{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Subseries\u0026page=189","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Subseries\u0026page=188","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Subseries\u0026page=190","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Subseries\u0026page=196"},"meta":{"pages":{"current_page":189,"next_page":190,"prev_page":188,"total_pages":196,"limit_value":10,"offset_value":1880,"total_count":1953,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1675_c03_c05_c04","type":"Subseries","attributes":{"title":"Sub-Subseries: Jill Faulkner Summers and Summers Family","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c03_c05_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1675_c03_c05_c04","ref_ssm":["viu_repositories_3_resources_1675_c03_c05_c04"],"id":"viu_repositories_3_resources_1675_c03_c05_c04","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675_c03_c05","parent_ssi":"viu_repositories_3_resources_1675_c03_c05","parent_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c03","viu_repositories_3_resources_1675_c03_c05"],"parent_ids_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c03","viu_repositories_3_resources_1675_c03_c05"],"parent_unittitles_ssm":["William Faulkner Collection","Series III: Personal Papers, Files, and Realia","Subseries E: Faulkner/Falkner Family Papers"],"parent_unittitles_tesim":["William Faulkner Collection","Series III: Personal Papers, Files, and Realia","Subseries E: Faulkner/Falkner Family Papers"],"text":["William Faulkner Collection","Series III: Personal Papers, Files, and Realia","Subseries E: Faulkner/Falkner Family Papers","Sub-Subseries: Jill Faulkner Summers and Summers Family"],"title_filing_ssi":"Sub-Subseries: Jill Faulkner Summers and Summers Family","title_ssm":["Sub-Subseries: Jill Faulkner Summers and Summers Family"],"title_tesim":["Sub-Subseries: Jill Faulkner Summers and Summers Family"],"unitdate_inclusive_ssm":["1935-2003"],"normalized_date_ssm":["1935/2003"],"normalized_title_ssm":["Sub-Subseries: Jill Faulkner Summers and Summers Family"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Faulkner Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":21,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1319,"parent_access_restrict_tesm":["Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"parent_access_terms_tesm":["Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission."],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#2/components#4/components#3","timestamp":"2026-06-06T07:07:28.695Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1675","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1675.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196837","title_filing_ssi":"Faulkner, William, Collection","title_ssm":["William Faulkner Collection"],"title_tesim":["William Faulkner Collection"],"unitdate_ssm":["1824-2006"],"unitdate_inclusive_ssm":["1824-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"text":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675","William Faulkner Collection","Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century","This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   ","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.","This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.","Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.","Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962","Materials primarily in English, with some publications in French and German."],"unitid_tesim":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"normalized_title_ssm":["William Faulkner Collection"],"collection_title_tesim":["William Faulkner Collection"],"collection_ssim":["William Faulkner Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Faulkner, William, 1897-1962"],"creator_ssim":["Faulkner, William, 1897-1962"],"creator_persname_ssim":["Faulkner, William, 1897-1962"],"creators_ssim":["Faulkner, William, 1897-1962"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"access_subjects_ssim":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"access_subjects_ssm":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"has_online_content_ssim":["false"],"extent_ssm":["115 Cubic Feet"],"extent_tesim":["115 Cubic Feet"],"genreform_ssim":["American literature--Southern States","American fiction--20th Century"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e\n","\u003cp\u003eWe are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.\u003c/p\u003e","\u003cp\u003eMaterial pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"bioghist_html_tesm":["\u003cp\u003eThe William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, \u003cemph render=\"italic\"\u003e\u003ctitle\u003eSoldier's Pay\u003c/title\u003e\u003c/emph\u003e, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of \u003ctitle\u003e\u003cemph render=\"italic\"\u003eThe Sound and the Fury\u003c/emph\u003e\u003c/title\u003e in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  \u003c/p\u003e\n","\u003cp\u003eSource: Materials within the collection.   \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   "],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation."],"prefercite_html_tesm":["\u003cp\u003eMSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.\u003c/p\u003e","\u003cp\u003eThe William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.\u003c/p\u003e","\u003cp\u003eIn this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.\u003c/p\u003e","\u003cp\u003eAbsalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936\u003c/p\u003e","\u003cp\u003eWhile original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  \u003c/p\u003e\n","\u003cp\u003eMany of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  \u003c/p\u003e","\u003cp\u003eThe Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.\u003c/p\u003e","\u003cp\u003eSeries IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  \u003c/p\u003e","\u003cp\u003eSeries V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.\u003c/p\u003e","\u003cp\u003eSeries VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.\u003c/p\u003e","\u003cp\u003eSeries VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.\u003c/p\u003e","\u003cp\u003eSeries IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.\u003c/p\u003e","\u003cp\u003eSeries X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  \u003c/p\u003e\n","\u003cp\u003ePermissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e\n","\u003cp\u003ePlease note that W.W. Norton holds copyright to all of Faulkner's published works.\u003c/p\u003e\n","\u003cp\u003eIf you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000\u003c/p\u003e\n","\u003cp\u003eFor permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026amp; Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com\u003c/p\u003e\n","\u003cp\u003eFor permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156\u003c/p\u003e\n","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. \u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.\u003c/p\u003e","\u003cp\u003eBecause of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders."],"names_ssim":["Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Faulkner, William, 1897-1962"],"language_ssim":["Materials primarily in English, with some publications in French and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3366,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-06T07:07:28.695Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c03_c05_c04"}},{"id":"viw_repositories_2_resources_8663_c01_c03","type":"Subseries","attributes":{"title":"Supplemental Materials","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8663_c01_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8663_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8663_c01_c03","ref_ssm":["viw_repositories_2_resources_8663_c01_c03"],"id":"viw_repositories_2_resources_8663_c01_c03","ead_ssi":"viw_repositories_2_resources_8663","_root_":"viw_repositories_2_resources_8663","_nest_parent_":"viw_repositories_2_resources_8663_c01","parent_ssi":"viw_repositories_2_resources_8663_c01","parent_ssim":["viw_repositories_2_resources_8663","viw_repositories_2_resources_8663_c01"],"parent_ids_ssim":["viw_repositories_2_resources_8663","viw_repositories_2_resources_8663_c01"],"parent_unittitles_ssm":["Linda Carol Friend Adams Papers","Series 1: Genealogy of Linda Carol Friend Adams"],"parent_unittitles_tesim":["Linda Carol Friend Adams Papers","Series 1: Genealogy of Linda Carol Friend Adams"],"text":["Linda Carol Friend Adams Papers","Series 1: Genealogy of Linda Carol Friend Adams","Supplemental Materials","This sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included."],"title_filing_ssi":"Supplemental Materials","title_ssm":["Supplemental Materials"],"title_tesim":["Supplemental Materials"],"unitdate_inclusive_ssm":["1965-2008"],"normalized_date_ssm":["1965/2008"],"normalized_title_ssm":["Supplemental Materials"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Linda Carol Friend Adams Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":27,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included."],"_nest_path_":"/components#0/components#2","timestamp":"2026-05-21T02:09:26.855Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8663","ead_ssi":"viw_repositories_2_resources_8663","_root_":"viw_repositories_2_resources_8663","_nest_parent_":"viw_repositories_2_resources_8663","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8663.xml","title_filing_ssi":"Linda Carol Friend Adams Papers","title_ssm":["Linda Carol Friend Adams Papers"],"title_tesim":["Linda Carol Friend Adams Papers"],"unitdate_ssm":["1998-2008","2000-2008"],"unitdate_bulk_ssim":["2000-2008"],"unitdate_inclusive_ssm":["1998-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2008.197","/repositories/2/resources/8663"],"text":["Mss. Acc. 2008.197","/repositories/2/resources/8663","Linda Carol Friend Adams Papers","Virginia--Genealogy","Genealogy","United States--History--Revolution, 1775-1783","Correspondence","Photocopies","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is organized into the following series and sub series: Series 1: Genealogy of Linda Carol Friend Adams, 1965-2008; Sub-series 1: Lineage of Carol Friend Adams, 2006; Sub-series 2: Genealogical Reserach, 1999-2008; Sub-series 3: Supplemental Materials, 1965-2008; Series 2: Genealogical and Historical Organizations, 1973-2008; Sub-series 1: Miscellaneous Historical Organizations, 1973-2008; Sub-series 2: United Daughters of the Confederacy, 2005-2008; Sub-series 3: National Society of the United States Daughters of 1812, 2006-2008; Sub-series 4: Descendants of Washington's Army at Valley Forge, 2002-2008; Sub-series 5: National Society of the Daughters of the American Revolution, 1999-2008.","Linda Carol Friend Adams was born on March 26, 1943 in Charlestown, West Virginia. She grew up in the towns of Ivydale and Clay, also in West Virginia, before moving to Williamsburg in 1960 to be closer to family. Adams worked as a secretary at the Williamsburg Methodist Church for six years. She also became a part-time student at the College of William and Mary, graduating with a B.A. in English in 1973. In October of 1966, she took the position of Secretary to the Curator of Manuscripts and Receptionist for Special Collections at Swem Library. She married Raymond Alexander Adams, Jr. in August of 1977."," Adams held several positions during her tenure at Swem Library, including Secretary to the Head Librarian, Head of the Reserve Room, and Coordinator of Circulation Services. She retired in 1998, after 32 years of service."," After retiring, Adams extensively researched her family's genealogy. She became involved with a number of historical organizations. She joined the Williamsburg chapter of the Daughters of the American Revolution, and served as Recording Secretary for one year and Chapter Registrar for four. Adams also became a member of the Descendants of Washington's Army at Valley Forge, the National Society of United States Daughters of 1812, and the United Daughters of the Confederacy."," Linda Friend Adams died on September 6, 2008 in Williamsburg at the age of 65.","The collection includes the genealogical research of Linda Carol Friend Adams.  It contains a number of state and county records, family documents, biographical information, emails, message board posts, research notes, and photographs that concern Adams' family history. ","The majority of Adams' ancestors were located in Virginia and West Virginia.  The information included here pertains to the following families (not a complete list): Adams, Allen, Barnett, Blake, Brasfield, Brock, Burns, Chapman, Cutlip, Dawson,  Drake, Friend, Henley, Hill, Long, Mayo, Mosby, McClure, McCune, O'Brian, Parke, Riddle, Rogers, Rose, Semple, Sheetz, Skidmore, Smith, Stevenson, Watson, Williams, Wilson.","This series contains documents, images, correspondence, and research concerning Linda Adams' genealogy. Most of the information is organized and compiled into a set of 10 three-ring binders. Additional binders and folders contain further information on her lineage, as well as her research notes.","This sub-series consists of a set of 10 three-ring binders composed and organized by Linda Adams. Beginning with an Ahnentafel Ancestry Chart, Adams traces her lineage back through 13 generations. Documents include birth and death certificates, marriage licenses, county and military records, census data, biographical information, and photographs. The information included pertains to the following families (not a complete list): Adams, Allen, Barnett, Blake, Brasfield, Brock, Burns, Chapman, Cutlip, Dawson, Drake, Friend, Henley, Hill, Long, Mayo, Mosby, McClure, McCune, O'Brian, Parke, Riddle, Rogers, Rose, Semple, Sheetz, Skidmore, Smith, Stevenson, Watson, Williams, Wilson.","This box contains the first five volumes of Linda Adams' genealogy project.","This box contains the second half of Linda Adams' genealogy project.","This sub-series consists of supplemental genealogical infomation collected by Linda Adams. The range of documents include birth and death certificates, marriage licenses, county and military records, census data, biographical information, and photographs, as well as extensive research notes. The information included pertains to the following families (not a complete list): Adams, Allen, Barnett, Blake, Brasfield, Brock, Burns, Chapman, Cutlip, Dawson, Drake, Friend, Henley, Hill, Long, Mayo, Mosby, McClure, McCune, O'Brian, Parke, Riddle, Rogers, Rose, Semple, Sheetz, Skidmore, Smith, Stevenson, Watson, Williams, Wilson. There has been an attempt to maintain Adams' organization of these folders and documents as much as possible.","Grey three-ring binder organized by Linda Carol Adams. Includes research, documents, correspondence, and images concerning the Allen, Drake, Hill, Parke, Riddle, and Smith families.","Black three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images pertaining to the Dawson, Rose, and McCune families.","Black three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images concerning the Long, Burkett, Etris, and Whitmore families.","Blue three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images relating to the McCune, Rose, and O'Brian families.","Grey three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images relating to the Williams and Jones families.","Research documents and correspondence compiled by Linda Adams on the Dawson, Mosby, Sheetz, and Barnett families.","Research documents and correspondence compiled by Linda Adams on the Williams and Burns families.","A collection of printed emails between Linda Adams and others concerning a DNA test among geneaologists to prove relationship to the Williams family line.","Research documents and correspondence compiled by Linda Adams on the Brock, Brasfield, and Adams families.","Information and results concerning a DNA test taken by Raymond A. Adams, Linda Adams' husband.","Research documents and correspondence compiled by Linda Adams on the Long and Sheetz families.","Research documents and correspondence compiled by Linda Adams on James Smith of Virginia.","Research documents and correspondence compiled by Linda Adams on the Friend, Blake, Davis, Hill, Smith, Skidmore, McClure, and Cutlip families.","Research documents and correspondence compiled by Linda Adams on the Mayo and Henley families.","This folder contains correspondence and documents exchanged with or connected to Rev. Albert Elswick, a distant cousin of Linda Adams. Information is included on the following families (not a complete list): Semple, Wilson, Watson, and Stevenson.","This folder contains the contents of an envelope sent to Linda Adams from Rev. Albert Elswick. Includes information on the Semple and Wilson families from Pennsylvania, as well as a photograph labeled \"Jeremiah Butler's 'tooth puller.'\"","This folder contains the contents of an envelope sent to Linda Adams from Rev. Albert Elswick. Includes information on the Semple and Stevenson families of Pennsylvania, as well as photographs of a cemetary.","This folder contains information and notes on various families that were not organized within the rest of the collection.","This folder contains a variety of Linda Adams' genealogy research notes.","Black three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images relating to the Friend, Frame, and Harris families.","Blue file composed and organized by Linda Adams. Includes printed emails, message board posts, and library catalog search results pertaining to research on the Drake, Hill, Smith, and Allen families.","This sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included.","This folder contains a variety of letters, printed emails, and copies of message board postings relating to Linda Adams interest and research in genealogy.","This folder contains negatives and photographs included with Linda Adams' genealogy research. Includes photos of gravestones and Fort Donnally.","Contains photocopied excerpts of documents relating to the history of Augusta and Greenbrier Counties in West Virginia.","This folder contains information concerning Linda Adams' research of Ritchie County, West Virginia.","Copied exceprts of the \"Virginia Revolutionary Publick Claims,\" vol. 3 by Janice L. Abercrombie an Richard Slatten.","Exceprts of \"Hampshire County Minute Book Abstracts\" compiled by Vicki Bidinger Horton.","This series contains materials relating to Linda Adams' involvement in a variety of genealogical and historical societies. Included are files concerning her membership in the United Daughters of the Confederacy, National Society of United States Daughters of 1812, Descendants of Washington's Army at Valley Forge, and the Daughters of the American Revolution.","This sub-series contains information and publications on a variety of historical societies that Linda Adams was a member of or used in her research.","Contains newsletters and journals from the Greenbrier Historical Society of West Virginia.","This sub-series includes information relating to Linda Adams' membership in the United Daughters of the Confederacy. Her qualifying ancestors are listed as Oliver M. McButler and Richard Williams.","This folder contains application and membership information, promotional materials, research and correspondence relating to Linda Adams' association with the Daughters of the Confederacy. Her qualifying ancestor is listed as Oliver M. McButler of Virginia.","Contains research information and documents concerning Linda Adams' ancestor Richard Williams in realtion to her membership in the Daughters of the Confederacy.","This subseries includes information relating to Linda Adams' association with the United States Daughters of 1812. Her qualifying ancestor is listed as Andrew Skidmore from Virginia.","Contains membership application, genealogical research, newsletters, and correspondence relating to Linda Adams' association with the United States Daughters of 1812. Her qualifying ancestor is listed as Andrew Skidmore from Virginia.","This sub-series includes information on Linda Adams' membership with the Descendants of Washington's Army at Valley Forge. Her qualifying ancestor is listed as John McCollum.","Contains application information, correspondence, newsletters, and reserach infomation on Linda Adams' association with the Descendants of Valley Forge. Her qualifying ancestor is listed as John McCollum from Virginia.","This sub-series includes a range of documents relating to Linda Adams' involvement in the National Society of the Daughters of the American Revolution (DAR). There has been an attempt to maintain as much of her organization of these folders and documents as possible.","This folder contains correspondence, chapter information, and news clippings concerning Linda Adams' role as a member of the Williamsburg chapter of the Daughters of the American Revolution.","Contains research information on Issac Rose, one of Linda Adams' qualifying ancestors for the DAR.","Contains research information on John McCollum, one of Linda Adams qualifying ancestors in the DAR.","Contains research information on Arthur McClure, one of Linda Adams' qualifying ancestors in the DAR.","Contains research information on Jacob Sheetz, one of Linda Adams' qualifying ancestors in the DAR.","Contains research information and other DAR applications in realtion to John Dawson, one of Linda Adams' qualifying ancestors in the DAR.","Contains research information on Jacob Chapman, one of Linda Adams' qualifying ancestors in the DAR.","This folder contains miscellaneous reserach information and documents collected by Linda Adams on four of her qualifying ancestors in the DAR: Maria Magdalena Eschmann Hinkle, John Justus Hinkle, Sr., Agnes Caldwell Skidmore, John Skidmore, and Jacob Chapman.","Contains correspondence and research into the Virginians who fought during the American Revolution.","Contains a membership application and research information from Oma Henricks Mills. She and Linda Adams both claim George Drake as a qualifying ancestor in the DAR.","Contains the membership application for Harriet Doughman Rosentahl. She and Linda Adams both claim John Justus Henckel/Hinckel as a qualifying ancestor in the DAR.","Contains membership application and research information for Kathleen Curren Wasem. She and Linda Adams both claim Joshua B. Allen as a qualifying ancestor in the DAR.","This red binder contains research, correspondence, and membership records relating to three of Linda Adams' qualifying ancestors in the DAR: Aaron Smith, George Drake, and Joshua B. Allen.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary--Alumni and alumnae","College of William and Mary. Swem Library","Adams, Linda Friend, 1943-2008","Adams family","English"],"unitid_tesim":["Mss. Acc. 2008.197","/repositories/2/resources/8663"],"normalized_title_ssm":["Linda Carol Friend Adams Papers"],"collection_title_tesim":["Linda Carol Friend Adams Papers"],"collection_ssim":["Linda Carol Friend Adams Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Genealogy"],"geogname_ssim":["Virginia--Genealogy"],"creator_ssm":["Adams, Linda Friend, 1943-2008"],"creator_ssim":["Adams, Linda Friend, 1943-2008"],"creator_famname_ssim":["Adams, Linda Friend, 1943-2008"],"creators_ssim":["Adams, Linda Friend, 1943-2008"],"places_ssim":["Virginia--Genealogy"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift."],"access_subjects_ssim":["Genealogy","United States--History--Revolution, 1775-1783","Correspondence","Photocopies","Photographs"],"access_subjects_ssm":["Genealogy","United States--History--Revolution, 1775-1783","Correspondence","Photocopies","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 Linear Feet"],"extent_tesim":["5.00 Linear Feet"],"genreform_ssim":["Correspondence","Photocopies","Photographs"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into the following series and sub series: Series 1: Genealogy of Linda Carol Friend Adams, 1965-2008; Sub-series 1: Lineage of Carol Friend Adams, 2006; Sub-series 2: Genealogical Reserach, 1999-2008; Sub-series 3: Supplemental Materials, 1965-2008; Series 2: Genealogical and Historical Organizations, 1973-2008; Sub-series 1: Miscellaneous Historical Organizations, 1973-2008; Sub-series 2: United Daughters of the Confederacy, 2005-2008; Sub-series 3: National Society of the United States Daughters of 1812, 2006-2008; Sub-series 4: Descendants of Washington's Army at Valley Forge, 2002-2008; Sub-series 5: National Society of the Daughters of the American Revolution, 1999-2008.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is organized into the following series and sub series: Series 1: Genealogy of Linda Carol Friend Adams, 1965-2008; Sub-series 1: Lineage of Carol Friend Adams, 2006; Sub-series 2: Genealogical Reserach, 1999-2008; Sub-series 3: Supplemental Materials, 1965-2008; Series 2: Genealogical and Historical Organizations, 1973-2008; Sub-series 1: Miscellaneous Historical Organizations, 1973-2008; Sub-series 2: United Daughters of the Confederacy, 2005-2008; Sub-series 3: National Society of the United States Daughters of 1812, 2006-2008; Sub-series 4: Descendants of Washington's Army at Valley Forge, 2002-2008; Sub-series 5: National Society of the Daughters of the American Revolution, 1999-2008."],"bioghist_html_tesm":["\u003cp\u003eLinda Carol Friend Adams was born on March 26, 1943 in Charlestown, West Virginia. She grew up in the towns of Ivydale and Clay, also in West Virginia, before moving to Williamsburg in 1960 to be closer to family. Adams worked as a secretary at the Williamsburg Methodist Church for six years. She also became a part-time student at the College of William and Mary, graduating with a B.A. in English in 1973. In October of 1966, she took the position of Secretary to the Curator of Manuscripts and Receptionist for Special Collections at Swem Library. She married Raymond Alexander Adams, Jr. in August of 1977.\u003c/p\u003e\n","\u003cp\u003e Adams held several positions during her tenure at Swem Library, including Secretary to the Head Librarian, Head of the Reserve Room, and Coordinator of Circulation Services. She retired in 1998, after 32 years of service.\u003c/p\u003e\n","\u003cp\u003e After retiring, Adams extensively researched her family's genealogy. She became involved with a number of historical organizations. She joined the Williamsburg chapter of the Daughters of the American Revolution, and served as Recording Secretary for one year and Chapter Registrar for four. Adams also became a member of the Descendants of Washington's Army at Valley Forge, the National Society of United States Daughters of 1812, and the United Daughters of the Confederacy.\u003c/p\u003e\n","\u003cp\u003e Linda Friend Adams died on September 6, 2008 in Williamsburg at the age of 65.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Linda Carol Friend Adams was born on March 26, 1943 in Charlestown, West Virginia. She grew up in the towns of Ivydale and Clay, also in West Virginia, before moving to Williamsburg in 1960 to be closer to family. Adams worked as a secretary at the Williamsburg Methodist Church for six years. She also became a part-time student at the College of William and Mary, graduating with a B.A. in English in 1973. In October of 1966, she took the position of Secretary to the Curator of Manuscripts and Receptionist for Special Collections at Swem Library. She married Raymond Alexander Adams, Jr. in August of 1977."," Adams held several positions during her tenure at Swem Library, including Secretary to the Head Librarian, Head of the Reserve Room, and Coordinator of Circulation Services. She retired in 1998, after 32 years of service."," After retiring, Adams extensively researched her family's genealogy. She became involved with a number of historical organizations. She joined the Williamsburg chapter of the Daughters of the American Revolution, and served as Recording Secretary for one year and Chapter Registrar for four. Adams also became a member of the Descendants of Washington's Army at Valley Forge, the National Society of United States Daughters of 1812, and the United Daughters of the Confederacy."," Linda Friend Adams died on September 6, 2008 in Williamsburg at the age of 65."],"prefercite_html_tesm":["\u003cp\u003eLinda Carol Friend Adams Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Linda Carol Friend Adams Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes the genealogical research of Linda Carol Friend Adams.  It contains a number of state and county records, family documents, biographical information, emails, message board posts, research notes, and photographs that concern Adams' family history. \u003c/p\u003e\n","\u003cp\u003eThe majority of Adams' ancestors were located in Virginia and West Virginia.  The information included here pertains to the following families (not a complete list): Adams, Allen, Barnett, Blake, Brasfield, Brock, Burns, Chapman, Cutlip, Dawson,  Drake, Friend, Henley, Hill, Long, Mayo, Mosby, McClure, McCune, O'Brian, Parke, Riddle, Rogers, Rose, Semple, Sheetz, Skidmore, Smith, Stevenson, Watson, Williams, Wilson.\u003c/p\u003e","\u003cp\u003eThis series contains documents, images, correspondence, and research concerning Linda Adams' genealogy. Most of the information is organized and compiled into a set of 10 three-ring binders. Additional binders and folders contain further information on her lineage, as well as her research notes.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of a set of 10 three-ring binders composed and organized by Linda Adams. Beginning with an Ahnentafel Ancestry Chart, Adams traces her lineage back through 13 generations. Documents include birth and death certificates, marriage licenses, county and military records, census data, biographical information, and photographs. The information included pertains to the following families (not a complete list): Adams, Allen, Barnett, Blake, Brasfield, Brock, Burns, Chapman, Cutlip, Dawson, Drake, Friend, Henley, Hill, Long, Mayo, Mosby, McClure, McCune, O'Brian, Parke, Riddle, Rogers, Rose, Semple, Sheetz, Skidmore, Smith, Stevenson, Watson, Williams, Wilson.\u003c/p\u003e","\u003cp\u003eThis box contains the first five volumes of Linda Adams' genealogy project.\u003c/p\u003e","\u003cp\u003eThis box contains the second half of Linda Adams' genealogy project.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of supplemental genealogical infomation collected by Linda Adams. The range of documents include birth and death certificates, marriage licenses, county and military records, census data, biographical information, and photographs, as well as extensive research notes. The information included pertains to the following families (not a complete list): Adams, Allen, Barnett, Blake, Brasfield, Brock, Burns, Chapman, Cutlip, Dawson, Drake, Friend, Henley, Hill, Long, Mayo, Mosby, McClure, McCune, O'Brian, Parke, Riddle, Rogers, Rose, Semple, Sheetz, Skidmore, Smith, Stevenson, Watson, Williams, Wilson. There has been an attempt to maintain Adams' organization of these folders and documents as much as possible.\u003c/p\u003e","\u003cp\u003eGrey three-ring binder organized by Linda Carol Adams. Includes research, documents, correspondence, and images concerning the Allen, Drake, Hill, Parke, Riddle, and Smith families.\u003c/p\u003e","\u003cp\u003eBlack three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images pertaining to the Dawson, Rose, and McCune families.\u003c/p\u003e","\u003cp\u003eBlack three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images concerning the Long, Burkett, Etris, and Whitmore families.\u003c/p\u003e","\u003cp\u003eBlue three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images relating to the McCune, Rose, and O'Brian families.\u003c/p\u003e","\u003cp\u003eGrey three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images relating to the Williams and Jones families.\u003c/p\u003e","\u003cp\u003eResearch documents and correspondence compiled by Linda Adams on the Dawson, Mosby, Sheetz, and Barnett families.\u003c/p\u003e","\u003cp\u003eResearch documents and correspondence compiled by Linda Adams on the Williams and Burns families.\u003c/p\u003e","\u003cp\u003eA collection of printed emails between Linda Adams and others concerning a DNA test among geneaologists to prove relationship to the Williams family line.\u003c/p\u003e","\u003cp\u003eResearch documents and correspondence compiled by Linda Adams on the Brock, Brasfield, and Adams families.\u003c/p\u003e","\u003cp\u003eInformation and results concerning a DNA test taken by Raymond A. Adams, Linda Adams' husband.\u003c/p\u003e","\u003cp\u003eResearch documents and correspondence compiled by Linda Adams on the Long and Sheetz families.\u003c/p\u003e","\u003cp\u003eResearch documents and correspondence compiled by Linda Adams on James Smith of Virginia.\u003c/p\u003e","\u003cp\u003eResearch documents and correspondence compiled by Linda Adams on the Friend, Blake, Davis, Hill, Smith, Skidmore, McClure, and Cutlip families.\u003c/p\u003e","\u003cp\u003eResearch documents and correspondence compiled by Linda Adams on the Mayo and Henley families.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence and documents exchanged with or connected to Rev. Albert Elswick, a distant cousin of Linda Adams. Information is included on the following families (not a complete list): Semple, Wilson, Watson, and Stevenson.\u003c/p\u003e","\u003cp\u003eThis folder contains the contents of an envelope sent to Linda Adams from Rev. Albert Elswick. Includes information on the Semple and Wilson families from Pennsylvania, as well as a photograph labeled \"Jeremiah Butler's 'tooth puller.'\"\u003c/p\u003e","\u003cp\u003eThis folder contains the contents of an envelope sent to Linda Adams from Rev. Albert Elswick. Includes information on the Semple and Stevenson families of Pennsylvania, as well as photographs of a cemetary.\u003c/p\u003e","\u003cp\u003eThis folder contains information and notes on various families that were not organized within the rest of the collection.\u003c/p\u003e","\u003cp\u003eThis folder contains a variety of Linda Adams' genealogy research notes.\u003c/p\u003e","\u003cp\u003eBlack three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images relating to the Friend, Frame, and Harris families.\u003c/p\u003e","\u003cp\u003eBlue file composed and organized by Linda Adams. Includes printed emails, message board posts, and library catalog search results pertaining to research on the Drake, Hill, Smith, and Allen families.\u003c/p\u003e","\u003cp\u003eThis sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included.\u003c/p\u003e","\u003cp\u003eThis folder contains a variety of letters, printed emails, and copies of message board postings relating to Linda Adams interest and research in genealogy.\u003c/p\u003e","\u003cp\u003eThis folder contains negatives and photographs included with Linda Adams' genealogy research. Includes photos of gravestones and Fort Donnally.\u003c/p\u003e","\u003cp\u003eContains photocopied excerpts of documents relating to the history of Augusta and Greenbrier Counties in West Virginia.\u003c/p\u003e","\u003cp\u003eThis folder contains information concerning Linda Adams' research of Ritchie County, West Virginia.\u003c/p\u003e","\u003cp\u003eCopied exceprts of the \"Virginia Revolutionary Publick Claims,\" vol. 3 by Janice L. Abercrombie an Richard Slatten.\u003c/p\u003e","\u003cp\u003eExceprts of \"Hampshire County Minute Book Abstracts\" compiled by Vicki Bidinger Horton.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Linda Adams' involvement in a variety of genealogical and historical societies. Included are files concerning her membership in the United Daughters of the Confederacy, National Society of United States Daughters of 1812, Descendants of Washington's Army at Valley Forge, and the Daughters of the American Revolution.\u003c/p\u003e","\u003cp\u003eThis sub-series contains information and publications on a variety of historical societies that Linda Adams was a member of or used in her research.\u003c/p\u003e","\u003cp\u003eContains newsletters and journals from the Greenbrier Historical Society of West Virginia.\u003c/p\u003e","\u003cp\u003eThis sub-series includes information relating to Linda Adams' membership in the United Daughters of the Confederacy. Her qualifying ancestors are listed as Oliver M. McButler and Richard Williams.\u003c/p\u003e","\u003cp\u003eThis folder contains application and membership information, promotional materials, research and correspondence relating to Linda Adams' association with the Daughters of the Confederacy. Her qualifying ancestor is listed as Oliver M. McButler of Virginia.\u003c/p\u003e","\u003cp\u003eContains research information and documents concerning Linda Adams' ancestor Richard Williams in realtion to her membership in the Daughters of the Confederacy.\u003c/p\u003e","\u003cp\u003eThis subseries includes information relating to Linda Adams' association with the United States Daughters of 1812. Her qualifying ancestor is listed as Andrew Skidmore from Virginia.\u003c/p\u003e","\u003cp\u003eContains membership application, genealogical research, newsletters, and correspondence relating to Linda Adams' association with the United States Daughters of 1812. Her qualifying ancestor is listed as Andrew Skidmore from Virginia.\u003c/p\u003e","\u003cp\u003eThis sub-series includes information on Linda Adams' membership with the Descendants of Washington's Army at Valley Forge. Her qualifying ancestor is listed as John McCollum.\u003c/p\u003e","\u003cp\u003eContains application information, correspondence, newsletters, and reserach infomation on Linda Adams' association with the Descendants of Valley Forge. Her qualifying ancestor is listed as John McCollum from Virginia.\u003c/p\u003e","\u003cp\u003eThis sub-series includes a range of documents relating to Linda Adams' involvement in the National Society of the Daughters of the American Revolution (DAR). There has been an attempt to maintain as much of her organization of these folders and documents as possible.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, chapter information, and news clippings concerning Linda Adams' role as a member of the Williamsburg chapter of the Daughters of the American Revolution.\u003c/p\u003e","\u003cp\u003eContains research information on Issac Rose, one of Linda Adams' qualifying ancestors for the DAR.\u003c/p\u003e","\u003cp\u003eContains research information on John McCollum, one of Linda Adams qualifying ancestors in the DAR.\u003c/p\u003e","\u003cp\u003eContains research information on Arthur McClure, one of Linda Adams' qualifying ancestors in the DAR.\u003c/p\u003e","\u003cp\u003eContains research information on Jacob Sheetz, one of Linda Adams' qualifying ancestors in the DAR.\u003c/p\u003e","\u003cp\u003eContains research information and other DAR applications in realtion to John Dawson, one of Linda Adams' qualifying ancestors in the DAR.\u003c/p\u003e","\u003cp\u003eContains research information on Jacob Chapman, one of Linda Adams' qualifying ancestors in the DAR.\u003c/p\u003e","\u003cp\u003eThis folder contains miscellaneous reserach information and documents collected by Linda Adams on four of her qualifying ancestors in the DAR: Maria Magdalena Eschmann Hinkle, John Justus Hinkle, Sr., Agnes Caldwell Skidmore, John Skidmore, and Jacob Chapman.\u003c/p\u003e","\u003cp\u003eContains correspondence and research into the Virginians who fought during the American Revolution.\u003c/p\u003e","\u003cp\u003eContains a membership application and research information from Oma Henricks Mills. She and Linda Adams both claim George Drake as a qualifying ancestor in the DAR.\u003c/p\u003e","\u003cp\u003eContains the membership application for Harriet Doughman Rosentahl. She and Linda Adams both claim John Justus Henckel/Hinckel as a qualifying ancestor in the DAR.\u003c/p\u003e","\u003cp\u003eContains membership application and research information for Kathleen Curren Wasem. She and Linda Adams both claim Joshua B. Allen as a qualifying ancestor in the DAR.\u003c/p\u003e","\u003cp\u003eThis red binder contains research, correspondence, and membership records relating to three of Linda Adams' qualifying ancestors in the DAR: Aaron Smith, George Drake, and Joshua B. Allen.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes the genealogical research of Linda Carol Friend Adams.  It contains a number of state and county records, family documents, biographical information, emails, message board posts, research notes, and photographs that concern Adams' family history. ","The majority of Adams' ancestors were located in Virginia and West Virginia.  The information included here pertains to the following families (not a complete list): Adams, Allen, Barnett, Blake, Brasfield, Brock, Burns, Chapman, Cutlip, Dawson,  Drake, Friend, Henley, Hill, Long, Mayo, Mosby, McClure, McCune, O'Brian, Parke, Riddle, Rogers, Rose, Semple, Sheetz, Skidmore, Smith, Stevenson, Watson, Williams, Wilson.","This series contains documents, images, correspondence, and research concerning Linda Adams' genealogy. Most of the information is organized and compiled into a set of 10 three-ring binders. Additional binders and folders contain further information on her lineage, as well as her research notes.","This sub-series consists of a set of 10 three-ring binders composed and organized by Linda Adams. Beginning with an Ahnentafel Ancestry Chart, Adams traces her lineage back through 13 generations. Documents include birth and death certificates, marriage licenses, county and military records, census data, biographical information, and photographs. The information included pertains to the following families (not a complete list): Adams, Allen, Barnett, Blake, Brasfield, Brock, Burns, Chapman, Cutlip, Dawson, Drake, Friend, Henley, Hill, Long, Mayo, Mosby, McClure, McCune, O'Brian, Parke, Riddle, Rogers, Rose, Semple, Sheetz, Skidmore, Smith, Stevenson, Watson, Williams, Wilson.","This box contains the first five volumes of Linda Adams' genealogy project.","This box contains the second half of Linda Adams' genealogy project.","This sub-series consists of supplemental genealogical infomation collected by Linda Adams. The range of documents include birth and death certificates, marriage licenses, county and military records, census data, biographical information, and photographs, as well as extensive research notes. The information included pertains to the following families (not a complete list): Adams, Allen, Barnett, Blake, Brasfield, Brock, Burns, Chapman, Cutlip, Dawson, Drake, Friend, Henley, Hill, Long, Mayo, Mosby, McClure, McCune, O'Brian, Parke, Riddle, Rogers, Rose, Semple, Sheetz, Skidmore, Smith, Stevenson, Watson, Williams, Wilson. There has been an attempt to maintain Adams' organization of these folders and documents as much as possible.","Grey three-ring binder organized by Linda Carol Adams. Includes research, documents, correspondence, and images concerning the Allen, Drake, Hill, Parke, Riddle, and Smith families.","Black three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images pertaining to the Dawson, Rose, and McCune families.","Black three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images concerning the Long, Burkett, Etris, and Whitmore families.","Blue three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images relating to the McCune, Rose, and O'Brian families.","Grey three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images relating to the Williams and Jones families.","Research documents and correspondence compiled by Linda Adams on the Dawson, Mosby, Sheetz, and Barnett families.","Research documents and correspondence compiled by Linda Adams on the Williams and Burns families.","A collection of printed emails between Linda Adams and others concerning a DNA test among geneaologists to prove relationship to the Williams family line.","Research documents and correspondence compiled by Linda Adams on the Brock, Brasfield, and Adams families.","Information and results concerning a DNA test taken by Raymond A. Adams, Linda Adams' husband.","Research documents and correspondence compiled by Linda Adams on the Long and Sheetz families.","Research documents and correspondence compiled by Linda Adams on James Smith of Virginia.","Research documents and correspondence compiled by Linda Adams on the Friend, Blake, Davis, Hill, Smith, Skidmore, McClure, and Cutlip families.","Research documents and correspondence compiled by Linda Adams on the Mayo and Henley families.","This folder contains correspondence and documents exchanged with or connected to Rev. Albert Elswick, a distant cousin of Linda Adams. Information is included on the following families (not a complete list): Semple, Wilson, Watson, and Stevenson.","This folder contains the contents of an envelope sent to Linda Adams from Rev. Albert Elswick. Includes information on the Semple and Wilson families from Pennsylvania, as well as a photograph labeled \"Jeremiah Butler's 'tooth puller.'\"","This folder contains the contents of an envelope sent to Linda Adams from Rev. Albert Elswick. Includes information on the Semple and Stevenson families of Pennsylvania, as well as photographs of a cemetary.","This folder contains information and notes on various families that were not organized within the rest of the collection.","This folder contains a variety of Linda Adams' genealogy research notes.","Black three-ring binder composed and organized by Linda Adams. Includes research, documents, correspondence, and images relating to the Friend, Frame, and Harris families.","Blue file composed and organized by Linda Adams. Includes printed emails, message board posts, and library catalog search results pertaining to research on the Drake, Hill, Smith, and Allen families.","This sub-series includes the various correspondence of Linda Adams, the majority of which consists of printed emails and message board posts with other genealogists. Photographs of gravestones and historical markers connected to Adams' research are also included.","This folder contains a variety of letters, printed emails, and copies of message board postings relating to Linda Adams interest and research in genealogy.","This folder contains negatives and photographs included with Linda Adams' genealogy research. Includes photos of gravestones and Fort Donnally.","Contains photocopied excerpts of documents relating to the history of Augusta and Greenbrier Counties in West Virginia.","This folder contains information concerning Linda Adams' research of Ritchie County, West Virginia.","Copied exceprts of the \"Virginia Revolutionary Publick Claims,\" vol. 3 by Janice L. Abercrombie an Richard Slatten.","Exceprts of \"Hampshire County Minute Book Abstracts\" compiled by Vicki Bidinger Horton.","This series contains materials relating to Linda Adams' involvement in a variety of genealogical and historical societies. Included are files concerning her membership in the United Daughters of the Confederacy, National Society of United States Daughters of 1812, Descendants of Washington's Army at Valley Forge, and the Daughters of the American Revolution.","This sub-series contains information and publications on a variety of historical societies that Linda Adams was a member of or used in her research.","Contains newsletters and journals from the Greenbrier Historical Society of West Virginia.","This sub-series includes information relating to Linda Adams' membership in the United Daughters of the Confederacy. Her qualifying ancestors are listed as Oliver M. McButler and Richard Williams.","This folder contains application and membership information, promotional materials, research and correspondence relating to Linda Adams' association with the Daughters of the Confederacy. Her qualifying ancestor is listed as Oliver M. McButler of Virginia.","Contains research information and documents concerning Linda Adams' ancestor Richard Williams in realtion to her membership in the Daughters of the Confederacy.","This subseries includes information relating to Linda Adams' association with the United States Daughters of 1812. Her qualifying ancestor is listed as Andrew Skidmore from Virginia.","Contains membership application, genealogical research, newsletters, and correspondence relating to Linda Adams' association with the United States Daughters of 1812. Her qualifying ancestor is listed as Andrew Skidmore from Virginia.","This sub-series includes information on Linda Adams' membership with the Descendants of Washington's Army at Valley Forge. Her qualifying ancestor is listed as John McCollum.","Contains application information, correspondence, newsletters, and reserach infomation on Linda Adams' association with the Descendants of Valley Forge. Her qualifying ancestor is listed as John McCollum from Virginia.","This sub-series includes a range of documents relating to Linda Adams' involvement in the National Society of the Daughters of the American Revolution (DAR). There has been an attempt to maintain as much of her organization of these folders and documents as possible.","This folder contains correspondence, chapter information, and news clippings concerning Linda Adams' role as a member of the Williamsburg chapter of the Daughters of the American Revolution.","Contains research information on Issac Rose, one of Linda Adams' qualifying ancestors for the DAR.","Contains research information on John McCollum, one of Linda Adams qualifying ancestors in the DAR.","Contains research information on Arthur McClure, one of Linda Adams' qualifying ancestors in the DAR.","Contains research information on Jacob Sheetz, one of Linda Adams' qualifying ancestors in the DAR.","Contains research information and other DAR applications in realtion to John Dawson, one of Linda Adams' qualifying ancestors in the DAR.","Contains research information on Jacob Chapman, one of Linda Adams' qualifying ancestors in the DAR.","This folder contains miscellaneous reserach information and documents collected by Linda Adams on four of her qualifying ancestors in the DAR: Maria Magdalena Eschmann Hinkle, John Justus Hinkle, Sr., Agnes Caldwell Skidmore, John Skidmore, and Jacob Chapman.","Contains correspondence and research into the Virginians who fought during the American Revolution.","Contains a membership application and research information from Oma Henricks Mills. She and Linda Adams both claim George Drake as a qualifying ancestor in the DAR.","Contains the membership application for Harriet Doughman Rosentahl. She and Linda Adams both claim John Justus Henckel/Hinckel as a qualifying ancestor in the DAR.","Contains membership application and research information for Kathleen Curren Wasem. She and Linda Adams both claim Joshua B. Allen as a qualifying ancestor in the DAR.","This red binder contains research, correspondence, and membership records relating to three of Linda Adams' qualifying ancestors in the DAR: Aaron Smith, George Drake, and Joshua B. Allen."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","College of William and Mary. Swem Library","Adams family"],"names_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae","College of William and Mary. 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Includes historical athletic Association minutes; printed material such as programs and media guides; emphemera; research material on athletic history used by Thomas W. Davis for his book; and other material documenting the history of intercollegiate athletics at VMI.","This series consists of information created by and for the Athletic Communications and Sports Information Office for individual sports teams. Items include media guides, programs and brochures, correspondence, individual game records, rosters, and administrative records.","This sub-series consists of athletic subject files that span multiple sports. It also includes subject files on athletic facilities and department staff.","This sub-series contains records related to the VMI Committee on Athletics (dated 2012-2017) and the NCAA Academic Progress Rate and Academic Improvement Plan Committee (dated 2008-2017).","This sub-series consists of reports, self-study instruments, and Athletic Department Compliance with NCAA Regulations manuals.","This sub-series contains athletic Weekly Activity Reports.","Archives stacks, Record Group 09, Athletics","Virginia Military Institute Archives","Virginia Military Institute. Department of Intercollegiate Athletics","English"],"unitid_tesim":["RG.09.Records","/repositories/3/resources/633"],"normalized_title_ssm":["Intercollegiate Athletics records"],"collection_title_tesim":["Intercollegiate Athletics records"],"collection_ssim":["Intercollegiate Athletics records"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Virginia Military Institute. Department of Intercollegiate Athletics"],"creator_ssim":["Virginia Military Institute. Department of Intercollegiate Athletics"],"creator_corpname_ssim":["Virginia Military Institute. Department of Intercollegiate Athletics"],"creators_ssim":["Virginia Military Institute. Department of Intercollegiate Athletics"],"access_subjects_ssim":["Virginia Military Institute—Athletics"],"access_subjects_ssm":["Virginia Military Institute—Athletics"],"has_online_content_ssim":["false"],"extent_ssm":["30 cubic feet"],"extent_tesim":["30 cubic feet"],"date_range_isim":[1920],"scopecontent_html_tesm":["\u003cp\u003eMaterials documenting the history of major (football, basketball) and other sports.  Includes historical athletic Association minutes; printed material such as programs and media guides; emphemera; research material on athletic history used by Thomas W. Davis for his book; and other material documenting the history of intercollegiate athletics at VMI.\u003c/p\u003e","\u003cp\u003eThis series consists of information created by and for the Athletic Communications and Sports Information Office for individual sports teams. Items include media guides, programs and brochures, correspondence, individual game records, rosters, and administrative records.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of athletic subject files that span multiple sports. It also includes subject files on athletic facilities and department staff.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records related to the VMI Committee on Athletics (dated 2012-2017) and the NCAA Academic Progress Rate and Academic Improvement Plan Committee (dated 2008-2017).\u003c/p\u003e","\u003cp\u003eThis sub-series consists of reports, self-study instruments, and Athletic Department Compliance with NCAA Regulations manuals.\u003c/p\u003e","\u003cp\u003eThis sub-series contains athletic Weekly Activity Reports.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Materials documenting the history of major (football, basketball) and other sports.  Includes historical athletic Association minutes; printed material such as programs and media guides; emphemera; research material on athletic history used by Thomas W. Davis for his book; and other material documenting the history of intercollegiate athletics at VMI.","This series consists of information created by and for the Athletic Communications and Sports Information Office for individual sports teams. Items include media guides, programs and brochures, correspondence, individual game records, rosters, and administrative records.","This sub-series consists of athletic subject files that span multiple sports. It also includes subject files on athletic facilities and department staff.","This sub-series contains records related to the VMI Committee on Athletics (dated 2012-2017) and the NCAA Academic Progress Rate and Academic Improvement Plan Committee (dated 2008-2017).","This sub-series consists of reports, self-study instruments, and Athletic Department Compliance with NCAA Regulations manuals.","This sub-series contains athletic Weekly Activity Reports."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f9e735b9939d4789fe2a6bb51ad6c3d3\"\u003eArchives stacks, Record Group 09, Athletics\u003c/physloc\u003e"],"physloc_tesim":["Archives stacks, Record Group 09, Athletics"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Department of Intercollegiate Athletics"],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Department of Intercollegiate Athletics"],"language_ssim":["English"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:10:09.980Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_633_c01_c10"}},{"id":"viw_repositories_2_resources_9355_c01_c01","type":"Subseries","attributes":{"title":"Teaching","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9355_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe sub-series includes lecture notes, overhead slides, and other course materials used by Prof. Livingston for classes taught at the College of William and Mary and with the Christopher Wren Association; speeches and lectures given by Livingston on a variety of topics; and various academic acknowledgements awarded to Livingston.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9355_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9355_c01_c01","ref_ssm":["viw_repositories_2_resources_9355_c01_c01"],"id":"viw_repositories_2_resources_9355_c01_c01","ead_ssi":"viw_repositories_2_resources_9355","_root_":"viw_repositories_2_resources_9355","_nest_parent_":"viw_repositories_2_resources_9355_c01","parent_ssi":"viw_repositories_2_resources_9355_c01","parent_ssim":["viw_repositories_2_resources_9355","viw_repositories_2_resources_9355_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9355","viw_repositories_2_resources_9355_c01"],"parent_unittitles_ssm":["James C. Livingston Papers","Acc. 2012.032"],"parent_unittitles_tesim":["James C. Livingston Papers","Acc. 2012.032"],"text":["James C. Livingston Papers","Acc. 2012.032","Teaching","The sub-series includes lecture notes, overhead slides, and other course materials used by Prof. Livingston for classes taught at the College of William and Mary and with the Christopher Wren Association; speeches and lectures given by Livingston on a variety of topics; and various academic acknowledgements awarded to Livingston."],"title_filing_ssi":"Teaching","title_ssm":["Teaching"],"title_tesim":["Teaching"],"unitdate_other_ssim":["1959-2011"],"normalized_date_ssm":["1959/2011"],"normalized_title_ssm":["Teaching"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["James C. Livingston Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"scopecontent_html_tesm":["\u003cp\u003eThe sub-series includes lecture notes, overhead slides, and other course materials used by Prof. Livingston for classes taught at the College of William and Mary and with the Christopher Wren Association; speeches and lectures given by Livingston on a variety of topics; and various academic acknowledgements awarded to Livingston.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The sub-series includes lecture notes, overhead slides, and other course materials used by Prof. Livingston for classes taught at the College of William and Mary and with the Christopher Wren Association; speeches and lectures given by Livingston on a variety of topics; and various academic acknowledgements awarded to Livingston."],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-20T22:53:51.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9355","ead_ssi":"viw_repositories_2_resources_9355","_root_":"viw_repositories_2_resources_9355","_nest_parent_":"viw_repositories_2_resources_9355","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9355.xml","title_filing_ssi":"Livingston, James C. Papers","title_ssm":["James C. Livingston Papers"],"title_tesim":["James C. Livingston Papers"],"unitdate_ssm":["1966-2011","1966-2009"],"unitdate_bulk_ssim":["1966-2009"],"unitdate_inclusive_ssm":["1966-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/06/UA 6.068","/repositories/2/resources/9355"],"text":["00/06/UA 6.068","/repositories/2/resources/9355","James C. Livingston Papers","College of William and Mary--Faculty and Staff","Curriculum","Philosophy and religion","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","James C. Livingston was a member of the faculty in Religious Studies and administration at the College of William and Mary from 1968 until his retirement in 1998."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  http://scrc.swem.wm.edu/wiki/index.php/James_C._Livingston","Acc. 2012.036 accessioned and minimally processed by Amy C. Schindler, University Archivist, in January 2012. Acc. 2013.063 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013.","The papers of Prof. James C. Livingston document his career as a scholar and professor in the Department of Religious Studies at the College of William \u0026 Mary. The collection includes research material, lectures and other talks, correspondence, course material for classes at William \u0026 Mary and the Christopher Wren Association, among others. The collection also documents university administrative information related to the establishment of Religious Studies, the Dean of the Undergraduate Program, curriculum reviews, and other matters.","This series contains research material, lectures and other talks, correspondence, and course material for classes at William \u0026 Mary as well as the Christopher Wren Association taught by Professor James C. Livingston. Also included in the series are university administrative records related to the establishment of Religious Studies, the Dean of the Undergraduate Program, curriculum reviews, as well as material about Vietnam and a nuclear disarmament study group.","The sub-series includes lecture notes, overhead slides, and other course materials used by Prof. Livingston for classes taught at the College of William and Mary and with the Christopher Wren Association; speeches and lectures given by Livingston on a variety of topics; and various academic acknowledgements awarded to Livingston.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Relgion 307 and Religion 335 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 340 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 340 taught by Prof. Livingston at the College of William and Mary.","Course materials used by Prof. Livingston for \"A Brief History of Apocalypticism and its Influence on Western Civilization\", a course taught with the Christopher Wren Association.","Reader used by Prof. Livingston for \"The World's Religions: How are We to Understand their Differences, Comparisons, and Claims?\", a course taught with the Christopher Wren Association.","Materials for courses taught by Prof. Livingston with the Christopher Wren Association.","Materials for courses taught by Prof. Livingston with the Christopher Wren Association in 1998, 1999, and 2000.","Course materials used for \"Comparative Religion: Conceptions of Ultimate Reality, the Cosmos and Nature, and the Human Condition\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"Comparative Religion: Conceptions of Ultimate Reality, the Cosmos and Nature, and the Human Condition\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"Comparative Religion: Conceptions of Ultimate Reality, the Cosmos and Nature, and the Human Condition\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"Modern Roman Catholicism: The Development of Some Important Teachings\" taughty by Prof. Livingston with the Christopher Wren Association.","Course material for \"Three Existentialist Religious Thinkers: Blaise Pascal (1623-62), Soren Kierkegaard (1813-55), Paul Tilich (1886-1965)\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"An Introduction to Comparative Religion: Conceptions of Ultimate Reality, the Human Condition and Plight, and the Problem of Evil\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"What is Religion? An Overview of Influential Ideas about the Origins and Essence of Religion\" taught by Prof. Livingston with the Christopher Wren Association.","Lecture notes by Prof. Livingston for a course taught with the Christopher Wren Association.","Materials and lecture notes by Prof. Livingston for a course taught with the Christopher Wren Association.","Course materials for \"The Three Quests of the Historical Jesus\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"An Introduction to Comparative Religion: Conceptions of Ultimate Reality, the Human Condition and Plight, and the Problem of Evil\" taught by Prof. Livingston with the Christopher Wren Association.","Lecture notes by Prof. Livingston for the Christopher Wren Association.","Lecture notes and materials used by Prof. Livingston with the Christopher Wren Association.","Lecture notes and materials for the Christopher Wren Association.","Lecture notes and materials used by Prof. Livingston with the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \" The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston for the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Handwritten notes about culture wars.","Handwritten notes for a lecture on religious fundamentalism given by Livingston.","Edited draft of \"The Shaping of a Self\", speech given at honors convocation on April 20, 1978.","\"Idealism and Realism in American Foreign Policy: Ironies of History\" speech given by Livingston.","Speech given by Livingston for the Last Lecture series.","Handwritten notes for \"Religious Fundamentalism... a Force to be Reckoned With in Today's World\" given by Livingston on March 22, 2004 at St. Bede's Church.","\"Reflections on the Study of Religion in the University\", Walter G. Mason Lecture given by Livingston on April 21, 1987.","\"The Recovery of the Spiritual Life\", a speech given by Livingston.","\"The Self and Liberal Education in a Therapeutic Culture\", speech written by Livingston.","Various talks given by Livingston, including \"Christian conscience and Use of Nuclear Weapons\" and \"Responsibilities of Marriage\".","Correspondence and other materials concerning Livingston's award of the Bross Foundation's Decennial Prize of $20,000 for his unpublished book manuscript on Matthew Arnold.","Materials from Charter Day 1994, periodicals, cards of congratulations for being awarded the Thomas Jefferson Award, and various other materials.","Correspondence concerning various acknowledgements won by Livingston, including his nomination in the Commonwealth's Outstanding Faculty Awards Program and his award of a Faculty Research Assignment to work on his research project \"English Religious Thought, 1860-1910\".","Correspondence, newspaper articles, and other materials concerning the State Council Teaching Award presented to Livingston in 1989.","Correspondence, newspaper articles, and other materials concerning the Walter D. Mason professorship awarded to Livingston.","Correspondence, newspaper articles, and other materials concerning the Woodrow Wilson International Center for Scholars Fellowship awarded to Livingston.","Article written by Carol Capo for the Daily Press about Prof. Livingston and his response letter to her.","A letter written to Mrs. Livingston about the death of her husband, Prof. Livingston.","Materials from an interview of Livingston about his retirement for Religious News.","Materials concerning the retirement of Prof. Livingston from the College of William and Mary in 1998, including programs from his retirment ceremony.","Research material on religious studies and philosophical themes, among others, including such prominent figures as Karl Barth, Charles Darwin, Paul Tillich, and P.N. Waggett; drafts and finalized works written by and edited by Prof. Livingston.","Miscellaneous articles written by Livingston, including \"The Shaping of a Self\", \"Tillich's Christology and Historical Research\", and \"The Contextualization of Intellectual History with Special Attention to Roman Catholic Modernism and Anti-Modernism\".","Research and writings about civil religion, including \"American Civil Religion: Requiem for a Faith?\" by Livingston and newspaper interviews with Livingston about civil religion.","Correspondence with publishers and articles written by Livingston, including \"Darwin, Darwinism, and Theology: Recent Studies\" published in the Religious Studies Review from April 1982.","Article about Jacques Maritain written by Livingston.","\"Preparing Students to live and to Make a Living\" by Livingston.","\"The Variety of Anglican Modernism\" essay.","Handwritten notes and \"Ritschl in Retrospect: History, Community, and Science\".","Correspondence with publishers and \"The Shaping of a Self: Some Considerations for Liberal Education\" by Livingston.","Correspondence with publishers and \"George Tyrrell as 'Modernist': His Key Theological Principles and His Replies to His Anti-Modernist Critics\" written by Livingston.","Research about Claude Welch and \"Reflections on Claude Welch's Protestant Thought in the Nineteenth Century\".","Edited draft of \"Chapter Four: The Theologies of Karl Barth\".","Handwritten notes and edited drafts of works, including chapters about Louis Bautian and Maurice Blondel.","Handwritten notes, research, and book chapters about Dietrich Bonhoeffer.","Handwritten notes and typed pages about Dietrich Bonhoeffer.","Correspondence with publishers and the article \"Christianity, Unbelief Within\" written by Livingston.","Edited draft of chapter three \"The Dialectual Theology: Karl Barth, Emil Brunner, and Friedrich Gogarten\".","Research and an edited draft of chapter ten \"Modern Women and Traditional Religion\" from Religious and Modern Thought.","Final draft of chapter 24 \"The Defense of Traditional Religion: 1790-1870\".","Draft of \"Gordon Kaufman: Theology as Imaginative Construction\" and research about Kaufman.","Handwritten notes and drafts of various works, including chapter fifteen \"Theology of Religions: Christian Responses to the Non-Christian Religions\".","Correspondence with publishers and research, including Religious Thought in the Eighteenth Century by John Martin Creed.","Handwritten notes, research, and \"Friedrich Scheiermacher, Theological Representative ofo the Romantic Movement\", written by Livingston as a student in 1953 for the course History 264.","Research about Ernst Troeltsch and an edited draft about Troeltsch.","\"Wilfred Cantwell Smith, Religious Pluralism, and the Question of Religious Truth\" written by Livingston.","\"Is There an Educator at the College? Some Reflections on the Relationship Between Academic and Student Affairs\" written by Livingston.","\"Freedom, Pornography, Censhorship\" written by Livingston.","Letter to the editor of The Virginia Gazette written by Livingston responding to an opinion piece written by Frank Shatz.","Research about the role of religion at the university level.","Handwritten notes about the Doctrine of the Atonement.","Handwritten notes about the Doctrine of Authority.","Handwritten notes about the Doctrine of the Church.","Handwritten notes about the Doctrine of the Incarnation.","Handwritten notes about the Doctrine of the Incarnation.","Handwritten notes about the Doctrine of Man.","Handwritten notes about the Doctrine of Trinity.","Handwritten notes about the Doctrine of Trinity.","Research about Henry Dodwell's \"Christianity Not Founded on Argument\".","Handwritten notes about Ecumenism.","Handwritten notes and research about the Ethics of Belief.","Research about David Ellenson.","Research about David Ellenson.","Handwritten notes and research about the Enlightenment.","Handwritten notes and research about Evangelicalism.","Handwritten notes and research about Evangelical Theory.","Handwritten notes.","Handwritten notes and research on the existence of nature of God.","Handwritten notes about factors leading to the Protestant Reformation.","Lecture notes and research about faith and reason.","A draft of Sarah Coakley's book chapter about feminist theology.","Handwritten notes and research about Ludwig Feuerbach and Karl Marx.","Research about freedom and restraint.","Handwritten notes and research about fundamentalism in America.","Research about global fundamentalism.","Research about fundamentalism and modernism.","Handwritten notes and research about Johann George Hamann.","Research about \"The Allienated The Theologian\" by Van Harvey.","Handwritten notes about Georg Wilhelm Friedrich Hegel.","Handwritten notes about Martin Heidegger.","Research about Hellenism and Christianity.","Research about Wilhelm Herrmann.","Draft of chapter 11 \"History and Hermeneutics\" by Francis Schussler Fiorenza.","Handwritten ntoes and research about the historical Jesus.","Handwritten notes and research about David Hume.","\"The Administrator\" by Robert Maynard Hutchins.","Handwritten notes, research, and a speech given by Prof. Livingston titled \"Idealism and Realism in American Foreign Relations: Ironies of History\".","\"Images of Eternity: Concepts of God in Five Religious Traditions\" by Keith Ward.","Handwritten notes about the infallibility debate.","Handwritten notes about William James.","Research about William James.","Handwritten notes about Jansenism and Gallicanism.","Handwritten notes about Japanese religion.","Handwritten notes about the historical Jesus.","Handwritten notes about the Jewish background of Christianity.","Doctrinal Congregation \"'Dominus Iesus': On the Unicity and Salvific Universality of Jesus Christ and the Church\" from the Catholic News Service.","Handwritten notes and research about Just War Theory.","Handwritten notes and typed pages about Immanuel Kant.","Handwritten notes, typed pages, and research about Soren Kierkegaard.","Handwritten notes, overhead slides, and research about Kierkegaard.","Handwritten notes and \"Laborum Exercens: Encyclical of Pope John Paul II On Human Work\".","Prophecy and Papacy: A Study of Lamennais the Church and the Revolution\" by Alec R. Vidler.","Handwritten notes about the Lenox School.","Research articles about liberal education.","Research articles about liberal education.","Research articles about liberal education.","Handwritten notes and research about liberation theology.","Handwritten notes and research about Martin Luther.","Handwritten notes and typed pages about Gabriel Marcel.","Handwritten notes about Martin Luther","Handwritten notes and research about \"Mater Et Magistra\" by Pope John XXIII.","\"Appendix A: The Members of the Metaphysical Society\" detailing the members of the Metaphysical Society from 1809 to 1880.","Miscellaneous papers, including \"The Christian Intellectual Tradition\" by Robert L. Wilken and \"The William and Mary Athletic Scandal of 1951: Governance and the Battle for Academic and Athletic Integrity\" by Ronald A. Smith.","Handwritten notes on a variety of topics, including mysticism, sexual ethics, and the destiny of man.","Research about multiculturalism, including \"Humanities for the Future: Reflections on the Western Culture Debate at Standford\" by Mary Louise Pratt.","Handwritten notes and research about Neo-Thominism.","Handwritten notes about the establishment of new orders.","Handwritten notes about John Henry Newman's grammar of assent.","Handwritten notes and \"Justification, Excuse and Confession, a Legal Analogy for Understanding Religious Beliefs and the Study of Religion\" by Jouett L. Powell.","Handwritten notes and research about H. Richard Niebuhr.","Handwritten notes and research about Reinhold Niebuhr.","Handwritten notes and research about Reinhold Niebuhr, including his \"Coherence, Incoherence, and Christian Faith\".","Handwritten notes and research about Nietzshce, inluding Social Theory and Practice: An International and Interdisciplinary Journal of Social Philosophy.","Handwritten notes about the Oxford Movement.","A revised copy of \"The Oxford Movement and English Nonconformity\" by Dale A. Johnson.","Handwritten notes and \"Pacem in Terris: Encyclical of Pope John XXIII on Establishing Universal Peace in Truth, Justice, Charity, and Liberty\".","Handwritten notes and research about Blaise Pascal.","Handwritten notes and research about Blaise Pascal.","Second draft of \"Pastoral Letter on Catholic Social Teaching and the U.S. Economy\" by the National Conference of Catholic Bishops on October 7, 1985.","Materials about wars and morality and \"The Challenge of Peace: God's Promise and Our Response A Pastoral Letter on War and Peace\" by the National Conference of Catholic Bishops on May 3, 1983.","Handwritten notes about pietism.","Handwritten notes about Pius IX.","Research about the place of religion in higher education, including \"The Place of Theology in the Study of Religion\" by Edward Farley.","Draft of chapter nine: Political Theology and Latin American Liberation Theologies by Francis Schüssler Fiorenza.","Handwritten notes and sections of \"Populorum Progressio\" by Pope Paul VI.","Research about postliberalism and postliberalist writers.","Handwritten notes and research about process theology.","Handwritten notes and research about process philosophy and theology, including research about Schubert M. Ogden.","Handwritten notes about protestant orthodoxy.","Handwritten notes about Puritanism.","Handwritten notes about \"Quadragesima Anno\" by Pope Pius XI.","Handwritten notes and research about the Radical Reformation.","Research about Karl Rahner.","Research about reformed Epistemology.","\"Doing Good in American Communities: Congregations and Service Organizations Working Together\" by Nancy T. Ammerman, Hartford Institute for Religion Research.","Research about the religious right.","Religious Thought in the Eighteenth Century by John Martin Creed and John Sandwith Boys Smith.","Research about George Romanes and J.T. Gulick.","Handwritten notes and research about Aubrey Moore and George Romanes.","A Candid Examination of Theism by Goerge Romanes.","Handwritten notes and various romantic poems.","Handwritten notes and research about Albert Schweitzer, including \"Albert Schweitzer: Sermons\" from The Life and Thought of Albert Schweitzer by Werner Picht.","Includes handwritten notes and research about the relationship between science and religion, including discussion about topics such as Charles Darwin, evolution, creationism, and intelligent design.","Research about the relationship between science and religion.","Research about secularization, including \"The Concept of Secularization in Empirical Research\" by Larry Shiner.","Handwritten notes and research, including sections of the Rerum Novarum by Pope Leo XIII.","Handwritten notes and typed pages about the social Gospel.","Handwritten notes and research about soteriology.","Handwritten notes about Baruch Spinoza.","Handwritten notes and \"D.F. Strauss' Life of Jesus Revisited\" by Van A. Harvey.","Handwritten notes and The Secret Sayings of The Living Jesus: Studies in the Coptic Gospel According to Thomas by Ray Summers.","Handwritten notes and research about Paul Tillich, including \"Critique and Justification of Utopia\" by Paul Tillich.","Handwritten notes and research about tradition and Christianity, including \"Tradition and Reflection in Christian Life\" by Paul Ramsey.","Handwritten notes about the Doctrine of the Trinity and the trinitarian controversy.","Handwritten notes about ultramontanism.","Handwritten notes and research about the second Vatican council.","\"Chapter eight: Vatican II and the Aggiornamento of Roman Catholic Theology\" by Fiorenza.","Handwritten notes and research about the first Vatican Council, including \"Current Theology Infallibility: A Review of Recent Studies\" by John T. Ford.","Research about Victorians and mountaineering.","Handwritten notes and research about the Vietnam War.","Handwritten notes, emails, and research about P.N. Waggett.","Handwritten notes and research about P.N. Waggett.","Flame from an Oxford Cloister: The Life and Writings of Philip Napier Waggett 1862-1939 Scientist Religious Theologian, Missionary, Philosopher, Diplomat, Author, Orator, Poet\" by John Nias.","\"At Large and At Small: Loving and Hating Simone Weil\" by Francine Du Plessix Gray.","Handwritten notes and typed pages about H.N. Wieman.","Handwritten notes, research, and typed pages about Ludwig Wittgenstein.","Written notes about Americanism.","Notes and research about Anglicans and Roman Catholics.","Research about the anthropic principle.","Research about apocalypticism.","Written notes about the apocrypha.","Written notes and research about Thomas Aquinas.","A copy of \"Archetypal Heresy: Arianism through the Centuries\" by Maurice Wiles.","Handwritten notes and research about Augustine.","Handwritten notes and research about St. Augustine.","Handwritten notes and research about authority in the Anglican tradition.","Research about Arthur J. Balfour.","Handwritten notes and research about the theology of Karl Barth.","Handwritten notes and research about the Biblical question.","A copy of \"A Prologue to the Biography of the Reverend James Blair\" by Edward L. Bond.","Handwritten notes and research about the British idealists.","Handwritten notes and research about Martin Buber.","Handwritten notes and research about Buddhism.","Handwritten notes about Rudolf Bultmann.","Research about George Bush's stance on religion.","Handwritten notes and research about John Calvin.","Handwritten notes about John Calvin; an examination about John Calvin taken by Livingston when he was a student.","Handwritten notes and research about the Christian gentleman.","Handwritten notes and research about Catholic modernism.","Handwritten notes about the Catholic Reformation.","Research about the Catholic Tubingen School.","Handwritten notes and research about Catholicism, fascism, and communism.","Handwritten notes about Catholicism and the French Revolution.","Handwritten notes about Catholicism and restauration.","Handwritten notes about Christian thinkers as guides to ethical choices.","Handwritten notes about Christianity in an Ecumenical Age.","Handwritten notes about the varieties of early Christianity.","Handwritten notes about Christianity.","Research about the Church and the Holocaust.","Handwritten notes and research about the historical Jesus.","Handwritten notes and research about Leo XIII and Pius XI.","Handwritten notes about S.T. Coleridge.","Handwritten notes and research comparing religions.","Research comparing religions.","Handwritten notes about Confucianism and Taoism.","Handwritten notes about the Council of Trent.","Course syllabi by Jeffrey Hensley at Yale University.","Handwritten notes and research about Charles Darwin.","Research about Charles Darwin.","Handwritten notes about Deism.","Handwritten notes about the development of dogma.","Handwritten notes about John Dewey.","The sub-series holds administrative files related to the establishment of Religious Studies, the Dean of the Undergraduate Program, curriculum reviews, and other matters at William and Mary; materials from committees and organizations of which Prof. Livingston was a member; materials from conferences he attended.","Various proposals for curriculum changes, including the final proposal from the Curriculum Review Steering Committee for the Faculty of Arts and Sciences (1993) and the Proposal for a Faculty Assembly at the College of William and Mary from the Ad-Hoc Faculty Assembly Committee (1988), among others.","Correspondence and other materials from Livingston's time as Dean of the Undergraduate Program.","Email correspondence and other materials from the Nineteenth Century Theology Group of which Livingston was a member.","Correspondence and other materials from the Nineteenth Century Theology Group of which Livingston was a member.","Correspondence and other materials from the Nuclear Disarmament Study Group at the College of WIlliam and Mary of which Livingston was a member.","Correspondence, speeches, newsletters, and other materials from the Modernism Group of which Livingston was a member.","Correspondence concerning the 1973 reorganization of the student affairs division at the College of William and Mary.","Correspondence and other materials from the Committee on the Faculty Award for the Advancement of Scholarship, Alpha of Virginia, Phi Beta Kappa of which Livingston was a member.","Correspondence and other materials from the Committee on the Role of Religion in a Public University of which Livingston was a member.","Correspondence, meeting minutes, and other materials from the Committee on Judaic Studies, of which Livingston was a part concerning a $6,000 endowment to the Judaic Studies Department among other matters.","Correspondence, newspaper articles, and other materials concerning the establishment of the Religious Studies Department at the College of William and Mary.","Draft and final email of the letter to the Board of Visitors supporting the retention of former William \u0026 Mary president Gene Nichol.","Handwritten notes and other materials from the Church State and First Amendment conference in 1986.","Research about capital punishment and materials from the Texas Society to abolish Capital Punishment.","This series contains research material, lecture notes, and other material during Professor Livingston's tenure at the College of William and Mary as well as Columbia University and Union Theological Seminary in Richmond, Virginia. Some of the research topics discussed in this series include Walter Patel, George Tyrrell, and Mathew Arnold. The series also includes news clippings, correspondence, and president's committee files related to the Wren Cross controversy at the College of William and Mary in 2007.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Religious Studies","English"],"unitid_tesim":["00/06/UA 6.068","/repositories/2/resources/9355"],"normalized_title_ssm":["James C. Livingston Papers"],"collection_title_tesim":["James C. Livingston Papers"],"collection_ssim":["James C. Livingston Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Faculty and Staff","Curriculum","Philosophy and religion"],"access_subjects_ssm":["College of William and Mary--Faculty and Staff","Curriculum","Philosophy and religion"],"has_online_content_ssim":["false"],"extent_ssm":["10.40 Cubic Feet"],"extent_tesim":["10.40 Cubic Feet"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eJames C. Livingston was a member of the faculty in Religious Studies and administration at the College of William and Mary from 1968 until his retirement in 1998.\u003c/p\u003e\n","\u003cp\u003e Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref type=\"simple\" audience=\"external\" show=\"embed\" actuate=\"onRequest\" href=\"http://scrc.swem.wm.edu/wiki/index.php/James_C._Livingston\"\u003ehttp://scrc.swem.wm.edu/wiki/index.php/James_C._Livingston\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["James C. Livingston was a member of the faculty in Religious Studies and administration at the College of William and Mary from 1968 until his retirement in 1998."," Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  http://scrc.swem.wm.edu/wiki/index.php/James_C._Livingston"],"prefercite_html_tesm":["\u003cp\u003eJames C. Livingston Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["James C. Livingston Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.036 accessioned and minimally processed by Amy C. Schindler, University Archivist, in January 2012. Acc. 2013.063 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2012.036 accessioned and minimally processed by Amy C. Schindler, University Archivist, in January 2012. Acc. 2013.063 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Prof. James C. Livingston document his career as a scholar and professor in the Department of Religious Studies at the College of William \u0026amp; Mary. The collection includes research material, lectures and other talks, correspondence, course material for classes at William \u0026amp; Mary and the Christopher Wren Association, among others. The collection also documents university administrative information related to the establishment of Religious Studies, the Dean of the Undergraduate Program, curriculum reviews, and other matters.\u003c/p\u003e","\u003cp\u003eThis series contains research material, lectures and other talks, correspondence, and course material for classes at William \u0026amp; Mary as well as the Christopher Wren Association taught by Professor James C. Livingston. Also included in the series are university administrative records related to the establishment of Religious Studies, the Dean of the Undergraduate Program, curriculum reviews, as well as material about Vietnam and a nuclear disarmament study group.\u003c/p\u003e","\u003cp\u003eThe sub-series includes lecture notes, overhead slides, and other course materials used by Prof. Livingston for classes taught at the College of William and Mary and with the Christopher Wren Association; speeches and lectures given by Livingston on a variety of topics; and various academic acknowledgements awarded to Livingston.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Relgion 307 and Religion 335 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 340 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials for Religion 340 taught by Prof. Livingston at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCourse materials used by Prof. Livingston for \"A Brief History of Apocalypticism and its Influence on Western Civilization\", a course taught with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eReader used by Prof. Livingston for \"The World's Religions: How are We to Understand their Differences, Comparisons, and Claims?\", a course taught with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eMaterials for courses taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eMaterials for courses taught by Prof. Livingston with the Christopher Wren Association in 1998, 1999, and 2000.\u003c/p\u003e","\u003cp\u003eCourse materials used for \"Comparative Religion: Conceptions of Ultimate Reality, the Cosmos and Nature, and the Human Condition\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"Comparative Religion: Conceptions of Ultimate Reality, the Cosmos and Nature, and the Human Condition\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"Comparative Religion: Conceptions of Ultimate Reality, the Cosmos and Nature, and the Human Condition\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"Modern Roman Catholicism: The Development of Some Important Teachings\" taughty by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse material for \"Three Existentialist Religious Thinkers: Blaise Pascal (1623-62), Soren Kierkegaard (1813-55), Paul Tilich (1886-1965)\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"An Introduction to Comparative Religion: Conceptions of Ultimate Reality, the Human Condition and Plight, and the Problem of Evil\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"What is Religion? An Overview of Influential Ideas about the Origins and Essence of Religion\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eLecture notes by Prof. Livingston for a course taught with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eMaterials and lecture notes by Prof. Livingston for a course taught with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"The Three Quests of the Historical Jesus\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"An Introduction to Comparative Religion: Conceptions of Ultimate Reality, the Human Condition and Plight, and the Problem of Evil\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eLecture notes by Prof. Livingston for the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eLecture notes and materials used by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eLecture notes and materials for the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eLecture notes and materials used by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"The World's Religions: How Are We to Understand their differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \" The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston for the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eCourse materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.\u003c/p\u003e","\u003cp\u003eHandwritten notes about culture wars.\u003c/p\u003e","\u003cp\u003eHandwritten notes for a lecture on religious fundamentalism given by Livingston.\u003c/p\u003e","\u003cp\u003eEdited draft of \"The Shaping of a Self\", speech given at honors convocation on April 20, 1978.\u003c/p\u003e","\u003cp\u003e\"Idealism and Realism in American Foreign Policy: Ironies of History\" speech given by Livingston.\u003c/p\u003e","\u003cp\u003eSpeech given by Livingston for the Last Lecture series.\u003c/p\u003e","\u003cp\u003eHandwritten notes for \"Religious Fundamentalism... a Force to be Reckoned With in Today's World\" given by Livingston on March 22, 2004 at St. Bede's Church.\u003c/p\u003e","\u003cp\u003e\"Reflections on the Study of Religion in the University\", Walter G. Mason Lecture given by Livingston on April 21, 1987.\u003c/p\u003e","\u003cp\u003e\"The Recovery of the Spiritual Life\", a speech given by Livingston.\u003c/p\u003e","\u003cp\u003e\"The Self and Liberal Education in a Therapeutic Culture\", speech written by Livingston.\u003c/p\u003e","\u003cp\u003eVarious talks given by Livingston, including \"Christian conscience and Use of Nuclear Weapons\" and \"Responsibilities of Marriage\".\u003c/p\u003e","\u003cp\u003eCorrespondence and other materials concerning Livingston's award of the Bross Foundation's Decennial Prize of $20,000 for his unpublished book manuscript on Matthew Arnold.\u003c/p\u003e","\u003cp\u003eMaterials from Charter Day 1994, periodicals, cards of congratulations for being awarded the Thomas Jefferson Award, and various other materials.\u003c/p\u003e","\u003cp\u003eCorrespondence concerning various acknowledgements won by Livingston, including his nomination in the Commonwealth's Outstanding Faculty Awards Program and his award of a Faculty Research Assignment to work on his research project \"English Religious Thought, 1860-1910\".\u003c/p\u003e","\u003cp\u003eCorrespondence, newspaper articles, and other materials concerning the State Council Teaching Award presented to Livingston in 1989.\u003c/p\u003e","\u003cp\u003eCorrespondence, newspaper articles, and other materials concerning the Walter D. Mason professorship awarded to Livingston.\u003c/p\u003e","\u003cp\u003eCorrespondence, newspaper articles, and other materials concerning the Woodrow Wilson International Center for Scholars Fellowship awarded to Livingston.\u003c/p\u003e","\u003cp\u003eArticle written by Carol Capo for the Daily Press about Prof. Livingston and his response letter to her.\u003c/p\u003e","\u003cp\u003eA letter written to Mrs. Livingston about the death of her husband, Prof. Livingston.\u003c/p\u003e","\u003cp\u003eMaterials from an interview of Livingston about his retirement for Religious News.\u003c/p\u003e","\u003cp\u003eMaterials concerning the retirement of Prof. Livingston from the College of William and Mary in 1998, including programs from his retirment ceremony.\u003c/p\u003e","\u003cp\u003eResearch material on religious studies and philosophical themes, among others, including such prominent figures as Karl Barth, Charles Darwin, Paul Tillich, and P.N. Waggett; drafts and finalized works written by and edited by Prof. Livingston.\u003c/p\u003e","\u003cp\u003eMiscellaneous articles written by Livingston, including \"The Shaping of a Self\", \"Tillich's Christology and Historical Research\", and \"The Contextualization of Intellectual History with Special Attention to Roman Catholic Modernism and Anti-Modernism\".\u003c/p\u003e","\u003cp\u003eResearch and writings about civil religion, including \"American Civil Religion: Requiem for a Faith?\" by Livingston and newspaper interviews with Livingston about civil religion.\u003c/p\u003e","\u003cp\u003eCorrespondence with publishers and articles written by Livingston, including \"Darwin, Darwinism, and Theology: Recent Studies\" published in the Religious Studies Review from April 1982.\u003c/p\u003e","\u003cp\u003eArticle about Jacques Maritain written by Livingston.\u003c/p\u003e","\u003cp\u003e\"Preparing Students to live and to Make a Living\" by Livingston.\u003c/p\u003e","\u003cp\u003e\"The Variety of Anglican Modernism\" essay.\u003c/p\u003e","\u003cp\u003eHandwritten notes and \"Ritschl in Retrospect: History, Community, and Science\".\u003c/p\u003e","\u003cp\u003eCorrespondence with publishers and \"The Shaping of a Self: Some Considerations for Liberal Education\" by Livingston.\u003c/p\u003e","\u003cp\u003eCorrespondence with publishers and \"George Tyrrell as 'Modernist': His Key Theological Principles and His Replies to His Anti-Modernist Critics\" written by Livingston.\u003c/p\u003e","\u003cp\u003eResearch about Claude Welch and \"Reflections on Claude Welch's Protestant Thought in the Nineteenth Century\".\u003c/p\u003e","\u003cp\u003eEdited draft of \"Chapter Four: The Theologies of Karl Barth\".\u003c/p\u003e","\u003cp\u003eHandwritten notes and edited drafts of works, including chapters about Louis Bautian and Maurice Blondel.\u003c/p\u003e","\u003cp\u003eHandwritten notes, research, and book chapters about Dietrich Bonhoeffer.\u003c/p\u003e","\u003cp\u003eHandwritten notes and typed pages about Dietrich Bonhoeffer.\u003c/p\u003e","\u003cp\u003eCorrespondence with publishers and the article \"Christianity, Unbelief Within\" written by Livingston.\u003c/p\u003e","\u003cp\u003eEdited draft of chapter three \"The Dialectual Theology: Karl Barth, Emil Brunner, and Friedrich Gogarten\".\u003c/p\u003e","\u003cp\u003eResearch and an edited draft of chapter ten \"Modern Women and Traditional Religion\" from Religious and Modern Thought.\u003c/p\u003e","\u003cp\u003eFinal draft of chapter 24 \"The Defense of Traditional Religion: 1790-1870\".\u003c/p\u003e","\u003cp\u003eDraft of \"Gordon Kaufman: Theology as Imaginative Construction\" and research about Kaufman.\u003c/p\u003e","\u003cp\u003eHandwritten notes and drafts of various works, including chapter fifteen \"Theology of Religions: Christian Responses to the Non-Christian Religions\".\u003c/p\u003e","\u003cp\u003eCorrespondence with publishers and research, including Religious Thought in the Eighteenth Century by John Martin Creed.\u003c/p\u003e","\u003cp\u003eHandwritten notes, research, and \"Friedrich Scheiermacher, Theological Representative ofo the Romantic Movement\", written by Livingston as a student in 1953 for the course History 264.\u003c/p\u003e","\u003cp\u003eResearch about Ernst Troeltsch and an edited draft about Troeltsch.\u003c/p\u003e","\u003cp\u003e\"Wilfred Cantwell Smith, Religious Pluralism, and the Question of Religious Truth\" written by Livingston.\u003c/p\u003e","\u003cp\u003e\"Is There an Educator at the College? Some Reflections on the Relationship Between Academic and Student Affairs\" written by Livingston.\u003c/p\u003e","\u003cp\u003e\"Freedom, Pornography, Censhorship\" written by Livingston.\u003c/p\u003e","\u003cp\u003eLetter to the editor of The Virginia Gazette written by Livingston responding to an opinion piece written by Frank Shatz.\u003c/p\u003e","\u003cp\u003eResearch about the role of religion at the university level.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Doctrine of the Atonement.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Doctrine of Authority.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Doctrine of the Church.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Doctrine of the Incarnation.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Doctrine of the Incarnation.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Doctrine of Man.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Doctrine of Trinity.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Doctrine of Trinity.\u003c/p\u003e","\u003cp\u003eResearch about Henry Dodwell's \"Christianity Not Founded on Argument\".\u003c/p\u003e","\u003cp\u003eHandwritten notes about Ecumenism.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the Ethics of Belief.\u003c/p\u003e","\u003cp\u003eResearch about David Ellenson.\u003c/p\u003e","\u003cp\u003eResearch about David Ellenson.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the Enlightenment.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Evangelicalism.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Evangelical Theory.\u003c/p\u003e","\u003cp\u003eHandwritten notes.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research on the existence of nature of God.\u003c/p\u003e","\u003cp\u003eHandwritten notes about factors leading to the Protestant Reformation.\u003c/p\u003e","\u003cp\u003eLecture notes and research about faith and reason.\u003c/p\u003e","\u003cp\u003eA draft of Sarah Coakley's book chapter about feminist theology.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Ludwig Feuerbach and Karl Marx.\u003c/p\u003e","\u003cp\u003eResearch about freedom and restraint.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about fundamentalism in America.\u003c/p\u003e","\u003cp\u003eResearch about global fundamentalism.\u003c/p\u003e","\u003cp\u003eResearch about fundamentalism and modernism.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Johann George Hamann.\u003c/p\u003e","\u003cp\u003eResearch about \"The Allienated The Theologian\" by Van Harvey.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Georg Wilhelm Friedrich Hegel.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Martin Heidegger.\u003c/p\u003e","\u003cp\u003eResearch about Hellenism and Christianity.\u003c/p\u003e","\u003cp\u003eResearch about Wilhelm Herrmann.\u003c/p\u003e","\u003cp\u003eDraft of chapter 11 \"History and Hermeneutics\" by Francis Schussler Fiorenza.\u003c/p\u003e","\u003cp\u003eHandwritten ntoes and research about the historical Jesus.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about David Hume.\u003c/p\u003e","\u003cp\u003e\"The Administrator\" by Robert Maynard Hutchins.\u003c/p\u003e","\u003cp\u003eHandwritten notes, research, and a speech given by Prof. Livingston titled \"Idealism and Realism in American Foreign Relations: Ironies of History\".\u003c/p\u003e","\u003cp\u003e\"Images of Eternity: Concepts of God in Five Religious Traditions\" by Keith Ward.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the infallibility debate.\u003c/p\u003e","\u003cp\u003eHandwritten notes about William James.\u003c/p\u003e","\u003cp\u003eResearch about William James.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Jansenism and Gallicanism.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Japanese religion.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the historical Jesus.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Jewish background of Christianity.\u003c/p\u003e","\u003cp\u003eDoctrinal Congregation \"'Dominus Iesus': On the Unicity and Salvific Universality of Jesus Christ and the Church\" from the Catholic News Service.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Just War Theory.\u003c/p\u003e","\u003cp\u003eHandwritten notes and typed pages about Immanuel Kant.\u003c/p\u003e","\u003cp\u003eHandwritten notes, typed pages, and research about Soren Kierkegaard.\u003c/p\u003e","\u003cp\u003eHandwritten notes, overhead slides, and research about Kierkegaard.\u003c/p\u003e","\u003cp\u003eHandwritten notes and \"Laborum Exercens: Encyclical of Pope John Paul II On Human Work\".\u003c/p\u003e","\u003cp\u003eProphecy and Papacy: A Study of Lamennais the Church and the Revolution\" by Alec R. Vidler.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Lenox School.\u003c/p\u003e","\u003cp\u003eResearch articles about liberal education.\u003c/p\u003e","\u003cp\u003eResearch articles about liberal education.\u003c/p\u003e","\u003cp\u003eResearch articles about liberal education.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about liberation theology.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Martin Luther.\u003c/p\u003e","\u003cp\u003eHandwritten notes and typed pages about Gabriel Marcel.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Martin Luther\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about \"Mater Et Magistra\" by Pope John XXIII.\u003c/p\u003e","\u003cp\u003e\"Appendix A: The Members of the Metaphysical Society\" detailing the members of the Metaphysical Society from 1809 to 1880.\u003c/p\u003e","\u003cp\u003eMiscellaneous papers, including \"The Christian Intellectual Tradition\" by Robert L. Wilken and \"The William and Mary Athletic Scandal of 1951: Governance and the Battle for Academic and Athletic Integrity\" by Ronald A. Smith.\u003c/p\u003e","\u003cp\u003eHandwritten notes on a variety of topics, including mysticism, sexual ethics, and the destiny of man.\u003c/p\u003e","\u003cp\u003eResearch about multiculturalism, including \"Humanities for the Future: Reflections on the Western Culture Debate at Standford\" by Mary Louise Pratt.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Neo-Thominism.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the establishment of new orders.\u003c/p\u003e","\u003cp\u003eHandwritten notes about John Henry Newman's grammar of assent.\u003c/p\u003e","\u003cp\u003eHandwritten notes and \"Justification, Excuse and Confession, a Legal Analogy for Understanding Religious Beliefs and the Study of Religion\" by Jouett L. Powell.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about H. Richard Niebuhr.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Reinhold Niebuhr.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Reinhold Niebuhr, including his \"Coherence, Incoherence, and Christian Faith\".\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Nietzshce, inluding Social Theory and Practice: An International and Interdisciplinary Journal of Social Philosophy.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Oxford Movement.\u003c/p\u003e","\u003cp\u003eA revised copy of \"The Oxford Movement and English Nonconformity\" by Dale A. Johnson.\u003c/p\u003e","\u003cp\u003eHandwritten notes and \"Pacem in Terris: Encyclical of Pope John XXIII on Establishing Universal Peace in Truth, Justice, Charity, and Liberty\".\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Blaise Pascal.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Blaise Pascal.\u003c/p\u003e","\u003cp\u003eSecond draft of \"Pastoral Letter on Catholic Social Teaching and the U.S. Economy\" by the National Conference of Catholic Bishops on October 7, 1985.\u003c/p\u003e","\u003cp\u003eMaterials about wars and morality and \"The Challenge of Peace: God's Promise and Our Response A Pastoral Letter on War and Peace\" by the National Conference of Catholic Bishops on May 3, 1983.\u003c/p\u003e","\u003cp\u003eHandwritten notes about pietism.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Pius IX.\u003c/p\u003e","\u003cp\u003eResearch about the place of religion in higher education, including \"The Place of Theology in the Study of Religion\" by Edward Farley.\u003c/p\u003e","\u003cp\u003eDraft of chapter nine: Political Theology and Latin American Liberation Theologies by Francis Schüssler Fiorenza.\u003c/p\u003e","\u003cp\u003eHandwritten notes and sections of \"Populorum Progressio\" by Pope Paul VI.\u003c/p\u003e","\u003cp\u003eResearch about postliberalism and postliberalist writers.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about process theology.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about process philosophy and theology, including research about Schubert M. Ogden.\u003c/p\u003e","\u003cp\u003eHandwritten notes about protestant orthodoxy.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Puritanism.\u003c/p\u003e","\u003cp\u003eHandwritten notes about \"Quadragesima Anno\" by Pope Pius XI.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the Radical Reformation.\u003c/p\u003e","\u003cp\u003eResearch about Karl Rahner.\u003c/p\u003e","\u003cp\u003eResearch about reformed Epistemology.\u003c/p\u003e","\u003cp\u003e\"Doing Good in American Communities: Congregations and Service Organizations Working Together\" by Nancy T. Ammerman, Hartford Institute for Religion Research.\u003c/p\u003e","\u003cp\u003eResearch about the religious right.\u003c/p\u003e","\u003cp\u003eReligious Thought in the Eighteenth Century by John Martin Creed and John Sandwith Boys Smith.\u003c/p\u003e","\u003cp\u003eResearch about George Romanes and J.T. Gulick.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Aubrey Moore and George Romanes.\u003c/p\u003e","\u003cp\u003eA Candid Examination of Theism by Goerge Romanes.\u003c/p\u003e","\u003cp\u003eHandwritten notes and various romantic poems.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Albert Schweitzer, including \"Albert Schweitzer: Sermons\" from The Life and Thought of Albert Schweitzer by Werner Picht.\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes and research about the relationship between science and religion, including discussion about topics such as Charles Darwin, evolution, creationism, and intelligent design.\u003c/p\u003e","\u003cp\u003eResearch about the relationship between science and religion.\u003c/p\u003e","\u003cp\u003eResearch about secularization, including \"The Concept of Secularization in Empirical Research\" by Larry Shiner.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research, including sections of the Rerum Novarum by Pope Leo XIII.\u003c/p\u003e","\u003cp\u003eHandwritten notes and typed pages about the social Gospel.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about soteriology.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Baruch Spinoza.\u003c/p\u003e","\u003cp\u003eHandwritten notes and \"D.F. Strauss' Life of Jesus Revisited\" by Van A. Harvey.\u003c/p\u003e","\u003cp\u003eHandwritten notes and The Secret Sayings of The Living Jesus: Studies in the Coptic Gospel According to Thomas by Ray Summers.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Paul Tillich, including \"Critique and Justification of Utopia\" by Paul Tillich.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about tradition and Christianity, including \"Tradition and Reflection in Christian Life\" by Paul Ramsey.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Doctrine of the Trinity and the trinitarian controversy.\u003c/p\u003e","\u003cp\u003eHandwritten notes about ultramontanism.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the second Vatican council.\u003c/p\u003e","\u003cp\u003e\"Chapter eight: Vatican II and the Aggiornamento of Roman Catholic Theology\" by Fiorenza.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the first Vatican Council, including \"Current Theology Infallibility: A Review of Recent Studies\" by John T. Ford.\u003c/p\u003e","\u003cp\u003eResearch about Victorians and mountaineering.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the Vietnam War.\u003c/p\u003e","\u003cp\u003eHandwritten notes, emails, and research about P.N. Waggett.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about P.N. Waggett.\u003c/p\u003e","\u003cp\u003eFlame from an Oxford Cloister: The Life and Writings of Philip Napier Waggett 1862-1939 Scientist Religious Theologian, Missionary, Philosopher, Diplomat, Author, Orator, Poet\" by John Nias.\u003c/p\u003e","\u003cp\u003e\"At Large and At Small: Loving and Hating Simone Weil\" by Francine Du Plessix Gray.\u003c/p\u003e","\u003cp\u003eHandwritten notes and typed pages about H.N. Wieman.\u003c/p\u003e","\u003cp\u003eHandwritten notes, research, and typed pages about Ludwig Wittgenstein.\u003c/p\u003e","\u003cp\u003eWritten notes about Americanism.\u003c/p\u003e","\u003cp\u003eNotes and research about Anglicans and Roman Catholics.\u003c/p\u003e","\u003cp\u003eResearch about the anthropic principle.\u003c/p\u003e","\u003cp\u003eResearch about apocalypticism.\u003c/p\u003e","\u003cp\u003eWritten notes about the apocrypha.\u003c/p\u003e","\u003cp\u003eWritten notes and research about Thomas Aquinas.\u003c/p\u003e","\u003cp\u003eA copy of \"Archetypal Heresy: Arianism through the Centuries\" by Maurice Wiles.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Augustine.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about St. Augustine.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about authority in the Anglican tradition.\u003c/p\u003e","\u003cp\u003eResearch about Arthur J. Balfour.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the theology of Karl Barth.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the Biblical question.\u003c/p\u003e","\u003cp\u003eA copy of \"A Prologue to the Biography of the Reverend James Blair\" by Edward L. Bond.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the British idealists.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Martin Buber.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Buddhism.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Rudolf Bultmann.\u003c/p\u003e","\u003cp\u003eResearch about George Bush's stance on religion.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about John Calvin.\u003c/p\u003e","\u003cp\u003eHandwritten notes about John Calvin; an examination about John Calvin taken by Livingston when he was a student.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the Christian gentleman.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Catholic modernism.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Catholic Reformation.\u003c/p\u003e","\u003cp\u003eResearch about the Catholic Tubingen School.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Catholicism, fascism, and communism.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Catholicism and the French Revolution.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Catholicism and restauration.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Christian thinkers as guides to ethical choices.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Christianity in an Ecumenical Age.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the varieties of early Christianity.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Christianity.\u003c/p\u003e","\u003cp\u003eResearch about the Church and the Holocaust.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about the historical Jesus.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Leo XIII and Pius XI.\u003c/p\u003e","\u003cp\u003eHandwritten notes about S.T. Coleridge.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research comparing religions.\u003c/p\u003e","\u003cp\u003eResearch comparing religions.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Confucianism and Taoism.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the Council of Trent.\u003c/p\u003e","\u003cp\u003eCourse syllabi by Jeffrey Hensley at Yale University.\u003c/p\u003e","\u003cp\u003eHandwritten notes and research about Charles Darwin.\u003c/p\u003e","\u003cp\u003eResearch about Charles Darwin.\u003c/p\u003e","\u003cp\u003eHandwritten notes about Deism.\u003c/p\u003e","\u003cp\u003eHandwritten notes about the development of dogma.\u003c/p\u003e","\u003cp\u003eHandwritten notes about John Dewey.\u003c/p\u003e","\u003cp\u003eThe sub-series holds administrative files related to the establishment of Religious Studies, the Dean of the Undergraduate Program, curriculum reviews, and other matters at William and Mary; materials from committees and organizations of which Prof. Livingston was a member; materials from conferences he attended.\u003c/p\u003e","\u003cp\u003eVarious proposals for curriculum changes, including the final proposal from the Curriculum Review Steering Committee for the Faculty of Arts and Sciences (1993) and the Proposal for a Faculty Assembly at the College of William and Mary from the Ad-Hoc Faculty Assembly Committee (1988), among others.\u003c/p\u003e","\u003cp\u003eCorrespondence and other materials from Livingston's time as Dean of the Undergraduate Program.\u003c/p\u003e","\u003cp\u003eEmail correspondence and other materials from the Nineteenth Century Theology Group of which Livingston was a member.\u003c/p\u003e","\u003cp\u003eCorrespondence and other materials from the Nineteenth Century Theology Group of which Livingston was a member.\u003c/p\u003e","\u003cp\u003eCorrespondence and other materials from the Nuclear Disarmament Study Group at the College of WIlliam and Mary of which Livingston was a member.\u003c/p\u003e","\u003cp\u003eCorrespondence, speeches, newsletters, and other materials from the Modernism Group of which Livingston was a member.\u003c/p\u003e","\u003cp\u003eCorrespondence concerning the 1973 reorganization of the student affairs division at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eCorrespondence and other materials from the Committee on the Faculty Award for the Advancement of Scholarship, Alpha of Virginia, Phi Beta Kappa of which Livingston was a member.\u003c/p\u003e","\u003cp\u003eCorrespondence and other materials from the Committee on the Role of Religion in a Public University of which Livingston was a member.\u003c/p\u003e","\u003cp\u003eCorrespondence, meeting minutes, and other materials from the Committee on Judaic Studies, of which Livingston was a part concerning a $6,000 endowment to the Judaic Studies Department among other matters.\u003c/p\u003e","\u003cp\u003eCorrespondence, newspaper articles, and other materials concerning the establishment of the Religious Studies Department at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eDraft and final email of the letter to the Board of Visitors supporting the retention of former William \u0026amp; Mary president Gene Nichol.\u003c/p\u003e","\u003cp\u003eHandwritten notes and other materials from the Church State and First Amendment conference in 1986.\u003c/p\u003e","\u003cp\u003eResearch about capital punishment and materials from the Texas Society to abolish Capital Punishment.\u003c/p\u003e","\u003cp\u003eThis series contains research material, lecture notes, and other material during Professor Livingston's tenure at the College of William and Mary as well as Columbia University and Union Theological Seminary in Richmond, Virginia. Some of the research topics discussed in this series include Walter Patel, George Tyrrell, and Mathew Arnold. The series also includes news clippings, correspondence, and president's committee files related to the Wren Cross controversy at the College of William and Mary in 2007.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of Prof. James C. Livingston document his career as a scholar and professor in the Department of Religious Studies at the College of William \u0026 Mary. The collection includes research material, lectures and other talks, correspondence, course material for classes at William \u0026 Mary and the Christopher Wren Association, among others. The collection also documents university administrative information related to the establishment of Religious Studies, the Dean of the Undergraduate Program, curriculum reviews, and other matters.","This series contains research material, lectures and other talks, correspondence, and course material for classes at William \u0026 Mary as well as the Christopher Wren Association taught by Professor James C. Livingston. Also included in the series are university administrative records related to the establishment of Religious Studies, the Dean of the Undergraduate Program, curriculum reviews, as well as material about Vietnam and a nuclear disarmament study group.","The sub-series includes lecture notes, overhead slides, and other course materials used by Prof. Livingston for classes taught at the College of William and Mary and with the Christopher Wren Association; speeches and lectures given by Livingston on a variety of topics; and various academic acknowledgements awarded to Livingston.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 210 taught by Prof. Livingston at the College of William and Mary.","Course materials for Relgion 307 and Religion 335 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 340 taught by Prof. Livingston at the College of William and Mary.","Course materials for Religion 340 taught by Prof. Livingston at the College of William and Mary.","Course materials used by Prof. Livingston for \"A Brief History of Apocalypticism and its Influence on Western Civilization\", a course taught with the Christopher Wren Association.","Reader used by Prof. Livingston for \"The World's Religions: How are We to Understand their Differences, Comparisons, and Claims?\", a course taught with the Christopher Wren Association.","Materials for courses taught by Prof. Livingston with the Christopher Wren Association.","Materials for courses taught by Prof. Livingston with the Christopher Wren Association in 1998, 1999, and 2000.","Course materials used for \"Comparative Religion: Conceptions of Ultimate Reality, the Cosmos and Nature, and the Human Condition\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"Comparative Religion: Conceptions of Ultimate Reality, the Cosmos and Nature, and the Human Condition\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"Comparative Religion: Conceptions of Ultimate Reality, the Cosmos and Nature, and the Human Condition\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"Modern Roman Catholicism: The Development of Some Important Teachings\" taughty by Prof. Livingston with the Christopher Wren Association.","Course material for \"Three Existentialist Religious Thinkers: Blaise Pascal (1623-62), Soren Kierkegaard (1813-55), Paul Tilich (1886-1965)\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"An Introduction to Comparative Religion: Conceptions of Ultimate Reality, the Human Condition and Plight, and the Problem of Evil\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"What is Religion? An Overview of Influential Ideas about the Origins and Essence of Religion\" taught by Prof. Livingston with the Christopher Wren Association.","Lecture notes by Prof. Livingston for a course taught with the Christopher Wren Association.","Materials and lecture notes by Prof. Livingston for a course taught with the Christopher Wren Association.","Course materials for \"The Three Quests of the Historical Jesus\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"An Introduction to Comparative Religion: Conceptions of Ultimate Reality, the Human Condition and Plight, and the Problem of Evil\" taught by Prof. Livingston with the Christopher Wren Association.","Lecture notes by Prof. Livingston for the Christopher Wren Association.","Lecture notes and materials used by Prof. Livingston with the Christopher Wren Association.","Lecture notes and materials for the Christopher Wren Association.","Lecture notes and materials used by Prof. Livingston with the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Course materials for \" The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston for the Christopher Wren Association.","Course materials for \"The World's Religions: How Are We to Understand their Differences, Comparisons, and Claims?\" taught by Prof. Livingston with the Christopher Wren Association.","Handwritten notes about culture wars.","Handwritten notes for a lecture on religious fundamentalism given by Livingston.","Edited draft of \"The Shaping of a Self\", speech given at honors convocation on April 20, 1978.","\"Idealism and Realism in American Foreign Policy: Ironies of History\" speech given by Livingston.","Speech given by Livingston for the Last Lecture series.","Handwritten notes for \"Religious Fundamentalism... a Force to be Reckoned With in Today's World\" given by Livingston on March 22, 2004 at St. Bede's Church.","\"Reflections on the Study of Religion in the University\", Walter G. Mason Lecture given by Livingston on April 21, 1987.","\"The Recovery of the Spiritual Life\", a speech given by Livingston.","\"The Self and Liberal Education in a Therapeutic Culture\", speech written by Livingston.","Various talks given by Livingston, including \"Christian conscience and Use of Nuclear Weapons\" and \"Responsibilities of Marriage\".","Correspondence and other materials concerning Livingston's award of the Bross Foundation's Decennial Prize of $20,000 for his unpublished book manuscript on Matthew Arnold.","Materials from Charter Day 1994, periodicals, cards of congratulations for being awarded the Thomas Jefferson Award, and various other materials.","Correspondence concerning various acknowledgements won by Livingston, including his nomination in the Commonwealth's Outstanding Faculty Awards Program and his award of a Faculty Research Assignment to work on his research project \"English Religious Thought, 1860-1910\".","Correspondence, newspaper articles, and other materials concerning the State Council Teaching Award presented to Livingston in 1989.","Correspondence, newspaper articles, and other materials concerning the Walter D. Mason professorship awarded to Livingston.","Correspondence, newspaper articles, and other materials concerning the Woodrow Wilson International Center for Scholars Fellowship awarded to Livingston.","Article written by Carol Capo for the Daily Press about Prof. Livingston and his response letter to her.","A letter written to Mrs. Livingston about the death of her husband, Prof. Livingston.","Materials from an interview of Livingston about his retirement for Religious News.","Materials concerning the retirement of Prof. Livingston from the College of William and Mary in 1998, including programs from his retirment ceremony.","Research material on religious studies and philosophical themes, among others, including such prominent figures as Karl Barth, Charles Darwin, Paul Tillich, and P.N. Waggett; drafts and finalized works written by and edited by Prof. Livingston.","Miscellaneous articles written by Livingston, including \"The Shaping of a Self\", \"Tillich's Christology and Historical Research\", and \"The Contextualization of Intellectual History with Special Attention to Roman Catholic Modernism and Anti-Modernism\".","Research and writings about civil religion, including \"American Civil Religion: Requiem for a Faith?\" by Livingston and newspaper interviews with Livingston about civil religion.","Correspondence with publishers and articles written by Livingston, including \"Darwin, Darwinism, and Theology: Recent Studies\" published in the Religious Studies Review from April 1982.","Article about Jacques Maritain written by Livingston.","\"Preparing Students to live and to Make a Living\" by Livingston.","\"The Variety of Anglican Modernism\" essay.","Handwritten notes and \"Ritschl in Retrospect: History, Community, and Science\".","Correspondence with publishers and \"The Shaping of a Self: Some Considerations for Liberal Education\" by Livingston.","Correspondence with publishers and \"George Tyrrell as 'Modernist': His Key Theological Principles and His Replies to His Anti-Modernist Critics\" written by Livingston.","Research about Claude Welch and \"Reflections on Claude Welch's Protestant Thought in the Nineteenth Century\".","Edited draft of \"Chapter Four: The Theologies of Karl Barth\".","Handwritten notes and edited drafts of works, including chapters about Louis Bautian and Maurice Blondel.","Handwritten notes, research, and book chapters about Dietrich Bonhoeffer.","Handwritten notes and typed pages about Dietrich Bonhoeffer.","Correspondence with publishers and the article \"Christianity, Unbelief Within\" written by Livingston.","Edited draft of chapter three \"The Dialectual Theology: Karl Barth, Emil Brunner, and Friedrich Gogarten\".","Research and an edited draft of chapter ten \"Modern Women and Traditional Religion\" from Religious and Modern Thought.","Final draft of chapter 24 \"The Defense of Traditional Religion: 1790-1870\".","Draft of \"Gordon Kaufman: Theology as Imaginative Construction\" and research about Kaufman.","Handwritten notes and drafts of various works, including chapter fifteen \"Theology of Religions: Christian Responses to the Non-Christian Religions\".","Correspondence with publishers and research, including Religious Thought in the Eighteenth Century by John Martin Creed.","Handwritten notes, research, and \"Friedrich Scheiermacher, Theological Representative ofo the Romantic Movement\", written by Livingston as a student in 1953 for the course History 264.","Research about Ernst Troeltsch and an edited draft about Troeltsch.","\"Wilfred Cantwell Smith, Religious Pluralism, and the Question of Religious Truth\" written by Livingston.","\"Is There an Educator at the College? Some Reflections on the Relationship Between Academic and Student Affairs\" written by Livingston.","\"Freedom, Pornography, Censhorship\" written by Livingston.","Letter to the editor of The Virginia Gazette written by Livingston responding to an opinion piece written by Frank Shatz.","Research about the role of religion at the university level.","Handwritten notes about the Doctrine of the Atonement.","Handwritten notes about the Doctrine of Authority.","Handwritten notes about the Doctrine of the Church.","Handwritten notes about the Doctrine of the Incarnation.","Handwritten notes about the Doctrine of the Incarnation.","Handwritten notes about the Doctrine of Man.","Handwritten notes about the Doctrine of Trinity.","Handwritten notes about the Doctrine of Trinity.","Research about Henry Dodwell's \"Christianity Not Founded on Argument\".","Handwritten notes about Ecumenism.","Handwritten notes and research about the Ethics of Belief.","Research about David Ellenson.","Research about David Ellenson.","Handwritten notes and research about the Enlightenment.","Handwritten notes and research about Evangelicalism.","Handwritten notes and research about Evangelical Theory.","Handwritten notes.","Handwritten notes and research on the existence of nature of God.","Handwritten notes about factors leading to the Protestant Reformation.","Lecture notes and research about faith and reason.","A draft of Sarah Coakley's book chapter about feminist theology.","Handwritten notes and research about Ludwig Feuerbach and Karl Marx.","Research about freedom and restraint.","Handwritten notes and research about fundamentalism in America.","Research about global fundamentalism.","Research about fundamentalism and modernism.","Handwritten notes and research about Johann George Hamann.","Research about \"The Allienated The Theologian\" by Van Harvey.","Handwritten notes about Georg Wilhelm Friedrich Hegel.","Handwritten notes about Martin Heidegger.","Research about Hellenism and Christianity.","Research about Wilhelm Herrmann.","Draft of chapter 11 \"History and Hermeneutics\" by Francis Schussler Fiorenza.","Handwritten ntoes and research about the historical Jesus.","Handwritten notes and research about David Hume.","\"The Administrator\" by Robert Maynard Hutchins.","Handwritten notes, research, and a speech given by Prof. Livingston titled \"Idealism and Realism in American Foreign Relations: Ironies of History\".","\"Images of Eternity: Concepts of God in Five Religious Traditions\" by Keith Ward.","Handwritten notes about the infallibility debate.","Handwritten notes about William James.","Research about William James.","Handwritten notes about Jansenism and Gallicanism.","Handwritten notes about Japanese religion.","Handwritten notes about the historical Jesus.","Handwritten notes about the Jewish background of Christianity.","Doctrinal Congregation \"'Dominus Iesus': On the Unicity and Salvific Universality of Jesus Christ and the Church\" from the Catholic News Service.","Handwritten notes and research about Just War Theory.","Handwritten notes and typed pages about Immanuel Kant.","Handwritten notes, typed pages, and research about Soren Kierkegaard.","Handwritten notes, overhead slides, and research about Kierkegaard.","Handwritten notes and \"Laborum Exercens: Encyclical of Pope John Paul II On Human Work\".","Prophecy and Papacy: A Study of Lamennais the Church and the Revolution\" by Alec R. Vidler.","Handwritten notes about the Lenox School.","Research articles about liberal education.","Research articles about liberal education.","Research articles about liberal education.","Handwritten notes and research about liberation theology.","Handwritten notes and research about Martin Luther.","Handwritten notes and typed pages about Gabriel Marcel.","Handwritten notes about Martin Luther","Handwritten notes and research about \"Mater Et Magistra\" by Pope John XXIII.","\"Appendix A: The Members of the Metaphysical Society\" detailing the members of the Metaphysical Society from 1809 to 1880.","Miscellaneous papers, including \"The Christian Intellectual Tradition\" by Robert L. Wilken and \"The William and Mary Athletic Scandal of 1951: Governance and the Battle for Academic and Athletic Integrity\" by Ronald A. Smith.","Handwritten notes on a variety of topics, including mysticism, sexual ethics, and the destiny of man.","Research about multiculturalism, including \"Humanities for the Future: Reflections on the Western Culture Debate at Standford\" by Mary Louise Pratt.","Handwritten notes and research about Neo-Thominism.","Handwritten notes about the establishment of new orders.","Handwritten notes about John Henry Newman's grammar of assent.","Handwritten notes and \"Justification, Excuse and Confession, a Legal Analogy for Understanding Religious Beliefs and the Study of Religion\" by Jouett L. Powell.","Handwritten notes and research about H. Richard Niebuhr.","Handwritten notes and research about Reinhold Niebuhr.","Handwritten notes and research about Reinhold Niebuhr, including his \"Coherence, Incoherence, and Christian Faith\".","Handwritten notes and research about Nietzshce, inluding Social Theory and Practice: An International and Interdisciplinary Journal of Social Philosophy.","Handwritten notes about the Oxford Movement.","A revised copy of \"The Oxford Movement and English Nonconformity\" by Dale A. Johnson.","Handwritten notes and \"Pacem in Terris: Encyclical of Pope John XXIII on Establishing Universal Peace in Truth, Justice, Charity, and Liberty\".","Handwritten notes and research about Blaise Pascal.","Handwritten notes and research about Blaise Pascal.","Second draft of \"Pastoral Letter on Catholic Social Teaching and the U.S. Economy\" by the National Conference of Catholic Bishops on October 7, 1985.","Materials about wars and morality and \"The Challenge of Peace: God's Promise and Our Response A Pastoral Letter on War and Peace\" by the National Conference of Catholic Bishops on May 3, 1983.","Handwritten notes about pietism.","Handwritten notes about Pius IX.","Research about the place of religion in higher education, including \"The Place of Theology in the Study of Religion\" by Edward Farley.","Draft of chapter nine: Political Theology and Latin American Liberation Theologies by Francis Schüssler Fiorenza.","Handwritten notes and sections of \"Populorum Progressio\" by Pope Paul VI.","Research about postliberalism and postliberalist writers.","Handwritten notes and research about process theology.","Handwritten notes and research about process philosophy and theology, including research about Schubert M. Ogden.","Handwritten notes about protestant orthodoxy.","Handwritten notes about Puritanism.","Handwritten notes about \"Quadragesima Anno\" by Pope Pius XI.","Handwritten notes and research about the Radical Reformation.","Research about Karl Rahner.","Research about reformed Epistemology.","\"Doing Good in American Communities: Congregations and Service Organizations Working Together\" by Nancy T. Ammerman, Hartford Institute for Religion Research.","Research about the religious right.","Religious Thought in the Eighteenth Century by John Martin Creed and John Sandwith Boys Smith.","Research about George Romanes and J.T. Gulick.","Handwritten notes and research about Aubrey Moore and George Romanes.","A Candid Examination of Theism by Goerge Romanes.","Handwritten notes and various romantic poems.","Handwritten notes and research about Albert Schweitzer, including \"Albert Schweitzer: Sermons\" from The Life and Thought of Albert Schweitzer by Werner Picht.","Includes handwritten notes and research about the relationship between science and religion, including discussion about topics such as Charles Darwin, evolution, creationism, and intelligent design.","Research about the relationship between science and religion.","Research about secularization, including \"The Concept of Secularization in Empirical Research\" by Larry Shiner.","Handwritten notes and research, including sections of the Rerum Novarum by Pope Leo XIII.","Handwritten notes and typed pages about the social Gospel.","Handwritten notes and research about soteriology.","Handwritten notes about Baruch Spinoza.","Handwritten notes and \"D.F. Strauss' Life of Jesus Revisited\" by Van A. Harvey.","Handwritten notes and The Secret Sayings of The Living Jesus: Studies in the Coptic Gospel According to Thomas by Ray Summers.","Handwritten notes and research about Paul Tillich, including \"Critique and Justification of Utopia\" by Paul Tillich.","Handwritten notes and research about tradition and Christianity, including \"Tradition and Reflection in Christian Life\" by Paul Ramsey.","Handwritten notes about the Doctrine of the Trinity and the trinitarian controversy.","Handwritten notes about ultramontanism.","Handwritten notes and research about the second Vatican council.","\"Chapter eight: Vatican II and the Aggiornamento of Roman Catholic Theology\" by Fiorenza.","Handwritten notes and research about the first Vatican Council, including \"Current Theology Infallibility: A Review of Recent Studies\" by John T. Ford.","Research about Victorians and mountaineering.","Handwritten notes and research about the Vietnam War.","Handwritten notes, emails, and research about P.N. Waggett.","Handwritten notes and research about P.N. Waggett.","Flame from an Oxford Cloister: The Life and Writings of Philip Napier Waggett 1862-1939 Scientist Religious Theologian, Missionary, Philosopher, Diplomat, Author, Orator, Poet\" by John Nias.","\"At Large and At Small: Loving and Hating Simone Weil\" by Francine Du Plessix Gray.","Handwritten notes and typed pages about H.N. Wieman.","Handwritten notes, research, and typed pages about Ludwig Wittgenstein.","Written notes about Americanism.","Notes and research about Anglicans and Roman Catholics.","Research about the anthropic principle.","Research about apocalypticism.","Written notes about the apocrypha.","Written notes and research about Thomas Aquinas.","A copy of \"Archetypal Heresy: Arianism through the Centuries\" by Maurice Wiles.","Handwritten notes and research about Augustine.","Handwritten notes and research about St. Augustine.","Handwritten notes and research about authority in the Anglican tradition.","Research about Arthur J. Balfour.","Handwritten notes and research about the theology of Karl Barth.","Handwritten notes and research about the Biblical question.","A copy of \"A Prologue to the Biography of the Reverend James Blair\" by Edward L. Bond.","Handwritten notes and research about the British idealists.","Handwritten notes and research about Martin Buber.","Handwritten notes and research about Buddhism.","Handwritten notes about Rudolf Bultmann.","Research about George Bush's stance on religion.","Handwritten notes and research about John Calvin.","Handwritten notes about John Calvin; an examination about John Calvin taken by Livingston when he was a student.","Handwritten notes and research about the Christian gentleman.","Handwritten notes and research about Catholic modernism.","Handwritten notes about the Catholic Reformation.","Research about the Catholic Tubingen School.","Handwritten notes and research about Catholicism, fascism, and communism.","Handwritten notes about Catholicism and the French Revolution.","Handwritten notes about Catholicism and restauration.","Handwritten notes about Christian thinkers as guides to ethical choices.","Handwritten notes about Christianity in an Ecumenical Age.","Handwritten notes about the varieties of early Christianity.","Handwritten notes about Christianity.","Research about the Church and the Holocaust.","Handwritten notes and research about the historical Jesus.","Handwritten notes and research about Leo XIII and Pius XI.","Handwritten notes about S.T. Coleridge.","Handwritten notes and research comparing religions.","Research comparing religions.","Handwritten notes about Confucianism and Taoism.","Handwritten notes about the Council of Trent.","Course syllabi by Jeffrey Hensley at Yale University.","Handwritten notes and research about Charles Darwin.","Research about Charles Darwin.","Handwritten notes about Deism.","Handwritten notes about the development of dogma.","Handwritten notes about John Dewey.","The sub-series holds administrative files related to the establishment of Religious Studies, the Dean of the Undergraduate Program, curriculum reviews, and other matters at William and Mary; materials from committees and organizations of which Prof. Livingston was a member; materials from conferences he attended.","Various proposals for curriculum changes, including the final proposal from the Curriculum Review Steering Committee for the Faculty of Arts and Sciences (1993) and the Proposal for a Faculty Assembly at the College of William and Mary from the Ad-Hoc Faculty Assembly Committee (1988), among others.","Correspondence and other materials from Livingston's time as Dean of the Undergraduate Program.","Email correspondence and other materials from the Nineteenth Century Theology Group of which Livingston was a member.","Correspondence and other materials from the Nineteenth Century Theology Group of which Livingston was a member.","Correspondence and other materials from the Nuclear Disarmament Study Group at the College of WIlliam and Mary of which Livingston was a member.","Correspondence, speeches, newsletters, and other materials from the Modernism Group of which Livingston was a member.","Correspondence concerning the 1973 reorganization of the student affairs division at the College of William and Mary.","Correspondence and other materials from the Committee on the Faculty Award for the Advancement of Scholarship, Alpha of Virginia, Phi Beta Kappa of which Livingston was a member.","Correspondence and other materials from the Committee on the Role of Religion in a Public University of which Livingston was a member.","Correspondence, meeting minutes, and other materials from the Committee on Judaic Studies, of which Livingston was a part concerning a $6,000 endowment to the Judaic Studies Department among other matters.","Correspondence, newspaper articles, and other materials concerning the establishment of the Religious Studies Department at the College of William and Mary.","Draft and final email of the letter to the Board of Visitors supporting the retention of former William \u0026 Mary president Gene Nichol.","Handwritten notes and other materials from the Church State and First Amendment conference in 1986.","Research about capital punishment and materials from the Texas Society to abolish Capital Punishment.","This series contains research material, lecture notes, and other material during Professor Livingston's tenure at the College of William and Mary as well as Columbia University and Union Theological Seminary in Richmond, Virginia. Some of the research topics discussed in this series include Walter Patel, George Tyrrell, and Mathew Arnold. The series also includes news clippings, correspondence, and president's committee files related to the Wren Cross controversy at the College of William and Mary in 2007."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Religious Studies"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Religious Studies"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Religious Studies"],"language_ssim":["English"],"total_component_count_is":297,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:53:51.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9355_c01_c01"}},{"id":"wvmturhc_repositories_2_resources_2333_c04_c01","type":"Subseries","attributes":{"title":"Teaching","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c04_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_2333_c04_c01","ref_ssm":["wvmturhc_repositories_2_resources_2333_c04_c01"],"id":"wvmturhc_repositories_2_resources_2333_c04_c01","ead_ssi":"wvmturhc_repositories_2_resources_2333","_root_":"wvmturhc_repositories_2_resources_2333","_nest_parent_":"wvmturhc_repositories_2_resources_2333_c04","parent_ssi":"wvmturhc_repositories_2_resources_2333_c04","parent_ssim":["wvmturhc_repositories_2_resources_2333","wvmturhc_repositories_2_resources_2333_c04"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_2333","wvmturhc_repositories_2_resources_2333_c04"],"parent_unittitles_ssm":["Ronald Lewis, Historian, Papers","Series 4. Addendum of 2024 May 29"],"parent_unittitles_tesim":["Ronald Lewis, Historian, Papers","Series 4. Addendum of 2024 May 29"],"text":["Ronald Lewis, Historian, Papers","Series 4. Addendum of 2024 May 29","Teaching","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection."],"title_filing_ssi":"Teaching","title_ssm":["Teaching"],"title_tesim":["Teaching"],"unitdate_inclusive_ssm":["circa 1857-2018"],"normalized_date_ssm":["1857/2018"],"normalized_title_ssm":["Teaching"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Ronald Lewis, Historian, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":450,"parent_access_restrict_tesm":["Researchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003clb/\u003e\u003clb/\u003eBox 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers."],"scopecontent_html_tesm":["\u003cp\u003eIncludes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection."],"_nest_path_":"/components#3/components#0","timestamp":"2026-05-21T00:44:25.654Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2333","ead_ssi":"wvmturhc_repositories_2_resources_2333","_root_":"wvmturhc_repositories_2_resources_2333","_nest_parent_":"wvmturhc_repositories_2_resources_2333","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2333.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/205406","title_ssm":["Ronald Lewis, Historian, Papers"],"title_tesim":["Ronald Lewis, Historian, Papers"],"unitdate_ssm":["circa 1850-2021","circa 1970-2021"],"unitdate_bulk_ssim":["circa 1970-2021"],"unitdate_inclusive_ssm":["circa 1850-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333"],"text":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333","Ronald Lewis, Historian, Papers","Appalachian Region -- History","History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners","Content with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department in advance to request access.\n \nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n \nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.\n \nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.","This series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","This series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","The original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.","Many of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. ","This collection includes a formerly separate WVRHC collection (A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.","Materials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders.","A professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient.","This collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution. The dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter. Born digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes. Addendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.","This series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.","Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.","Graduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.","This series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.","This subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.","This subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.","Papers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.","This subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.","These materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself,  Appalachian Cultural and Economic Development , published by the University of Kentucky Press.","This subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These materials relate to the development of Dr. Lewis's 2013 book on WVU,  Aspiring to Greatness: West Virginia University Since WWII . Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.","This subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book,  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier . It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026M 3882 at the donor's request.","This series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.","These materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.","These are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.","These files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.","These materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.","This series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes materials related the development of articles, reviews, and two books by Dr. Lewis:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. ","Includes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","This subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection.","A group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Lewis, Ronald L., 1940-","English \n.    "],"unitid_tesim":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333"],"normalized_title_ssm":["Ronald Lewis, Historian, Papers"],"collection_title_tesim":["Ronald Lewis, Historian, Papers"],"collection_ssim":["Ronald Lewis, Historian, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Appalachian Region -- History"],"geogname_ssim":["Appalachian Region -- History"],"creator_ssm":["Lewis, Ronald L., 1940-"],"creator_ssim":["Lewis, Ronald L., 1940-"],"creator_persname_ssim":["Lewis, Ronald L., 1940-"],"creators_ssim":["Lewis, Ronald L., 1940-"],"places_ssim":["Appalachian Region -- History"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Multiple gifts from Lewis, Ronald: 2008/07/25, 2012/12/20, and 2024/05/29"],"access_subjects_ssim":["History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners"],"access_subjects_ssm":["History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners"],"has_online_content_ssim":["false"],"extent_ssm":["33.46 Linear Feet 33 ft. 5.5 in. (1 document case, 5 in.; 1 document case, 4 in.; 1 document case, 2.5 in.; 26 record cartons, 15 in. each.)","4.46 Gigabytes 745 files, formats include .pdf, .wpd, .doc, .jpg, .tif, .xls, .ppt, etc."],"extent_tesim":["33.46 Linear Feet 33 ft. 5.5 in. (1 document case, 5 in.; 1 document case, 4 in.; 1 document case, 2.5 in.; 26 record cartons, 15 in. each.)","4.46 Gigabytes 745 files, formats include .pdf, .wpd, .doc, .jpg, .tif, .xls, .ppt, etc."],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eContent with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center reference department in advance to request access.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e","\u003cp\u003eThis series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eBox 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eThis series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eBox 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eThis series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBox 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBox 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Content with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department in advance to request access.\n \nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n \nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.\n \nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.","This series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","This series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"arrangement_html_tesm":["\u003cp\u003eThe original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.\u003c/p\u003e\n","\u003cp\u003eMany of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. \u003c/p\u003e\n","\u003cp\u003eThis collection includes a formerly separate WVRHC collection (A\u0026amp;M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.\u003c/p\u003e","\u003cp\u003eMaterials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.","Many of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. ","This collection includes a formerly separate WVRHC collection (A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.","Materials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders."],"bioghist_html_tesm":["\u003cp\u003eA professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ronald Lewis, Historian, Papers, A\u0026amp;M 3882, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ronald Lewis, Historian, Papers, A\u0026M 3882, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBorn digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAddendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.\u003c/p\u003e","\u003cp\u003eThis series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.\u003c/p\u003e","\u003cp\u003eTeaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.\u003c/p\u003e","\u003cp\u003eGraduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.\u003c/p\u003e","\u003cp\u003eThis series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.\u003c/p\u003e","\u003cp\u003eThis subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.\u003c/p\u003e","\u003cp\u003eThis subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.\u003c/p\u003e","\u003cp\u003ePapers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.\u003c/p\u003e","\u003cp\u003eThis subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.\u003c/p\u003e","\u003cp\u003eThese materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself, \u003ctitle\u003e\u003cpart\u003eAppalachian Cultural and Economic Development\u003c/part\u003e\u003c/title\u003e, published by the University of Kentucky Press.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThese are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThese materials relate to the development of Dr. Lewis's 2013 book on WVU, \u003ctitle\u003e\u003cpart\u003eAspiring to Greatness: West Virginia University Since WWII\u003c/part\u003e\u003c/title\u003e. Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.\u003c/p\u003e","\u003cp\u003eThis subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book, \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e. It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026amp;M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026amp;M 3882 at the donor's request.\u003c/p\u003e","\u003cp\u003eThis series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.\u003c/p\u003e","\u003cp\u003eThese materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.\u003c/p\u003e","\u003cp\u003eThese are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.\u003c/p\u003e","\u003cp\u003eThese files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.\u003c/p\u003e","\u003cp\u003eThese materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.\u003c/p\u003e","\u003cp\u003eThis series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books: \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e (2016) and \u003ctitle\u003e\u003cpart\u003eIron Artisans: Welsh Immigrants and the American Age of Steel\u003c/part\u003e\u003c/title\u003e (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eIncludes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eIncludes materials related the development of articles, reviews, and two books by Dr. Lewis: \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e (2016) and \u003ctitle\u003e\u003cpart\u003eIron Artisans: Welsh Immigrants and the American Age of Steel\u003c/part\u003e\u003c/title\u003e (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. \u003c/p\u003e","\u003cp\u003eIncludes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThis subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution. The dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter. Born digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes. Addendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.","This series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.","Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.","Graduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.","This series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.","This subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.","This subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.","Papers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.","This subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.","These materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself,  Appalachian Cultural and Economic Development , published by the University of Kentucky Press.","This subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These materials relate to the development of Dr. Lewis's 2013 book on WVU,  Aspiring to Greatness: West Virginia University Since WWII . Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.","This subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book,  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier . It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026M 3882 at the donor's request.","This series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.","These materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.","These are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.","These files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.","These materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.","This series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes materials related the development of articles, reviews, and two books by Dr. Lewis:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. ","Includes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","This subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection."],"separatedmaterial_html_tesm":["\u003cp\u003eA group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f553a08ee4582b45b1194697df7d1763\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Lewis, Ronald L., 1940-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Lewis, Ronald L., 1940-"],"persname_ssim":["Lewis, Ronald L., 1940-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":463,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:44:25.654Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c04_c01"}},{"id":"wvmturhc_repositories_2_resources_2333_c01_c01","type":"Subseries","attributes":{"title":"Teaching Materials","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTeaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_2333_c01_c01","ref_ssm":["wvmturhc_repositories_2_resources_2333_c01_c01"],"id":"wvmturhc_repositories_2_resources_2333_c01_c01","ead_ssi":"wvmturhc_repositories_2_resources_2333","_root_":"wvmturhc_repositories_2_resources_2333","_nest_parent_":"wvmturhc_repositories_2_resources_2333_c01","parent_ssi":"wvmturhc_repositories_2_resources_2333_c01","parent_ssim":["wvmturhc_repositories_2_resources_2333","wvmturhc_repositories_2_resources_2333_c01"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_2333","wvmturhc_repositories_2_resources_2333_c01"],"parent_unittitles_ssm":["Ronald Lewis, Historian, Papers","Series 1. Teaching"],"parent_unittitles_tesim":["Ronald Lewis, Historian, Papers","Series 1. Teaching"],"text":["Ronald Lewis, Historian, Papers","Series 1. Teaching","Teaching Materials","Box 1","Folder 1-15","Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well."],"title_filing_ssi":"Teaching Materials","title_ssm":["Teaching Materials"],"title_tesim":["Teaching Materials"],"unitdate_inclusive_ssm":["1984-2009"],"normalized_date_ssm":["1984/2009"],"normalized_title_ssm":["Teaching Materials"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Ronald Lewis, Historian, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":16,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["This series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access.Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["Box 1","Folder 1-15"],"accessrestrict_html_tesm":["\u003cp\u003eBox 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb/\u003e\u003clb/\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb/\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"scopecontent_html_tesm":["\u003cp\u003eTeaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well."],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-21T00:44:25.654Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2333","ead_ssi":"wvmturhc_repositories_2_resources_2333","_root_":"wvmturhc_repositories_2_resources_2333","_nest_parent_":"wvmturhc_repositories_2_resources_2333","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2333.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/205406","title_ssm":["Ronald Lewis, Historian, Papers"],"title_tesim":["Ronald Lewis, Historian, Papers"],"unitdate_ssm":["circa 1850-2021","circa 1970-2021"],"unitdate_bulk_ssim":["circa 1970-2021"],"unitdate_inclusive_ssm":["circa 1850-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333"],"text":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333","Ronald Lewis, Historian, Papers","Appalachian Region -- History","History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners","Content with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department in advance to request access.\n \nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n \nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.\n \nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.","This series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","This series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","The original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.","Many of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. ","This collection includes a formerly separate WVRHC collection (A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.","Materials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders.","A professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient.","This collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution. The dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter. Born digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes. Addendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.","This series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.","Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.","Graduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.","This series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.","This subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.","This subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.","Papers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.","This subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.","These materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself,  Appalachian Cultural and Economic Development , published by the University of Kentucky Press.","This subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These materials relate to the development of Dr. Lewis's 2013 book on WVU,  Aspiring to Greatness: West Virginia University Since WWII . Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.","This subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book,  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier . It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026M 3882 at the donor's request.","This series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.","These materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.","These are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.","These files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.","These materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.","This series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes materials related the development of articles, reviews, and two books by Dr. Lewis:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. ","Includes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","This subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection.","A group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Lewis, Ronald L., 1940-","English \n.    "],"unitid_tesim":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333"],"normalized_title_ssm":["Ronald Lewis, Historian, Papers"],"collection_title_tesim":["Ronald Lewis, Historian, Papers"],"collection_ssim":["Ronald Lewis, Historian, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Appalachian Region -- History"],"geogname_ssim":["Appalachian Region -- History"],"creator_ssm":["Lewis, Ronald L., 1940-"],"creator_ssim":["Lewis, Ronald L., 1940-"],"creator_persname_ssim":["Lewis, Ronald L., 1940-"],"creators_ssim":["Lewis, Ronald L., 1940-"],"places_ssim":["Appalachian Region -- History"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Multiple gifts from Lewis, Ronald: 2008/07/25, 2012/12/20, and 2024/05/29"],"access_subjects_ssim":["History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners"],"access_subjects_ssm":["History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners"],"has_online_content_ssim":["false"],"extent_ssm":["33.46 Linear Feet 33 ft. 5.5 in. (1 document case, 5 in.; 1 document case, 4 in.; 1 document case, 2.5 in.; 26 record cartons, 15 in. each.)","4.46 Gigabytes 745 files, formats include .pdf, .wpd, .doc, .jpg, .tif, .xls, .ppt, etc."],"extent_tesim":["33.46 Linear Feet 33 ft. 5.5 in. (1 document case, 5 in.; 1 document case, 4 in.; 1 document case, 2.5 in.; 26 record cartons, 15 in. each.)","4.46 Gigabytes 745 files, formats include .pdf, .wpd, .doc, .jpg, .tif, .xls, .ppt, etc."],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eContent with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center reference department in advance to request access.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e","\u003cp\u003eThis series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eBox 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eThis series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eBox 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eThis series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBox 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBox 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Content with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department in advance to request access.\n \nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n \nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.\n \nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.","This series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","This series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"arrangement_html_tesm":["\u003cp\u003eThe original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.\u003c/p\u003e\n","\u003cp\u003eMany of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. \u003c/p\u003e\n","\u003cp\u003eThis collection includes a formerly separate WVRHC collection (A\u0026amp;M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.\u003c/p\u003e","\u003cp\u003eMaterials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.","Many of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. ","This collection includes a formerly separate WVRHC collection (A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.","Materials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders."],"bioghist_html_tesm":["\u003cp\u003eA professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ronald Lewis, Historian, Papers, A\u0026amp;M 3882, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ronald Lewis, Historian, Papers, A\u0026M 3882, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBorn digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAddendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.\u003c/p\u003e","\u003cp\u003eThis series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.\u003c/p\u003e","\u003cp\u003eTeaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.\u003c/p\u003e","\u003cp\u003eGraduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.\u003c/p\u003e","\u003cp\u003eThis series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.\u003c/p\u003e","\u003cp\u003eThis subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.\u003c/p\u003e","\u003cp\u003eThis subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.\u003c/p\u003e","\u003cp\u003ePapers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.\u003c/p\u003e","\u003cp\u003eThis subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.\u003c/p\u003e","\u003cp\u003eThese materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself, \u003ctitle\u003e\u003cpart\u003eAppalachian Cultural and Economic Development\u003c/part\u003e\u003c/title\u003e, published by the University of Kentucky Press.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThese are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThese materials relate to the development of Dr. Lewis's 2013 book on WVU, \u003ctitle\u003e\u003cpart\u003eAspiring to Greatness: West Virginia University Since WWII\u003c/part\u003e\u003c/title\u003e. Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.\u003c/p\u003e","\u003cp\u003eThis subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book, \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e. It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026amp;M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026amp;M 3882 at the donor's request.\u003c/p\u003e","\u003cp\u003eThis series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.\u003c/p\u003e","\u003cp\u003eThese materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.\u003c/p\u003e","\u003cp\u003eThese are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.\u003c/p\u003e","\u003cp\u003eThese files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.\u003c/p\u003e","\u003cp\u003eThese materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.\u003c/p\u003e","\u003cp\u003eThis series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books: \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e (2016) and \u003ctitle\u003e\u003cpart\u003eIron Artisans: Welsh Immigrants and the American Age of Steel\u003c/part\u003e\u003c/title\u003e (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eIncludes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eIncludes materials related the development of articles, reviews, and two books by Dr. Lewis: \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e (2016) and \u003ctitle\u003e\u003cpart\u003eIron Artisans: Welsh Immigrants and the American Age of Steel\u003c/part\u003e\u003c/title\u003e (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. \u003c/p\u003e","\u003cp\u003eIncludes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThis subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution. The dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter. Born digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes. Addendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.","This series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.","Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.","Graduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.","This series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.","This subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.","This subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.","Papers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.","This subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.","These materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself,  Appalachian Cultural and Economic Development , published by the University of Kentucky Press.","This subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These materials relate to the development of Dr. Lewis's 2013 book on WVU,  Aspiring to Greatness: West Virginia University Since WWII . Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.","This subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book,  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier . It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026M 3882 at the donor's request.","This series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.","These materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.","These are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.","These files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.","These materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.","This series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes materials related the development of articles, reviews, and two books by Dr. Lewis:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. ","Includes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","This subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection."],"separatedmaterial_html_tesm":["\u003cp\u003eA group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f553a08ee4582b45b1194697df7d1763\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Lewis, Ronald L., 1940-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Lewis, Ronald L., 1940-"],"persname_ssim":["Lewis, Ronald L., 1940-"],"language_ssim":["English \n.    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Includes historical athletic Association minutes; printed material such as programs and media guides; emphemera; research material on athletic history used by Thomas W. Davis for his book; and other material documenting the history of intercollegiate athletics at VMI.","This series consists of information created by and for the Athletic Communications and Sports Information Office for individual sports teams. Items include media guides, programs and brochures, correspondence, individual game records, rosters, and administrative records.","This sub-series consists of athletic subject files that span multiple sports. It also includes subject files on athletic facilities and department staff.","This sub-series contains records related to the VMI Committee on Athletics (dated 2012-2017) and the NCAA Academic Progress Rate and Academic Improvement Plan Committee (dated 2008-2017).","This sub-series consists of reports, self-study instruments, and Athletic Department Compliance with NCAA Regulations manuals.","This sub-series contains athletic Weekly Activity Reports.","Archives stacks, Record Group 09, Athletics","Virginia Military Institute Archives","Virginia Military Institute. 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Davis for his book; and other material documenting the history of intercollegiate athletics at VMI.","This series consists of information created by and for the Athletic Communications and Sports Information Office for individual sports teams. Items include media guides, programs and brochures, correspondence, individual game records, rosters, and administrative records.","This sub-series consists of athletic subject files that span multiple sports. It also includes subject files on athletic facilities and department staff.","This sub-series contains records related to the VMI Committee on Athletics (dated 2012-2017) and the NCAA Academic Progress Rate and Academic Improvement Plan Committee (dated 2008-2017).","This sub-series consists of reports, self-study instruments, and Athletic Department Compliance with NCAA Regulations manuals.","This sub-series contains athletic Weekly Activity Reports."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f9e735b9939d4789fe2a6bb51ad6c3d3\"\u003eArchives stacks, Record Group 09, Athletics\u003c/physloc\u003e"],"physloc_tesim":["Archives stacks, Record Group 09, Athletics"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Department of Intercollegiate Athletics"],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Department of Intercollegiate Athletics"],"language_ssim":["English"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:10:09.980Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_633_c01_c11"}},{"id":"viw_repositories_2_resources_76_c04_c02","type":"Subseries","attributes":{"title":"Theatre Production Playbooks","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_76_c04_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series consists of playbooks from productions put on by the Department of Theatre, Speech, and Dance.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_76_c04_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_76_c04_c02","ref_ssm":["viw_repositories_2_resources_76_c04_c02"],"id":"viw_repositories_2_resources_76_c04_c02","ead_ssi":"viw_repositories_2_resources_76","_root_":"viw_repositories_2_resources_76","_nest_parent_":"viw_repositories_2_resources_76_c04","parent_ssi":"viw_repositories_2_resources_76_c04","parent_ssim":["viw_repositories_2_resources_76","viw_repositories_2_resources_76_c04"],"parent_ids_ssim":["viw_repositories_2_resources_76","viw_repositories_2_resources_76_c04"],"parent_unittitles_ssm":["Department of Theatre, Speech, and Dance records","Series 4: Scripts and Playbooks"],"parent_unittitles_tesim":["Department of Theatre, Speech, and Dance records","Series 4: Scripts and Playbooks"],"text":["Department of Theatre, Speech, and Dance records","Series 4: Scripts and Playbooks","Theatre Production Playbooks","This sub-series consists of playbooks from productions put on by the Department of Theatre, Speech, and Dance."],"title_filing_ssi":"Theatre Production Playbooks","title_ssm":["Theatre Production Playbooks"],"title_tesim":["Theatre Production Playbooks"],"unitdate_inclusive_ssm":["1944-2001"],"normalized_date_ssm":["1944/2001"],"normalized_title_ssm":["Theatre Production Playbooks"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Department of Theatre, Speech, and Dance records"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":877,"parent_access_restrict_tesm":["The collection is open to all researchers. Some portions of the collection are not completely arranged, described, and rehoused. Release forms for oral histories in Series 11 are available with the transcriptions or the donor file. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series consists of playbooks from productions put on by the Department of Theatre, Speech, and Dance.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series consists of playbooks from productions put on by the Department of Theatre, Speech, and Dance."],"_nest_path_":"/components#3/components#1","timestamp":"2026-05-21T10:17:36.475Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_76","ead_ssi":"viw_repositories_2_resources_76","_root_":"viw_repositories_2_resources_76","_nest_parent_":"viw_repositories_2_resources_76","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_76.xml","title_filing_ssi":"Department of Theatre, Speech, and Dance records","title_ssm":["Department of Theatre, Speech, and Dance records"],"title_tesim":["Department of Theatre, Speech, and Dance records"],"unitdate_ssm":["1920-ongoing"],"unitdate_inclusive_ssm":["1920-ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 59","/repositories/2/resources/76"],"text":["UA 59","/repositories/2/resources/76","Department of Theatre, Speech, and Dance records","Student Plays","Class materials","Correspondence","Fliers (printed matter)","Manuscripts (document genre)","Photographs","Plays (document genre)","Programs","Reports","Sound Recordings","Typescripts","The collection is open to all researchers. Some portions of the collection are not completely arranged, described, and rehoused. Release forms for oral histories in Series 11 are available with the transcriptions or the donor file. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","This collection is currently being arranged and described. Please consult a staff member for assistance."," This collection is arranged into six series: Series 1: Administrative Records; Series 2: Theatre Programs; Series 3: Virginia Shakespeare Festival; Series 4: Scripts and Playbooks; Series 5: Grassroots Theatre Oral History Project; Series 6: Photographs; Series 7: Dance Program.","William and Mary boasts one of the oldest and most reputable theatre programs in the United States. The discipline of dance was formally established at William and Mary in 1941 by Professor Grace Felker through the Modern Dance Club and its subset of advanced students known as Orchesis. In 2000, Professors Roby and Sherman retired, and that fall, the Dance Program moved to the Department of Theatre, Speech and Dance where it continues to flourish.","Second of two audio cassette tapes of a Grassroots meeting as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","The following series are stored offsite: 7,8, 12-17. Please consult staff for assistance."," Access to the original audiotape recordings in Series 5 may be limited due to the condition of the original recordings. Consult a staff member in advance of visiting the SCRC to use the collection to discuss the use of these items.","Acc. 2008.162 accessioned from the backlog on 12/12/2008 by Amy C. Schindler, University Archivist. Steven Bookman, University Archives Specialist, and Nathaniel Baako, SCRC Staff,  began arranging and describing the collection in June 2009. Emily Eklund, SCRC Staff, arranged and described accession 2005.005 in September 2009-April 2010. Acc. 2011.291 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2011.","William and Mary Theatre Records (UA 67); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52); University Archives Audiovisual, Photograph, Artifact, Subject, Bound Volume and Poster Collections."," Information about related materials is available at http://guides.swem.wm.edu/wm","The records of the Department of Theatre, Speech, and Dance at the College of William and Mary holds material from the early 20th century to the present. The collection includes departmental administrative records, programs, scripts and playbooks, photographs, posters, as well as material from the Virginia Shakespeare Festival and the Grassroots Theatre Oral History Project.","This series contains administrative records for the Department of Theatre, Speech, and Dance from the 1920s to the 1990s. Acc. 2000.006: Department of Theatre and Speech Records, 1974-1981. Includes records of the Chair; Roger Sherman's records regarding fundraising; budget requests and justification forms; materials about the publication of The William and Mary Theatre: 50 Years; a file on the history of theatre at William and Mary; information about the Althea Hunt Theatre Fund.","This sub-series includes newspaper articles about William and Mary Theatre and its productions and advertisements for performances.","flier for The Jungle Book","Costume and set designs from William and Mary Theatre productions.","Letters, notes, and other records relating to the William and Mary Theatre department.","Articles, photos, letters, and other documents relating to William and Mary Theatre faculty members.","Articles, letters, photos, and other documents relating to students and graduates of the William and Mary Theatre program.","This series consists of programs from various plays that were produced by the Department of Theatre, Speech, and Dance. See also the records of the William \u0026 Mary Theatre.","Theatre and Dance programs for the 2012-2013 season.","This series consists of correspondence, programs, news releases, and other material from the Virginia Shakespeare Festival held each year at Phi Beta Kappa Hall. The series is arranged chronologically.","This series consists of books and scripts of plays both performed by and written by students in the Department of Theatre, Speech, and Dance. The series is divided into two subseries: Student Scripts and Playbooks, and Theatre Production Playbooks.","This sub-series consists of scripts written or performed by students in Theatre classes at William and Mary. Acc. 1985.028: Playwriting Class Student Papers, 1956-1984. Contains student drama scripts from Louis E. Catron's playwriting classes, 1956; 1966-1967; 1978; 1982-1984. A PDF inventory of Acc. 1985.028 is available online at http://scrc.swem.wm.edu/findingaids/UA_1985_28%20theater%20and%20speech%20playwriting%20papers.pdf Acc. 1983.076: Playwriting Class Student Papers, 1973-1982. Contains student drama scripts from Louis E. Catron's playwriting classes, 1973-1978; 1982. A PDF inventory of Acc. 1983.076 is available online at http://scrc.swem.wm.edu/findingaids/UA_1983_76%20theater%20and%20speech%20playwriting%20papers,%201966_%201974.pdf Acc. 1982.063: Playwriting Class Student Papers, 1976-1981. Contains student drama scripts from Louis E. Catron's playwriting classes, 1976-1981. A PDF inventory of Acc. 1982.063 is available online at http://scrc.swem.wm.edu/findingaids/UA_1982_63%20theater%20and%20speech%20playwriting%20papers.pdf Acc. 1983.036: Playwriting Class Student Papers, 1979-1983. Contains student drama scripts from Louis E. Catron's playwriting classes, 1979-1983. A PDF inventory of Acc. 1983.036 is available online at http://scrc.swem.wm.edu/findingaids/UA_1983_36%20theater%20and%20speech%20playwriting%20papers,%201979-83.pdf Acc. 1987.021: Playwriting Class Student Papers, 1984-1986. Contains student drama scripts from Louis E. Catron's playwriting classes, 1984-1986. A PDF inventory of Acc. 1987.021 is available online at http://scrc.swem.wm.edu/findingaids/UA_1987_21%20Theater%20and%20Speech%20Playwriting%20Papers.pdf Acc. 1990.062: Playwriting Class Student Papers, 1987-1989. Contains student drama scripts from Louis E. Catron's playwriting classes, 1987-1989. A PDF of the inventory for Series 17 is available at http://scrc.swem.wm.edu/findingaids/1990_62%20Theater%20and%20Speech%20Plays.pdf","This folder contains a series of short plays presented by children ages 5 to 15 and supervised by the Fine Arts 331 class of William and Mary. Each play was directed by John Reese and promoted by Thomas Thorne.","This sub-series consists of playbooks from productions put on by the Department of Theatre, Speech, and Dance.","This series consists of correspondence, transcripts, audiotapes, photographs, notes, and articles about the Grassroots Theatre Oral History Project by students in the Department of Theatre Speech and Dance from 1995 to 1999. The project conducted oral histories from various members of the Williamsburg, Virginia community and created theatre performances using those stories. The Grassroots Theatre conducted Story Circles, small groups of people who would sit in a circle and tell stories or remembrances. The performances documented in this series include \"Walk Together Children,\" a play about Williamsburg during the Civil Rights Era in the 1950s and 1960s; \"Community Ties,\" a play about the Kingspoint, Mooretown Road, and Brook Haven neighborhoods; and, a project to document 20th Century history of Williamsburg through story circles with retired school teachers, church historians, the African-American community, and others. Not all of the oral histories in this series have written transcripts and access to the original recordings may be limited due to the condition of the original recordings. The transcripts in this series are arranged chronologically according to when they were conducted.","updated transcript provided by Will Molineux, Pulaski Club Member, 10/13/2014","Cassettes of oral history transcripts found in Box 1, folders 55, 56,58,61","One audio cassette tape of a Stage Group performance as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of Williamsburg Regional Library interviews as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of a Statistics Lecture event as part of the Grassroots Oral History Theatre Project. Acc. 19960.028","One audio cassette tape of June Bug Jack Story Circle event as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of a Room 13 Story Circle event as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of a Sherman interview as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of interviews by James Richardson and Brian Boyd as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of Dr. Blayton Interview as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of an interview with Mr. and Mrs. Lee as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Henry Wrens, as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Mr. Robert Moore as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Stella Nieman, as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Davis Y. Paschall as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Nancy James, as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview at the Olive Branch Story Circle as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Mrs. L. Hornsby as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interviews at the First Baptist Church as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One of two audio cassette tapes of interviews with Kristin and Cameron at the WRL as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Myrtle Engs as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of interviews at Iris Lymen as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Davis Y. Paschall as part of the Grassroots Theatre Oral History Project. Acc 1996.028","First of two audio cassette tapes of a Grassroots meeting as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of the Post Show from a Story Circle performed at William and Mary's Phi Beta Kappa Memorial Hall as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of the Post Show from a Story Circle performed at William and Mary's Phi Beta Kappa Memorial Hall as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape from a performance of The Kidds at William and Mary as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of interviews with James Richardson and Phillip Cooke as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Eliza Manuel James as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Sandra Owen as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Reverend Moody as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Bill Bryant as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of interviews at a Road Dedication event in Williamsburg, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","First of two audio cassette tapes of interviews at Kingspoint, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Second of two audio cassette tapes of interviews at Kingspoint, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview on Community Ties in Williamsburg, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at Mooretown Rd, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at Kingspoint, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at Ms. Ethel Hill's home with Mrs. Johnson in Brookhaven, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Kristin from the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Cameron from the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Mary from the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview at the Pulaski Club, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Liz Hart at Matthew Whaley School, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at Patriots Landing, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Harvey Stone for the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","First of two audio cassette tape of interview with Ashley G. Melody, Elizabeth and Jessica as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Second of two audio cassette tape of interview with Ashley G. Melody, Elizabeth and Jessica as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews with guests at the Matthew Whaley Reunion in 1998, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Church Historian Rebekah, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Church Historian Scott, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of a duplicate copy from the interview with Church Historian Scott as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Two audio cassette tapes of interviews at the Bruton Heights, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews with various church leaders, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews with Alma Evans, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Madeline Gee, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Nick,as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Diana(a school teacher), as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Amy and Sachen on \"Church Talk\", as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with guests at the Class of 1948 Reunion of Bruton Heights, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Second of two audio cassette tapes of interviews with members of the Class of 1948 Reunion at Matthew Whaley School, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","First of two audio cassette tapes of interviews with members of the Class of 1948 Reunion at Matthew Whaley School, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of the interviews with various people at the Patriots Landing, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at the Matthew Whaley School Class of 1943 Reunion as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One of two audio cassette tapes of interview with Harriet Petrell, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews with Mamie Ruth and Jimmy Hitchins interview, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Doris Rainey, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Two audio cassette tapes of interview with Dr. Blaine Blayton, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Irene Lee, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Two audio cassette tapes of interviews at James City County Training School as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One of two audio cassette tapes of interview with Calvin Taylor, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Two of two audio cassette tapes of interview with Calvin Taylor, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","This series consists of photographs from various productions produced by the Department of Theatre, Speech, and Dance as well as other photographs related to the department. Acc. 1995.27: Slides (not yet inventoried here). Acc. 2008.166: This accession includes photographs of students and scripts for unidentified plays.","Acc. 2012.148: This accession contains posters, programs, and postcards for dance performances including An Evening of Dance, Orchesis, and Dance Minors, circa 1970s-2011.","2 Posters for 16th Season and 2 posters for Twain the Third, March 20, 2016.","Promotion materials from the Theater, Speech and Dance department. Items includes a banner documenting a live zoom conversation.","Five programs from the William \u0026 Mary Theater Department from 1971-1977. Representing plays include \"Man of La Mancha,\" \"Damn Yankees!,\" \"Brigadoon.","A single photograph depicting a scene from \"The American Dream.\"","Sub-series contains oversize photographs.","Two audio cassette tapes of the Howard Scammon Roast and two unidentified VHS videotapes were removed from Acc. 2005.005 on 6/10/2009 and were made part of the University Archives Audiovisual Collection (UA 58); posters from productions by the department were pulled from this collection on 6/22/2009 and were added to the University Archives Poster Collection (UA 13).\nPosters from 2016.170 were separated for flattening and can be found in the designated area in Pav. B.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Theatre, Speech, and Dance","College of William and Mary. Dept. of Theatre, Speech, and Dance","Student Organizations--Orchesis","Catron, Louis E.","Hunt, Althea, 1890-1971","Scammon, Howard, 1911-1999","Sherman, Roger","Thorne, Thomas Elston","English"],"unitid_tesim":["UA 59","/repositories/2/resources/76"],"normalized_title_ssm":["Department of Theatre, Speech, and Dance records"],"collection_title_tesim":["Department of Theatre, Speech, and Dance records"],"collection_ssim":["Department of Theatre, Speech, and Dance records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Dept. of Theatre, Speech, and Dance","Catron, Louis E.","Hunt, Althea, 1890-1971","Scammon, Howard, 1911-1999","Sherman, Roger"],"creator_ssim":["Dept. of Theatre, Speech, and Dance","Catron, Louis E.","Hunt, Althea, 1890-1971","Scammon, Howard, 1911-1999","Sherman, Roger"],"creator_persname_ssim":["Catron, Louis E.","Hunt, Althea, 1890-1971","Scammon, Howard, 1911-1999","Sherman, Roger"],"creator_corpname_ssim":["Dept. of Theatre, Speech, and Dance"],"creators_ssim":["Catron, Louis E.","Hunt, Althea, 1890-1971","Scammon, Howard, 1911-1999","Sherman, Roger","Dept. of Theatre, Speech, and Dance"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2005.005, acquired 07/21/2005; Acc. 2000.006, acquired 05/14/1992; Acc. 1980.021, acquired 03/04/1980; Acc. 1984.012, acquired 02/20/1956; Acc. 1986.001, acquired 10/18/1983; Acc. 1991.011, acquired 03/08/1991; Acc. 1989.091, acquired 06/22/1989 and was transferred to the University Archives Audiovisual Collection in 2008; Acc. 1982.036, acquired 06/10/1982; Acc. 1996.028, acquired 12/16/1996; Acc. 2008.162 received on 5/10/2001 from Ann Elizabeth Armstrong; Acc. 1985.028, acquired 05/10/1985; Acc. 1983.076, acquired 11/02/1983; Acc. 1982.063, acquired 10/15/1982; Acc. 1983.036, acquired 08/31/1983; Acc. 1987.021, acquired 03/27/1987; Acc. 1990.062, acquired 09/03/1990; Acc. 2007.079 recieved on 12/5/2007 from Christopher Robins of the Department of Theatre, Speech, and Dance; Acc. 2008.011 received on 1/29/2008 from Christopher Robbins of the Department of Theatre, Speech, and Dance; Acc. 2008.127 was received on 11/14/2008 from Christopher Robbins of the Department of Theatre, Speech, and Dance, and was separated from this collection on 6/22/2009 and was added to the University Archives Poster Collection (UA 12); Acc. 2008.162 was accessioned as part of the backlog and was received prior to 2007. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member.  Acc. 2016.170 was received in 2016 by delivery to Special Collections."],"access_subjects_ssim":["Student Plays","Class materials","Correspondence","Fliers (printed matter)","Manuscripts (document genre)","Photographs","Plays (document genre)","Programs","Reports","Sound Recordings","Typescripts"],"access_subjects_ssm":["Student Plays","Class materials","Correspondence","Fliers (printed matter)","Manuscripts (document genre)","Photographs","Plays (document genre)","Programs","Reports","Sound Recordings","Typescripts"],"has_online_content_ssim":["false"],"extent_ssm":["30.50 Linear Feet"],"extent_tesim":["30.50 Linear Feet"],"genreform_ssim":["Class materials","Correspondence","Fliers (printed matter)","Manuscripts (document genre)","Photographs","Plays (document genre)","Programs","Reports","Sound Recordings","Typescripts"],"date_range_isim":[1920],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Some portions of the collection are not completely arranged, described, and rehoused. Release forms for oral histories in Series 11 are available with the transcriptions or the donor file. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Some portions of the collection are not completely arranged, described, and rehoused. Release forms for oral histories in Series 11 are available with the transcriptions or the donor file. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThis collection is currently being arranged and described. Please consult a staff member for assistance.\u003c/p\u003e\n","\u003cp\u003e This collection is arranged into six series: Series 1: Administrative Records; Series 2: Theatre Programs; Series 3: Virginia Shakespeare Festival; Series 4: Scripts and Playbooks; Series 5: Grassroots Theatre Oral History Project; Series 6: Photographs; Series 7: Dance Program.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is currently being arranged and described. Please consult a staff member for assistance."," This collection is arranged into six series: Series 1: Administrative Records; Series 2: Theatre Programs; Series 3: Virginia Shakespeare Festival; Series 4: Scripts and Playbooks; Series 5: Grassroots Theatre Oral History Project; Series 6: Photographs; Series 7: Dance Program."],"bioghist_html_tesm":["\u003cp\u003eWilliam and Mary boasts one of the oldest and most reputable theatre programs in the United States. The discipline of dance was formally established at William and Mary in 1941 by Professor Grace Felker through the Modern Dance Club and its subset of advanced students known as Orchesis. In 2000, Professors Roby and Sherman retired, and that fall, the Dance Program moved to the Department of Theatre, Speech and Dance where it continues to flourish.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["William and Mary boasts one of the oldest and most reputable theatre programs in the United States. The discipline of dance was formally established at William and Mary in 1941 by Professor Grace Felker through the Modern Dance Club and its subset of advanced students known as Orchesis. In 2000, Professors Roby and Sherman retired, and that fall, the Dance Program moved to the Department of Theatre, Speech and Dance where it continues to flourish."],"odd_html_tesm":["\u003cp\u003eSecond of two audio cassette tapes of a Grassroots meeting as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Second of two audio cassette tapes of a Grassroots meeting as part of the Grassroots Theatre Oral History Project. Acc. 1996.028"],"phystech_html_tesm":["\u003cp\u003eThe following series are stored offsite: 7,8, 12-17. Please consult staff for assistance.\u003c/p\u003e","\u003cp\u003e Access to the original audiotape recordings in Series 5 may be limited due to the condition of the original recordings. Consult a staff member in advance of visiting the SCRC to use the collection to discuss the use of these items.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["The following series are stored offsite: 7,8, 12-17. Please consult staff for assistance."," Access to the original audiotape recordings in Series 5 may be limited due to the condition of the original recordings. Consult a staff member in advance of visiting the SCRC to use the collection to discuss the use of these items."],"prefercite_html_tesm":["\u003cp\u003eDepartment of Theatre, Speech, and Dance records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Department of Theatre, Speech, and Dance records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2008.162 accessioned from the backlog on 12/12/2008 by Amy C. Schindler, University Archivist. Steven Bookman, University Archives Specialist, and Nathaniel Baako, SCRC Staff,  began arranging and describing the collection in June 2009. Emily Eklund, SCRC Staff, arranged and described accession 2005.005 in September 2009-April 2010. Acc. 2011.291 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2008.162 accessioned from the backlog on 12/12/2008 by Amy C. Schindler, University Archivist. Steven Bookman, University Archives Specialist, and Nathaniel Baako, SCRC Staff,  began arranging and describing the collection in June 2009. Emily Eklund, SCRC Staff, arranged and described accession 2005.005 in September 2009-April 2010. Acc. 2011.291 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam and Mary Theatre Records (UA 67); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52); University Archives Audiovisual, Photograph, Artifact, Subject, Bound Volume and Poster Collections.\u003c/p\u003e\n","\u003cp\u003e Information about related materials is available at http://guides.swem.wm.edu/wm\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["William and Mary Theatre Records (UA 67); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52); University Archives Audiovisual, Photograph, Artifact, Subject, Bound Volume and Poster Collections."," Information about related materials is available at http://guides.swem.wm.edu/wm"],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Department of Theatre, Speech, and Dance at the College of William and Mary holds material from the early 20th century to the present. The collection includes departmental administrative records, programs, scripts and playbooks, photographs, posters, as well as material from the Virginia Shakespeare Festival and the Grassroots Theatre Oral History Project.\u003c/p\u003e","\u003cp\u003eThis series contains administrative records for the Department of Theatre, Speech, and Dance from the 1920s to the 1990s. Acc. 2000.006: Department of Theatre and Speech Records, 1974-1981. Includes records of the Chair; Roger Sherman's records regarding fundraising; budget requests and justification forms; materials about the publication of The William and Mary Theatre: 50 Years; a file on the history of theatre at William and Mary; information about the Althea Hunt Theatre Fund.\u003c/p\u003e","\u003cp\u003eThis sub-series includes newspaper articles about William and Mary Theatre and its productions and advertisements for performances.\u003c/p\u003e","\u003cp\u003eflier for The Jungle Book\u003c/p\u003e","\u003cp\u003eCostume and set designs from William and Mary Theatre productions.\u003c/p\u003e","\u003cp\u003eLetters, notes, and other records relating to the William and Mary Theatre department.\u003c/p\u003e","\u003cp\u003eArticles, photos, letters, and other documents relating to William and Mary Theatre faculty members.\u003c/p\u003e","\u003cp\u003eArticles, letters, photos, and other documents relating to students and graduates of the William and Mary Theatre program.\u003c/p\u003e","\u003cp\u003eThis series consists of programs from various plays that were produced by the Department of Theatre, Speech, and Dance. See also the records of the William \u0026amp; Mary Theatre.\u003c/p\u003e","\u003cp\u003eTheatre and Dance programs for the 2012-2013 season.\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence, programs, news releases, and other material from the Virginia Shakespeare Festival held each year at Phi Beta Kappa Hall. The series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis series consists of books and scripts of plays both performed by and written by students in the Department of Theatre, Speech, and Dance. The series is divided into two subseries: Student Scripts and Playbooks, and Theatre Production Playbooks.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of scripts written or performed by students in Theatre classes at William and Mary. Acc. 1985.028: Playwriting Class Student Papers, 1956-1984. Contains student drama scripts from Louis E. Catron's playwriting classes, 1956; 1966-1967; 1978; 1982-1984. A PDF inventory of Acc. 1985.028 is available online at http://scrc.swem.wm.edu/findingaids/UA_1985_28%20theater%20and%20speech%20playwriting%20papers.pdf Acc. 1983.076: Playwriting Class Student Papers, 1973-1982. Contains student drama scripts from Louis E. Catron's playwriting classes, 1973-1978; 1982. A PDF inventory of Acc. 1983.076 is available online at http://scrc.swem.wm.edu/findingaids/UA_1983_76%20theater%20and%20speech%20playwriting%20papers,%201966_%201974.pdf Acc. 1982.063: Playwriting Class Student Papers, 1976-1981. Contains student drama scripts from Louis E. Catron's playwriting classes, 1976-1981. A PDF inventory of Acc. 1982.063 is available online at http://scrc.swem.wm.edu/findingaids/UA_1982_63%20theater%20and%20speech%20playwriting%20papers.pdf Acc. 1983.036: Playwriting Class Student Papers, 1979-1983. Contains student drama scripts from Louis E. Catron's playwriting classes, 1979-1983. A PDF inventory of Acc. 1983.036 is available online at http://scrc.swem.wm.edu/findingaids/UA_1983_36%20theater%20and%20speech%20playwriting%20papers,%201979-83.pdf Acc. 1987.021: Playwriting Class Student Papers, 1984-1986. Contains student drama scripts from Louis E. Catron's playwriting classes, 1984-1986. A PDF inventory of Acc. 1987.021 is available online at http://scrc.swem.wm.edu/findingaids/UA_1987_21%20Theater%20and%20Speech%20Playwriting%20Papers.pdf Acc. 1990.062: Playwriting Class Student Papers, 1987-1989. Contains student drama scripts from Louis E. Catron's playwriting classes, 1987-1989. A PDF of the inventory for Series 17 is available at http://scrc.swem.wm.edu/findingaids/1990_62%20Theater%20and%20Speech%20Plays.pdf\u003c/p\u003e","\u003cp\u003eThis folder contains a series of short plays presented by children ages 5 to 15 and supervised by the Fine Arts 331 class of William and Mary. Each play was directed by John Reese and promoted by Thomas Thorne.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of playbooks from productions put on by the Department of Theatre, Speech, and Dance.\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence, transcripts, audiotapes, photographs, notes, and articles about the Grassroots Theatre Oral History Project by students in the Department of Theatre Speech and Dance from 1995 to 1999. The project conducted oral histories from various members of the Williamsburg, Virginia community and created theatre performances using those stories. The Grassroots Theatre conducted Story Circles, small groups of people who would sit in a circle and tell stories or remembrances. The performances documented in this series include \"Walk Together Children,\" a play about Williamsburg during the Civil Rights Era in the 1950s and 1960s; \"Community Ties,\" a play about the Kingspoint, Mooretown Road, and Brook Haven neighborhoods; and, a project to document 20th Century history of Williamsburg through story circles with retired school teachers, church historians, the African-American community, and others. Not all of the oral histories in this series have written transcripts and access to the original recordings may be limited due to the condition of the original recordings. The transcripts in this series are arranged chronologically according to when they were conducted.\u003c/p\u003e","\u003cp\u003eupdated transcript provided by Will Molineux, Pulaski Club Member, 10/13/2014\u003c/p\u003e","\u003cp\u003eCassettes of oral history transcripts found in Box 1, folders 55, 56,58,61\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of a Stage Group performance as part of the Grassroots Oral History Theatre Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of Williamsburg Regional Library interviews as part of the Grassroots Oral History Theatre Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of a Statistics Lecture event as part of the Grassroots Oral History Theatre Project. Acc. 19960.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of June Bug Jack Story Circle event as part of the Grassroots Oral History Theatre Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of a Room 13 Story Circle event as part of the Grassroots Oral History Theatre Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of a Sherman interview as part of the Grassroots Oral History Theatre Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews by James Richardson and Brian Boyd as part of the Grassroots Oral History Theatre Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of Dr. Blayton Interview as part of the Grassroots Oral History Theatre Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Mr. and Mrs. Lee as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Henry Wrens, as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Mr. Robert Moore as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Stella Nieman, as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Davis Y. Paschall as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Nancy James, as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview at the Olive Branch Story Circle as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Mrs. L. Hornsby as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interviews at the First Baptist Church as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne of two audio cassette tapes of interviews with Kristin and Cameron at the WRL as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Myrtle Engs as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews at Iris Lymen as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Davis Y. Paschall as part of the Grassroots Theatre Oral History Project. Acc 1996.028\u003c/p\u003e","\u003cp\u003eFirst of two audio cassette tapes of a Grassroots meeting as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Post Show from a Story Circle performed at William and Mary's Phi Beta Kappa Memorial Hall as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Post Show from a Story Circle performed at William and Mary's Phi Beta Kappa Memorial Hall as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape from a performance of The Kidds at William and Mary as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews with James Richardson and Phillip Cooke as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Eliza Manuel James as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Sandra Owen as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Reverend Moody as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of an interview with Bill Bryant as part of the Grassroots Theatre Oral History Project. Acc. 1996.028\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews at a Road Dedication event in Williamsburg, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eFirst of two audio cassette tapes of interviews at Kingspoint, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eSecond of two audio cassette tapes of interviews at Kingspoint, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview on Community Ties in Williamsburg, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews at Mooretown Rd, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews at Kingspoint, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews at Ms. Ethel Hill's home with Mrs. Johnson in Brookhaven, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Kristin from the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Cameron from the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Mary from the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview at the Pulaski Club, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Liz Hart at Matthew Whaley School, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews at Patriots Landing, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Harvey Stone for the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eFirst of two audio cassette tape of interview with Ashley G. Melody, Elizabeth and Jessica as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eSecond of two audio cassette tape of interview with Ashley G. Melody, Elizabeth and Jessica as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews with guests at the Matthew Whaley Reunion in 1998, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Church Historian Rebekah, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Church Historian Scott, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of a duplicate copy from the interview with Church Historian Scott as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eTwo audio cassette tapes of interviews at the Bruton Heights, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews with various church leaders, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews with Alma Evans, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Madeline Gee, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Nick,as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Diana(a school teacher), as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Amy and Sachen on \"Church Talk\", as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with guests at the Class of 1948 Reunion of Bruton Heights, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eSecond of two audio cassette tapes of interviews with members of the Class of 1948 Reunion at Matthew Whaley School, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eFirst of two audio cassette tapes of interviews with members of the Class of 1948 Reunion at Matthew Whaley School, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the interviews with various people at the Patriots Landing, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews at the Matthew Whaley School Class of 1943 Reunion as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne of two audio cassette tapes of interview with Harriet Petrell, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interviews with Mamie Ruth and Jimmy Hitchins interview, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Doris Rainey, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eTwo audio cassette tapes of interview with Dr. Blaine Blayton, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of interview with Irene Lee, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eTwo audio cassette tapes of interviews at James City County Training School as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eOne of two audio cassette tapes of interview with Calvin Taylor, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eTwo of two audio cassette tapes of interview with Calvin Taylor, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162\u003c/p\u003e","\u003cp\u003eThis series consists of photographs from various productions produced by the Department of Theatre, Speech, and Dance as well as other photographs related to the department. Acc. 1995.27: Slides (not yet inventoried here). Acc. 2008.166: This accession includes photographs of students and scripts for unidentified plays.\u003c/p\u003e","\u003cp\u003eAcc. 2012.148: This accession contains posters, programs, and postcards for dance performances including An Evening of Dance, Orchesis, and Dance Minors, circa 1970s-2011.\u003c/p\u003e","\u003cp\u003e2 Posters for 16th Season and 2 posters for Twain the Third, March 20, 2016.\u003c/p\u003e","\u003cp\u003ePromotion materials from the Theater, Speech and Dance department. Items includes a banner documenting a live zoom conversation.\u003c/p\u003e","\u003cp\u003eFive programs from the William \u0026amp; Mary Theater Department from 1971-1977. Representing plays include \"Man of La Mancha,\" \"Damn Yankees!,\" \"Brigadoon.\u003c/p\u003e","\u003cp\u003eA single photograph depicting a scene from \"The American Dream.\"\u003c/p\u003e","\u003cp\u003eSub-series contains oversize photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The records of the Department of Theatre, Speech, and Dance at the College of William and Mary holds material from the early 20th century to the present. The collection includes departmental administrative records, programs, scripts and playbooks, photographs, posters, as well as material from the Virginia Shakespeare Festival and the Grassroots Theatre Oral History Project.","This series contains administrative records for the Department of Theatre, Speech, and Dance from the 1920s to the 1990s. Acc. 2000.006: Department of Theatre and Speech Records, 1974-1981. Includes records of the Chair; Roger Sherman's records regarding fundraising; budget requests and justification forms; materials about the publication of The William and Mary Theatre: 50 Years; a file on the history of theatre at William and Mary; information about the Althea Hunt Theatre Fund.","This sub-series includes newspaper articles about William and Mary Theatre and its productions and advertisements for performances.","flier for The Jungle Book","Costume and set designs from William and Mary Theatre productions.","Letters, notes, and other records relating to the William and Mary Theatre department.","Articles, photos, letters, and other documents relating to William and Mary Theatre faculty members.","Articles, letters, photos, and other documents relating to students and graduates of the William and Mary Theatre program.","This series consists of programs from various plays that were produced by the Department of Theatre, Speech, and Dance. See also the records of the William \u0026 Mary Theatre.","Theatre and Dance programs for the 2012-2013 season.","This series consists of correspondence, programs, news releases, and other material from the Virginia Shakespeare Festival held each year at Phi Beta Kappa Hall. The series is arranged chronologically.","This series consists of books and scripts of plays both performed by and written by students in the Department of Theatre, Speech, and Dance. The series is divided into two subseries: Student Scripts and Playbooks, and Theatre Production Playbooks.","This sub-series consists of scripts written or performed by students in Theatre classes at William and Mary. Acc. 1985.028: Playwriting Class Student Papers, 1956-1984. Contains student drama scripts from Louis E. Catron's playwriting classes, 1956; 1966-1967; 1978; 1982-1984. A PDF inventory of Acc. 1985.028 is available online at http://scrc.swem.wm.edu/findingaids/UA_1985_28%20theater%20and%20speech%20playwriting%20papers.pdf Acc. 1983.076: Playwriting Class Student Papers, 1973-1982. Contains student drama scripts from Louis E. Catron's playwriting classes, 1973-1978; 1982. A PDF inventory of Acc. 1983.076 is available online at http://scrc.swem.wm.edu/findingaids/UA_1983_76%20theater%20and%20speech%20playwriting%20papers,%201966_%201974.pdf Acc. 1982.063: Playwriting Class Student Papers, 1976-1981. Contains student drama scripts from Louis E. Catron's playwriting classes, 1976-1981. A PDF inventory of Acc. 1982.063 is available online at http://scrc.swem.wm.edu/findingaids/UA_1982_63%20theater%20and%20speech%20playwriting%20papers.pdf Acc. 1983.036: Playwriting Class Student Papers, 1979-1983. Contains student drama scripts from Louis E. Catron's playwriting classes, 1979-1983. A PDF inventory of Acc. 1983.036 is available online at http://scrc.swem.wm.edu/findingaids/UA_1983_36%20theater%20and%20speech%20playwriting%20papers,%201979-83.pdf Acc. 1987.021: Playwriting Class Student Papers, 1984-1986. Contains student drama scripts from Louis E. Catron's playwriting classes, 1984-1986. A PDF inventory of Acc. 1987.021 is available online at http://scrc.swem.wm.edu/findingaids/UA_1987_21%20Theater%20and%20Speech%20Playwriting%20Papers.pdf Acc. 1990.062: Playwriting Class Student Papers, 1987-1989. Contains student drama scripts from Louis E. Catron's playwriting classes, 1987-1989. A PDF of the inventory for Series 17 is available at http://scrc.swem.wm.edu/findingaids/1990_62%20Theater%20and%20Speech%20Plays.pdf","This folder contains a series of short plays presented by children ages 5 to 15 and supervised by the Fine Arts 331 class of William and Mary. Each play was directed by John Reese and promoted by Thomas Thorne.","This sub-series consists of playbooks from productions put on by the Department of Theatre, Speech, and Dance.","This series consists of correspondence, transcripts, audiotapes, photographs, notes, and articles about the Grassroots Theatre Oral History Project by students in the Department of Theatre Speech and Dance from 1995 to 1999. The project conducted oral histories from various members of the Williamsburg, Virginia community and created theatre performances using those stories. The Grassroots Theatre conducted Story Circles, small groups of people who would sit in a circle and tell stories or remembrances. The performances documented in this series include \"Walk Together Children,\" a play about Williamsburg during the Civil Rights Era in the 1950s and 1960s; \"Community Ties,\" a play about the Kingspoint, Mooretown Road, and Brook Haven neighborhoods; and, a project to document 20th Century history of Williamsburg through story circles with retired school teachers, church historians, the African-American community, and others. Not all of the oral histories in this series have written transcripts and access to the original recordings may be limited due to the condition of the original recordings. The transcripts in this series are arranged chronologically according to when they were conducted.","updated transcript provided by Will Molineux, Pulaski Club Member, 10/13/2014","Cassettes of oral history transcripts found in Box 1, folders 55, 56,58,61","One audio cassette tape of a Stage Group performance as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of Williamsburg Regional Library interviews as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of a Statistics Lecture event as part of the Grassroots Oral History Theatre Project. Acc. 19960.028","One audio cassette tape of June Bug Jack Story Circle event as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of a Room 13 Story Circle event as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of a Sherman interview as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of interviews by James Richardson and Brian Boyd as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of Dr. Blayton Interview as part of the Grassroots Oral History Theatre Project. Acc. 1996.028","One audio cassette tape of an interview with Mr. and Mrs. Lee as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Henry Wrens, as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Mr. Robert Moore as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Stella Nieman, as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Davis Y. Paschall as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Nancy James, as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview at the Olive Branch Story Circle as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Mrs. L. Hornsby as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interviews at the First Baptist Church as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One of two audio cassette tapes of interviews with Kristin and Cameron at the WRL as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Myrtle Engs as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of interviews at Iris Lymen as part of the Grassroots Theatre Oral History Project. Acc 1996.028","One audio cassette tape of an interview with Davis Y. Paschall as part of the Grassroots Theatre Oral History Project. Acc 1996.028","First of two audio cassette tapes of a Grassroots meeting as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of the Post Show from a Story Circle performed at William and Mary's Phi Beta Kappa Memorial Hall as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of the Post Show from a Story Circle performed at William and Mary's Phi Beta Kappa Memorial Hall as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape from a performance of The Kidds at William and Mary as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of interviews with James Richardson and Phillip Cooke as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Eliza Manuel James as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Sandra Owen as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Reverend Moody as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of an interview with Bill Bryant as part of the Grassroots Theatre Oral History Project. Acc. 1996.028","One audio cassette tape of interviews at a Road Dedication event in Williamsburg, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","First of two audio cassette tapes of interviews at Kingspoint, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Second of two audio cassette tapes of interviews at Kingspoint, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview on Community Ties in Williamsburg, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at Mooretown Rd, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at Kingspoint, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at Ms. Ethel Hill's home with Mrs. Johnson in Brookhaven, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Kristin from the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Cameron from the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Mary from the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview at the Pulaski Club, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Liz Hart at Matthew Whaley School, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at Patriots Landing, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Harvey Stone for the Neighborhood College Story Circle as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","First of two audio cassette tape of interview with Ashley G. Melody, Elizabeth and Jessica as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Second of two audio cassette tape of interview with Ashley G. Melody, Elizabeth and Jessica as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews with guests at the Matthew Whaley Reunion in 1998, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Church Historian Rebekah, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Church Historian Scott, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of a duplicate copy from the interview with Church Historian Scott as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Two audio cassette tapes of interviews at the Bruton Heights, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews with various church leaders, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews with Alma Evans, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Madeline Gee, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Nick,as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Diana(a school teacher), as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Amy and Sachen on \"Church Talk\", as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with guests at the Class of 1948 Reunion of Bruton Heights, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Second of two audio cassette tapes of interviews with members of the Class of 1948 Reunion at Matthew Whaley School, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","First of two audio cassette tapes of interviews with members of the Class of 1948 Reunion at Matthew Whaley School, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of the interviews with various people at the Patriots Landing, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews at the Matthew Whaley School Class of 1943 Reunion as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One of two audio cassette tapes of interview with Harriet Petrell, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interviews with Mamie Ruth and Jimmy Hitchins interview, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Doris Rainey, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Two audio cassette tapes of interview with Dr. Blaine Blayton, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One audio cassette tape of interview with Irene Lee, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Two audio cassette tapes of interviews at James City County Training School as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","One of two audio cassette tapes of interview with Calvin Taylor, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","Two of two audio cassette tapes of interview with Calvin Taylor, as part of the Grassroots Theatre Oral History Project. Acc. 2008.162","This series consists of photographs from various productions produced by the Department of Theatre, Speech, and Dance as well as other photographs related to the department. Acc. 1995.27: Slides (not yet inventoried here). Acc. 2008.166: This accession includes photographs of students and scripts for unidentified plays.","Acc. 2012.148: This accession contains posters, programs, and postcards for dance performances including An Evening of Dance, Orchesis, and Dance Minors, circa 1970s-2011.","2 Posters for 16th Season and 2 posters for Twain the Third, March 20, 2016.","Promotion materials from the Theater, Speech and Dance department. Items includes a banner documenting a live zoom conversation.","Five programs from the William \u0026 Mary Theater Department from 1971-1977. Representing plays include \"Man of La Mancha,\" \"Damn Yankees!,\" \"Brigadoon.","A single photograph depicting a scene from \"The American Dream.\"","Sub-series contains oversize photographs."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo audio cassette tapes of the Howard Scammon Roast and two unidentified VHS videotapes were removed from Acc. 2005.005 on 6/10/2009 and were made part of the University Archives Audiovisual Collection (UA 58); posters from productions by the department were pulled from this collection on 6/22/2009 and were added to the University Archives Poster Collection (UA 13).\nPosters from 2016.170 were separated for flattening and can be found in the designated area in Pav. B.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Two audio cassette tapes of the Howard Scammon Roast and two unidentified VHS videotapes were removed from Acc. 2005.005 on 6/10/2009 and were made part of the University Archives Audiovisual Collection (UA 58); posters from productions by the department were pulled from this collection on 6/22/2009 and were added to the University Archives Poster Collection (UA 13).\nPosters from 2016.170 were separated for flattening and can be found in the designated area in Pav. B."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Theatre, Speech, and Dance","Student Organizations--Orchesis","Thorne, Thomas Elston"],"names_ssim":["Special Collections Research Center","Dept. of Theatre, Speech, and Dance","College of William and Mary. Dept. of Theatre, Speech, and Dance","Student Organizations--Orchesis","Catron, Louis E.","Hunt, Althea, 1890-1971","Scammon, Howard, 1911-1999","Sherman, Roger","Thorne, Thomas Elston"],"corpname_ssim":["Special Collections Research Center","Dept. of Theatre, Speech, and Dance","College of William and Mary. Dept. of Theatre, Speech, and Dance","Student Organizations--Orchesis"],"persname_ssim":["Catron, Louis E.","Hunt, Althea, 1890-1971","Scammon, Howard, 1911-1999","Sherman, Roger","Thorne, Thomas Elston"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1721,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T10:17:36.475Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_76_c04_c02"}},{"id":"viw_repositories_2_resources_8508_c02_c03","type":"Subseries","attributes":{"title":"\"The Heart Disclosed\"","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508_c02_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8508_c02_c03","ref_ssm":["viw_repositories_2_resources_8508_c02_c03"],"id":"viw_repositories_2_resources_8508_c02_c03","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508_c02","parent_ssi":"viw_repositories_2_resources_8508_c02","parent_ssim":["viw_repositories_2_resources_8508","viw_repositories_2_resources_8508_c02"],"parent_ids_ssim":["viw_repositories_2_resources_8508","viw_repositories_2_resources_8508_c02"],"parent_unittitles_ssm":["Claudia Stevens papers","Series 2: Works of Claudia Stevens as interdisciplinary performer, composer, writer, playwright and librettist"],"parent_unittitles_tesim":["Claudia Stevens papers","Series 2: Works of Claudia Stevens as interdisciplinary performer, composer, writer, playwright and librettist"],"text":["Claudia Stevens papers","Series 2: Works of Claudia Stevens as interdisciplinary performer, composer, writer, playwright and librettist","\"The Heart Disclosed\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs."],"title_filing_ssi":"\"The Heart Disclosed\"","title_ssm":["\"The Heart Disclosed\""],"title_tesim":["\"The Heart Disclosed\""],"unitdate_inclusive_ssm":["1989-2002"],"normalized_date_ssm":["1989/2002"],"normalized_title_ssm":["\"The Heart Disclosed\""],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Claudia Stevens papers"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":160,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"scopecontent_html_tesm":["\u003cp\u003e\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs."],"_nest_path_":"/components#1/components#2","timestamp":"2026-05-24T23:22:07.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8508","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8508.xml","title_filing_ssi":"Claudia Stevens papers","title_ssm":["Claudia Stevens papers"],"title_tesim":["Claudia Stevens papers"],"unitdate_ssm":["1967-2023"],"unitdate_inclusive_ssm":["1967-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00037","/repositories/2/resources/8508"],"text":["MS 00037","/repositories/2/resources/8508","Claudia Stevens papers","Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series.","Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary.","Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).","The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985","English"],"unitid_tesim":["MS 00037","/repositories/2/resources/8508"],"normalized_title_ssm":["Claudia Stevens papers"],"collection_title_tesim":["Claudia Stevens papers"],"collection_ssim":["Claudia Stevens papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Stevens, Claudia"],"creator_ssim":["Stevens, Claudia"],"creator_persname_ssim":["Stevens, Claudia"],"creators_ssim":["Stevens, Claudia"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mss. Acc. 2003.51 was a gift of Claudia Stevens on 9/15/2003. Acc. 2008.137 was a gift of Claudia Stevens received on 7/16/2008 via mail. Acc. 2009.003 was a gift of Claudia Stevens received on 1/9/2009 via mail. Acc. 2009.114 was a gift of Claudia Stevens on 3/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"access_subjects_ssm":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Linear Feet 19 boxes"],"extent_tesim":["6.92 Linear Feet 19 boxes"],"genreform_ssim":["Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series."],"bioghist_html_tesm":["\u003cp\u003eClaudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026amp; Mary.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary."],"prefercite_html_tesm":["\u003cp\u003eClaudia Stevens papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claudia Stevens papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.\u003c/p\u003e\n","\u003cp\u003e The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).\u003c/p\u003e\n","\u003cp\u003eVideocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e\n","\u003cp\u003eThe papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.\u003c/p\u003e\n","\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.\u003c/p\u003e\n","\u003cp\u003eDigital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.\u003c/p\u003e\n","\u003cp\u003eThe Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.\u003c/p\u003e\n","\u003cp\u003eDetailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.\u003c/p\u003e","\u003cp\u003ePapers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.\u003c/p\u003e","\u003cp\u003eScope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026amp; Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026amp;M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection\u003c/p\u003e","\u003cp\u003eThis folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.\u003c/p\u003e","\u003cp\u003eThis folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.\u003c/p\u003e","\u003cp\u003eThe Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf\u003c/p\u003e","\u003cp\u003eBiographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.\u003c/p\u003e","\u003cp\u003ePrograms of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026amp; Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.\u003c/p\u003e","\u003cp\u003eLetters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.\u003c/p\u003e","\u003cp\u003eLetters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.\u003c/p\u003e","\u003cp\u003eLetter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"\u003c/p\u003e","\u003cp\u003eScore by Joel Chadabe titled \"Variation\" (1983), 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.\u003c/p\u003e","\u003cp\u003eScore by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.\u003c/p\u003e","\u003cp\u003eLetters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"\u003c/p\u003e","\u003cp\u003eScore by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.\u003c/p\u003e","\u003cp\u003eLetter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Jeffrey Mumford titled \"For Elliot\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"\u003c/p\u003e","\u003cp\u003eScore by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.\u003c/p\u003e","\u003cp\u003eLetters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.\u003c/p\u003e","\u003cp\u003eScore by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"\u003c/p\u003e","\u003cp\u003eLetters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.\u003c/p\u003e","\u003cp\u003eScore by Allen Shearer titled \"Medallion for piano solo\", 8 pages.\u003c/p\u003e","\u003cp\u003eScore by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.\u003c/p\u003e","\u003cp\u003eLetters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.\u003c/p\u003e","\u003cp\u003eScore by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026amp; 30, 1983 requesting particulars about the recital and possible publications of some tribute works.\u003c/p\u003e","\u003cp\u003eLetter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.\u003c/p\u003e","\u003cp\u003eScore by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.\u003c/p\u003e","\u003cp\u003eCorrespondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.\u003c/p\u003e","\u003cp\u003eScores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.\u003c/p\u003e","\u003cp\u003eScore by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"\u003c/p\u003e","\u003cp\u003eScore by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.\u003c/p\u003e","\u003cp\u003eScores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.\u003c/p\u003e","\u003cp\u003eLetters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026amp; 30, 1978 on choosing between several contributions and instructions.\u003c/p\u003e","\u003cp\u003eScore by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.\u003c/p\u003e","\u003cp\u003eScore by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.\u003c/p\u003e","\u003cp\u003eScore by David Lewin titled \"Just a Minute Roger\", 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.\u003c/p\u003e","\u003cp\u003eLetters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.\u003c/p\u003e","\u003cp\u003eScore by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.\u003c/p\u003e","\u003cp\u003eTwo programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.\u003c/p\u003e","\u003cp\u003eScore by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eInformational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.\u003c/p\u003e","\u003cp\u003eTypewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.\u003c/p\u003e","\u003cp\u003eScope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eLetter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.\u003c/p\u003e","\u003cp\u003eScope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eHandwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eTitled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.\u003c/p\u003e","\u003cp\u003eScope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning\u003c/p\u003e","\u003cp\u003eScope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"\u003c/p\u003e","\u003cp\u003eText by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.\u003c/p\u003e","\u003cp\u003eMusic-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eProduction notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes on the lighting and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes by Claudia Stevens, prepared for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.\u003c/p\u003e","\u003cp\u003eStaging notes for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes for November 14, 1990 production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProjection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.\u003c/p\u003e","\u003cp\u003eScope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eBlack and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.\u003c/p\u003e","\u003cp\u003eScope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.\u003c/p\u003e","\u003cp\u003eScope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eAnnouncement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.\u003c/p\u003e","\u003cp\u003eScope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.\u003c/p\u003e","\u003cp\u003eInvitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePrinted online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.\u003c/p\u003e","\u003cp\u003eThis folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026amp; Black, Grinnell College newspaper.\u003c/p\u003e","\u003cp\u003eProgram for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.\u003c/p\u003e","\u003cp\u003ePostcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.\u003c/p\u003e","\u003cp\u003eInvitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.\u003c/p\u003e","\u003cp\u003eArticle, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePostcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at Boston University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.\u003c/p\u003e","\u003cp\u003ePoster for Miami University's Center for American \u0026amp; World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.\u003c/p\u003e","\u003cp\u003eColor poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Denison University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eColor poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003e\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eLetter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.\u003c/p\u003e","\u003cp\u003eScript for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.\u003c/p\u003e","\u003cp\u003eScope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.\u003c/p\u003e","\u003cp\u003eScope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.\u003c/p\u003e","\u003cp\u003eScope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.\u003c/p\u003e","\u003cp\u003eTyped lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.\u003c/p\u003e","\u003cp\u003eOriginal musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.\u003c/p\u003e","\u003cp\u003eExcerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eColor Poster for \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.\u003c/p\u003e","\u003cp\u003eThis folder contains one opera libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991\u003c/p\u003e","\u003cp\u003eScope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains one original screenplay.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eStage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz,\" accented with red marker.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.\u003c/p\u003e","\u003cp\u003eBlue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.\u003c/p\u003e","\u003cp\u003eWork samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eYellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.\u003c/p\u003e","\u003cp\u003eScope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.\u003c/p\u003e","\u003cp\u003ePhotocopied page from Kutztown University Events Calendar.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.\u003c/p\u003e","\u003cp\u003eProgram for University of Richmond performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eRoanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003ePerforming Arts Series, 1993-1994, seasonal brochure for Roanoke College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Roanoke College.\u003c/p\u003e","\u003cp\u003eRichmond Times-Dispatch announcement for December 11 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eMusical Score Sheets and Musical Sketches for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.\u003c/p\u003e","\u003cp\u003e\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.\u003c/p\u003e","\u003cp\u003eAnnouncement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopied press sheet with handwritten information about a performance in Budapest.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.\u003c/p\u003e","\u003cp\u003eScope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.\u003c/p\u003e","\u003cp\u003eJCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.\u003c/p\u003e","\u003cp\u003eTeal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eArticle photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.\u003c/p\u003e","\u003cp\u003eLetter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.\u003c/p\u003e","\u003cp\u003eArticle in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.\u003c/p\u003e","\u003cp\u003eLettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"Playing Paradis\"\u003c/p\u003e","\u003cp\u003e\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.\u003c/p\u003e","\u003cp\u003eSpiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eProgram notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me\" written on the cardboard backing from a checkbook.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Lewis \u0026amp; Clark \u0026amp; Me\" performed at the Williamsburg Library Theater.\u003c/p\u003e","\u003cp\u003eProgram notes for \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eMusical Sketches and Production Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" on January 10, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eSeveral pages with photocopied images and program notes for \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for Williamsburg Library Theatre performance of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Williamsburg Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Small yellow flyer for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum\u003c/p\u003e","\u003cp\u003eThank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eThank-you letter from the Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026amp; Clark and Me\" scheduled on March 25, 2000.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eNewsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.\u003c/p\u003e","\u003cp\u003eCrayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eTwo black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Eastern Mennonite University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScript for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.\u003c/p\u003e","\u003cp\u003eScope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.\u003c/p\u003e","\u003cp\u003eReview of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.\u003c/p\u003e","\u003cp\u003eScope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.\u003c/p\u003e","\u003cp\u003eNewspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Southern Illinois University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eAnnouncement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eTwo copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.\u003c/p\u003e","\u003cp\u003eScope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.\u003c/p\u003e","\u003cp\u003eSpring calendar mailer for the Hampden-Sydney College Virginia arts series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.\u003c/p\u003e","\u003cp\u003eScope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.\u003c/p\u003e","\u003cp\u003eOhio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.\u003c/p\u003e","\u003cp\u003eWeekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eSeasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eCalendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eOnline listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.\u003c/p\u003e","\u003cp\u003eScope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Stetson University.\u003c/p\u003e","\u003cp\u003eEmailed message from Dixon Sutherland of Stetson University to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.\u003c/p\u003e","\u003cp\u003eProgram for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].\u003c/p\u003e","\u003cp\u003eFurman University press release for \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026amp; Vocation.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.\u003c/p\u003e","\u003cp\u003eThis program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.\u003c/p\u003e","\u003cp\u003eScope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.\u003c/p\u003e","\u003cp\u003eVirginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.\u003c/p\u003e","\u003cp\u003eScope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Cultural Arts \u0026amp; Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.\u003c/p\u003e","\u003cp\u003eScope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026amp; Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Miami University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.\u003c/p\u003e","\u003cp\u003eScope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.\u003c/p\u003e","\u003cp\u003eTwo pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of photographed children performing beside a piano.\u003c/p\u003e","\u003cp\u003ePhotocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].\u003c/p\u003e","\u003cp\u003ePhotograph of a marionette witch with a hook dangling from her arm.\u003c/p\u003e","\u003cp\u003eMask-sized photocopied image of an elderly man.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.\u003c/p\u003e","\u003cp\u003e\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eSecond copy of working script, with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eEmail, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eArticle in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eLetter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.\u003c/p\u003e","\u003cp\u003eOriginal The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.\u003c/p\u003e","\u003cp\u003eReview in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eScope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.\u003c/p\u003e","\u003cp\u003eFlyer for Big Stone Gap performance of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.\u003c/p\u003e","\u003cp\u003eLetter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.\u003c/p\u003e","\u003cp\u003eOriginal newsclippings for which photocopies have been made for this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026amp; Screen\" section of online journal Exquisite Corpse.\u003c/p\u003e","\u003cp\u003ePrinted (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).\u003c/p\u003e","\u003cp\u003eWorking script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.\u003c/p\u003e","\u003cp\u003eFinal performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.\u003c/p\u003e","\u003cp\u003eReview by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor poster for the 4th Annual Celebration of Life \u0026amp; Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance at The University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.\u003c/p\u003e","\u003cp\u003eEmail response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.\u003c/p\u003e","\u003cp\u003ePhotos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.\u003c/p\u003e","\u003cp\u003eScope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.\u003c/p\u003e","\u003cp\u003ePrintout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.\u003c/p\u003e","\u003cp\u003eOnline review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eScope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.\u003c/p\u003e","\u003cp\u003eScope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.\u003c/p\u003e","\u003cp\u003ePersonal correspondence from Ellis Cose regarding his response to reading the monologue.\u003c/p\u003e","\u003cp\u003eIndex for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).\u003c/p\u003e","\u003cp\u003eClaudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eBrecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.\u003c/p\u003e","\u003cp\u003ePhotocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)\u003c/p\u003e","\u003cp\u003eNotes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eMusical sketches related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eOnline announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.\u003c/p\u003e","\u003cp\u003eScope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.\u003c/p\u003e","\u003cp\u003eProgram for performances staged at Theatre Project in Baltimore.\u003c/p\u003e","\u003cp\u003eAnnouncement of performance printed from Theatre Project Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).\u003c/p\u003e","\u003cp\u003eScope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003ePrinted online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eColor printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.\u003c/p\u003e","\u003cp\u003eBaltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScript for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" printed for Creighton University performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in the College of William and Mary's News \u0026amp; Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.\u003c/p\u003e","\u003cp\u003eScope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" at Messiah College\u003c/p\u003e","\u003cp\u003eScope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eOnline announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eNotre Dame events calendar that includes performance of \"Blue Liaz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.\u003c/p\u003e","\u003cp\u003eProgram for Vassar College production of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material for \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to \"The Dawn Makers.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePostcard flyer for February 4 performance at Herbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eEmail color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.\u003c/p\u003e","\u003cp\u003eThis issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eThis is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.\u003c/p\u003e","\u003cp\u003eComposers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eOpera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePhotocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eHerbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eOversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.\u003c/p\u003e","\u003cp\u003eTwo fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"\u003c/p\u003e","\u003cp\u003eScope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.\u003c/p\u003e","\u003cp\u003eThis folder includes one script by Claudia Stevens titled \"Fluke.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Text for \"Flea\" script is by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eSpiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.\u003c/p\u003e","\u003cp\u003eOnline announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,\u003c/p\u003e","\u003cp\u003eAnnouncement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.\u003c/p\u003e","\u003cp\u003eHollins University events calendar announcement for March 25, 2009, performance.\u003c/p\u003e","\u003cp\u003eAssorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.\u003c/p\u003e","\u003cp\u003eScope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eA dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eScope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.\u003c/p\u003e","\u003cp\u003ePhotocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.\u003c/p\u003e","\u003cp\u003eScope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).\u003c/p\u003e","\u003cp\u003eScope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.\u003c/p\u003e","\u003cp\u003eLetter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.\u003c/p\u003e","\u003cp\u003eSigned typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.\u003c/p\u003e","\u003cp\u003ePostcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.\u003c/p\u003e","\u003cp\u003eThis is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.\u003c/p\u003e","\u003cp\u003ePhotocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eLetter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTwo photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eBlack and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.\u003c/p\u003e","\u003cp\u003eFlyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.\u003c/p\u003e","\u003cp\u003eScope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.\u003c/p\u003e","\u003cp\u003ePhotocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Arts at William \u0026amp; Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.\u003c/p\u003e","\u003cp\u003eClarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.\u003c/p\u003e","\u003cp\u003eArticle in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance of Panoply by Claudia Stevens at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eReview in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.\u003c/p\u003e","\u003cp\u003eInvitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eBright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.\u003c/p\u003e","\u003cp\u003eProgram for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eMultiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eLetter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.\u003c/p\u003e","\u003cp\u003eShasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.\u003c/p\u003e","\u003cp\u003eFlyer for mailing from the Shasta Community Concert Association, for season 1987-1988.\u003c/p\u003e","\u003cp\u003eProgram notes for Claudia Stevens piano performances.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.\u003c/p\u003e","\u003cp\u003eProgram for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eVirginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eProgram for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.\u003c/p\u003e","\u003cp\u003ePhotocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.\u003c/p\u003e","\u003cp\u003eCaptioned photo in Style Weekly announcing performance at St. Christopher's School.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eAnnouncement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.\u003c/p\u003e","\u003cp\u003eArticle about Panoply at Longwood College in The Farmville Herald.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' Panoply performance at Longwood College.\u003c/p\u003e","\u003cp\u003eArticle in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.\u003c/p\u003e","\u003cp\u003eFlyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.\u003c/p\u003e","\u003cp\u003eFlyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.\u003c/p\u003e","\u003cp\u003eIllustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.\u003c/p\u003e","\u003cp\u003eProgram for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eRed flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.\u003c/p\u003e","\u003cp\u003eStagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"\u003c/p\u003e","\u003cp\u003eProgram for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.\u003c/p\u003e","\u003cp\u003eThree-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProgram for Panoply performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eText and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.\u003c/p\u003e","\u003cp\u003eScope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.\u003c/p\u003e","\u003cp\u003e1995-1996 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1996-1997 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1997-1998 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1998-1999 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1999-2000 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.\u003c/p\u003e","\u003cp\u003e2000-2001 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2001-2002 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2002-2003 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2003-2004 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.\u003c/p\u003e","\u003cp\u003eScope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).\u003c/p\u003e","\u003cp\u003eColor brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"\u003c/p\u003e","\u003cp\u003eCaptioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.\u003c/p\u003e","\u003cp\u003ePhotograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.\u003c/p\u003e","\u003cp\u003ePoem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.\u003c/p\u003e","\u003cp\u003eReform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Assorted Miscellaneous Works.\"\u003c/p\u003e","\u003cp\u003eOriginal libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.\u003c/p\u003e","\u003cp\u003eOnline event announcement for William \u0026amp; Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026amp; Mary on February 2, 2011.\u003c/p\u003e","\u003cp\u003eColor flyer for a lecture at the College of William \u0026amp; Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOnline event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.\u003c/p\u003e","\u003cp\u003eScope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.\u003c/p\u003e","\u003cp\u003eScope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.\u003c/p\u003e","\u003cp\u003eColor poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eA Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857\u003c/p\u003e","\u003cp\u003eThis folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.\u003c/p\u003e","\u003cp\u003eDraft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eTypewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"\u003c/p\u003e","\u003cp\u003ePrintout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026amp;task=view\u0026amp;id=582\u0026amp;Itemid=64.\u003c/p\u003e","\u003cp\u003eProgram for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,\u003c/p\u003e","\u003cp\u003eTypewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.\u003c/p\u003e","\u003cp\u003eTicket for September 7, 2010 performance of \"Wick at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Pigeon.\"\u003c/p\u003e","\u003cp\u003eScope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.\u003c/p\u003e","\u003cp\u003eArticle printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.\u003c/p\u003e","\u003cp\u003eScope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.\u003c/p\u003e","\u003cp\u003eOversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eDraft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.\u003c/p\u003e","\u003cp\u003eProgram for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.\u003c/p\u003e","\u003cp\u003eProgram for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eLibretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eReview of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.\u003c/p\u003e","\u003cp\u003eContains review of Middlemarch\u003c/p\u003e","\u003cp\u003ePeriod spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.\u003c/p\u003e","\u003cp\u003eCostume jewelry used in Middlemarch in Spring premiere in San Franciso.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eHoweard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eA mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.\u003c/p\u003e","\u003cp\u003eScope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.\u003c/p\u003e","\u003cp\u003eScope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.\u003c/p\u003e","\u003cp\u003eScope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.\u003c/p\u003e","\u003cp\u003eThese are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eItem 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAv. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eLive semi-staged reading at Brandeis University. 1 DVC\u003c/p\u003e","\u003cp\u003eItem 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.008: One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eTwo audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.\u003c/p\u003e","\u003cp\u003e7 Audio CD's.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003ePremiere Production, 1 DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Music","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"persname_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1008,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:07.075Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508_c02_c03"}},{"id":"wvmturhc_repositories_2_resources_7073_c01_c04","type":"Subseries","attributes":{"title":"The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7073_c01_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis subseries includes materials related to the development and production of \u003cspan\u003eThe Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia\u003c/span\u003e. This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7073_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_7073_c01_c04","ref_ssm":["wvmturhc_repositories_2_resources_7073_c01_c04"],"id":"wvmturhc_repositories_2_resources_7073_c01_c04","ead_ssi":"wvmturhc_repositories_2_resources_7073","_root_":"wvmturhc_repositories_2_resources_7073","_nest_parent_":"wvmturhc_repositories_2_resources_7073_c01","parent_ssi":"wvmturhc_repositories_2_resources_7073_c01","parent_ssim":["wvmturhc_repositories_2_resources_7073","wvmturhc_repositories_2_resources_7073_c01"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_7073","wvmturhc_repositories_2_resources_7073_c01"],"parent_unittitles_ssm":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy","Series 1. Garnie Walker Testa Papers"],"parent_unittitles_tesim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy","Series 1. Garnie Walker Testa Papers"],"text":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy","Series 1. Garnie Walker Testa Papers","The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This subseries includes materials related to the development and production of  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia . This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book."],"title_filing_ssi":"The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia","title_ssm":["The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia"],"title_tesim":["The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia"],"unitdate_inclusive_ssm":["1971-2020"],"normalized_date_ssm":["1971/2020"],"normalized_title_ssm":["The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":101,"parent_access_restrict_tesm":["Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eResearchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"scopecontent_html_tesm":["\u003cp\u003eThis subseries includes materials related to the development and production of \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia\u003c/part\u003e\u003c/title\u003e. This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This subseries includes materials related to the development and production of  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia . This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book."],"_nest_path_":"/components#0/components#3","timestamp":"2026-05-21T00:45:36.485Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_7073","ead_ssi":"wvmturhc_repositories_2_resources_7073","_root_":"wvmturhc_repositories_2_resources_7073","_nest_parent_":"wvmturhc_repositories_2_resources_7073","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_7073.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/257555","title_ssm":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"title_tesim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"unitdate_ssm":["1878-2025"],"unitdate_inclusive_ssm":["1878-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4670","Archival Resource Key","/repositories/2/resources/7073"],"text":["A\u0026M 4670","Archival Resource Key","/repositories/2/resources/7073","Garnie Walker Testa Papers and Walker-Testa Family Genealogy","Clay County, West Virginia -- Genealogy","Education -- West Virginia -- Clay County","World War, 1939-1945 -- Veterans -- West Virginia","Farm life -- West Virginia","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Garnie Wilma Walker Testa (1914-1999) was a native of a West Virginia mountain farming community within the Elk River basin, near Ivydale in Clay County. She was an educator, a World War II veteran, a farmer and a local historian. ","After graduating as valedictorian from Clay County High School in 1933, she earned her first teaching certificate from Glenville State Teachers College in 1934, a Bachelor of Arts from Marshall College in 1940 and a Master of Arts from West Virginia University in 1942. During these years and until 1944, she also taught grades 1 through 8, mostly in one-room, Clay County rural schools. ","In 1944, while at WVU, Walker enlisted in the U.S. Women's Army Corps. Following her military training in Iowa, she was assigned to work at the Pentagon and then, at the war's end, was placed with the Historical Division in Germany's American Zone. While in Weisbaden, she met Carmelo F. Testa who was serving in the U.S. Air Force, and they married in 1949. Soon after, they returned to the U.S. and Garnie Walker Testa returned to her teaching career in West Virginia. Beginning in the fall of 1950, she taught at elementary and junior high schools in Kanawha County and continued through the spring of 1958. In 1954, Walker Testa bought her family's Laurel Run Farm from her parents. Then from 1958 through 1975, she taught grades 11 and 12 (mostly English and History) at Clay County High School and continued farming. ","After retiring in 1975, Walker Testa expanded her WVU thesis research into a full-length book manuscript, doing much of the writing during the cold winters on the farm. Although she completed it ca. 1983,  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia  was not published until 2020. Many of the items in this collection were compiled and retained by Walker Testa, but her niece, Karen Jo Walker, is responsible for organizing the collection, editing/publishing the education history volume, and compiling much of the genealogical research. Karen J. Walker, Ph.D., retired, is an archaeological and historical researcher.","Includes the papers of Garnie Wilma Walker Testa (1914-1999) and genealogical research about the Walker-Testa family. The papers include material retained from her high school, college, and graduate school years, like graduation photographs and academic texts – all in Series 1 Subseries 1. The collection also includes documentation of her military service in the Army during World War II, featuring items like field guides for military procedures, photographs of herself and peers in uniform, and travel books acquired while serving internationally – all in Series 1 Subseries 2. There are materials from Walker Testa's time as a teacher in Kanawha and Clay Counties, West Virginia, like certificates commemorating her work and books used in the classroom – all in Series 1 Subseries 3. A copy of Walker Testa's historical survey of education in Clay County,  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia,  and other items related to the book's production are featured, including some digital material – all in Series 1 Subseries 4. Additionally, there is genealogical research material that explores her life and her family's lineage through material like descendant charts, biographical sketches, and old family photographs – all in Series 1 Subseries 5 and the collection's addendum of 2025.","This series includes Walker Testa's personal and professional papers retained throughout her life. It includes material from her education at Glenville State Teachers College, Marshall College and West Viriginia University, documentation of her military service in the US Women's Army Corps, items from her 30+ years of service as a teacher in Clay and Kanawha County schools, material related to the research, writing, and publication of her book on the history of education in Clay County, and an assortment of genealogical research material compiled by and about Walker Testa.","This subseries includes materials related to Walker's education in Clay County schools and her secondary education to become a teacher. She earned her teaching certificate from Glenville State Teachers College in 1934, her bachelor's degree at Marshall College in 1940 and her master's degree at West Virginia University in 1942. Includes academic textbooks, photographs of Walker with school friends and in graduation regalia, correspondence, and a copy of her master's thesis.","The gathers at the shoulder of Walker's garment are suggestive of a graduation gown. May be her high school graduation photograph.","Written, mailed, and stamped by Ottie Walker to her sister Garnie Walker, address \"Ivydale, Wva\" in October 1936. Includes a message about cost of boarding, cases of scarlet fever, and other things. Found hidden in between pages 322 and 323 of Walker's  Elements of Geography  textbook.","John Coulter is the son of Janie Stephenson Coulter, a teacher who has an entry in  The Ringing of the Bells .  A related email was printed and included. On the back of the photograph, John Coulter wrote, \"Garnie Walker, Glenville. Mom's Room Mate,\" however, a stamp of the developer indicates that the photo was made in Des Moines, Iowa. In late 1944, Walker did spend 9 weeks in Des Moines in WAC Training, but the location and date of the photo is uncertain.","Two same-day images on hilltop near Glenville, WV, 1930s. One is of Walker standing by herself. The second is her sitting with Janie Stephenson; behind them are Jim Curry (left) and French DeBoard (rt). A related email was printed and included.","Possible locations are Glenville State Teachers College, Marshall College, and even WVU in Morgantown. 1930s or early 1940s.","Estimate for the date and context of this photograph is Walker's 1940 graduation from Marshall College when she received her B.A. degree in Education.","Walker's graduation announcement of the 1940 Marshall College commencement ceremony; her name appears on the last page.","Written, stamped, and mailed from Walker to her sister Josephine (\"Mrs. Josephine Hickman\") in Charleston, WV. Likely sent while Walker was in Huntington at Marshall College.","A History of Education in Clay County, West Virginia . Garnie Wilma Walker, A.B. 1942 Morgantown, West Virginia. Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Arts to the Faculty of the Graduate School of West Virginia University. This is Walker's personal copy of her thesis. The Chairman of her examining committee was Dr. H. G. Wheat of the College of Education, WVU. His signature appears at the back.","Marshall College Student Government yearbook, 1940. Walker's name is printed in the front of the book. She completed her Bachelor of Arts degree in the Teachers College of Marshall College in June 1940. Her photograph as a senior student is included on page 48.","Walker's name is printed in ink in front of book.","Walker's hand-printed name appears in ink in front of this Pulitzer-Prize winning novel. Glasgow \"portrayed the changing world of the contemporary South in a realistic manner\" (including the topic of racism).","\"Garnie W. Walker Ivydale, W. Va.\" appears in penciled cursive writing in front of book. Within text are penciled underlining and notes in Walker's hand and someone else's, perhaps her sister Ottie's. There are 9 folded maps in an attached envelope at the back of the book. Also there are seven folded papers that are tests and/or study questions related to the book. Much of the handwriting on these is Garnie Walker's. There may be a second person's writing; possibly Ottie Walker.","\"Miss Garnie Walker\" appears in ink in front of book, but the previous owner(s) has written many notes in pencil in front and elsewhere. Notes at back of book are in Walker's hand, and somewhere she wrote \"Test\" at the beginning of a section.","Walker's name appears in ink, cursive writing in front of book. Her penciled notes and underlining are evident. This book likely influenced her Masters work where she identified, researched and followed through with a \"Problem\" for a written thesis.","Walker's name appears in ink, cursive writing in front of book. She may have acquired this book around 1936 while at Glenville State College.","Walker's printed, inked name appears in front of book. She may have used this book in part, along with the Methodology one, during the summer of 1942 to guide her thesis work/writing/formatting. Her handwritten notes appear on several pages.","\"Garnie W. Testa\" is hand-printed in red pencil in front of book. She married Carmelo Testa in 1949 but this is a textbook likely acquired in Morgantown during her WVU Master's Degree work, so it is unclear when she wrote her name.","\"Garnie W. Walker\" appears, hand-printed in ink, in the front of this textbook. Previously owned. Penciled underlining evident.","Garnie Walker's name is printed in ink in front of book. Below it is another name, presumably a previous owner.","Garnie Walker's name is in inked cursive writing in front of book.","\"Garnie W. Walker\" appears in ink in front of book. The book relates to secondary-school instruction. Walker received her Secondary Teaching Certificate from Marshall College in 1943.","\"Garnie Wilma Walker Ivydale, W. Va.\" is printed in ink by Walker's hand in front of book. There was at least one previous owner/user, so more than one person has made notations throughout, but Walker's handwritten penciled notes are recognizably distinctive.","Ottie Walker's penciled cursive signature is written in front of book. Garnie Walker used and cited this updated history volume in her 1942 WVU M.A. thesis.","\"Garnie W. Walker\" is hand-printed in ink in front of book.","Garnie Walker's name is printed in ink in front of book. Others appear in cursive by different hands, as does a penciled price of $2.29. While not directly related to Walker's course of study, she may have used this plant book for reference.","\"Garnie Walker Ivydale, Clay Co. W. Va.\" written in cursive ink in front of book. She likely used this book as a text during the 1939-1940 school year at Marshall College.","Garnie Walker's name is in penciled cursive writing in front of book. Penciled notes and underlining are present through the book.","Garnie Walker's inked, printed name appears in the front of this book.","\"Garnie Wilma Walker\" and \"Garnie Walker\" names appear in front of book. As do \"Ottie Walker,\" and \"Mary Brannon\" (possibly a cousin on maternal side of family). And \"Nay S. Hathaway June 14, 1935 Glenville College.\" Mr. Hathaway was a teacher at Laurel Ridge School. Other names of owners/users appear. Walker was at Glenville State Teachers College in the summers of 1933 -1937.","This subseries includes materials related to Garnie Walker's military service. She enlisted in the US Women's Army Corps in 1944. There are several photographs of Walker in military uniform, of her and friends in the service, and of Carmelo Testa, whom she married in 1949. There are several guides that would have been issued to Walker while in the service and several commemorative books written after the war ended, including an excerpt written by Garnie Walker Testa for a publication highlighting Clay County WWII veterans. These materials also document Garnie Walker and Carmelo Testa's travels with the military, including postcards and photographs from around Europe. A large assortment of travel guides, language learning books, and other books about the history and culture of countries in continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia are also included.","Walker wrote her name in front of book - \"Garnie Walker\" and there is a stamp: \"….......'s Bookstore - The Pentagon - Washington 25 D. C.\"","Edited volume featuring a memoir by Walker Testa","Edited volume featuring an essay by Walker","On page III, a statement reads that the book is published \"by order of the Secretary of War: Official: Dwight D. Eisenhower, Chief of Staff and Edward F. Witsell, Major General The Adjutant General,\" and Garnie Walker wrote in pencil next to Witsell's name: \"My Boss for 6 months. Left this office to go to Germany June 1946.\"","Walker's name is printed on the front cover along with her number A513026. These are also stamped in bold black ink on the front cover, inside on front page, and again in the back.","Elmendorf is likely where Carmelo Testa, Walker's husband, was stationed throughout the 1950s.","Two related booklets","Photograph is in a decorative \"USA\" frame with flag motifs","Includes the following photographs, many of which have handwritten captions:  Garnie W. Walker in uniform including cap. \"About 1946.\" (shoulder patch signifies Military District - Washington.); Photographs of Garnie W. Walker in uniform 1947 (2 8x10s (1 b/w, 1 colorized); 1 5x6); Photograph of Carmelo Testa in uniform, sitting in a dog sled with dogs on snow-covered ground in front of a building (likely taken in Alaska, where he was station at this time);  Six photographs of scenes that may be in Alaska, presumably taken by Carmelo Testa; Photograph of 7th Historical Unit - Headquarters USAFE, Wiesbaden Germany July 1947 (Eight individuals all named on back of photo in Walker's handwriting. Taken on steps to a building); A photograph showing Garnie Walker with her brother in law Judson Hickman in a Naval uniform.; Photograph of Garnie and her sister Josephine E. Walker; Photograph of Walker's visit to a German farm; Photograph of Walker in a uniform overcoat and cap; Photograph captioned by Walker showing American soldiers at wreckage of Hitler's bombed retreat; Photograph captioned by Walker as \"Eagle's Nest - Hitler's Retreat - Berchtesgaden.\"; 4 photographs of Walker in uniform in Austria, Denmark, and Norway; Photograph of Walker and friends at a dinner party at the Rocker Club, Wiesbaden, Germany, 5 February, 1948; Photograph of Walker and friends in front of an airplane, Wiesbaden Airfield. 1948; Photograph of Walker and friends under wing of same airplane, Wiesbaden Airfield; Photograph of a 3-story building in Frankfurt, Germany, August 1948; Photograph of same 3-story building in Frankfurt; Photograph of a funeral for a WAC 1948; Photograph of Walker sitting in a chair in Copenhagen; Photographs of Walker and friends in uniform taken at Wespertal Lodge, Germany, 1948?; Photograph of Garnie W. Walker in uniform with cap;  Wedding photographs of Garnie Walker Testa and new husband Carmelo F. Testa. April 29, 1949; Photograph of the Egyptian Sphinx with pyramid in background (After missions in North Africa and Italy, ca. 1942-1943, Carmelo Testa visited Alexandria and Cairo, Egypt.); Photograph of Carmelo F. Testa in Panama - Canal Zone, circa 1938; Portrait photographs of Carmelo Francisco Testa in uniform, 1948, Air Force First Intelligence Service.; Printed photographs of framed panoramic photograph of Thirty Third Infantry - Panama Canal Zone 1938","Includes the following items: Postcard of Hotel Maison Rouge where Walker stayed in Strasbourg, France November 19-21, 1948 (In Walker's handwriting. It is not addressed to anyone. It may have been included in an envelope perhaps with a letter.); Postcard of the Eiffel Tower from \"Carmelo and Garnie.\" 1949 (In Walker's handwriting, stamped addressed to her mother home on the farm. \"Mrs. Albert S. Walker, Ivydale, West Virginia U. S. A.\" GW and Carmelo Testa were on their honeymoon in Paris, May 1949.); Postcard showing the Hotel de Ville, a bridge over the Seine with a boat. 1949 (From Walker, stamped and addressed to \"Mrs. Gene Hamrick\" Clay WV. This was Wallker's sister, Justena Walker Hamrick.); 2 postcards from Pvt. Garnie W. Walker in Iowa where she was in training at Fort Des Moines (one sent to sister Josephine and one sent to brother Leonard); 2 postcards from Pfc. Garnie W. Walker at Fort Myer, VA (both sent to Josephine)","Includes a series of letters, but one seems to be missing, per a note from the donor.","Includes an assortment of 110 guidebooks, pamphlets, language learning books, history and culture books, and more for regions across continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia.","Likely belonged to Carmelo Testa","Two copies","Walker visited Nurnberg to view the trials, this may the record of the one she attended.","Carmelo Testa is likely in this photograph.","This subseries includes items from Walker Testa's decades of service as an educator in Clay County public schools. There are photographs of Walker Testa and her students, photocopied excerpts of yearbooks, and certificates and letters of appreciation. There is also an assortment of books that Walker Testa used in her classroom.","Walker taught at Laurel Ridge School in the 1936-1937 school year. Her handwriting appears on the backside: \"Laurel Ridge School Garnie Walker Teacher.\" A dated stamp from Glenville WV also is exhibited. Notes have been added to this copy in pencil by Karen Walker.","These are sitting portrait-style photographs that were taken of Walker Testa as a member of the faculty at Clay County High School where she taught 1943-1944 and 1958-1975. Only one is dated - 1967 - but all the others also could be dated if the school yearbooks were consulted.","Walker Testa served as the faculty advisor for the yearbook (known as the \"Tiskelwah\") in 1967","Included are a letter signed by 16 members of the 1975 Tiskelwah Staff; a letter from Gov. Arch Moore (1975); a letter from A. J. Manchin, Sec. of State (1983), and more","References Walker Testa's work as a teacher","\"Tiskelwah\" is the name of the Clay County High School yearbook","English composition for 7th and 8th grades. \"Garnie Walker\" appears in ink in front of book and lightly penciled, relevant marks, etc. in Walker's handwriting on multiple pages. She likely used this book, 1934-1939 while teaching in several one-room rural schools and/or at Swandale, 1941-1943.","Second book has \"Testa\" in blue pencil in front of book and only a few pencil markings within the text. \"Garnie Walker\" appears in the other 3 books; all 3 exhibit much handwriting by Walker throughout. The seventh-year book exhibits a stamp in the front recording the place of purchase: Murphy \u0026 Company Department Store Since 1902, Clay, W. Va. Walker taught grades 6, 7, and 8 at Swandale School, where she also served as Principal. (The eighth-year book exhibits, in the back, the name Leonard Walker, Garnie Walker's youngest brother who attended Laurel Ridge School, 1-8 grades.)","Several pages have been torn from the front of the book, including the title page. Penciled underlining and notes, the latter in Walker's handwriting appear here and there, especially on page 17 and back of book.","There was at least one previous owner of book whose name appears in front. Also includes the purchase price of $0.73. In the back, many names are written by someone other than Walker. Many penciled markings appear throughout - some are recognizably Walker's (small, tight cursive script.) She likely used this book, 1934-1939 in one-rooms and/or at Swandale, 1941-1943. See timeline.","\"This is a music book for one-room schools…\" Garnie Walker's name is printed in ink in the front of this book. On the back of the first page is a list of music terms written by her hand. On title page, upper right, appears the initials LOW. Walker taught her younger brothers. Leon and Leonard, the latter having the initials LOW. She likely used this book, 1934-1939. Relevant notations in pencil are by her hand.","Garnie Walker's name is penciled in front of book, cursive writing. There are also penciled notes through the text in her hand. Based on a few of these (indicating what will be tested), Walker possibly also used this book as a student.","Garnie Walker's name is printed in ink in front of book. Likely used during 1934-1939 and/or 1941-1943.","This is a science reader for intermediate grades. Ottie Walker's signature appears in ink in front of this book. Ottie was one of Garnie Walker's sisters. Ottie also taught in Clay County's one-room schools during the 1930s and later in Kanawha County as Ottie Walker Callison.","Garnie Walker's name in cursive writing is inked in front of book. Also, a \"Murphy \u0026 Company Department Store Clay W. Va.\" stamp. Given the age of this book, Walker may well have used it well before she taught Health during her first year (1943-1944) teaching at Clay County High School.","Clay County supporters/businesses listed in back.","Camp songs, etc.","Walker Testa was an active 4-H faculty advisor/organizer during her years teaching at Clay County High School.","Walker Testa was an active member of this international, honorary educational society. Alpha Phi is the West Virginia state organization within the Society. She was first a member of the Nu Chapter (she is mentioned on page 105) and then with the Alpha Alpha Chapter (pages 134-135). On page 134 she is mentioned twice and said to be the chapter's recording secretary; on page 135 she appears in the photograph with other Clay County teachers who have auto/biographical entries in the  The Ringing of the Bells  book.","Multiple listings of Garnie W. Testa. She was President of the Chapter (see page 19).","Page 44 - Alpha Alpha Chapter listing includes Garnie W. Testa.","Some of these exhibit Garnie Walker's handwriting and some have handwritten dates noted on them, perhaps indicating a year when the plays were performed. One is as recent as 1975, the year of Walker's retirement. According to Walker's daughter Rosalia, she loved incorporating plays into her teaching through the years.","This subseries includes materials related to the development and production of  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia . This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book.","Includes a copy of a 1889 document that was researched for  The Ringing of the Bells  but ultimately not used, titled \"Specifications for S House in Pleasant District Clay County West Va.\" The date the photocopy was created is unknown.","This copy was manually typewritten by Garnie Walker Testa. It is stored across 5 manila folders in box 6.","These envelopes feature handwritten notes from Garnie Walker Testa, Karen Walker, and/or others involved in the book","This image was used in the book.","Includes the following maps and related correspondence: Outline Map With County Seats State of West Virginia by WV Dept of Highways, undated; map of Clay County Primary and Secondary Highways created by the State Road Commission of West Virginia, 1971 reprint of 1933 edition map; General Highway Map - Clay County - West Virginia by WV Department of Highways, 1976; ordering information for Department of Highways maps and two 8 1/2 x 11 in. maps of the Outline Map with County Seats","Includes digital copies of information used by Karen Walker to facilitate the production and distribution of the book, which took place around 2014-2020. Digital folder titles are as follows: \"1989 Letters \u0026 Permission Form,\" \"Book Printing - Sheridan,\" \"Chapter 11 map images,\" \"Chapter 11 School Photos,\" \"Chapter 17 Clay County Teachers,\" \"Editor,\" \"Flyers and Order Form,\" \"Hist of Clay Co Education FINAL book image 5-14-2020,\" \"Hist of Clay Co Education FINAL Testa book 4-21-2020,\" \"Maps 1, 2, 3,\" and \"Misc. Correspondence\"","This subseries includes an assortment of genealogical research about the Walker family. Descendant lists, biographical sketches, photographs, obituaries, and more are included – some of which were compiled by Walker Testa and others compiled after her death in 1999. There is also a collection of books owned by her father, Albert Seth Walker, in the late 19th- and early 20th-centuries and an 1881 bible that has been passed down through the family. Albert Seth Walker likely attended Little Laurel School and later a Normal school in Clay County. He attained a Teaching Certificate and later became a minister. Most of the academic and religious books in this series belonged to him unless otherwise noted. His name and sometimes \"Ivydale, Clay Co\" appears in the covers of these books.","Provided by Neva Pearl Shiflett Adams. Adams achieved the breakthrough finding of Walker connections to colonial New Hampshire and Massachusetts and then back to England. After the death of Solomon Walker in NH, his wife Leah Boyden Walker and their son, Solon Walker moved south into West Virginia.","Provided by Neva Pearl Shiflett Adams. A. J. Walker was Garnie Walker's paternal grandfather. A. J. Walker and his family are the source of the Walker Road community name, located off of Laurel Ridge Road. As of 2022, Walker Road is known as Dark Hollow Road.","Walker and others did not have the advantage of the internet or DNA analyses when completing this work. For a long time, it was thought that the WV Walker family was connected to the 1775 Joel Walker (m. Jane Cavendish) line. This has been corrected in recent years.","During the 1980s, Garnie Walker Testa researched her family tree as best she could, with the occasional help of others, including her youngest brother, Leonard O. Walker. The connection made between Joel Walker/Jane Cavendish is an error.","Includes the following photos: Image of Albert Seth Walker and Ollie Dove Brannon Walker with their first three children: Garnie Wilma (first born), Ottie Irene, and Josephine Etta (third born); 1919 [Studio] Image of the oldest three Walker sisters: Garnie Wilma, Ottie Irene, and Josephine Etta;  1920s image of Garnie, Ottie, and Josephine standing in front of a fence; 1920s image of Garnie, Ottie, and Josephine sitting on back of saddled farm horse; 1924 image of Garnie (and likely also Ottie) Walker in a school group taken against an exterior wall of Laurel Ridge School near Ivydale, WV; Image from Clay County Free Press of Garnie Walker and 2 high school friends, taken in 1933; A photograph of a group of people at a table; and a photograph of a group of people outdoors","Photographs feature Garnie Walker Testa's farm, taken by Karen J. Walker. 1: Open gate, Barn on right. Camera is facing north/NE. On the hilltop in center of photo, under the trees, is the old Lyons cemetery, identified on maps as the Cherrytree Cemetery. The visible farm road leads up and on around to the right toward the other trees. In this area is the \"new\" Walker Cemetery where Albert and Ollie Walker and are buried. And in 1999, where Garnie Walker Testa was also buried, alongside Carmelo. 2: Lower portion of the same barn seen in previous photo. 3: Mountaintop farm view with a fence, pasture, and one of Garnie's cows. (Cherrytree Cemetery is named for Cherrytree Run/Fork which is beyond view and runs into Rush Fork). 4: Another view of the barn with outbuildings on the left and the house to the right near the evergreen trees. Color images were taken in 1982 by Bruce C. Walker, which feature the old farm, located below Garnie Walker Testa's ridgetop home (still within the 221 acres). It is down at the head of Laurel Run which flows into the Big Otter and on to the Elk River. There were other outbuildings not shown in these photos. K. J. Walker, her brothers and cousins, including Garnie's daughter Rosalia, are currently working to document this older farm.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","\"Garnie Walker\" in cursive pencil appears in front of book along with the cursive penciled names of 3 of Garnie's 6 siblings (all younger than her): Ottie, Josephine, and Leon. On page viii another sister's name, Justena, appears. Frye states (Preface) that the book is meant for 4th through 6th grades.","\"Garnie Walker\" in cursive ink appears in front of book. She graduated (8th grade) in May of 1930, so likely her siblings used this book. Genevieve Walker's name appears here and there along with a first cousin, Maxine Walker.","A book in \"The Story Series in Health.\" In the front, Garnie Walker's name appears in a penciled, child's cursive handwriting, as does her sister's and a date \"Miss Genevieve Pearl Walker September 1936.\" Also, four blue-ink stamps of \"Murphy \u0026 Company Department Store Since 1902 - Clay, W.Va.\" Walker was in 4th grade at Laurel Ridge School in 1924 (see photo image) and used this book when it was new. When Genevieve used it in her 4th grade, in 1936-1937, Garnie was her teacher. This book was published just a few years after the 1918-1920 flu pandemic. From the Preface: \"This book is offered as a contribution to the newer health teaching now being inaugurated in our schools.\" Directed at fourth and fifth grades. Garnie's (and her siblings') paternal grandmother, Almira Jane (Hanshaw) Walker, died of the flu on March 8, 1920.","Garnie Walker's name in cursive writing is inked in front of book. Given the age of this book and that it was meant for high-school students, GW likely used it as a student at Clay County High School. It is also likely that when she herself taught Health during her first year (1943-1944) teaching at CCHS that she used this textbook again.","\"Garnie Walker Ivydale, W. Va.\" appears in ink, hand-printed in her hand, in front of book. Walker attended Clay County High School 1930-1933 graduating as Valedictorian of her Class of 1933.","On page 14 is a recipe submitted by Garnie W. Testa - \"Biscuits Supreme.\"","This addendum includes additional genealogical research compiled by Karen Jo Walker. This research is primarily focused on 19th-century Walker relatives Solomon Walker, his sons Solon and Joel Walker, and their families. Items like maps, land deeds, obituaries, newspaper clippings, and photographs that feature these individuals are included. K. J. Walker has also provided biographical sketches and extensive notes to better contextualize her research findings.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Testa, Garnie Walker, 1914-1999","Walker, Karen Jo","English \n.    "],"unitid_tesim":["A\u0026M 4670","Archival Resource Key","/repositories/2/resources/7073"],"normalized_title_ssm":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"collection_title_tesim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"collection_ssim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clay County, West Virginia -- Genealogy"],"geogname_ssim":["Clay County, West Virginia -- Genealogy"],"creator_ssm":["Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"creator_ssim":["Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"creator_persname_ssim":["Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"creators_ssim":["Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"places_ssim":["Clay County, West Virginia -- Genealogy"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gifts from Walker, Karen Jo of 2022 October 5 and 2025 February 11."],"access_subjects_ssim":["Education -- West Virginia -- Clay County","World War, 1939-1945 -- Veterans -- West Virginia","Farm life -- West Virginia"],"access_subjects_ssm":["Education -- West Virginia -- Clay County","World War, 1939-1945 -- Veterans -- West Virginia","Farm life -- West Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["9.88 Linear Feet 9 ft. 10 1/2 in. (1 document case, 5 in.; 1 document case, 2.5 in.; 7 record cartons, 15 in. each; 1 flat storage box, 5 in.; 1 oversize folder, 0.1 in.; 1 framed cirkut photograph, 1 in.)","856 Megabytes 682 assorted .tiff, .docx, .jpg, .wps, .odt, .pptx, and .pdf files"],"extent_tesim":["9.88 Linear Feet 9 ft. 10 1/2 in. (1 document case, 5 in.; 1 document case, 2.5 in.; 7 record cartons, 15 in. each; 1 flat storage box, 5 in.; 1 oversize folder, 0.1 in.; 1 framed cirkut photograph, 1 in.)","856 Megabytes 682 assorted .tiff, .docx, .jpg, .wps, .odt, .pptx, and .pdf files"],"date_range_isim":[1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eResearchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eGarnie Wilma Walker Testa (1914-1999) was a native of a West Virginia mountain farming community within the Elk River basin, near Ivydale in Clay County. She was an educator, a World War II veteran, a farmer and a local historian. \u003c/p\u003e\n","\u003cp\u003eAfter graduating as valedictorian from Clay County High School in 1933, she earned her first teaching certificate from Glenville State Teachers College in 1934, a Bachelor of Arts from Marshall College in 1940 and a Master of Arts from West Virginia University in 1942. During these years and until 1944, she also taught grades 1 through 8, mostly in one-room, Clay County rural schools. \u003c/p\u003e\n","\u003cp\u003eIn 1944, while at WVU, Walker enlisted in the U.S. Women's Army Corps. Following her military training in Iowa, she was assigned to work at the Pentagon and then, at the war's end, was placed with the Historical Division in Germany's American Zone. While in Weisbaden, she met Carmelo F. Testa who was serving in the U.S. Air Force, and they married in 1949. Soon after, they returned to the U.S. and Garnie Walker Testa returned to her teaching career in West Virginia. Beginning in the fall of 1950, she taught at elementary and junior high schools in Kanawha County and continued through the spring of 1958. In 1954, Walker Testa bought her family's Laurel Run Farm from her parents. Then from 1958 through 1975, she taught grades 11 and 12 (mostly English and History) at Clay County High School and continued farming. \u003c/p\u003e\n","\u003cp\u003eAfter retiring in 1975, Walker Testa expanded her WVU thesis research into a full-length book manuscript, doing much of the writing during the cold winters on the farm. Although she completed it ca. 1983, \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia\u003c/part\u003e\u003c/title\u003e was not published until 2020. Many of the items in this collection were compiled and retained by Walker Testa, but her niece, Karen Jo Walker, is responsible for organizing the collection, editing/publishing the education history volume, and compiling much of the genealogical research. Karen J. Walker, Ph.D., retired, is an archaeological and historical researcher.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Garnie Wilma Walker Testa (1914-1999) was a native of a West Virginia mountain farming community within the Elk River basin, near Ivydale in Clay County. She was an educator, a World War II veteran, a farmer and a local historian. ","After graduating as valedictorian from Clay County High School in 1933, she earned her first teaching certificate from Glenville State Teachers College in 1934, a Bachelor of Arts from Marshall College in 1940 and a Master of Arts from West Virginia University in 1942. During these years and until 1944, she also taught grades 1 through 8, mostly in one-room, Clay County rural schools. ","In 1944, while at WVU, Walker enlisted in the U.S. Women's Army Corps. Following her military training in Iowa, she was assigned to work at the Pentagon and then, at the war's end, was placed with the Historical Division in Germany's American Zone. While in Weisbaden, she met Carmelo F. Testa who was serving in the U.S. Air Force, and they married in 1949. Soon after, they returned to the U.S. and Garnie Walker Testa returned to her teaching career in West Virginia. Beginning in the fall of 1950, she taught at elementary and junior high schools in Kanawha County and continued through the spring of 1958. In 1954, Walker Testa bought her family's Laurel Run Farm from her parents. Then from 1958 through 1975, she taught grades 11 and 12 (mostly English and History) at Clay County High School and continued farming. ","After retiring in 1975, Walker Testa expanded her WVU thesis research into a full-length book manuscript, doing much of the writing during the cold winters on the farm. Although she completed it ca. 1983,  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia  was not published until 2020. Many of the items in this collection were compiled and retained by Walker Testa, but her niece, Karen Jo Walker, is responsible for organizing the collection, editing/publishing the education history volume, and compiling much of the genealogical research. Karen J. Walker, Ph.D., retired, is an archaeological and historical researcher."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Garnie Walker Testa Papers and Walker-Testa Family Genealogy, A\u0026amp;M 4670, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Garnie Walker Testa Papers and Walker-Testa Family Genealogy, A\u0026M 4670, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eIncludes the papers of Garnie Wilma Walker Testa (1914-1999) and genealogical research about the Walker-Testa family. The papers include material retained from her high school, college, and graduate school years, like graduation photographs and academic texts – all in Series 1 Subseries 1. The collection also includes documentation of her military service in the Army during World War II, featuring items like field guides for military procedures, photographs of herself and peers in uniform, and travel books acquired while serving internationally – all in Series 1 Subseries 2. There are materials from Walker Testa's time as a teacher in Kanawha and Clay Counties, West Virginia, like certificates commemorating her work and books used in the classroom – all in Series 1 Subseries 3. A copy of Walker Testa's historical survey of education in Clay County, \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia,\u003c/part\u003e\u003c/title\u003e and other items related to the book's production are featured, including some digital material – all in Series 1 Subseries 4. Additionally, there is genealogical research material that explores her life and her family's lineage through material like descendant charts, biographical sketches, and old family photographs – all in Series 1 Subseries 5 and the collection's addendum of 2025.\u003c/p\u003e","\u003cp\u003eThis series includes Walker Testa's personal and professional papers retained throughout her life. It includes material from her education at Glenville State Teachers College, Marshall College and West Viriginia University, documentation of her military service in the US Women's Army Corps, items from her 30+ years of service as a teacher in Clay and Kanawha County schools, material related to the research, writing, and publication of her book on the history of education in Clay County, and an assortment of genealogical research material compiled by and about Walker Testa.\u003c/p\u003e","\u003cp\u003eThis subseries includes materials related to Walker's education in Clay County schools and her secondary education to become a teacher. She earned her teaching certificate from Glenville State Teachers College in 1934, her bachelor's degree at Marshall College in 1940 and her master's degree at West Virginia University in 1942. Includes academic textbooks, photographs of Walker with school friends and in graduation regalia, correspondence, and a copy of her master's thesis.\u003c/p\u003e","\u003cp\u003eThe gathers at the shoulder of Walker's garment are suggestive of a graduation gown. May be her high school graduation photograph.\u003c/p\u003e","\u003cp\u003eWritten, mailed, and stamped by Ottie Walker to her sister Garnie Walker, address \"Ivydale, Wva\" in October 1936. Includes a message about cost of boarding, cases of scarlet fever, and other things. Found hidden in between pages 322 and 323 of Walker's \u003ctitle\u003e\u003cpart\u003eElements of Geography\u003c/part\u003e\u003c/title\u003e textbook.\u003c/p\u003e","\u003cp\u003eJohn Coulter is the son of Janie Stephenson Coulter, a teacher who has an entry in \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells\u003c/part\u003e\u003c/title\u003e.  A related email was printed and included. On the back of the photograph, John Coulter wrote, \"Garnie Walker, Glenville. Mom's Room Mate,\" however, a stamp of the developer indicates that the photo was made in Des Moines, Iowa. In late 1944, Walker did spend 9 weeks in Des Moines in WAC Training, but the location and date of the photo is uncertain.\u003c/p\u003e","\u003cp\u003eTwo same-day images on hilltop near Glenville, WV, 1930s. One is of Walker standing by herself. The second is her sitting with Janie Stephenson; behind them are Jim Curry (left) and French DeBoard (rt). A related email was printed and included.\u003c/p\u003e","\u003cp\u003ePossible locations are Glenville State Teachers College, Marshall College, and even WVU in Morgantown. 1930s or early 1940s.\u003c/p\u003e","\u003cp\u003eEstimate for the date and context of this photograph is Walker's 1940 graduation from Marshall College when she received her B.A. degree in Education.\u003c/p\u003e","\u003cp\u003eWalker's graduation announcement of the 1940 Marshall College commencement ceremony; her name appears on the last page.\u003c/p\u003e","\u003cp\u003eWritten, stamped, and mailed from Walker to her sister Josephine (\"Mrs. Josephine Hickman\") in Charleston, WV. Likely sent while Walker was in Huntington at Marshall College.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e\u003cpart\u003eA History of Education in Clay County, West Virginia\u003c/part\u003e\u003c/title\u003e. Garnie Wilma Walker, A.B. 1942 Morgantown, West Virginia. Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Arts to the Faculty of the Graduate School of West Virginia University. This is Walker's personal copy of her thesis. The Chairman of her examining committee was Dr. H. G. Wheat of the College of Education, WVU. His signature appears at the back.\u003c/p\u003e","\u003cp\u003eMarshall College Student Government yearbook, 1940. Walker's name is printed in the front of the book. She completed her Bachelor of Arts degree in the Teachers College of Marshall College in June 1940. Her photograph as a senior student is included on page 48.\u003c/p\u003e","\u003cp\u003eWalker's name is printed in ink in front of book.\u003c/p\u003e","\u003cp\u003eWalker's hand-printed name appears in ink in front of this Pulitzer-Prize winning novel. Glasgow \"portrayed the changing world of the contemporary South in a realistic manner\" (including the topic of racism).\u003c/p\u003e","\u003cp\u003e\"Garnie W. Walker Ivydale, W. Va.\" appears in penciled cursive writing in front of book. Within text are penciled underlining and notes in Walker's hand and someone else's, perhaps her sister Ottie's. There are 9 folded maps in an attached envelope at the back of the book. Also there are seven folded papers that are tests and/or study questions related to the book. Much of the handwriting on these is Garnie Walker's. There may be a second person's writing; possibly Ottie Walker.\u003c/p\u003e","\u003cp\u003e\"Miss Garnie Walker\" appears in ink in front of book, but the previous owner(s) has written many notes in pencil in front and elsewhere. Notes at back of book are in Walker's hand, and somewhere she wrote \"Test\" at the beginning of a section.\u003c/p\u003e","\u003cp\u003eWalker's name appears in ink, cursive writing in front of book. Her penciled notes and underlining are evident. This book likely influenced her Masters work where she identified, researched and followed through with a \"Problem\" for a written thesis.\u003c/p\u003e","\u003cp\u003eWalker's name appears in ink, cursive writing in front of book. She may have acquired this book around 1936 while at Glenville State College.\u003c/p\u003e","\u003cp\u003eWalker's printed, inked name appears in front of book. She may have used this book in part, along with the Methodology one, during the summer of 1942 to guide her thesis work/writing/formatting. Her handwritten notes appear on several pages.\u003c/p\u003e","\u003cp\u003e\"Garnie W. Testa\" is hand-printed in red pencil in front of book. She married Carmelo Testa in 1949 but this is a textbook likely acquired in Morgantown during her WVU Master's Degree work, so it is unclear when she wrote her name.\u003c/p\u003e","\u003cp\u003e\"Garnie W. Walker\" appears, hand-printed in ink, in the front of this textbook. Previously owned. Penciled underlining evident.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is printed in ink in front of book. Below it is another name, presumably a previous owner.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is in inked cursive writing in front of book.\u003c/p\u003e","\u003cp\u003e\"Garnie W. Walker\" appears in ink in front of book. The book relates to secondary-school instruction. Walker received her Secondary Teaching Certificate from Marshall College in 1943.\u003c/p\u003e","\u003cp\u003e\"Garnie Wilma Walker Ivydale, W. Va.\" is printed in ink by Walker's hand in front of book. There was at least one previous owner/user, so more than one person has made notations throughout, but Walker's handwritten penciled notes are recognizably distinctive.\u003c/p\u003e","\u003cp\u003eOttie Walker's penciled cursive signature is written in front of book. Garnie Walker used and cited this updated history volume in her 1942 WVU M.A. thesis.\u003c/p\u003e","\u003cp\u003e\"Garnie W. Walker\" is hand-printed in ink in front of book.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is printed in ink in front of book. Others appear in cursive by different hands, as does a penciled price of $2.29. While not directly related to Walker's course of study, she may have used this plant book for reference.\u003c/p\u003e","\u003cp\u003e\"Garnie Walker Ivydale, Clay Co. W. Va.\" written in cursive ink in front of book. She likely used this book as a text during the 1939-1940 school year at Marshall College.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is in penciled cursive writing in front of book. Penciled notes and underlining are present through the book.\u003c/p\u003e","\u003cp\u003eGarnie Walker's inked, printed name appears in the front of this book.\u003c/p\u003e","\u003cp\u003e\"Garnie Wilma Walker\" and \"Garnie Walker\" names appear in front of book. As do \"Ottie Walker,\" and \"Mary Brannon\" (possibly a cousin on maternal side of family). And \"Nay S. Hathaway June 14, 1935 Glenville College.\" Mr. Hathaway was a teacher at Laurel Ridge School. Other names of owners/users appear. Walker was at Glenville State Teachers College in the summers of 1933 -1937.\u003c/p\u003e","\u003cp\u003eThis subseries includes materials related to Garnie Walker's military service. She enlisted in the US Women's Army Corps in 1944. There are several photographs of Walker in military uniform, of her and friends in the service, and of Carmelo Testa, whom she married in 1949. There are several guides that would have been issued to Walker while in the service and several commemorative books written after the war ended, including an excerpt written by Garnie Walker Testa for a publication highlighting Clay County WWII veterans. These materials also document Garnie Walker and Carmelo Testa's travels with the military, including postcards and photographs from around Europe. A large assortment of travel guides, language learning books, and other books about the history and culture of countries in continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia are also included.\u003c/p\u003e","\u003cp\u003eWalker wrote her name in front of book - \"Garnie Walker\" and there is a stamp: \"….......'s Bookstore - The Pentagon - Washington 25 D. C.\"\u003c/p\u003e","\u003cp\u003eEdited volume featuring a memoir by Walker Testa\u003c/p\u003e","\u003cp\u003eEdited volume featuring an essay by Walker\u003c/p\u003e","\u003cp\u003eOn page III, a statement reads that the book is published \"by order of the Secretary of War: Official: Dwight D. Eisenhower, Chief of Staff and Edward F. Witsell, Major General The Adjutant General,\" and Garnie Walker wrote in pencil next to Witsell's name: \"My Boss for 6 months. Left this office to go to Germany June 1946.\"\u003c/p\u003e","\u003cp\u003eWalker's name is printed on the front cover along with her number A513026. These are also stamped in bold black ink on the front cover, inside on front page, and again in the back.\u003c/p\u003e","\u003cp\u003eElmendorf is likely where Carmelo Testa, Walker's husband, was stationed throughout the 1950s.\u003c/p\u003e","\u003cp\u003eTwo related booklets\u003c/p\u003e","\u003cp\u003ePhotograph is in a decorative \"USA\" frame with flag motifs\u003c/p\u003e","\u003cp\u003eIncludes the following photographs, many of which have handwritten captions:  Garnie W. Walker in uniform including cap. \"About 1946.\" (shoulder patch signifies Military District - Washington.); Photographs of Garnie W. Walker in uniform 1947 (2 8x10s (1 b/w, 1 colorized); 1 5x6); Photograph of Carmelo Testa in uniform, sitting in a dog sled with dogs on snow-covered ground in front of a building (likely taken in Alaska, where he was station at this time);  Six photographs of scenes that may be in Alaska, presumably taken by Carmelo Testa; Photograph of 7th Historical Unit - Headquarters USAFE, Wiesbaden Germany July 1947 (Eight individuals all named on back of photo in Walker's handwriting. Taken on steps to a building); A photograph showing Garnie Walker with her brother in law Judson Hickman in a Naval uniform.; Photograph of Garnie and her sister Josephine E. Walker; Photograph of Walker's visit to a German farm; Photograph of Walker in a uniform overcoat and cap; Photograph captioned by Walker showing American soldiers at wreckage of Hitler's bombed retreat; Photograph captioned by Walker as \"Eagle's Nest - Hitler's Retreat - Berchtesgaden.\"; 4 photographs of Walker in uniform in Austria, Denmark, and Norway; Photograph of Walker and friends at a dinner party at the Rocker Club, Wiesbaden, Germany, 5 February, 1948; Photograph of Walker and friends in front of an airplane, Wiesbaden Airfield. 1948; Photograph of Walker and friends under wing of same airplane, Wiesbaden Airfield; Photograph of a 3-story building in Frankfurt, Germany, August 1948; Photograph of same 3-story building in Frankfurt; Photograph of a funeral for a WAC 1948; Photograph of Walker sitting in a chair in Copenhagen; Photographs of Walker and friends in uniform taken at Wespertal Lodge, Germany, 1948?; Photograph of Garnie W. Walker in uniform with cap;  Wedding photographs of Garnie Walker Testa and new husband Carmelo F. Testa. April 29, 1949; Photograph of the Egyptian Sphinx with pyramid in background (After missions in North Africa and Italy, ca. 1942-1943, Carmelo Testa visited Alexandria and Cairo, Egypt.); Photograph of Carmelo F. Testa in Panama - Canal Zone, circa 1938; Portrait photographs of Carmelo Francisco Testa in uniform, 1948, Air Force First Intelligence Service.; Printed photographs of framed panoramic photograph of Thirty Third Infantry - Panama Canal Zone 1938\u003c/p\u003e","\u003cp\u003eIncludes the following items: Postcard of Hotel Maison Rouge where Walker stayed in Strasbourg, France November 19-21, 1948 (In Walker's handwriting. It is not addressed to anyone. It may have been included in an envelope perhaps with a letter.); Postcard of the Eiffel Tower from \"Carmelo and Garnie.\" 1949 (In Walker's handwriting, stamped addressed to her mother home on the farm. \"Mrs. Albert S. Walker, Ivydale, West Virginia U. S. A.\" GW and Carmelo Testa were on their honeymoon in Paris, May 1949.); Postcard showing the Hotel de Ville, a bridge over the Seine with a boat. 1949 (From Walker, stamped and addressed to \"Mrs. Gene Hamrick\" Clay WV. This was Wallker's sister, Justena Walker Hamrick.); 2 postcards from Pvt. Garnie W. Walker in Iowa where she was in training at Fort Des Moines (one sent to sister Josephine and one sent to brother Leonard); 2 postcards from Pfc. Garnie W. Walker at Fort Myer, VA (both sent to Josephine)\u003c/p\u003e","\u003cp\u003eIncludes a series of letters, but one seems to be missing, per a note from the donor.\u003c/p\u003e","\u003cp\u003eIncludes an assortment of 110 guidebooks, pamphlets, language learning books, history and culture books, and more for regions across continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia.\u003c/p\u003e","\u003cp\u003eLikely belonged to Carmelo Testa\u003c/p\u003e","\u003cp\u003eTwo copies\u003c/p\u003e","\u003cp\u003eWalker visited Nurnberg to view the trials, this may the record of the one she attended.\u003c/p\u003e","\u003cp\u003eCarmelo Testa is likely in this photograph.\u003c/p\u003e","\u003cp\u003eThis subseries includes items from Walker Testa's decades of service as an educator in Clay County public schools. There are photographs of Walker Testa and her students, photocopied excerpts of yearbooks, and certificates and letters of appreciation. There is also an assortment of books that Walker Testa used in her classroom.\u003c/p\u003e","\u003cp\u003eWalker taught at Laurel Ridge School in the 1936-1937 school year. Her handwriting appears on the backside: \"Laurel Ridge School Garnie Walker Teacher.\" A dated stamp from Glenville WV also is exhibited. Notes have been added to this copy in pencil by Karen Walker.\u003c/p\u003e","\u003cp\u003eThese are sitting portrait-style photographs that were taken of Walker Testa as a member of the faculty at Clay County High School where she taught 1943-1944 and 1958-1975. Only one is dated - 1967 - but all the others also could be dated if the school yearbooks were consulted.\u003c/p\u003e","\u003cp\u003eWalker Testa served as the faculty advisor for the yearbook (known as the \"Tiskelwah\") in 1967\u003c/p\u003e","\u003cp\u003eIncluded are a letter signed by 16 members of the 1975 Tiskelwah Staff; a letter from Gov. Arch Moore (1975); a letter from A. J. Manchin, Sec. of State (1983), and more\u003c/p\u003e","\u003cp\u003eReferences Walker Testa's work as a teacher\u003c/p\u003e","\u003cp\u003e\"Tiskelwah\" is the name of the Clay County High School yearbook\u003c/p\u003e","\u003cp\u003eEnglish composition for 7th and 8th grades. \"Garnie Walker\" appears in ink in front of book and lightly penciled, relevant marks, etc. in Walker's handwriting on multiple pages. She likely used this book, 1934-1939 while teaching in several one-room rural schools and/or at Swandale, 1941-1943.\u003c/p\u003e","\u003cp\u003eSecond book has \"Testa\" in blue pencil in front of book and only a few pencil markings within the text. \"Garnie Walker\" appears in the other 3 books; all 3 exhibit much handwriting by Walker throughout. The seventh-year book exhibits a stamp in the front recording the place of purchase: Murphy \u0026amp; Company Department Store Since 1902, Clay, W. Va. Walker taught grades 6, 7, and 8 at Swandale School, where she also served as Principal. (The eighth-year book exhibits, in the back, the name Leonard Walker, Garnie Walker's youngest brother who attended Laurel Ridge School, 1-8 grades.)\u003c/p\u003e","\u003cp\u003eSeveral pages have been torn from the front of the book, including the title page. Penciled underlining and notes, the latter in Walker's handwriting appear here and there, especially on page 17 and back of book.\u003c/p\u003e","\u003cp\u003eThere was at least one previous owner of book whose name appears in front. Also includes the purchase price of $0.73. In the back, many names are written by someone other than Walker. Many penciled markings appear throughout - some are recognizably Walker's (small, tight cursive script.) She likely used this book, 1934-1939 in one-rooms and/or at Swandale, 1941-1943. See timeline.\u003c/p\u003e","\u003cp\u003e\"This is a music book for one-room schools…\" Garnie Walker's name is printed in ink in the front of this book. On the back of the first page is a list of music terms written by her hand. On title page, upper right, appears the initials LOW. Walker taught her younger brothers. Leon and Leonard, the latter having the initials LOW. She likely used this book, 1934-1939. Relevant notations in pencil are by her hand.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is penciled in front of book, cursive writing. There are also penciled notes through the text in her hand. Based on a few of these (indicating what will be tested), Walker possibly also used this book as a student.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is printed in ink in front of book. Likely used during 1934-1939 and/or 1941-1943.\u003c/p\u003e","\u003cp\u003eThis is a science reader for intermediate grades. Ottie Walker's signature appears in ink in front of this book. Ottie was one of Garnie Walker's sisters. Ottie also taught in Clay County's one-room schools during the 1930s and later in Kanawha County as Ottie Walker Callison.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name in cursive writing is inked in front of book. Also, a \"Murphy \u0026amp; Company Department Store Clay W. Va.\" stamp. Given the age of this book, Walker may well have used it well before she taught Health during her first year (1943-1944) teaching at Clay County High School.\u003c/p\u003e","\u003cp\u003eClay County supporters/businesses listed in back.\u003c/p\u003e","\u003cp\u003eCamp songs, etc.\u003c/p\u003e","\u003cp\u003eWalker Testa was an active 4-H faculty advisor/organizer during her years teaching at Clay County High School.\u003c/p\u003e","\u003cp\u003eWalker Testa was an active member of this international, honorary educational society. Alpha Phi is the West Virginia state organization within the Society. She was first a member of the Nu Chapter (she is mentioned on page 105) and then with the Alpha Alpha Chapter (pages 134-135). On page 134 she is mentioned twice and said to be the chapter's recording secretary; on page 135 she appears in the photograph with other Clay County teachers who have auto/biographical entries in the \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells\u003c/part\u003e\u003c/title\u003e book.\u003c/p\u003e","\u003cp\u003eMultiple listings of Garnie W. Testa. She was President of the Chapter (see page 19).\u003c/p\u003e","\u003cp\u003ePage 44 - Alpha Alpha Chapter listing includes Garnie W. Testa.\u003c/p\u003e","\u003cp\u003eSome of these exhibit Garnie Walker's handwriting and some have handwritten dates noted on them, perhaps indicating a year when the plays were performed. One is as recent as 1975, the year of Walker's retirement. According to Walker's daughter Rosalia, she loved incorporating plays into her teaching through the years.\u003c/p\u003e","\u003cp\u003eThis subseries includes materials related to the development and production of \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia\u003c/part\u003e\u003c/title\u003e. This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book.\u003c/p\u003e","\u003cp\u003eIncludes a copy of a 1889 document that was researched for \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells\u003c/part\u003e\u003c/title\u003e but ultimately not used, titled \"Specifications for S House in Pleasant District Clay County West Va.\" The date the photocopy was created is unknown.\u003c/p\u003e","\u003cp\u003eThis copy was manually typewritten by Garnie Walker Testa. It is stored across 5 manila folders in box 6.\u003c/p\u003e","\u003cp\u003eThese envelopes feature handwritten notes from Garnie Walker Testa, Karen Walker, and/or others involved in the book\u003c/p\u003e","\u003cp\u003eThis image was used in the book.\u003c/p\u003e","\u003cp\u003eIncludes the following maps and related correspondence: Outline Map With County Seats State of West Virginia by WV Dept of Highways, undated; map of Clay County Primary and Secondary Highways created by the State Road Commission of West Virginia, 1971 reprint of 1933 edition map; General Highway Map - Clay County - West Virginia by WV Department of Highways, 1976; ordering information for Department of Highways maps and two 8 1/2 x 11 in. maps of the Outline Map with County Seats\u003c/p\u003e","\u003cp\u003eIncludes digital copies of information used by Karen Walker to facilitate the production and distribution of the book, which took place around 2014-2020. Digital folder titles are as follows: \"1989 Letters \u0026amp; Permission Form,\" \"Book Printing - Sheridan,\" \"Chapter 11 map images,\" \"Chapter 11 School Photos,\" \"Chapter 17 Clay County Teachers,\" \"Editor,\" \"Flyers and Order Form,\" \"Hist of Clay Co Education FINAL book image 5-14-2020,\" \"Hist of Clay Co Education FINAL Testa book 4-21-2020,\" \"Maps 1, 2, 3,\" and \"Misc. Correspondence\"\u003c/p\u003e","\u003cp\u003eThis subseries includes an assortment of genealogical research about the Walker family. Descendant lists, biographical sketches, photographs, obituaries, and more are included – some of which were compiled by Walker Testa and others compiled after her death in 1999. There is also a collection of books owned by her father, Albert Seth Walker, in the late 19th- and early 20th-centuries and an 1881 bible that has been passed down through the family. Albert Seth Walker likely attended Little Laurel School and later a Normal school in Clay County. He attained a Teaching Certificate and later became a minister. Most of the academic and religious books in this series belonged to him unless otherwise noted. His name and sometimes \"Ivydale, Clay Co\" appears in the covers of these books.\u003c/p\u003e","\u003cp\u003eProvided by Neva Pearl Shiflett Adams. Adams achieved the breakthrough finding of Walker connections to colonial New Hampshire and Massachusetts and then back to England. After the death of Solomon Walker in NH, his wife Leah Boyden Walker and their son, Solon Walker moved south into West Virginia.\u003c/p\u003e","\u003cp\u003eProvided by Neva Pearl Shiflett Adams. A. J. Walker was Garnie Walker's paternal grandfather. A. J. Walker and his family are the source of the Walker Road community name, located off of Laurel Ridge Road. As of 2022, Walker Road is known as Dark Hollow Road.\u003c/p\u003e","\u003cp\u003eWalker and others did not have the advantage of the internet or DNA analyses when completing this work. For a long time, it was thought that the WV Walker family was connected to the 1775 Joel Walker (m. Jane Cavendish) line. This has been corrected in recent years.\u003c/p\u003e","\u003cp\u003eDuring the 1980s, Garnie Walker Testa researched her family tree as best she could, with the occasional help of others, including her youngest brother, Leonard O. Walker. The connection made between Joel Walker/Jane Cavendish is an error.\u003c/p\u003e","\u003cp\u003eIncludes the following photos: Image of Albert Seth Walker and Ollie Dove Brannon Walker with their first three children: Garnie Wilma (first born), Ottie Irene, and Josephine Etta (third born); 1919 [Studio] Image of the oldest three Walker sisters: Garnie Wilma, Ottie Irene, and Josephine Etta;  1920s image of Garnie, Ottie, and Josephine standing in front of a fence; 1920s image of Garnie, Ottie, and Josephine sitting on back of saddled farm horse; 1924 image of Garnie (and likely also Ottie) Walker in a school group taken against an exterior wall of Laurel Ridge School near Ivydale, WV; Image from Clay County Free Press of Garnie Walker and 2 high school friends, taken in 1933; A photograph of a group of people at a table; and a photograph of a group of people outdoors\u003c/p\u003e","\u003cp\u003ePhotographs feature Garnie Walker Testa's farm, taken by Karen J. Walker. 1: Open gate, Barn on right. Camera is facing north/NE. On the hilltop in center of photo, under the trees, is the old Lyons cemetery, identified on maps as the Cherrytree Cemetery. The visible farm road leads up and on around to the right toward the other trees. In this area is the \"new\" Walker Cemetery where Albert and Ollie Walker and are buried. And in 1999, where Garnie Walker Testa was also buried, alongside Carmelo. 2: Lower portion of the same barn seen in previous photo. 3: Mountaintop farm view with a fence, pasture, and one of Garnie's cows. (Cherrytree Cemetery is named for Cherrytree Run/Fork which is beyond view and runs into Rush Fork). 4: Another view of the barn with outbuildings on the left and the house to the right near the evergreen trees. Color images were taken in 1982 by Bruce C. Walker, which feature the old farm, located below Garnie Walker Testa's ridgetop home (still within the 221 acres). It is down at the head of Laurel Run which flows into the Big Otter and on to the Elk River. There were other outbuildings not shown in these photos. K. J. Walker, her brothers and cousins, including Garnie's daughter Rosalia, are currently working to document this older farm.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003e\"Garnie Walker\" in cursive pencil appears in front of book along with the cursive penciled names of 3 of Garnie's 6 siblings (all younger than her): Ottie, Josephine, and Leon. On page viii another sister's name, Justena, appears. Frye states (Preface) that the book is meant for 4th through 6th grades.\u003c/p\u003e","\u003cp\u003e\"Garnie Walker\" in cursive ink appears in front of book. She graduated (8th grade) in May of 1930, so likely her siblings used this book. Genevieve Walker's name appears here and there along with a first cousin, Maxine Walker.\u003c/p\u003e","\u003cp\u003eA book in \"The Story Series in Health.\" In the front, Garnie Walker's name appears in a penciled, child's cursive handwriting, as does her sister's and a date \"Miss Genevieve Pearl Walker September 1936.\" Also, four blue-ink stamps of \"Murphy \u0026amp; Company Department Store Since 1902 - Clay, W.Va.\" Walker was in 4th grade at Laurel Ridge School in 1924 (see photo image) and used this book when it was new. When Genevieve used it in her 4th grade, in 1936-1937, Garnie was her teacher. This book was published just a few years after the 1918-1920 flu pandemic. From the Preface: \"This book is offered as a contribution to the newer health teaching now being inaugurated in our schools.\" Directed at fourth and fifth grades. Garnie's (and her siblings') paternal grandmother, Almira Jane (Hanshaw) Walker, died of the flu on March 8, 1920.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name in cursive writing is inked in front of book. Given the age of this book and that it was meant for high-school students, GW likely used it as a student at Clay County High School. It is also likely that when she herself taught Health during her first year (1943-1944) teaching at CCHS that she used this textbook again.\u003c/p\u003e","\u003cp\u003e\"Garnie Walker Ivydale, W. Va.\" appears in ink, hand-printed in her hand, in front of book. Walker attended Clay County High School 1930-1933 graduating as Valedictorian of her Class of 1933.\u003c/p\u003e","\u003cp\u003eOn page 14 is a recipe submitted by Garnie W. Testa - \"Biscuits Supreme.\"\u003c/p\u003e","\u003cp\u003eThis addendum includes additional genealogical research compiled by Karen Jo Walker. This research is primarily focused on 19th-century Walker relatives Solomon Walker, his sons Solon and Joel Walker, and their families. Items like maps, land deeds, obituaries, newspaper clippings, and photographs that feature these individuals are included. K. J. Walker has also provided biographical sketches and extensive notes to better contextualize her research findings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes the papers of Garnie Wilma Walker Testa (1914-1999) and genealogical research about the Walker-Testa family. The papers include material retained from her high school, college, and graduate school years, like graduation photographs and academic texts – all in Series 1 Subseries 1. The collection also includes documentation of her military service in the Army during World War II, featuring items like field guides for military procedures, photographs of herself and peers in uniform, and travel books acquired while serving internationally – all in Series 1 Subseries 2. There are materials from Walker Testa's time as a teacher in Kanawha and Clay Counties, West Virginia, like certificates commemorating her work and books used in the classroom – all in Series 1 Subseries 3. A copy of Walker Testa's historical survey of education in Clay County,  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia,  and other items related to the book's production are featured, including some digital material – all in Series 1 Subseries 4. Additionally, there is genealogical research material that explores her life and her family's lineage through material like descendant charts, biographical sketches, and old family photographs – all in Series 1 Subseries 5 and the collection's addendum of 2025.","This series includes Walker Testa's personal and professional papers retained throughout her life. It includes material from her education at Glenville State Teachers College, Marshall College and West Viriginia University, documentation of her military service in the US Women's Army Corps, items from her 30+ years of service as a teacher in Clay and Kanawha County schools, material related to the research, writing, and publication of her book on the history of education in Clay County, and an assortment of genealogical research material compiled by and about Walker Testa.","This subseries includes materials related to Walker's education in Clay County schools and her secondary education to become a teacher. She earned her teaching certificate from Glenville State Teachers College in 1934, her bachelor's degree at Marshall College in 1940 and her master's degree at West Virginia University in 1942. Includes academic textbooks, photographs of Walker with school friends and in graduation regalia, correspondence, and a copy of her master's thesis.","The gathers at the shoulder of Walker's garment are suggestive of a graduation gown. May be her high school graduation photograph.","Written, mailed, and stamped by Ottie Walker to her sister Garnie Walker, address \"Ivydale, Wva\" in October 1936. Includes a message about cost of boarding, cases of scarlet fever, and other things. Found hidden in between pages 322 and 323 of Walker's  Elements of Geography  textbook.","John Coulter is the son of Janie Stephenson Coulter, a teacher who has an entry in  The Ringing of the Bells .  A related email was printed and included. On the back of the photograph, John Coulter wrote, \"Garnie Walker, Glenville. Mom's Room Mate,\" however, a stamp of the developer indicates that the photo was made in Des Moines, Iowa. In late 1944, Walker did spend 9 weeks in Des Moines in WAC Training, but the location and date of the photo is uncertain.","Two same-day images on hilltop near Glenville, WV, 1930s. One is of Walker standing by herself. The second is her sitting with Janie Stephenson; behind them are Jim Curry (left) and French DeBoard (rt). A related email was printed and included.","Possible locations are Glenville State Teachers College, Marshall College, and even WVU in Morgantown. 1930s or early 1940s.","Estimate for the date and context of this photograph is Walker's 1940 graduation from Marshall College when she received her B.A. degree in Education.","Walker's graduation announcement of the 1940 Marshall College commencement ceremony; her name appears on the last page.","Written, stamped, and mailed from Walker to her sister Josephine (\"Mrs. Josephine Hickman\") in Charleston, WV. Likely sent while Walker was in Huntington at Marshall College.","A History of Education in Clay County, West Virginia . Garnie Wilma Walker, A.B. 1942 Morgantown, West Virginia. Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Arts to the Faculty of the Graduate School of West Virginia University. This is Walker's personal copy of her thesis. The Chairman of her examining committee was Dr. H. G. Wheat of the College of Education, WVU. His signature appears at the back.","Marshall College Student Government yearbook, 1940. Walker's name is printed in the front of the book. She completed her Bachelor of Arts degree in the Teachers College of Marshall College in June 1940. Her photograph as a senior student is included on page 48.","Walker's name is printed in ink in front of book.","Walker's hand-printed name appears in ink in front of this Pulitzer-Prize winning novel. Glasgow \"portrayed the changing world of the contemporary South in a realistic manner\" (including the topic of racism).","\"Garnie W. Walker Ivydale, W. Va.\" appears in penciled cursive writing in front of book. Within text are penciled underlining and notes in Walker's hand and someone else's, perhaps her sister Ottie's. There are 9 folded maps in an attached envelope at the back of the book. Also there are seven folded papers that are tests and/or study questions related to the book. Much of the handwriting on these is Garnie Walker's. There may be a second person's writing; possibly Ottie Walker.","\"Miss Garnie Walker\" appears in ink in front of book, but the previous owner(s) has written many notes in pencil in front and elsewhere. Notes at back of book are in Walker's hand, and somewhere she wrote \"Test\" at the beginning of a section.","Walker's name appears in ink, cursive writing in front of book. Her penciled notes and underlining are evident. This book likely influenced her Masters work where she identified, researched and followed through with a \"Problem\" for a written thesis.","Walker's name appears in ink, cursive writing in front of book. She may have acquired this book around 1936 while at Glenville State College.","Walker's printed, inked name appears in front of book. She may have used this book in part, along with the Methodology one, during the summer of 1942 to guide her thesis work/writing/formatting. Her handwritten notes appear on several pages.","\"Garnie W. Testa\" is hand-printed in red pencil in front of book. She married Carmelo Testa in 1949 but this is a textbook likely acquired in Morgantown during her WVU Master's Degree work, so it is unclear when she wrote her name.","\"Garnie W. Walker\" appears, hand-printed in ink, in the front of this textbook. Previously owned. Penciled underlining evident.","Garnie Walker's name is printed in ink in front of book. Below it is another name, presumably a previous owner.","Garnie Walker's name is in inked cursive writing in front of book.","\"Garnie W. Walker\" appears in ink in front of book. The book relates to secondary-school instruction. Walker received her Secondary Teaching Certificate from Marshall College in 1943.","\"Garnie Wilma Walker Ivydale, W. Va.\" is printed in ink by Walker's hand in front of book. There was at least one previous owner/user, so more than one person has made notations throughout, but Walker's handwritten penciled notes are recognizably distinctive.","Ottie Walker's penciled cursive signature is written in front of book. Garnie Walker used and cited this updated history volume in her 1942 WVU M.A. thesis.","\"Garnie W. Walker\" is hand-printed in ink in front of book.","Garnie Walker's name is printed in ink in front of book. Others appear in cursive by different hands, as does a penciled price of $2.29. While not directly related to Walker's course of study, she may have used this plant book for reference.","\"Garnie Walker Ivydale, Clay Co. W. Va.\" written in cursive ink in front of book. She likely used this book as a text during the 1939-1940 school year at Marshall College.","Garnie Walker's name is in penciled cursive writing in front of book. Penciled notes and underlining are present through the book.","Garnie Walker's inked, printed name appears in the front of this book.","\"Garnie Wilma Walker\" and \"Garnie Walker\" names appear in front of book. As do \"Ottie Walker,\" and \"Mary Brannon\" (possibly a cousin on maternal side of family). And \"Nay S. Hathaway June 14, 1935 Glenville College.\" Mr. Hathaway was a teacher at Laurel Ridge School. Other names of owners/users appear. Walker was at Glenville State Teachers College in the summers of 1933 -1937.","This subseries includes materials related to Garnie Walker's military service. She enlisted in the US Women's Army Corps in 1944. There are several photographs of Walker in military uniform, of her and friends in the service, and of Carmelo Testa, whom she married in 1949. There are several guides that would have been issued to Walker while in the service and several commemorative books written after the war ended, including an excerpt written by Garnie Walker Testa for a publication highlighting Clay County WWII veterans. These materials also document Garnie Walker and Carmelo Testa's travels with the military, including postcards and photographs from around Europe. A large assortment of travel guides, language learning books, and other books about the history and culture of countries in continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia are also included.","Walker wrote her name in front of book - \"Garnie Walker\" and there is a stamp: \"….......'s Bookstore - The Pentagon - Washington 25 D. C.\"","Edited volume featuring a memoir by Walker Testa","Edited volume featuring an essay by Walker","On page III, a statement reads that the book is published \"by order of the Secretary of War: Official: Dwight D. Eisenhower, Chief of Staff and Edward F. Witsell, Major General The Adjutant General,\" and Garnie Walker wrote in pencil next to Witsell's name: \"My Boss for 6 months. Left this office to go to Germany June 1946.\"","Walker's name is printed on the front cover along with her number A513026. These are also stamped in bold black ink on the front cover, inside on front page, and again in the back.","Elmendorf is likely where Carmelo Testa, Walker's husband, was stationed throughout the 1950s.","Two related booklets","Photograph is in a decorative \"USA\" frame with flag motifs","Includes the following photographs, many of which have handwritten captions:  Garnie W. Walker in uniform including cap. \"About 1946.\" (shoulder patch signifies Military District - Washington.); Photographs of Garnie W. Walker in uniform 1947 (2 8x10s (1 b/w, 1 colorized); 1 5x6); Photograph of Carmelo Testa in uniform, sitting in a dog sled with dogs on snow-covered ground in front of a building (likely taken in Alaska, where he was station at this time);  Six photographs of scenes that may be in Alaska, presumably taken by Carmelo Testa; Photograph of 7th Historical Unit - Headquarters USAFE, Wiesbaden Germany July 1947 (Eight individuals all named on back of photo in Walker's handwriting. Taken on steps to a building); A photograph showing Garnie Walker with her brother in law Judson Hickman in a Naval uniform.; Photograph of Garnie and her sister Josephine E. Walker; Photograph of Walker's visit to a German farm; Photograph of Walker in a uniform overcoat and cap; Photograph captioned by Walker showing American soldiers at wreckage of Hitler's bombed retreat; Photograph captioned by Walker as \"Eagle's Nest - Hitler's Retreat - Berchtesgaden.\"; 4 photographs of Walker in uniform in Austria, Denmark, and Norway; Photograph of Walker and friends at a dinner party at the Rocker Club, Wiesbaden, Germany, 5 February, 1948; Photograph of Walker and friends in front of an airplane, Wiesbaden Airfield. 1948; Photograph of Walker and friends under wing of same airplane, Wiesbaden Airfield; Photograph of a 3-story building in Frankfurt, Germany, August 1948; Photograph of same 3-story building in Frankfurt; Photograph of a funeral for a WAC 1948; Photograph of Walker sitting in a chair in Copenhagen; Photographs of Walker and friends in uniform taken at Wespertal Lodge, Germany, 1948?; Photograph of Garnie W. Walker in uniform with cap;  Wedding photographs of Garnie Walker Testa and new husband Carmelo F. Testa. April 29, 1949; Photograph of the Egyptian Sphinx with pyramid in background (After missions in North Africa and Italy, ca. 1942-1943, Carmelo Testa visited Alexandria and Cairo, Egypt.); Photograph of Carmelo F. Testa in Panama - Canal Zone, circa 1938; Portrait photographs of Carmelo Francisco Testa in uniform, 1948, Air Force First Intelligence Service.; Printed photographs of framed panoramic photograph of Thirty Third Infantry - Panama Canal Zone 1938","Includes the following items: Postcard of Hotel Maison Rouge where Walker stayed in Strasbourg, France November 19-21, 1948 (In Walker's handwriting. It is not addressed to anyone. It may have been included in an envelope perhaps with a letter.); Postcard of the Eiffel Tower from \"Carmelo and Garnie.\" 1949 (In Walker's handwriting, stamped addressed to her mother home on the farm. \"Mrs. Albert S. Walker, Ivydale, West Virginia U. S. A.\" GW and Carmelo Testa were on their honeymoon in Paris, May 1949.); Postcard showing the Hotel de Ville, a bridge over the Seine with a boat. 1949 (From Walker, stamped and addressed to \"Mrs. Gene Hamrick\" Clay WV. This was Wallker's sister, Justena Walker Hamrick.); 2 postcards from Pvt. Garnie W. Walker in Iowa where she was in training at Fort Des Moines (one sent to sister Josephine and one sent to brother Leonard); 2 postcards from Pfc. Garnie W. Walker at Fort Myer, VA (both sent to Josephine)","Includes a series of letters, but one seems to be missing, per a note from the donor.","Includes an assortment of 110 guidebooks, pamphlets, language learning books, history and culture books, and more for regions across continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia.","Likely belonged to Carmelo Testa","Two copies","Walker visited Nurnberg to view the trials, this may the record of the one she attended.","Carmelo Testa is likely in this photograph.","This subseries includes items from Walker Testa's decades of service as an educator in Clay County public schools. There are photographs of Walker Testa and her students, photocopied excerpts of yearbooks, and certificates and letters of appreciation. There is also an assortment of books that Walker Testa used in her classroom.","Walker taught at Laurel Ridge School in the 1936-1937 school year. Her handwriting appears on the backside: \"Laurel Ridge School Garnie Walker Teacher.\" A dated stamp from Glenville WV also is exhibited. Notes have been added to this copy in pencil by Karen Walker.","These are sitting portrait-style photographs that were taken of Walker Testa as a member of the faculty at Clay County High School where she taught 1943-1944 and 1958-1975. Only one is dated - 1967 - but all the others also could be dated if the school yearbooks were consulted.","Walker Testa served as the faculty advisor for the yearbook (known as the \"Tiskelwah\") in 1967","Included are a letter signed by 16 members of the 1975 Tiskelwah Staff; a letter from Gov. Arch Moore (1975); a letter from A. J. Manchin, Sec. of State (1983), and more","References Walker Testa's work as a teacher","\"Tiskelwah\" is the name of the Clay County High School yearbook","English composition for 7th and 8th grades. \"Garnie Walker\" appears in ink in front of book and lightly penciled, relevant marks, etc. in Walker's handwriting on multiple pages. She likely used this book, 1934-1939 while teaching in several one-room rural schools and/or at Swandale, 1941-1943.","Second book has \"Testa\" in blue pencil in front of book and only a few pencil markings within the text. \"Garnie Walker\" appears in the other 3 books; all 3 exhibit much handwriting by Walker throughout. The seventh-year book exhibits a stamp in the front recording the place of purchase: Murphy \u0026 Company Department Store Since 1902, Clay, W. Va. Walker taught grades 6, 7, and 8 at Swandale School, where she also served as Principal. (The eighth-year book exhibits, in the back, the name Leonard Walker, Garnie Walker's youngest brother who attended Laurel Ridge School, 1-8 grades.)","Several pages have been torn from the front of the book, including the title page. Penciled underlining and notes, the latter in Walker's handwriting appear here and there, especially on page 17 and back of book.","There was at least one previous owner of book whose name appears in front. Also includes the purchase price of $0.73. In the back, many names are written by someone other than Walker. Many penciled markings appear throughout - some are recognizably Walker's (small, tight cursive script.) She likely used this book, 1934-1939 in one-rooms and/or at Swandale, 1941-1943. See timeline.","\"This is a music book for one-room schools…\" Garnie Walker's name is printed in ink in the front of this book. On the back of the first page is a list of music terms written by her hand. On title page, upper right, appears the initials LOW. Walker taught her younger brothers. Leon and Leonard, the latter having the initials LOW. She likely used this book, 1934-1939. Relevant notations in pencil are by her hand.","Garnie Walker's name is penciled in front of book, cursive writing. There are also penciled notes through the text in her hand. Based on a few of these (indicating what will be tested), Walker possibly also used this book as a student.","Garnie Walker's name is printed in ink in front of book. Likely used during 1934-1939 and/or 1941-1943.","This is a science reader for intermediate grades. Ottie Walker's signature appears in ink in front of this book. Ottie was one of Garnie Walker's sisters. Ottie also taught in Clay County's one-room schools during the 1930s and later in Kanawha County as Ottie Walker Callison.","Garnie Walker's name in cursive writing is inked in front of book. Also, a \"Murphy \u0026 Company Department Store Clay W. Va.\" stamp. Given the age of this book, Walker may well have used it well before she taught Health during her first year (1943-1944) teaching at Clay County High School.","Clay County supporters/businesses listed in back.","Camp songs, etc.","Walker Testa was an active 4-H faculty advisor/organizer during her years teaching at Clay County High School.","Walker Testa was an active member of this international, honorary educational society. Alpha Phi is the West Virginia state organization within the Society. She was first a member of the Nu Chapter (she is mentioned on page 105) and then with the Alpha Alpha Chapter (pages 134-135). On page 134 she is mentioned twice and said to be the chapter's recording secretary; on page 135 she appears in the photograph with other Clay County teachers who have auto/biographical entries in the  The Ringing of the Bells  book.","Multiple listings of Garnie W. Testa. She was President of the Chapter (see page 19).","Page 44 - Alpha Alpha Chapter listing includes Garnie W. Testa.","Some of these exhibit Garnie Walker's handwriting and some have handwritten dates noted on them, perhaps indicating a year when the plays were performed. One is as recent as 1975, the year of Walker's retirement. According to Walker's daughter Rosalia, she loved incorporating plays into her teaching through the years.","This subseries includes materials related to the development and production of  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia . This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book.","Includes a copy of a 1889 document that was researched for  The Ringing of the Bells  but ultimately not used, titled \"Specifications for S House in Pleasant District Clay County West Va.\" The date the photocopy was created is unknown.","This copy was manually typewritten by Garnie Walker Testa. It is stored across 5 manila folders in box 6.","These envelopes feature handwritten notes from Garnie Walker Testa, Karen Walker, and/or others involved in the book","This image was used in the book.","Includes the following maps and related correspondence: Outline Map With County Seats State of West Virginia by WV Dept of Highways, undated; map of Clay County Primary and Secondary Highways created by the State Road Commission of West Virginia, 1971 reprint of 1933 edition map; General Highway Map - Clay County - West Virginia by WV Department of Highways, 1976; ordering information for Department of Highways maps and two 8 1/2 x 11 in. maps of the Outline Map with County Seats","Includes digital copies of information used by Karen Walker to facilitate the production and distribution of the book, which took place around 2014-2020. Digital folder titles are as follows: \"1989 Letters \u0026 Permission Form,\" \"Book Printing - Sheridan,\" \"Chapter 11 map images,\" \"Chapter 11 School Photos,\" \"Chapter 17 Clay County Teachers,\" \"Editor,\" \"Flyers and Order Form,\" \"Hist of Clay Co Education FINAL book image 5-14-2020,\" \"Hist of Clay Co Education FINAL Testa book 4-21-2020,\" \"Maps 1, 2, 3,\" and \"Misc. Correspondence\"","This subseries includes an assortment of genealogical research about the Walker family. Descendant lists, biographical sketches, photographs, obituaries, and more are included – some of which were compiled by Walker Testa and others compiled after her death in 1999. There is also a collection of books owned by her father, Albert Seth Walker, in the late 19th- and early 20th-centuries and an 1881 bible that has been passed down through the family. Albert Seth Walker likely attended Little Laurel School and later a Normal school in Clay County. He attained a Teaching Certificate and later became a minister. Most of the academic and religious books in this series belonged to him unless otherwise noted. His name and sometimes \"Ivydale, Clay Co\" appears in the covers of these books.","Provided by Neva Pearl Shiflett Adams. Adams achieved the breakthrough finding of Walker connections to colonial New Hampshire and Massachusetts and then back to England. After the death of Solomon Walker in NH, his wife Leah Boyden Walker and their son, Solon Walker moved south into West Virginia.","Provided by Neva Pearl Shiflett Adams. A. J. Walker was Garnie Walker's paternal grandfather. A. J. Walker and his family are the source of the Walker Road community name, located off of Laurel Ridge Road. As of 2022, Walker Road is known as Dark Hollow Road.","Walker and others did not have the advantage of the internet or DNA analyses when completing this work. For a long time, it was thought that the WV Walker family was connected to the 1775 Joel Walker (m. Jane Cavendish) line. This has been corrected in recent years.","During the 1980s, Garnie Walker Testa researched her family tree as best she could, with the occasional help of others, including her youngest brother, Leonard O. Walker. The connection made between Joel Walker/Jane Cavendish is an error.","Includes the following photos: Image of Albert Seth Walker and Ollie Dove Brannon Walker with their first three children: Garnie Wilma (first born), Ottie Irene, and Josephine Etta (third born); 1919 [Studio] Image of the oldest three Walker sisters: Garnie Wilma, Ottie Irene, and Josephine Etta;  1920s image of Garnie, Ottie, and Josephine standing in front of a fence; 1920s image of Garnie, Ottie, and Josephine sitting on back of saddled farm horse; 1924 image of Garnie (and likely also Ottie) Walker in a school group taken against an exterior wall of Laurel Ridge School near Ivydale, WV; Image from Clay County Free Press of Garnie Walker and 2 high school friends, taken in 1933; A photograph of a group of people at a table; and a photograph of a group of people outdoors","Photographs feature Garnie Walker Testa's farm, taken by Karen J. Walker. 1: Open gate, Barn on right. Camera is facing north/NE. On the hilltop in center of photo, under the trees, is the old Lyons cemetery, identified on maps as the Cherrytree Cemetery. The visible farm road leads up and on around to the right toward the other trees. In this area is the \"new\" Walker Cemetery where Albert and Ollie Walker and are buried. And in 1999, where Garnie Walker Testa was also buried, alongside Carmelo. 2: Lower portion of the same barn seen in previous photo. 3: Mountaintop farm view with a fence, pasture, and one of Garnie's cows. (Cherrytree Cemetery is named for Cherrytree Run/Fork which is beyond view and runs into Rush Fork). 4: Another view of the barn with outbuildings on the left and the house to the right near the evergreen trees. Color images were taken in 1982 by Bruce C. Walker, which feature the old farm, located below Garnie Walker Testa's ridgetop home (still within the 221 acres). It is down at the head of Laurel Run which flows into the Big Otter and on to the Elk River. There were other outbuildings not shown in these photos. K. J. Walker, her brothers and cousins, including Garnie's daughter Rosalia, are currently working to document this older farm.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","\"Garnie Walker\" in cursive pencil appears in front of book along with the cursive penciled names of 3 of Garnie's 6 siblings (all younger than her): Ottie, Josephine, and Leon. On page viii another sister's name, Justena, appears. Frye states (Preface) that the book is meant for 4th through 6th grades.","\"Garnie Walker\" in cursive ink appears in front of book. She graduated (8th grade) in May of 1930, so likely her siblings used this book. Genevieve Walker's name appears here and there along with a first cousin, Maxine Walker.","A book in \"The Story Series in Health.\" In the front, Garnie Walker's name appears in a penciled, child's cursive handwriting, as does her sister's and a date \"Miss Genevieve Pearl Walker September 1936.\" Also, four blue-ink stamps of \"Murphy \u0026 Company Department Store Since 1902 - Clay, W.Va.\" Walker was in 4th grade at Laurel Ridge School in 1924 (see photo image) and used this book when it was new. When Genevieve used it in her 4th grade, in 1936-1937, Garnie was her teacher. This book was published just a few years after the 1918-1920 flu pandemic. From the Preface: \"This book is offered as a contribution to the newer health teaching now being inaugurated in our schools.\" Directed at fourth and fifth grades. Garnie's (and her siblings') paternal grandmother, Almira Jane (Hanshaw) Walker, died of the flu on March 8, 1920.","Garnie Walker's name in cursive writing is inked in front of book. Given the age of this book and that it was meant for high-school students, GW likely used it as a student at Clay County High School. It is also likely that when she herself taught Health during her first year (1943-1944) teaching at CCHS that she used this textbook again.","\"Garnie Walker Ivydale, W. Va.\" appears in ink, hand-printed in her hand, in front of book. Walker attended Clay County High School 1930-1933 graduating as Valedictorian of her Class of 1933.","On page 14 is a recipe submitted by Garnie W. Testa - \"Biscuits Supreme.\"","This addendum includes additional genealogical research compiled by Karen Jo Walker. This research is primarily focused on 19th-century Walker relatives Solomon Walker, his sons Solon and Joel Walker, and their families. Items like maps, land deeds, obituaries, newspaper clippings, and photographs that feature these individuals are included. K. J. Walker has also provided biographical sketches and extensive notes to better contextualize her research findings."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. 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