{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=14","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=13","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=15","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=171"},"meta":{"pages":{"current_page":14,"next_page":15,"prev_page":13,"total_pages":171,"limit_value":10,"offset_value":130,"total_count":1710,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_1904_c01_c01","type":"Sub-Series","attributes":{"title":"Clippings, 1960/2003","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1904_c01_c01","ref_ssm":["viblbv_repositories_2_resources_1904_c01_c01"],"id":"viblbv_repositories_2_resources_1904_c01_c01","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904_c01","parent_ssi":"viblbv_repositories_2_resources_1904_c01","parent_ssim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","Series I. Personal Papers, 1960/2003"],"parent_ids_ssim":["viblbv_repositories_2_resources_1904","viblbv_repositories_2_resources_1904_c01"],"title_filing_ssi":"Clippings","title_ssm":["Clippings"],"title_tesim":["Clippings"],"normalized_title_ssm":["Clippings, 1960/2003"],"text":["Clippings, 1960/2003","Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","Series I. Personal Papers, 1960/2003"],"parent_unittitles_ssm":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","Series I. Personal Papers, 1960/2003"],"parent_unittitles_tesim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","Series I. Personal Papers, 1960/2003"],"normalized_date_ssm":["1960/2003"],"unitdate_inclusive_ssm":["1960-2003"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#0/components#0","timestamp":"2026-08-14T22:30:20.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1904","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1904.xml","title_filing_ssi":"Rodeck, Melita, Architectural Collection","title_ssm":["Melita Rodeck Architectural Collection"],"title_tesim":["Melita Rodeck Architectural Collection"],"unitdate_ssm":["1931-2003","1960-1990"],"unitdate_inclusive_ssm":["1931-2003"],"unitdate_bulk_ssim":["1960-1990"],"normalized_date_ssm":["1931/2003, bulk 1960/1990"],"normalized_title_ssm":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"text":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","Ms.1992.028","Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.","The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.","The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914","The materials in the collection are in English."],"collection_title_tesim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"collection_ssim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.028"],"unitid_tesim":["Ms.1992.028"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Rodeck, Melita, b.1914"],"creator_ssim":["Rodeck, Melita, b.1914"],"creator_persname_ssim":["Rodeck, Melita, b.1914"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Rodeck, Melita, b.1914","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Melita Rodeck Architectural Collection was donated to Special Collections in 1992, 1993, 1997, and 2003."],"access_subjects_ssim":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"extent_tesim":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/174\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork."],"bioghist_html_tesm":["\u003cp\u003eMelita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C. \u003c/p\u003e","\u003cp\u003eFrom 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.\u003c/p\u003e","\u003cp\u003eRodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design."],"odd_html_tesm":["\u003cp\u003eThe guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf52f3d291d01508151d283851daef0\" label=\"Abstract\"\u003eThe Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rodeck, Melita, b.1914"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904_c01_c01"}},{"id":"viblbv_repositories_2_resources_1898_c02_c02","type":"Sub-Series","attributes":{"title":"Clippings, 1962/1999","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1898_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1898_c02_c02","ref_ssm":["viblbv_repositories_2_resources_1898_c02_c02"],"id":"viblbv_repositories_2_resources_1898_c02_c02","ead_ssi":"viblbv_repositories_2_resources_1898","_root_":"viblbv_repositories_2_resources_1898","_nest_parent_":"viblbv_repositories_2_resources_1898_c02","parent_ssi":"viblbv_repositories_2_resources_1898_c02","parent_ssim":["Beverly Willis Architectural Collection, 1954/1999","Office Records, 1958/1999"],"parent_ids_ssim":["viblbv_repositories_2_resources_1898","viblbv_repositories_2_resources_1898_c02"],"title_filing_ssi":"Clippings,","title_ssm":["Clippings"],"title_tesim":["Clippings"],"normalized_title_ssm":["Clippings, 1962/1999"],"text":["Clippings, 1962/1999","Beverly Willis Architectural Collection, 1954/1999","Office Records, 1958/1999"],"parent_unittitles_ssm":["Beverly Willis Architectural Collection, 1954/1999","Office Records, 1958/1999"],"parent_unittitles_tesim":["Beverly Willis Architectural Collection, 1954/1999","Office Records, 1958/1999"],"normalized_date_ssm":["1962/1999"],"unitdate_inclusive_ssm":["1962-1999"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":16,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Beverly Willis Architectural Collection, 1954/1999"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"_nest_path_":"/components#1/components#1","timestamp":"2026-08-14T22:30:20.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1898","ead_ssi":"viblbv_repositories_2_resources_1898","_root_":"viblbv_repositories_2_resources_1898","_nest_parent_":"viblbv_repositories_2_resources_1898","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1898.xml","title_filing_ssi":"Willis, Beverly Architectural Collection","title_ssm":["Beverly Willis Architectural Collection"],"title_tesim":["Beverly Willis Architectural Collection"],"unitdate_ssm":["1954-1999"],"unitdate_inclusive_ssm":["1954-1999"],"normalized_date_ssm":["1954/1999"],"normalized_title_ssm":["Beverly Willis Architectural Collection, 1954/1999"],"text":["Beverly Willis Architectural Collection, 1954/1999","Ms.1992.019","San Francisco (Calif.)","Architects and community","Housing -- United States","City planning","Architecture -- Computer-aided design","Women -- History","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged by project number and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  Consult the Project Index.  for location information.","Beverly Willis, FAIA Architect, artist, and writer, was one of perhaps three women architects in the United States to own her own sizeable architecture firm between 1958 and 1990 and the only woman in San Francisco, California, to have her own practice there for 17 years. Her book, Invisible Images: The Silent Language of Architecture, published by the National Building Museum, describes her design philosophy.","She was the first woman appointed to the Building Research Advisory Board of the National Academy of Science, the first appointed to the Federal Construction Council, and its first woman chair. She was the first woman elected president of the American Institute of Architects, California Council; and the Golden Gate Chapter of Lambda Alpha Society.","Willis played a major role in the revitalization of San Francisco neighborhoods after World War II. She renovated commercial spaces in the Jackson Square area and Union Street, redesigned Glide Church, designed the San Francisco Ballet Building, and won an international competition to design the Yerba Buena Gardens development downtown.","Beverly Willis was born February 17, 1928, in Tulsa, Oklahoma, to Ralph William Willis, founder of the National Tool Company, and Margaret Elizabeth Porter, a nurse. She had one sibling, Ralph Gerald Willis. Both Willis and her brother were placed in an orphanage when their parents divorced in 1934.","Taking advantage of the increased opportunities available to women with the advent of World War II, Willis learned welding, riveting, electrical wiring, carpentry, and how to fly an airplane--skills that reflected the fiercely independent qualities that emerged in her personality when she was in the institutional environment of the orphanage. After the war, she enrolled in an aeronautical engineering program at Oregon State University, but withdrew after two years to work at a lithographer's studio. She then studied at the San Francisco Art Institute until relocating to Hawaii. In 1954 she received a B.A. in Fine Art from the University of Hawaii.","After graduation, Willis received a series of design commissions that led to her interest in architecture. Fueled by the friendship and ideas of entrepreneur Henry Kaiser, Willis returned to San Francisco in 1960 to open a firm that designed furniture and interiors for offices, created mixed-media art for clients that included United Airlines, and re-worked supermarket displays. Despite her rural sensibility, Willis began to immerse herself in urban designs. She found that her interests ran parallel to those of San Francisco architects like William Wurster and Joseph Esherick.","Willis' first major architectural project was the conversion of three Victorian buildings into a retail complex on Union Street in San Francisco. Her design, which proved a financial success almost immediately, influenced the renovation of the rest of the street between present-day Gough and Pierce streets.","Meeting the experience and education requirements of the California State Architectural Licensing Board in 1966, Willis became a licensed architect and the only woman in San Francisco with her own firm, Beverly Willis and Associates. This firm assumed a partnership with would-be principal architect David Coldoff that year, a partnership that lasted until 1980. Despite the heavy demands of her practice, Willis also found time to serve on the U.S. Government delegation to the United Nations conference on Habitat, become a trustee and founder of the National Building Museum in 1976, and serve as the President of the California Chapter of the National Institute of Architects in 1979.","Willis' interest in the issues that affect planning, population density, and land-use economics with respect to large-scale development manifested itself in the creation of the computer program CARLA (Computerized Approach to Residential Land Analysis) in the 1970's. The software was developed by Willis with Eric Tiescholz and Jochen Eigen. With CARLA's completion and implementation, Willis and Associates became one of the first architectural firms to incorporate computers into the routine practices of design and land development.","Projects such as the prototype for the regional computer centers of the IRS and master-planning for a new town situated in Aliamanu Valley, Hawaii (1975), are good examples of her unique philosophy of design.","Throughout the 1970s, Willis' firm concentrated on large- scale housing and new-community planning and design. By espousing architecture of rural pragmatism and rooting it in ancient images and myths, Willis offered something new to the intellectual landscape of architectural design.","In 1997, the National Building Museum published Willis' book, Invisible Images: The Silent Language of Architecture, in which she describes her buildings and design philosophy. In 1980, she was elected to the American Institute of Architects College of Fellows. In 1984, Willis received an honorary doctorate in Fine Arts from Mount Holyoke College.","By the early 1980s, Willis' design focus shifted to urban structures like the Yerba Buena Gardens redevelopment project (1980) and the San Francisco Ballet Association Building (1984). Smaller, but no less important, projects include Nob Hill Court (1971), Pacific Point Condominiums (1972), the Greenwich Apartment (1978), the Margaret Hayward Playground Building (1978), the (unbuilt) Shown Winery (1986), and the Mr. and Mrs. Richard Goeglin Pool House and Sculpture (1988).","Willis relocated her office and residence to New York City in 1991. Willis founded in 1994 the Architectural Research Institute, Inc. (through which the Manhattan Village Academy was designed). In 2002, she founded the Beverly Willis Architecture Foundation, and she presently (2008) serves as the foundation's president. Her work and community leadership have been widely published (see bibliography). She is a founding trustee of the National Building Museum (1975-present). The Beverly Willis Library is located at the National Building Museum.","Much of the information in the biography was culled from the biography written for Beverly Willis by Nicolai Ouroussoff and included in Invisible Images: The Silent Language of Architecture, published in 1997 by the National Building Museum, Washington, DC.","Some of the information in the scope and content note was taken from an independent appraisal of the collection.","The bulk of the drawings in the Willis Papers were arranged and described before they were donated, and information about the arrangement of the collection was compiled in a searchable database that is available at the repository. Project records stored in record cartons have been inventoried and are included in the database and finding aid.","The first accession, which was arranged and described by Laura Katz Smith in 1995, was combined with subsequent accessions in 2003. A finding aid describing the complete collection was created by Catherine G. OBrion in 2003, using descriptions of materials in the archives database that was donated with the bulk of the collection in 2000.\nThe 2004 and 2009 additions were arranged and described by Sherrie Bowser in 2012. The project index arrangement was also included at this time.","The guide to the Beverly Willis Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.","The bulk of the collection is comprised of Willis and Associates project files from the period 1960 to 1990. Projects range from private residences and residential developments to institutions, such as the San Francisco Ballet Association Building; and urban development projects, most notably the Yerba Buena Gardens project in downtown San Francisco. Also included are records and design documents for Aliamanu Valley New Town, a military base in Hawaii that was the first major project designed with CARLA, computer software for architectural design created by Willis; and records documenting the development of CARLA.","Project files are comprised of presentation drawings, slope analysis drawings, site plans, maps, cut-and-fill analysis plans, sketches, conceptual design drawings, construction drawings, as well as correspondence, research files, contracts, environmental impact statements and studies, financial records, and feasibility studies. There are records for more than 150 projects. Drawings are large folio, pen-and- ink or watercolor on paper, linen, or mylar. Some are heightened with color.","Also included is a series documenting the development of CARLA, Computerized Approach to Residential Land Analysis, in the 1970s. Beverly Willis was interested in issues that affected planning, population density, and land-use economics in relation to large-scale development. Along with Eric Tiescholz and Jochen Eigen, she developed a program that enabled architects, with the use of computers, to develop site plans and design techniques in a fraction of the time required by the old methodology. Records documenting the development of CARLA include computer tapes, correspondence, flow charts, memos, and Jochen Eigen's notes on interfacing CARLA with a computer mapping program in 1974.","The collection also contains a series of Publications, Brochures, and Clippings, which includes biographical information on Willis, Miscellaneous Project Records, and a video of the Yerba Buena Gardents development.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note: Boxes 1-51 are located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Willis and Associates","Willis, Beverly, 1928-","The materials in the collection are in English."],"collection_title_tesim":["Beverly Willis Architectural Collection, 1954/1999"],"collection_ssim":["Beverly Willis Architectural Collection, 1954/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.019"],"unitid_tesim":["Ms.1992.019"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["San Francisco (Calif.)"],"geogname_ssim":["San Francisco (Calif.)"],"places_ssim":["San Francisco (Calif.)"],"creator_ssm":["Willis, Beverly, 1928-"],"creator_ssim":["Willis, Beverly, 1928-"],"creator_persname_ssim":["Willis, Beverly, 1928-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Willis and Associates"],"creators_ssim":["Willis, Beverly, 1928-","Special Collections and University Archives, Virginia Tech","Willis and Associates"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Beverly Willis donated samples of her designs to Virginia Tech in 1992. This gift was followed, in 2000, with a donation of the bulk of the records and designs from her architectural career.  Additional small accessions arrived in 2004 and 2009."],"access_subjects_ssim":["Architects and community","Housing -- United States","City planning","Architecture -- Computer-aided design","Women -- History","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects and community","Housing -- United States","City planning","Architecture -- Computer-aided design","Women -- History","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["100 Linear Feet"],"extent_tesim":["100 Linear Feet"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/225\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged into a \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1992-019pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e which is a way to organize the various formats of architectural records from the same project. The index is arranged by project number and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.\u003c/p\u003e","\u003cp\u003eA Summary of the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1992-019pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e  is listed below.  Consult the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1992-019pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e  for location information.  \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged by project number and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  Consult the Project Index.  for location information."],"bioghist_html_tesm":["\u003cp\u003eBeverly Willis, FAIA Architect, artist, and writer, was one of perhaps three women architects in the United States to own her own sizeable architecture firm between 1958 and 1990 and the only woman in San Francisco, California, to have her own practice there for 17 years. Her book, \u003ctitle render=\"italic\"\u003eInvisible Images: The Silent Language of Architecture,\u003c/title\u003e published by the National Building Museum, describes her design philosophy.\u003c/p\u003e","\u003cp\u003eShe was the first woman appointed to the Building Research Advisory Board of the National Academy of Science, the first appointed to the Federal Construction Council, and its first woman chair. She was the first woman elected president of the American Institute of Architects, California Council; and the Golden Gate Chapter of Lambda Alpha Society.\u003c/p\u003e","\u003cp\u003eWillis played a major role in the revitalization of San Francisco neighborhoods after World War II. She renovated commercial spaces in the Jackson Square area and Union Street, redesigned Glide Church, designed the San Francisco Ballet Building, and won an international competition to design the Yerba Buena Gardens development downtown.\u003c/p\u003e","\u003cp\u003eBeverly Willis was born February 17, 1928, in Tulsa, Oklahoma, to Ralph William Willis, founder of the National Tool Company, and Margaret Elizabeth Porter, a nurse. She had one sibling, Ralph Gerald Willis. Both Willis and her brother were placed in an orphanage when their parents divorced in 1934.\u003c/p\u003e","\u003cp\u003eTaking advantage of the increased opportunities available to women with the advent of World War II, Willis learned welding, riveting, electrical wiring, carpentry, and how to fly an airplane--skills that reflected the fiercely independent qualities that emerged in her personality when she was in the institutional environment of the orphanage. After the war, she enrolled in an aeronautical engineering program at Oregon State University, but withdrew after two years to work at a lithographer's studio. She then studied at the San Francisco Art Institute until relocating to Hawaii. In 1954 she received a B.A. in Fine Art from the University of Hawaii.\u003c/p\u003e","\u003cp\u003eAfter graduation, Willis received a series of design commissions that led to her interest in architecture. Fueled by the friendship and ideas of entrepreneur Henry Kaiser, Willis returned to San Francisco in 1960 to open a firm that designed furniture and interiors for offices, created mixed-media art for clients that included United Airlines, and re-worked supermarket displays. Despite her rural sensibility, Willis began to immerse herself in urban designs. She found that her interests ran parallel to those of San Francisco architects like William Wurster and Joseph Esherick.\u003c/p\u003e","\u003cp\u003eWillis' first major architectural project was the conversion of three Victorian buildings into a retail complex on Union Street in San Francisco. Her design, which proved a financial success almost immediately, influenced the renovation of the rest of the street between present-day Gough and Pierce streets.\u003c/p\u003e","\u003cp\u003eMeeting the experience and education requirements of the California State Architectural Licensing Board in 1966, Willis became a licensed architect and the only woman in San Francisco with her own firm, Beverly Willis and Associates. This firm assumed a partnership with would-be principal architect David Coldoff that year, a partnership that lasted until 1980. Despite the heavy demands of her practice, Willis also found time to serve on the U.S. Government delegation to the United Nations conference on Habitat, become a trustee and founder of the National Building Museum in 1976, and serve as the President of the California Chapter of the National Institute of Architects in 1979.\u003c/p\u003e","\u003cp\u003eWillis' interest in the issues that affect planning, population density, and land-use economics with respect to large-scale development manifested itself in the creation of the computer program CARLA (Computerized Approach to Residential Land Analysis) in the 1970's. The software was developed by Willis with Eric Tiescholz and Jochen Eigen. With CARLA's completion and implementation, Willis and Associates became one of the first architectural firms to incorporate computers into the routine practices of design and land development.\u003c/p\u003e","\u003cp\u003eProjects such as the prototype for the regional computer centers of the IRS and master-planning for a new town situated in Aliamanu Valley, Hawaii (1975), are good examples of her unique philosophy of design.\u003c/p\u003e","\u003cp\u003eThroughout the 1970s, Willis' firm concentrated on large- scale housing and new-community planning and design. By espousing architecture of rural pragmatism and rooting it in ancient images and myths, Willis offered something new to the intellectual landscape of architectural design.\u003c/p\u003e","\u003cp\u003eIn 1997, the National Building Museum published Willis' book, \u003ctitle render=\"italic\"\u003eInvisible Images: The Silent Language of Architecture,\u003c/title\u003e in which she describes her buildings and design philosophy. In 1980, she was elected to the American Institute of Architects College of Fellows. In 1984, Willis received an honorary doctorate in Fine Arts from Mount Holyoke College.\u003c/p\u003e","\u003cp\u003eBy the early 1980s, Willis' design focus shifted to urban structures like the Yerba Buena Gardens redevelopment project (1980) and the San Francisco Ballet Association Building (1984). Smaller, but no less important, projects include Nob Hill Court (1971), Pacific Point Condominiums (1972), the Greenwich Apartment (1978), the Margaret Hayward Playground Building (1978), the (unbuilt) Shown Winery (1986), and the Mr. and Mrs. Richard Goeglin Pool House and Sculpture (1988).\u003c/p\u003e","\u003cp\u003eWillis relocated her office and residence to New York City in 1991. Willis founded in 1994 the \u003cextref href=\"http://www.architect.org\" title=\"Architectural Research Institute, Inc.\"\u003eArchitectural Research Institute, Inc.\u003c/extref\u003e (through which the Manhattan Village Academy was designed). In 2002, she founded the \u003cextref href=\"http://www.bwaf.org/\" title=\"Beverly Willis Architecture Foundation\"\u003eBeverly Willis Architecture Foundation\u003c/extref\u003e, and she presently (2008) serves as the foundation's president. Her work and community leadership have been widely published (see bibliography). She is a founding trustee of the National Building Museum (1975-present). The Beverly Willis Library is located at the National Building Museum.\u003c/p\u003e  ","\u003cp\u003eMuch of the information in the biography was culled from the biography written for Beverly Willis by Nicolai Ouroussoff and included in \u003ctitle render=\"italic\"\u003eInvisible Images: The Silent Language of Architecture\u003c/title\u003e, published in 1997 by the National Building Museum, Washington, DC.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note","Source"],"bioghist_tesim":["Beverly Willis, FAIA Architect, artist, and writer, was one of perhaps three women architects in the United States to own her own sizeable architecture firm between 1958 and 1990 and the only woman in San Francisco, California, to have her own practice there for 17 years. Her book, Invisible Images: The Silent Language of Architecture, published by the National Building Museum, describes her design philosophy.","She was the first woman appointed to the Building Research Advisory Board of the National Academy of Science, the first appointed to the Federal Construction Council, and its first woman chair. She was the first woman elected president of the American Institute of Architects, California Council; and the Golden Gate Chapter of Lambda Alpha Society.","Willis played a major role in the revitalization of San Francisco neighborhoods after World War II. She renovated commercial spaces in the Jackson Square area and Union Street, redesigned Glide Church, designed the San Francisco Ballet Building, and won an international competition to design the Yerba Buena Gardens development downtown.","Beverly Willis was born February 17, 1928, in Tulsa, Oklahoma, to Ralph William Willis, founder of the National Tool Company, and Margaret Elizabeth Porter, a nurse. She had one sibling, Ralph Gerald Willis. Both Willis and her brother were placed in an orphanage when their parents divorced in 1934.","Taking advantage of the increased opportunities available to women with the advent of World War II, Willis learned welding, riveting, electrical wiring, carpentry, and how to fly an airplane--skills that reflected the fiercely independent qualities that emerged in her personality when she was in the institutional environment of the orphanage. After the war, she enrolled in an aeronautical engineering program at Oregon State University, but withdrew after two years to work at a lithographer's studio. She then studied at the San Francisco Art Institute until relocating to Hawaii. In 1954 she received a B.A. in Fine Art from the University of Hawaii.","After graduation, Willis received a series of design commissions that led to her interest in architecture. Fueled by the friendship and ideas of entrepreneur Henry Kaiser, Willis returned to San Francisco in 1960 to open a firm that designed furniture and interiors for offices, created mixed-media art for clients that included United Airlines, and re-worked supermarket displays. Despite her rural sensibility, Willis began to immerse herself in urban designs. She found that her interests ran parallel to those of San Francisco architects like William Wurster and Joseph Esherick.","Willis' first major architectural project was the conversion of three Victorian buildings into a retail complex on Union Street in San Francisco. Her design, which proved a financial success almost immediately, influenced the renovation of the rest of the street between present-day Gough and Pierce streets.","Meeting the experience and education requirements of the California State Architectural Licensing Board in 1966, Willis became a licensed architect and the only woman in San Francisco with her own firm, Beverly Willis and Associates. This firm assumed a partnership with would-be principal architect David Coldoff that year, a partnership that lasted until 1980. Despite the heavy demands of her practice, Willis also found time to serve on the U.S. Government delegation to the United Nations conference on Habitat, become a trustee and founder of the National Building Museum in 1976, and serve as the President of the California Chapter of the National Institute of Architects in 1979.","Willis' interest in the issues that affect planning, population density, and land-use economics with respect to large-scale development manifested itself in the creation of the computer program CARLA (Computerized Approach to Residential Land Analysis) in the 1970's. The software was developed by Willis with Eric Tiescholz and Jochen Eigen. With CARLA's completion and implementation, Willis and Associates became one of the first architectural firms to incorporate computers into the routine practices of design and land development.","Projects such as the prototype for the regional computer centers of the IRS and master-planning for a new town situated in Aliamanu Valley, Hawaii (1975), are good examples of her unique philosophy of design.","Throughout the 1970s, Willis' firm concentrated on large- scale housing and new-community planning and design. By espousing architecture of rural pragmatism and rooting it in ancient images and myths, Willis offered something new to the intellectual landscape of architectural design.","In 1997, the National Building Museum published Willis' book, Invisible Images: The Silent Language of Architecture, in which she describes her buildings and design philosophy. In 1980, she was elected to the American Institute of Architects College of Fellows. In 1984, Willis received an honorary doctorate in Fine Arts from Mount Holyoke College.","By the early 1980s, Willis' design focus shifted to urban structures like the Yerba Buena Gardens redevelopment project (1980) and the San Francisco Ballet Association Building (1984). Smaller, but no less important, projects include Nob Hill Court (1971), Pacific Point Condominiums (1972), the Greenwich Apartment (1978), the Margaret Hayward Playground Building (1978), the (unbuilt) Shown Winery (1986), and the Mr. and Mrs. Richard Goeglin Pool House and Sculpture (1988).","Willis relocated her office and residence to New York City in 1991. Willis founded in 1994 the Architectural Research Institute, Inc. (through which the Manhattan Village Academy was designed). In 2002, she founded the Beverly Willis Architecture Foundation, and she presently (2008) serves as the foundation's president. Her work and community leadership have been widely published (see bibliography). She is a founding trustee of the National Building Museum (1975-present). The Beverly Willis Library is located at the National Building Museum.","Much of the information in the biography was culled from the biography written for Beverly Willis by Nicolai Ouroussoff and included in Invisible Images: The Silent Language of Architecture, published in 1997 by the National Building Museum, Washington, DC."],"odd_html_tesm":["\u003cp\u003eSome of the information in the scope and content note was taken from an independent appraisal of the collection.\u003c/p\u003e  "],"odd_heading_ssm":["General note"],"odd_tesim":["Some of the information in the scope and content note was taken from an independent appraisal of the collection."],"otherfindaid_html_tesm":["\u003cp\u003eA file-level \u003cextref href=\"http://spec.lib.vt.edu/iawa/inventories/Willis/Willis.html\" title=\"inventory\"\u003einventory\u003c/extref\u003e of letter- and legal-size project records is available at the repository.\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aid"],"otherfindaid_tesim":["A file-level inventory of letter- and legal-size project records is available at the repository."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Beverly Willis Architectural Collection, Ms1992-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Beverly Willis Architectural Collection, Ms1992-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe bulk of the drawings in the Willis Papers were arranged and described before they were donated, and information about the arrangement of the collection was compiled in a searchable database that is available at the repository. Project records stored in record cartons have been inventoried and are included in the database and finding aid.\u003c/p\u003e","\u003cp\u003eThe first accession, which was arranged and described by Laura Katz Smith in 1995, was combined with subsequent accessions in 2003. A finding aid describing the complete collection was created by Catherine G. OBrion in 2003, using descriptions of materials in the archives database that was donated with the bulk of the collection in 2000.\nThe 2004 and 2009 additions were arranged and described by Sherrie Bowser in 2012. The project index arrangement was also included at this time.  \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The bulk of the drawings in the Willis Papers were arranged and described before they were donated, and information about the arrangement of the collection was compiled in a searchable database that is available at the repository. Project records stored in record cartons have been inventoried and are included in the database and finding aid.","The first accession, which was arranged and described by Laura Katz Smith in 1995, was combined with subsequent accessions in 2003. A finding aid describing the complete collection was created by Catherine G. OBrion in 2003, using descriptions of materials in the archives database that was donated with the bulk of the collection in 2000.\nThe 2004 and 2009 additions were arranged and described by Sherrie Bowser in 2012. The project index arrangement was also included at this time."],"relatedmaterial_html_tesm":["\u003cp\u003eThe guide to the Beverly Willis Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Rights Statement for Archival Description"],"relatedmaterial_tesim":["The guide to the Beverly Willis Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"scopecontent_html_tesm":["\u003cp\u003eThe Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.\u003c/p\u003e","\u003cp\u003eThe bulk of the collection is comprised of Willis and Associates project files from the period 1960 to 1990. Projects range from private residences and residential developments to institutions, such as the San Francisco Ballet Association Building; and urban development projects, most notably the Yerba Buena Gardens project in downtown San Francisco. Also included are records and design documents for Aliamanu Valley New Town, a military base in Hawaii that was the first major project designed with CARLA, computer software for architectural design created by Willis; and records documenting the development of CARLA.\u003c/p\u003e","\u003cp\u003eProject files are comprised of presentation drawings, slope analysis drawings, site plans, maps, cut-and-fill analysis plans, sketches, conceptual design drawings, construction drawings, as well as correspondence, research files, contracts, environmental impact statements and studies, financial records, and feasibility studies. There are records for more than 150 projects. Drawings are large folio, pen-and- ink or watercolor on paper, linen, or mylar. Some are heightened with color.\u003c/p\u003e","\u003cp\u003eAlso included is a series documenting the development of CARLA, Computerized Approach to Residential Land Analysis, in the 1970s. Beverly Willis was interested in issues that affected planning, population density, and land-use economics in relation to large-scale development. Along with Eric Tiescholz and Jochen Eigen, she developed a program that enabled architects, with the use of computers, to develop site plans and design techniques in a fraction of the time required by the old methodology. Records documenting the development of CARLA include computer tapes, correspondence, flow charts, memos, and Jochen Eigen's notes on interfacing CARLA with a computer mapping program in 1974.\u003c/p\u003e","\u003cp\u003eThe collection also contains a series of Publications, Brochures, and Clippings, which includes biographical information on Willis, Miscellaneous Project Records, and a video of the Yerba Buena Gardents development.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.","The bulk of the collection is comprised of Willis and Associates project files from the period 1960 to 1990. Projects range from private residences and residential developments to institutions, such as the San Francisco Ballet Association Building; and urban development projects, most notably the Yerba Buena Gardens project in downtown San Francisco. Also included are records and design documents for Aliamanu Valley New Town, a military base in Hawaii that was the first major project designed with CARLA, computer software for architectural design created by Willis; and records documenting the development of CARLA.","Project files are comprised of presentation drawings, slope analysis drawings, site plans, maps, cut-and-fill analysis plans, sketches, conceptual design drawings, construction drawings, as well as correspondence, research files, contracts, environmental impact statements and studies, financial records, and feasibility studies. There are records for more than 150 projects. Drawings are large folio, pen-and- ink or watercolor on paper, linen, or mylar. Some are heightened with color.","Also included is a series documenting the development of CARLA, Computerized Approach to Residential Land Analysis, in the 1970s. Beverly Willis was interested in issues that affected planning, population density, and land-use economics in relation to large-scale development. Along with Eric Tiescholz and Jochen Eigen, she developed a program that enabled architects, with the use of computers, to develop site plans and design techniques in a fraction of the time required by the old methodology. Records documenting the development of CARLA include computer tapes, correspondence, flow charts, memos, and Jochen Eigen's notes on interfacing CARLA with a computer mapping program in 1974.","The collection also contains a series of Publications, Brochures, and Clippings, which includes biographical information on Willis, Miscellaneous Project Records, and a video of the Yerba Buena Gardents development."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_174a3dc5cc0f306ff98b4fcaecbf2059\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Boxes 1-51 are located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e\n    "],"physloc_tesim":["Please note: Boxes 1-51 are located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Willis and Associates"],"names_coll_ssim":["Willis and Associates","Willis, Beverly, 1928-"],"persname_ssim":["Willis, Beverly, 1928-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Willis and Associates","Willis, Beverly, 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":212,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1898_c02_c02"}},{"id":"vilxw_repositories_5_resources_231_c09_c05","type":"Sub-Series","attributes":{"title":"Cold War, 1946/1992","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c09_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c09_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c09_c05","ref_ssm":["vilxw_repositories_5_resources_231_c09_c05"],"id":"vilxw_repositories_5_resources_231_c09_c05","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c09","parent_ssi":"vilxw_repositories_5_resources_231_c09","parent_ssim":["O.W. 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Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"language_ssim":["English."],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"scopecontent_html_tesm":["\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency."],"separatedmaterial_html_tesm":["\u003cp\u003eSome items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage."],"_nest_path_":"/components#8/components#4","timestamp":"2026-08-14T22:38:07.513Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"normalized_date_ssm":["1900/1992"],"normalized_title_ssm":["O.W. Riegel Papers, 1900/1992"],"text":["O.W. Riegel Papers, 1900/1992","WLU.Coll.0387","/repositories/5/resources/231","Propaganda","Journalism","This collection is open to research use.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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(John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda","Journalism"],"access_subjects_ssm":["Propaganda","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\""],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"names_coll_ssim":["Riegel, Hunt"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2584,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:38:07.513Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c09_c05"}},{"id":"viblbv_repositories_2_resources_2863_c02_c02","type":"Sub-Series","attributes":{"title":"Collected printed material, 1920/2002","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2863_c02_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeveral serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2863_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_2863_c02_c02","ref_ssm":["viblbv_repositories_2_resources_2863_c02_c02"],"id":"viblbv_repositories_2_resources_2863_c02_c02","ead_ssi":"viblbv_repositories_2_resources_2863","_root_":"viblbv_repositories_2_resources_2863","_nest_parent_":"viblbv_repositories_2_resources_2863_c02","parent_ssi":"viblbv_repositories_2_resources_2863_c02","parent_ssim":["Dorothee Stelzer King Architectural Collection, 1950/2018","Publications, 1981"],"parent_ids_ssim":["viblbv_repositories_2_resources_2863","viblbv_repositories_2_resources_2863_c02"],"title_filing_ssi":"Collected printed material","title_ssm":["Collected printed material"],"title_tesim":["Collected printed material"],"normalized_title_ssm":["Collected printed material, 1920/2002"],"text":["Collected printed material, 1920/2002","Dorothee Stelzer King Architectural Collection, 1950/2018","Publications, 1981","Several serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]"],"parent_unittitles_ssm":["Dorothee Stelzer King Architectural Collection, 1950/2018","Publications, 1981"],"parent_unittitles_tesim":["Dorothee Stelzer King Architectural Collection, 1950/2018","Publications, 1981"],"normalized_date_ssm":["1920/2002"],"unitdate_inclusive_ssm":["1920-2002"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":25,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":13,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"scopecontent_html_tesm":["\u003cp\u003eSeveral serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Several serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]"],"_nest_path_":"/components#1/components#1","timestamp":"2026-08-14T22:31:18.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2863","ead_ssi":"viblbv_repositories_2_resources_2863","_root_":"viblbv_repositories_2_resources_2863","_nest_parent_":"viblbv_repositories_2_resources_2863","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2863.xml","title_filing_ssi":"King, Dorothee Stelzer, Architectural Collection","title_ssm":["Dorothee Stelzer King Architectural Collection"],"title_tesim":["Dorothee Stelzer King Architectural Collection"],"unitdate_ssm":["1950-2018"],"unitdate_inclusive_ssm":["1950-2018"],"normalized_date_ssm":["1950/2018"],"normalized_title_ssm":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"text":["Dorothee Stelzer King Architectural Collection, 1950/2018","Ms.2013.023","Women -- History","International Archive of Women in Architecture (IAWA)","Architects","Architecture (discipline)","Architectural drawings (visual works)","Collection is open for research.","Born in Berlin, Germany. King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. She graduated from the Hochschule fur Bildende Kunste (HBK) with the title 'Diplom Architect HBK Berlin' in 1962. Upon graduating from HBK she worked for two years (1962-1964) in the architectural office of Dipl. Ing. Hilde Westrom, one of the few independently working women architects in Berlin. King would go on to receive the Airlift Memorial Scholarship and Fulbright Travel Grant allowing her to study under Louis I. Kahn in his Master Studio at the University of Pennsylvania (1965-1967). Her experiences with Kahn would greatly influence her own style of teaching at the Pratt Institute School of Architecture (1969-1981) and other organizations.","King and her husband, fellow architect Douglas King, were offered the opportunity to work as architects with the Government of the Bahamas in Nassau (1981-1985). There she primarily worked on projects for the Ministries of Health and Housing including: public rental units with a senior citizen complex, design for a high school library in Cooperstown, and as project architect and head construction supervisor for the Bahamas Nursing School.  1985-1991 saw King commuting between New York, Nassau, and Florida as she finished supervising the Bahamas Nursing School and partnered with her husband on a design-build company called Kingston Homes in West Palm Beach, Florida.  Shortly after returning to New York full-time (1991) King began teaching at several New York institutions and public schools within the city (1993-2008).","The processing, arrangement, and description of the Dorothee Stelzer King Architectural Collection was completed in May 2013. Additional donations processed in September 2021.","The collection consists of material created and accumulated by King during the course of her days as a student and her professional career. This material primarily comprises drawings, presentation boards, photographs, and printed material related to various design projects undertaken by King during the time period 1957 to 1988. Also included within the collection is a detailed biographical narrative written by King describing the trajectory of her career and a family history and genealogy titled From the Basilius, Gersdorff and Horn Families to the King, Kruppa and Stelzer Families, also written by King.","Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech.","Born in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008.","Special Collections and University Archives, Virginia Tech","King, Dorothée","Material is in English and German."],"collection_title_tesim":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"collection_ssim":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.023"],"unitid_tesim":["Ms.2013.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["King, Dorothée"],"creator_ssim":["King, Dorothée"],"creator_persname_ssim":["King, Dorothée"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["King, Dorothée","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Dorothee Stelzer King Architectural Collection was donated to Special Collections in December 2008."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","Architects","Architecture (discipline)","Architectural drawings (visual works)"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","Architects","Architecture (discipline)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Cubic Feet 6 boxes; 6 oversize folders"],"extent_tesim":["6.92 Cubic Feet 6 boxes; 6 oversize folders"],"genreform_ssim":["Architecture (discipline)","Architectural drawings (visual works)"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eBorn in Berlin, Germany. King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. She graduated from the Hochschule fur Bildende Kunste (HBK) with the title 'Diplom Architect HBK Berlin' in 1962. Upon graduating from HBK she worked for two years (1962-1964) in the architectural office of Dipl. Ing. \u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00140.xml\" title=\"Hilde Westrom\"\u003eHilde Westrom\u003c/extref\u003e, one of the few independently working women architects in Berlin. King would go on to receive the Airlift Memorial Scholarship and Fulbright Travel Grant allowing her to study under Louis I. Kahn in his Master Studio at the University of Pennsylvania (1965-1967). Her experiences with Kahn would greatly influence her own style of teaching at the Pratt Institute School of Architecture (1969-1981) and other organizations. \u003c/p\u003e","\u003cp\u003eKing and her husband, fellow architect Douglas King, were offered the opportunity to work as architects with the Government of the Bahamas in Nassau (1981-1985). There she primarily worked on projects for the Ministries of Health and Housing including: public rental units with a senior citizen complex, design for a high school library in Cooperstown, and as project architect and head construction supervisor for the Bahamas Nursing School.  1985-1991 saw King commuting between New York, Nassau, and Florida as she finished supervising the Bahamas Nursing School and partnered with her husband on a design-build company called Kingston Homes in West Palm Beach, Florida.  Shortly after returning to New York full-time (1991) King began teaching at several New York institutions and public schools within the city (1993-2008). \n \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Berlin, Germany. King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. She graduated from the Hochschule fur Bildende Kunste (HBK) with the title 'Diplom Architect HBK Berlin' in 1962. Upon graduating from HBK she worked for two years (1962-1964) in the architectural office of Dipl. Ing. Hilde Westrom, one of the few independently working women architects in Berlin. King would go on to receive the Airlift Memorial Scholarship and Fulbright Travel Grant allowing her to study under Louis I. Kahn in his Master Studio at the University of Pennsylvania (1965-1967). Her experiences with Kahn would greatly influence her own style of teaching at the Pratt Institute School of Architecture (1969-1981) and other organizations.","King and her husband, fellow architect Douglas King, were offered the opportunity to work as architects with the Government of the Bahamas in Nassau (1981-1985). There she primarily worked on projects for the Ministries of Health and Housing including: public rental units with a senior citizen complex, design for a high school library in Cooperstown, and as project architect and head construction supervisor for the Bahamas Nursing School.  1985-1991 saw King commuting between New York, Nassau, and Florida as she finished supervising the Bahamas Nursing School and partnered with her husband on a design-build company called Kingston Homes in West Palm Beach, Florida.  Shortly after returning to New York full-time (1991) King began teaching at several New York institutions and public schools within the city (1993-2008)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Dorothee Stelzer King Architectural Collection Ms2013-023, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Dorothee Stelzer King Architectural Collection Ms2013-023, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Dorothee Stelzer King Architectural Collection was completed in May 2013. Additional donations processed in September 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Dorothee Stelzer King Architectural Collection was completed in May 2013. Additional donations processed in September 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of material created and accumulated by King during the course of her days as a student and her professional career. This material primarily comprises drawings, presentation boards, photographs, and printed material related to various design projects undertaken by King during the time period 1957 to 1988. Also included within the collection is a detailed biographical narrative written by King describing the trajectory of her career and a family history and genealogy titled \u003ctitle render=\"doublequote\"\u003eFrom the Basilius, Gersdorff and Horn Families to the King, Kruppa and Stelzer Families\u003c/title\u003e, also written by King.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of material created and accumulated by King during the course of her days as a student and her professional career. This material primarily comprises drawings, presentation boards, photographs, and printed material related to various design projects undertaken by King during the time period 1957 to 1988. Also included within the collection is a detailed biographical narrative written by King describing the trajectory of her career and a family history and genealogy titled From the Basilius, Gersdorff and Horn Families to the King, Kruppa and Stelzer Families, also written by King."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_948bcc29da18f2208d2d64a12e44e0be\" label=\"Abstract\"\u003eBorn in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008.\u003c/abstract\u003e\n    "],"abstract_tesim":["Born in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["King, Dorothée"],"names_ssim":["Special Collections and University Archives, Virginia Tech","King, Dorothée"],"language_ssim":["Material is in English and German."],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2863_c02_c02"}},{"id":"viblbv_repositories_2_resources_1426_c03_c02","type":"Sub-Series","attributes":{"title":"Collection Development, 1974/1994, bulk 1985/1994","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1426_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1426_c03_c02","ref_ssm":["viblbv_repositories_2_resources_1426_c03_c02"],"id":"viblbv_repositories_2_resources_1426_c03_c02","ead_ssi":"viblbv_repositories_2_resources_1426","_root_":"viblbv_repositories_2_resources_1426","_nest_parent_":"viblbv_repositories_2_resources_1426_c03","parent_ssi":"viblbv_repositories_2_resources_1426_c03","parent_ssim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Series III. Archivist Files, 1973/2007, bulk 1985/2007"],"parent_ids_ssim":["viblbv_repositories_2_resources_1426","viblbv_repositories_2_resources_1426_c03"],"title_filing_ssi":"Collection Development","title_ssm":["Collection Development"],"title_tesim":["Collection Development"],"normalized_title_ssm":["Collection Development, 1974/1994, bulk 1985/1994"],"text":["Collection Development, 1974/1994, bulk 1985/1994","IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Series III. Archivist Files, 1973/2007, bulk 1985/2007"],"parent_unittitles_ssm":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Series III. Archivist Files, 1973/2007, bulk 1985/2007"],"parent_unittitles_tesim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Series III. Archivist Files, 1973/2007, bulk 1985/2007"],"normalized_date_ssm":["1974/1994, bulk 1985/1994"],"unitdate_inclusive_ssm":["1974-1994"],"unitdate_bulk_ssim":["1985-1994"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":98,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"_nest_path_":"/components#2/components#1","timestamp":"2026-08-14T22:29:24.747Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1426","ead_ssi":"viblbv_repositories_2_resources_1426","_root_":"viblbv_repositories_2_resources_1426","_nest_parent_":"viblbv_repositories_2_resources_1426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1426.xml","title_filing_ssi":"IAWA: International Archive of Women in Architecture Records","title_ssm":["IAWA: International Archive of Women in Architecture Records"],"title_tesim":["IAWA: International Archive of Women in Architecture Records"],"unitdate_ssm":["1967-2013","1985-2008"],"unitdate_inclusive_ssm":["1967-2013"],"unitdate_bulk_ssim":["1985-2008"],"normalized_date_ssm":["1967/2013, bulk 1985/2008"],"normalized_title_ssm":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"text":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Ms.1985.021","Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged into three series:","Series I. Founding Files, 1985-1996","Series II. IAWA Center Files, 1967-2011 (bulk 1985-2008)","Series III. Archivist Files, 1973-2007 (bulk 1985-2007)","The series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership.","The International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. The IAWA collects this information to fill serious gaps in the availability of primary research materials for architectural, women's history, and social history research.","The guide to the International Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the International Archive of Women in Architecture was completed in November 2011.","See \"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels, Ms2011-075, also at Virginia Tech Special Collections and University Archives.","The International Archive of Women in Architecture records encompass the founding of and day-to-day operations of the organization. Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence.","Special Collections and University Archives, Virginia Tech","Dunay, Donna","Bliznakov, Milka T., 1927-2010","The materials in the collection are in English."],"collection_title_tesim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"collection_ssim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1985.021"],"unitid_tesim":["Ms.1985.021"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The International Archive of Women in Architecture records were donated to Special Collections in 1998 and 1999 by Dr. Bliznakov. Other materials have been periodically donated by various IAWA Board Members over the years."],"access_subjects_ssim":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Cubic Feet 10 boxes, 1 oversize folder, 1 tube box"],"extent_tesim":["15.5 Cubic Feet 10 boxes, 1 oversize folder, 1 tube box"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/116\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: \u003c/p\u003e","\u003cp\u003eSeries I. Founding Files, 1985-1996\u003c/p\u003e","\u003cp\u003eSeries II. IAWA Center Files, 1967-2011 (bulk 1985-2008)\u003c/p\u003e","\u003cp\u003eSeries III. Archivist Files, 1973-2007 (bulk 1985-2007)\u003c/p\u003e","\u003cp\u003eThe series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership.  \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series:","Series I. Founding Files, 1985-1996","Series II. IAWA Center Files, 1967-2011 (bulk 1985-2008)","Series III. Archivist Files, 1973-2007 (bulk 1985-2007)","The series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership."],"bioghist_html_tesm":["\u003cp\u003eThe International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. The IAWA collects this information to fill serious gaps in the availability of primary research materials for architectural, women's history, and social history research.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. The IAWA collects this information to fill serious gaps in the availability of primary research materials for architectural, women's history, and social history research."],"odd_html_tesm":["\u003cp\u003eThe guide to the International Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the International Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Archive of Women in Architecture Records, 1967-2013 (bulk dates 1985-2008), Ms1985-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Archive of Women in Architecture Records, 1967-2013 (bulk dates 1985-2008), Ms1985-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the International Archive of Women in Architecture was completed in November 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the International Archive of Women in Architecture was completed in November 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \u003ca actuate=\"onRequest\" title=\"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center, selected exhibit panels, 2010.\" show=\"new\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_2714.xml\"\u003e\"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels, Ms2011-075\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See \"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels, Ms2011-075, also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe International Archive of Women in Architecture records encompass the founding of and day-to-day operations of the organization. Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The International Archive of Women in Architecture records encompass the founding of and day-to-day operations of the organization. Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_745241fcc75f9e00e6d68a138b3b77f4\" label=\"Abstract\"\u003eThe records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence.\u003c/abstract\u003e\n    "],"abstract_tesim":["The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:29:24.747Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1426_c03_c02"}},{"id":"viblbv_repositories_2_resources_1426_c02_c04","type":"Sub-Series","attributes":{"title":"Collection Development, 1985/2001","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1426_c02_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1426_c02_c04","ref_ssm":["viblbv_repositories_2_resources_1426_c02_c04"],"id":"viblbv_repositories_2_resources_1426_c02_c04","ead_ssi":"viblbv_repositories_2_resources_1426","_root_":"viblbv_repositories_2_resources_1426","_nest_parent_":"viblbv_repositories_2_resources_1426_c02","parent_ssi":"viblbv_repositories_2_resources_1426_c02","parent_ssim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Series II. IAWA Center Files, 1967/2011, bulk 1985/2008"],"parent_ids_ssim":["viblbv_repositories_2_resources_1426","viblbv_repositories_2_resources_1426_c02"],"title_filing_ssi":"Collection Development","title_ssm":["Collection Development"],"title_tesim":["Collection Development"],"normalized_title_ssm":["Collection Development, 1985/2001"],"text":["Collection Development, 1985/2001","IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Series II. IAWA Center Files, 1967/2011, bulk 1985/2008"],"parent_unittitles_ssm":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Series II. IAWA Center Files, 1967/2011, bulk 1985/2008"],"parent_unittitles_tesim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Series II. IAWA Center Files, 1967/2011, bulk 1985/2008"],"normalized_date_ssm":["1985/2001"],"unitdate_inclusive_ssm":["1985-2001"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":39,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"_nest_path_":"/components#1/components#3","timestamp":"2026-08-14T22:29:24.747Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1426","ead_ssi":"viblbv_repositories_2_resources_1426","_root_":"viblbv_repositories_2_resources_1426","_nest_parent_":"viblbv_repositories_2_resources_1426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1426.xml","title_filing_ssi":"IAWA: International Archive of Women in Architecture Records","title_ssm":["IAWA: International Archive of Women in Architecture Records"],"title_tesim":["IAWA: International Archive of Women in Architecture Records"],"unitdate_ssm":["1967-2013","1985-2008"],"unitdate_inclusive_ssm":["1967-2013"],"unitdate_bulk_ssim":["1985-2008"],"normalized_date_ssm":["1967/2013, bulk 1985/2008"],"normalized_title_ssm":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"text":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Ms.1985.021","Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged into three series:","Series I. Founding Files, 1985-1996","Series II. IAWA Center Files, 1967-2011 (bulk 1985-2008)","Series III. Archivist Files, 1973-2007 (bulk 1985-2007)","The series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership.","The International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. The IAWA collects this information to fill serious gaps in the availability of primary research materials for architectural, women's history, and social history research.","The guide to the International Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the International Archive of Women in Architecture was completed in November 2011.","See \"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels, Ms2011-075, also at Virginia Tech Special Collections and University Archives.","The International Archive of Women in Architecture records encompass the founding of and day-to-day operations of the organization. Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence.","Special Collections and University Archives, Virginia Tech","Dunay, Donna","Bliznakov, Milka T., 1927-2010","The materials in the collection are in English."],"collection_title_tesim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"collection_ssim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1985.021"],"unitid_tesim":["Ms.1985.021"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The International Archive of Women in Architecture records were donated to Special Collections in 1998 and 1999 by Dr. Bliznakov. Other materials have been periodically donated by various IAWA Board Members over the years."],"access_subjects_ssim":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Cubic Feet 10 boxes, 1 oversize folder, 1 tube box"],"extent_tesim":["15.5 Cubic Feet 10 boxes, 1 oversize folder, 1 tube box"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/116\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: \u003c/p\u003e","\u003cp\u003eSeries I. Founding Files, 1985-1996\u003c/p\u003e","\u003cp\u003eSeries II. IAWA Center Files, 1967-2011 (bulk 1985-2008)\u003c/p\u003e","\u003cp\u003eSeries III. Archivist Files, 1973-2007 (bulk 1985-2007)\u003c/p\u003e","\u003cp\u003eThe series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership.  \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series:","Series I. Founding Files, 1985-1996","Series II. IAWA Center Files, 1967-2011 (bulk 1985-2008)","Series III. Archivist Files, 1973-2007 (bulk 1985-2007)","The series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership."],"bioghist_html_tesm":["\u003cp\u003eThe International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. The IAWA collects this information to fill serious gaps in the availability of primary research materials for architectural, women's history, and social history research.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. The IAWA collects this information to fill serious gaps in the availability of primary research materials for architectural, women's history, and social history research."],"odd_html_tesm":["\u003cp\u003eThe guide to the International Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the International Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Archive of Women in Architecture Records, 1967-2013 (bulk dates 1985-2008), Ms1985-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Archive of Women in Architecture Records, 1967-2013 (bulk dates 1985-2008), Ms1985-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the International Archive of Women in Architecture was completed in November 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the International Archive of Women in Architecture was completed in November 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \u003ca actuate=\"onRequest\" title=\"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center, selected exhibit panels, 2010.\" show=\"new\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_2714.xml\"\u003e\"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels, Ms2011-075\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See \"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels, Ms2011-075, also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe International Archive of Women in Architecture records encompass the founding of and day-to-day operations of the organization. Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The International Archive of Women in Architecture records encompass the founding of and day-to-day operations of the organization. Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_745241fcc75f9e00e6d68a138b3b77f4\" label=\"Abstract\"\u003eThe records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence.\u003c/abstract\u003e\n    "],"abstract_tesim":["The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:29:24.747Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1426_c02_c04"}},{"id":"viw_repositories_2_resources_9853_c02_c02","type":"Sub-Series","attributes":{"title":"\"Comic Invoice\" Binder 2, 1859/2016","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c02_c02","ref_ssm":["viw_repositories_2_resources_9853_c02_c02"],"id":"viw_repositories_2_resources_9853_c02_c02","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c02","parent_ssi":"viw_repositories_2_resources_9853_c02","parent_ssim":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c02"],"title_filing_ssi":"\"Comic Invoice\" Binder 2","title_ssm":["\"Comic Invoice\" Binder 2"],"title_tesim":["\"Comic Invoice\" Binder 2"],"normalized_title_ssm":["\"Comic Invoice\" Binder 2, 1859/2016"],"text":["\"Comic Invoice\" Binder 2, 1859/2016","Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"normalized_date_ssm":["1859/2016"],"unitdate_inclusive_ssm":["1859-2016"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":194,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"_nest_path_":"/components#1/components#1","timestamp":"2026-08-14T23:05:56.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. 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In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c02"}},{"id":"viw_repositories_2_resources_9853_c02_c03","type":"Sub-Series","attributes":{"title":"\"Comic Invoices\" Binder 3, 1963/2007","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c02_c03","ref_ssm":["viw_repositories_2_resources_9853_c02_c03"],"id":"viw_repositories_2_resources_9853_c02_c03","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c02","parent_ssi":"viw_repositories_2_resources_9853_c02","parent_ssim":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c02"],"title_filing_ssi":"\"Comic Invoices\" Binder 3","title_ssm":["\"Comic Invoices\" Binder 3"],"title_tesim":["\"Comic Invoices\" Binder 3"],"normalized_title_ssm":["\"Comic Invoices\" Binder 3, 1963/2007"],"text":["\"Comic Invoices\" Binder 3, 1963/2007","Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"normalized_date_ssm":["1963/2007"],"unitdate_inclusive_ssm":["1963-2007"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":200,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"parent_access_restrict_tesm":["Collection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. 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In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. 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Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c03"}},{"id":"viw_repositories_2_resources_9853_c02_c04","type":"Sub-Series","attributes":{"title":"\"Comic Invoices\" Binder 4, 1991/2006","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c02_c04","ref_ssm":["viw_repositories_2_resources_9853_c02_c04"],"id":"viw_repositories_2_resources_9853_c02_c04","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c02","parent_ssi":"viw_repositories_2_resources_9853_c02","parent_ssim":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c02"],"title_filing_ssi":"\"Comic Invoices\" Binder 4","title_ssm":["\"Comic Invoices\" Binder 4"],"title_tesim":["\"Comic Invoices\" Binder 4"],"normalized_title_ssm":["\"Comic Invoices\" Binder 4, 1991/2006"],"text":["\"Comic Invoices\" Binder 4, 1991/2006","Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 2: Collecting Records"],"normalized_date_ssm":["1991/2006"],"unitdate_inclusive_ssm":["1991-2006"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":215,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["Collection is open to all researchers. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"_nest_path_":"/components#1/components#3","timestamp":"2026-08-14T23:05:56.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. 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In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. 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He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c04"}},{"id":"wvmturhc_repositories_2_resources_1630_c03_c01","type":"Sub-Series","attributes":{"title":"Commemoration of Stephens's Career, 1985/2013","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1630_c03_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of \u003cspan\u003eIn Wheeling\u003c/span\u003e magazine featuring an article about the city's architectural history.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1630_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1630_c03_c01","ref_ssm":["wvmturhc_repositories_2_resources_1630_c03_c01"],"id":"wvmturhc_repositories_2_resources_1630_c03_c01","ead_ssi":"wvmturhc_repositories_2_resources_1630","_root_":"wvmturhc_repositories_2_resources_1630","_nest_parent_":"wvmturhc_repositories_2_resources_1630_c03","parent_ssi":"wvmturhc_repositories_2_resources_1630_c03","parent_ssim":["Faris, Faris, and Stephens, Architects, Records, 1890/2013","Series 3. Addendum of 2015 October 12, 1920/2013"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1630","wvmturhc_repositories_2_resources_1630_c03"],"title_filing_ssi":"Commemoration of Stephens's Career","title_ssm":["Commemoration of Stephens's Career"],"title_tesim":["Commemoration of Stephens's Career"],"normalized_title_ssm":["Commemoration of Stephens's Career, 1985/2013"],"text":["Commemoration of Stephens's Career, 1985/2013","Faris, Faris, and Stephens, Architects, Records, 1890/2013","Series 3. Addendum of 2015 October 12, 1920/2013","Box 237","Includes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of In Wheeling magazine featuring an article about the city's architectural history."],"parent_unittitles_ssm":["Faris, Faris, and Stephens, Architects, Records, 1890/2013","Series 3. Addendum of 2015 October 12, 1920/2013"],"parent_unittitles_tesim":["Faris, Faris, and Stephens, Architects, Records, 1890/2013","Series 3. Addendum of 2015 October 12, 1920/2013"],"normalized_date_ssm":["1985/2013"],"unitdate_inclusive_ssm":["1985-2013"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":1743,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Faris, Faris, and Stephens, Architects, Records, 1890/2013"],"containers_ssim":["Box 237"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"scopecontent_html_tesm":["\u003cp\u003eIncludes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of \u003ctitle\u003e\u003cpart\u003eIn Wheeling\u003c/part\u003e\u003c/title\u003e magazine featuring an article about the city's architectural history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of In Wheeling magazine featuring an article about the city's architectural history."],"_nest_path_":"/components#2/components#0","timestamp":"2026-08-14T23:07:49.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1630","ead_ssi":"wvmturhc_repositories_2_resources_1630","_root_":"wvmturhc_repositories_2_resources_1630","_nest_parent_":"wvmturhc_repositories_2_resources_1630","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1630.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195905","title_ssm":["Faris, Faris, and Stephens, Architects, Records"],"title_tesim":["Faris, Faris, and Stephens, Architects, Records"],"unitdate_ssm":["ca. 1890-2013"],"unitdate_inclusive_ssm":["ca. 1890-2013"],"normalized_date_ssm":["1890/2013"],"normalized_title_ssm":["Faris, Faris, and Stephens, Architects, Records, 1890/2013"],"text":["Faris, Faris, and Stephens, Architects, Records, 1890/2013","A\u0026M 3330","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1630","Architects and architecture","No special access restriction applies.","Frederick Fisher Faris","Frederick F. Faris was born in St. Clairsville, Ohio on August 1, 1870. His family moved to Wheeling, West Virginia two years later. Faris was educated in Wheeling public schools. He worked as a draftsman for Edgar Wells in the Wheeling firm of Klieves, Kraft and Company (a Wheeling architectural and building contractor company), before he left the city to work for architects in Chicago and New York City. Faris returned to Wheeling in 1892, where he entered into a partnership with Joseph Leiner forming Leiner \u0026 Faris. In 1894, Faris left that partnership and formed the partnership of Franzheim, Giesey \u0026 Faris, with Edward B. Franzheim and Millard Fillmore Geisey. Franzheim left the partnership in 1899, and the pair continued as Geisey \u0026 Faris.  In 1911, he entered private practice as F.F. Faris Architect. Faris died June 27, 1927, at 56, from complication resulting from strep throat and is buried in Wheeling's Greenwood Cemetery. Faris married Nellie Egerter Faris (1876-1973) in 1897. The couple had no children. Following his death, Faris' nephews Frederic P. Faris and Philip V. Faris took over the practice.","Frederic P. Faris","Frederic P. Faris was born February 14, 1901, in Wheeling, West Virginia. He was likely educated in Wheeling public schools. He attended Cornell University, graduating with a BA in Architecture in 1923 and an MA in Architecture in 1924.  Faris worked along with his older brother Philip Faris (1899-1974), an engineer, in his uncle's practice prior to his death. After Frederick Faris' death, the practice was styled as Faris Associates. In the early 1950s, the firm was known as Frederic Faris AIA. Faris died July 14, 1964. He is buried in Wheeling's Greenwood Cemetery. Faris married Mary Elizabeth Steinbicker in 1947. The couple had no children. The practice passed to Tracy R. Stephens.","Tracy Ralston Stephens","Tracy R. Stephens was born in Cameron, West Virginia on November 14, 1901, but lived in Western Pennsylvania prior to the family relocating to Morgantown in the late 1910s. Stephens initially attended West Virginia University, but since WVU has no architecture program he transferred to Carnegie Institute of Technology in Pittsburgh, where he completed his architecture studies. He graduated in 1930. Stephen had worked for the Clarksburg firm of Edward J. Wood \u0026 Son Licensed Architects while at Carnegie Tech. Following his graduation, he became a member of the practice where he worked from the early 1930s until World War II. He left the practice during the war to work at Fairchild Aircraft in Hagerstown, Maryland. After the war, he returned to Clarksburg and started his own practice, Tracy R. Stephens Architect in 1947. In the early 1960s, Frederic Faris persuaded Stephens to join his practice to help with an abundance of commissions with West Liberty State College (now West Liberty University) in West Liberty, West Virginia, especially the Hall of Fine Arts.  Upon the death of Frederic Faris, the architectural firm's name changed again, this time back to Faris Associates, and was comprised of Tracy Stephens, Philip Faris, and Merle Peterson (Peterson later became the West Virginia University Campus Architect). After Philip Faris retired in 1972, the firm became Tracy R. Stephens, AIA, Architect. Stephens died in Cumming, Georgia on November 4, 2003, and is buried in Cedar Grove Cemetery, Mount Morris, Pennsylvania. Stephens never married.","The A\u0026M 3330 Faris, Faris, and Stephens, Architects, Records card index binder (\"A\u0026M 3330 FARIS DRAWINGS--INDEX\") is a photocopied card index that includes an inventory of the architectural drawings and related documents and specifications regarding the architectural projects of Frederick Faris, Frederic Faris, and Tracy Stephens. This inventory dates to the late 1960s with subsequent updates. This binder is housed with the control folders.\nThe A\u0026M 3330 card index provides an alphabetic listing of Faris, Faris, and Stephens' individual architectural design projects. The list includes information on the project name; type of project and geographical location; type of drawings, such as tracings and prints; and correspondence and specifications, with occasional project dates and particular individuals' involvement. Also, there are notes related to the design projects, such as client and property names and subsequent property ownership. However, some projects' index cards simply list the project/building name and the legacy storage location of the related materials. This information may be useful to a researcher who is looking for details of a particular design project or as a compendium of design project materials. Please note that the locational information for drawings, files, and drawer numbers enumerated in the index is now obsolete, and the photocopied card index itself is at least partially obsolete due to the later creation of a spreadsheet inventory for the collection.","The Faris, Faris, and Stephens, Architects, Records consists of the records of approximately 300 to 350 architectural design projects dating from circa 1890 through 1990.  This collection represents the architectural design work of three prominent West Virginia architects: Frederick F. Faris (1870-1927), Federic P. Faris (1901-1964), and Tracy R. Stephens (1901-2003). \nFaris, Faris, and Stephens were collectively responsible for a broad range of architectural designs including private residences, banks, churches, schools, public housing, and recreational and industrial buildings. Additionally, these architects also designed furnishings, hardware, and signage for several of these design projects. Geographically, this collection is centered on Wheeling, but also includes projects from West Virginia's Northern Panhandle and regionally including Ohio and Pennsylvania.Series 1 consists of architectural drawings, including tracings (pencil drawings) and ink on vellum drawings of plan, elevation, and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned.Series 2 includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Rough contents list is available upon request.Series 3. Addendum of 2015 October 12 includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence, with drawings, notes, and specifications included. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University.Series 4 includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Includes drawings by architects Frederick F. Faris and Frederic P. Faris of Wheeling, West Virginia, as well as Tracy R. Stephens. There are three series in the collection. Series 1 includes architectural drawings documenting public and private building projects in Wheeling and the surrounding area. Series 2 includes correspondence, reports, and other documents regarding those architectural projects. Series 3 is an addendum to the collection that includes architectural drawings and project details as well as materials regarding the accomplishments of Stephens and commemoration of his work in Wheeling, WV. Series 4 includes assorted architectural books.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","English\n."],"collection_title_tesim":["Faris, Faris, and Stephens, Architects, Records, 1890/2013"],"collection_ssim":["Faris, Faris, and Stephens, Architects, Records, 1890/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3330","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1630"],"unitid_tesim":["A\u0026M 3330","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1630"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","Stephens, Tracy R."],"creator_ssim":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","Stephens, Tracy R."],"creator_persname_ssim":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Stephens, Tracy, 1999 April 28","Gift from Stephens, Tracy, circa 2015 October 12"],"access_subjects_ssim":["Architects and architecture"],"access_subjects_ssm":["Architects and architecture"],"has_online_content_ssim":["false"],"extent_ssm":["449.67 Linear Feet 185 roll boxes, 6 in. each; 161 roll boxes, 4 in. each; 1 document case, 5 in.; 2 document cases, 2.5 in. each; 2 flat boxes, 1.5 in. each; 1 flat box, 1 in.; 13 flat boxes, 3 in. each; 2 roll boxes, 9 in. each; 3 flat boxes, 4 in. each; 4 roll boxes, 5 in. each; 3 unboxed rolls, 2.5 in. each; 1 unboxed roll, 8.5 in.; 2 unboxed rolls, 8 in. each; 2 unboxed rolls, 4.5 in. each; 232 record cartons, 15 in. each; 7 map drawers, 2 in. each"],"extent_tesim":["449.67 Linear Feet 185 roll boxes, 6 in. each; 161 roll boxes, 4 in. each; 1 document case, 5 in.; 2 document cases, 2.5 in. each; 2 flat boxes, 1.5 in. each; 1 flat box, 1 in.; 13 flat boxes, 3 in. each; 2 roll boxes, 9 in. each; 3 flat boxes, 4 in. each; 4 roll boxes, 5 in. each; 3 unboxed rolls, 2.5 in. each; 1 unboxed roll, 8.5 in.; 2 unboxed rolls, 8 in. each; 2 unboxed rolls, 4.5 in. each; 232 record cartons, 15 in. each; 7 map drawers, 2 in. each"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eFrederick Fisher Faris\u003c/p\u003e","\u003cp\u003eFrederick F. Faris was born in St. Clairsville, Ohio on August 1, 1870. His family moved to Wheeling, West Virginia two years later. Faris was educated in Wheeling public schools. He worked as a draftsman for Edgar Wells in the Wheeling firm of Klieves, Kraft and Company (a Wheeling architectural and building contractor company), before he left the city to work for architects in Chicago and New York City. Faris returned to Wheeling in 1892, where he entered into a partnership with Joseph Leiner forming Leiner \u0026amp; Faris. In 1894, Faris left that partnership and formed the partnership of Franzheim, Giesey \u0026amp; Faris, with Edward B. Franzheim and Millard Fillmore Geisey. Franzheim left the partnership in 1899, and the pair continued as Geisey \u0026amp; Faris.  In 1911, he entered private practice as F.F. Faris Architect. Faris died June 27, 1927, at 56, from complication resulting from strep throat and is buried in Wheeling's Greenwood Cemetery. Faris married Nellie Egerter Faris (1876-1973) in 1897. The couple had no children. Following his death, Faris' nephews Frederic P. Faris and Philip V. Faris took over the practice.\u003c/p\u003e","\u003cp\u003eFrederic P. Faris\u003c/p\u003e","\u003cp\u003eFrederic P. Faris was born February 14, 1901, in Wheeling, West Virginia. He was likely educated in Wheeling public schools. He attended Cornell University, graduating with a BA in Architecture in 1923 and an MA in Architecture in 1924.  Faris worked along with his older brother Philip Faris (1899-1974), an engineer, in his uncle's practice prior to his death. After Frederick Faris' death, the practice was styled as Faris Associates. In the early 1950s, the firm was known as Frederic Faris AIA. Faris died July 14, 1964. He is buried in Wheeling's Greenwood Cemetery. Faris married Mary Elizabeth Steinbicker in 1947. The couple had no children. The practice passed to Tracy R. Stephens.\u003c/p\u003e","\u003cp\u003eTracy Ralston Stephens\u003c/p\u003e","\u003cp\u003eTracy R. Stephens was born in Cameron, West Virginia on November 14, 1901, but lived in Western Pennsylvania prior to the family relocating to Morgantown in the late 1910s. Stephens initially attended West Virginia University, but since WVU has no architecture program he transferred to Carnegie Institute of Technology in Pittsburgh, where he completed his architecture studies. He graduated in 1930. Stephen had worked for the Clarksburg firm of Edward J. Wood \u0026amp; Son Licensed Architects while at Carnegie Tech. Following his graduation, he became a member of the practice where he worked from the early 1930s until World War II. He left the practice during the war to work at Fairchild Aircraft in Hagerstown, Maryland. After the war, he returned to Clarksburg and started his own practice, Tracy R. Stephens Architect in 1947. In the early 1960s, Frederic Faris persuaded Stephens to join his practice to help with an abundance of commissions with West Liberty State College (now West Liberty University) in West Liberty, West Virginia, especially the Hall of Fine Arts.  Upon the death of Frederic Faris, the architectural firm's name changed again, this time back to Faris Associates, and was comprised of Tracy Stephens, Philip Faris, and Merle Peterson (Peterson later became the West Virginia University Campus Architect). After Philip Faris retired in 1972, the firm became Tracy R. Stephens, AIA, Architect. Stephens died in Cumming, Georgia on November 4, 2003, and is buried in Cedar Grove Cemetery, Mount Morris, Pennsylvania. Stephens never married.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick Fisher Faris","Frederick F. Faris was born in St. Clairsville, Ohio on August 1, 1870. His family moved to Wheeling, West Virginia two years later. Faris was educated in Wheeling public schools. He worked as a draftsman for Edgar Wells in the Wheeling firm of Klieves, Kraft and Company (a Wheeling architectural and building contractor company), before he left the city to work for architects in Chicago and New York City. Faris returned to Wheeling in 1892, where he entered into a partnership with Joseph Leiner forming Leiner \u0026 Faris. In 1894, Faris left that partnership and formed the partnership of Franzheim, Giesey \u0026 Faris, with Edward B. Franzheim and Millard Fillmore Geisey. Franzheim left the partnership in 1899, and the pair continued as Geisey \u0026 Faris.  In 1911, he entered private practice as F.F. Faris Architect. Faris died June 27, 1927, at 56, from complication resulting from strep throat and is buried in Wheeling's Greenwood Cemetery. Faris married Nellie Egerter Faris (1876-1973) in 1897. The couple had no children. Following his death, Faris' nephews Frederic P. Faris and Philip V. Faris took over the practice.","Frederic P. Faris","Frederic P. Faris was born February 14, 1901, in Wheeling, West Virginia. He was likely educated in Wheeling public schools. He attended Cornell University, graduating with a BA in Architecture in 1923 and an MA in Architecture in 1924.  Faris worked along with his older brother Philip Faris (1899-1974), an engineer, in his uncle's practice prior to his death. After Frederick Faris' death, the practice was styled as Faris Associates. In the early 1950s, the firm was known as Frederic Faris AIA. Faris died July 14, 1964. He is buried in Wheeling's Greenwood Cemetery. Faris married Mary Elizabeth Steinbicker in 1947. The couple had no children. The practice passed to Tracy R. Stephens.","Tracy Ralston Stephens","Tracy R. Stephens was born in Cameron, West Virginia on November 14, 1901, but lived in Western Pennsylvania prior to the family relocating to Morgantown in the late 1910s. Stephens initially attended West Virginia University, but since WVU has no architecture program he transferred to Carnegie Institute of Technology in Pittsburgh, where he completed his architecture studies. He graduated in 1930. Stephen had worked for the Clarksburg firm of Edward J. Wood \u0026 Son Licensed Architects while at Carnegie Tech. Following his graduation, he became a member of the practice where he worked from the early 1930s until World War II. He left the practice during the war to work at Fairchild Aircraft in Hagerstown, Maryland. After the war, he returned to Clarksburg and started his own practice, Tracy R. Stephens Architect in 1947. In the early 1960s, Frederic Faris persuaded Stephens to join his practice to help with an abundance of commissions with West Liberty State College (now West Liberty University) in West Liberty, West Virginia, especially the Hall of Fine Arts.  Upon the death of Frederic Faris, the architectural firm's name changed again, this time back to Faris Associates, and was comprised of Tracy Stephens, Philip Faris, and Merle Peterson (Peterson later became the West Virginia University Campus Architect). After Philip Faris retired in 1972, the firm became Tracy R. Stephens, AIA, Architect. Stephens died in Cumming, Georgia on November 4, 2003, and is buried in Cedar Grove Cemetery, Mount Morris, Pennsylvania. Stephens never married."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Faris, Faris, and Stephens, Architects, Records, A\u0026amp;M 3330, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Faris, Faris, and Stephens, Architects, Records, A\u0026M 3330, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe A\u0026amp;M 3330 Faris, Faris, and Stephens, Architects, Records card index binder (\"A\u0026amp;M 3330 FARIS DRAWINGS--INDEX\") is a photocopied card index that includes an inventory of the architectural drawings and related documents and specifications regarding the architectural projects of Frederick Faris, Frederic Faris, and Tracy Stephens. This inventory dates to the late 1960s with subsequent updates. This binder is housed with the control folders.\u003clb\u003e\u003c/lb\u003e\nThe A\u0026amp;M 3330 card index provides an alphabetic listing of Faris, Faris, and Stephens' individual architectural design projects. The list includes information on the project name; type of project and geographical location; type of drawings, such as tracings and prints; and correspondence and specifications, with occasional project dates and particular individuals' involvement. Also, there are notes related to the design projects, such as client and property names and subsequent property ownership. However, some projects' index cards simply list the project/building name and the legacy storage location of the related materials. This information may be useful to a researcher who is looking for details of a particular design project or as a compendium of design project materials. Please note that the locational information for drawings, files, and drawer numbers enumerated in the index is now obsolete, and the photocopied card index itself is at least partially obsolete due to the later creation of a spreadsheet inventory for the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Additional Inventory Information"],"processinfo_tesim":["The A\u0026M 3330 Faris, Faris, and Stephens, Architects, Records card index binder (\"A\u0026M 3330 FARIS DRAWINGS--INDEX\") is a photocopied card index that includes an inventory of the architectural drawings and related documents and specifications regarding the architectural projects of Frederick Faris, Frederic Faris, and Tracy Stephens. This inventory dates to the late 1960s with subsequent updates. This binder is housed with the control folders.\nThe A\u0026M 3330 card index provides an alphabetic listing of Faris, Faris, and Stephens' individual architectural design projects. The list includes information on the project name; type of project and geographical location; type of drawings, such as tracings and prints; and correspondence and specifications, with occasional project dates and particular individuals' involvement. Also, there are notes related to the design projects, such as client and property names and subsequent property ownership. However, some projects' index cards simply list the project/building name and the legacy storage location of the related materials. This information may be useful to a researcher who is looking for details of a particular design project or as a compendium of design project materials. Please note that the locational information for drawings, files, and drawer numbers enumerated in the index is now obsolete, and the photocopied card index itself is at least partially obsolete due to the later creation of a spreadsheet inventory for the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Faris, Faris, and Stephens, Architects, Records consists of the records of approximately 300 to 350 architectural design projects dating from circa 1890 through 1990.  This collection represents the architectural design work of three prominent West Virginia architects: Frederick F. Faris (1870-1927), Federic P. Faris (1901-1964), and Tracy R. Stephens (1901-2003). \nFaris, Faris, and Stephens were collectively responsible for a broad range of architectural designs including private residences, banks, churches, schools, public housing, and recreational and industrial buildings. Additionally, these architects also designed furnishings, hardware, and signage for several of these design projects. Geographically, this collection is centered on Wheeling, but also includes projects from West Virginia's Northern Panhandle and regionally including Ohio and Pennsylvania.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 1 consists of architectural drawings, including tracings (pencil drawings) and ink on vellum drawings of plan, elevation, and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 2 includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Rough contents list is available upon request.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 3. Addendum of 2015 October 12 includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence, with drawings, notes, and specifications included. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 4 includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Faris, Faris, and Stephens, Architects, Records consists of the records of approximately 300 to 350 architectural design projects dating from circa 1890 through 1990.  This collection represents the architectural design work of three prominent West Virginia architects: Frederick F. Faris (1870-1927), Federic P. Faris (1901-1964), and Tracy R. Stephens (1901-2003). \nFaris, Faris, and Stephens were collectively responsible for a broad range of architectural designs including private residences, banks, churches, schools, public housing, and recreational and industrial buildings. Additionally, these architects also designed furnishings, hardware, and signage for several of these design projects. Geographically, this collection is centered on Wheeling, but also includes projects from West Virginia's Northern Panhandle and regionally including Ohio and Pennsylvania.Series 1 consists of architectural drawings, including tracings (pencil drawings) and ink on vellum drawings of plan, elevation, and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned.Series 2 includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Rough contents list is available upon request.Series 3. Addendum of 2015 October 12 includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence, with drawings, notes, and specifications included. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University.Series 4 includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43c454a56dc9309e6b4ebd4fbc4147f3\"\u003eIncludes drawings by architects Frederick F. Faris and Frederic P. Faris of Wheeling, West Virginia, as well as Tracy R. Stephens. There are three series in the collection. Series 1 includes architectural drawings documenting public and private building projects in Wheeling and the surrounding area. Series 2 includes correspondence, reports, and other documents regarding those architectural projects. Series 3 is an addendum to the collection that includes architectural drawings and project details as well as materials regarding the accomplishments of Stephens and commemoration of his work in Wheeling, WV. Series 4 includes assorted architectural books.\u003c/abstract\u003e\n    "],"abstract_tesim":["Includes drawings by architects Frederick F. Faris and Frederic P. Faris of Wheeling, West Virginia, as well as Tracy R. Stephens. There are three series in the collection. Series 1 includes architectural drawings documenting public and private building projects in Wheeling and the surrounding area. Series 2 includes correspondence, reports, and other documents regarding those architectural projects. Series 3 is an addendum to the collection that includes architectural drawings and project details as well as materials regarding the accomplishments of Stephens and commemoration of his work in Wheeling, WV. Series 4 includes assorted architectural books."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7ab2f871816bafe59a91acbb26d44ffa\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F."],"names_coll_ssim":["Stephens, Tracy R."],"names_ssim":["West Virginia and Regional History Center","Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1756,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:49.367Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1630_c03_c01"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":179},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":171},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":41},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":19},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":438},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":17},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Mary Washington","value":"University of Mary Washington","hits":11},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=University+of+Mary+Washington"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":228},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"Virginia Commonwealth University, Cabell Library","value":"Virginia Commonwealth University, Cabell Library","hits":34},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Sub-series"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"A. 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