{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026page=6","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026page=5","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026page=7","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026page=4636"},"meta":{"pages":{"current_page":6,"next_page":7,"prev_page":5,"total_pages":4636,"limit_value":10,"offset_value":50,"total_count":46351,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_7_resources_215_c17_c06","type":"File","attributes":{"title":"15th anniversary of the Health Sciences Library","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215_c17_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215_c17_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_215_c17_c06","ref_ssm":["viu_repositories_7_resources_215_c17_c06"],"id":"viu_repositories_7_resources_215_c17_c06","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215_c17","parent_ssi":"viu_repositories_7_resources_215_c17","parent_ssim":["viu_repositories_7_resources_215","viu_repositories_7_resources_215_c17"],"parent_ids_ssim":["viu_repositories_7_resources_215","viu_repositories_7_resources_215_c17"],"parent_unittitles_ssm":["Claude Moore Health Sciences Library records","Awards, honors, and commemorations"],"parent_unittitles_tesim":["Claude Moore Health Sciences Library records","Awards, honors, and commemorations"],"text":["Claude Moore Health Sciences Library records","Awards, honors, and commemorations","15th anniversary of the Health Sciences Library","box 10","folder 19","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\"."],"title_filing_ssi":"15th anniversary of the Health Sciences Library","title_ssm":["15th anniversary of the Health Sciences Library"],"title_tesim":["15th anniversary of the Health Sciences Library"],"unitdate_other_ssim":["1991-04-09"],"normalized_date_ssm":["1991"],"normalized_title_ssm":["15th anniversary of the Health Sciences Library"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Claude Moore Health Sciences Library records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":364,"parent_access_restrict_tesm":["The awards, honors, and commemorations records are open to research."],"parent_access_terms_tesm":["The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment."],"date_range_isim":[1991],"containers_ssim":["box 10","folder 19"],"scopecontent_html_tesm":["\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\"."],"_nest_path_":"/components#16/components#5","timestamp":"2026-05-20T23:41:23.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_215","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_215.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133046","title_ssm":["Claude Moore Health Sciences Library records"],"title_tesim":["Claude Moore Health Sciences Library records"],"unitdate_ssm":["1942-2025","1848-2019"],"unitdate_bulk_ssim":["1942-2025"],"unitdate_inclusive_ssm":["1848-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"text":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215","Claude Moore Health Sciences Library records","University of Virginia","The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research.","The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically.","\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.","Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.","Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"normalized_title_ssm":["Claude Moore Health Sciences Library records"],"collection_title_tesim":["Claude Moore Health Sciences Library records"],"collection_ssim":["Claude Moore Health Sciences Library records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  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Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.\u003c/p\u003e","\u003cp\u003eThe annual reports are open to research.\u003c/p\u003e","\u003cp\u003eThese records are open to research.\u003c/p\u003e","\u003cp\u003eThe planning documents and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are open to research.\u003c/p\u003e","\u003cp\u003eThe public relations files are open to research.\u003c/p\u003e","\u003cp\u003eThe publications are open to research.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the newsletters in this subseries.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the publications of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe social media files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe blog files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe administrative organization and structure files are open to research.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are open to research.\u003c/p\u003e","\u003cp\u003eIn accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.\u003c/p\u003e","\u003cp\u003eConference programs and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe historical and biographical files are open to research.\u003c/p\u003e","\u003cp\u003eThe reports in this series are open to research.\u003c/p\u003e","\u003cp\u003eThe committee records and meeting minutes are open to research.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations records are open to research.\u003c/p\u003e","\u003cp\u003eThe lecture and presentation materials are open to research.\u003c/p\u003e","\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eThe annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.\u003c/p\u003e","\u003cp\u003eHistorically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003ePublic relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.\u003c/p\u003e","\u003cp\u003eThe publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.\u003c/p\u003e","\u003cp\u003eAnnually, data is downloaded from the Library's active social media sites and added to this collection.\u003c/p\u003e","\u003cp\u003eCopies of each existing blog are captured every year and added to the collection.\u003c/p\u003e","\u003cp\u003eThe organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.\u003c/p\u003e","\u003cp\u003eHistorically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eSignificant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals"],"accruals_tesim":["The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eRecords are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.\u003c/p\u003e","\u003cp\u003eAnnual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.\u003c/p\u003e","\u003cp\u003eIn this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.\u003c/p\u003e","\u003cp\u003eThe images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe miscellaneous photographs are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.\u003c/p\u003e","\u003cp\u003eThe publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe newsletters are arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eThe promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe social media content is arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eBlogs are arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eFiles in this series are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSyllabi and course materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eConference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.\u003c/p\u003e","\u003cp\u003eMaterials in this series are arranged chronologically according to the date that they were created.\u003c/p\u003e","\u003cp\u003eThe reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe directories are arranged by title into files. The files are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eRecords in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e","\u003cp\u003eThese files are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThese items are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n\u003c/p\u003e","\u003cp\u003e\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n\u003c/p\u003e","\u003cp\u003e\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n\u003c/p\u003e","\u003cp\u003e\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n\u003c/p\u003e","\u003cbr\u003e","\u003cul\u003e\n\u003cli\u003eSeptember 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books.\u003c/li\u003e\n\u003cli\u003e1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda.\u003c/li\u003e\n\u003cli\u003eSeptember 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee.\u003c/li\u003e\n\u003cli\u003e1919-June 1929: Ella Watson Johnson serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eJune 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System.\u003c/li\u003e\n\u003cli\u003eJune 1929-September 1929: Margaret Otto serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1931-1934: Caroline Hill Davis serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eMarch 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1935: The Medical Library institutes its first orientation for first year medical students.\u003c/li\u003e\n\u003cli\u003e1936-1943: Anne Lewis Morris serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1944-1947: Mabel Cook Wyllie serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection.\u003c/li\u003e\n\u003cli\u003e1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eSeptember 1962: Wilhelm Moll is appointed the Director of the Medical Library.\u003c/li\u003e\n\u003cli\u003e1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine.\u003c/li\u003e\n\u003cli\u003eNovember 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications.\u003c/li\u003e\n\u003cli\u003eNovember 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons.\u003c/li\u003e\n\u003cli\u003eAugust 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library.\u003c/li\u003e\n\u003cli\u003eApril 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia.\u003c/li\u003e\n\u003cli\u003e1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e1989: The library card catalog is digitized and made available through computer terminals.\u003c/li\u003e\n\u003cli\u003e1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007.\u003c/li\u003e\n\u003cli\u003e2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003e(formerly Reference Department from 1987-1991)\u003c/p\u003e","\u003cp\u003eHistorical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position."],"odd_html_tesm":["\u003cp\u003eSome exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.\u003c/p\u003e"],"odd_heading_ssm":["Date Discrepancies"],"odd_tesim":["Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation."],"originalsloc_html_tesm":["\u003cp\u003eMany of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"phystech_html_tesm":["\u003cp\u003eWhen the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.\u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e","\u003cp\u003eWhen the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. \u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. "],"relatedmaterial_html_tesm":["\u003cp\u003eExhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","\u003cp\u003eThis series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eInformal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.\u003c/p\u003e","\u003cp\u003eCorrespondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution\u003c/p\u003e","\u003cp\u003eIncludes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse\u003c/p\u003e","\u003cp\u003eCorrespondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt\u003c/p\u003e","\u003cp\u003eIncludes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with William Bennett Bean\u003c/p\u003e","\u003cp\u003eIncludes correspondence on Health System reorganization\u003c/p\u003e","\u003cp\u003eThe records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.\u003c/p\u003e","\u003cp\u003eThis subseries contains images of artifacts in the collections of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eMoll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.\u003c/p\u003e","\u003cp\u003eLIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet\u003c/p\u003e","\u003cp\u003ePeople identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.\u003c/p\u003e","\u003cp\u003eIndividuals not identified.\u003c/p\u003e","\u003cp\u003eFront: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears\u003c/p\u003e","\u003cp\u003eLeft to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson\u003c/p\u003e","\u003cp\u003eOne photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson\u003c/p\u003e","\u003cp\u003eCollection Services and Bibliographic Control\u003c/p\u003e","\u003cp\u003eIntellectual Access and Collection Development\u003c/p\u003e","\u003cp\u003eLibrary Administration\u003c/p\u003e","\u003cp\u003eEllen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn\u003c/p\u003e","\u003cp\u003eThis subseries consists of images that do not belong in any other subseries.\u003c/p\u003e","\u003cp\u003eGordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.\u003c/p\u003e","\u003cp\u003ePhoto was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority\u003c/p\u003e","\u003cp\u003eThis series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.\u003c/p\u003e","\u003cp\u003eThis subseries contains print copies of news articles about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eA \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.\u003c/p\u003e","\u003cp\u003eThis subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eEnvelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.\u003c/p\u003e","\u003cp\u003eThis series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.\u003c/p\u003e","\u003cp\u003eThe staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.\u003c/p\u003e","\u003cp\u003eThis series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.\u003c/p\u003e","\u003cp\u003eThe Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.\u003c/p\u003e","\u003cp\u003eThe records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.\u003c/p\u003e","\u003cp\u003eThis series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.\u003c/p\u003e","\u003cp\u003eThis subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eIncludes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library\u003c/p\u003e","\u003cp\u003eThis subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.\u003c/p\u003e","\u003cp\u003eThis series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.\u003c/p\u003e","\u003cp\u003eIncludes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.\u003c/p\u003e","\u003cp\u003eIncludes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.\u003c/p\u003e","\u003cp\u003eThis series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.\u003c/p\u003e","\u003cp\u003eThis file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.\u003c/p\u003e","\u003cp\u003eThe dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.\u003c/p\u003e","\u003cp\u003eIncludes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.\u003c/p\u003e","\u003cp\u003eIncludes remarks that were given by Dr. Don Detmer.\u003c/p\u003e","\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","\u003cp\u003eThis series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.\u003c/p\u003e","\u003cp\u003eThis subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.\u003c/p\u003e","\u003cp\u003ePromotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","\u003cp\u003eThese materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.\u003c/p\u003e","\u003cp\u003eIdentified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall\u003c/p\u003e","\u003cp\u003eIncludes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.\u003c/p\u003e","\u003cp\u003e\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.\u003c/p\u003e","\u003cp\u003eIntroduction by Joan Klein\u003c/p\u003e","\u003cp\u003eThis series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.\u003c/p\u003e","\u003cp\u003eThis online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eThis online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.\u003c/p\u003e","\u003cp\u003eThis exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.\u003c/p\u003e","\u003cp\u003eThis online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.\u003c/p\u003e","\u003cp\u003eThis online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.\u003c/p\u003e","\u003cp\u003eThis exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.\u003c/p\u003e","\u003cp\u003eThis online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004\u003c/p\u003e","\u003cp\u003eThis exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.\u003c/p\u003e","\u003cp\u003eThis online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. \u003c/p\u003e\n","\u003cp\u003eThe exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.\u003c/p\u003e\n","\u003cp\u003eThe Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.\u003c/p\u003e\n","\u003cp\u003eThe Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026amp; summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.\u003c/p\u003e","\u003cp\u003eThis online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.\u003c/p\u003e\n","\u003cp\u003eThe exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.\u003c/p\u003e","\u003cp\u003eThis exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.\u003c/p\u003e\n","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026amp; Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.\u003c/p\u003e\n","\u003cp\u003eStaff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.\u003c/p\u003e\n","\u003cp\u003eDavid Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026amp; Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.\u003c/p\u003e","\u003cp\u003eThe Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.\u003c/p\u003e\n","\u003cp\u003eOthers associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026amp; Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"\u003c/p\u003e\n","\u003cp\u003eAnne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.\u003c/p\u003e\n","\u003cp\u003eUnless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"\u003c/p\u003e","\u003cp\u003eIn 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.\u003c/p\u003e\n","\u003cp\u003eThis exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.\u003c/p\u003e\n","\u003cp\u003eSara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.\u003c/p\u003e\n","\u003cp\u003eJoaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eMary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eWalter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.\u003c/p\u003e","\u003cp\u003eThis series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  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Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.\u003c/p\u003e","\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  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Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":26,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:23.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215_c17_c06"}},{"id":"viblbv_repositories_2_resources_2066_c646","type":"File","attributes":{"title":"15th Anniversary Season--T-shirts.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2066_c646#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_2066_c646","ref_ssm":["viblbv_repositories_2_resources_2066_c646"],"id":"viblbv_repositories_2_resources_2066_c646","ead_ssi":"viblbv_repositories_2_resources_2066","_root_":"viblbv_repositories_2_resources_2066","_nest_parent_":"viblbv_repositories_2_resources_2066","parent_ssi":"viblbv_repositories_2_resources_2066","parent_ssim":["viblbv_repositories_2_resources_2066"],"parent_ids_ssim":["viblbv_repositories_2_resources_2066"],"parent_unittitles_ssm":["The Road Company Records,"],"parent_unittitles_tesim":["The Road Company Records,"],"text":["The Road Company Records,","15th Anniversary Season--T-shirts.","box 15","folder 31"],"title_filing_ssi":"15th Anniversary Season--T-shirts.","title_ssm":["15th Anniversary Season--T-shirts."],"title_tesim":["15th Anniversary Season--T-shirts."],"unitdate_other_ssim":["1990-1991."],"normalized_date_ssm":["1990/1991"],"normalized_title_ssm":["15th Anniversary Season--T-shirts."],"component_level_isim":[1],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["The Road Company Records,"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":646,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1990,1991],"containers_ssim":["box 15","folder 31"],"_nest_path_":"/components#645","timestamp":"2026-05-21T02:40:01.584Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2066","ead_ssi":"viblbv_repositories_2_resources_2066","_root_":"viblbv_repositories_2_resources_2066","_nest_parent_":"viblbv_repositories_2_resources_2066","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2066.xml","title_filing_ssi":"The Road Company Records","title_ssm":["The Road Company Records,"],"title_tesim":["The Road Company Records,"],"unitdate_ssm":["1972-1998"],"unitdate_inclusive_ssm":["1972-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1998.008"],"text":["Ms.1998.008","The Road Company Records,","Local/Regional History and Appalachian South","Community theater","Collection is open to research.","Videos have been digitized. Access to the digital copies is available upon request.","The collection is arranged chronologically. Undated material is at the end.","The 2008 accrual is in an oversize folder housed in Special Collections. The 2015 accrual is at the end of the collection and remains in its original order.","The Road Company was a community-based theater company in Johnson City, Tennessee, dedicated to the production of new theater reflecting the concerns and interests of the community, based on the premise that theater is a community event. Established in 1972, produced plays about southern community history, frontier experiences in democracy, ancient and modern myths, the moonshine trade, land issues, wild lemons, love stories, and the impact of the world energy situation on Johnson City. Many of the plays performed were original works created for the company. The company worked collaboratively with other community theaters. They closed up production in 1998.","The guide to the The Road Company Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of The Road Company Records commenced and was completed in April 1999. The 2008 and 2015 accrual were processed in March and April 2017.","The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","The 2008 accrual includes show posters. The 2015 accrual includes financial documents from 1993-1994 and 1998, as well as several folders of administrative files from 1993-1994.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for further information.  The 2008 accrual is on-site.","Special Collections and University Archives, Virginia Tech","The Road Company (1972-1998)","The materials in the collection are in English."],"unitid_tesim":["Ms.1998.008"],"normalized_title_ssm":["The Road Company Records,"],"collection_title_tesim":["The Road Company Records,"],"collection_ssim":["The Road Company Records,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["The Road Company (1972-1998)"],"creator_ssim":["The Road Company (1972-1998)"],"creator_corpname_ssim":["The Road Company (1972-1998)"],"creators_ssim":["The Road Company (1972-1998)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Road Company Records were donated to Special Collections in September 1998. An additional 0.2 cu. ft. of material was received in 2008 and 1.4 cu. ft. of materials were received in 2015."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater"],"has_online_content_ssim":["false"],"extent_ssm":["38 Cubic Feet 27 boxes; 1 folder"],"extent_tesim":["38 Cubic Feet 27 boxes; 1 folder"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eVideos have been digitized. Access to the digital copies is available upon request.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Videos have been digitized. Access to the digital copies is available upon request."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically. Undated material is at the end.\u003c/p\u003e\n","\u003cp\u003eThe 2008 accrual is in an oversize folder housed in Special Collections. The 2015 accrual is at the end of the collection and remains in its original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically. Undated material is at the end.","The 2008 accrual is in an oversize folder housed in Special Collections. The 2015 accrual is at the end of the collection and remains in its original order."],"bioghist_html_tesm":["\u003cp\u003eThe Road Company was a community-based theater company in Johnson City, Tennessee, dedicated to the production of new theater reflecting the concerns and interests of the community, based on the premise that theater is a community event. Established in 1972, produced plays about southern community history, frontier experiences in democracy, ancient and modern myths, the moonshine trade, land issues, wild lemons, love stories, and the impact of the world energy situation on Johnson City. Many of the plays performed were original works created for the company. The company worked collaboratively with other community theaters. They closed up production in 1998.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Road Company was a community-based theater company in Johnson City, Tennessee, dedicated to the production of new theater reflecting the concerns and interests of the community, based on the premise that theater is a community event. Established in 1972, produced plays about southern community history, frontier experiences in democracy, ancient and modern myths, the moonshine trade, land issues, wild lemons, love stories, and the impact of the world energy situation on Johnson City. Many of the plays performed were original works created for the company. The company worked collaboratively with other community theaters. They closed up production in 1998."],"odd_html_tesm":["\u003cp\u003eThe guide to the The Road Company Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the The Road Company Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], The Road Company Records, Ms1998-008, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], The Road Company Records, Ms1998-008, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of The Road Company Records commenced and was completed in April 1999. The 2008 and 2015 accrual were processed in March and April 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of The Road Company Records commenced and was completed in April 1999. The 2008 and 2015 accrual were processed in March and April 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.\u003c/p\u003e\n","\u003cp\u003eThe 2008 accrual includes show posters. The 2015 accrual includes financial documents from 1993-1994 and 1998, as well as several folders of administrative files from 1993-1994.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","The 2008 accrual includes show posters. The 2015 accrual includes financial documents from 1993-1994 and 1998, as well as several folders of administrative files from 1993-1994."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41aec68c51d3217cd7de7070cf6df5c4\" label=\"Abstract\"\u003eThe Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.\u003c/abstract\u003e"],"abstract_tesim":["The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_956220da20bcf26b1614d629ed0cd0ff\"\u003e\u003cemph render=\"bold\"\u003eMaterial is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for further information.\u003c/emph\u003e The 2008 accrual is on-site.\u003c/physloc\u003e"],"physloc_tesim":["Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for further information.  The 2008 accrual is on-site."],"names_ssim":["Special Collections and University Archives, Virginia Tech","The Road Company (1972-1998)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","The Road Company (1972-1998)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1066,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:01.584Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2066_c646"}},{"id":"vifgm_kincannon_c01_c368","type":"File","attributes":{"title":"15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon_c01_c368#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eProgram.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_kincannon_c01_c368#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_kincannon_c01_c368","ref_ssm":["vifgm_kincannon_c01_c368"],"id":"vifgm_kincannon_c01_c368","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon_c01","parent_ssi":"vifgm_kincannon_c01","parent_ssim":["vifgm_kincannon","vifgm_kincannon_c01"],"parent_ids_ssim":["vifgm_kincannon","vifgm_kincannon_c01"],"parent_unittitles_ssm":["Claire Kincannon theatre collection","Series 1: Washington, D.C.,"],"parent_unittitles_tesim":["Claire Kincannon theatre collection","Series 1: Washington, D.C.,"],"text":["Claire Kincannon theatre collection","Series 1: Washington, D.C.,","15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville,","Box 17","Folder 5","Program."],"title_filing_ssi":"15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville,","title_ssm":["15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville,"],"title_tesim":["15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville,"],"unitdate_other_ssim":["March, 1991"],"normalized_date_ssm":["1991"],"normalized_title_ssm":["15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Claire Kincannon theatre collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":369,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1991],"containers_ssim":["Box 17","Folder 5"],"scopecontent_html_tesm":["\u003cp\u003eProgram.\u003c/p\u003e"],"scopecontent_tesim":["Program."],"_nest_path_":"/components#0/components#367","timestamp":"2026-05-21T06:31:57.545Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_kincannon","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon","ead_source_url_ssi":"data/gmu/kincannon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/kincannon.html","title_ssm":["Claire Kincannon theatre collection"],"title_tesim":["Claire Kincannon theatre collection"],"unitdate_ssm":["1955-2011"],"unitdate_other_ssim":["1955-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018"],"text":["C0018","Claire Kincannon theatre collection","Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings.","There are no access restrictions.","All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.","Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)","Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Special Collections and Archives also holds many other \n                theatre collections.","The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","The first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.","Program for multiple performances.","Press packet. Ten photographs.","Program.","Production of the National Theatre of Great Britain. Stagebill.","Documents regarding workshops. Press releases.","Invitation; Program, photographs.","","Program.","Program.","Program.","Photograph; Program.","Program.","Program.","Stagebill.","Production of the New York Metropolitan Opera. Stagebill.","Stagebill.","Program.","Program.","Production of the Tokyo Kid Brothers. Stagebill.","Stagebill.","Program.","Program.","Preview Materials.","Program.","Stagebill.","Stagebill.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Program.","Program.","Stagebill.","Stagebill.","Two photographs.","","Stagebill.","News Release; Program.","Press Release; Program.","Program.","News Release; Program.","Press Release; Program; Photograph.","Program.","Program.","Invitation; Program.","Program.","Stagebill.","Stagebill.","Production of the Metropolitan Opera. Stagebill.","Program.","Program.","Program. Photograph.","Stagebill.","Invitation; Program; Photograph.","Invitation; Program.","Program.","Program.","Program.","Stagebill.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Stagebill.","Program.","Program.","Program.","Donor list; Program.","Stagebill; Photograph.","Production of the American Ballet Theatre. Stagebill.","Production of the American Ballet Theatre. Stagebill.","James Joyce's The Dead, Kennedy Center","Native Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian","Our Town, Arena Stage","She Always Said, Pablo, Kennedy Center","Still Life, Arena Stage","Press packet.","Program.","Stagebill. Photograph.","Stagebill.","Stagebill.","Program; Two Photographs.","Program; Invitation.","Program.","Program.","Program.","Invitation; Photograph; Program.","Stagebill.","Stagebill.","Stagebill.","Invitation; Program; Photograph.","Program.","Program.","Program.","Stagebill; Photograph.","Program.","Program; Photograph.","Program; Two photographs.","Invitation; Program.","Program.","Invitation; Program.","35mm slides.","Stagebill; Photograph.","Production of the New York Metropolitan Opera. Stagebill.","Program.","Stagebill.","Program; Photograph.","Program.","Program.","Program.","Ticket stub; Program; 35mm Slides.","Invitation; Program.","Stagebill.","Program.","Photograph; Program.","Program.","Program.","Production of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.","Program.","Program; Photograph.","Brochure.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Invitation; Program.","Production of the New York Shakespeare Festival. Stagebill; Photograph.","Program.","Photograph.","Invitation; Program.","Program.","Photograph; Program.","Program.","Program.","Invitation; Program.","Program.","Production of the Paramount Theatre Prod. Stagebill.","Stagebill.","Invitation; Program.","Program.","Program; Photograph.","Program.","Stagebill.","Program.","Program.","Production of the Royal Shakespeare Company. Stagebill; Three photographs.","Invitation; Program; Photograph.","Program; Photograph.","Program; Invitation.","Showbill.","Program.","Program; Two Photographs.","Invitation; Program; Photograph.","Stagebill; Photograph.","Production of the Opera House; Three Photographs; Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program; Two Photographs.","Program.","Stagebill.","Press Release.","Invitation; Program.","Stagebill.","Flyer; Stagebill.","Stagebill; Photograph.","Program; Photograph.","Invitation; Program.","Invitation; Program; Photograph.","Program; Press Release; Newspaper Articles.","Invitation; Program.","Presented by Piccolo Spoleto. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.","Program.","Production of the Human Bridge Theater Company. Press Kit.","Stagebill.","Program.","Program.","Program; Press Release; Notes.","Stagebill.","Photograph; Tickets; Stagebill.","Program.","Invitation; Program.","Program.","Program.","Invitation; Program.","Photograph; Program.","Invitation; Program; Four slides.","Program.","Invitation; Program; Photograph.","Invitation; Program; Photograph.","Stagebill.","Two Photographs.","Program.","Program.","Invitation; Program.","Production of the American National Theatre. Stagebill.","Stagebill; Photograph.","Program.","Programs; Invitations; Louisville guide; Notes.","Program.","Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program.","Stagebill; Photograph.","Invitation; Program.","Invitation; Program.","Stagebill.","Stagebill; Photograph.","Program.","Invitation; Program.","Stagebill.","Stagebill; Press Release.","Program.","Program; Tickets.","Two Photographs; Program.","Program.","Invitation; Program.","Stagebill; Press Release; Media Kit.","Production of the Haifa Municipal Theatre of Israel. Stagebill.","Stagebill.","Program.","Program.","Invitation; Program.","Program; Press Release.","Tickets; Stagebill; Press Release.","Stagebill.","Production of the La Jolla Playhouse. Stagebill; Photograph.","Invitation; Program.","Stagebill.","Schedule.","Stagebill; Photograph.","Press Release; Newspaper Articles; Publicity Packet; Program.","Program; Magazine; Newspaper Article.","Program; Press Release; Studio Theatre Newspaper.","Press Release; Program; Mailer.","Tickets; Press Release; Stagebill.","Program; Press Release.","Press Release; Program.","Stagebill; Photograph.","Program.","Program.","Stagebill; Press Release.","Souvenir Brochure; Stagebill.","Program; Press Release; American's Arena Publication.","Stagebill; Press Release; Newspaper Article.","Program; Newspaper Article; America's Arena Publication.","Program; Newspaper Article; Press Release.","Stagebill.","Press Release; Program.","Photograph; Press Release; Mailer; Program.","Invitation; Program; Press Release.","Program; Press Release.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Photograph; Press Release; Media Kit, Stagebill.","Press Release; Invitation.","Invitation; Program.","Invitation; Press Releases; Program.","Program; Press Release.","Media Package","Invitation; Program; Photograph","Stagebill; Press Release.","Press Release; Stagebill.","Ticket stub; Invitation; Program; Press Release; Newspaper Article.","Press Release; Stagebill.","Stagebill.","Press Release; Stagebill.","Press Release; Two Photographs","Press Release; Stagebill.","Stagebill; Press Release.","Invitation; Program; Press Release; Newspaper Article.","Program.","Press Release; Program.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Stagebill.","Newspaper Article; Program; Ticket Stubs; Mailer.","Invitation; Program; Ticket Stubs; Press Release.","Ten photographs.","Invitation; Program.","Program; Press Release.","Photograph; Press Release; Program.","Program.","Invitation; Program; Photograph; Magazine Article.","Stagebill; Press Release; Photograph.","Stagebill.","Program; Press Release; Photograph.","Program.","Stagebill; Photograph.","Stagebill; Press Release.","Magazine Article; Tickets; Program; Photograph; Press Release.","Program.","Press Releases.","Program.","Invitation.","Press Kit; Stagebill.","Press Release; Stagebill; Photograph.","Photograph; Program.","Stagebill.","Program; Photograph.","Program; Photograph.","Media Kit; Program.","Stagebill.","Program.","Stagebill; Photograph.","Media Kit; Program.","Program; Press Release; Photograph.","Photograph; Letter.","Program; Photograph.","Program; Photographs.","Program; Playbills","Moscow Art Theatre: Past, Present, Future publication","Program; Press Release; Photograph.","Stagebill; Photograph.","Press Kit; Program.","Brochure.","Program.","Invitation; Program.","Program; Photograph.","Photographs; Stagebill; Program; Tickets.","Photographs; Stagebill.","Stagebill; Photograph.","Tickets; Stagebill; Photographs.","Program.","Photograph; Press Release; Stagebill.","Photograph; Stagebill; Press Release.","Stagebill; Photograph.","Photograph; Press Release; Stagebill.","Program; Photograph; Press Release.","Press Release; Photograph; Program.","Press Release.","Invitation; Press Release; Newspaper Articles.","Photograph; Stagebill.","Invitation; Program; Photograph; Press Release.","Stagebill; Photograph.","Invitation; Photograph; Program.","Invitation; Program; Media Kit.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Program, Photographs.","Invitation; Program; Media Kit.","Program; Media Kit.","Program; Media Kit.","Invitation; Photograph; Program; Press Release.","Invitation; Program; Media Kit.","Stagebill.","Stagebill; Press Release.","Program.","Brochure.","Stagebill; Photograph.","Stagebill.","Invitation; Program; Newspaper Article; Photograph.","Invitation; Program.","Press Release.","Program.","Program; Press Release.","Program.","Program.","Stagebill.","Stagebill.","Stagebill; Press release; Notes.","Stagebill; Photograph.","Program; Photograph; Newspaper Articles; Magazine; Press Release.","Program; Photograph.","Program.","Stagebill.","Stagebill; Media Kit; Newspaper Articles.","Invitation; Program; Photograph.","News release; Photograph; Program.","Press release; Newsletter; Program.","Invitation; Program; News Release.","News Release; Invitation; Program.","Press Release; Program; Invitation; Newspaper Article.","Stagebill; Press Release.","Program; Press Release.","Program.","Production of the Bolshoi Opera. Program; Photograph.","Program; Photograph.","Stagebill; Press Release.","Program.","Program; Press Release; Newsletter.","Three Photographs.","Playbill; Two Photographs.","Invitation; Program.","Press Release; Program.","Press Release; Postcard.","Stagebill.","Press Kit.","Press Release.","Invitation; Program; Press Release.","Program; Press Release; Photograph.","Stagebill; Press Kit.","Program; Press Kit.","Invitation.","Program; Photograph.","Stagebill; Press Release; Photograph.","Program; Photograph; Press Release.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Invitation; Program; Press Release; Photograph.","Program; Guest list.","Program; Press Kit; Two photographs.","Stagebill; Press Release; Photograph.","Program; Press Kit.","Program; Press Kit.","Stagebill; Press Kit; Photograph.","Program; Press Kit.","Program; Press Release; Key chain.","Program.","Program; Press Kit.","Production of the Theater des Westens. Stagebill; Press Kit.","Stagebill; Press Kit.","Stagebill; Press Release; Photograph.","Program; Press Release; Photograph.","Program.","Invitation; Program; Press Release.","Press Release; Program.","Program.","Program.","Loudoun Symphony 10th anniversary concert","Waterford concert series: The Back Sinfonia","Waterford concert series: Musical Remarks","Capitol Steps: Who put the mock in democracy? It's the Capital Steps","Oklahoma!, Arena Stage","August Wilson's Gem of the Ocean, Arena Stage","She Loves Me, Arena Stage","A Tribute to Sergei Prokofiev, Kennedy Center","Ain't Misbehavin', Arena Stage","An Evening at the Oscars, Loudoun Symphony, Middleburg, VA","Anna Christie, Arena Stage","The Best Man, Radio Theatre Live!","Chicago, Knoxville Civic Auditorium, TN","Choral Arts Society of Washington, Kennedy Center","Diana Krall, Kennedy Center","Eudora Welty Remembered, Folger Shakespeare Library","Hallelujah, Baby!, Arena Stage","Love's Labour's Lost, Catholic University of America","Mostly Sondheim, Kennedy Center","Pacific Overtures, Kennedy Center","Passion, Kennedy Center","PEN/Faulkner awards for fiction, Folger Shakespeare Library","The Play About the Baby, The Studio Theatre","Roberta Flack, Music Center at Strathmore","Runaway Home, The Studio Theatre","The Shape of Things, The Studio Theatre","Fourth Estate Award Dinner honoring Christiane Amanpour","The Order of the Owl, Initiating Art Buchwald","The Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie","The Order of the Owl, Initiating Mark Russell","Spring Hoot: A Grand Old Club Salutes A Grand Old Hotel","The Order of the Owl, Initiating John Eaton","Kennedy Center News (September-October 2004 and May-August 2004)","Five by Tenn (ticket, press packet)","The Light in the Piazza","Salome","Madama Butterfly","Marian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz","Washington National Opera's Iphigenie en Tauride","Washington National Opera's Macbeth","A View from the Bridge, Washington National Opera","Madame Butterfly, Washington National Opera","National Symphony Orchestra","Sophie's Choice, Washington National Opera","Cabaret, Arena Stage","Connecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico","The Evening Parade, Marine Barracks Washington","Fiddler on the Roof, Olney Theatre Center, MD","Hansel and Gretel, The Lincoln Theatre","Ibis, Waterford, VA","Opera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA","The Persians, Shakespeare Theatre Company","Waterford Home Tours and Crafts Exhibit, Waterford, VA","Program.","Program; Photograph.","Playbill.","Playbill.","Applause at Strathmore","The Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage","Blues Alley Jazz Supper Club","Cymbeline, Round House Silver Spring","Kennedy Center News","La Traviata, Washington National Opera, Kennedy Center","Musical Remarks, John Wesley Church, Waterford, VA","The Pearl Fishers, Washington National Opera, Kennedy Center","The Price, Theatre J","Strathmore News","Program.","Program.","Production of the Washington National Opera. Playbill.","Antony and Cleopatra, Lansburgh Theatre","Ariadne auf Naxos, Washington National Opera, Kennedy Center","Chicago, National Theatre","Falstaff, Washington National Opera, Kennedy Center","I Love a Piano, Arena Stage","Master Singers of Virginia, Waterford, VA","PEN/Faulkner awards for fiction, Folger Shakespeare Library","Peter Grimes, Washington National Opera, Kennedy Center","Turandot, Washington National Opera, Kennedy Center","","The Marriage of Figaro, Washington National Opera, Kennedy Center","Porgy and Bess, Washington National Opera, Kennedy Center","Reasons to be Pretty, The Studio Theatre","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Vol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1","Reports.","Brochure.","Articles.","Press Releases; Photograph.","Program.","Newspaper Articles; Photograph.","Newsletter.","Program.","Photograph.","Program.","Annual Reports; Schedules; Publication.","Invitations for plays not attended or no playbills.","Photographs.","Invitations.","Seven photographs.","Victor Borge and his Concert Orchestra","Spies in your eyes, JCA Playguild","Hamlet, Philharmonia Orchestra","Henry V: An interpretation of the Photoplay","","","From Washington DC and Virginia theatres","Includes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth","Marilyn Monroe: Life as a Legend","Franklin Park Performing and Visual Arts Center (2008-2009)","Grease at the Olney Theatre Center","Shenandoah Summer Music Theatre (2011)","Includes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society","Includes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera","","","Programs; Playbills.","The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.","Playbill; Program.","Playbill; Program.","Playbill.","Program.","Program.","Playbill; Program.","Playbill; Program.","Dayton Philharmonic Orchestra, Memorial Hall, Dayton, OH","Philharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","The Antioch yellow springs festival, OH","Light up the sky, Victory Theatre, Dayton, OH","The magnificent Yankee, Cox Theatre, Cincinnati, OH","O mistress mine, Memorial Hall, Dayton, OH","Pick-up girl, Ellis Auditorium, Memphis, TN","State of the union, Cox Theatre, Cincinnati, OH","The wise have not spoken, Yellow Springs Area Theatre, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbills.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Announcement.","Playbook; Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Souvenir Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Program.","Program.","Program.","Playbill; Program.","Program; Curtain Call.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program; Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbill.","The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.","Program.","Playbill.","Program.","Program.","Program.","Calendar.","Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playgram.","Playgram.","Playgram.","Reviews.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Showcard.","Showcard.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Magazine.","Magazine.","Picture book.","Publication.","Program.","Program.","Playbill.","Playbill.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; City Guide.","The fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.","Souvenir Book.","Magazine. Vol 4, no. 8.","Magazine. Vol 4, no. 9.","Book.","Program.","Cinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.","Programs for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.","Press Release.","Press Packet.","Press Packet.","Press Packet.","Press Packet; Production Information; Photographs.","Press Packet.","Program; magazine.","The fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.","7\" reel-to-reel audiotape. Program ends at 00:10:08.","Videotape.","Pamphlet.","7\" reel-to-reel audiotape. Run Time: 00:08:05.","7\" reel-to-reel audiotape. Program ends at 00:24:45.","7\" reel-to-reel audiotape. Program ends at 00:31:40.","9 discs containing digital access copies and a storage drive with access copies and master digital files.","7\" reel-to-reel audiotape. Program ends at 00:06:08.","7\" reel-to-reel audiotape. Program ends at 00:16:15.","5\" reel-to-reel audiotape. Run time is 00:07:36.","Audiotape cartridge. Run Time: 00:03:44.","Audiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.","5\" reel-to-reel audiotape. Run Time: 00:03:24.","5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.","10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.","10.5\" reel-to-reel audiotape. Run Time: 0:23:59.","5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.","7\" reel-to-reel audiotape. Program ends at 00:10:00.","7\" reel-to-reel audiotape. Run time is 00:07:28.","5\" reel-to-reel audiotape. Run Time: 00:11:09.","7\" reel-to-reel audiotape. Program ends at 00:04:59.","7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.","7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:06:25.","7\" reel-to-reel audiotape. Run time is 00:04:28.","7\" reel-to-reel audiotape. Run time is 00:06:11.","7\" reel-to-reel audiotape. Program ends at 00:05:37.","7\" reel-to-reel audiotape. Program ends at 00:05:02.","5\" reel-to-reel audiotape. Run time is 00:05:57.","7\" reel-to-reel audiotape. Program ends at 00:05:07.","7\" reel-to-reel audiotape. Program ends at 00:05:10.","7\" reel-to-reel audiotape. Program ends at 00:05:27.","7\" reel-to-reel audiotape. Program ends at 00:04:58.","5\" reel-to-reel audiotape. Run time is 00:06:20.","7\" reel-to-reel audiotape. Runt time is 00:05:26.","7\" reel-to-reel audiotape. Program ends at 00:07:15.","Videotape cassette.","Videotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.","7\" reel-to-reel audiotape. Program ends at 00:04:50.","7\" reel-to-reel audiotape. Run time is 00:26:46.","7\" reel-to-reel audiotape. Program ends at 00:04:06.","7\" reel-to-reel audiotape. Program ends at 00:06:52.","7\" reel-to-reel audiotape. Program ends at 00:05:16.","7\" reel-to-reel audiotape. Program ends at 00:05:47.","7\" reel-to-reel audiotape. Program ends at 00:06:07.","7\" reel-to-reel audiotape. Program ends at 00:03:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.","7\" reel-to-reel audiotape. Program ends at approx 00:05:06.","7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.","7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.","7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.","7\" reel-to-reel audiotape. Program ends at 00:21:50.","7\" reel-to-reel audiotape. Run time is 00:47:10.","7\" reel-to-reel audiotape. Run time is 00:41:45.","7\" reel to reel audiotape. Program ends at approx 00:05:34.","7\" reel-to-reel audiotape. Run Time: 01:05:27.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette. Clips from Streetwise and Old Enough.","There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire.","English\n\t\t"],"unitid_tesim":["C0018"],"normalized_title_ssm":["Claire Kincannon theatre collection"],"collection_title_tesim":["Claire Kincannon theatre collection"],"collection_ssim":["Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lois Claire Kincannon"],"creator_ssim":["Lois Claire Kincannon"],"creator_persname_ssim":["Lois Claire Kincannon"],"creators_ssim":["Lois Claire Kincannon"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Claire Kincannon in 2007-2008 and 2011."],"access_subjects_ssim":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear feet (40 boxes)"],"extent_tesim":["20.0 Linear feet (40 boxes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAll of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Film-related Materials, 1956-1992 (Box 29)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)"],"bioghist_html_tesm":["\u003cp\u003eClaire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork."],"prefercite_html_tesm":["\u003cp\u003eClaire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \n                theatre collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other \n                theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).\u003c/p\u003e","\u003cp\u003eThe collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.\u003c/p\u003e","\u003cp\u003eMany of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.\u003c/p\u003e","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.\u003c/p\u003e","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.\u003c/p\u003e","\u003cp\u003eProgram for multiple performances.\u003c/p\u003e","\u003cp\u003ePress packet. Ten photographs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the National Theatre of Great Britain. Stagebill.\u003c/p\u003e","\u003cp\u003eDocuments regarding workshops. Press releases.\u003c/p\u003e","\u003cp\u003eInvitation; Program, photographs.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProduction of the New York Metropolitan Opera. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Tokyo Kid Brothers. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePreview Materials.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eTwo photographs.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eNews Release; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eNews Release; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProduction of the Metropolitan Opera. Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram. Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProduction of the Elizabeth Theatre Group. Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Elizabeth Theatre Group. Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eDonor list; Program.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProduction of the American Ballet Theatre. Stagebill.\u003c/p\u003e","\u003cp\u003eProduction of the American Ballet Theatre. Stagebill.\u003c/p\u003e","\u003cp\u003eJames Joyce's The Dead, Kennedy Center\u003c/p\u003e","\u003cp\u003eNative Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian\u003c/p\u003e","\u003cp\u003eOur Town, Arena Stage\u003c/p\u003e","\u003cp\u003eShe Always Said, Pablo, Kennedy Center\u003c/p\u003e","\u003cp\u003eStill Life, Arena Stage\u003c/p\u003e","\u003cp\u003ePress packet.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill. Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram; Two Photographs.\u003c/p\u003e","\u003cp\u003eProgram; Invitation.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Photograph; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Two photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003e35mm slides.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProduction of the New York Metropolitan Opera. Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eTicket stub; Program; 35mm Slides.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eBrochure.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProduction of the New York Shakespeare Festival. Stagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Paramount Theatre Prod. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Royal Shakespeare Company. Stagebill; Three photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Invitation.\u003c/p\u003e","\u003cp\u003eShowbill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Two Photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProduction of the Opera House; Three Photographs; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Two Photographs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eFlyer; Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Articles.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003ePresented by Piccolo Spoleto. Program.\u003c/p\u003e","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program.\u003c/p\u003e","\u003cp\u003ePresented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Human Bridge Theater Company. Press Kit.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Notes.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePhotograph; Tickets; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Four slides.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eTwo Photographs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProduction of the American National Theatre. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePrograms; Invitations; Louisville guide; Notes.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Tickets.\u003c/p\u003e","\u003cp\u003eTwo Photographs; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Media Kit.\u003c/p\u003e","\u003cp\u003eProduction of the Haifa Municipal Theatre of Israel. Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eTickets; Stagebill; Press Release.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProduction of the La Jolla Playhouse. Stagebill; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eSchedule.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003ePress Release; Newspaper Articles; Publicity Packet; Program.\u003c/p\u003e","\u003cp\u003eProgram; Magazine; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Studio Theatre Newspaper.\u003c/p\u003e","\u003cp\u003ePress Release; Program; Mailer.\u003c/p\u003e","\u003cp\u003eTickets; Press Release; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eSouvenir Brochure; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; American's Arena Publication.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram; Newspaper Article; America's Arena Publication.\u003c/p\u003e","\u003cp\u003eProgram; Newspaper Article; Press Release.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Mailer; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Media Kit, Stagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Invitation.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Press Releases; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eMedia Package\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e","\u003cp\u003eTicket stub; Invitation; Program; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Two Photographs\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eNewspaper Article; Program; Ticket Stubs; Mailer.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Ticket Stubs; Press Release.\u003c/p\u003e","\u003cp\u003eTen photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph; Magazine Article.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eMagazine Article; Tickets; Program; Photograph; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePress Releases.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation.\u003c/p\u003e","\u003cp\u003ePress Kit; Stagebill.\u003c/p\u003e","\u003cp\u003ePress Release; Stagebill; Photograph.\u003c/p\u003e","\u003cp\u003ePhotograph; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eMedia Kit; Program.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eMedia Kit; Program.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003ePhotograph; Letter.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photographs.\u003c/p\u003e","\u003cp\u003eProgram; Playbills\u003c/p\u003e","\u003cp\u003eMoscow Art Theatre: Past, Present, Future publication\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003ePress Kit; Program.\u003c/p\u003e","\u003cp\u003eBrochure.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003ePhotographs; Stagebill; Program; Tickets.\u003c/p\u003e","\u003cp\u003ePhotographs; Stagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eTickets; Stagebill; Photographs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e","\u003cp\u003ePhotograph; Stagebill; Press Release.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003ePhotograph; Press Release; Stagebill.\u003c/p\u003e","\u003cp\u003eProgram; Photograph; Press Release.\u003c/p\u003e","\u003cp\u003ePress Release; Photograph; Program.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003eInvitation; Press Release; Newspaper Articles.\u003c/p\u003e","\u003cp\u003ePhotograph; Stagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph; Press Release.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Photograph; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram, Photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e","\u003cp\u003eProgram; Media Kit.\u003c/p\u003e","\u003cp\u003eProgram; Media Kit.\u003c/p\u003e","\u003cp\u003eInvitation; Photograph; Program; Press Release.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Media Kit.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eBrochure.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Newspaper Article; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Press release; Notes.\u003c/p\u003e","\u003cp\u003eStagebill; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph; Newspaper Articles; Magazine; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003eStagebill; Media Kit; Newspaper Articles.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eNews release; Photograph; Program.\u003c/p\u003e","\u003cp\u003ePress release; Newsletter; Program.\u003c/p\u003e","\u003cp\u003eInvitation; Program; News Release.\u003c/p\u003e","\u003cp\u003eNews Release; Invitation; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Program; Invitation; Newspaper Article.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Bolshoi Opera. Program; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newsletter.\u003c/p\u003e","\u003cp\u003eThree Photographs.\u003c/p\u003e","\u003cp\u003ePlaybill; Two Photographs.\u003c/p\u003e","\u003cp\u003eInvitation; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003ePress Release; Postcard.\u003c/p\u003e","\u003cp\u003eStagebill.\u003c/p\u003e","\u003cp\u003ePress Kit.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Press Kit.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eInvitation.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Photograph; Press Release.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Newspaper Article.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Photograph.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Guest list.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit; Two photographs.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eStagebill; Press Kit; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Key chain.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Press Kit.\u003c/p\u003e","\u003cp\u003eProduction of the Theater des Westens. Stagebill; Press Kit.\u003c/p\u003e","\u003cp\u003eStagebill; Press Kit.\u003c/p\u003e","\u003cp\u003eStagebill; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram; Press Release; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eInvitation; Program; Press Release.\u003c/p\u003e","\u003cp\u003ePress Release; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eLoudoun Symphony 10th anniversary concert\u003c/p\u003e","\u003cp\u003eWaterford concert series: The Back Sinfonia\u003c/p\u003e","\u003cp\u003eWaterford concert series: Musical Remarks\u003c/p\u003e","\u003cp\u003eCapitol Steps: Who put the mock in democracy? It's the Capital Steps\u003c/p\u003e","\u003cp\u003eOklahoma!, Arena Stage\u003c/p\u003e","\u003cp\u003eAugust Wilson's Gem of the Ocean, Arena Stage\u003c/p\u003e","\u003cp\u003eShe Loves Me, Arena Stage\u003c/p\u003e","\u003cp\u003eA Tribute to Sergei Prokofiev, Kennedy Center\u003c/p\u003e","\u003cp\u003eAin't Misbehavin', Arena Stage\u003c/p\u003e","\u003cp\u003eAn Evening at the Oscars, Loudoun Symphony, Middleburg, VA\u003c/p\u003e","\u003cp\u003eAnna Christie, Arena Stage\u003c/p\u003e","\u003cp\u003eThe Best Man, Radio Theatre Live!\u003c/p\u003e","\u003cp\u003eChicago, Knoxville Civic Auditorium, TN\u003c/p\u003e","\u003cp\u003eChoral Arts Society of Washington, Kennedy Center\u003c/p\u003e","\u003cp\u003eDiana Krall, Kennedy Center\u003c/p\u003e","\u003cp\u003eEudora Welty Remembered, Folger Shakespeare Library\u003c/p\u003e","\u003cp\u003eHallelujah, Baby!, Arena Stage\u003c/p\u003e","\u003cp\u003eLove's Labour's Lost, Catholic University of America\u003c/p\u003e","\u003cp\u003eMostly Sondheim, Kennedy Center\u003c/p\u003e","\u003cp\u003ePacific Overtures, Kennedy Center\u003c/p\u003e","\u003cp\u003ePassion, Kennedy Center\u003c/p\u003e","\u003cp\u003ePEN/Faulkner awards for fiction, Folger Shakespeare Library\u003c/p\u003e","\u003cp\u003eThe Play About the Baby, The Studio Theatre\u003c/p\u003e","\u003cp\u003eRoberta Flack, Music Center at Strathmore\u003c/p\u003e","\u003cp\u003eRunaway Home, The Studio Theatre\u003c/p\u003e","\u003cp\u003eThe Shape of Things, The Studio Theatre\u003c/p\u003e","\u003cp\u003eFourth Estate Award Dinner honoring Christiane Amanpour\u003c/p\u003e","\u003cp\u003eThe Order of the Owl, Initiating Art Buchwald\u003c/p\u003e","\u003cp\u003eThe Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie\u003c/p\u003e","\u003cp\u003eThe Order of the Owl, Initiating Mark Russell\u003c/p\u003e","\u003cp\u003eSpring Hoot: A Grand Old Club Salutes A Grand Old Hotel\u003c/p\u003e","\u003cp\u003eThe Order of the Owl, Initiating John Eaton\u003c/p\u003e","\u003cp\u003eKennedy Center News (September-October 2004 and May-August 2004)\u003c/p\u003e","\u003cp\u003eFive by Tenn (ticket, press packet)\u003c/p\u003e","\u003cp\u003eThe Light in the Piazza\u003c/p\u003e","\u003cp\u003eSalome\u003c/p\u003e","\u003cp\u003eMadama Butterfly\u003c/p\u003e","\u003cp\u003eMarian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz\u003c/p\u003e","\u003cp\u003eWashington National Opera's Iphigenie en Tauride\u003c/p\u003e","\u003cp\u003eWashington National Opera's Macbeth\u003c/p\u003e","\u003cp\u003eA View from the Bridge, Washington National Opera\u003c/p\u003e","\u003cp\u003eMadame Butterfly, Washington National Opera\u003c/p\u003e","\u003cp\u003eNational Symphony Orchestra\u003c/p\u003e","\u003cp\u003eSophie's Choice, Washington National Opera\u003c/p\u003e","\u003cp\u003eCabaret, Arena Stage\u003c/p\u003e","\u003cp\u003eConnecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico\u003c/p\u003e","\u003cp\u003eThe Evening Parade, Marine Barracks Washington\u003c/p\u003e","\u003cp\u003eFiddler on the Roof, Olney Theatre Center, MD\u003c/p\u003e","\u003cp\u003eHansel and Gretel, The Lincoln Theatre\u003c/p\u003e","\u003cp\u003eIbis, Waterford, VA\u003c/p\u003e","\u003cp\u003eOpera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA\u003c/p\u003e","\u003cp\u003eThe Persians, Shakespeare Theatre Company\u003c/p\u003e","\u003cp\u003eWaterford Home Tours and Crafts Exhibit, Waterford, VA\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Photograph.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eApplause at Strathmore\u003c/p\u003e","\u003cp\u003eThe Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage\u003c/p\u003e","\u003cp\u003eBlues Alley Jazz Supper Club\u003c/p\u003e","\u003cp\u003eCymbeline, Round House Silver Spring\u003c/p\u003e","\u003cp\u003eKennedy Center News\u003c/p\u003e","\u003cp\u003eLa Traviata, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eMusical Remarks, John Wesley Church, Waterford, VA\u003c/p\u003e","\u003cp\u003eThe Pearl Fishers, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eThe Price, Theatre J\u003c/p\u003e","\u003cp\u003eStrathmore News\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProduction of the Washington National Opera. Playbill.\u003c/p\u003e","\u003cp\u003eAntony and Cleopatra, Lansburgh Theatre\u003c/p\u003e","\u003cp\u003eAriadne auf Naxos, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eChicago, National Theatre\u003c/p\u003e","\u003cp\u003eFalstaff, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eI Love a Piano, Arena Stage\u003c/p\u003e","\u003cp\u003eMaster Singers of Virginia, Waterford, VA\u003c/p\u003e","\u003cp\u003ePEN/Faulkner awards for fiction, Folger Shakespeare Library\u003c/p\u003e","\u003cp\u003ePeter Grimes, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eTurandot, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe Marriage of Figaro, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003ePorgy and Bess, Washington National Opera, Kennedy Center\u003c/p\u003e","\u003cp\u003eReasons to be Pretty, The Studio Theatre\u003c/p\u003e","\u003cp\u003ePhotographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.\u003c/p\u003e","\u003cp\u003ePhotographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.\u003c/p\u003e","\u003cp\u003eVol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1\u003c/p\u003e","\u003cp\u003eReports.\u003c/p\u003e","\u003cp\u003eBrochure.\u003c/p\u003e","\u003cp\u003eArticles.\u003c/p\u003e","\u003cp\u003ePress Releases; Photograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eNewspaper Articles; Photograph.\u003c/p\u003e","\u003cp\u003eNewsletter.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePhotograph.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eAnnual Reports; Schedules; Publication.\u003c/p\u003e","\u003cp\u003eInvitations for plays not attended or no playbills.\u003c/p\u003e","\u003cp\u003ePhotographs.\u003c/p\u003e","\u003cp\u003eInvitations.\u003c/p\u003e","\u003cp\u003eSeven photographs.\u003c/p\u003e","\u003cp\u003eVictor Borge and his Concert Orchestra\u003c/p\u003e","\u003cp\u003eSpies in your eyes, JCA Playguild\u003c/p\u003e","\u003cp\u003eHamlet, Philharmonia Orchestra\u003c/p\u003e","\u003cp\u003eHenry V: An interpretation of the Photoplay\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eFrom Washington DC and Virginia theatres\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth\u003c/p\u003e","\u003cp\u003eMarilyn Monroe: Life as a Legend\u003c/p\u003e","\u003cp\u003eFranklin Park Performing and Visual Arts Center (2008-2009)\u003c/p\u003e","\u003cp\u003eGrease at the Olney Theatre Center\u003c/p\u003e","\u003cp\u003eShenandoah Summer Music Theatre (2011)\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth\u003c/p\u003e","\u003cp\u003eIncludes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ePrograms; Playbills.\u003c/p\u003e","\u003cp\u003eThe second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eDayton Philharmonic Orchestra, Memorial Hall, Dayton, OH\u003c/p\u003e","\u003cp\u003ePhilharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eThe Antioch yellow springs festival, OH\u003c/p\u003e","\u003cp\u003eLight up the sky, Victory Theatre, Dayton, OH\u003c/p\u003e","\u003cp\u003eThe magnificent Yankee, Cox Theatre, Cincinnati, OH\u003c/p\u003e","\u003cp\u003eO mistress mine, Memorial Hall, Dayton, OH\u003c/p\u003e","\u003cp\u003ePick-up girl, Ellis Auditorium, Memphis, TN\u003c/p\u003e","\u003cp\u003eState of the union, Cox Theatre, Cincinnati, OH\u003c/p\u003e","\u003cp\u003eThe wise have not spoken, Yellow Springs Area Theatre, OH\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybills.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eAnnouncement.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Playbook.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eSouvenir Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram; Playbook.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eProgram; Curtain Call.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram; Playbook.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; 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Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003ePlaybook; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eThe third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eCalendar.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaygram.\u003c/p\u003e","\u003cp\u003ePlaygram.\u003c/p\u003e","\u003cp\u003ePlaygram.\u003c/p\u003e","\u003cp\u003eReviews.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eShowcard.\u003c/p\u003e","\u003cp\u003eShowcard.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003ePlaybill; Program.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eMagazine.\u003c/p\u003e","\u003cp\u003eMagazine.\u003c/p\u003e","\u003cp\u003ePicture book.\u003c/p\u003e","\u003cp\u003ePublication.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill.\u003c/p\u003e","\u003cp\u003ePlaybill; City Guide.\u003c/p\u003e","\u003cp\u003eThe fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.\u003c/p\u003e","\u003cp\u003eSouvenir Book.\u003c/p\u003e","\u003cp\u003eMagazine. Vol 4, no. 8.\u003c/p\u003e","\u003cp\u003eMagazine. Vol 4, no. 9.\u003c/p\u003e","\u003cp\u003eBook.\u003c/p\u003e","\u003cp\u003eProgram.\u003c/p\u003e","\u003cp\u003eCinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.\u003c/p\u003e","\u003cp\u003ePrograms for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.\u003c/p\u003e","\u003cp\u003ePress Release.\u003c/p\u003e","\u003cp\u003ePress Packet.\u003c/p\u003e","\u003cp\u003ePress Packet.\u003c/p\u003e","\u003cp\u003ePress Packet.\u003c/p\u003e","\u003cp\u003ePress Packet; Production Information; Photographs.\u003c/p\u003e","\u003cp\u003ePress Packet.\u003c/p\u003e","\u003cp\u003eProgram; magazine.\u003c/p\u003e","\u003cp\u003eThe fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:10:08.\u003c/p\u003e","\u003cp\u003eVideotape.\u003c/p\u003e","\u003cp\u003ePamphlet.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run Time: 00:08:05.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:24:45.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:31:40.\u003c/p\u003e","\u003cp\u003e9 discs containing digital access copies and a storage drive with access copies and master digital files.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:08.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:16:15.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:07:36.\u003c/p\u003e","\u003cp\u003eAudiotape cartridge. Run Time: 00:03:44.\u003c/p\u003e","\u003cp\u003eAudiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run Time: 00:03:24.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.\u003c/p\u003e","\u003cp\u003e10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.\u003c/p\u003e","\u003cp\u003e10.5\" reel-to-reel audiotape. Run Time: 0:23:59.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:10:00.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:07:28.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run Time: 00:11:09.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:59.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:46.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:25.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:04:28.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:06:11.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:37.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:02.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:05:57.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:07.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:10.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:27.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:58.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Run time is 00:06:20.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Runt time is 00:05:26.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:07:15.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:50.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:26:46.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:04:06.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:52.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:16.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:05:47.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:06:07.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:03:44.\u003c/p\u003e","\u003cp\u003e5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at approx 00:05:06.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Program ends at 00:21:50.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:47:10.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run time is 00:41:45.\u003c/p\u003e","\u003cp\u003e7\" reel to reel audiotape. Program ends at approx 00:05:34.\u003c/p\u003e","\u003cp\u003e7\" reel-to-reel audiotape. Run Time: 01:05:27.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette.\u003c/p\u003e","\u003cp\u003eVideotape cassette. Clips from Streetwise and Old Enough.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note"],"scopecontent_tesim":["The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","The first series covers Kincannon's time as a critic in Washington, D.C. from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information.","Program for multiple performances.","Press packet. Ten photographs.","Program.","Production of the National Theatre of Great Britain. Stagebill.","Documents regarding workshops. Press releases.","Invitation; Program, photographs.","","Program.","Program.","Program.","Photograph; Program.","Program.","Program.","Stagebill.","Production of the New York Metropolitan Opera. Stagebill.","Stagebill.","Program.","Program.","Production of the Tokyo Kid Brothers. Stagebill.","Stagebill.","Program.","Program.","Preview Materials.","Program.","Stagebill.","Stagebill.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Program.","Program.","Stagebill.","Stagebill.","Two photographs.","","Stagebill.","News Release; Program.","Press Release; Program.","Program.","News Release; Program.","Press Release; Program; Photograph.","Program.","Program.","Invitation; Program.","Program.","Stagebill.","Stagebill.","Production of the Metropolitan Opera. Stagebill.","Program.","Program.","Program. Photograph.","Stagebill.","Invitation; Program; Photograph.","Invitation; Program.","Program.","Program.","Program.","Stagebill.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Production of the Elizabeth Theatre Group. Stagebill.","Program.","Stagebill.","Program.","Program.","Program.","Donor list; Program.","Stagebill; Photograph.","Production of the American Ballet Theatre. Stagebill.","Production of the American Ballet Theatre. Stagebill.","James Joyce's The Dead, Kennedy Center","Native Storyteller: Ron Ki-Ke-In Hamilton (Nuu-Chah-Nulth), Smithsonian","Our Town, Arena Stage","She Always Said, Pablo, Kennedy Center","Still Life, Arena Stage","Press packet.","Program.","Stagebill. Photograph.","Stagebill.","Stagebill.","Program; Two Photographs.","Program; Invitation.","Program.","Program.","Program.","Invitation; Photograph; Program.","Stagebill.","Stagebill.","Stagebill.","Invitation; Program; Photograph.","Program.","Program.","Program.","Stagebill; Photograph.","Program.","Program; Photograph.","Program; Two photographs.","Invitation; Program.","Program.","Invitation; Program.","35mm slides.","Stagebill; Photograph.","Production of the New York Metropolitan Opera. Stagebill.","Program.","Stagebill.","Program; Photograph.","Program.","Program.","Program.","Ticket stub; Program; 35mm Slides.","Invitation; Program.","Stagebill.","Program.","Photograph; Program.","Program.","Program.","Production of the Houston Grand Opera and Teatro alla Scala. Stagebill; Photograph.","Program.","Program; Photograph.","Brochure.","Program.","Stagebill; Photograph.","Stagebill.","Program.","Invitation; Program.","Production of the New York Shakespeare Festival. Stagebill; Photograph.","Program.","Photograph.","Invitation; Program.","Program.","Photograph; Program.","Program.","Program.","Invitation; Program.","Program.","Production of the Paramount Theatre Prod. Stagebill.","Stagebill.","Invitation; Program.","Program.","Program; Photograph.","Program.","Stagebill.","Program.","Program.","Production of the Royal Shakespeare Company. Stagebill; Three photographs.","Invitation; Program; Photograph.","Program; Photograph.","Program; Invitation.","Showbill.","Program.","Program; Two Photographs.","Invitation; Program; Photograph.","Stagebill; Photograph.","Production of the Opera House; Three Photographs; Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program; Two Photographs.","Program.","Stagebill.","Press Release.","Invitation; Program.","Stagebill.","Flyer; Stagebill.","Stagebill; Photograph.","Program; Photograph.","Invitation; Program.","Invitation; Program; Photograph.","Program; Press Release; Newspaper Articles.","Invitation; Program.","Presented by Piccolo Spoleto. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program.","Presented by the Spoleto Festival, Charleston, SC. Program. Festival Brochures; Travel Aids; Postcard.","Program.","Production of the Human Bridge Theater Company. Press Kit.","Stagebill.","Program.","Program.","Program; Press Release; Notes.","Stagebill.","Photograph; Tickets; Stagebill.","Program.","Invitation; Program.","Program.","Program.","Invitation; Program.","Photograph; Program.","Invitation; Program; Four slides.","Program.","Invitation; Program; Photograph.","Invitation; Program; Photograph.","Stagebill.","Two Photographs.","Program.","Program.","Invitation; Program.","Production of the American National Theatre. Stagebill.","Stagebill; Photograph.","Program.","Programs; Invitations; Louisville guide; Notes.","Program.","Stagebill.","Program.","Program.","Invitation; Program.","Invitation; Program.","Stagebill; Photograph.","Invitation; Program.","Invitation; Program.","Stagebill.","Stagebill; Photograph.","Program.","Invitation; Program.","Stagebill.","Stagebill; Press Release.","Program.","Program; Tickets.","Two Photographs; Program.","Program.","Invitation; Program.","Stagebill; Press Release; Media Kit.","Production of the Haifa Municipal Theatre of Israel. Stagebill.","Stagebill.","Program.","Program.","Invitation; Program.","Program; Press Release.","Tickets; Stagebill; Press Release.","Stagebill.","Production of the La Jolla Playhouse. Stagebill; Photograph.","Invitation; Program.","Stagebill.","Schedule.","Stagebill; Photograph.","Press Release; Newspaper Articles; Publicity Packet; Program.","Program; Magazine; Newspaper Article.","Program; Press Release; Studio Theatre Newspaper.","Press Release; Program; Mailer.","Tickets; Press Release; Stagebill.","Program; Press Release.","Press Release; Program.","Stagebill; Photograph.","Program.","Program.","Stagebill; Press Release.","Souvenir Brochure; Stagebill.","Program; Press Release; American's Arena Publication.","Stagebill; Press Release; Newspaper Article.","Program; Newspaper Article; America's Arena Publication.","Program; Newspaper Article; Press Release.","Stagebill.","Press Release; Program.","Photograph; Press Release; Mailer; Program.","Invitation; Program; Press Release.","Program; Press Release.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Photograph; Press Release; Media Kit, Stagebill.","Press Release; Invitation.","Invitation; Program.","Invitation; Press Releases; Program.","Program; Press Release.","Media Package","Invitation; Program; Photograph","Stagebill; Press Release.","Press Release; Stagebill.","Ticket stub; Invitation; Program; Press Release; Newspaper Article.","Press Release; Stagebill.","Stagebill.","Press Release; Stagebill.","Press Release; Two Photographs","Press Release; Stagebill.","Stagebill; Press Release.","Invitation; Program; Press Release; Newspaper Article.","Program.","Press Release; Program.","Program; Press Release; Newspaper Article.","Program.","Stagebill.","Stagebill.","Newspaper Article; Program; Ticket Stubs; Mailer.","Invitation; Program; Ticket Stubs; Press Release.","Ten photographs.","Invitation; Program.","Program; Press Release.","Photograph; Press Release; Program.","Program.","Invitation; Program; Photograph; Magazine Article.","Stagebill; Press Release; Photograph.","Stagebill.","Program; Press Release; Photograph.","Program.","Stagebill; Photograph.","Stagebill; Press Release.","Magazine Article; Tickets; Program; Photograph; Press Release.","Program.","Press Releases.","Program.","Invitation.","Press Kit; Stagebill.","Press Release; Stagebill; Photograph.","Photograph; Program.","Stagebill.","Program; Photograph.","Program; Photograph.","Media Kit; Program.","Stagebill.","Program.","Stagebill; Photograph.","Media Kit; Program.","Program; Press Release; Photograph.","Photograph; Letter.","Program; Photograph.","Program; Photographs.","Program; Playbills","Moscow Art Theatre: Past, Present, Future publication","Program; Press Release; Photograph.","Stagebill; Photograph.","Press Kit; Program.","Brochure.","Program.","Invitation; Program.","Program; Photograph.","Photographs; Stagebill; Program; Tickets.","Photographs; Stagebill.","Stagebill; Photograph.","Tickets; Stagebill; Photographs.","Program.","Photograph; Press Release; Stagebill.","Photograph; Stagebill; Press Release.","Stagebill; Photograph.","Photograph; Press Release; Stagebill.","Program; Photograph; Press Release.","Press Release; Photograph; Program.","Press Release.","Invitation; Press Release; Newspaper Articles.","Photograph; Stagebill.","Invitation; Program; Photograph; Press Release.","Stagebill; Photograph.","Invitation; Photograph; Program.","Invitation; Program; Media Kit.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Program, Photographs.","Invitation; Program; Media Kit.","Program; Media Kit.","Program; Media Kit.","Invitation; Photograph; Program; Press Release.","Invitation; Program; Media Kit.","Stagebill.","Stagebill; Press Release.","Program.","Brochure.","Stagebill; Photograph.","Stagebill.","Invitation; Program; Newspaper Article; Photograph.","Invitation; Program.","Press Release.","Program.","Program; Press Release.","Program.","Program.","Stagebill.","Stagebill.","Stagebill; Press release; Notes.","Stagebill; Photograph.","Program; Photograph; Newspaper Articles; Magazine; Press Release.","Program; Photograph.","Program.","Stagebill.","Stagebill; Media Kit; Newspaper Articles.","Invitation; Program; Photograph.","News release; Photograph; Program.","Press release; Newsletter; Program.","Invitation; Program; News Release.","News Release; Invitation; Program.","Press Release; Program; Invitation; Newspaper Article.","Stagebill; Press Release.","Program; Press Release.","Program.","Production of the Bolshoi Opera. Program; Photograph.","Program; Photograph.","Stagebill; Press Release.","Program.","Program; Press Release; Newsletter.","Three Photographs.","Playbill; Two Photographs.","Invitation; Program.","Press Release; Program.","Press Release; Postcard.","Stagebill.","Press Kit.","Press Release.","Invitation; Program; Press Release.","Program; Press Release; Photograph.","Stagebill; Press Kit.","Program; Press Kit.","Invitation.","Program; Photograph.","Stagebill; Press Release; Photograph.","Program; Photograph; Press Release.","Program; Press Release; Newspaper Article.","Invitation; Program; Photograph.","Invitation; Program; Press Release; Photograph.","Program; Guest list.","Program; Press Kit; Two photographs.","Stagebill; Press Release; Photograph.","Program; Press Kit.","Program; Press Kit.","Stagebill; Press Kit; Photograph.","Program; Press Kit.","Program; Press Release; Key chain.","Program.","Program; Press Kit.","Production of the Theater des Westens. Stagebill; Press Kit.","Stagebill; Press Kit.","Stagebill; Press Release; Photograph.","Program; Press Release; Photograph.","Program.","Invitation; Program; Press Release.","Press Release; Program.","Program.","Program.","Loudoun Symphony 10th anniversary concert","Waterford concert series: The Back Sinfonia","Waterford concert series: Musical Remarks","Capitol Steps: Who put the mock in democracy? It's the Capital Steps","Oklahoma!, Arena Stage","August Wilson's Gem of the Ocean, Arena Stage","She Loves Me, Arena Stage","A Tribute to Sergei Prokofiev, Kennedy Center","Ain't Misbehavin', Arena Stage","An Evening at the Oscars, Loudoun Symphony, Middleburg, VA","Anna Christie, Arena Stage","The Best Man, Radio Theatre Live!","Chicago, Knoxville Civic Auditorium, TN","Choral Arts Society of Washington, Kennedy Center","Diana Krall, Kennedy Center","Eudora Welty Remembered, Folger Shakespeare Library","Hallelujah, Baby!, Arena Stage","Love's Labour's Lost, Catholic University of America","Mostly Sondheim, Kennedy Center","Pacific Overtures, Kennedy Center","Passion, Kennedy Center","PEN/Faulkner awards for fiction, Folger Shakespeare Library","The Play About the Baby, The Studio Theatre","Roberta Flack, Music Center at Strathmore","Runaway Home, The Studio Theatre","The Shape of Things, The Studio Theatre","Fourth Estate Award Dinner honoring Christiane Amanpour","The Order of the Owl, Initiating Art Buchwald","The Order of the Owl, Initiating Austing H. Kiplinger and Donald A. Ritchie","The Order of the Owl, Initiating Mark Russell","Spring Hoot: A Grand Old Club Salutes A Grand Old Hotel","The Order of the Owl, Initiating John Eaton","Kennedy Center News (September-October 2004 and May-August 2004)","Five by Tenn (ticket, press packet)","The Light in the Piazza","Salome","Madama Butterfly","Marian McPartland's 89th Birthday Celebration on Marian McPartland's Piano Jazz","Washington National Opera's Iphigenie en Tauride","Washington National Opera's Macbeth","A View from the Bridge, Washington National Opera","Madame Butterfly, Washington National Opera","National Symphony Orchestra","Sophie's Choice, Washington National Opera","Cabaret, Arena Stage","Connecting Lines: New Poetry from Mexico, The Cultural Institute of Mexico","The Evening Parade, Marine Barracks Washington","Fiddler on the Roof, Olney Theatre Center, MD","Hansel and Gretel, The Lincoln Theatre","Ibis, Waterford, VA","Opera in Waterford, Domingo-Cafritz Young Artists, Waterford, VA","The Persians, Shakespeare Theatre Company","Waterford Home Tours and Crafts Exhibit, Waterford, VA","Program.","Program; Photograph.","Playbill.","Playbill.","Applause at Strathmore","The Arthur Miller Festival: Death of a Salesman, A View from the Bridge, Arena Stage","Blues Alley Jazz Supper Club","Cymbeline, Round House Silver Spring","Kennedy Center News","La Traviata, Washington National Opera, Kennedy Center","Musical Remarks, John Wesley Church, Waterford, VA","The Pearl Fishers, Washington National Opera, Kennedy Center","The Price, Theatre J","Strathmore News","Program.","Program.","Production of the Washington National Opera. Playbill.","Antony and Cleopatra, Lansburgh Theatre","Ariadne auf Naxos, Washington National Opera, Kennedy Center","Chicago, National Theatre","Falstaff, Washington National Opera, Kennedy Center","I Love a Piano, Arena Stage","Master Singers of Virginia, Waterford, VA","PEN/Faulkner awards for fiction, Folger Shakespeare Library","Peter Grimes, Washington National Opera, Kennedy Center","Turandot, Washington National Opera, Kennedy Center","","The Marriage of Figaro, Washington National Opera, Kennedy Center","Porgy and Bess, Washington National Opera, Kennedy Center","Reasons to be Pretty, The Studio Theatre","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Photographs of Elizabeth Taylor, Mia Dillon, Zev Bufman, Peter Gallagher.","Vol. 2, no. 2; Vol. 3, no. 1-2; Vol. 4, no. 1-2; Vol. 5, no. 2; Vol. 6, no. 1-3; Vol. 7, no. 1","Reports.","Brochure.","Articles.","Press Releases; Photograph.","Program.","Newspaper Articles; Photograph.","Newsletter.","Program.","Photograph.","Program.","Annual Reports; Schedules; Publication.","Invitations for plays not attended or no playbills.","Photographs.","Invitations.","Seven photographs.","Victor Borge and his Concert Orchestra","Spies in your eyes, JCA Playguild","Hamlet, Philharmonia Orchestra","Henry V: An interpretation of the Photoplay","","","From Washington DC and Virginia theatres","Includes schedules from: Arena Stage, Kennedy Center, Shakespeare Theatre at the Folger, Theatre J, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Ford's Theatre, Kennedy Center, PEN/Faulkner Foundation, Shakespeare Theatre at the Folger, The Studio Theatre, Washington National Opera, Washington Performing Arts Society, Wayside Theatre, Woolly Mammoth","Marilyn Monroe: Life as a Legend","Franklin Park Performing and Visual Arts Center (2008-2009)","Grease at the Olney Theatre Center","Shenandoah Summer Music Theatre (2011)","Includes schedules from: Arena Stage, George Mason University's Center for the Arts, Kennedy Center, Olney, PEN/Faulkner Foundation, Folger Theatre, Shenandoah Conservatory, The Studio Theatre, Theatre J, University of Notre Dame, Washington National Opera, Washington Performing Arts Society","Includes schedules from: Arena Stage, Contemporary American Theatre Festival, Olney, Folger Theatre, Shakespeare Theatre Company, Shenandoah Conservatory, Signature Theatre, Strathmore Music Center, The Studio Theatre, Theatre J, Washington National Cathedral, Washington National Opera, Woolly Mammoth","Includes schedules from: Arena Stage, Kennedy Center, Master Singers of Virginia, Washington National Opera","","","Programs; Playbills.","The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances.","Playbill; Program.","Playbill; Program.","Playbill.","Program.","Program.","Playbill; Program.","Playbill; Program.","Dayton Philharmonic Orchestra, Memorial Hall, Dayton, OH","Philharmonic-Symphony Society of New York, Memorial Hall, Dayton, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","The Antioch yellow springs festival, OH","Light up the sky, Victory Theatre, Dayton, OH","The magnificent Yankee, Cox Theatre, Cincinnati, OH","O mistress mine, Memorial Hall, Dayton, OH","Pick-up girl, Ellis Auditorium, Memphis, TN","State of the union, Cox Theatre, Cincinnati, OH","The wise have not spoken, Yellow Springs Area Theatre, OH","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbills.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Announcement.","Playbook; Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Souvenir Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program; Playbook.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Program.","Program.","Program.","Playbill; Program.","Program; Curtain Call.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program; Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Playbook; Program.","Program.","Playbook; Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbook; Program.","Playbook; Program.","Program.","Program.","Program.","Program.","Program.","Playbill.","The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs.","Program.","Playbill.","Program.","Program.","Program.","Calendar.","Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Playbill.","Playbill.","Program.","Playbill.","Playbill.","Playbill; Program.","Playbill; Program.","Program.","Playbill; Program.","Playbill.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playgram.","Playgram.","Playgram.","Reviews.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill; Program.","Playbill.","Showcard.","Showcard.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Playbill; Program.","Program.","Program.","Magazine.","Magazine.","Picture book.","Publication.","Program.","Program.","Playbill.","Playbill.","Program.","Program.","Program.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill.","Playbill; City Guide.","The fourth series is film-related materials from 1943-1992, consisting of souvenir books, magazines, and press packets relating to each movie.","Souvenir Book.","Magazine. Vol 4, no. 8.","Magazine. Vol 4, no. 9.","Book.","Program.","Cinebills for The Iceman Cometh; Luther; Rhinoceros; Lost in the Stars; Butley; The Three Sisters.","Programs for Jacques Brel is Alive and Well and Living; The Maids; In Celebration; The Man in the Glass Booth; Galileo.","Press Release.","Press Packet.","Press Packet.","Press Packet.","Press Packet; Production Information; Photographs.","Press Packet.","Program; magazine.","The fifth series is audiovisual materials from 1983-1986, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the Performing Arts, and was available via the Public Radio Satellite System.","7\" reel-to-reel audiotape. Program ends at 00:10:08.","Videotape.","Pamphlet.","7\" reel-to-reel audiotape. Run Time: 00:08:05.","7\" reel-to-reel audiotape. Program ends at 00:24:45.","7\" reel-to-reel audiotape. Program ends at 00:31:40.","9 discs containing digital access copies and a storage drive with access copies and master digital files.","7\" reel-to-reel audiotape. Program ends at 00:06:08.","7\" reel-to-reel audiotape. Program ends at 00:16:15.","5\" reel-to-reel audiotape. Run time is 00:07:36.","Audiotape cartridge. Run Time: 00:03:44.","Audiotape cartridge. Run Time: 00:00:44. Tape only contains approximately 2 seconds of audio.","5\" reel-to-reel audiotape. Run Time: 00:03:24.","5\" reel-to-reel audiotape. Approximately 1 minute of silence in the middle of program. Tape entered silence at approximately 00:04:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:07:01.","10.5\" reel-to-reel audiotape rehoused onto 7\" reel. Run Time: 00:16:12.","10.5\" reel-to-reel audiotape. Run Time: 0:23:59.","5\" reel-to-reel audiotape. Tape starts mid-program. Program ends at 00:06:04.","7\" reel-to-reel audiotape. Program ends at 00:10:00.","7\" reel-to-reel audiotape. Run time is 00:07:28.","5\" reel-to-reel audiotape. Run Time: 00:11:09.","7\" reel-to-reel audiotape. Program ends at 00:04:59.","7\" reel-to-reel audiotape. Box reads \"1984 October 6\". Program ends at 00:03:13.","7\" reel-to-reel audiotape. Program ends at approximately 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:05:46.","7\" reel-to-reel audiotape. Program ends at 00:06:25.","7\" reel-to-reel audiotape. Run time is 00:04:28.","7\" reel-to-reel audiotape. Run time is 00:06:11.","7\" reel-to-reel audiotape. Program ends at 00:05:37.","7\" reel-to-reel audiotape. Program ends at 00:05:02.","5\" reel-to-reel audiotape. Run time is 00:05:57.","7\" reel-to-reel audiotape. Program ends at 00:05:07.","7\" reel-to-reel audiotape. Program ends at 00:05:10.","7\" reel-to-reel audiotape. Program ends at 00:05:27.","7\" reel-to-reel audiotape. Program ends at 00:04:58.","5\" reel-to-reel audiotape. Run time is 00:06:20.","7\" reel-to-reel audiotape. Runt time is 00:05:26.","7\" reel-to-reel audiotape. Program ends at 00:07:15.","Videotape cassette.","Videotape cassette. Women in film: Streetwise, Old Enough; Gin Game; short run; Mayor of ?; End of World.","7\" reel-to-reel audiotape. Program ends at 00:04:50.","7\" reel-to-reel audiotape. Run time is 00:26:46.","7\" reel-to-reel audiotape. Program ends at 00:04:06.","7\" reel-to-reel audiotape. Program ends at 00:06:52.","7\" reel-to-reel audiotape. Program ends at 00:05:16.","7\" reel-to-reel audiotape. Program ends at 00:05:47.","7\" reel-to-reel audiotape. Program ends at 00:06:07.","7\" reel-to-reel audiotape. Program ends at 00:03:44.","5\" reel-to-reel audiotape. Tape entered silence at approximately 00:05:30.","7\" reel-to-reel audiotape. Program ends at approx 00:05:06.","7\" reel-to-reel audiotape. Box reads \"Rebecca Rice Liv Stage\", \"#7, 10/12/83\". Program ends at 00:07:11.","7\" reel-to-reel audiotape. Program switches from stereo to mono (left channel only) from 00:02:50 until 00:04:22 Program ends at 00:26:23.","7\" reel-to-reel audiotape. Run time is 00:20:27. Approx 1 minute of silence before program begins.","7\" reel-to-reel audiotape. Program ends at 00:21:50.","7\" reel-to-reel audiotape. Run time is 00:47:10.","7\" reel-to-reel audiotape. Run time is 00:41:45.","7\" reel to reel audiotape. Program ends at approx 00:05:34.","7\" reel-to-reel audiotape. Run Time: 01:05:27.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette.","Videotape cassette. Clips from Streetwise and Old Enough."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary."],"names_ssim":["George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"language_ssim":["English\n\t\t"],"total_component_count_is":853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:31:57.545Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_kincannon_c01_c368"}},{"id":"vifgm_repositories_2_resources_13_c01_c01_c04","type":"File","attributes":{"title":"15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13_c01_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_13_c01_c01_c04","ref_ssm":["vifgm_repositories_2_resources_13_c01_c01_c04"],"id":"vifgm_repositories_2_resources_13_c01_c01_c04","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13_c01_c01","parent_ssi":"vifgm_repositories_2_resources_13_c01_c01","parent_ssim":["vifgm_repositories_2_resources_13","vifgm_repositories_2_resources_13_c01","vifgm_repositories_2_resources_13_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_13","vifgm_repositories_2_resources_13_c01","vifgm_repositories_2_resources_13_c01_c01"],"parent_unittitles_ssm":["L. Claire Kincannon theatre collection","Series 1: Theatre and film-related materials","Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area"],"parent_unittitles_tesim":["L. Claire Kincannon theatre collection","Series 1: Theatre and film-related materials","Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area"],"text":["L. Claire Kincannon theatre collection","Series 1: Theatre and film-related materials","Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area","15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville","box 1","folder 4"],"title_filing_ssi":"15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville","title_ssm":["15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville"],"title_tesim":["15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville"],"unitdate_other_ssim":["March 1991"],"normalized_date_ssm":["1991"],"normalized_title_ssm":["15th Annual Humana Festival of New American Plays, Actors Theatre of Louisville"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["L. Claire Kincannon theatre collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1991],"containers_ssim":["box 1","folder 4"],"_nest_path_":"/components#0/components#0/components#3","timestamp":"2026-05-24T23:40:54.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_13","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_13.xml","title_ssm":["L. Claire Kincannon theatre collection"],"title_tesim":["L. Claire Kincannon theatre collection"],"unitdate_ssm":["1941-2015"],"unitdate_inclusive_ssm":["1941-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018","/repositories/2/resources/13"],"text":["C0018","/repositories/2/resources/13","L. Claire Kincannon theatre collection","Ohio","Broadway (New York, N.Y.)","Washington (D.C.)","Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting","There are no access restrictions.","Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.","This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992","Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.","The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple ","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.","R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire","English"],"unitid_tesim":["C0018","/repositories/2/resources/13"],"normalized_title_ssm":["L. Claire Kincannon theatre collection"],"collection_title_tesim":["L. Claire Kincannon theatre collection"],"collection_ssim":["L. Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"geogname_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"creator_ssm":["Kincannon, Lois Claire"],"creator_ssim":["Kincannon, Lois Claire"],"creator_persname_ssim":["Kincannon, Lois Claire"],"creators_ssim":["Kincannon, Lois Claire"],"places_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by L. Claire Kincannon from 2007-2015."],"access_subjects_ssim":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"access_subjects_ssm":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet 88 boxes"],"extent_tesim":["20 Linear Feet 88 boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series and then alphabetically by title.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\u003c/item\u003e\n      \u003citem\u003eSeries 2: \u003citalic\u003eBehind the Scenes\u003c/italic\u003e production materials, 1971-1990s (Boxes 32-34; 42-88)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digitized \u003citalic\u003eBehind the Scenes\u003c/italic\u003e reels, circa 1980s-1992\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992"],"bioghist_html_tesm":["\u003cp\u003eLois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including \u003citalic\u003ePaeonian to Paris\u003c/italic\u003e, \u003citalic\u003eSheets for Men Only,\u003c/italic\u003e \u003citalic\u003eSheets to the Wind,\u003c/italic\u003e and \u003citalic\u003eRockin' with Porch Memories.\u003c/italic\u003e After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally."],"prefercite_html_tesm":["\u003cp\u003eL. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["L. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e","\u003cp\u003eReprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. \u003c/p\u003e","\u003cp\u003eAdditional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on \u003cextptr show=\"new\" title=\"theatre and the performing arts\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=theatre\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe University of Maryland holds multiple \u003cextptr show=\"new\" title=\"radio and television broadcasting collections.\" href=\"https://www.lib.umd.edu/collections/special/broadcasting\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple "],"scopecontent_html_tesm":["\u003cp\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e This collection consists of two series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. \u003c/p\u003e\n","\u003cp\u003eSeries 2: \u003citalic\u003eBehind The Scenes\u003c/italic\u003e production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her \u003citalic\u003eBydin' my Time\u003c/italic\u003e segment in the \u003citalic\u003eBlue Ridge Leader\u003c/italic\u003e newspaper and her radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e Materials include audio and visual materials from \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.\u003c/p\u003e","\u003cp\u003eC0018_018\u003c/p\u003e","\u003cp\u003eC0018_031\u003c/p\u003e","\u003cp\u003e6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program\u003c/p\u003e","\u003cp\u003eC0018_004\u003c/p\u003e","\u003cp\u003eC0018_020\u003c/p\u003e","\u003cp\u003eC0018_005\u003c/p\u003e","\u003cp\u003eC0018_006\u003c/p\u003e","\u003cp\u003eC0018_007\u003c/p\u003e","\u003cp\u003eC0018_021\u003c/p\u003e","\u003cp\u003eC0018_008\u003c/p\u003e","\u003cp\u003eC0018_022\u003c/p\u003e","\u003cp\u003eC0018_033. Reviews include: \u003citalic\u003eA Chorus Line\u003c/italic\u003e at Wolf Trap, \u003citalic\u003eA Midsummer Night's Dream\u003c/italic\u003e at Brownell Farm, and \u003citalic\u003eCat on a Hot Tin Roof\u003c/italic\u003e at Wayside Theatre.\u003c/p\u003e","\u003cp\u003eC0018_009\u003c/p\u003e","\u003cp\u003eTwo u-matic tapes for \u003citalic\u003eBehind the Scenes\u003c/italic\u003e. Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.\u003c/p\u003e","\u003cp\u003eC0018_025\u003c/p\u003e","\u003cp\u003eC0018_023\u003c/p\u003e","\u003cp\u003eC0018_001\u003c/p\u003e","\u003cp\u003eC0018_002\u003c/p\u003e","\u003cp\u003eC0018_003\u003c/p\u003e","\u003cp\u003eC0018_010\u003c/p\u003e","\u003cp\u003eAlso includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"\u003c/p\u003e","\u003cp\u003eC0018_024\u003c/p\u003e","\u003cp\u003eC0018_011\u003c/p\u003e","\u003cp\u003eC0018_029 and C0018_030\u003c/p\u003e","\u003cp\u003eC0018_014\u003c/p\u003e","\u003cp\u003eC0018_026\u003c/p\u003e","\u003cp\u003eC0018_017\u003c/p\u003e","\u003cp\u003eC0018_012\u003c/p\u003e","\u003cp\u003eIncludes \u003citalic\u003eCats, The GoodPerson of Setzuan,\u003c/italic\u003e and \u003citalic\u003eHappy End\u003c/italic\u003e review drafts.\u003c/p\u003e","\u003cp\u003eC0018_013\u003c/p\u003e","\u003cp\u003eC0018_019\u003c/p\u003e","\u003cp\u003eC0018_027\u003c/p\u003e","\u003cp\u003eC0018_028\u003c/p\u003e","\u003cp\u003eC0018_016\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes from Kincannon, housed in Box [X].\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_003.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_004.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_005.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_006.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_007.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_008.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_009.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_010.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_011.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_012.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_013.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_014.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_015.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_016.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_017.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_018.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_019.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_020.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_021.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_022.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_023.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_024.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_025.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_026.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_027.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_16a68c93d8b3d69c2ae06c4266189f5f\"\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e\u003c/abstract\u003e"],"abstract_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e075fefd777b95903634244477006030\"\u003eR 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"persname_ssim":["Kincannon, Lois Claire"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13_c01_c01_c04"}},{"id":"viu_repositories_4_resources_73_c01_c02_c79","type":"File","attributes":{"title":"1700 Kalorama Corp.  v.  Federal Deposit Insurance Corp. et al.  CA: 91-1886","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_73_c01_c02_c79#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_73_c01_c02_c79","ref_ssm":["viu_repositories_4_resources_73_c01_c02_c79"],"id":"viu_repositories_4_resources_73_c01_c02_c79","ead_ssi":"viu_repositories_4_resources_73","_root_":"viu_repositories_4_resources_73","_nest_parent_":"viu_repositories_4_resources_73_c01_c02","parent_ssi":"viu_repositories_4_resources_73_c01_c02","parent_ssim":["viu_repositories_4_resources_73","viu_repositories_4_resources_73_c01","viu_repositories_4_resources_73_c01_c02"],"parent_ids_ssim":["viu_repositories_4_resources_73","viu_repositories_4_resources_73_c01","viu_repositories_4_resources_73_c01_c02"],"parent_unittitles_ssm":["George H. Revercomb papers","MSS 93-3, Papers of Judge George H. Revercomb","Civil Case Files"],"parent_unittitles_tesim":["George H. Revercomb papers","MSS 93-3, Papers of Judge George H. Revercomb","Civil Case Files"],"text":["George H. Revercomb papers","MSS 93-3, Papers of Judge George H. Revercomb","Civil Case Files","1700 Kalorama Corp.  v.  Federal Deposit Insurance Corp. et al.  CA: 91-1886","box MSS 93-3, Box 26"],"title_filing_ssi":"1700 Kalorama Corp.  v.  Federal Deposit Insurance Corp. et al.  CA: 91-1886","title_ssm":["1700 Kalorama Corp.  v.  Federal Deposit Insurance Corp. et al.  CA: 91-1886"],"title_tesim":["1700 Kalorama Corp.  v.  Federal Deposit Insurance Corp. et al.  CA: 91-1886"],"unitdate_inclusive_ssm":["1991"],"normalized_date_ssm":["1991"],"normalized_title_ssm":["1700 Kalorama Corp.  v.  Federal Deposit Insurance Corp. et al.  CA: 91-1886"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["George H. Revercomb papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":120,"date_range_isim":[1991],"containers_ssim":["box MSS 93-3, Box 26"],"_nest_path_":"/components#0/components#1/components#78","timestamp":"2026-05-24T23:26:18.215Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_73","ead_ssi":"viu_repositories_4_resources_73","_root_":"viu_repositories_4_resources_73","_nest_parent_":"viu_repositories_4_resources_73","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_73.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/107677","title_ssm":["George H. Revercomb papers"],"title_tesim":["George H. Revercomb papers"],"unitdate_ssm":["1942-1994"],"unitdate_inclusive_ssm":["1942-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.93.3","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/73"],"text":["MSS.93.3","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/73","George H. Revercomb papers","Appellate procedure -- United States","Breach of contract -- United States","Civil procedure","Criminal procedure -- United States","Courts -- United States","District courts -- United States","Judges","Three certified copies.","(3 folders)","(2 folders)","2 folders","Arthur J. Morris Law Library Special Collections","Revercomb, George Hughes, 1929-1993","English"],"unitid_tesim":["MSS.93.3","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/73"],"normalized_title_ssm":["George H. Revercomb papers"],"collection_title_tesim":["George H. Revercomb papers"],"collection_ssim":["George H. Revercomb papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Revercomb, George Hughes, 1929-1993"],"creator_ssim":["Revercomb, George Hughes, 1929-1993"],"creator_persname_ssim":["Revercomb, George Hughes, 1929-1993"],"creators_ssim":["Revercomb, George Hughes, 1929-1993"],"acqinfo_ssim":["The initial collection was donated by Mary Collins McCall Henderson Revercomb, Revercomb's wife, and the US District Court for the District of Columbia on September 23, 1993.","Addendum a to the collection was transfered to the archives in 2017 by the estate of Mary Collins McCall Henderson Revercomb.","Addendum b was transfered by Paras N. Shah, Chair of the Committee on Archival Preservation of The Historical Society of the District of Columbia Circuit in 2018.","Addendum c was donated to the Law Library by Aen Walker Webster, Estate Attorney for McCall H. Revercomb on June 4, 2019"],"access_subjects_ssim":["Appellate procedure -- United States","Breach of contract -- United States","Civil procedure","Criminal procedure -- United States","Courts -- United States","District courts -- United States","Judges"],"access_subjects_ssm":["Appellate procedure -- United States","Breach of contract -- United States","Civil procedure","Criminal procedure -- United States","Courts -- United States","District courts -- United States","Judges"],"has_online_content_ssim":["false"],"extent_ssm":["27 Cubic Feet 50 archival boxes, plus some oversize materials."],"extent_tesim":["27 Cubic Feet 50 archival boxes, plus some oversize materials."],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"odd_html_tesm":["\u003cp\u003eThree certified copies.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Three certified copies."],"scopecontent_html_tesm":["\u003cp\u003e(3 folders)\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e","\u003cp\u003e2 folders\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["(3 folders)","(2 folders)","2 folders"],"names_ssim":["Arthur J. Morris Law Library Special Collections","Revercomb, George Hughes, 1929-1993"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"names_coll_ssim":["Revercomb, George Hughes, 1929-1993"],"persname_ssim":["Revercomb, George Hughes, 1929-1993"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":251,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:26:18.215Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_73_c01_c02_c79"}},{"id":"virmu_repositories_2_resources_6_c02_c07","type":"File","attributes":{"title":"1708 Auctions","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c02_c07","ref_ssm":["virmu_repositories_2_resources_6_c02_c07"],"id":"virmu_repositories_2_resources_6_c02_c07","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c02","parent_ssi":"virmu_repositories_2_resources_6_c02","parent_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c02"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation"],"text":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation","1708 Auctions","box VA-02 Box 2","folder VA02.02.0.006"],"title_filing_ssi":"1708 Auctions","title_ssm":["1708 Auctions"],"title_tesim":["1708 Auctions"],"unitdate_other_ssim":["1991-2003"],"normalized_date_ssm":["1991/2003"],"normalized_title_ssm":["1708 Auctions"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":274,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box VA-02 Box 2","folder VA02.02.0.006"],"_nest_path_":"/components#1/components#6","timestamp":"2026-05-21T03:48:32.418Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e","\u003cp\u003eThis series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.\u003c/p\u003e","\u003cp\u003eThis series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Series Description","Series Description","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:48:32.418Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02_c07"}},{"id":"virmu_repositories_2_resources_6_c01_c231","type":"File","attributes":{"title":"1708-Exhibition history","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c231#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c01_c231","ref_ssm":["virmu_repositories_2_resources_6_c01_c231"],"id":"virmu_repositories_2_resources_6_c01_c231","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c01","parent_ssi":"virmu_repositories_2_resources_6_c01","parent_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c01"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02)","Series 1: Exhibition Files"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02)","Series 1: Exhibition Files"],"text":["Willie Anne Wright Artist Archives (VA-02)","Series 1: Exhibition Files","1708-Exhibition history","box VA-02 Box 4","folder VA02.01.0.232"],"title_filing_ssi":"1708-Exhibition history","title_ssm":["1708-Exhibition history"],"title_tesim":["1708-Exhibition history"],"unitdate_inclusive_ssm":["1984-2007"],"normalized_date_ssm":["1984/2007"],"normalized_title_ssm":["1708-Exhibition history"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":232,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["box VA-02 Box 4","folder VA02.01.0.232"],"_nest_path_":"/components#0/components#230","timestamp":"2026-05-21T03:48:32.418Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e","\u003cp\u003eThis series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.\u003c/p\u003e","\u003cp\u003eThis series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Series Description","Series Description","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:48:32.418Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c231"}},{"id":"vifgm_repositories_2_resources_367_c05_c01_c587","type":"File","attributes":{"title":"\"17-18 May 1992 - Parma\"","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c05_c01_c587#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c05_c01_c587#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_367_c05_c01_c587","ref_ssm":["vifgm_repositories_2_resources_367_c05_c01_c587"],"id":"vifgm_repositories_2_resources_367_c05_c01_c587","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367_c05_c01","parent_ssi":"vifgm_repositories_2_resources_367_c05_c01","parent_ssim":["vifgm_repositories_2_resources_367","vifgm_repositories_2_resources_367_c05","vifgm_repositories_2_resources_367_c05_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_367","vifgm_repositories_2_resources_367_c05","vifgm_repositories_2_resources_367_c05_c01"],"parent_unittitles_ssm":["James M. Buchanan papers","Series 5: Professional service","Subseries 1: Conferences and events"],"parent_unittitles_tesim":["James M. Buchanan papers","Series 5: Professional service","Subseries 1: Conferences and events"],"text":["James M. Buchanan papers","Series 5: Professional service","Subseries 1: Conferences and events","\"17-18 May 1992 - Parma\"","box 297","folder 7","Originally part of Buchanan House display."],"title_filing_ssi":"\"17-18 May 1992 - Parma\"","title_ssm":["\"17-18 May 1992 - Parma\""],"title_tesim":["\"17-18 May 1992 - Parma\""],"unitdate_inclusive_ssm":["1991-1993"],"normalized_date_ssm":["1991/1993"],"normalized_title_ssm":["\"17-18 May 1992 - Parma\""],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["James M. Buchanan papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4924,"parent_access_restrict_tesm":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1991,1992,1993],"containers_ssim":["box 297","folder 7"],"scopecontent_html_tesm":["\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally part of Buchanan House display."],"_nest_path_":"/components#4/components#0/components#586","timestamp":"2026-06-05T07:18:42.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_367","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_367.xml","aspace_url_ssi":"C0246","title_ssm":["James M. Buchanan papers"],"title_tesim":["James M. Buchanan papers"],"unitdate_ssm":["circa 1800s, 1930-2014"],"unitdate_inclusive_ssm":["circa 1800s, 1930-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0246","/repositories/2/resources/367"],"text":["C0246","/repositories/2/resources/367","James M. Buchanan papers","Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings","\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.","The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials","James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.","This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.","The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.","Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.","\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H.","The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"unitid_tesim":["C0246","/repositories/2/resources/367"],"normalized_title_ssm":["James M. Buchanan papers"],"collection_title_tesim":["James M. Buchanan papers"],"collection_ssim":["James M. Buchanan papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creators_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Acquired by George Mason University Special Collections Research Center in September 2016. Additional materials acquired in April 2021."],"access_subjects_ssim":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"access_subjects_ssm":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["270 Linear Feet 546 boxes, one map case"],"extent_tesim":["270 Linear Feet 546 boxes, one map case"],"genreform_ssim":["Correspondence","Manuscripts","Typescripts","Video recordings"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003e\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n\u003c/p\u003e","\u003cp\u003eMost of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e","\u003cp\u003eAll If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in nine series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Biographical materials\u003c/item\u003e\n      \u003citem\u003eSeries 2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 3: Writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Academia\u003c/item\u003e\n      \u003citem\u003eSeries 5: Professional service\u003c/item\u003e\n      \u003citem\u003eSeries 6: Betty Tillman papers\u003c/item\u003e\n      \u003citem\u003eSeries 7: Jo Ann Burgess papers\u003c/item\u003e\n      \u003citem\u003eSeries 8: Writings by others\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audiovisual and born-digital materials\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials"],"bioghist_html_tesm":["\u003cp\u003eJames McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. \u003c/p\u003e\n","\u003cp\u003eFrom 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published \u003ctitle\u003ePublic Principles of Public Debt\u003c/title\u003e. In 1962, Buchanan and co-author Gordon Tullock published \u003ctitle\u003eThe Calculus of Consent\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003eBuchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including \u003ctitle\u003eCost and Choice\u003c/title\u003e (1969), \u003ctitle\u003eAcademia in Anarchy\u003c/title\u003e with Nicos Devletoglou (1970), \u003ctitle\u003eThe Limits of Liberty\u003c/title\u003e (1975), and \u003ctitle\u003eThe Power to Tax\u003c/title\u003e with Geoffrey Brennan (1980). \u003c/p\u003e\n","\u003cp\u003eIn 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published \u003ctitle\u003eThe Reason of Rules\u003c/title\u003e (1985), \u003ctitle\u003eBetter than Plowing\u003c/title\u003e (1992), and \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. \u003c/p\u003e\n","\u003cp\u003eBuchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. \u003c/p\u003e\n","\u003cp\u003eBorn on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  \u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing \u003ctitle\u003eThe Collected Works of James Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.\u003c/p\u003e","\u003cp\u003eAnn Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information","Biographical / Historical"],"bioghist_tesim":["James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005."],"prefercite_html_tesm":["\u003cp\u003eJames M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e"],"prefercite_tesim":["James M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.","File","File"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.\u003c/p\u003e","\u003cp\u003eInitial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.\u003c/p\u003e","\u003cp\u003eMaterials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eRebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. \u003c/p\u003e","\u003cp\u003eThe prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. \u003c/p\u003e","\u003cp\u003eProcessors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eThayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing."],"scopecontent_html_tesm":["\u003cp\u003eThe James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing \u003citalic\u003eThe Collected Works of James M. Buchanan\u003c/italic\u003e and \u003citalic\u003eThe Selected Works of Gordon Tullock\u003c/italic\u003e on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. \u003c/p\u003e\n","\u003cp\u003eSeries 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. \u003c/p\u003e\n","\u003cp\u003eSeries 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.\u003c/p\u003e","\u003cp\u003eThe biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.\u003c/p\u003e","\u003cp\u003eThis subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eThis subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eAppears to be notes from a student other than Buchanan\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.\u003c/p\u003e","\u003cp\u003eThe correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. \u003c/p\u003e\n","\u003cp\u003eNote that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.\u003c/p\u003e","\u003cp\u003eAlphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eContains media: photographs\u003c/p\u003e","\u003cp\u003eRestriction: FERPA and PII restriction.\u003c/p\u003e","\u003cp\u003eBulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.\u003c/p\u003e","\u003cp\u003econtains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'\u003c/p\u003e","\u003cp\u003ePotential preservation concerns (fading)\u003c/p\u003e","\u003cp\u003eFolder restricted until 2033 due to recommendation letter\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 due to recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommednation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personnel information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photocopies of two 1941 letters from Buchanan to a professor\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation; restricted until 2032\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation until 2028.\u003c/p\u003e","\u003cp\u003eincludes correspondence from Warren Samuels and John McKinney\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024 for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2036 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2037 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003econtains photographs\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph and CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA. Contains photographs.\u003c/p\u003e","\u003cp\u003eContains photograph.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2025 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2034 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2027 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted utnil 2028 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2023 and 2026 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2052 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2046 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2025 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2028 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2026-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2028-2030 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2032 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2035-2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037-2039 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eOversize \"Buchanan Expedition\" map of the United States with highlighted road trips\u003c/p\u003e","\u003cp\u003eRemoved from binder\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eChronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.\u003c/p\u003e","\u003cp\u003eIncludes Ronald Reagan form letter\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThe writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.\u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e, \u003ctitle\u003eThe Return to Increasing Returns\u003c/title\u003e, and \u003ctitle\u003ePost-Socialist Political Economy\u003c/title\u003e in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eNote: work also titled \"Work supply under Increasing Returns\"\u003c/p\u003e","\u003cp\u003evarious titles\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.\u003c/p\u003e","\u003cp\u003eThis subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eMany of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eIncludes correspondence discussed in lecture notes\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to \u003ctitle\u003ePapers on Non-Market Decision Making\u003c/title\u003e, a journal founded by the Center that later became \u003ctitle\u003ePublic Choice\u003c/title\u003e. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eBetty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. \u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eDonor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. \u003c/p\u003e\n","\u003cp\u003eTillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eContains book reviews of \u003ctitle\u003eCost and Choice\u003c/title\u003e and \u003ctitle\u003eAcademia in Anarchy.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains zip disk and 3.5' floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eThis subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eBetty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. \u003c/p\u003e\n","\u003cp\u003eTillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eThis subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eincludes floppy disc\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access, but reproductions of material in this folder are restricted\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eJo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.\u003c/p\u003e\n","\u003cp\u003eThere are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.\u003c/p\u003e","\u003cp\u003eThis subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFolder restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder contains a CD of Betty Tillman photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThe family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder includes handwritten draft of \"Panglosian Politics\"\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder includes a 3.5\" floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' work editing \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e. It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, materials related to \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e are noted separately. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eThis series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.\u003c/p\u003e","\u003cp\u003eBack cover has penciled notes of James Buchanan's on joint supply\u003c/p\u003e","\u003cp\u003econtains annotations by Buchanan\u003c/p\u003e","\u003cp\u003eIncludes the Foundations for Normative Individulism by James Buchanan.\u003c/p\u003e","\u003cp\u003eOriginal discarded due to mold damage.\u003c/p\u003e","\u003cp\u003eScope Note: heavily annotated by Buchanan\u003c/p\u003e","\u003cp\u003eThis series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.\u003c/p\u003e\n","\u003cp\u003eSome materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content"],"scopecontent_tesim":["The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed."],"separatedmaterial_html_tesm":["\u003cp\u003eIssue of \u003ctitle\u003eThe Wall Street Journal\u003c/title\u003e, December 21, 1992 removed and housed in Box 543.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0bc2473150c319436276a1da8ef369a9\" label=\"Abstract\"\u003eThe James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.\u003c/abstract\u003e"],"abstract_tesim":["The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b0c53c39bdb12bf69a095c3db88292a9\"\u003e\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1\u003c/physloc\u003e"],"physloc_tesim":["\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1"],"names_coll_ssim":["George Mason University. Center for Study of Public Choice","Public Choice Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society"],"persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"language_ssim":["The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8943,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:18:42.949Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c05_c01_c587"}},{"id":"wvmturhc_repositories_2_resources_1852_c06_c17","type":"File","attributes":{"title":"17. Genealogy Letters to RLD","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1852_c06_c17","ref_ssm":["wvmturhc_repositories_2_resources_1852_c06_c17"],"id":"wvmturhc_repositories_2_resources_1852_c06_c17","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852_c06","parent_ssi":"wvmturhc_repositories_2_resources_1852_c06","parent_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_unittitles_ssm":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"parent_unittitles_tesim":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"text":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B","17. Genealogy Letters to RLD","Box 3","Folder 35"],"title_filing_ssi":"17. Genealogy Letters to RLD","title_ssm":["17. Genealogy Letters to RLD"],"title_tesim":["17. Genealogy Letters to RLD"],"unitdate_inclusive_ssm":["1977–2003"],"normalized_date_ssm":["1977/2003"],"normalized_title_ssm":["17. Genealogy Letters to RLD"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":82,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["Box 3","Folder 35"],"_nest_path_":"/components#5/components#16","timestamp":"2026-05-21T01:07:24.091Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1852","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1852.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196027","title_ssm":["Russell L. Davisson, Politician, Papers"],"title_tesim":["Russell L. Davisson, Politician, Papers"],"unitdate_ssm":["1850-2004"],"unitdate_inclusive_ssm":["1850-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"text":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852","Russell L. Davisson, Politician, Papers","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creators_ssim":["Davisson, Russell Lee, 1922-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eThis series includes an autobiography written by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence from Governor Arch Moore to Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.\u003c/p\u003e","\u003cp\u003eThis series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.\u003c/p\u003e","\u003cp\u003eThis series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.\u003c/p\u003e","\u003cp\u003eThis series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.\u003c/p\u003e","\u003cp\u003eThis series includes postcards and pamphlets from a trip to China and a trip to Brussels.\u003c/p\u003e","\u003cp\u003eThis series includes maps of locations in the United States, Europe, and China.\u003c/p\u003e","\u003cp\u003eThis series includes political car plates and business cards from China.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.\u003c/p\u003e","\u003cp\u003eThis series consists of a Certificate of Appreciation from George Washington's Mount Vernon.\u003c/p\u003e","\u003cp\u003eThis series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.\u003c/p\u003e","\u003cp\u003eThis series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"persname_ssim":["Davisson, Russell Lee, 1922-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:24.091Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c17"}},{"id":"viu_repositories_3_resources_1675_c10_c90","type":"File","attributes":{"title":"17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c10_c90#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1675_c10_c90","ref_ssm":["viu_repositories_3_resources_1675_c10_c90"],"id":"viu_repositories_3_resources_1675_c10_c90","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675_c10","parent_ssi":"viu_repositories_3_resources_1675_c10","parent_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c10"],"parent_ids_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c10"],"parent_unittitles_ssm":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications"],"parent_unittitles_tesim":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications"],"text":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications","17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","box 204","folder 8"],"title_filing_ssi":"17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","title_ssm":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"title_tesim":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"unitdate_inclusive_ssm":["1976-1997"],"normalized_date_ssm":["1976/1997"],"normalized_title_ssm":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Faulkner Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3346,"parent_access_restrict_tesm":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 204","folder 8"],"_nest_path_":"/components#9/components#89","timestamp":"2026-06-06T07:07:28.695Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1675","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1675.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196837","title_filing_ssi":"Faulkner, William, Collection","title_ssm":["William Faulkner Collection"],"title_tesim":["William Faulkner Collection"],"unitdate_ssm":["1824-2006"],"unitdate_inclusive_ssm":["1824-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"text":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675","William Faulkner Collection","Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century","This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   ","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.","This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.","Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.","Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962","Materials primarily in English, with some publications in French and German."],"unitid_tesim":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"normalized_title_ssm":["William Faulkner Collection"],"collection_title_tesim":["William Faulkner Collection"],"collection_ssim":["William Faulkner Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Faulkner, William, 1897-1962"],"creator_ssim":["Faulkner, William, 1897-1962"],"creator_persname_ssim":["Faulkner, William, 1897-1962"],"creators_ssim":["Faulkner, William, 1897-1962"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"access_subjects_ssim":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"access_subjects_ssm":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"has_online_content_ssim":["false"],"extent_ssm":["115 Cubic Feet"],"extent_tesim":["115 Cubic Feet"],"genreform_ssim":["American literature--Southern States","American fiction--20th Century"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e\n","\u003cp\u003eWe are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.\u003c/p\u003e","\u003cp\u003eMaterial pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"bioghist_html_tesm":["\u003cp\u003eThe William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, \u003cemph render=\"italic\"\u003e\u003ctitle\u003eSoldier's Pay\u003c/title\u003e\u003c/emph\u003e, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of \u003ctitle\u003e\u003cemph render=\"italic\"\u003eThe Sound and the Fury\u003c/emph\u003e\u003c/title\u003e in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  \u003c/p\u003e\n","\u003cp\u003eSource: Materials within the collection.   \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   "],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation."],"prefercite_html_tesm":["\u003cp\u003eMSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.\u003c/p\u003e","\u003cp\u003eThe William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.\u003c/p\u003e","\u003cp\u003eIn this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.\u003c/p\u003e","\u003cp\u003eAbsalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936\u003c/p\u003e","\u003cp\u003eWhile original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  \u003c/p\u003e\n","\u003cp\u003eMany of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  \u003c/p\u003e","\u003cp\u003eThe Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.\u003c/p\u003e","\u003cp\u003eSeries IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  \u003c/p\u003e","\u003cp\u003eSeries V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.\u003c/p\u003e","\u003cp\u003eSeries VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.\u003c/p\u003e","\u003cp\u003eSeries VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.\u003c/p\u003e","\u003cp\u003eSeries IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.\u003c/p\u003e","\u003cp\u003eSeries X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  \u003c/p\u003e\n","\u003cp\u003ePermissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e\n","\u003cp\u003ePlease note that W.W. Norton holds copyright to all of Faulkner's published works.\u003c/p\u003e\n","\u003cp\u003eIf you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000\u003c/p\u003e\n","\u003cp\u003eFor permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026amp; Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com\u003c/p\u003e\n","\u003cp\u003eFor permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156\u003c/p\u003e\n","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. \u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.\u003c/p\u003e","\u003cp\u003eBecause of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. 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