reminder of her career as a freelance writer. Her writing extended across newspapers, journals, speeches, and published books. Some of her most notable writing was done for the local newspaper, the Daily News-Record in which she wrote a weekly column, \"Remembrances,\" for eleven years based on personal memories supported with historical fact. After completing her writing for the DNR , she went on to contribute columns and articles to the Staunton-based paper eightyone , and to JMU's Montpelier magazine. Jones also penned over a dozen books for various local businesses and organizations. Some notable titles include: Rooted on Bluestone Hill: A History of James Madison University (2004), Called to Care: A History of the Nursing Program at Rockingham Memorial Hospital (2004), and Ageless Legacy: A History of Virginia Mennonite Retirement Community (2004), all of which were nominated for the Library of Virginia's outstanding non-fiction award. ","Outside of her writing career, Jones was active in the local and statewide community. In 1983, she ran unsuccessfully as the Democratic candidate for the Virginia House of Delegates District 27. She was also the former president of the Harrisonburg Pilot Club, the Rockingham Country Teacher's Association, and the Shenandoah Branch of the National Association of American Pen Women. Beyond these organizations, Jones served on the boards of Greater Madison at JMU, the Sorenson Institute, and the Arts Council of the Valley. Personally, she was a member of the Emmanuel Episcopal Church and opened one of the first bed and breakfasts in the area in the mid-1980s.","For her extensive work through teaching, writing, and community involvement Jones was given a few honors including being cited in the 1989/1990 edition of Who's Who in American Education \n and being named Women of the Year in 2000 by the Working Women's Forum.","In addition to all this work, Jones also worked at JMU for eight years. After retiring from teaching English at Turner Ashby High School in 1989, Jones began working for JMU in former President Dr. Ronald E. Carrier's office as the social events coordinator for Carrier and his wife, Edith. Soon she began writing Dr. Carrier's speeches and other documents as requested.In the early 1990s, Dr. Carrier commissioned her to write a book on the history of JMU that would appeal to a general audience. This book, Rooted on Bluestone Hill , was published in 2004."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), SC 0192, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), SC 0192, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe initial accession of the Nancy Bondurant Jones Papers was processed by former Special Collections Librarian Chris Bolgiano in March 2005. The 2017 donation that comprises the bulk of the collection was combined with the original accession. The collection, as a whole, was donated in good condition and required minimal preservation work. The preservation work that was done included removing tape and rusty staples or paperclips from the papers. Loose papers have been interfiled with corresponding subject files. Duplicate items in the collection were discarded. Any Social Security Numbers in the collection were redacted and the original documents discarded. Education records for the Shenandoah Electric Company Scholarship have been removed. It appeared as if Jones was a reader for the scholarship applications. All documents of a personal nature, specifically financial and medical, were returned to the donors. The original arrangement of the collection has been maintained where possible. Books have been cataloged separately. Some loose items found in books have been interfiled in related folders. All these items are identified in their corresponding folders. All media items are pending processing and reformatting.\u003c/p\u003e","\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThe 2004 portion of this collection was previously cataloged as SC 5013.\u003c/emph\u003e\n \u003c/p\u003e","\u003cp\u003eWhere possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The initial accession of the Nancy Bondurant Jones Papers was processed by former Special Collections Librarian Chris Bolgiano in March 2005. The 2017 donation that comprises the bulk of the collection was combined with the original accession. The collection, as a whole, was donated in good condition and required minimal preservation work. The preservation work that was done included removing tape and rusty staples or paperclips from the papers. Loose papers have been interfiled with corresponding subject files. Duplicate items in the collection were discarded. Any Social Security Numbers in the collection were redacted and the original documents discarded. Education records for the Shenandoah Electric Company Scholarship have been removed. It appeared as if Jones was a reader for the scholarship applications. All documents of a personal nature, specifically financial and medical, were returned to the donors. The original arrangement of the collection has been maintained where possible. Books have been cataloged separately. Some loose items found in books have been interfiled in related folders. All these items are identified in their corresponding folders. All media items are pending processing and reformatting.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. The 2004 portion of this collection was previously cataloged as SC 5013.","Where possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series."],"scopecontent_html_tesm":["\u003cp\u003eThe Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), consist of materials primarily consisting of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. The bulk of the papers correspond to Shenandoah Valley and Virginia history, although some of the papers relate to national history including historical events like the Los Angeles Riots and women's suffrage. Other topics, like cancer or cars, are broader in scope. The collection also includes responses, forms, and letters from JMU alumni, faculty emeriti, and former university presidents that Jones acquired during her research for \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill.\u003c/emph\u003e Arranged in two series, there is overlap in some instances between the two. Select draft manuscripts of Jones's other published works are included. The original, intended arrangement from the creator has been maintained where possible. Changes to the arrangement include alphabetizing where needed, slight changes to folder titles when necessary, and interfiling loose papers with existing files.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Subject Files, 1909-2010 (bulk 1991-2005), contains papers relating to research that Jones did for her professional writing. It also comprises of papers related to JMU's history, including papers from the 2004 collection, general JMU history, and files related to Dr. Carrier. The series also includes documents and ephemera from the Harrisonburg community, including the local government and local events. The topics of the files range from local to national interest.\u003c/p\u003e\n","\u003cp\u003eCombined from the 2004 portion of the collection relating to Jones's research for \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill\u003c/emph\u003e, the series includes responses to forms Jones sent to faculty emeriti and graduates soliciting personal experiences and memories for the book, plus a few older items that respondents sent her. These include several letters by Dr. Julian Burruss, the first president of the university, to Beatrice Marable, the first student applicant at the new school in 1909, and the text of a speech Ms. Marable gave in 1945. Items from Presidents Duke and Miller are also included in the 2004 portion of the collection. Interviews concerning the conflicts between Dr. Carrier and faculty over the curriculum in the 1990s, a short memoir by Dr. Carrier, and an interview with Dr. Carrier's son, Michael are incorporated into the collection as well.\u003c/p\u003e","\u003cp\u003eArranged chronologically and then alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Personal Papers, 1979-2011 (bulk 1992-2007), contains papers relating to Jones's professional and personal involvements. These include annotated drafts of books and articles, documents relating to institutions such as the Sorensen Institute and the National League of American Pen Women, and speeches and interviews throughout the years. All folders with number titles, such as the 100s, 200s, etc, contain selections of \u003cemph render=\"italic\"\u003eDaily-News Record\u003c/emph\u003e columns authored by Jones. Many full-length drafts of her books as well as documents relating to their publication are included. In addition, a resignation-like thank you letter from Jones to Dr. Carrier is included in General Correspondence, box 17, folder 1. Media items in this series include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.\u003c/p\u003e","\u003cp\u003eSeries comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), consist of materials primarily consisting of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. The bulk of the papers correspond to Shenandoah Valley and Virginia history, although some of the papers relate to national history including historical events like the Los Angeles Riots and women's suffrage. Other topics, like cancer or cars, are broader in scope. The collection also includes responses, forms, and letters from JMU alumni, faculty emeriti, and former university presidents that Jones acquired during her research for Rooted on Bluestone Hill. Arranged in two series, there is overlap in some instances between the two. Select draft manuscripts of Jones's other published works are included. The original, intended arrangement from the creator has been maintained where possible. Changes to the arrangement include alphabetizing where needed, slight changes to folder titles when necessary, and interfiling loose papers with existing files.","Arranged alphabetically.","Series 1: Subject Files, 1909-2010 (bulk 1991-2005), contains papers relating to research that Jones did for her professional writing. It also comprises of papers related to JMU's history, including papers from the 2004 collection, general JMU history, and files related to Dr. Carrier. The series also includes documents and ephemera from the Harrisonburg community, including the local government and local events. The topics of the files range from local to national interest.","Combined from the 2004 portion of the collection relating to Jones's research for Rooted on Bluestone Hill , the series includes responses to forms Jones sent to faculty emeriti and graduates soliciting personal experiences and memories for the book, plus a few older items that respondents sent her. These include several letters by Dr. Julian Burruss, the first president of the university, to Beatrice Marable, the first student applicant at the new school in 1909, and the text of a speech Ms. Marable gave in 1945. Items from Presidents Duke and Miller are also included in the 2004 portion of the collection. Interviews concerning the conflicts between Dr. Carrier and faculty over the curriculum in the 1990s, a short memoir by Dr. Carrier, and an interview with Dr. Carrier's son, Michael are incorporated into the collection as well.","Arranged chronologically and then alphabetically.","Series 2: Personal Papers, 1979-2011 (bulk 1992-2007), contains papers relating to Jones's professional and personal involvements. These include annotated drafts of books and articles, documents relating to institutions such as the Sorensen Institute and the National League of American Pen Women, and speeches and interviews throughout the years. All folders with number titles, such as the 100s, 200s, etc, contain selections of Daily-News Record columns authored by Jones. Many full-length drafts of her books as well as documents relating to their publication are included. In addition, a resignation-like thank you letter from Jones to Dr. Carrier is included in General Correspondence, box 17, folder 1. Media items in this series include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.","Series comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish."],"separatedmaterial_html_tesm":["\u003cp\u003eAll published monographs have been cataloged individually and placed in Special Collections' rare book collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["All published monographs have been cataloged individually and placed in Special Collections' rare book collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_893ac77db70c9a599a0610b4ee6c6ed7\"\u003eThe Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), document the career and personal life of local teacher and writer Nancy Bondurant Jones. The collection mainly consists of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. Also included are responses and letters from JMU alumni and Presidents Burruss, Duke, and Miller that Jones acquired during her research for \u003cemph render=\"italic\"\u003e Rooted on Bluestone Hill.\u003c/emph\u003e\u003c/abstract\u003e"],"abstract_tesim":["The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), document the career and personal life of local teacher and writer Nancy Bondurant Jones. The collection mainly consists of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. Also included are responses and letters from JMU alumni and Presidents Burruss, Duke, and Miller that Jones acquired during her research for Rooted on Bluestone Hill."],"names_coll_ssim":["State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F."],"names_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Bradley Foundry (Va.)","Michie Tavern (Charlottesville, Va.)","National Association for the Advancement of Colored People","WSVA (Radio station : Harrisonburg, Va.)","Rockingham Memorial Hospital (Harrisonburg, Va.)","National League of American Pen Women","Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F.","Bingham, George Caleb, 1811-1879","Boyd, Belle, 1844-1900","Madison, Bishop (James), 1749-1812","Frederikson, Edna, 1904-1998","Maury, Matthew Fontaine, 1806-1873","Reed, Walter, 1851-1902","Showker, Zane D. (Zane Durwood), 1926-2004","Wayland, John Walter, 1872-1962","Wampler, Charles W., Jr., 1915-2017","Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Bradley Foundry (Va.)","Michie Tavern (Charlottesville, Va.)","National Association for the Advancement of Colored People","WSVA (Radio station : Harrisonburg, Va.)","Rockingham Memorial Hospital (Harrisonburg, Va.)","National League of American Pen Women"],"persname_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F.","Bingham, George Caleb, 1811-1879","Boyd, Belle, 1844-1900","Madison, Bishop (James), 1749-1812","Frederikson, Edna, 1904-1998","Maury, Matthew Fontaine, 1806-1873","Reed, Walter, 1851-1902","Showker, Zane D. (Zane Durwood), 1926-2004","Wayland, John Walter, 1872-1962","Wampler, Charles W., Jr., 1915-2017","Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":357,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:06.237Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_326_c01_c03"}},{"id":"vihart_repositories_4_resources_326_c01_c04","type":"File","attributes":{"title":"1960s-1970s","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_326_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_326_c01_c04","ref_ssm":["vihart_repositories_4_resources_326_c01_c04"],"id":"vihart_repositories_4_resources_326_c01_c04","ead_ssi":"vihart_repositories_4_resources_326","_root_":"vihart_repositories_4_resources_326","_nest_parent_":"vihart_repositories_4_resources_326_c01","parent_ssi":"vihart_repositories_4_resources_326_c01","parent_ssim":["vihart_repositories_4_resources_326","vihart_repositories_4_resources_326_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_326","vihart_repositories_4_resources_326_c01"],"parent_unittitles_ssm":["Nancy Bondurant Jones Papers","Subject Files"],"parent_unittitles_tesim":["Nancy Bondurant Jones Papers","Subject Files"],"text":["Nancy Bondurant Jones Papers","Subject Files","1960s-1970s","box 1","folder 4"],"title_filing_ssi":"1960s-1970s","title_ssm":["1960s-1970s"],"title_tesim":["1960s-1970s"],"unitdate_other_ssim":["1992, undated"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["1960s-1970s"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Nancy Bondurant Jones Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1992],"containers_ssim":["box 1","folder 4"],"_nest_path_":"/components#0/components#3","timestamp":"2026-05-21T00:22:06.237Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_326","ead_ssi":"vihart_repositories_4_resources_326","_root_":"vihart_repositories_4_resources_326","_nest_parent_":"vihart_repositories_4_resources_326","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_326.xml","title_ssm":["Nancy Bondurant Jones Papers"],"title_tesim":["Nancy Bondurant Jones Papers"],"unitdate_ssm":["1909-2011","1991-2007"],"unitdate_bulk_ssim":["1991-2007"],"unitdate_inclusive_ssm":["1909-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0192","/repositories/4/resources/326"],"text":["SC 0192","/repositories/4/resources/326","Nancy Bondurant Jones Papers","Education, Higher -- Virginia -- Harrisonburg","College students -- Manners and customs","Curriculum change -- History -- 20th century","Teachers colleges -- History","Universities and colleges -- Virginia -- History","Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Original media restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","All media items are pending processing and reformatting. Media items include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.","Due to duplication in the Daily News-Record \n and other periodicals, a collection of scrapbooks containing exclusively newspaper clippings of Jones's articles was returned to the donors.","The collection is arranged in three series.","Subject Files, 1909-2010 Personal Papers, 1979-2011 Accession 2020-0716, 1945-2011"," Obituary for Nancy Bondurant Jones, Daily News-Record , December 14, 2017. ","Jones, Nancy B. Rooted on Blue Stone Hill: A History of James Madison University. Santa Fe, NM; Staunton, VA: Center for American Places, 2004.","Nancy Bondurant Jones (1930-2017) was a well-known writer and historian in the Shenandoah Valley. She was born to Dr. Charles H. and Therma Barclay Bondurant in Roanoke. In 1956, she married Phillip Lawrence Jones, who passed away in 1979. She had two daughters, three sons, six grandchildren, and two great-grandchildren at the time of her death in December 2017. ","Jones began her extensive teaching and writing career by getting her Bachelor of Arts at Shepherd College in West Virginia in 1953. Beyond Shepherd, she did additional work at George Washington University, University of Maryland, James Madison University, and University of Virginia. She also received fellowships from the University of Virginia and American University.","After twenty-nine years of teaching at schools in Montgomery County, Maryland and in Rockingham County at Elkton and Turner Ashby high schools, Jones spent the reminder of her career as a freelance writer. Her writing extended across newspapers, journals, speeches, and published books. Some of her most notable writing was done for the local newspaper, the Daily News-Record in which she wrote a weekly column, \"Remembrances,\" for eleven years based on personal memories supported with historical fact. After completing her writing for the DNR , she went on to contribute columns and articles to the Staunton-based paper eightyone , and to JMU's Montpelier magazine. Jones also penned over a dozen books for various local businesses and organizations. Some notable titles include: Rooted on Bluestone Hill: A History of James Madison University (2004), Called to Care: A History of the Nursing Program at Rockingham Memorial Hospital (2004), and Ageless Legacy: A History of Virginia Mennonite Retirement Community (2004), all of which were nominated for the Library of Virginia's outstanding non-fiction award. ","Outside of her writing career, Jones was active in the local and statewide community. In 1983, she ran unsuccessfully as the Democratic candidate for the Virginia House of Delegates District 27. She was also the former president of the Harrisonburg Pilot Club, the Rockingham Country Teacher's Association, and the Shenandoah Branch of the National Association of American Pen Women. Beyond these organizations, Jones served on the boards of Greater Madison at JMU, the Sorenson Institute, and the Arts Council of the Valley. Personally, she was a member of the Emmanuel Episcopal Church and opened one of the first bed and breakfasts in the area in the mid-1980s.","For her extensive work through teaching, writing, and community involvement Jones was given a few honors including being cited in the 1989/1990 edition of Who's Who in American Education \n and being named Women of the Year in 2000 by the Working Women's Forum.","In addition to all this work, Jones also worked at JMU for eight years. After retiring from teaching English at Turner Ashby High School in 1989, Jones began working for JMU in former President Dr. Ronald E. Carrier's office as the social events coordinator for Carrier and his wife, Edith. Soon she began writing Dr. Carrier's speeches and other documents as requested.In the early 1990s, Dr. Carrier commissioned her to write a book on the history of JMU that would appeal to a general audience. This book, Rooted on Bluestone Hill , was published in 2004.","The initial accession of the Nancy Bondurant Jones Papers was processed by former Special Collections Librarian Chris Bolgiano in March 2005. The 2017 donation that comprises the bulk of the collection was combined with the original accession. The collection, as a whole, was donated in good condition and required minimal preservation work. The preservation work that was done included removing tape and rusty staples or paperclips from the papers. Loose papers have been interfiled with corresponding subject files. Duplicate items in the collection were discarded. Any Social Security Numbers in the collection were redacted and the original documents discarded. Education records for the Shenandoah Electric Company Scholarship have been removed. It appeared as if Jones was a reader for the scholarship applications. All documents of a personal nature, specifically financial and medical, were returned to the donors. The original arrangement of the collection has been maintained where possible. Books have been cataloged separately. Some loose items found in books have been interfiled in related folders. All these items are identified in their corresponding folders. All media items are pending processing and reformatting.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. The 2004 portion of this collection was previously cataloged as SC 5013.","Where possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series.","The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), consist of materials primarily consisting of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. The bulk of the papers correspond to Shenandoah Valley and Virginia history, although some of the papers relate to national history including historical events like the Los Angeles Riots and women's suffrage. Other topics, like cancer or cars, are broader in scope. The collection also includes responses, forms, and letters from JMU alumni, faculty emeriti, and former university presidents that Jones acquired during her research for Rooted on Bluestone Hill. Arranged in two series, there is overlap in some instances between the two. Select draft manuscripts of Jones's other published works are included. The original, intended arrangement from the creator has been maintained where possible. Changes to the arrangement include alphabetizing where needed, slight changes to folder titles when necessary, and interfiling loose papers with existing files.","Arranged alphabetically.","Series 1: Subject Files, 1909-2010 (bulk 1991-2005), contains papers relating to research that Jones did for her professional writing. It also comprises of papers related to JMU's history, including papers from the 2004 collection, general JMU history, and files related to Dr. Carrier. The series also includes documents and ephemera from the Harrisonburg community, including the local government and local events. The topics of the files range from local to national interest.","Combined from the 2004 portion of the collection relating to Jones's research for Rooted on Bluestone Hill , the series includes responses to forms Jones sent to faculty emeriti and graduates soliciting personal experiences and memories for the book, plus a few older items that respondents sent her. These include several letters by Dr. Julian Burruss, the first president of the university, to Beatrice Marable, the first student applicant at the new school in 1909, and the text of a speech Ms. Marable gave in 1945. Items from Presidents Duke and Miller are also included in the 2004 portion of the collection. Interviews concerning the conflicts between Dr. Carrier and faculty over the curriculum in the 1990s, a short memoir by Dr. Carrier, and an interview with Dr. Carrier's son, Michael are incorporated into the collection as well.","Arranged chronologically and then alphabetically.","Series 2: Personal Papers, 1979-2011 (bulk 1992-2007), contains papers relating to Jones's professional and personal involvements. These include annotated drafts of books and articles, documents relating to institutions such as the Sorensen Institute and the National League of American Pen Women, and speeches and interviews throughout the years. All folders with number titles, such as the 100s, 200s, etc, contain selections of Daily-News Record columns authored by Jones. Many full-length drafts of her books as well as documents relating to their publication are included. In addition, a resignation-like thank you letter from Jones to Dr. Carrier is included in General Correspondence, box 17, folder 1. Media items in this series include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.","Series comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish.","All published monographs have been cataloged individually and placed in Special Collections' rare book collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), document the career and personal life of local teacher and writer Nancy Bondurant Jones. The collection mainly consists of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. Also included are responses and letters from JMU alumni and Presidents Burruss, Duke, and Miller that Jones acquired during her research for Rooted on Bluestone Hill.","James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Bradley Foundry (Va.)","Michie Tavern (Charlottesville, Va.)","National Association for the Advancement of Colored People","WSVA (Radio station : Harrisonburg, Va.)","Rockingham Memorial Hospital (Harrisonburg, Va.)","National League of American Pen Women","Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F.","Bingham, George Caleb, 1811-1879","Boyd, Belle, 1844-1900","Madison, Bishop (James), 1749-1812","Frederikson, Edna, 1904-1998","Maury, Matthew Fontaine, 1806-1873","Reed, Walter, 1851-1902","Showker, Zane D. (Zane Durwood), 1926-2004","Wayland, John Walter, 1872-1962","Wampler, Charles W., Jr., 1915-2017","Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015","English"],"unitid_tesim":["SC 0192","/repositories/4/resources/326"],"normalized_title_ssm":["Nancy Bondurant Jones Papers"],"collection_title_tesim":["Nancy Bondurant Jones Papers"],"collection_ssim":["Nancy Bondurant Jones Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"creator_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"creator_persname_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"creators_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["A small portion of the collection related to her work on Rooted on Bluestone Hill was donated by Nancy Bondurant Jones in 2004. The bulk of the collection was donated by Martin Jones and Randy Jones, Nancy's sons, in May 2017. A third donation was made in July 2020."],"access_subjects_ssim":["Education, Higher -- Virginia -- Harrisonburg","College students -- Manners and customs","Curriculum change -- History -- 20th century","Teachers colleges -- History","Universities and colleges -- Virginia -- History","Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs"],"access_subjects_ssm":["Education, Higher -- Virginia -- Harrisonburg","College students -- Manners and customs","Curriculum change -- History -- 20th century","Teachers colleges -- History","Universities and colleges -- Virginia -- History","Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7.19 cubic feet 21 boxes"],"extent_tesim":["7.19 cubic feet 21 boxes"],"genreform_ssim":["Printed Ephemera","Letters (correspondence)","Articles","Research (documents)","Drafts (documents)","Speeches (Documents)","Photographs"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal media restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Original media restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eAll media items are pending processing and reformatting. Media items include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All media items are pending processing and reformatting. Media items include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others."],"appraisal_html_tesm":["\u003cp\u003eDue to duplication in the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e\n and other periodicals, a collection of scrapbooks containing exclusively newspaper clippings of Jones's articles was returned to the donors.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["Due to duplication in the Daily News-Record \n and other periodicals, a collection of scrapbooks containing exclusively newspaper clippings of Jones's articles was returned to the donors."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n \u003citem\u003eSubject Files, 1909-2010\u003c/item\u003e\n \u003citem\u003ePersonal Papers, 1979-2011\u003c/item\u003e\n \u003citem\u003eAccession 2020-0716, 1945-2011\u003c/item\u003e\n \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series.","Subject Files, 1909-2010 Personal Papers, 1979-2011 Accession 2020-0716, 1945-2011"],"bibliography_html_tesm":["\u003cbibref\u003e Obituary for Nancy Bondurant Jones, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, December 14, 2017. \u003c/bibref\u003e","\u003cbibref\u003eJones, Nancy B. \u003cemph render=\"italic\"\u003eRooted on Blue Stone Hill: A History of James Madison University.\u003c/emph\u003e Santa Fe, NM; Staunton, VA: Center for American Places, 2004.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[" Obituary for Nancy Bondurant Jones, Daily News-Record , December 14, 2017. ","Jones, Nancy B. Rooted on Blue Stone Hill: A History of James Madison University. Santa Fe, NM; Staunton, VA: Center for American Places, 2004."],"bioghist_html_tesm":["\u003cp\u003eNancy Bondurant Jones (1930-2017) was a well-known writer and historian in the Shenandoah Valley. She was born to Dr. Charles H. and Therma Barclay Bondurant in Roanoke. In 1956, she married Phillip Lawrence Jones, who passed away in 1979. She had two daughters, three sons, six grandchildren, and two great-grandchildren at the time of her death in December 2017. \u003c/p\u003e\n","\u003cp\u003eJones began her extensive teaching and writing career by getting her Bachelor of Arts at Shepherd College in West Virginia in 1953. Beyond Shepherd, she did additional work at George Washington University, University of Maryland, James Madison University, and University of Virginia. She also received fellowships from the University of Virginia and American University.\u003c/p\u003e\n","\u003cp\u003eAfter twenty-nine years of teaching at schools in Montgomery County, Maryland and in Rockingham County at Elkton and Turner Ashby high schools, Jones spent the reminder of her career as a freelance writer. Her writing extended across newspapers, journals, speeches, and published books. Some of her most notable writing was done for the local newspaper, the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e in which she wrote a weekly column, \"Remembrances,\" for eleven years based on personal memories supported with historical fact. After completing her writing for the \u003cemph render=\"italic\"\u003eDNR\u003c/emph\u003e, she went on to contribute columns and articles to the Staunton-based paper \u003cemph render=\"italic\"\u003eeightyone\u003c/emph\u003e, and to JMU's \u003cemph render=\"italic\"\u003eMontpelier\u003c/emph\u003e magazine. Jones also penned over a dozen books for various local businesses and organizations. Some notable titles include: \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill: A History of James Madison University\u003c/emph\u003e (2004), \u003cemph render=\"italic\"\u003eCalled to Care: A History of the Nursing Program at Rockingham Memorial Hospital\u003c/emph\u003e (2004), and \u003cemph render=\"italic\"\u003eAgeless Legacy: A History of Virginia Mennonite Retirement Community\u003c/emph\u003e (2004), all of which were nominated for the Library of Virginia's outstanding non-fiction award. \u003c/p\u003e\n","\u003cp\u003eOutside of her writing career, Jones was active in the local and statewide community. In 1983, she ran unsuccessfully as the Democratic candidate for the Virginia House of Delegates District 27. She was also the former president of the Harrisonburg Pilot Club, the Rockingham Country Teacher's Association, and the Shenandoah Branch of the National Association of American Pen Women. Beyond these organizations, Jones served on the boards of Greater Madison at JMU, the Sorenson Institute, and the Arts Council of the Valley. Personally, she was a member of the Emmanuel Episcopal Church and opened one of the first bed and breakfasts in the area in the mid-1980s.\u003c/p\u003e\n","\u003cp\u003eFor her extensive work through teaching, writing, and community involvement Jones was given a few honors including being cited in the 1989/1990 edition of \u003cemph render=\"italic\"\u003eWho's Who in American Education\u003c/emph\u003e\n and being named Women of the Year in 2000 by the Working Women's Forum.\u003c/p\u003e\n","\u003cp\u003eIn addition to all this work, Jones also worked at JMU for eight years. After retiring from teaching English at Turner Ashby High School in 1989, Jones began working for JMU in former President Dr. Ronald E. Carrier's office as the social events coordinator for Carrier and his wife, Edith. Soon she began writing Dr. Carrier's speeches and other documents as requested.In the early 1990s, Dr. Carrier commissioned her to write a book on the history of JMU that would appeal to a general audience. This book, \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill\u003c/emph\u003e, was published in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nancy Bondurant Jones (1930-2017) was a well-known writer and historian in the Shenandoah Valley. She was born to Dr. Charles H. and Therma Barclay Bondurant in Roanoke. In 1956, she married Phillip Lawrence Jones, who passed away in 1979. She had two daughters, three sons, six grandchildren, and two great-grandchildren at the time of her death in December 2017. ","Jones began her extensive teaching and writing career by getting her Bachelor of Arts at Shepherd College in West Virginia in 1953. Beyond Shepherd, she did additional work at George Washington University, University of Maryland, James Madison University, and University of Virginia. She also received fellowships from the University of Virginia and American University.","After twenty-nine years of teaching at schools in Montgomery County, Maryland and in Rockingham County at Elkton and Turner Ashby high schools, Jones spent the reminder of her career as a freelance writer. Her writing extended across newspapers, journals, speeches, and published books. Some of her most notable writing was done for the local newspaper, the Daily News-Record in which she wrote a weekly column, \"Remembrances,\" for eleven years based on personal memories supported with historical fact. After completing her writing for the DNR , she went on to contribute columns and articles to the Staunton-based paper eightyone , and to JMU's Montpelier magazine. Jones also penned over a dozen books for various local businesses and organizations. Some notable titles include: Rooted on Bluestone Hill: A History of James Madison University (2004), Called to Care: A History of the Nursing Program at Rockingham Memorial Hospital (2004), and Ageless Legacy: A History of Virginia Mennonite Retirement Community (2004), all of which were nominated for the Library of Virginia's outstanding non-fiction award. ","Outside of her writing career, Jones was active in the local and statewide community. In 1983, she ran unsuccessfully as the Democratic candidate for the Virginia House of Delegates District 27. She was also the former president of the Harrisonburg Pilot Club, the Rockingham Country Teacher's Association, and the Shenandoah Branch of the National Association of American Pen Women. Beyond these organizations, Jones served on the boards of Greater Madison at JMU, the Sorenson Institute, and the Arts Council of the Valley. Personally, she was a member of the Emmanuel Episcopal Church and opened one of the first bed and breakfasts in the area in the mid-1980s.","For her extensive work through teaching, writing, and community involvement Jones was given a few honors including being cited in the 1989/1990 edition of Who's Who in American Education \n and being named Women of the Year in 2000 by the Working Women's Forum.","In addition to all this work, Jones also worked at JMU for eight years. After retiring from teaching English at Turner Ashby High School in 1989, Jones began working for JMU in former President Dr. Ronald E. Carrier's office as the social events coordinator for Carrier and his wife, Edith. Soon she began writing Dr. Carrier's speeches and other documents as requested.In the early 1990s, Dr. Carrier commissioned her to write a book on the history of JMU that would appeal to a general audience. This book, Rooted on Bluestone Hill , was published in 2004."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), SC 0192, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), SC 0192, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe initial accession of the Nancy Bondurant Jones Papers was processed by former Special Collections Librarian Chris Bolgiano in March 2005. The 2017 donation that comprises the bulk of the collection was combined with the original accession. The collection, as a whole, was donated in good condition and required minimal preservation work. The preservation work that was done included removing tape and rusty staples or paperclips from the papers. Loose papers have been interfiled with corresponding subject files. Duplicate items in the collection were discarded. Any Social Security Numbers in the collection were redacted and the original documents discarded. Education records for the Shenandoah Electric Company Scholarship have been removed. It appeared as if Jones was a reader for the scholarship applications. All documents of a personal nature, specifically financial and medical, were returned to the donors. The original arrangement of the collection has been maintained where possible. Books have been cataloged separately. Some loose items found in books have been interfiled in related folders. All these items are identified in their corresponding folders. All media items are pending processing and reformatting.\u003c/p\u003e","\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThe 2004 portion of this collection was previously cataloged as SC 5013.\u003c/emph\u003e\n \u003c/p\u003e","\u003cp\u003eWhere possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The initial accession of the Nancy Bondurant Jones Papers was processed by former Special Collections Librarian Chris Bolgiano in March 2005. The 2017 donation that comprises the bulk of the collection was combined with the original accession. The collection, as a whole, was donated in good condition and required minimal preservation work. The preservation work that was done included removing tape and rusty staples or paperclips from the papers. Loose papers have been interfiled with corresponding subject files. Duplicate items in the collection were discarded. Any Social Security Numbers in the collection were redacted and the original documents discarded. Education records for the Shenandoah Electric Company Scholarship have been removed. It appeared as if Jones was a reader for the scholarship applications. All documents of a personal nature, specifically financial and medical, were returned to the donors. The original arrangement of the collection has been maintained where possible. Books have been cataloged separately. Some loose items found in books have been interfiled in related folders. All these items are identified in their corresponding folders. All media items are pending processing and reformatting.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. The 2004 portion of this collection was previously cataloged as SC 5013.","Where possible, materials from this accrual were interfiled into existing folders and boxes. All other materials are arranged in this series."],"scopecontent_html_tesm":["\u003cp\u003eThe Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), consist of materials primarily consisting of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. The bulk of the papers correspond to Shenandoah Valley and Virginia history, although some of the papers relate to national history including historical events like the Los Angeles Riots and women's suffrage. Other topics, like cancer or cars, are broader in scope. The collection also includes responses, forms, and letters from JMU alumni, faculty emeriti, and former university presidents that Jones acquired during her research for \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill.\u003c/emph\u003e Arranged in two series, there is overlap in some instances between the two. Select draft manuscripts of Jones's other published works are included. The original, intended arrangement from the creator has been maintained where possible. Changes to the arrangement include alphabetizing where needed, slight changes to folder titles when necessary, and interfiling loose papers with existing files.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Subject Files, 1909-2010 (bulk 1991-2005), contains papers relating to research that Jones did for her professional writing. It also comprises of papers related to JMU's history, including papers from the 2004 collection, general JMU history, and files related to Dr. Carrier. The series also includes documents and ephemera from the Harrisonburg community, including the local government and local events. The topics of the files range from local to national interest.\u003c/p\u003e\n","\u003cp\u003eCombined from the 2004 portion of the collection relating to Jones's research for \u003cemph render=\"italic\"\u003eRooted on Bluestone Hill\u003c/emph\u003e, the series includes responses to forms Jones sent to faculty emeriti and graduates soliciting personal experiences and memories for the book, plus a few older items that respondents sent her. These include several letters by Dr. Julian Burruss, the first president of the university, to Beatrice Marable, the first student applicant at the new school in 1909, and the text of a speech Ms. Marable gave in 1945. Items from Presidents Duke and Miller are also included in the 2004 portion of the collection. Interviews concerning the conflicts between Dr. Carrier and faculty over the curriculum in the 1990s, a short memoir by Dr. Carrier, and an interview with Dr. Carrier's son, Michael are incorporated into the collection as well.\u003c/p\u003e","\u003cp\u003eArranged chronologically and then alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Personal Papers, 1979-2011 (bulk 1992-2007), contains papers relating to Jones's professional and personal involvements. These include annotated drafts of books and articles, documents relating to institutions such as the Sorensen Institute and the National League of American Pen Women, and speeches and interviews throughout the years. All folders with number titles, such as the 100s, 200s, etc, contain selections of \u003cemph render=\"italic\"\u003eDaily-News Record\u003c/emph\u003e columns authored by Jones. Many full-length drafts of her books as well as documents relating to their publication are included. In addition, a resignation-like thank you letter from Jones to Dr. Carrier is included in General Correspondence, box 17, folder 1. Media items in this series include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.\u003c/p\u003e","\u003cp\u003eSeries comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), consist of materials primarily consisting of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. The bulk of the papers correspond to Shenandoah Valley and Virginia history, although some of the papers relate to national history including historical events like the Los Angeles Riots and women's suffrage. Other topics, like cancer or cars, are broader in scope. The collection also includes responses, forms, and letters from JMU alumni, faculty emeriti, and former university presidents that Jones acquired during her research for Rooted on Bluestone Hill. Arranged in two series, there is overlap in some instances between the two. Select draft manuscripts of Jones's other published works are included. The original, intended arrangement from the creator has been maintained where possible. Changes to the arrangement include alphabetizing where needed, slight changes to folder titles when necessary, and interfiling loose papers with existing files.","Arranged alphabetically.","Series 1: Subject Files, 1909-2010 (bulk 1991-2005), contains papers relating to research that Jones did for her professional writing. It also comprises of papers related to JMU's history, including papers from the 2004 collection, general JMU history, and files related to Dr. Carrier. The series also includes documents and ephemera from the Harrisonburg community, including the local government and local events. The topics of the files range from local to national interest.","Combined from the 2004 portion of the collection relating to Jones's research for Rooted on Bluestone Hill , the series includes responses to forms Jones sent to faculty emeriti and graduates soliciting personal experiences and memories for the book, plus a few older items that respondents sent her. These include several letters by Dr. Julian Burruss, the first president of the university, to Beatrice Marable, the first student applicant at the new school in 1909, and the text of a speech Ms. Marable gave in 1945. Items from Presidents Duke and Miller are also included in the 2004 portion of the collection. Interviews concerning the conflicts between Dr. Carrier and faculty over the curriculum in the 1990s, a short memoir by Dr. Carrier, and an interview with Dr. Carrier's son, Michael are incorporated into the collection as well.","Arranged chronologically and then alphabetically.","Series 2: Personal Papers, 1979-2011 (bulk 1992-2007), contains papers relating to Jones's professional and personal involvements. These include annotated drafts of books and articles, documents relating to institutions such as the Sorensen Institute and the National League of American Pen Women, and speeches and interviews throughout the years. All folders with number titles, such as the 100s, 200s, etc, contain selections of Daily-News Record columns authored by Jones. Many full-length drafts of her books as well as documents relating to their publication are included. In addition, a resignation-like thank you letter from Jones to Dr. Carrier is included in General Correspondence, box 17, folder 1. Media items in this series include floppy disks containing Jones's articles and other written documents as well as cassette and microcassette tapes that mainly appear to be interviews that Jones conducted with Dr. Ronald E. Carrier, Lucille Smead, Harry Caplinger, and others.","Series comprises manuscript drafts of Jones's published works, typed drafts of Daily News-Record articles written by Jones for her Remembrances column, and assorted research/subject files. Of particular interest are the manuscript drafts of Jeremy the wonderer / Jeremías el curioso and related correspondence concerning the translation of the text from English to Spanish."],"separatedmaterial_html_tesm":["\u003cp\u003eAll published monographs have been cataloged individually and placed in Special Collections' rare book collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["All published monographs have been cataloged individually and placed in Special Collections' rare book collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_893ac77db70c9a599a0610b4ee6c6ed7\"\u003eThe Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), document the career and personal life of local teacher and writer Nancy Bondurant Jones. The collection mainly consists of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. Also included are responses and letters from JMU alumni and Presidents Burruss, Duke, and Miller that Jones acquired during her research for \u003cemph render=\"italic\"\u003e Rooted on Bluestone Hill.\u003c/emph\u003e\u003c/abstract\u003e"],"abstract_tesim":["The Nancy Bondurant Jones Papers, 1909-2011 (bulk 1991-2007), document the career and personal life of local teacher and writer Nancy Bondurant Jones. The collection mainly consists of research subject files, newspapers and clippings, correspondence, ephemera, speeches, and business and organizational documents. Also included are responses and letters from JMU alumni and Presidents Burruss, Duke, and Miller that Jones acquired during her research for Rooted on Bluestone Hill."],"names_coll_ssim":["State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F."],"names_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Bradley Foundry (Va.)","Michie Tavern (Charlottesville, Va.)","National Association for the Advancement of Colored People","WSVA (Radio station : Harrisonburg, Va.)","Rockingham Memorial Hospital (Harrisonburg, Va.)","National League of American Pen Women","Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F.","Bingham, George Caleb, 1811-1879","Boyd, Belle, 1844-1900","Madison, Bishop (James), 1749-1812","Frederikson, Edna, 1904-1998","Maury, Matthew Fontaine, 1806-1873","Reed, Walter, 1851-1902","Showker, Zane D. (Zane Durwood), 1926-2004","Wayland, John Walter, 1872-1962","Wampler, Charles W., Jr., 1915-2017","Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","Bradley Foundry (Va.)","Michie Tavern (Charlottesville, Va.)","National Association for the Advancement of Colored People","WSVA (Radio station : Harrisonburg, Va.)","Rockingham Memorial Hospital (Harrisonburg, Va.)","National League of American Pen Women"],"persname_ssim":["Jones, Nancy Bondurant, 1930-2017","Jones, Randall B. (Randall Bondurant), 1957-","Burruss, Julian Ashby, 1876-1947","Marable, Eleanor Beatrice, 1893-1982","Carrier, Ronald E., 1932-2017","Keezell, George B. (George Bernard), 1854-1931","Gifford, Walter J. (Walter John), 1884-1957","Carrier, Michael L. (Michael Lavon), 1956-2012","McNallie, Robyn M.","Whitman, Richard F.","Bingham, George Caleb, 1811-1879","Boyd, Belle, 1844-1900","Madison, Bishop (James), 1749-1812","Frederikson, Edna, 1904-1998","Maury, Matthew Fontaine, 1806-1873","Reed, Walter, 1851-1902","Showker, Zane D. (Zane Durwood), 1926-2004","Wayland, John Walter, 1872-1962","Wampler, Charles W., Jr., 1915-2017","Webb, Roberta Morgan, 1889-1990","Morrison, Lee (Lonnie Leotus), 1926-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":357,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:06.237Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_326_c01_c04"}},{"id":"wvmturhc_repositories_2_resources_3918_c08_c04","type":"File","attributes":{"title":"1965 Graduation","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c08_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3918_c08_c04","ref_ssm":["wvmturhc_repositories_2_resources_3918_c08_c04"],"id":"wvmturhc_repositories_2_resources_3918_c08_c04","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918_c08","parent_ssi":"wvmturhc_repositories_2_resources_3918_c08","parent_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_unittitles_ssm":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"parent_unittitles_tesim":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"text":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]","1965 Graduation","Box 118","Folder 4"],"title_filing_ssi":"1965 Graduation","title_ssm":["1965 Graduation"],"title_tesim":["1965 Graduation"],"unitdate_inclusive_ssm":["ca. 1965-2001"],"normalized_date_ssm":["1965/2001"],"normalized_title_ssm":["1965 Graduation"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, News Service, Photographs"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1663,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["Box 118","Folder 4"],"_nest_path_":"/components#7/components#3","timestamp":"2026-05-21T00:56:00.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3918","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3918.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197715","title_ssm":["West Virginia University, News Service, Photographs"],"title_tesim":["West Virginia University, News Service, Photographs"],"unitdate_ssm":["ca. 1890-2007","1950-2007"],"unitdate_bulk_ssim":["1950-2007"],"unitdate_inclusive_ssm":["ca. 1890-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"text":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918","West Virginia University, News Service, Photographs","Morgantown (W. Va.)","West Virginia University - buildings.","West Virginia University -- Students","No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives","5188, 5212, 5213, 5038","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number. Projects are divided into two subseries. Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities. Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more. See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987). See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group; 12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty.","English"],"unitid_tesim":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"normalized_title_ssm":["West Virginia University, News Service, Photographs"],"collection_title_tesim":["West Virginia University, News Service, Photographs"],"collection_ssim":["West Virginia University, News Service, Photographs"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University - buildings.","West Virginia University -- Students"],"access_subjects_ssm":["West Virginia University - buildings.","West Virginia University -- Students"],"has_online_content_ssim":["false"],"extent_ssm":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"extent_tesim":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eColiseum, Proposed Drawing; 2 negatives\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026amp;M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e5188, 5212, 5213, 5038\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["5188, 5212, 5213, 5038"],"scopecontent_html_tesm":["\u003cp\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.\u003c/p\u003e\n","\u003cp\u003eThis collection includes 15 series:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Project Files; ca. 1964-2007; boxes 1-89.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b.\u003clb\u003e\u003c/lb\u003e\nSeries 3. Aerial Prints; ca. 1961-1984; box 102.\u003clb\u003e\u003c/lb\u003e\nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Slides; ca. 1980-1992; boxes 105-111.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Slides in Boxes; ca. 1990-1998; box 121.\u003clb\u003e\u003c/lb\u003e\nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Subjects; ca. 1950-1992; boxes 135-138.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Transparencies 8 x 10; undated; box 139.\u003clb\u003e\u003c/lb\u003e\nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143.\u003clb\u003e\u003c/lb\u003e\nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144.\u003clb\u003e\u003c/lb\u003e\nSeries 15. Miscellaneous Material; undated; box 145.\u003c/p\u003e","\u003cp\u003eThis series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number. Projects are divided into two subseries. Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities. Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more. See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987). See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.\u003c/p\u003e","\u003cp\u003eKick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives\u003c/p\u003e","\u003cp\u003eArchery, Physical Education; 9 negatives\u003c/p\u003e","\u003cp\u003e5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives\u003c/p\u003e","\u003cp\u003eTerra-Alta, Biological Study; John L.; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Student Instructors; Pat Tork; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eKeith Glancy; B. Criswell; catalogue made; 1 copy negative\u003c/p\u003e","\u003cp\u003eJoe Hutchinson; 6 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Laundry Room; Pat Tork; 2 negatives\u003c/p\u003e","\u003cp\u003eMr. Wagner; Education; Dr. Jarecke; 3 negatives\u003c/p\u003e","\u003cp\u003ePresident's House, light fixtures; Jim Reed; 3 negatives\u003c/p\u003e","\u003cp\u003eGlenlock Hall, Housing; Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Rifle Practice; Pat Tork; 7 negatives\u003c/p\u003e","\u003cp\u003eNelson Smith, Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eKathy Omari [?], Portrait\u003c/p\u003e","\u003cp\u003eIndustrial Engineering Conference; Ray Shaffer; 14 negatives\u003c/p\u003e","\u003cp\u003eDan Boggs, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eNeil E. Bolyard, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eGordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; George Kirk; 33 negatives\u003c/p\u003e","\u003cp\u003eSafety Education; Dr. Yost; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs, Student Body; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins; 1 negative\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; Democrat; 1965-1969; 3 negatives\u003c/p\u003e","\u003cp\u003eParking Lot; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; Copy; 1 negative\u003c/p\u003e","\u003cp\u003eStudent Affairs, Staff Meeting; 3 negatives\u003c/p\u003e","\u003cp\u003eCamp Dawson; 18 negatives\u003c/p\u003e","\u003cp\u003eAthletic Publication- Football, Cheerleaders; 18 negatives\u003c/p\u003e","\u003cp\u003eMartha Harris; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Auto Presentation; Dr. Yost; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Union, Bid Opening; Criswell; 8 negatives\u003c/p\u003e","\u003cp\u003eEducation Workshop; Groupe; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama Production of \"The Women\"; Boyd; 10 negatives\u003c/p\u003e","\u003cp\u003eWest Virginia Collection, Library; Shetler; 17 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Engineering; Mr. Boyle; 2 negatives\u003c/p\u003e","\u003cp\u003eMrs. Bachman, Board of Governors; Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eFrank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative\u003c/p\u003e","\u003cp\u003eWestern Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; Kirk; 56 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; Potrait; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; Drake; 8 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Photo by Mrs. Pearse\u003c/p\u003e","\u003cp\u003eAthletic Department, Baseball; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative\u003c/p\u003e","\u003cp\u003eEngineering, Slides; Dr. Wren; 23 negatives\u003c/p\u003e","\u003cp\u003eDr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 7 negatives\u003c/p\u003e","\u003cp\u003eRoy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eSnow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives\u003c/p\u003e","\u003cp\u003eUniversity High School, Project; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Richmond Game; Music-Udell; 9 negatives\u003c/p\u003e","\u003cp\u003eBand Brothers; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Mrs. Blackburn; 8 negatives\u003c/p\u003e","\u003cp\u003eFrank Borkowski, Concert Orchestra Rehearsal; 17 negatives\u003c/p\u003e","\u003cp\u003eProfessor Perley Isaac Reed, Mountainlair; 12 negatives\u003c/p\u003e","\u003cp\u003eCommencement; Don Bond; 13 negatives\u003c/p\u003e","\u003cp\u003ePublications; Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Phillipine Visitors; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Sarkesian; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Reading Room; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Homecoming Game; Virginia Tech; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives\u003c/p\u003e","\u003cp\u003eBob Conners; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. James Henning, Chairman of the Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William H. Mernyk, Economics; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eRed Brown Heart Fund Award; Barrett; 6 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Bolyard; 27 negatives\u003c/p\u003e","\u003cp\u003eHealth Center; 10 negatives\u003c/p\u003e","\u003cp\u003ePhysical Lab Display; 2 negatives\u003c/p\u003e","\u003cp\u003eEd Sprague; 4 negatives\u003c/p\u003e","\u003cp\u003eProduction of \"American Dream\", Drama; Mr. Boyd; 2 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production; Mr. Nels; 6 negatives\u003c/p\u003e","\u003cp\u003eChemistry Building, Annex Plan Drawings; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology Department, Photos of Birds; Professor Birch; 8 negatives\u003c/p\u003e","\u003cp\u003eMechanical and Aerospace Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU slides, Television Workshop, Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Athletic Director; 3 negatives\u003c/p\u003e","\u003cp\u003eHigh School Drama Workshop; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eSocial Work Building; 4 negatives\u003c/p\u003e","\u003cp\u003eInterior of Arnold Hall; Women studying; 6 negatives\u003c/p\u003e","\u003cp\u003eMary Jane Schuster, Assistant Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eDean Ray Duncan; 4 negatives\u003c/p\u003e","\u003cp\u003eDrama, Unknown Play; Dr. Burrows; 8 negatives\u003c/p\u003e","\u003cp\u003eDrawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio, Joyce Breach, Music Practice; 24 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Dr. Diener; 1 negative\u003c/p\u003e","\u003cp\u003eJoyce Breach; 5 negatives\u003c/p\u003e","\u003cp\u003eWrestling, 1965 Winners; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; two negatives\u003c/p\u003e","\u003cp\u003ePolywood Charts, Engineering Department; Jim Kent; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Practice, Mrs. Lorrence [?]; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Golay, Vice President; 5 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, West Virginia State Seal; 1 negative\u003c/p\u003e","\u003cp\u003eConcert Orchestra, Music Department; Borkowski; 4 negatives\u003c/p\u003e","\u003cp\u003eOpera Production; 24 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 5 negatives\u003c/p\u003e","\u003cp\u003eCommerce Scholarship; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eScouting Award, President Paul Miller; 4 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Building Model; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives\u003c/p\u003e","\u003cp\u003eMiss Keener, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Wise, Board of Governors; 2 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Engineering Slides, Dr. Wen; 20 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Wrestling, Pat Tork; 11 negatives\u003c/p\u003e","\u003cp\u003eMusic Meeting, Dean Duncan; 40 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus Residence Hall, Twin Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, College of Engineering; 5 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 18 negatives\u003c/p\u003e","\u003cp\u003eDean Richard Duncan, First Dean of the Creative Arts Center; 1 negative\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Subject Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eMusic Production of the \"Devil and Daniel Webster; 20 negatives\u003c/p\u003e","\u003cp\u003eKappa Delta, Sorority House; 5 negatives\u003c/p\u003e","\u003cp\u003eEisland Hall, Views from in front of music building; 8 negatives\u003c/p\u003e","\u003cp\u003eState 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives\u003c/p\u003e","\u003cp\u003eLibrary, Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eJunior Achievement; Jim Watkins; 7 negatives\u003c/p\u003e","\u003cp\u003eRobert B. Smawley, Provost Office; 4 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering; Ray Schaffer; 17 negatives\u003c/p\u003e","\u003cp\u003eDr. Festivus P. Summers; Criswell; 1negative\u003c/p\u003e","\u003cp\u003eCriswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, Evansdale; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Band at Camp Dawson, Udell; 11 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 4 negatives\u003c/p\u003e","\u003cp\u003eMilitary First Solo Flight,Cherokee 140; Cullen; 1 negative\u003c/p\u003e","\u003cp\u003eCharles Weakley, Chemistry Department; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Chemical; Mr. Boyle; 9 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Neil Bolyard; 22 negatives\u003c/p\u003e","\u003cp\u003eSam Boyd, Drama department; 8 negatives\u003c/p\u003e","\u003cp\u003eRadio and TV slides; Van Camp; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama production of \"Don Juan\"; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eHumanities Conference, Dr. Ikenberry; 9 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Mrs. Pearse; 13 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Mr Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eForeign Offices, Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs Group; Jim Watkins; St. Committee; 2 negatives\u003c/p\u003e","\u003cp\u003eNews-Info, Criswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Weirton Steel Display; 5 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Scholarship; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Kennedy; Reading C; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Scene; Old Picture; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives\u003c/p\u003e","\u003cp\u003eir View Main Campus, May 6 1960; L.O. Myers; 2 negatives\u003c/p\u003e","\u003cp\u003eStudents walking around Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eIntramural Soccer; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Daily Athenaeum Newsroom; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center Dental Lab; 4 negatives\u003c/p\u003e","\u003cp\u003eRecreation; 2 negatives\u003c/p\u003e","\u003cp\u003eBiology Lab; 3 negatives\u003c/p\u003e","\u003cp\u003eAgricultural School, Research; 2 negatives\u003c/p\u003e","\u003cp\u003eGreek Charity Project, Downtown; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building, Air View; 2 negatives\u003c/p\u003e","\u003cp\u003eHistory Department Classroom; 2 negatives\u003c/p\u003e","\u003cp\u003eOgleby Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Air Views; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; Dr. Schaub; 8 negatives\u003c/p\u003e","\u003cp\u003eTelephone Operators, Helen Criss; 3 negatives\u003c/p\u003e","\u003cp\u003eMilitary Ceremony, Major Wade; 11 negatives\u003c/p\u003e","\u003cp\u003ePresident Charles Wise Jr., Board of Governors; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Robert Slonneger, Mechanical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eMargaret Lorince, Professor of Music; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin, Groupe; 4 negatives\u003c/p\u003e","\u003cp\u003eAerospace Symposium; Mr. Walters; 7 negatives\u003c/p\u003e","\u003cp\u003eMain Campus, Aerial View; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Aerial View; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Building; 8 negatives\u003c/p\u003e","\u003cp\u003eThe Women; 4 negatives\u003c/p\u003e","\u003cp\u003eGroups-The Women; 9 negatives\u003c/p\u003e","\u003cp\u003eChemistry slides; Tony Winston; 6 negatives\u003c/p\u003e","\u003cp\u003eBook slides; Dr. Manning; 3 negatives\u003c/p\u003e","\u003cp\u003eSlide copies- Pygmies; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Homecoming-Girls; 63 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Music Department; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident Miller and Senator Randolph; Pen Presentation; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building; Shaffer; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Hess; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; Udell; 7 negatives\u003c/p\u003e","\u003cp\u003ePep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; William and Mary Game; Udell; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Citadel Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Pre-season; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Syracuse Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWelfare Department, Group photo; 17 negatives\u003c/p\u003e","\u003cp\u003eJames M. Mullendore Senior; 6 negatives\u003c/p\u003e","\u003cp\u003eRobert Iden-Nels; University photo; 9 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus views; Morgantown Ordinance; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Department, charts and slides; M. Patterson; 13 negatives\u003c/p\u003e","\u003cp\u003eBiology Department; slides; 4 negatives\u003c/p\u003e","\u003cp\u003eHealth Center, Moving; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU High School Speech Institution, group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Summer Art Institute, group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss; 8 negatives\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 25 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 14 negatives\u003c/p\u003e","\u003cp\u003eInternational Night, Field House; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Professor Fowler; 44 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Carter Tork; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Concert, Mr. Borkowski; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Music Department; Bud Udell; 3 negatives\u003c/p\u003e","\u003cp\u003eOperetta, Joe Goltz; 17 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Executive Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, lab and office; Criswell; 12 negatives\u003c/p\u003e","\u003cp\u003eChildren's Theater; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Morgantown \"1965\"; 9 negatives\u003c/p\u003e","\u003cp\u003eD. Brewer; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production; Thieves Cornwal; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning, Music Department; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eFirst students at Evansdale Twin Towers; 12 negatives\u003c/p\u003e","\u003cp\u003eMusical Group-Brass, R. Sherman; 7 negatives\u003c/p\u003e","\u003cp\u003eGlenn Snyder, Group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference, Group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp; Group Photo; 6 negatives\u003c/p\u003e","\u003cp\u003eLynn Duncan; 8 negatives\u003c/p\u003e","\u003cp\u003eIden Family photos; 10 negatives\u003c/p\u003e","\u003cp\u003eDrama Department, Phillips; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis \"65\"; 27 negatives\u003c/p\u003e","\u003cp\u003eDr. Patterson; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School, Wrestling team, 1 negative\u003c/p\u003e","\u003cp\u003eJohn Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eWV State Wrestling, 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production, \"Lady Precious Stream\"; 10 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell, woodworking; 12 negatives\u003c/p\u003e","\u003cp\u003eStudent Committee; Legislature; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Dr. Carter; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Hess; 15 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Stewart, Math Department; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Yost, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eLocusts; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Showcase display, \"Student Life on Campus\"; 18 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Neil Bolyard; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Humphry, Chemistry Department, Presidential Award; 5 negatives\u003c/p\u003e","\u003cp\u003eAWS; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU extension, Forum teachers; 6 negatives\u003c/p\u003e","\u003cp\u003eOld Woodburn Hall, before 1900; 3 negatives\u003c/p\u003e","\u003cp\u003eBelcastro Trio, State Department; Criswell; 46 negatives\u003c/p\u003e","\u003cp\u003eDr. Kent, portraits; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 10 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 1 negative\u003c/p\u003e","\u003cp\u003eOld Mechanical Hall II; 2 negatives\u003c/p\u003e","\u003cp\u003ePeter Bonays; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Sciences Building; Baker; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, GUD; 4 negatives\u003c/p\u003e","\u003cp\u003eGordon Craig, Speaker; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Check presentation; 5 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Frank Carlomheno; 5 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama production; Burrows; 14 negatives\u003c/p\u003e","\u003cp\u003eMusic- Summer camp; f. Borkowski; 2 negatives\u003c/p\u003e","\u003cp\u003eArt Department, Joe Moss; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. A. Reed; 2 negatives\u003c/p\u003e","\u003cp\u003eEconomic Education Workshop; Maron Lee; 64 negatives\u003c/p\u003e","\u003cp\u003eWoman's Hall, Stalnaker; 15 negatives\u003c/p\u003e","\u003cp\u003eMiss McClure, Campus Cover Girl; 6 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 8 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 24 negatives\u003c/p\u003e","\u003cp\u003eCheerleaders, Physical Education; Bill Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Forestry building; 9 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, 99th Anniversary Dinner; 34 negatives\u003c/p\u003e","\u003cp\u003eScholarship Winners 1966, Neil Bolyard; 37 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives\u003c/p\u003e","\u003cp\u003eUnited Fund; 20 negatives\u003c/p\u003e","\u003cp\u003eRegional Wrestling Winners; 6 negatives\u003c/p\u003e","\u003cp\u003ePortnoy, Music department; 12 negatives\u003c/p\u003e","\u003cp\u003eBig Ten Wrestling; 6 negatives\u003c/p\u003e","\u003cp\u003eChamber of Commerce; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives\u003c/p\u003e","\u003cp\u003eCoach Carlin, News Conference; 6 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, exteriors; 5 negatives\u003c/p\u003e","\u003cp\u003eOffice of Physical Planning, copies of master plan; C. Wagner; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. C.C. Patterson, Engineering; 9 negatives\u003c/p\u003e","\u003cp\u003eClassroom; 4 negatives\u003c/p\u003e","\u003cp\u003eChi-Omega Sorority; Criswell; 10 negatives\u003c/p\u003e","\u003cp\u003eRoad signs and radar, Civil Engineering; 24 negatives\u003c/p\u003e","\u003cp\u003eChas Tomas, Physics; 12 negatives\u003c/p\u003e","\u003cp\u003eSlides of old photos of Morgantown; Shetler; 32 negatives\u003c/p\u003e","\u003cp\u003eForestry Building entrance; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 2 negatives\u003c/p\u003e","\u003cp\u003eJerry Andrick; 4 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker, Chemistry; 2 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU golfing; 7 negatives\u003c/p\u003e","\u003cp\u003eGary Zinn; 1 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, St. Patrick's Day; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 39 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU bookstore, Award winners; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Preparatory, M. Lorince; 15 negatives\u003c/p\u003e","\u003cp\u003eForestry classroom, Dr. Roch; 2 negatives\u003c/p\u003e","\u003cp\u003ePete Yost; \"All-State\"; 7 negatives\u003c/p\u003e","\u003cp\u003ePlay Day, Tork; 20 negatives\u003c/p\u003e","\u003cp\u003eAmerican Women Surgeons, group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America; 85 negatives\u003c/p\u003e","\u003cp\u003eLa Traviata, WVU Opera production; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, group photo; Larry Castle; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Women's Club; 31 negatives\u003c/p\u003e","\u003cp\u003eWVU computer music; 4 negatives\u003c/p\u003e","\u003cp\u003eEugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives\u003c/p\u003e","\u003cp\u003eArmand Singer, Professor of Romance Languages; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Sinkford; 15 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Physics; 22 negatives\u003c/p\u003e","\u003cp\u003eWVU Women; 34 negatives\u003c/p\u003e","\u003cp\u003eJerry Parmer, Engineering Department; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Udell; 2 negatives\u003c/p\u003e","\u003cp\u003eTextbook of Wood Technology, book photo; Chemical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, interior views; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Paul Ausborn Miller; 7 negatives\u003c/p\u003e","\u003cp\u003eEmory Bacon; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Registration; 24 negatives\u003c/p\u003e","\u003cp\u003eDrawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative\u003c/p\u003e","\u003cp\u003eCultural Center; 5 negatives\u003c/p\u003e","\u003cp\u003eNews and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Centennial Seal, 1867-1967; 1 negative\u003c/p\u003e","\u003cp\u003eSlides- men working at the river; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Neisus, in his office reading the Appalachian Review; 2 negatives\u003c/p\u003e","\u003cp\u003eScholarship Presentation, Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eAthletic Department, Cross Country; 23 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, group photo; 2 negatives\u003c/p\u003e","\u003cp\u003eBoard of Public Works; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; 1 negative\u003c/p\u003e","\u003cp\u003eBurger Chef; 4 negatives\u003c/p\u003e","\u003cp\u003eCharley Hockenberry; 5 negatives\u003c/p\u003e","\u003cp\u003eSlides by Professor Linsky; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU President Miller, Reception; 8 negatives\u003c/p\u003e","\u003cp\u003eLabor Conference, Fred Teller; 11 negatives\u003c/p\u003e","\u003cp\u003eLabor Studies, J. MacKensie; 50 negatives\u003c/p\u003e","\u003cp\u003eDean R. S. Dunbar JR.; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Manpower in Appalachia; Fred Teller; 57 negatives\u003c/p\u003e","\u003cp\u003eSlides by Jim Kent; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, speaker copies; 2 negatives\u003c/p\u003e","\u003cp\u003ePat Tork, passport photos; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Igor Sarkissian; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering slides, Dr. Schaub; 10 negatives\u003c/p\u003e","\u003cp\u003eJamison, AWS; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; Udell; 4 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Officers Visit; 5 negatives\u003c/p\u003e","\u003cp\u003eDriver Training class, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; 3 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship; Parmer; 6 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America Contest; 86 negatives\u003c/p\u003e","\u003cp\u003e\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Campbell; 2 negatives\u003c/p\u003e","\u003cp\u003eGreg Myers, WVU Soccer coach; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Student Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eA. Larson; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Cross Country, group photos; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Citadel game; 7 negatives\u003c/p\u003e","\u003cp\u003eState High School Cross Country; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives\u003c/p\u003e","\u003cp\u003eDr. Robert F. Munn, Provost and Director of Libraries; 2 negatives\u003c/p\u003e","\u003cp\u003eTheodora Schubert, first girl student in Forestry; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides- Radiation Intensity, Jim Kent; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eE. Moore Hall, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eWVU Law Building, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eScholarship Awards for music, Mrs. Inberg; 4 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 14 negatives\u003c/p\u003e","\u003cp\u003eJoe Gluck, in his office; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic Programs, Arno Druker; 9 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. McMillion, passport photo; 5 negatives\u003c/p\u003e","\u003cp\u003eStudent Organization charts, J. Watkins; 15 negatives\u003c/p\u003e","\u003cp\u003eCentennial Film copies; 6 negatives\u003c/p\u003e","\u003cp\u003eCopies of speakers, Bill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChester A. Arents, Dean of the School of Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eQuint Wilson, Dean of Journalism; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives\u003c/p\u003e","\u003cp\u003eJerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative\u003c/p\u003e","\u003cp\u003eThomas C. Campbell, Dean of College of Commerce; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, Don Portnoy; 159 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp, music camp; 53 negatives\u003c/p\u003e","\u003cp\u003eWVU Music Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eCaptain Cullen, Military Commission; 10 negatives\u003c/p\u003e","\u003cp\u003eGreater West Virginia Weekend; 24 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; Dr. Barton; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers Lounge ; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, WVU vs. Penn State game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU band at Kentucky game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Don Bond, portraits; 3 negatives\u003c/p\u003e","\u003cp\u003eBoard of Education Grant for drama and cultural education; 132 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America, University High School chapter; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Arya; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Link Day; 8 negatives\u003c/p\u003e","\u003cp\u003eMr. Jones, WVU President's assistant; 2 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 6 negatives\u003c/p\u003e","\u003cp\u003eslides, Dr. Moh, 2 negatives\u003c/p\u003e","\u003cp\u003eRaphael Bachman, Dean of Pharmacy; 2 negatives\u003c/p\u003e","\u003cp\u003eYork Junior College students; 6 negatives\u003c/p\u003e","\u003cp\u003ecopy for news service; 2 negatives\u003c/p\u003e","\u003cp\u003eNews Service, Dickerson; 2 negatives\u003c/p\u003e","\u003cp\u003eGuy Harry Stewart, Professor of Journalism; 13 negatives\u003c/p\u003e","\u003cp\u003eKenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives\u003c/p\u003e","\u003cp\u003eSnow scenes at WVU; pylons 2; 25 negatives\u003c/p\u003e","\u003cp\u003eRay Duncan, Dean of Physical Education; portraits; 7 negatives\u003c/p\u003e","\u003cp\u003eLeo Horacek, Professor Emeritus of Music; 4 negatives\u003c/p\u003e","\u003cp\u003eOfficers of the A.W.S.; 16 negatives\u003c/p\u003e","\u003cp\u003eRoy W. Bahl, Professor of Economics; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 5 negatives\u003c/p\u003e","\u003cp\u003eRichard E. Duncan, Dean of the Creative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Jay Barton, Chairman of the Biology Department; 6 negatives\u003c/p\u003e","\u003cp\u003eGeorge Kirk, Vice President of Finance; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative\u003c/p\u003e","\u003cp\u003eJoseph Goltz, Director of the WVU Opera Group; First director; 4 negatives\u003c/p\u003e","\u003cp\u003eBen Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives\u003c/p\u003e","\u003cp\u003eAda Lease, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eCarolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial work group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Howard Perry Simons; Chemical Engineering; 26 negatives\u003c/p\u003e","\u003cp\u003eJames A. Kent, Nuclear Engineering; Polywood; 45 negatives\u003c/p\u003e","\u003cp\u003eStanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives\u003c/p\u003e","\u003cp\u003eLabor Institute at Mont Chateau; 6 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Twin Towers, exterior views; 5 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior view- lobby; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Dining hall, dorm room; 10 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior views of the lounge; 8 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, exterior shots; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir, Joe Golz; 6 negatives\u003c/p\u003e","\u003cp\u003eVice President Hubert Humphrey, visit to WVU; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eProtestors at the WVU Commencement; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Baseball, publicity shots; 57 negatives\u003c/p\u003e","\u003cp\u003eWVU Tennis and Golf; 23 negatives\u003c/p\u003e","\u003cp\u003eWVa Collection Story, librarians at work; 7 negatives\u003c/p\u003e","\u003cp\u003eMr. Preston Harper; 4 negatives\u003c/p\u003e","\u003cp\u003eRalph Bean in a meeting; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Bray, Board of Governors; 1 negative\u003c/p\u003e","\u003cp\u003eWrestling- Southern Conference Tournament; 2 negatives\u003c/p\u003e","\u003cp\u003eTrack and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives\u003c/p\u003e","\u003cp\u003eWVU College of Law, exterior shots; 7 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Award Presentation; news service; 8 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, road and billboard signs; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education- Driver's Education cars; Dr. yost; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Facility, Forestry Building; Boyles; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Gary Kenamondo, news and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eRadio and Television productions; 16 negatives\u003c/p\u003e","\u003cp\u003eMr. Graber, WVU Drama Department; portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides; joint mechanism of ultrasonic welding; 5 negatives\u003c/p\u003e","\u003cp\u003enature slides, News Service; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Bates, News-Service; 2 negatives\u003c/p\u003e","\u003cp\u003eSuper Wood; WVU engineering; experiment; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering and Bio-physics; TAM; 6 negatives\u003c/p\u003e","\u003cp\u003eLeo Fishman, Professor of Economics and Finance; 3 negatives\u003c/p\u003e","\u003cp\u003eDriver's Education Class; WVU Physical Education; 3 negatives\u003c/p\u003e","\u003cp\u003eUnion Carbide presentation, Engineering Department; 4 negatives\u003c/p\u003e","\u003cp\u003eNew York Bond Company; 6 negatives\u003c/p\u003e","\u003cp\u003eCollege of Commerce, Bankers Scholarship presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eBud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives\u003c/p\u003e","\u003cp\u003eConstruction of the Creative Arts Center slides; 2 negatives\u003c/p\u003e","\u003cp\u003eRuel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives\u003c/p\u003e","\u003cp\u003eslides of the Annals New York Academy of Sciences; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Engineering slides; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. Dozo and Dr. Olson, visiting vets; 5 negatives\u003c/p\u003e","\u003cp\u003eWes Coppock; News-Service; 1 negative\u003c/p\u003e","\u003cp\u003eMargaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eSchool of Speech Communications, Leonard Davis; 21 negatives\u003c/p\u003e","\u003cp\u003eWeirton Story, News-Information; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School on Campus Drive; children playing; 6 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides, Blackshaw; 15 negatives\u003c/p\u003e","\u003cp\u003eMr. Brown, Commerce; 2 negatives\u003c/p\u003e","\u003cp\u003eAlumni Giving Incentive Award, Dave Tork; 3 negatives\u003c/p\u003e","\u003cp\u003ephotos of books by Earl L. Core, cover picture; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Computer Center; 12 negatives\u003c/p\u003e","\u003cp\u003eUSS West Virginia Mast Plaque; 10 negatives\u003c/p\u003e","\u003cp\u003eJohn Luchak; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Commencement; 27 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School; 20 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones in his office; 7 negatives\u003c/p\u003e","\u003cp\u003eHerman Godes, Pianist; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Clyde English, Head of Organ Department 1945-1980; 4 negatives\u003c/p\u003e","\u003cp\u003ePresbysterian Church Cross; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair construction; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, Vice President of Finance and Administration; 6 negatives\u003c/p\u003e","\u003cp\u003eParmer, Aero-Space; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Athletic Department picnic; 20 negatives\u003c/p\u003e","\u003cp\u003eJames Thompson in his lab; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, night view; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, front closeup; pylons; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center view from Evansdale Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestlers; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestling Team; group photo; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education Conference, Pete Yost; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003e5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin at WVU graduation; 23 negatives\u003c/p\u003e","\u003cp\u003ePercival Hall- Forestry Center, night views; 5 negatives\u003c/p\u003e","\u003cp\u003eMr. Sledge, Student Affairs; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives\u003c/p\u003e","\u003cp\u003eportraits of Honoraries at 1966 WVU Commencement; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Band publicity shots; 12 negatives\u003c/p\u003e","\u003cp\u003eReverend Paine, Episcopalian; Clergy, Church; 7 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers complex, drawing; 3 negatives\u003c/p\u003e","\u003cp\u003eColonel Jansen Retirement; 10 negatives\u003c/p\u003e","\u003cp\u003eFestival of Ideas, Humphrey, Etc.; 103 negatives\u003c/p\u003e","\u003cp\u003eRegistration at Field House; 9 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Group; 3 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlehemeno; 4 negatives\u003c/p\u003e","\u003cp\u003eSherlocker, Physical Education; 5 negatives\u003c/p\u003e","\u003cp\u003eCanning, Music Group; 4 negatives\u003c/p\u003e","\u003cp\u003eMilan; 32 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Portraits\u003c/p\u003e","\u003cp\u003eDrama, \"Kiss Me Kate\"; 11 negatives\u003c/p\u003e","\u003cp\u003eAngel Street; 14 negatives\u003c/p\u003e","\u003cp\u003eRepresentative of Ghana; 5 negatives, prints\u003c/p\u003e","\u003cp\u003eDanville, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Frasure, College of Arts and Sciences, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning with Carolyn Reyer; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 4 negatives\u003c/p\u003e","\u003cp\u003eHUD Meeting at Mt. Chateau; Transportation; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Canning, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William Miernyk, Economics Research, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDrama, Merchant of Venice; 9 negatives\u003c/p\u003e","\u003cp\u003eDonald Portnoy, Music, at Piano with Violin; 12 negatives\u003c/p\u003e","\u003cp\u003eTennis Action Shots; 8 negatives\u003c/p\u003e","\u003cp\u003eProfessor Jones, Chair, Electrical Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eChemistry Award; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama; 12 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eLorensen, Law School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Kelly, Vice President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Halter, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eVergil Clark, Head of Physical Plant, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident's Home; 12 negatives\u003c/p\u003e","\u003cp\u003eBiology, Dr. Chen, Culture Room; 8 negatives\u003c/p\u003e","\u003cp\u003eChemistry, Tony Winston, Labs; 55 negatives\u003c/p\u003e","\u003cp\u003eElectrical Engineering; 10 negatives\u003c/p\u003e","\u003cp\u003eGeneral Biology, Trees; 7 negatives\u003c/p\u003e","\u003cp\u003eCoopers Rock, Gorge Overlook; 17 negatives\u003c/p\u003e","\u003cp\u003eHunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Dance Group; 24 negatives\u003c/p\u003e","\u003cp\u003e\"Esso Story\"; President Harlow with Two Other Men; 6 negatives\u003c/p\u003e","\u003cp\u003eCanning and Brown, \"Composers\"; 2 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Story; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Project; 12 negatives\u003c/p\u003e","\u003cp\u003eAgronotty Awards; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Coal Research; 9 negatives\u003c/p\u003e","\u003cp\u003eMen's Swim Team; 23 negatives\u003c/p\u003e","\u003cp\u003eComedy, Lysistrata; 9 negatives\u003c/p\u003e","\u003cp\u003eNational Merit Scholarship, President Harlow Speaking; 35 negatives\u003c/p\u003e","\u003cp\u003eRecreation Department, Senior Citizens; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Band Uniforms; 3 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp; 48 negatives\u003c/p\u003e","\u003cp\u003eOpera, The Marriage of Figaro; 23 negatives\u003c/p\u003e","\u003cp\u003eOpera, Susannah by Carlisle Floyd; 27 negatives\u003c/p\u003e","\u003cp\u003eState Bankers Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eAirplanes, Cessna Foundation; 24 negatives\u003c/p\u003e","\u003cp\u003eGulf Oil Presentation; 3 negatives\u003c/p\u003e","\u003cp\u003eBruce D. McComas, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDick Bell, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRifle Team; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic, Phil Faini, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003e00624; Dr. Harlow, Du Pont Presentation; 10 negatives\u003c/p\u003e","\u003cp\u003eSoccer Action; 9 negatives\u003c/p\u003e","\u003cp\u003eGeorge Weaver, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology, Cancer Research; 4 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives\u003c/p\u003e","\u003cp\u003ePeggy Staggers, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eArmy, ROTC; 50 negatives\u003c/p\u003e","\u003cp\u003eCoach Harrick, Portrait, Baseball, 300 Victory, 11 negatives\u003c/p\u003e","\u003cp\u003eLibrary View; Building, 2 negatives\u003c/p\u003e","\u003cp\u003eColonel Reynolds, Student Affairs, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Luckoks and Majorettes; 9 negatives\u003c/p\u003e","\u003cp\u003eSports, Basketball Group, Athletic Publication; 6 negatives\u003c/p\u003e","\u003cp\u003eClark Wagner, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eSteering Committee, Homecoming; 4 negatives\u003c/p\u003e","\u003cp\u003eSports, Soccer Squad, Mountaineer Field; 1 negative\u003c/p\u003e","\u003cp\u003eBlithe Spirit, Drama, Play; 11 negatives\u003c/p\u003e","\u003cp\u003eDolls House, Drama, Play, Creative Arts Center; 12 negatives\u003c/p\u003e","\u003cp\u003eCaesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives\u003c/p\u003e","\u003cp\u003eThe Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives\u003c/p\u003e","\u003cp\u003eYWCA Officers, Cabinet, Becky Stewart; 7 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors, Portraits; 12 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eAlumni Day at Law School; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Chas Norman, Lab, Biology; 12 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins in Office; 12 negatives\u003c/p\u003e","\u003cp\u003eSara Ruth Meek, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 19 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 20 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 24 negatives\u003c/p\u003e","\u003cp\u003eHigh School Speech Institute; 22 negatives\u003c/p\u003e","\u003cp\u003eHelicopter in Mont Chateau; 14 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors; 3 negatives\u003c/p\u003e","\u003cp\u003eForestry Display, Laskin; 14 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs; 10 negatives\u003c/p\u003e","\u003cp\u003eAfrican Statues from Twin Towers, Betty Bogel; 16 negatives\u003c/p\u003e","\u003cp\u003eScience Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eLeonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives\u003c/p\u003e","\u003cp\u003eAWS Officers, Portraits; 21 negatives\u003c/p\u003e","\u003cp\u003eOak Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eCarol Watson; 7 negatives\u003c/p\u003e","\u003cp\u003eSmall Maple Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eSlides for Mechanical Engineering, Entropy; 25 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp. Group; 1 negative\u003c/p\u003e","\u003cp\u003eHigh School Journalism; 32 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Class; 3 negatives\u003c/p\u003e","\u003cp\u003eTransportaion; 22 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Heating Plant; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Guides; 17 negatives\u003c/p\u003e","\u003cp\u003eJohn Brisbow, Assistant Director of Admissions; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; 26 negatives\u003c/p\u003e","\u003cp\u003eDr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026amp; Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives\u003c/p\u003e","\u003cp\u003eCross Country, Coach and Captain in Action, Sports; 12 negative\u003c/p\u003e","\u003cp\u003eGirl with Rifle; 2 negatives\u003c/p\u003e","\u003cp\u003eMerchant of Venice, Drama, Publicity; 7 negatives\u003c/p\u003e","\u003cp\u003eUrban Mass Transit, Vestibule; 18 negatives\u003c/p\u003e","\u003cp\u003eSatellite Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Parkersburg Branch, Drawing; 1 negative\u003c/p\u003e","\u003cp\u003eCredit Union, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eHousing and Urban Development; 7 negativs\u003c/p\u003e","\u003cp\u003eJohn R. Mackenzi, Director of Education, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJames H. Schaub, Professor of Civil Engineering, Portrait;4 negatives\u003c/p\u003e","\u003cp\u003eHarold J. Shamberger, Assistant to President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003e00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives\u003c/p\u003e","\u003cp\u003eWrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives\u003c/p\u003e","\u003cp\u003eCross Country Team, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Jung; 17 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots; 12 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 12 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots for Dr. Jung, 5 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 7 negatives\u003c/p\u003e","\u003cp\u003eBug Shots for C. K. Dorsey, Insects; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Engineering Building; 4 negatives\u003c/p\u003e","\u003cp\u003eConference; 12 negatives\u003c/p\u003e","\u003cp\u003eRobert L. Iden, Manager of Printing Services, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Steve Harrick, Presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eMullenax, Interview, New Zealand; 9 negatives\u003c/p\u003e","\u003cp\u003eJohn Goodwin, Commerce, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 22 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 16 negatives\u003c/p\u003e","\u003cp\u003eClifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives\u003c/p\u003e","\u003cp\u003eJohn Clarkson, Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSeigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDick Detombe, Assistant Track Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Stacy Barton, ETV; 12 negatives\u003c/p\u003e","\u003cp\u003eJerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Hefflin, 18th President; 20 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003ePaul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003eInformation Booth, Structure; 6 negatives\u003c/p\u003e","\u003cp\u003eUniversity Singers, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eStrings Band Practice, Music Department; 22 negatives\u003c/p\u003e","\u003cp\u003eMusic Scholarship Award; 4 negatives\u003c/p\u003e","\u003cp\u003eScenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives\u003c/p\u003e","\u003cp\u003eLecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives\u003c/p\u003e","\u003cp\u003eMorgantown Woman's Music Club Scholarship, Group; 5 negatives\u003c/p\u003e","\u003cp\u003eJames Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk; 12 negatives\u003c/p\u003e","\u003cp\u003eGeorge Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003ePaul Selby, Dean of College of Law; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation;\u003c/p\u003e","\u003cp\u003eBudd Udell with Band; 11 negatives\u003c/p\u003e","\u003cp\u003eDale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives\u003c/p\u003e","\u003cp\u003eBand Photos, French Horn; 12 negatives\u003c/p\u003e","\u003cp\u003eMarching Band Formations; 25 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 5 negatives\u003c/p\u003e","\u003cp\u003eScott Stringham Conducting; 12 negatives\u003c/p\u003e","\u003cp\u003ePercussion Ensemble, School of Music; 1 negative\u003c/p\u003e","\u003cp\u003eHomcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives\u003c/p\u003e","\u003cp\u003e00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Princess, Headshots; 8 negatives\u003c/p\u003e","\u003cp\u003eGold Diggers, Weekend Candidates, Portrait; 23 negatives\u003c/p\u003e","\u003cp\u003eBill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives\u003c/p\u003e","\u003cp\u003eKevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCoach SFC Joe Gravens, Jr.; 4 negatives\u003c/p\u003e","\u003cp\u003ePat Hamilton, Board of Governors; 6 negatives\u003c/p\u003e","\u003cp\u003eD. Hercules, Headshot; 1 negative\u003c/p\u003e","\u003cp\u003eDr. William Morris, Portrait\u003c/p\u003e","\u003cp\u003eGeorge Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives\u003c/p\u003e","\u003cp\u003eGeorge Smyth, Planning Architect, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Stewart, Soccer Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eGreg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRadio-TV Control Room; 5 negatives\u003c/p\u003e","\u003cp\u003eHistorical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Sewage Treatment; 11 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Child Plays-Story for John Reach at Med Center; 8 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications; 6 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications, John Luchor; 16 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Information Desk and Lounge; 7 negatives\u003c/p\u003e","\u003cp\u003eRadio Drama by Dylan Thomas \"Under Milk Wood\" by at Med Center Auditorium; 8 negatives\u003c/p\u003e","\u003cp\u003eKappa Kappa Psi, Music Honorary, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFreshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives\u003c/p\u003e","\u003cp\u003eThermomister Temperature Measuring Device; 2 negatives\u003c/p\u003e","\u003cp\u003eSeintillation Device; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Entertainers\"; 19 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 23 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 4 negatives\u003c/p\u003e","\u003cp\u003eBell from USS West Virginia; 7 negatives\u003c/p\u003e","\u003cp\u003ePresident's Summer Home; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Merchant of Venice\"; 12 negatives\u003c/p\u003e","\u003cp\u003eLight Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSnow Around Campus, Historic Buildings; 34 negatives\u003c/p\u003e","\u003cp\u003eNew Buildings around Campus; 14 negatives\u003c/p\u003e","\u003cp\u003eTheater; 1 negative\u003c/p\u003e","\u003cp\u003eTheater Interior, Creative Arts; 1 negative\u003c/p\u003e","\u003cp\u003eR.O.T.C.; 39 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen, Sally Sotak, Portrait\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 24 negatives\u003c/p\u003e","\u003cp\u003eHeart Valve Story, Engineering; 15 negatives\u003c/p\u003e","\u003cp\u003eHeart Story, Med Center; 6 negatives\u003c/p\u003e","\u003cp\u003eColonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship, Union Carbide; 4 negatives\u003c/p\u003e","\u003cp\u003eBird Story; 1 negative\u003c/p\u003e","\u003cp\u003eWoodburn Circle, Traffic Pattern; 8 negatives\u003c/p\u003e","\u003cp\u003eFreshmen Basket Ball Team, Sports, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eArt Department; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group; 9 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Students; 40 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 1 negative\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 8 negatives\u003c/p\u003e","\u003cp\u003eAmrerican Arts Trio, Music, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eBaroque Ensemble, Music, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFine and Lively Arts Committee, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives\u003c/p\u003e","\u003cp\u003eBaker and Coombs Windows; 13 negatives\u003c/p\u003e","\u003cp\u003eDr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Interiors, Creative Arts Story; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 5 negatives\u003c/p\u003e","\u003cp\u003eView of Med Center from Pierpont Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eArmstrong Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eMed Center, Pylons; 19 negatives\u003c/p\u003e","\u003cp\u003eStudent Union Building, Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 3 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, Historic Building; 7 negatives\u003c/p\u003e","\u003cp\u003eSummit Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eIBM Computer Installation, Publication Office; 2 negatives\u003c/p\u003e","\u003cp\u003eIBM Typesetting in Printing Composing Room;\u003c/p\u003e","\u003cp\u003eTransatlantic Debators; 7 negatives\u003c/p\u003e","\u003cp\u003eProfessor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Harry Ernst, Director of University Relations, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU TV Tower Site; 6 negatives\u003c/p\u003e","\u003cp\u003eJoe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Super Wood; 9 negatives\u003c/p\u003e","\u003cp\u003eHighschool Wrestling Tournament; 10 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 22 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 17 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Archery Class; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Space Craft Diagrams; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement Honoraries, Portrait; 12 negatives\u003c/p\u003e","\u003cp\u003eState Science Fair; 12 negatives\u003c/p\u003e","\u003cp\u003eInternational Night; 5 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eNorm Parsons, Intramural Director; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives\u003c/p\u003e","\u003cp\u003e16 mm Movie Camera used on copy work, Radio and TV; 9 negatives\u003c/p\u003e","\u003cp\u003eDrama Publicity Photos; 3 negatives\u003c/p\u003e","\u003cp\u003eTom Gulli Ford, Swimming, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Martin, Dance; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Slides for Dr. Moore; 14 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Asphalt Research; 25 negatives\u003c/p\u003e","\u003cp\u003eWidebusch Family, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group; 12 negatives\u003c/p\u003e","\u003cp\u003eDon Knotts, Group; 1 negative\u003c/p\u003e","\u003cp\u003eNational Science Foundation Grants; 11 negatives\u003c/p\u003e","\u003cp\u003eW. Va. Collection, Library, Homecoming; 32 negatives\u003c/p\u003e","\u003cp\u003eBudd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, WVU Student Dance Group; 35 negatives\u003c/p\u003e","\u003cp\u003eBob Iden, Managerof Printing Services; 12 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall with Mast, Historic Building; 5 negatives\u003c/p\u003e","\u003cp\u003eElizabeth Moore Hall, Historic Building; 8 negatives\u003c/p\u003e","\u003cp\u003eJeff Warren; Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Peter Yost; Dean of Physical Education, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 27 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Med Center and Mountainlair; 8 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives\u003c/p\u003e","\u003cp\u003eMed Center; 3 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eStewart Hall, Historic Building; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Science Buiding; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Towers, Med Center; 7 negatives\u003c/p\u003e","\u003cp\u003eMont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Night View; 3 negatives\u003c/p\u003e","\u003cp\u003eLibrary Walk; 4 negatives\u003c/p\u003e","\u003cp\u003eLibrary Exterior View; 8 negatives\u003c/p\u003e","\u003cp\u003eView of Woodburn Circle from Oblebay Plaza; 3 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Circle; 2 negatives\u003c/p\u003e","\u003cp\u003eJazz Band; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Group; 16 negatives\u003c/p\u003e","\u003cp\u003eDave Shamberger, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eAgriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives\u003c/p\u003e","\u003cp\u003eHubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives\u003c/p\u003e","\u003cp\u003eJeff Davis, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 2 negatives\u003c/p\u003e","\u003cp\u003eCommencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 23 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 16 negatives\u003c/p\u003e","\u003cp\u003e\"The Maids and Deathwatch\", Theater Production; 9 negatives\u003c/p\u003e","\u003cp\u003eMed Center, News and Info;\u003c/p\u003e","\u003cp\u003eEngineering Department, Professor Jones, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eMountaineer Spirit, Female Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America; 93 negatives\u003c/p\u003e","\u003cp\u003eLouise Keener, Portrait\u003c/p\u003e","\u003cp\u003eFine Arts Camp, Music; 4 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Slides, Dr. Jones; 6 negatives\u003c/p\u003e","\u003cp\u003eInternational Program, Group; 8 negatives\u003c/p\u003e","\u003cp\u003eLegislative Committee, Interim, Group; 11 negatives\u003c/p\u003e","\u003cp\u003eViews from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Hall Clock Tower in Snow, Historic Building; 3 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 16 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 4 negatives\u003c/p\u003e","\u003cp\u003eJack Porter, Portrait, Development Office; 2 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlonheno, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives\u003c/p\u003e","\u003cp\u003eSenator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives\u003c/p\u003e","\u003cp\u003eDrama to Forensic Festival; 15 negatives\u003c/p\u003e","\u003cp\u003eSouthern Conference Awards, Athletic Publicity, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eCentennial Celebration Seal; 2 negatives\u003c/p\u003e","\u003cp\u003eMad Women, Portrait; 20 negatives\u003c/p\u003e","\u003cp\u003eHarold Neely, Portrat; 6 negatives\u003c/p\u003e","\u003cp\u003eFirst Brick Story; 10 negatives\u003c/p\u003e","\u003cp\u003e\"The Mad Woman of Chaillot\", Theater Production; 10 negatives\u003c/p\u003e","\u003cp\u003eHarry Ernst, Director of University Relations, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, WVU 100th Anniversary, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum Architectural Model; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Harlow, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003ePaul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology\u003c/p\u003e","\u003cp\u003eRichard Gardner, Controllers Office, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Art Gallery; 4 negatives\u003c/p\u003e","\u003cp\u003eStudents playing at Mountainlair Game Center; 12 negatives\u003c/p\u003e","\u003cp\u003eAthletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol\u003c/p\u003e","\u003cp\u003eWVU Athletic Council Award; Senior Athletic of the Year 1967-1968\u003c/p\u003e","\u003cp\u003eFormerly state park lodge\u003c/p\u003e","\u003cp\u003ePhy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education\u003c/p\u003e","\u003cp\u003eWardensville field day; Hardy Co.; Reymann Memorial Farms\u003c/p\u003e","\u003cp\u003eDean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right\u003c/p\u003e","\u003cp\u003eStan Romanoski, coach\u003c/p\u003e","\u003cp\u003eEngineering; climatologists\u003c/p\u003e","\u003cp\u003eFirst trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.\u003c/p\u003e","\u003cp\u003eDept. of Psychology; Charles D. Corman; Oglebay Hall\u003c/p\u003e","\u003cp\u003eShanbeyer, Luchack, Rhodayal, etc.\u003c/p\u003e","\u003cp\u003eDaniel O'Sullivan; plus campus views\u003c/p\u003e","\u003cp\u003eDr. Porter; Charley\u003c/p\u003e","\u003cp\u003eEngineering Department; Asten\u003c/p\u003e","\u003cp\u003eMary Filler Wiley\u003c/p\u003e","\u003cp\u003eElectrical Engineering?\u003c/p\u003e","\u003cp\u003eTheoretical and applied mechanics; mechanics engineering\u003c/p\u003e","\u003cp\u003eJim Hawkins with girl\u003c/p\u003e","\u003cp\u003eMorgantown Farm\u003c/p\u003e","\u003cp\u003ePharmacy Meeting at Towers\u003c/p\u003e","\u003cp\u003eMrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)\u003c/p\u003e","\u003cp\u003eEngineering school; Dean Arents - left\u003c/p\u003e","\u003cp\u003eEdmundo Elmore; Pan America Health Union\u003c/p\u003e","\u003cp\u003eGamma Sigma Delta\u003c/p\u003e","\u003cp\u003eLazor; Engineering Department\u003c/p\u003e","\u003cp\u003eDean Arents 2nd from right; PHS, Cincinnati Solid Waste Program\u003c/p\u003e","\u003cp\u003eFor Nick\u003c/p\u003e","\u003cp\u003eAmerican radio reporter, best known for his dramatic report of the Hindenburg Disaster\u003c/p\u003e","\u003cp\u003eLivestock Farm\u003c/p\u003e","\u003cp\u003eW.Va. Department of Mental Health; Pub. at Towers\u003c/p\u003e","\u003cp\u003eDave Tork\u003c/p\u003e","\u003cp\u003eAthletic Department; Richard Poland\u003c/p\u003e","\u003cp\u003eEngineering - Smith; Dean Chester A. Arents - center\u003c/p\u003e","\u003cp\u003eProofs straight to Poland\u003c/p\u003e","\u003cp\u003eL - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant\u003c/p\u003e","\u003cp\u003eTaught folklore; dulcimer player; collected ballads; Monticola advisor\u003c/p\u003e","\u003cp\u003eCollegium Musicum\u003c/p\u003e","\u003cp\u003eOliveria visit; Engineering Department\u003c/p\u003e","\u003cp\u003eWarren G. Tennant - Groundskeeper; Chinquapin (yellow) oak\u003c/p\u003e","\u003cp\u003eHistory Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies\u003c/p\u003e","\u003cp\u003eComedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"\u003c/p\u003e","\u003cp\u003eRoll 6\u003c/p\u003e","\u003cp\u003ePreston Co, WV; Garrett Co, MD; few remaining Boreal Bogs\u003c/p\u003e","\u003cp\u003eWith Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund\u003c/p\u003e","\u003cp\u003eBenedum Professor of Education, 68-86\u003c/p\u003e","\u003cp\u003eSteel Students Classroom\u003c/p\u003e","\u003cp\u003eProfessor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979\u003c/p\u003e","\u003cp\u003eBob Crawford\u003c/p\u003e","\u003cp\u003ePoster for Executive Conference\u003c/p\u003e","\u003cp\u003eBoyle\u003c/p\u003e","\u003cp\u003eBack row - far right; Stan Romanoski, Carl Hatfield\u003c/p\u003e","\u003cp\u003eSports Info Director\u003c/p\u003e","\u003cp\u003eRed Brown\u003c/p\u003e","\u003cp\u003eProfessor of Agriculture\u003c/p\u003e","\u003cp\u003eAgronomist, agriculture, professor of plant soil science\u003c/p\u003e","\u003cp\u003eChair, doctor, professor, horticulture, marigolds, roses\u003c/p\u003e","\u003cp\u003ePlant, physiology, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, physiology, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, chair, agriculture\u003c/p\u003e","\u003cp\u003ePhysiology, reproductive, professor, doctor, animal, nutritional, science, Davis College\u003c/p\u003e","\u003cp\u003eDoctor, plant, agriculture, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, professor, animal, carcass, beef, agriculture\u003c/p\u003e","\u003cp\u003eAgriculture, soil, chemistry\u003c/p\u003e","\u003cp\u003eProfessor, extension, plant, pathologist, entomologist, golden delicious apple\u003c/p\u003e","\u003cp\u003eWoodburn, freshmen, football, field, bleachers, athletics, team\u003c/p\u003e","\u003cp\u003eProfessor, patent examiner, law\u003c/p\u003e","\u003cp\u003eHealth Science lab\u003c/p\u003e","\u003cp\u003eDisplay set up in Mountainlair\u003c/p\u003e","\u003cp\u003eGroup and individual\u003c/p\u003e","\u003cp\u003eJ. Fannucci\u003c/p\u003e","\u003cp\u003eFaculty Dean, Business and Economics; Died Feb. 16, 1998\u003c/p\u003e","\u003cp\u003eWith Donald C. Portnoy, conductor\u003c/p\u003e","\u003cp\u003eDrama, theater, comedy, commedia, masked\u003c/p\u003e","\u003cp\u003eDuncan\u003c/p\u003e","\u003cp\u003eDiving, swimming, coaching; Coached for 30 years, record 290-159-2\u003c/p\u003e","\u003cp\u003eChitwood Hall, Stewart Hall, Martin Hall\u003c/p\u003e","\u003cp\u003eBenjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.\u003c/p\u003e","\u003cp\u003eContemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist\u003c/p\u003e","\u003cp\u003eProfessor, art, chair\u003c/p\u003e","\u003cp\u003eCollection, free-form, poem, fictional, town, spoon, river\u003c/p\u003e","\u003cp\u003eDavis College; Professor, reproductive, physiology, agriculture, faculty\u003c/p\u003e","\u003cp\u003eMusicians, trombone, trombonists, musical, drum, chamber\u003c/p\u003e","\u003cp\u003eP. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant\u003c/p\u003e","\u003cp\u003eHenry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836\u003c/p\u003e","\u003cp\u003eCollege of Commerce\u003c/p\u003e","\u003cp\u003eNot Bob Brown?\u003c/p\u003e","\u003cp\u003eMusic, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts\u003c/p\u003e","\u003cp\u003eDick Smith\u003c/p\u003e","\u003cp\u003eTV tower; motion picture staging\u003c/p\u003e","\u003cp\u003eU.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights\u003c/p\u003e","\u003cp\u003eDevelopmental psychologist, professor, chair, author, editor\u003c/p\u003e","\u003cp\u003eFounded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble\u003c/p\u003e","\u003cp\u003eFor engineering brochure\u003c/p\u003e","\u003cp\u003eEng. Elect.; Nelson Smith\u003c/p\u003e","\u003cp\u003eDave Zirz\u003c/p\u003e","\u003cp\u003eNews and Info; Ernst\u003c/p\u003e","\u003cp\u003eLeft, sitting; Doctor, professor, chair, mathematics\u003c/p\u003e","\u003cp\u003eMusic; Washington Trip\u003c/p\u003e","\u003cp\u003eChemistry building architecture; Clark Hall, Annex\u003c/p\u003e","\u003cp\u003eBookstore, WVU plate\u003c/p\u003e","\u003cp\u003eCoach - Stan Romanoski\u003c/p\u003e","\u003cp\u003eDoctor, music professor\u003c/p\u003e","\u003cp\u003eMike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director\u003c/p\u003e","\u003cp\u003eDick Smith, Dr. Moore\u003c/p\u003e","\u003cp\u003eProfessor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood\u003c/p\u003e","\u003cp\u003eChemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers\u003c/p\u003e","\u003cp\u003eRuth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President\u003c/p\u003e","\u003cp\u003eIntimate relationships, human sexuality, social work\u003c/p\u003e","\u003cp\u003eWith crutch - Jerry Stewart, other male?; catalog made\u003c/p\u003e","\u003cp\u003eBasketball coach\u003c/p\u003e","\u003cp\u003e1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher\u003c/p\u003e","\u003cp\u003eProfessor of Industrial Engineering\u003c/p\u003e","\u003cp\u003eProfessor of biology, chairman\u003c/p\u003e","\u003cp\u003eFAlconer, bird, red tailed hawk, prey, dog, bull terrier\u003c/p\u003e","\u003cp\u003eAuthor, children's books\u003c/p\u003e","\u003cp\u003eDean, professor of education, college of human resources and education, chair of secondary education\u003c/p\u003e","\u003cp\u003eChair, sociology\u003c/p\u003e","\u003cp\u003eForeign student coordinator, professor of military science\u003c/p\u003e","\u003cp\u003eFashion design lecturer\u003c/p\u003e","\u003cp\u003eBorn 1913, Died 4-27-2008; soprano, opera, voice professor\u003c/p\u003e","\u003cp\u003e1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers\u003c/p\u003e","\u003cp\u003eDoctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001\u003c/p\u003e","\u003cp\u003eProfessor, agriculture, biochemistry, nutrition\u003c/p\u003e","\u003cp\u003e1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895\u003c/p\u003e","\u003cp\u003eProfessor, forestry, wildlife management\u003c/p\u003e","\u003cp\u003eDr. Franklin Parker, Betty J. - Forum Festival\u003c/p\u003e","\u003cp\u003eLouis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA\u003c/p\u003e","\u003cp\u003eDoctor, director, student, health, service, physician\u003c/p\u003e","\u003cp\u003eDoctor, professor, emeritus, music, horn, theory, viola\u003c/p\u003e","\u003cp\u003eAuthor, social work\u003c/p\u003e","\u003cp\u003eFaculty, English\u003c/p\u003e","\u003cp\u003eHealth Science, physiology, meat animal, USDA\u003c/p\u003e","\u003cp\u003eFaculty, professor, English\u003c/p\u003e","\u003cp\u003eAppalachian Center Area Program Chairman, Parkersburg\u003c/p\u003e","\u003cp\u003eDoctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010\u003c/p\u003e","\u003cp\u003eFaculty, professor, doctor, plant physiology, ecology, conservationist\u003c/p\u003e","\u003cp\u003eMonticola advisor, professor, journalism\u003c/p\u003e","\u003cp\u003eB. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences\u003c/p\u003e","\u003cp\u003eVictorian Age specialist, English Department\u003c/p\u003e","\u003cp\u003eDoctor, psychology, professor, chair, author\u003c/p\u003e","\u003cp\u003eThis series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.\u003c/p\u003e","\u003cp\u003eThis series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026amp; Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.\u003c/p\u003e","\u003cp\u003eThis series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026amp; building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026amp; Seneca Station, and South Park.\u003c/p\u003e","\u003cp\u003eThis series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.\u003c/p\u003e","\u003cp\u003eThis series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.\u003c/p\u003e","\u003cp\u003eThis series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.\u003c/p\u003e","\u003cp\u003eThis series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.\u003c/p\u003e","\u003cp\u003eThis series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.\u003c/p\u003e","\u003cp\u003eThis series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of prints and negatives of WVU faculty portraits and other material.\u003c/p\u003e","\u003cp\u003eThis series consists of miscellaneous negatives and prints and a key to an old filing cabinet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number. Projects are divided into two subseries. Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities. Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more. See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987). See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group; 12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c205e75f30f8dced54f886847d78102\"\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.\u003c/abstract\u003e"],"abstract_tesim":["Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_30f75846d7e5acc21eafe687d4c0ed84\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University","West Virginia University--Faculty."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1776,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:56:00.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c08_c04"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria 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