{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Series\u0026page=323","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Series\u0026page=322","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Series\u0026page=324","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Series\u0026page=326"},"meta":{"pages":{"current_page":323,"next_page":324,"prev_page":322,"total_pages":326,"limit_value":10,"offset_value":3220,"total_count":3251,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_151_c17","type":"Series","attributes":{"title":"University of Southern California, 1966/1997","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_151_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_151_c17","ref_ssm":["vircu_repositories_5_resources_151_c17"],"id":"vircu_repositories_5_resources_151_c17","ead_ssi":"vircu_repositories_5_resources_151","_root_":"vircu_repositories_5_resources_151","_nest_parent_":"vircu_repositories_5_resources_151","parent_ssi":"vircu_repositories_5_resources_151","parent_ssim":["Melville C. 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Branch, Jr. Papers, 1914-2004"],"title_tesim":["Melville C. Branch, Jr. Papers, 1914-2004"],"unitdate_ssm":["1914-2004"],"unitdate_inclusive_ssm":["1914-2004"],"normalized_date_ssm":["1914/2004"],"normalized_title_ssm":["Melville C. Branch, Jr. Papers, 1914-2004, 1914/2004"],"text":["Melville C. Branch, Jr. Papers, 1914-2004, 1914/2004","M 327","/repositories/5/resources/151","City planning -- Study and teaching.","City planning -- History -- 20th century -- United States","Collection is open to research without restrictions.","The collection is arranged chronologically by the major periods of Dr. Branch's personal and professional life.","Melville Campbell Branch, Jr. (1913-2008) pioneered consideration of planning as a distinct intellectual discipline and the subject of professional practice. He was the first person in the United States to receive an advanced degree in Planning: a Ph.D. in regional planning from Harvard University in 1949. He is the first person in the nation designated Distinguished Professor of Planning, by the University of Southern California. His nearly 60-year career includes work in academia, government, private enterprise, and the U.S. Navy.","In an unpublished 2003 essay entitled \"Planning: Universal Process\", Dr. Branch wrote that for \"over fifty years, my thoughts, research, and working experiences have been directed to exploring and formulating in written form the fundamental nature and significance of the planning process as a law of human forethought and action.\" He concludes the essay by noting that planning has \"shaped the human condition, subject to events beyond human influence. Aside from procreation, it is also the human activity which will most crucially affect our prospects as a society and our survival in an ever-changing world.\"","A long-time educator, researcher, and writer, Dr. Branch is the author of twenty-three books and over seventy-five professional papers relating to planning. His original contributions include the first books published on: corporate planning; sample surveys in city planning; the use of aerial photography and remote sensing in city and regional planning; and comprehensive planning theory and principles. Another three of his books expand on several elements of comprehensive planning: communication, simulation, and human behavior.","Born in Richmond, Virginia, on 16 February 1913, Dr. Branch is the eldest son of Melville Campbell and Martha (Bowie) Branch. He attended Princeton University (1930-1934) graduating as a Bachelor of Arts with high honors, and the Princeton University graduate college (1934-1936), receiving a two-year Master of Fine Arts in Architecture. In the summer of 1934, Dr. Branch studied at the Ecole des Beaux-Arts, Fontainebleau, France, and received a Diplome for a project in planning and design. From 1937-1938, Dr. Branch was a fellow at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he completed independent research in city planning.","Dr. Branch headed the section designing the urban areas in the General Motors Futurama exhibit at the 1939 New York World's Fair. He was a Research Assistant at the U.S. National Resources Planning Board (NRPB) in the executive offices of President Franklin D. Roosevelt, 1939-1941. On leave from November 1940 - February 1941, Dr. Branch designed and directed the exhibit \"The City\" at the Baltimore Museum of Art, the largest city planning exhibit displayed in the United States to that date. He left the NRPB to become Director of the Bureau of Urban Research at Princeton University.","In 1943, Dr. Branch was commissioned Lieutenant JG in the U.S. Naval Reserve, assigned as an Instructor at the U.S. Naval Air Combat Intelligence School. He taught \"maps and photographs\" and wrote a flack information bulletin circulated in the Pacific Ocean area. After three years in the Navy, he spent a year at Harvard enrolled for the Ph.D. degree in planning. From 1947 until 1951, Dr. Branch was an Associate Professor in the Graduate Program of Education and Research in Planning at the University of Chicago.","In 1951, Dr. Branch left Chicago for Los Angeles, California, becoming an Intelligence Officer at the Los Angeles Office of the U.S. Central Intelligence Agency. In 1954, he became Corporate Associate for Planning and Member of the Senior Staff (West Coast) of the Ramo-Woolridge Corporation (RW). While there, he was appointed in 1961 to the Los Angeles Board of City Planning Commissioners, serving nine years as a member, vice president, and president. Dr. Branch was a Lecturer in Engineering (Planning) at the College of Engineering at the University of California at Los Angeles from 1962-1966.","Dr. Branch joined the faculty at the University of Southern California in 1966 as a Professor in the Planning Program within the School of Public Administration. The Program developed into a School of Urban and Regional Planning, and finally into a School of Policy, Planning, and Development. He taught half-time from 1984-1992 as a Professor Emeritus.","Dr. Branch has consulted briefly for Douglas Aircraft Company, Standard Oil Company of California, Southern California Edison Company, and during the summer of 1978, for the Department of Economic Development and Planning, Faculty of Economics and Management, at the National University of Malaysia.","In 1939, Dr Branch was awarded the Charlotte Elisabeth Proctor Fellowship for independent graduate study at Princeton University. In 1986, the Distinguished Leadership Award of the American Planning Association. In 2000, the Planning Educator Award of the Association of Collegiate Schools in Planning. In 2003, he was elected a Fellow in the American Institute of Certified Planners.","Dr. Branch was married to his second wife, Hilda S. Rollman-Branch, M.D., for over fifty years. Dr. Rollman-Branch came to the United States from German occupied territories in Europe during World War II. 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He was the first person in the United States to receive an advanced degree in Planning: a Ph.D. in regional planning from Harvard University in 1949. He is the first person in the nation designated Distinguished Professor of Planning, by the University of Southern California. His nearly 60-year career includes work in academia, government, private enterprise, and the U.S. Navy.\u003c/p\u003e","\u003cp\u003eIn an unpublished 2003 essay entitled \"Planning: Universal Process\", Dr. Branch wrote that for \"over fifty years, my thoughts, research, and working experiences have been directed to exploring and formulating in written form the fundamental nature and significance of the planning process as a law of human forethought and action.\" He concludes the essay by noting that planning has \"shaped the human condition, subject to events beyond human influence. Aside from procreation, it is also the human activity which will most crucially affect our prospects as a society and our survival in an ever-changing world.\"\u003c/p\u003e","\u003cp\u003eA long-time educator, researcher, and writer, Dr. Branch is the author of twenty-three books and over seventy-five professional papers relating to planning. His original contributions include the first books published on: corporate planning; sample surveys in city planning; the use of aerial photography and remote sensing in city and regional planning; and comprehensive planning theory and principles. Another three of his books expand on several elements of comprehensive planning: communication, simulation, and human behavior.\u003c/p\u003e","\u003cp\u003eBorn in Richmond, Virginia, on 16 February 1913, Dr. Branch is the eldest son of Melville Campbell and Martha (Bowie) Branch. He attended Princeton University (1930-1934) graduating as a Bachelor of Arts with high honors, and the Princeton University graduate college (1934-1936), receiving a two-year Master of Fine Arts in Architecture. In the summer of 1934, Dr. Branch studied at the Ecole des Beaux-Arts, Fontainebleau, France, and received a Diplome for a project in planning and design. From 1937-1938, Dr. Branch was a fellow at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he completed independent research in city planning.\u003c/p\u003e","\u003cp\u003eDr. Branch headed the section designing the urban areas in the General Motors Futurama exhibit at the 1939 New York World's Fair. He was a Research Assistant at the U.S. National Resources Planning Board (NRPB) in the executive offices of President Franklin D. Roosevelt, 1939-1941. On leave from November 1940 - February 1941, Dr. Branch designed and directed the exhibit \"The City\" at the Baltimore Museum of Art, the largest city planning exhibit displayed in the United States to that date. He left the NRPB to become Director of the Bureau of Urban Research at Princeton University.\u003c/p\u003e","\u003cp\u003eIn 1943, Dr. Branch was commissioned Lieutenant JG in the U.S. Naval Reserve, assigned as an Instructor at the U.S. Naval Air Combat Intelligence School. He taught \"maps and photographs\" and wrote a flack information bulletin circulated in the Pacific Ocean area. After three years in the Navy, he spent a year at Harvard enrolled for the Ph.D. degree in planning. From 1947 until 1951, Dr. Branch was an Associate Professor in the Graduate Program of Education and Research in Planning at the University of Chicago.\u003c/p\u003e","\u003cp\u003eIn 1951, Dr. Branch left Chicago for Los Angeles, California, becoming an Intelligence Officer at the Los Angeles Office of the U.S. Central Intelligence Agency. In 1954, he became Corporate Associate for Planning and Member of the Senior Staff (West Coast) of the Ramo-Woolridge Corporation (RW). While there, he was appointed in 1961 to the Los Angeles Board of City Planning Commissioners, serving nine years as a member, vice president, and president. Dr. Branch was a Lecturer in Engineering (Planning) at the College of Engineering at the University of California at Los Angeles from 1962-1966.\u003c/p\u003e","\u003cp\u003eDr. Branch joined the faculty at the University of Southern California in 1966 as a Professor in the Planning Program within the School of Public Administration. The Program developed into a School of Urban and Regional Planning, and finally into a School of Policy, Planning, and Development. He taught half-time from 1984-1992 as a Professor Emeritus.\u003c/p\u003e","\u003cp\u003eDr. Branch has consulted briefly for Douglas Aircraft Company, Standard Oil Company of California, Southern California Edison Company, and during the summer of 1978, for the Department of Economic Development and Planning, Faculty of Economics and Management, at the National University of Malaysia.\u003c/p\u003e","\u003cp\u003eIn 1939, Dr Branch was awarded the Charlotte Elisabeth Proctor Fellowship for independent graduate study at Princeton University. In 1986, the Distinguished Leadership Award of the American Planning Association. In 2000, the Planning Educator Award of the Association of Collegiate Schools in Planning. In 2003, he was elected a Fellow in the American Institute of Certified Planners.\u003c/p\u003e","\u003cp\u003eDr. Branch was married to his second wife, Hilda S. Rollman-Branch, M.D., for over fifty years. Dr. Rollman-Branch came to the United States from German occupied territories in Europe during World War II. While in the United States, Dr. Rollman-Branch studied chemistry, medicine, psychiatry and psychoanalysis. She has served many notable appointments in the Los Angeles Psychoanalytic Society and Institute (LAPSI) and the American Psychoanalytical Association (APsaA).\u003c/p\u003e","\u003cp\u003eMelville Campbell Branch, Jr died on February 11, 2008 while living in Pacific Palisades, California. He was 94 years old.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Melville Campbell Branch, Jr. (1913-2008) pioneered consideration of planning as a distinct intellectual discipline and the subject of professional practice. He was the first person in the United States to receive an advanced degree in Planning: a Ph.D. in regional planning from Harvard University in 1949. He is the first person in the nation designated Distinguished Professor of Planning, by the University of Southern California. His nearly 60-year career includes work in academia, government, private enterprise, and the U.S. Navy.","In an unpublished 2003 essay entitled \"Planning: Universal Process\", Dr. Branch wrote that for \"over fifty years, my thoughts, research, and working experiences have been directed to exploring and formulating in written form the fundamental nature and significance of the planning process as a law of human forethought and action.\" He concludes the essay by noting that planning has \"shaped the human condition, subject to events beyond human influence. Aside from procreation, it is also the human activity which will most crucially affect our prospects as a society and our survival in an ever-changing world.\"","A long-time educator, researcher, and writer, Dr. Branch is the author of twenty-three books and over seventy-five professional papers relating to planning. His original contributions include the first books published on: corporate planning; sample surveys in city planning; the use of aerial photography and remote sensing in city and regional planning; and comprehensive planning theory and principles. Another three of his books expand on several elements of comprehensive planning: communication, simulation, and human behavior.","Born in Richmond, Virginia, on 16 February 1913, Dr. Branch is the eldest son of Melville Campbell and Martha (Bowie) Branch. He attended Princeton University (1930-1934) graduating as a Bachelor of Arts with high honors, and the Princeton University graduate college (1934-1936), receiving a two-year Master of Fine Arts in Architecture. In the summer of 1934, Dr. Branch studied at the Ecole des Beaux-Arts, Fontainebleau, France, and received a Diplome for a project in planning and design. From 1937-1938, Dr. Branch was a fellow at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he completed independent research in city planning.","Dr. Branch headed the section designing the urban areas in the General Motors Futurama exhibit at the 1939 New York World's Fair. He was a Research Assistant at the U.S. National Resources Planning Board (NRPB) in the executive offices of President Franklin D. Roosevelt, 1939-1941. On leave from November 1940 - February 1941, Dr. Branch designed and directed the exhibit \"The City\" at the Baltimore Museum of Art, the largest city planning exhibit displayed in the United States to that date. He left the NRPB to become Director of the Bureau of Urban Research at Princeton University.","In 1943, Dr. Branch was commissioned Lieutenant JG in the U.S. Naval Reserve, assigned as an Instructor at the U.S. Naval Air Combat Intelligence School. He taught \"maps and photographs\" and wrote a flack information bulletin circulated in the Pacific Ocean area. After three years in the Navy, he spent a year at Harvard enrolled for the Ph.D. degree in planning. From 1947 until 1951, Dr. Branch was an Associate Professor in the Graduate Program of Education and Research in Planning at the University of Chicago.","In 1951, Dr. Branch left Chicago for Los Angeles, California, becoming an Intelligence Officer at the Los Angeles Office of the U.S. Central Intelligence Agency. In 1954, he became Corporate Associate for Planning and Member of the Senior Staff (West Coast) of the Ramo-Woolridge Corporation (RW). While there, he was appointed in 1961 to the Los Angeles Board of City Planning Commissioners, serving nine years as a member, vice president, and president. Dr. Branch was a Lecturer in Engineering (Planning) at the College of Engineering at the University of California at Los Angeles from 1962-1966.","Dr. Branch joined the faculty at the University of Southern California in 1966 as a Professor in the Planning Program within the School of Public Administration. The Program developed into a School of Urban and Regional Planning, and finally into a School of Policy, Planning, and Development. He taught half-time from 1984-1992 as a Professor Emeritus.","Dr. Branch has consulted briefly for Douglas Aircraft Company, Standard Oil Company of California, Southern California Edison Company, and during the summer of 1978, for the Department of Economic Development and Planning, Faculty of Economics and Management, at the National University of Malaysia.","In 1939, Dr Branch was awarded the Charlotte Elisabeth Proctor Fellowship for independent graduate study at Princeton University. In 1986, the Distinguished Leadership Award of the American Planning Association. In 2000, the Planning Educator Award of the Association of Collegiate Schools in Planning. In 2003, he was elected a Fellow in the American Institute of Certified Planners.","Dr. Branch was married to his second wife, Hilda S. Rollman-Branch, M.D., for over fifty years. Dr. Rollman-Branch came to the United States from German occupied territories in Europe during World War II. While in the United States, Dr. Rollman-Branch studied chemistry, medicine, psychiatry and psychoanalysis. She has served many notable appointments in the Los Angeles Psychoanalytic Society and Institute (LAPSI) and the American Psychoanalytical Association (APsaA).","Melville Campbell Branch, Jr died on February 11, 2008 while living in Pacific Palisades, California. He was 94 years old."],"prefercite_html_tesm":["\u003cp\u003ePapers of Melville C. Branch, Jr., M 327, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e  "],"prefercite_tesim":["Papers of Melville C. Branch, Jr., M 327, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection range from 1914 to 2004 and include correspondence, drawings, photographs, and numerous publications by Dr. Branch and others. The collection documents Branch's early life, mostly through correspondence with family members, and his entire academic career. Most items concern Dr. Branch's professional accomplishments in the field of architecture, urban planning, and design. The collection includes scrapbooks, portfolios, and oversized handmade books of Branch's artwork for the General Motors Futurama at the 1939 World's Fair, the Baltimore Museum exhibition \"The City,\" and Richmond's bicentennial celebration in 1937.\u003c/p\u003e","\u003cp\u003eHis more than fifty years of research and writing concerning comprehensive planning as a universal process are represented in the collection by twelve of his books and various papers specifically devoted to this subject.\u003c/p\u003e  ","\u003cp\u003eArticles related to urban planning and land use.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials in this collection range from 1914 to 2004 and include correspondence, drawings, photographs, and numerous publications by Dr. Branch and others. The collection documents Branch's early life, mostly through correspondence with family members, and his entire academic career. Most items concern Dr. Branch's professional accomplishments in the field of architecture, urban planning, and design. The collection includes scrapbooks, portfolios, and oversized handmade books of Branch's artwork for the General Motors Futurama at the 1939 World's Fair, the Baltimore Museum exhibition \"The City,\" and Richmond's bicentennial celebration in 1937.","His more than fifty years of research and writing concerning comprehensive planning as a universal process are represented in the collection by twelve of his books and various papers specifically devoted to this subject.","Articles related to urban planning and land use."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Branch, Melville Campbell, 1913-","Branch, Melville Campbell, 1913- -- Archives"],"names_coll_ssim":["Branch, Melville Campbell, 1913- -- Archives"],"names_ssim":["VCU James Branch Cabell Library","Branch, Melville Campbell, 1913-","Branch, Melville Campbell, 1913- -- Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":257,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:06:46.596Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_151_c17"}},{"id":"viu_repositories_4_resources_1699_c01","type":"Series","attributes":{"title":"University of Virginia Final Exercises, 1976/2026","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1699_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series consists of digital and print event programs. 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Anderson, Jr. Records, 1974/2006"],"parent_ids_ssim":["vifrem_repositories_2_resources_2"],"title_filing_ssi":"University Records","title_ssm":["University Records"],"title_tesim":["University Records"],"normalized_title_ssm":["University Records, 1969/1996"],"text":["University Records, 1969/1996","William M. Anderson, Jr. Records, 1974/2006"],"parent_unittitles_ssm":["William M. Anderson, Jr. Records, 1974/2006"],"parent_unittitles_tesim":["William M. Anderson, Jr. Records, 1974/2006"],"normalized_date_ssm":["1969/1996"],"unitdate_inclusive_ssm":["1969-1996"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":119,"repository_ssim":["University of Mary Washington"],"collection_ssim":["William M. Anderson, Jr. Records, 1974/2006"],"has_online_content_ssim":["false"],"child_component_count_isi":31,"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"_nest_path_":"/components#8","timestamp":"2026-06-23T06:57:12.722Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifrem_repositories_2_resources_2","ead_ssi":"vifrem_repositories_2_resources_2","_root_":"vifrem_repositories_2_resources_2","_nest_parent_":"vifrem_repositories_2_resources_2","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_2.xml","aspace_url_ssi":"http://search.vaheritage.org/vivaxtf/view?docId=umw/vifrem00004.xml;query=;brand=default","title_ssm":["William M. Anderson, Jr. Records"],"title_tesim":["William M. Anderson, Jr. Records"],"unitdate_ssm":["1974-2006"],"unitdate_inclusive_ssm":["1974-2006"],"normalized_date_ssm":["1974/2006"],"normalized_title_ssm":["William M. Anderson, Jr. Records, 1974/2006"],"text":["William M. Anderson, Jr. Records, 1974/2006","MSS.0004","/repositories/2/resources/2","College presidents -- Virginia -- History -- 20th century","College presidents -- Virginia","Education, Higher -- Virginia","Universities and Colleges - Administration","SOME RESTRICTED MATERIAL","SERIES RESTRICTED - Privacy concerns","Some restricted materials.","Some restricted materials.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","RESTRICTED MATERIAL INTERFILED - applies to all folders in series.","All contents restricted.","Some restricted material.","Some restricted material.","Some restricted material.","The boxes and folders in the collection are arranged by series and further arranged mostly chronologically or alphabetically within the series. There was some original order to the documents, which was followed whenever possible. The provenance of the collection was respected in arranging and describing materials, and the arrangement mostly follows the inventory of materials as they were received: Senior Staff Papers, Recommendations, Commencement Records, Honor Convocation Records, Campus Buildings and Grounds, Annual Reports, State Papers, National Papers, University Papers, Southern Regional Education Records, Southern Association of Colleges and Schools, Financial Affairs, Student Affairs, Events Records, Inauguration, Board of Visitors, President's Correspondence, Committees, Community Relations, Faculty Affairs, Conferences and Workshops, President's Book Club, Speeches, and finally Miscellaneous. Documents without apparent order were rearranged according to the inventory by logical series and types of materials.","There was usually some order to the materials, as they were received. All of the folders in the collection were individually arranged within series, based on the inventory list provided, either chronologically or alphabetically. Notebooks and overly large folders were broken down into smaller folders and arranged chronologically, when possible. Each folder was sorted into categories based on the following schema:","Arrangement (Series)","Series 1: Senior Staff Records","Series 2: Recommendations","Series 3: Commencement","Series 4: Honors Convocation","Series 5: Campus Buildings and Grounds","Series 6: Annual Reports","Series 7: State of Virginia Records","Series 8: National Educational Records","Series 9: University Records","Series 10: Southern Regional Education Records","Series 11: Southern Association of Colleges and Schools","Series 12: Financial Affairs","Series 13: Student Affairs","Series 14: Events Records","Series 15: Inauguration","Series 16: Board of Visitors","Series 17: President's Correspondence","Series 18: Committees","Series 19: Community Relations","Series 20: Faculty Affairs","Series 21: Conferences and Workshops","Series 22: President's Book Club","Series 23: Speeches","Series 24: Miscellaneous","William M. Anderson, Jr. President, 1983-2006 Mary Washington College (1983-2004) University of Mary Washington (2004-2006)","Dr. William M. Anderson, Jr. was born January 15, 1942 in South Boston. As a young man, besides politics, his main interests were music and sports. He earned a Bachelor of Science degree from Virginia Commonwealth University, a master's degree in public administration from West Virginia University College of Graduate Studies, and a doctorate in higher education from Virginia Polytechnic Institute and State University. While studying at Virginia Commonwealth University in Richmond, he became acquainted with Prince Woodward, a life-long mentor and eventual President of Mary Washington College, and he also met his future wife, Jane Neale, with whom he had three children. His entire professional career was devoted to higher education, beginning in 1967 when he worked as coordinator of academic programs and enrollment research for the Virginia State Council of Higher Education. Then for four years he served as director of research and planning for the West Virginia Board of Regents. In 1976 he was named Executive Vice President at Mary Washington College before becoming President in 1983.","When Dr. Anderson was appointed president of Mary Washington College in 1983, he was the youngest president of any of Virginia's four-year colleges and universities. Twenty-three years later in 2006, he retired as the longest-serving president of any public institution in Virginia. Among his major achievements at Mary Washington was the creation of the College of Graduate and Professional Studies in Stafford County, which prompted the institution's attainment of university status and an ensuing name change to the University of Mary Washington in 2004.","During his tenure, more than $120 million of capital improvements were made to the University's two campuses, including the addition of a new library, a $14 million science center, a student center, an alumni center, an art gallery, an enclosed campus walk, four new residence halls, and an apartment complex. New cultural offerings for the University and the surrounding community were added during Dr. Anderson's tenure, including programs such as the Fredericksburg Forum, the Great Lives lecture series, and the University of Mary Washington-Community Symphony Orchestra's Celebrity Series. Under Dr. Anderson's administration, the University completed the installation of a campus-wide fiber-optic telecommunications network that brought state-of-the-art data, telephone, and cable service to every classroom, office, and residence hall on campus. Also the intercollegiate athletic program was expanded and a Community Outreach and Resources program was created to promote student volunteerism.","Particularly noteworthy in terms of outreach were Dr. Anderson's efforts to create beneficial ties to the local business community. He was an active member of the Chamber of Commerce, serving at its president, and at his suggestion the University started sponsoring a Business Leaders Breakfast with a visiting Executive in Residence. In addition, during his tenure the University created a Small Business Development Center to support economic development in the area by generating innovative business ideas.","During Dr. Anderson's tenure, and largely because of his energy and efforts, Mary Washington's endowment increased substantially from $1.3 million to $24.5 million, thus contributing not only to enhanced physical facilities, but also to expanded opportunities for faculty development. The result of his work was a significant elevation of Mary Washington's stature to the point of national recognition as a liberal arts and sciences college of outstanding quality, which ranked within the top ten percent nationally in terms of admissions selectivity.","On the occasion of his retirement, numerous individuals and organizations expressed their sincere appreciation for Dr. Anderson's record of achievement at the University of Mary Washington. The Celebrity Concert series at Mary Washington was renamed the William M. Anderson, Jr., Celebrity Concert Series in honor of the support that Dr. Anderson gave to the orchestra. In addition, the General Assembly of Virginia honored Dr. Anderson with a resolution recognizing him \"for his long and exceptional service to the students, faculty, staff and alumni of the University of Mary Washington and, moreover, to the people of the Commonwealth of Virginia.\" The University of Mary Washington Board of Visitors unanimously approved a resolution naming the school's planned extension to the athletic building the Anderson Convocation Center. During his last commencement ceremony as president, Dr. Anderson was awarded the status of president emeritus and an honorary Doctorate of Humane Letters degree. Also he was presented with the Washington Medallion, which recognizes extraordinary service to the University.","This collection is arranged into twenty-four main series, in thirty-eight record storage boxes for a total of about 16 linear feet. The first series is senior staff papers from the President's Office during Dr. Anderson's administration. Other series cover commencement records, honor convocation lists, campus buildings and grounds records, annual reports, state of Virginia papers, national educational papers, various university program documents, Southern educational materials, financial records and documents, student affairs materials, special events materials, inauguration papers, Board of Visitors materials, presidential correspondence, various academic committee papers, community relations documents, faculty affairs materials, papers on conferences and workshops, the President's Book Club materials, Dr. Anderson's speeches, and the last series is reserved for miscellaneous materials.","Dr. Anderson and his office compiled or retained this collection, which encompasses various papers, documents and correspondence from throughout his tenure at Mary Washington, mostly as president. The bulk of the items in the collection were gathered from the 1980s to the 1990s. A few of the papers go back as early as 1974, to the years before Dr. Anderson's presidency at Mary Washington. Two folders date to 1969. Among the documents and records are various memos, plans, notes, programs, design sketches, presidential remarks, speeches, invitations, publications, a few cassette tapes, a CD-ROM and some photographs, as well as letters and reports.","University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of the President","Anderson, William M., Jr., 1942-.","English"],"collection_title_tesim":["William M. Anderson, Jr. Records, 1974/2006"],"collection_ssim":["William M. Anderson, Jr. Records, 1974/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.0004","/repositories/2/resources/2"],"unitid_tesim":["MSS.0004","/repositories/2/resources/2"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["Anderson, William M., Jr., 1942-.","University of Mary Washington. Office of the President"],"creator_ssim":["Anderson, William M., Jr., 1942-.","University of Mary Washington. Office of the President"],"creator_persname_ssim":["Anderson, William M., Jr., 1942-."],"creator_corpname_ssim":["University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of the President"],"creators_ssim":["Anderson, William M., Jr., 1942-.","University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of the President"],"acqinfo_ssim":["These materials were transferred from the University President's Office to the University Archives."],"access_subjects_ssim":["College presidents -- Virginia -- History -- 20th century","College presidents -- Virginia","Education, Higher -- Virginia","Universities and Colleges - Administration"],"access_subjects_ssm":["College presidents -- Virginia -- History -- 20th century","College presidents -- Virginia","Education, Higher -- Virginia","Universities and Colleges - Administration"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 38 record storage boxes"],"extent_tesim":["16 Linear Feet 38 record storage boxes"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eSOME RESTRICTED MATERIAL\u003c/p\u003e","\u003cp\u003eSERIES RESTRICTED - Privacy concerns\u003c/p\u003e","\u003cp\u003eSome restricted materials.\u003c/p\u003e","\u003cp\u003eSome restricted materials.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eRESTRICTED MATERIAL INTERFILED - applies to all folders in series.\u003c/p\u003e","\u003cp\u003eAll contents restricted.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e","\u003cp\u003eSome restricted material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["SOME RESTRICTED MATERIAL","SERIES RESTRICTED - Privacy concerns","Some restricted materials.","Some restricted materials.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","Some restricted material.","RESTRICTED MATERIAL INTERFILED - applies to all folders in series.","All contents restricted.","Some restricted material.","Some restricted material.","Some restricted material."],"arrangement_html_tesm":["\u003cp\u003eThe boxes and folders in the collection are arranged by series and further arranged mostly chronologically or alphabetically within the series. There was some original order to the documents, which was followed whenever possible. The provenance of the collection was respected in arranging and describing materials, and the arrangement mostly follows the inventory of materials as they were received: Senior Staff Papers, Recommendations, Commencement Records, Honor Convocation Records, Campus Buildings and Grounds, Annual Reports, State Papers, National Papers, University Papers, Southern Regional Education Records, Southern Association of Colleges and Schools, Financial Affairs, Student Affairs, Events Records, Inauguration, Board of Visitors, President's Correspondence, Committees, Community Relations, Faculty Affairs, Conferences and Workshops, President's Book Club, Speeches, and finally Miscellaneous. Documents without apparent order were rearranged according to the inventory by logical series and types of materials.\u003c/p\u003e","\u003cp\u003eThere was usually some order to the materials, as they were received. All of the folders in the collection were individually arranged within series, based on the inventory list provided, either chronologically or alphabetically. Notebooks and overly large folders were broken down into smaller folders and arranged chronologically, when possible. Each folder was sorted into categories based on the following schema:\u003c/p\u003e","\u003cp\u003eArrangement (Series)\u003c/p\u003e","\u003cp\u003eSeries 1: Senior Staff Records\u003c/p\u003e","\u003cp\u003eSeries 2: Recommendations\u003c/p\u003e","\u003cp\u003eSeries 3: Commencement\u003c/p\u003e","\u003cp\u003eSeries 4: Honors Convocation\u003c/p\u003e","\u003cp\u003eSeries 5: Campus Buildings and Grounds\u003c/p\u003e","\u003cp\u003eSeries 6: Annual Reports\u003c/p\u003e","\u003cp\u003eSeries 7: State of Virginia Records\u003c/p\u003e","\u003cp\u003eSeries 8: National Educational Records\u003c/p\u003e","\u003cp\u003eSeries 9: University Records\u003c/p\u003e","\u003cp\u003eSeries 10: Southern Regional Education Records\u003c/p\u003e","\u003cp\u003eSeries 11: Southern Association of Colleges and Schools\u003c/p\u003e","\u003cp\u003eSeries 12: Financial Affairs\u003c/p\u003e","\u003cp\u003eSeries 13: Student Affairs\u003c/p\u003e","\u003cp\u003eSeries 14: Events Records\u003c/p\u003e","\u003cp\u003eSeries 15: Inauguration\u003c/p\u003e","\u003cp\u003eSeries 16: Board of Visitors\u003c/p\u003e","\u003cp\u003eSeries 17: President's Correspondence\u003c/p\u003e","\u003cp\u003eSeries 18: Committees\u003c/p\u003e","\u003cp\u003eSeries 19: Community Relations\u003c/p\u003e","\u003cp\u003eSeries 20: Faculty Affairs\u003c/p\u003e","\u003cp\u003eSeries 21: Conferences and Workshops\u003c/p\u003e","\u003cp\u003eSeries 22: President's Book Club\u003c/p\u003e","\u003cp\u003eSeries 23: Speeches\u003c/p\u003e","\u003cp\u003eSeries 24: Miscellaneous\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The boxes and folders in the collection are arranged by series and further arranged mostly chronologically or alphabetically within the series. There was some original order to the documents, which was followed whenever possible. The provenance of the collection was respected in arranging and describing materials, and the arrangement mostly follows the inventory of materials as they were received: Senior Staff Papers, Recommendations, Commencement Records, Honor Convocation Records, Campus Buildings and Grounds, Annual Reports, State Papers, National Papers, University Papers, Southern Regional Education Records, Southern Association of Colleges and Schools, Financial Affairs, Student Affairs, Events Records, Inauguration, Board of Visitors, President's Correspondence, Committees, Community Relations, Faculty Affairs, Conferences and Workshops, President's Book Club, Speeches, and finally Miscellaneous. Documents without apparent order were rearranged according to the inventory by logical series and types of materials.","There was usually some order to the materials, as they were received. All of the folders in the collection were individually arranged within series, based on the inventory list provided, either chronologically or alphabetically. Notebooks and overly large folders were broken down into smaller folders and arranged chronologically, when possible. Each folder was sorted into categories based on the following schema:","Arrangement (Series)","Series 1: Senior Staff Records","Series 2: Recommendations","Series 3: Commencement","Series 4: Honors Convocation","Series 5: Campus Buildings and Grounds","Series 6: Annual Reports","Series 7: State of Virginia Records","Series 8: National Educational Records","Series 9: University Records","Series 10: Southern Regional Education Records","Series 11: Southern Association of Colleges and Schools","Series 12: Financial Affairs","Series 13: Student Affairs","Series 14: Events Records","Series 15: Inauguration","Series 16: Board of Visitors","Series 17: President's Correspondence","Series 18: Committees","Series 19: Community Relations","Series 20: Faculty Affairs","Series 21: Conferences and Workshops","Series 22: President's Book Club","Series 23: Speeches","Series 24: Miscellaneous"],"bioghist_html_tesm":["\u003cp\u003eWilliam M. Anderson, Jr. President, 1983-2006 Mary Washington College (1983-2004) University of Mary Washington (2004-2006)\u003c/p\u003e","\u003cp\u003eDr. William M. Anderson, Jr. was born January 15, 1942 in South Boston. As a young man, besides politics, his main interests were music and sports. He earned a Bachelor of Science degree from Virginia Commonwealth University, a master's degree in public administration from West Virginia University College of Graduate Studies, and a doctorate in higher education from Virginia Polytechnic Institute and State University. While studying at Virginia Commonwealth University in Richmond, he became acquainted with Prince Woodward, a life-long mentor and eventual President of Mary Washington College, and he also met his future wife, Jane Neale, with whom he had three children. His entire professional career was devoted to higher education, beginning in 1967 when he worked as coordinator of academic programs and enrollment research for the Virginia State Council of Higher Education. Then for four years he served as director of research and planning for the West Virginia Board of Regents. In 1976 he was named Executive Vice President at Mary Washington College before becoming President in 1983.\u003c/p\u003e","\u003cp\u003eWhen Dr. Anderson was appointed president of Mary Washington College in 1983, he was the youngest president of any of Virginia's four-year colleges and universities. Twenty-three years later in 2006, he retired as the longest-serving president of any public institution in Virginia. Among his major achievements at Mary Washington was the creation of the College of Graduate and Professional Studies in Stafford County, which prompted the institution's attainment of university status and an ensuing name change to the University of Mary Washington in 2004.\u003c/p\u003e","\u003cp\u003eDuring his tenure, more than $120 million of capital improvements were made to the University's two campuses, including the addition of a new library, a $14 million science center, a student center, an alumni center, an art gallery, an enclosed campus walk, four new residence halls, and an apartment complex. New cultural offerings for the University and the surrounding community were added during Dr. Anderson's tenure, including programs such as the Fredericksburg Forum, the Great Lives lecture series, and the University of Mary Washington-Community Symphony Orchestra's Celebrity Series. Under Dr. Anderson's administration, the University completed the installation of a campus-wide fiber-optic telecommunications network that brought state-of-the-art data, telephone, and cable service to every classroom, office, and residence hall on campus. Also the intercollegiate athletic program was expanded and a Community Outreach and Resources program was created to promote student volunteerism.\u003c/p\u003e","\u003cp\u003eParticularly noteworthy in terms of outreach were Dr. Anderson's efforts to create beneficial ties to the local business community. He was an active member of the Chamber of Commerce, serving at its president, and at his suggestion the University started sponsoring a Business Leaders Breakfast with a visiting Executive in Residence. In addition, during his tenure the University created a Small Business Development Center to support economic development in the area by generating innovative business ideas.\u003c/p\u003e","\u003cp\u003eDuring Dr. Anderson's tenure, and largely because of his energy and efforts, Mary Washington's endowment increased substantially from $1.3 million to $24.5 million, thus contributing not only to enhanced physical facilities, but also to expanded opportunities for faculty development. The result of his work was a significant elevation of Mary Washington's stature to the point of national recognition as a liberal arts and sciences college of outstanding quality, which ranked within the top ten percent nationally in terms of admissions selectivity.\u003c/p\u003e","\u003cp\u003eOn the occasion of his retirement, numerous individuals and organizations expressed their sincere appreciation for Dr. Anderson's record of achievement at the University of Mary Washington. The Celebrity Concert series at Mary Washington was renamed the William M. Anderson, Jr., Celebrity Concert Series in honor of the support that Dr. Anderson gave to the orchestra. In addition, the General Assembly of Virginia honored Dr. Anderson with a resolution recognizing him \"for his long and exceptional service to the students, faculty, staff and alumni of the University of Mary Washington and, moreover, to the people of the Commonwealth of Virginia.\" The University of Mary Washington Board of Visitors unanimously approved a resolution naming the school's planned extension to the athletic building the Anderson Convocation Center. During his last commencement ceremony as president, Dr. Anderson was awarded the status of president emeritus and an honorary Doctorate of Humane Letters degree. Also he was presented with the Washington Medallion, which recognizes extraordinary service to the University.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William M. Anderson, Jr. President, 1983-2006 Mary Washington College (1983-2004) University of Mary Washington (2004-2006)","Dr. William M. Anderson, Jr. was born January 15, 1942 in South Boston. As a young man, besides politics, his main interests were music and sports. He earned a Bachelor of Science degree from Virginia Commonwealth University, a master's degree in public administration from West Virginia University College of Graduate Studies, and a doctorate in higher education from Virginia Polytechnic Institute and State University. While studying at Virginia Commonwealth University in Richmond, he became acquainted with Prince Woodward, a life-long mentor and eventual President of Mary Washington College, and he also met his future wife, Jane Neale, with whom he had three children. His entire professional career was devoted to higher education, beginning in 1967 when he worked as coordinator of academic programs and enrollment research for the Virginia State Council of Higher Education. Then for four years he served as director of research and planning for the West Virginia Board of Regents. In 1976 he was named Executive Vice President at Mary Washington College before becoming President in 1983.","When Dr. Anderson was appointed president of Mary Washington College in 1983, he was the youngest president of any of Virginia's four-year colleges and universities. Twenty-three years later in 2006, he retired as the longest-serving president of any public institution in Virginia. Among his major achievements at Mary Washington was the creation of the College of Graduate and Professional Studies in Stafford County, which prompted the institution's attainment of university status and an ensuing name change to the University of Mary Washington in 2004.","During his tenure, more than $120 million of capital improvements were made to the University's two campuses, including the addition of a new library, a $14 million science center, a student center, an alumni center, an art gallery, an enclosed campus walk, four new residence halls, and an apartment complex. New cultural offerings for the University and the surrounding community were added during Dr. Anderson's tenure, including programs such as the Fredericksburg Forum, the Great Lives lecture series, and the University of Mary Washington-Community Symphony Orchestra's Celebrity Series. Under Dr. Anderson's administration, the University completed the installation of a campus-wide fiber-optic telecommunications network that brought state-of-the-art data, telephone, and cable service to every classroom, office, and residence hall on campus. Also the intercollegiate athletic program was expanded and a Community Outreach and Resources program was created to promote student volunteerism.","Particularly noteworthy in terms of outreach were Dr. Anderson's efforts to create beneficial ties to the local business community. He was an active member of the Chamber of Commerce, serving at its president, and at his suggestion the University started sponsoring a Business Leaders Breakfast with a visiting Executive in Residence. In addition, during his tenure the University created a Small Business Development Center to support economic development in the area by generating innovative business ideas.","During Dr. Anderson's tenure, and largely because of his energy and efforts, Mary Washington's endowment increased substantially from $1.3 million to $24.5 million, thus contributing not only to enhanced physical facilities, but also to expanded opportunities for faculty development. The result of his work was a significant elevation of Mary Washington's stature to the point of national recognition as a liberal arts and sciences college of outstanding quality, which ranked within the top ten percent nationally in terms of admissions selectivity.","On the occasion of his retirement, numerous individuals and organizations expressed their sincere appreciation for Dr. Anderson's record of achievement at the University of Mary Washington. The Celebrity Concert series at Mary Washington was renamed the William M. Anderson, Jr., Celebrity Concert Series in honor of the support that Dr. Anderson gave to the orchestra. In addition, the General Assembly of Virginia honored Dr. Anderson with a resolution recognizing him \"for his long and exceptional service to the students, faculty, staff and alumni of the University of Mary Washington and, moreover, to the people of the Commonwealth of Virginia.\" The University of Mary Washington Board of Visitors unanimously approved a resolution naming the school's planned extension to the athletic building the Anderson Convocation Center. During his last commencement ceremony as president, Dr. Anderson was awarded the status of president emeritus and an honorary Doctorate of Humane Letters degree. Also he was presented with the Washington Medallion, which recognizes extraordinary service to the University."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is arranged into twenty-four main series, in thirty-eight record storage boxes for a total of about 16 linear feet. The first series is senior staff papers from the President's Office during Dr. Anderson's administration. Other series cover commencement records, honor convocation lists, campus buildings and grounds records, annual reports, state of Virginia papers, national educational papers, various university program documents, Southern educational materials, financial records and documents, student affairs materials, special events materials, inauguration papers, Board of Visitors materials, presidential correspondence, various academic committee papers, community relations documents, faculty affairs materials, papers on conferences and workshops, the President's Book Club materials, Dr. Anderson's speeches, and the last series is reserved for miscellaneous materials.\u003c/p\u003e","\u003cp\u003eDr. Anderson and his office compiled or retained this collection, which encompasses various papers, documents and correspondence from throughout his tenure at Mary Washington, mostly as president. The bulk of the items in the collection were gathered from the 1980s to the 1990s. A few of the papers go back as early as 1974, to the years before Dr. Anderson's presidency at Mary Washington. Two folders date to 1969. Among the documents and records are various memos, plans, notes, programs, design sketches, presidential remarks, speeches, invitations, publications, a few cassette tapes, a CD-ROM and some photographs, as well as letters and reports.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is arranged into twenty-four main series, in thirty-eight record storage boxes for a total of about 16 linear feet. The first series is senior staff papers from the President's Office during Dr. Anderson's administration. Other series cover commencement records, honor convocation lists, campus buildings and grounds records, annual reports, state of Virginia papers, national educational papers, various university program documents, Southern educational materials, financial records and documents, student affairs materials, special events materials, inauguration papers, Board of Visitors materials, presidential correspondence, various academic committee papers, community relations documents, faculty affairs materials, papers on conferences and workshops, the President's Book Club materials, Dr. Anderson's speeches, and the last series is reserved for miscellaneous materials.","Dr. Anderson and his office compiled or retained this collection, which encompasses various papers, documents and correspondence from throughout his tenure at Mary Washington, mostly as president. The bulk of the items in the collection were gathered from the 1980s to the 1990s. A few of the papers go back as early as 1974, to the years before Dr. Anderson's presidency at Mary Washington. Two folders date to 1969. Among the documents and records are various memos, plans, notes, programs, design sketches, presidential remarks, speeches, invitations, publications, a few cassette tapes, a CD-ROM and some photographs, as well as letters and reports."],"corpname_ssim":["University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of the President"],"persname_ssim":["Anderson, William M., Jr., 1942-."],"names_ssim":["University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of the President","Anderson, William M., Jr., 1942-."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:12.722Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_2_c09"}},{"id":"vilxw_repositories_5_resources_231_c15","type":"Series","attributes":{"title":"Unprocessed Materials, 1902/1993","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c15#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c15","ref_ssm":["vilxw_repositories_5_resources_231_c15"],"id":"vilxw_repositories_5_resources_231_c15","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","parent_ssi":"vilxw_repositories_5_resources_231","parent_ssim":["O.W. Riegel Papers, 1900/1992"],"parent_ids_ssim":["vilxw_repositories_5_resources_231"],"title_filing_ssi":"Unprocessed Materials","title_ssm":["Unprocessed Materials"],"title_tesim":["Unprocessed Materials"],"normalized_title_ssm":["Unprocessed Materials, 1902/1993"],"text":["Unprocessed Materials, 1902/1993","O.W. Riegel Papers, 1900/1992","Riegel, O. W. (Oscar Wetherhold)","English","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"parent_unittitles_ssm":["O.W. Riegel Papers, 1900/1992"],"parent_unittitles_tesim":["O.W. Riegel Papers, 1900/1992"],"normalized_date_ssm":["1902/1993"],"unitdate_inclusive_ssm":["1902-1993"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":2584,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"extent_ssm":["23.25 Linear Feet"],"extent_tesim":["23.25 Linear Feet"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)"],"names_ssim":["Riegel, O. W. (Oscar Wetherhold)"],"language_ssim":["English"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"scopecontent_html_tesm":["\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"_nest_path_":"/components#14","timestamp":"2026-06-23T07:01:08.296Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"normalized_date_ssm":["1900/1992"],"normalized_title_ssm":["O.W. Riegel Papers, 1900/1992"],"text":["O.W. Riegel Papers, 1900/1992","WLU.Coll.0387","/repositories/5/resources/231","Propaganda","Journalism","This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster, and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.","There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English"],"collection_title_tesim":["O.W. Riegel Papers, 1900/1992"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda","Journalism"],"access_subjects_ssm":["Propaganda","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e  ","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"arrangement_html_tesm":["\u003cp\u003eSome items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e  ","\u003cp\u003eItems in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's\u003c/p\u003e","\u003cp\u003eRiegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e","\u003cp\u003eThe items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.\u003c/p\u003e","\u003cp\u003eThis subseries contains the most up-to-date version of Riegel's unpublished autobiography.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel took on various subjects related to his autobiography.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.\u003c/p\u003e","\u003cp\u003eItems in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.\u003c/p\u003e","\u003cp\u003eAs the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.\u003c/p\u003e","\u003cp\u003eThe Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.\u003c/p\u003e","\u003cp\u003eJournalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.\u003c/p\u003e","\u003cp\u003eRiegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.\u003c/p\u003e","\u003cp\u003eRiegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThis advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.\u003c/p\u003e","\u003cp\u003ethe Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.\u003c/p\u003e","\u003cp\u003eThe Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.\u003c/p\u003e","\u003cp\u003eDuring Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.\u003c/p\u003e","\u003cp\u003eMass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.\u003c/p\u003e","\u003cp\u003ePublicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.\u003c/p\u003e","\u003cp\u003eThis subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.\u003c/p\u003e","\u003cp\u003eMaterials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.\u003c/p\u003e","\u003cp\u003eThis subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.\u003c/p\u003e","\u003cp\u003eThis subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.\u003c/p\u003e","\u003cp\u003eThis subseries consists of maps of various european countries that Riegel traveled through.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eThe items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.\u003c/p\u003e","\u003cp\u003eRiegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.\u003c/p\u003e","\u003cp\u003eCorrespondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.\u003c/p\u003e","\u003cp\u003ePublications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.\u003c/p\u003e","\u003cp\u003eRiegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.\u003c/p\u003e","\u003cp\u003eTh inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.\u003c/p\u003e","\u003cp\u003eGoverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.\u003c/p\u003e","\u003cp\u003eGovernment reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.\u003c/p\u003e","\u003cp\u003eNewspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.\u003c/p\u003e","\u003cp\u003eRiegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.\u003c/p\u003e","\u003cp\u003eThe publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.\u003c/p\u003e","\u003cp\u003eItems in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.\u003c/p\u003e","\u003cp\u003eItems in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.\u003c/p\u003e","\u003cp\u003eRiegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.\u003c/p\u003e","\u003cp\u003eRiegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.\u003c/p\u003e","\u003cp\u003eEuropean propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.\u003c/p\u003e","\u003cp\u003eO.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.\u003c/p\u003e","\u003cp\u003eThese newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.\u003c/p\u003e","\u003cp\u003eRiegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.\u003c/p\u003e","\u003cp\u003eReports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.\u003c/p\u003e","\u003cp\u003eThe Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.\u003c/p\u003e","\u003cp\u003eThe Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.\u003c/p\u003e","\u003cp\u003eSegments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.\u003c/p\u003e","\u003cp\u003eRiegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.\u003c/p\u003e","\u003cp\u003eRiegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.\u003c/p\u003e","\u003cp\u003eRiegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.\u003c/p\u003e","\u003cp\u003eThe Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.\u003c/p\u003e","\u003cp\u003eRiegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.\u003c/p\u003e","\u003cp\u003eThe Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.\u003c/p\u003e","\u003cp\u003eItems from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.\u003c/p\u003e","\u003cp\u003eRiegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.\u003c/p\u003e","\u003cp\u003eThe two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.\u003c/p\u003e","\u003cp\u003eIncludes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.\u003c/p\u003e","\u003cp\u003eRiegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.\u003c/p\u003e","\u003cp\u003eThis folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"\u003c/p\u003e","\u003cp\u003eThis volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.\u003c/p\u003e","\u003cp\u003eRiegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.\u003c/p\u003e","\u003cp\u003ePublications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.\u003c/p\u003e","\u003cp\u003eThis subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.\u003c/p\u003e","\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.\u003c/p\u003e","\u003cp\u003eThis subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.\u003c/p\u003e","\u003cp\u003eThis subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.\u003c/p\u003e","\u003cp\u003eThis subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.\u003c/p\u003e","\u003cp\u003eThis subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.\u003c/p\u003e","\u003cp\u003eThese radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".\u003c/p\u003e","\u003cp\u003eThe U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.\u003c/p\u003e","\u003cp\u003eItems in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.\u003c/p\u003e","\u003cp\u003eThis folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"\u003c/p\u003e","\u003cp\u003eA 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.\u003c/p\u003e","\u003cp\u003eThe Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.\u003c/p\u003e","\u003cp\u003eItems in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.\u003c/p\u003e","\u003cp\u003eItems in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.\u003c/p\u003e","\u003cp\u003eThis series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.\u003c/p\u003e","\u003cp\u003eThis subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.\u003c/p\u003e","\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons\u003c/p\u003e","\u003cp\u003eItems in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.\u003c/p\u003e","\u003cp\u003eThis box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.\u003c/p\u003e","\u003cp\u003eRiegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.\u003c/p\u003e","\u003cp\u003eThe contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, \u003ci\u003eThe Jeffster\u003c/i\u003e, and photographs of the SIPA Awards banquet from 1953 and 1955.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.\u003c/p\u003e","\u003cp\u003eThe contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.\u003c/p\u003e","\u003cp\u003eAlice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.\u003c/p\u003e","\u003cp\u003eCongressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.\u003c/p\u003e","\u003cp\u003eRiegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.\u003c/p\u003e","\u003cp\u003eJim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.\u003c/p\u003e","\u003cp\u003eThis subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eAfter World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.\u003c/p\u003e","\u003cp\u003eRiegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster, and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"separatedmaterial_html_tesm":["\u003cp\u003eThere is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.\u003c/p\u003e","\u003cp\u003eSome items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.\u003c/p\u003e","\u003cp\u003eThe leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"names_coll_ssim":["Riegel, Hunt"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2584,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:08.296Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c15"}},{"id":"vihart_repositories_4_resources_555_c08","type":"Series","attributes":{"title":"Various Documents, 1987/1996","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_555_c08#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 8: Various Documents includes multiple types of company publications such as four iterations of WLR Foods philosophy, by-laws, expenditure requests, and a notification of Wampler-Longacre changing brand name to Wampler. There are 22 documents in this series that cover the years 1987 to 1996.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_555_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_555_c08","ref_ssm":["vihart_repositories_4_resources_555_c08"],"id":"vihart_repositories_4_resources_555_c08","ead_ssi":"vihart_repositories_4_resources_555","_root_":"vihart_repositories_4_resources_555","_nest_parent_":"vihart_repositories_4_resources_555","parent_ssi":"vihart_repositories_4_resources_555","parent_ssim":["WLR Foods records, 1948/2002"],"parent_ids_ssim":["vihart_repositories_4_resources_555"],"title_filing_ssi":"Various Documents","title_ssm":["Various Documents"],"title_tesim":["Various Documents"],"normalized_title_ssm":["Various Documents, 1987/1996"],"text":["Various Documents, 1987/1996","WLR Foods records, 1948/2002","Series 8: Various Documents includes multiple types of company publications such as four iterations of WLR Foods philosophy, by-laws, expenditure requests, and a notification of Wampler-Longacre changing brand name to Wampler. There are 22 documents in this series that cover the years 1987 to 1996."],"parent_unittitles_ssm":["WLR Foods records, 1948/2002"],"parent_unittitles_tesim":["WLR Foods records, 1948/2002"],"normalized_date_ssm":["1987/1996"],"unitdate_inclusive_ssm":["1987-1996"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":623,"repository_ssim":["James Madison University"],"collection_ssim":["WLR Foods records, 1948/2002"],"has_online_content_ssim":["false"],"child_component_count_isi":20,"parent_access_restrict_tesm":["Collection is open for research. Researchers must request access to the digital files in this collection in advance and via a computer station in the Special Collections reading room.","Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"scopecontent_html_tesm":["\u003cp\u003eSeries 8: Various Documents includes multiple types of company publications such as four iterations of WLR Foods philosophy, by-laws, expenditure requests, and a notification of Wampler-Longacre changing brand name to Wampler. There are 22 documents in this series that cover the years 1987 to 1996.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 8: Various Documents includes multiple types of company publications such as four iterations of WLR Foods philosophy, by-laws, expenditure requests, and a notification of Wampler-Longacre changing brand name to Wampler. There are 22 documents in this series that cover the years 1987 to 1996."],"_nest_path_":"/components#7","timestamp":"2026-06-23T06:57:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_555","ead_ssi":"vihart_repositories_4_resources_555","_root_":"vihart_repositories_4_resources_555","_nest_parent_":"vihart_repositories_4_resources_555","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_555.xml","title_ssm":["WLR Foods records"],"title_tesim":["WLR Foods records"],"unitdate_ssm":["1948-2002"],"unitdate_inclusive_ssm":["1948-2002"],"normalized_date_ssm":["1948/2002"],"normalized_title_ssm":["WLR Foods records, 1948/2002"],"text":["WLR Foods records, 1948/2002","SC 0112","/repositories/4/resources/555","Poultry -- Shenandoah River Valley (Va. and W. Va.)","Agriculture -- Economic aspects","Poultry industry","Poultry -- Processing","Digital images","Administrative records","Minutes (administrative records)","Administrative reports","Collection is open for research. Researchers must request access to the digital files in this collection in advance and via a computer station in the Special Collections reading room.","Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The records are arranged into the following series:","Stock Activities, 1976-2000\n      Meetings and Minutes, 1970-2001\n      Financial Reports, 1955-2000\n      Publications, 1979-2002\n      Acquisitions, Mergers, and Takeovers, 1984-2000\n      Announcements, Memos, and News, 1987-2000\n      Audit and Examination Reports, 1948-1978\n      Various Documents, 1987-1996\n      Correspondence, 1988-1991","Chintala, David Michael. Correlation between export sales and stock price. Harrisonburg: James Madison University, 1997.","Fife, Tom. Activity-based costing systems and their applications in the poultry industry. Harrisonburg: James Madison University, 1993.","Whiteley, Laura E., \"WLR Foods, Inc.\" In International Directory of Company Histories Vol. 21, 1998, edited by Tina Grant, and Jay P. Pederson, 534-536. Detroit: St. James Press, 1998.","WLR Foods is a hybrid of three Shenandoah Valley operations. The W and L in the name are for the Wampler and Longacre families; the R is for Rockingham County Poultry Cooperative. WLR Foods first incorporated in 1986 and created a holistic and self-sufficient poultry company that was capable of controlling all aspects of poultry production, from the egg to the local market. WLR Foods combined hatcheries and farms, feed storage and mills, processing and dressing plants, and distribution under one corporate umbrella. This proved to be a winning combination for the Virginia based company; at the height of its success in 1996, WLR Foods sales reached almost one billion dollars and employed over eight thousand workers. The success achieved by WLR Foods was predicated on three distinct companies that merged in 1986: Wampler Foods, Longacre Farms, and Rockingham Poultry Cooperative.","Wampler Foods began in 1927 with the founding of Wampler Feed and Seed Company. Wampler Feed was the first turkey feed company to contract directly with farms to grow poultry. Under the direction of founder, Charles W. Wampler Sr., Wampler Feed and Seed flourished during the 1930's, 40's and 50's. Wampler Feed revolutionized the poultry industry by pioneering the use of incubators to hatch turkeys and early adoption of cooped turkey growing. Upon the retirement of Charles Wampler Sr., his son, Charles Wampler Jr., took over as manager of Wampler Feed and Seed. In 1969, Wampler Jr. working with Herman Mason joined Wampler Feed with Virginia Valley Processing to create Wampler Foods. The merger brought poultry operations in hatcheries, feeding, growers, and limited processing together into one corporation. Further expansion of processing and increased distribution capabilities fueled the search for subsequent merger opportunities.","During World War II, the American labor force began to diminish. This shortage had a great effect on the agricultural community as farmers and farm workers left to join the war. By 1943, the labor shortage forced Congress to allow draft deferments for farmers and hired men. Horace W. Longacre, a passive Mennonite, sought to serve but not to fight. He considered farm draft deferment a peaceable alternative. In order to qualify for the deferment, Longacre bought 84 acres of farmland in Quakertown, Pennsylvania in 1944 and began selling eggs and vegetables. He soon moved exclusively into poultry operations, processing, and dressing chickens. By 1948, Longacre expanded his business into Virginia and was working with Herman Mason as a feed supplier. Eventually, he moved away from poultry feed and focused entirely on processing. At the peak of his success, Longacre employed over 700 people and continued to further capabilities in dressing and distribution. It was under these circumstances that Longacre's business became an attractive merger option for Wampler who was seeking to expand in processing. By 1984, the merger was complete and Wampler-Longacre was formed.","The Wampler-Longacre merger set the stage for a new acquisition; in 1986, Wampler-Longacre acquired Rockingham Poultry Cooperative which expanded Wampler-Longacre into chicken production and also set the stage for the formation of WLR Foods Incorporated.","In 1988, WLR Foods hired fortuitously James Keeler as CEO and retained Charles Wampler Jr. as Chairman of the Board. During a hostile takeover attempt by Tyson Foods in 1994, Keeler proved to be a valuable leader in stopping Tyson. The company also went public that year with stock selling on NASDAQ. By the early 1990's, WLR was packaging poultry into 250 different product lines from hotdogs to burgers. Throughout the 1990's, WLR Foods continued to expand. In 1990, Golden Acre Foods was acquired along with Cassco Corporation, an ice and cold storage operation. In 1992, Round Hill Foods and the Southern Ice Company were purchased. In 1993, WLR acquired Commonwealth Ice Company and the Beverley Company.","In 1994, Fortune Magazine had listed the company prestigiously in the top 500 companies in the nation. That same year, WLR Foods recorded sales over 700 million and attracted the attention of Tyson Foods Incorporated which attempted a hostile takeover by offering shareholders $30.00 per share which was well above the fair market value at the time. James Keeler, a former lawyer, aggressively fought Tyson Foods by rallying shareholders and using loopholes in Virginia law to prevent a payout from Tyson.","Following the takeover attempt, WLR Foods continued to be a successful leader in the poultry industry and acquired Cuddy Farms Incorporated which strengthened its turkey production and processing operations. However, by 2000 WLR Foods was on the decline with stock shares dropping to $4.59. Pilgrim's Pride Corporation bought and absorbed WLR Foods thus ending the corporation's fourteen-year dominance of the industry.","The digital collection was originally divided into seven compact discs titled:","Wampler Foods Historical Records (Scans created between May through November 2005)","Wampler-Longacre Scans, Disc 1 (Scans created between October 25 through November 06 2007)","Wampler-Longacre Scans, Disc 2 (Scans created between June 07 through November 13 2007)","Wampler-Longacre Scans, Disc 3 (Scans created between June 15 through July 17 2007)","Wampler-Longacre Scans, Disc 4 (Scans created between June 16 through September 14 2007)","Wampler-Longacre Scans, Disc 5 (Scans created between September 14 through October 19 2007)","Wampler-Longacre Scans, Disc 6 (Scans created between October 19 through October 24 2007)","The creator or commissioner of the scans is unknown. In December 2007 the discs were reviewed and appraised by Jeffrey Evans, then President of the Green Valley Auctions, Inc. In February 2008 William Wampler donated the collection of compact discs to Special Collections. After initial review it was discovered the \"Wampler-Longacre Scans, Disc 1\" was blank. That same month Mr. Wampler was notified of the error and the  \"Wampler-Longacre Scans, Disc 1\" was replaced with a working disc.","The current state of ownership of the original/physical material used to create the digital scans is unknown.","The files on Disc 1 through 6 were created using a HP PSC 5100 at 200 dpi.  The files on disc \"Wampler Foods Historical Records\" were scanned at 150 dpi.","Wampler Business Records, 1916-1972, SC 0202, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","Wampler Family Papers, 1798-1962, SC 0150, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","Elizabeth \"Libby\" Custer Papers, ca.1930s-1997, SC 0077, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","The WLR Foods records, 1948-2002, consists of over 5,000 scanned digital images. The bulk of the collection is comprised of documents pertaining to WLR Foods Incorporated. The remaining documents relate to Wampler Feed and Seed Company and Wampler Foods and are pre-1984 in date. The 645 PDF documents that make up the collection have been arranged by similar topic into nine series.","Series 1: Stock Activities, holds stock reports, NASDAQ market reports, and letters to stockholders of WLR Foods. The majority of this collection spans a nine-year period from 1991 to 2000. Two documents in Series 1 cover the stock activities of Wampler Foods from 1976 and 1979. Also included is a letter written to WLR Foods shareholders regarding the hostile takeover attempt by Tyson Foods. This series contains 175 documents.","Series 2: Meetings and Minutes, comprises minutes from Board of Directors meetings, Shareholder meetings, and WLR Foods Executive Committee meetings. The majority of this series spans 1985 to 2000 and contains 157 documents.","Series 3: Financial Reports, includes financial statements from 1955 to 2000. The reports relate to the Wampler-Bryan Company, Wampler Foods, Golden Acre Foods, Wampler-Longacre, and WLR Foods. Of the 85 documents in the series, 34  report on the finances of WLR Foods' many subsidiaries. The bulk of this series ranges from 1989 to 2000 and details the quarterly reports of WLR Foods. Also included are eleven of the company's annual reports.","Series 4: Publications contains WLR Foods' annual newsletter, \"Dimensions.\" These newsletters were distributed primarily to employees and community members. They document the company's growth and history and feature spotlights on employees. One publication which predates WLR Foods is a document titled: \"Eat More Turkey\" by David W. Evans in 1960. The majority of this 68 document series dates from 1988 to 2002 with some publications as early as November 1984.","Series 5: Acquisitions, Mergers, and Takeovers includes documents from the merger between Wampler Foods in Longacre Farms in 1984, acquisitions by WLR Foods of other companies such as Cuddy and Cassco Ice, several documents on the hostile takeover attempt by Tyson Foods in 1994/1995, and the buy out of WLR by Pilgrim's Pride in 2000. This series spans 1984 to 2000 and contains 58 documents.","Series 6: Announcements, Memos, and News details company announcements and memos such as new chairman elections. Additionally, news and press releases on topics such as quarterly reports, and company endeavors are also included here. Then president of WLR, James Keeler, released two news reports to shareholders panning the hostile takeover attempt of Tyson Foods in 1994. This series contains 44 items and covers the years 1987 to 2000.","Series 7: Audit and Examination Reports deals entirely with the separate companies that eventually merged to create WLR Foods. The series begins in 1948 with a report on examination from Wampler Feed and Seed Company. Other companies included in this series are Wampler Foods and Virginia Valley Processors. Each of the examination accounts for the business' balance sheets and were conducted by certified public accountants from Harrisonburg Virginia. The specific accountants vary from year to year. Thirty-nine documents make up this series with the bulk of material spanning 1958 to 1978.","Series 8: Various Documents includes multiple types of company publications such as four iterations of WLR Foods philosophy, by-laws, expenditure requests, and a notification of Wampler-Longacre changing brand name to Wampler. There are 22 documents in this series that cover the years 1987 to 1996.","Series 9: Correspondence is the smallest of the nine series, totals eight documents, and spans the years 1988 to 1991. The correspondence varies between WLR Foods' several subsidiaries.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","This digital collection contains over 5,000 scanned images representing 645 documents that pertain to the business endeavors, acquisitions, and publications of WLR Foods Incorporated.","James Madison University Libraries Special Collections","WLR Foods, Inc.","Wampler, William D. (William David), 1928-2014","English\n."],"collection_title_tesim":["WLR Foods records, 1948/2002"],"collection_ssim":["WLR Foods records, 1948/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0112","/repositories/4/resources/555"],"unitid_tesim":["SC 0112","/repositories/4/resources/555"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Wampler, William D. (William David), 1928-2014","WLR Foods, Inc."],"creator_ssim":["Wampler, William D. (William David), 1928-2014","WLR Foods, Inc."],"creator_persname_ssim":["Wampler, William D. (William David), 1928-2014"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","WLR Foods, Inc."],"creators_ssim":["Wampler, William D. (William David), 1928-2014","James Madison University Libraries Special Collections","WLR Foods, Inc."],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Compact discs comprising digital scnas were donated by William D. Wampler to Special Collections in February 2008."],"access_subjects_ssim":["Poultry -- Shenandoah River Valley (Va. and W. Va.)","Agriculture -- Economic aspects","Poultry industry","Poultry -- Processing","Digital images","Administrative records","Minutes (administrative records)","Administrative reports"],"access_subjects_ssm":["Poultry -- Shenandoah River Valley (Va. and W. Va.)","Agriculture -- Economic aspects","Poultry industry","Poultry -- Processing","Digital images","Administrative records","Minutes (administrative records)","Administrative reports"],"has_online_content_ssim":["false"],"extent_ssm":["4.8 Gigabytes 645 digital files","0.06 cubic feet 7 CDs"],"extent_tesim":["4.8 Gigabytes 645 digital files","0.06 cubic feet 7 CDs"],"genreform_ssim":["Digital images","Administrative records","Minutes (administrative records)","Administrative reports"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must request access to the digital files in this collection in advance and via a computer station in the Special Collections reading room.\u003c/p\u003e","\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must request access to the digital files in this collection in advance and via a computer station in the Special Collections reading room.","Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged into the following series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eStock Activities, 1976-2000\u003c/item\u003e\n      \u003citem\u003eMeetings and Minutes, 1970-2001\u003c/item\u003e\n      \u003citem\u003eFinancial Reports, 1955-2000\u003c/item\u003e\n      \u003citem\u003ePublications, 1979-2002\u003c/item\u003e\n      \u003citem\u003eAcquisitions, Mergers, and Takeovers, 1984-2000\u003c/item\u003e\n      \u003citem\u003eAnnouncements, Memos, and News, 1987-2000\u003c/item\u003e\n      \u003citem\u003eAudit and Examination Reports, 1948-1978\u003c/item\u003e\n      \u003citem\u003eVarious Documents, 1987-1996\u003c/item\u003e\n      \u003citem\u003eCorrespondence, 1988-1991\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The records are arranged into the following series:","Stock Activities, 1976-2000\n      Meetings and Minutes, 1970-2001\n      Financial Reports, 1955-2000\n      Publications, 1979-2002\n      Acquisitions, Mergers, and Takeovers, 1984-2000\n      Announcements, Memos, and News, 1987-2000\n      Audit and Examination Reports, 1948-1978\n      Various Documents, 1987-1996\n      Correspondence, 1988-1991"],"bibliography_html_tesm":["\u003cbibref\u003eChintala, David Michael. Correlation between export sales and stock price. Harrisonburg: James Madison University, 1997.\u003c/bibref\u003e\n    ","\u003cbibref\u003eFife, Tom. Activity-based costing systems and their applications in the poultry industry. Harrisonburg: James Madison University, 1993.\u003c/bibref\u003e\n    ","\u003cbibref\u003eWhiteley, Laura E., \"WLR Foods, Inc.\" In International Directory of Company Histories Vol. 21, 1998, edited by Tina Grant, and Jay P. Pederson, 534-536. Detroit: St. James Press, 1998.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Chintala, David Michael. Correlation between export sales and stock price. Harrisonburg: James Madison University, 1997.","Fife, Tom. Activity-based costing systems and their applications in the poultry industry. Harrisonburg: James Madison University, 1993.","Whiteley, Laura E., \"WLR Foods, Inc.\" In International Directory of Company Histories Vol. 21, 1998, edited by Tina Grant, and Jay P. Pederson, 534-536. Detroit: St. James Press, 1998."],"bioghist_html_tesm":["\u003cp\u003eWLR Foods is a hybrid of three Shenandoah Valley operations. The W and L in the name are for the Wampler and Longacre families; the R is for Rockingham County Poultry Cooperative. WLR Foods first incorporated in 1986 and created a holistic and self-sufficient poultry company that was capable of controlling all aspects of poultry production, from the egg to the local market. WLR Foods combined hatcheries and farms, feed storage and mills, processing and dressing plants, and distribution under one corporate umbrella. This proved to be a winning combination for the Virginia based company; at the height of its success in 1996, WLR Foods sales reached almost one billion dollars and employed over eight thousand workers. The success achieved by WLR Foods was predicated on three distinct companies that merged in 1986: Wampler Foods, Longacre Farms, and Rockingham Poultry Cooperative.\u003c/p\u003e","\u003cp\u003eWampler Foods began in 1927 with the founding of Wampler Feed and Seed Company. Wampler Feed was the first turkey feed company to contract directly with farms to grow poultry. Under the direction of founder, Charles W. Wampler Sr., Wampler Feed and Seed flourished during the 1930's, 40's and 50's. Wampler Feed revolutionized the poultry industry by pioneering the use of incubators to hatch turkeys and early adoption of cooped turkey growing. Upon the retirement of Charles Wampler Sr., his son, Charles Wampler Jr., took over as manager of Wampler Feed and Seed. In 1969, Wampler Jr. working with Herman Mason joined Wampler Feed with Virginia Valley Processing to create Wampler Foods. The merger brought poultry operations in hatcheries, feeding, growers, and limited processing together into one corporation. Further expansion of processing and increased distribution capabilities fueled the search for subsequent merger opportunities. \u003c/p\u003e","\u003cp\u003eDuring World War II, the American labor force began to diminish. This shortage had a great effect on the agricultural community as farmers and farm workers left to join the war. By 1943, the labor shortage forced Congress to allow draft deferments for farmers and hired men. Horace W. Longacre, a passive Mennonite, sought to serve but not to fight. He considered farm draft deferment a peaceable alternative. In order to qualify for the deferment, Longacre bought 84 acres of farmland in Quakertown, Pennsylvania in 1944 and began selling eggs and vegetables. He soon moved exclusively into poultry operations, processing, and dressing chickens. By 1948, Longacre expanded his business into Virginia and was working with Herman Mason as a feed supplier. Eventually, he moved away from poultry feed and focused entirely on processing. At the peak of his success, Longacre employed over 700 people and continued to further capabilities in dressing and distribution. It was under these circumstances that Longacre's business became an attractive merger option for Wampler who was seeking to expand in processing. By 1984, the merger was complete and Wampler-Longacre was formed.\u003c/p\u003e","\u003cp\u003eThe Wampler-Longacre merger set the stage for a new acquisition; in 1986, Wampler-Longacre acquired Rockingham Poultry Cooperative which expanded Wampler-Longacre into chicken production and also set the stage for the formation of WLR Foods Incorporated.\u003c/p\u003e","\u003cp\u003eIn 1988, WLR Foods hired fortuitously James Keeler as CEO and retained Charles Wampler Jr. as Chairman of the Board. During a hostile takeover attempt by Tyson Foods in 1994, Keeler proved to be a valuable leader in stopping Tyson. The company also went public that year with stock selling on NASDAQ. By the early 1990's, WLR was packaging poultry into 250 different product lines from hotdogs to burgers. Throughout the 1990's, WLR Foods continued to expand. In 1990, Golden Acre Foods was acquired along with Cassco Corporation, an ice and cold storage operation. In 1992, Round Hill Foods and the Southern Ice Company were purchased. In 1993, WLR acquired Commonwealth Ice Company and the Beverley Company.\u003c/p\u003e","\u003cp\u003eIn 1994, Fortune Magazine had listed the company prestigiously in the top 500 companies in the nation. That same year, WLR Foods recorded sales over 700 million and attracted the attention of Tyson Foods Incorporated which attempted a hostile takeover by offering shareholders $30.00 per share which was well above the fair market value at the time. James Keeler, a former lawyer, aggressively fought Tyson Foods by rallying shareholders and using loopholes in Virginia law to prevent a payout from Tyson.\u003c/p\u003e","\u003cp\u003eFollowing the takeover attempt, WLR Foods continued to be a successful leader in the poultry industry and acquired Cuddy Farms Incorporated which strengthened its turkey production and processing operations. However, by 2000 WLR Foods was on the decline with stock shares dropping to $4.59. Pilgrim's Pride Corporation bought and absorbed WLR Foods thus ending the corporation's fourteen-year dominance of the industry.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["WLR Foods is a hybrid of three Shenandoah Valley operations. The W and L in the name are for the Wampler and Longacre families; the R is for Rockingham County Poultry Cooperative. WLR Foods first incorporated in 1986 and created a holistic and self-sufficient poultry company that was capable of controlling all aspects of poultry production, from the egg to the local market. WLR Foods combined hatcheries and farms, feed storage and mills, processing and dressing plants, and distribution under one corporate umbrella. This proved to be a winning combination for the Virginia based company; at the height of its success in 1996, WLR Foods sales reached almost one billion dollars and employed over eight thousand workers. The success achieved by WLR Foods was predicated on three distinct companies that merged in 1986: Wampler Foods, Longacre Farms, and Rockingham Poultry Cooperative.","Wampler Foods began in 1927 with the founding of Wampler Feed and Seed Company. Wampler Feed was the first turkey feed company to contract directly with farms to grow poultry. Under the direction of founder, Charles W. Wampler Sr., Wampler Feed and Seed flourished during the 1930's, 40's and 50's. Wampler Feed revolutionized the poultry industry by pioneering the use of incubators to hatch turkeys and early adoption of cooped turkey growing. Upon the retirement of Charles Wampler Sr., his son, Charles Wampler Jr., took over as manager of Wampler Feed and Seed. In 1969, Wampler Jr. working with Herman Mason joined Wampler Feed with Virginia Valley Processing to create Wampler Foods. The merger brought poultry operations in hatcheries, feeding, growers, and limited processing together into one corporation. Further expansion of processing and increased distribution capabilities fueled the search for subsequent merger opportunities.","During World War II, the American labor force began to diminish. This shortage had a great effect on the agricultural community as farmers and farm workers left to join the war. By 1943, the labor shortage forced Congress to allow draft deferments for farmers and hired men. Horace W. Longacre, a passive Mennonite, sought to serve but not to fight. He considered farm draft deferment a peaceable alternative. In order to qualify for the deferment, Longacre bought 84 acres of farmland in Quakertown, Pennsylvania in 1944 and began selling eggs and vegetables. He soon moved exclusively into poultry operations, processing, and dressing chickens. By 1948, Longacre expanded his business into Virginia and was working with Herman Mason as a feed supplier. Eventually, he moved away from poultry feed and focused entirely on processing. At the peak of his success, Longacre employed over 700 people and continued to further capabilities in dressing and distribution. It was under these circumstances that Longacre's business became an attractive merger option for Wampler who was seeking to expand in processing. By 1984, the merger was complete and Wampler-Longacre was formed.","The Wampler-Longacre merger set the stage for a new acquisition; in 1986, Wampler-Longacre acquired Rockingham Poultry Cooperative which expanded Wampler-Longacre into chicken production and also set the stage for the formation of WLR Foods Incorporated.","In 1988, WLR Foods hired fortuitously James Keeler as CEO and retained Charles Wampler Jr. as Chairman of the Board. During a hostile takeover attempt by Tyson Foods in 1994, Keeler proved to be a valuable leader in stopping Tyson. The company also went public that year with stock selling on NASDAQ. By the early 1990's, WLR was packaging poultry into 250 different product lines from hotdogs to burgers. Throughout the 1990's, WLR Foods continued to expand. In 1990, Golden Acre Foods was acquired along with Cassco Corporation, an ice and cold storage operation. In 1992, Round Hill Foods and the Southern Ice Company were purchased. In 1993, WLR acquired Commonwealth Ice Company and the Beverley Company.","In 1994, Fortune Magazine had listed the company prestigiously in the top 500 companies in the nation. That same year, WLR Foods recorded sales over 700 million and attracted the attention of Tyson Foods Incorporated which attempted a hostile takeover by offering shareholders $30.00 per share which was well above the fair market value at the time. James Keeler, a former lawyer, aggressively fought Tyson Foods by rallying shareholders and using loopholes in Virginia law to prevent a payout from Tyson.","Following the takeover attempt, WLR Foods continued to be a successful leader in the poultry industry and acquired Cuddy Farms Incorporated which strengthened its turkey production and processing operations. However, by 2000 WLR Foods was on the decline with stock shares dropping to $4.59. Pilgrim's Pride Corporation bought and absorbed WLR Foods thus ending the corporation's fourteen-year dominance of the industry."],"custodhist_html_tesm":["\u003cp\u003eThe digital collection was originally divided into seven compact discs titled:\u003c/p\u003e","\u003cp\u003eWampler Foods Historical Records (Scans created between May through November 2005)\u003c/p\u003e","\u003cp\u003eWampler-Longacre Scans, Disc 1 (Scans created between October 25 through November 06 2007)\u003c/p\u003e","\u003cp\u003eWampler-Longacre Scans, Disc 2 (Scans created between June 07 through November 13 2007)\u003c/p\u003e","\u003cp\u003eWampler-Longacre Scans, Disc 3 (Scans created between June 15 through July 17 2007)\u003c/p\u003e","\u003cp\u003eWampler-Longacre Scans, Disc 4 (Scans created between June 16 through September 14 2007)\u003c/p\u003e","\u003cp\u003eWampler-Longacre Scans, Disc 5 (Scans created between September 14 through October 19 2007)\u003c/p\u003e","\u003cp\u003eWampler-Longacre Scans, Disc 6 (Scans created between October 19 through October 24 2007)\u003c/p\u003e","\u003cp\u003eThe creator or commissioner of the scans is unknown. In December 2007 the discs were reviewed and appraised by Jeffrey Evans, then President of the Green Valley Auctions, Inc. In February 2008 William Wampler donated the collection of compact discs to Special Collections. After initial review it was discovered the \"Wampler-Longacre Scans, Disc 1\" was blank. That same month Mr. Wampler was notified of the error and the  \"Wampler-Longacre Scans, Disc 1\" was replaced with a working disc.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The digital collection was originally divided into seven compact discs titled:","Wampler Foods Historical Records (Scans created between May through November 2005)","Wampler-Longacre Scans, Disc 1 (Scans created between October 25 through November 06 2007)","Wampler-Longacre Scans, Disc 2 (Scans created between June 07 through November 13 2007)","Wampler-Longacre Scans, Disc 3 (Scans created between June 15 through July 17 2007)","Wampler-Longacre Scans, Disc 4 (Scans created between June 16 through September 14 2007)","Wampler-Longacre Scans, Disc 5 (Scans created between September 14 through October 19 2007)","Wampler-Longacre Scans, Disc 6 (Scans created between October 19 through October 24 2007)","The creator or commissioner of the scans is unknown. In December 2007 the discs were reviewed and appraised by Jeffrey Evans, then President of the Green Valley Auctions, Inc. In February 2008 William Wampler donated the collection of compact discs to Special Collections. After initial review it was discovered the \"Wampler-Longacre Scans, Disc 1\" was blank. That same month Mr. Wampler was notified of the error and the  \"Wampler-Longacre Scans, Disc 1\" was replaced with a working disc."],"originalsloc_html_tesm":["\u003cp\u003eThe current state of ownership of the original/physical material used to create the digital scans is unknown.\u003c/p\u003e  "],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The current state of ownership of the original/physical material used to create the digital scans is unknown."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], WLR Foods records, 1984-2002, SC 0112, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of Item], WLR Foods records, 1984-2002, SC 0112, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe files on Disc 1 through 6 were created using a HP PSC 5100 at 200 dpi.  The files on disc \"Wampler Foods Historical Records\" were scanned at 150 dpi.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The files on Disc 1 through 6 were created using a HP PSC 5100 at 200 dpi.  The files on disc \"Wampler Foods Historical Records\" were scanned at 150 dpi."],"relatedmaterial_html_tesm":["\u003cp\u003eWampler Business Records, 1916-1972, SC 0202, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e","\u003cp\u003eWampler Family Papers, 1798-1962, SC 0150, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e","\u003cp\u003eElizabeth \"Libby\" Custer Papers, ca.1930s-1997, SC 0077, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wampler Business Records, 1916-1972, SC 0202, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","Wampler Family Papers, 1798-1962, SC 0150, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","Elizabeth \"Libby\" Custer Papers, ca.1930s-1997, SC 0077, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe WLR Foods records, 1948-2002, consists of over 5,000 scanned digital images. The bulk of the collection is comprised of documents pertaining to WLR Foods Incorporated. The remaining documents relate to Wampler Feed and Seed Company and Wampler Foods and are pre-1984 in date. The 645 PDF documents that make up the collection have been arranged by similar topic into nine series.\u003c/p\u003e  ","\u003cp\u003eSeries 1: Stock Activities, holds stock reports, NASDAQ market reports, and letters to stockholders of WLR Foods. The majority of this collection spans a nine-year period from 1991 to 2000. Two documents in Series 1 cover the stock activities of Wampler Foods from 1976 and 1979. Also included is a letter written to WLR Foods shareholders regarding the hostile takeover attempt by Tyson Foods. This series contains 175 documents.\u003c/p\u003e","\u003cp\u003eSeries 2: Meetings and Minutes, comprises minutes from Board of Directors meetings, Shareholder meetings, and WLR Foods Executive Committee meetings. The majority of this series spans 1985 to 2000 and contains 157 documents.\u003c/p\u003e","\u003cp\u003eSeries 3: Financial Reports, includes financial statements from 1955 to 2000. The reports relate to the Wampler-Bryan Company, Wampler Foods, Golden Acre Foods, Wampler-Longacre, and WLR Foods. Of the 85 documents in the series, 34  report on the finances of WLR Foods' many subsidiaries. The bulk of this series ranges from 1989 to 2000 and details the quarterly reports of WLR Foods. Also included are eleven of the company's annual reports.\u003c/p\u003e","\u003cp\u003eSeries 4: Publications contains WLR Foods' annual newsletter, \"Dimensions.\" These newsletters were distributed primarily to employees and community members. They document the company's growth and history and feature spotlights on employees. One publication which predates WLR Foods is a document titled: \"Eat More Turkey\" by David W. Evans in 1960. The majority of this 68 document series dates from 1988 to 2002 with some publications as early as November 1984.\u003c/p\u003e","\u003cp\u003eSeries 5: Acquisitions, Mergers, and Takeovers includes documents from the merger between Wampler Foods in Longacre Farms in 1984, acquisitions by WLR Foods of other companies such as Cuddy and Cassco Ice, several documents on the hostile takeover attempt by Tyson Foods in 1994/1995, and the buy out of WLR by Pilgrim's Pride in 2000. This series spans 1984 to 2000 and contains 58 documents.\u003c/p\u003e","\u003cp\u003eSeries 6: Announcements, Memos, and News details company announcements and memos such as new chairman elections. Additionally, news and press releases on topics such as quarterly reports, and company endeavors are also included here. Then president of WLR, James Keeler, released two news reports to shareholders panning the hostile takeover attempt of Tyson Foods in 1994. This series contains 44 items and covers the years 1987 to 2000.\u003c/p\u003e","\u003cp\u003eSeries 7: Audit and Examination Reports deals entirely with the separate companies that eventually merged to create WLR Foods. The series begins in 1948 with a report on examination from Wampler Feed and Seed Company. Other companies included in this series are Wampler Foods and Virginia Valley Processors. Each of the examination accounts for the business' balance sheets and were conducted by certified public accountants from Harrisonburg Virginia. The specific accountants vary from year to year. Thirty-nine documents make up this series with the bulk of material spanning 1958 to 1978.\u003c/p\u003e","\u003cp\u003eSeries 8: Various Documents includes multiple types of company publications such as four iterations of WLR Foods philosophy, by-laws, expenditure requests, and a notification of Wampler-Longacre changing brand name to Wampler. There are 22 documents in this series that cover the years 1987 to 1996.\u003c/p\u003e","\u003cp\u003eSeries 9: Correspondence is the smallest of the nine series, totals eight documents, and spans the years 1988 to 1991. The correspondence varies between WLR Foods' several subsidiaries.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The WLR Foods records, 1948-2002, consists of over 5,000 scanned digital images. The bulk of the collection is comprised of documents pertaining to WLR Foods Incorporated. The remaining documents relate to Wampler Feed and Seed Company and Wampler Foods and are pre-1984 in date. The 645 PDF documents that make up the collection have been arranged by similar topic into nine series.","Series 1: Stock Activities, holds stock reports, NASDAQ market reports, and letters to stockholders of WLR Foods. The majority of this collection spans a nine-year period from 1991 to 2000. Two documents in Series 1 cover the stock activities of Wampler Foods from 1976 and 1979. Also included is a letter written to WLR Foods shareholders regarding the hostile takeover attempt by Tyson Foods. This series contains 175 documents.","Series 2: Meetings and Minutes, comprises minutes from Board of Directors meetings, Shareholder meetings, and WLR Foods Executive Committee meetings. The majority of this series spans 1985 to 2000 and contains 157 documents.","Series 3: Financial Reports, includes financial statements from 1955 to 2000. The reports relate to the Wampler-Bryan Company, Wampler Foods, Golden Acre Foods, Wampler-Longacre, and WLR Foods. Of the 85 documents in the series, 34  report on the finances of WLR Foods' many subsidiaries. The bulk of this series ranges from 1989 to 2000 and details the quarterly reports of WLR Foods. Also included are eleven of the company's annual reports.","Series 4: Publications contains WLR Foods' annual newsletter, \"Dimensions.\" These newsletters were distributed primarily to employees and community members. They document the company's growth and history and feature spotlights on employees. One publication which predates WLR Foods is a document titled: \"Eat More Turkey\" by David W. Evans in 1960. The majority of this 68 document series dates from 1988 to 2002 with some publications as early as November 1984.","Series 5: Acquisitions, Mergers, and Takeovers includes documents from the merger between Wampler Foods in Longacre Farms in 1984, acquisitions by WLR Foods of other companies such as Cuddy and Cassco Ice, several documents on the hostile takeover attempt by Tyson Foods in 1994/1995, and the buy out of WLR by Pilgrim's Pride in 2000. This series spans 1984 to 2000 and contains 58 documents.","Series 6: Announcements, Memos, and News details company announcements and memos such as new chairman elections. Additionally, news and press releases on topics such as quarterly reports, and company endeavors are also included here. Then president of WLR, James Keeler, released two news reports to shareholders panning the hostile takeover attempt of Tyson Foods in 1994. This series contains 44 items and covers the years 1987 to 2000.","Series 7: Audit and Examination Reports deals entirely with the separate companies that eventually merged to create WLR Foods. The series begins in 1948 with a report on examination from Wampler Feed and Seed Company. Other companies included in this series are Wampler Foods and Virginia Valley Processors. Each of the examination accounts for the business' balance sheets and were conducted by certified public accountants from Harrisonburg Virginia. The specific accountants vary from year to year. Thirty-nine documents make up this series with the bulk of material spanning 1958 to 1978.","Series 8: Various Documents includes multiple types of company publications such as four iterations of WLR Foods philosophy, by-laws, expenditure requests, and a notification of Wampler-Longacre changing brand name to Wampler. There are 22 documents in this series that cover the years 1987 to 1996.","Series 9: Correspondence is the smallest of the nine series, totals eight documents, and spans the years 1988 to 1991. The correspondence varies between WLR Foods' several subsidiaries."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b3909846f599e75f22048117bfa7b2f6\"\u003eThis digital collection contains over 5,000 scanned images representing 645 documents that pertain to the business endeavors, acquisitions, and publications of WLR Foods Incorporated.\u003c/abstract\u003e\n    "],"abstract_tesim":["This digital collection contains over 5,000 scanned images representing 645 documents that pertain to the business endeavors, acquisitions, and publications of WLR Foods Incorporated."],"corpname_ssim":["James Madison University Libraries Special Collections","WLR Foods, Inc."],"persname_ssim":["Wampler, William D. (William David), 1928-2014"],"names_coll_ssim":["Wampler, William D. (William David), 1928-2014"],"names_ssim":["James Madison University Libraries Special Collections","WLR Foods, Inc.","Wampler, William D. (William David), 1928-2014"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":651,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:53.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_555_c08"}},{"id":"vifarl_repositories_2_resources_274_c01","type":"Series","attributes":{"title":"VHS, 1989/2005","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifarl_repositories_2_resources_274_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis note is a highlight of some themes of the VHS tapes in the Audio Visual Collection, it is not comprehensive. VHS recordings include Poetry and Author Series events hosted by English and Modern Languages as well as recordings of Dos Passos prize awards. This series also includes recorded news reports about Longwood, including tapes related to the fire in 2001 and the name change to University. In addition tapes include theater productions, building rennovations, promotional recordings, class and faculty recordings.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifarl_repositories_2_resources_274_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifarl_repositories_2_resources_274_c01","ref_ssm":["vifarl_repositories_2_resources_274_c01"],"id":"vifarl_repositories_2_resources_274_c01","ead_ssi":"vifarl_repositories_2_resources_274","_root_":"vifarl_repositories_2_resources_274","_nest_parent_":"vifarl_repositories_2_resources_274","parent_ssi":"vifarl_repositories_2_resources_274","parent_ssim":["Audio Visual Materials, 1942/2019, bulk 1987/2019"],"parent_ids_ssim":["vifarl_repositories_2_resources_274"],"title_filing_ssi":"VHS","title_ssm":["VHS"],"title_tesim":["VHS"],"normalized_title_ssm":["VHS, 1989/2005"],"text":["VHS, 1989/2005","Audio Visual Materials, 1942/2019, bulk 1987/2019","box 01","box 02","box 03","box 04","box 05","box 06","box 07","This note is a highlight of some themes of the VHS tapes in the Audio Visual Collection, it is not comprehensive. VHS recordings include Poetry and Author Series events hosted by English and Modern Languages as well as recordings of Dos Passos prize awards. This series also includes recorded news reports about Longwood, including tapes related to the fire in 2001 and the name change to University. In addition tapes include theater productions, building rennovations, promotional recordings, class and faculty recordings."],"parent_unittitles_ssm":["Audio Visual Materials, 1942/2019, bulk 1987/2019"],"parent_unittitles_tesim":["Audio Visual Materials, 1942/2019, bulk 1987/2019"],"normalized_date_ssm":["1989/2005"],"unitdate_bulk_ssim":["1989-2005"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["Longwood University"],"collection_ssim":["Audio Visual Materials, 1942/2019, bulk 1987/2019"],"containers_ssim":["box 01","box 02","box 03","box 04","box 05","box 06","box 07"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Some materials may not be accessible due to obsolescence of the format and Greenwood Libraries limited technological capabilities. Audio Reel to Reel, Reel Films, Betamax and Umatic tapes are all currently inaccessible.  In addition, staff may limit use of items if they are concerned about the condition of any of the materials or the equipment needed to access them."],"parent_access_terms_tesm":["To request access to any audio visual material, please submit a request though the request button at the top of the page, and add any details about the event or program you are hoping to locate. Please note that recodings and descriptions are not comprehensive, but will be happy to search the collection for specific events upon request."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"scopecontent_html_tesm":["\u003cp\u003eThis note is a highlight of some themes of the VHS tapes in the Audio Visual Collection, it is not comprehensive. VHS recordings include Poetry and Author Series events hosted by English and Modern Languages as well as recordings of Dos Passos prize awards. This series also includes recorded news reports about Longwood, including tapes related to the fire in 2001 and the name change to University. In addition tapes include theater productions, building rennovations, promotional recordings, class and faculty recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This note is a highlight of some themes of the VHS tapes in the Audio Visual Collection, it is not comprehensive. VHS recordings include Poetry and Author Series events hosted by English and Modern Languages as well as recordings of Dos Passos prize awards. This series also includes recorded news reports about Longwood, including tapes related to the fire in 2001 and the name change to University. In addition tapes include theater productions, building rennovations, promotional recordings, class and faculty recordings."],"_nest_path_":"/components#0","timestamp":"2026-06-23T06:51:43.358Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifarl_repositories_2_resources_274","ead_ssi":"vifarl_repositories_2_resources_274","_root_":"vifarl_repositories_2_resources_274","_nest_parent_":"vifarl_repositories_2_resources_274","ead_source_url_ssi":"data/oai/LONG/repositories_2_resources_274.xml","title_ssm":["Audio Visual Materials"],"title_tesim":["Audio Visual Materials"],"unitdate_ssm":["1942-2019","1987-2019"],"unitdate_inclusive_ssm":["1942-2019"],"unitdate_bulk_ssim":["1987-2019"],"normalized_date_ssm":["1942/2019, bulk 1987/2019"],"normalized_title_ssm":["Audio Visual Materials, 1942/2019, bulk 1987/2019"],"text":["Audio Visual Materials, 1942/2019, bulk 1987/2019","LU.283","/repositories/2/resources/274","Longwood University -- History","Some materials may not be accessible due to obsolescence of the format and Greenwood Libraries limited technological capabilities. Audio Reel to Reel, Reel Films, Betamax and Umatic tapes are all currently inaccessible.  In addition, staff may limit use of items if they are concerned about the condition of any of the materials or the equipment needed to access them.","Most of these materials were transferred to the Greenwood Library from the Audio Visual Department. The Department recorded and edited Longwood Events for other departments. The department converted these media formats throughout its existence and in 2020, the department was shut down and all items left in the office were transferred to the Greenwood Library.","The collection also includes materials from the Public Relations department or alumni office which were usually events recorded for promotional purposes.","The collection also contains some footage from The Longwood Show which was a web based program created and hosted by students created in the early 2000s which ran untill about 2012.","The collection also includes materials held by the library as circulating material that was later transferred to archives for preservation.","This collection includes multiple different Audio Visual formats including, Audio Reel to Reel, 8mm and 16mm film reels, Betamax, Umatic, VHS, DVD, CD, MiniDVs, Audio Cassette tapes. The recordings cover a variety of University, departmental, and student events, raw footage from promotional videos and Longwood productions, such as the Longwood Show, materials related to the Rotunda fire in 2001, speeches, meetings, student life and other events on campus.","This note is a highlight of some themes of the VHS tapes in the Audio Visual Collection, it is not comprehensive. VHS recordings include Poetry and Author Series events hosted by English and Modern Languages as well as recordings of Dos Passos prize awards. This series also includes recorded news reports about Longwood, including tapes related to the fire in 2001 and the name change to University. In addition tapes include theater productions, building rennovations, promotional recordings, class and faculty recordings.","To request access to any audio visual material, please submit a request though the request button at the top of the page, and add any details about the event or program you are hoping to locate. Please note that recodings and descriptions are not comprehensive, but will be happy to search the collection for specific events upon request.","Greenwood Library Archives and Special Collections","English"],"collection_title_tesim":["Audio Visual Materials, 1942/2019, bulk 1987/2019"],"collection_ssim":["Audio Visual Materials, 1942/2019, bulk 1987/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["LU.283","/repositories/2/resources/274"],"unitid_tesim":["LU.283","/repositories/2/resources/274"],"repository_ssm":["Longwood University"],"repository_ssim":["Longwood University"],"creator_corpname_ssim":["Greenwood Library Archives and Special Collections"],"creators_ssim":["Greenwood Library Archives and Special Collections"],"access_terms_ssm":["To request access to any audio visual material, please submit a request though the request button at the top of the page, and add any details about the event or program you are hoping to locate. Please note that recodings and descriptions are not comprehensive, but will be happy to search the collection for specific events upon request."],"access_subjects_ssim":["Longwood University -- History"],"access_subjects_ssm":["Longwood University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["22.4 Linear Feet 23 boxes"],"extent_tesim":["22.4 Linear Feet 23 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eSome materials may not be accessible due to obsolescence of the format and Greenwood Libraries limited technological capabilities. Audio Reel to Reel, Reel Films, Betamax and Umatic tapes are all currently inaccessible.  In addition, staff may limit use of items if they are concerned about the condition of any of the materials or the equipment needed to access them.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some materials may not be accessible due to obsolescence of the format and Greenwood Libraries limited technological capabilities. Audio Reel to Reel, Reel Films, Betamax and Umatic tapes are all currently inaccessible.  In addition, staff may limit use of items if they are concerned about the condition of any of the materials or the equipment needed to access them."],"custodhist_html_tesm":["\u003cp\u003eMost of these materials were transferred to the Greenwood Library from the Audio Visual Department. The Department recorded and edited Longwood Events for other departments. The department converted these media formats throughout its existence and in 2020, the department was shut down and all items left in the office were transferred to the Greenwood Library. \u003c/p\u003e","\u003cp\u003eThe collection also includes materials from the Public Relations department or alumni office which were usually events recorded for promotional purposes.\u003c/p\u003e","\u003cp\u003eThe collection also contains some footage from The Longwood Show which was a web based program created and hosted by students created in the early 2000s which ran untill about 2012.\u003c/p\u003e","\u003cp\u003eThe collection also includes materials held by the library as circulating material that was later transferred to archives for preservation.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Most of these materials were transferred to the Greenwood Library from the Audio Visual Department. The Department recorded and edited Longwood Events for other departments. The department converted these media formats throughout its existence and in 2020, the department was shut down and all items left in the office were transferred to the Greenwood Library.","The collection also includes materials from the Public Relations department or alumni office which were usually events recorded for promotional purposes.","The collection also contains some footage from The Longwood Show which was a web based program created and hosted by students created in the early 2000s which ran untill about 2012.","The collection also includes materials held by the library as circulating material that was later transferred to archives for preservation."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes multiple different Audio Visual formats including, Audio Reel to Reel, 8mm and 16mm film reels, Betamax, Umatic, VHS, DVD, CD, MiniDVs, Audio Cassette tapes. The recordings cover a variety of University, departmental, and student events, raw footage from promotional videos and Longwood productions, such as the Longwood Show, materials related to the Rotunda fire in 2001, speeches, meetings, student life and other events on campus.\u003c/p\u003e  ","\u003cp\u003eThis note is a highlight of some themes of the VHS tapes in the Audio Visual Collection, it is not comprehensive. VHS recordings include Poetry and Author Series events hosted by English and Modern Languages as well as recordings of Dos Passos prize awards. This series also includes recorded news reports about Longwood, including tapes related to the fire in 2001 and the name change to University. In addition tapes include theater productions, building rennovations, promotional recordings, class and faculty recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes multiple different Audio Visual formats including, Audio Reel to Reel, 8mm and 16mm film reels, Betamax, Umatic, VHS, DVD, CD, MiniDVs, Audio Cassette tapes. The recordings cover a variety of University, departmental, and student events, raw footage from promotional videos and Longwood productions, such as the Longwood Show, materials related to the Rotunda fire in 2001, speeches, meetings, student life and other events on campus.","This note is a highlight of some themes of the VHS tapes in the Audio Visual Collection, it is not comprehensive. VHS recordings include Poetry and Author Series events hosted by English and Modern Languages as well as recordings of Dos Passos prize awards. This series also includes recorded news reports about Longwood, including tapes related to the fire in 2001 and the name change to University. In addition tapes include theater productions, building rennovations, promotional recordings, class and faculty recordings."],"userestrict_html_tesm":["\u003cp\u003eTo request access to any audio visual material, please submit a request though the request button at the top of the page, and add any details about the event or program you are hoping to locate. Please note that recodings and descriptions are not comprehensive, but will be happy to search the collection for specific events upon request.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request access to any audio visual material, please submit a request though the request button at the top of the page, and add any details about the event or program you are hoping to locate. Please note that recodings and descriptions are not comprehensive, but will be happy to search the collection for specific events upon request."],"corpname_ssim":["Greenwood Library Archives and Special Collections"],"names_ssim":["Greenwood Library Archives and Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:51:43.358Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifarl_repositories_2_resources_274_c01"}},{"id":"vimtvl_repositories_2_resources_53_c02","type":"Series","attributes":{"title":"Video, 1928/2015","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_53_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_2_resources_53_c02","ref_ssm":["vimtvl_repositories_2_resources_53_c02"],"id":"vimtvl_repositories_2_resources_53_c02","ead_ssi":"vimtvl_repositories_2_resources_53","_root_":"vimtvl_repositories_2_resources_53","_nest_parent_":"vimtvl_repositories_2_resources_53","parent_ssi":"vimtvl_repositories_2_resources_53","parent_ssim":["Audio Visual Collection, 1928/2015"],"parent_ids_ssim":["vimtvl_repositories_2_resources_53"],"title_filing_ssi":"Video","title_ssm":["Video"],"title_tesim":["Video"],"normalized_title_ssm":["Video, 1928/2015"],"text":["Video, 1928/2015","Audio Visual Collection, 1928/2015","English.","This series is broken down into sub-series based on format including Betamax, DVD, film reels, Laserdisc, Umatic, VHS, and Videotape (other)","This series contains all moving image formats in the collection."],"parent_unittitles_ssm":["Audio Visual Collection, 1928/2015"],"parent_unittitles_tesim":["Audio Visual Collection, 1928/2015"],"normalized_date_ssm":["1928/2015"],"unitdate_inclusive_ssm":["1928-2015"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":114,"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Audio Visual Collection, 1928/2015"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"parent_access_terms_tesm":["Mount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws."],"language_ssim":["English."],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"arrangement_html_tesm":["\u003cp\u003eThis series is broken down into sub-series based on format including Betamax, DVD, film reels, Laserdisc, Umatic, VHS, and Videotape (other)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This series is broken down into sub-series based on format including Betamax, DVD, film reels, Laserdisc, Umatic, VHS, and Videotape (other)"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_981750756daf1f95a9776c90ef82a9e7\"\u003eThis series contains all moving image formats in the collection.\u003c/materialspec\u003e"],"materialspec_tesim":["This series contains all moving image formats in the collection."],"_nest_path_":"/components#1","timestamp":"2026-06-23T07:03:07.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_2_resources_53","ead_ssi":"vimtvl_repositories_2_resources_53","_root_":"vimtvl_repositories_2_resources_53","_nest_parent_":"vimtvl_repositories_2_resources_53","ead_source_url_ssi":"data/oai/MV/repositories_2_resources_53.xml","title_ssm":["Audio Visual Collection"],"title_tesim":["Audio Visual Collection"],"unitdate_ssm":["1928-2015"],"unitdate_bulk_ssim":["1928-2015"],"normalized_date_ssm":["1928/2015"],"normalized_title_ssm":["Audio Visual Collection, 1928/2015"],"text":["Audio Visual Collection, 1928/2015","A.AVC","/repositories/2/resources/53","The Audio Visual Collection is divided into two series, Audio and Video. These are further broken down into multiple sub-series according to physical format. Each sub-series lists items alphabetically by title. The series and subseries are arranged as follows:","Audio\n-Audio Cassette Tapes\n-Compact Discs\n-LP Records\n-Magnetic Tape Audio Reels","Video\n-Betamax\n-DVD\n-Film Reels\n-Laserdisc\n-Umatic\n-VHS\n-Videotape","This series is broken down into sub-series based on format of the audio recording, including audio cassette, compact disc, LP records, and magnetic tape reels.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","This series is broken down into sub-series based on format including Betamax, DVD, film reels, Laserdisc, Umatic, VHS, and Videotape (other)","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","The Mount Vernon Ladies' Association of the Union was founded in 1853 by Ann Pamela Cunningham. The purpose of the Association was to purchase Mount Vernon, the home of George Washington, in order to restore the property and open the grounds to visitors and admirers who desired to see Washington's house and tomb. Ann Pamela Cunningham became interested in the preservation of Mount Vernon when her mother, traveling down the Potomac River in 1853, saw the house in its neglected and dilapidated state and wrote to her daughter of its condition. Both women thought it shameful to allow the first President's home to fall into ruin. A determined Ann Pamela Cunningham assembled twenty-two women of like mind together to raise money to purchase the property, pay off all debt, and return the gardens and grounds to the condition in which they were left by Washington himself. John Augustine Washington III, George Washington's great-grandnephew and the owner of Mount Vernon at the time, delayed several years in selling the home to the Ladies' Association. He preferred a sale to the State of Virginia or the federal government, both of which declined purchase. In 1858 he finally agreed to sell Mount Vernon to Ann Pamela Cunningham and the MVLA for $200,000.","The MVLA is the owner and executive board of Mount Vernon. Membership is made up of one Regent and 20-30 Vice Regents, each from a different state. All MVLA members assemble twice a year in April and October for Council, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations, and rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant.","CD Rom recording of a reenactment of the Supreme Court case Ware vs. Hylton. Second part of a collaboration between the MVLA and the SCHS. Introduced by Ralph Lancaster and hosted by Justice Alito. Memorex, CD-R. Audio dated 10-21-10.","- Publications and printed material of the MVLA\n- Oral history collection of the MVLA\n- Papers of the MVLA\n- Early Records of the MVLA\n- Papers of the Superintendent and Resident Director\n- Restoration Files","This collection includes audio and video resources related to Mount Vernon, the Mount Vernon Ladies' Association, and George Washington. Many audio and video recordings in the collection were either produced by, or made in cooperation with, the Mount Vernon Ladies' Association. However, there are also AV productions made by other institutions, corporations, and media companies. Content includes footage and recordings of events, interviews, lectures, VIP visitors, and views of the estate. Several documentaries, news broadcasts, and syndicated radio or television programs are also included as they pertain to the history of Mount Vernon. Highlights of the collection include: Pictorial Reports of the estate during the years 1955-1970 which feature footage of several famous visitors such as President Eisenhower, Princess Margaret and Lord Snowdon, and Fidel Castro; a feature film with B-Roll footage by travelogue filmmaker Andre de la Varre; video and audio recordings of Vice Regents and Mount Vernon staff. Most film reels have been digitized and are available by links within individual catalog records or via written/email request.","Cassette tape titled Dr. Douglass Southall Freeman Address at U.D.C Meeting in Alexandria, 1948. Tape marked: Washington-Lee Comparison. Inside note reads Address at United Daughters of the Confederacy meeting, 1948. Comparison - Washington and Lee. Recorded from phonograph record in MVLA collection RP 70; MISC 4036. Presented by George Washington Custis Lee Chapter of the UDC.\" TDK tape and case.","Audio cassett tape labeled: Dr. Southall Freeman. Speech given in Alexandria. Case marked: approx 30 min- 3 3/4- Track A Mono 1, Copy from Records. 1st copy.  5\" reel. Contributor: Dr. Southall Freeman.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 1 includes speeches from Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer. Dated 11/8/93. 1 tape, Lanier case. Contributors: Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 2 includes the speech from Dr. J. Worth Estes. Dated 11/8/93. 1 tape, Lanier case. Contributor: Dr. J. Worth Estes.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 3 dated Mon, 8/11/93. 1 tape, Lanier case.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 4 dated Mon, 11/8/93. 1 tape, Lanier case.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 5 includes the speeches by Dr. Richard L. Willham and Dr. Alan Fusonie. 1 tape, Lanier case. Contributors: Dr. Richard L. Willham and Dr. Alan Fusonie.","Cassette tape containing the speeches from the seminar, \"Agriculture in the Age of Washington.\" Tape 6 is thought to include the speech by Dr. Donald E. Bixby. 1 tape, Lanier case. Contributor: Dr. Donald E. Bixby.","Cassette tape titled All Things Considered, NPR Interview. Case marked: J. Rhodehamel, CBS, April 1984. Contributor: John Rhodehamel","Cassette tape America's Favorite Places, Ride With Me: Williamsburg. Narrated by: Grover Gardner, tells the history of Williamsburg. 1990. Cassette. Creator/Producer: RWM Associates.","Cassette tape America's Favorite Places, Ride With Me: The Mount Vernon Story. Narrated by John MacDonald, Kimberly Schraf and Michael Russotto. Tells the history of Mount Vernon and it's historic owner. 1993, Cassette.","Cassette tape labeled Audio Demo Noble Creek Prod.S. 1 tape, Scotch case.","Cassette tape titled Beds, Beddings, and Bed Hangings. Author Jane C. Nylander. Tape marked: AASLH. Contributor: Jane C. Nylander.","Cassette tape titled Capital Conversation Ellen McCallister Clark. Tape marked: 6/14/87. Supertape.","Part of a series of cassette tapes all labeled Capital Conversation. This recording is with Ellen McCallister Clark, 6/14/1987.","Cassette tape titled Capital Conversation Ellen McCallister Clark, John Riley, Ann Rausher. Tape marked: 9/6/87, Hour 4, Supertape.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #1 with Mrs. Robert E. Lee IV and Christine Meadows, dated 9/6/1987.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #2 with Christine Meadows, Herb Prevost, Jim Simms, and Dean Norton, dated 9/6/1987.","One of a series of cassette tapes labeled: Capital Conversation. This is Hour #3. Dated 9/6/1987.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This is Hr. #4 with Ellen McCallister Clark, John Riley, and Ann Rauscher, date 9/6/87.","Cassette tape titled CC Wall's Talk to Interpreters C. Taped 1984. Certron tape.","Cassette tape titled Side 1 and Side 2. Tapes relating to The Character of George Washington Seminar on April 23, 1995. Radio Shack tape.","Cassette tape titled Side 3 and Side 4. Tapes relating to the Character of George Washington Seminar on April 23, 1995. Radio Shack tape.","Cassette tape titled Does He Take Sugar? American Edition. Tape marked: Marlene Pease, BBC. Century Magnetics tape. 60 minute tape.","Cassette tape labeled: Mrs. de Forest, Gordon Talk. Nov 1, 1981. TDK tape.","Cassette tape labeled: First Patriot: The Life and Legacy of George Washington. Tape marked: Produced by Radio America with the Mount Vernon Ladies' Association. Dolby B.","Cassette tape titled Four Narrators-Finley Holiday Films. TDK tape and case.","Cassette tape titled G.W. PSA's. Case marked: (8 60's, 8 30's) Master Copy, Radio America Public Service Announcements, February 1989. TDK tape and case.","Cassette tape titled Hail Columbia by Philip Phylo and Joseph Hopkins. Tape marked: The New American Brass Band from the Soundtrack of the War by Ken Burns. TDK tape and case.","Cassette tape labeled: Historical Sites Mountt. Vernon. Tape marked: DMC, 8/4/87, House Market Research Inc. Maxell tape.","Cassette tape titled \"Holiday\" - Washington - Lincoln. Memorex tape.","Cassette and Slide set of a Mount Vernon tour, produced by Finley Holiday Film Corp. Purchased from Museum Shop. 1 Cassette Tape, 40 Slides. Creator/Publisher: Finley Holiday Film Corp.","John RhodehamelJohn RhodehamelJohn RhodehamelJohn Rhodehamel USI tape.","Casette tape of a lecture by Chris Matthews, dated 5/17 no year. 1 tape, Maxell case. Contributor: Chris Matthews.","Cassette tape titled Dr. James R. Soles. Tape marked: Side A: Lecture at First Annual meeting of the George Washington Club. June 3, 1983. Side B: Question and Answers Following Lecture. Maxell tape and case. Contributor: James R. Soles.","Cassette tape of a lecture by Marc Leepson. Dated 6/6/06. 1 tape, Maxell case. Contributor: Marc Leepson.","Cassette tape recording of a lecture by Michael Novak, thought to be in relation to his book \"Washington's God,\" published in 2006. Tape dated 4/11/06. 1 tape, Maxell case. Contributor: Michael Novak","Cassette tape of a lecture by Peter Henriques. Dated 5/2/06. 1 tape, Maxell case. Contributor, Peter Henriques","Cassette tape of a lecture by Richard Brookhiser thought to be in relation to one of his books on George Washington. Dated 5/22/06. 1 tape, Maxell case. \nContributor: Richard Brookhiser.","Cassette tape of a lecture by Thomas Fleming. Dated 3/28/06/ 1 tape, Maxell case. Contributor: Thomas Fleming.","Cassette tape titled Martial Musick of Yorktown. Includes marches, quicksteps, dances, and songs. Titles include: The World Turned Upside Down, Royal Deux Ponts March, and many others of historical significance. Case marked: George Carroll. Stereo, Dolby, Cassette.","Cassette taped titled The Monticello Music Collection. Includes songs from Mozart, Beethoven, and Vivaldi amongst others. Dolby System. 1986.","Cassette tape of the Mount Vernon Audio Tour, dated 6/16/95. 1 tape, Maxell case. (TRT) 41:09","Cassette tape labeled: Mount Vernon Audio Tour, submitted for final approval. Dated 6-30-95. 1 tape, no case.","Cassette tape titled Mount Vernon Capital Campaign 3:25.","Cassette tape recording of the Grand Opening of the Education Center. Dated Oct. 22, 2006. 1 tape, Maxell case.","Cassette tape titled This Side is MTV Finance. Tape marked: Buildings, Rose Strachan (Vice Regent),Chair. Sony tape.","Cassette tape labeled: Mount Vernon Capital Campaign. Tape marked: Recorded Script - Audio-Visual Show. (2 Copies)","Cassette tape labeled: English: Mount Vernon Ladies Association Magazine Show. Tape marked: 1/21/86, For: Farmer general Programs. USIA, Voice of America.","Cassette tape labeled: Mount Vernon Music Selection Sample. Tape marked: Finley Holiday Film Corp. Whittier, CA. Creator/Publisher: Finley Holiday Film Corp.","Cassette tape labeled: NEWSMARK: George Herman's Washington. Tape marked: CBS Inc. All Rights Reserved. Note marked: MV-237-262. Ampex tape. Creator/Publisher: CBS Inc.","Cassette tape labeled: Mount Vernon Audio Tour. Tape case label reads \"Outbuildings Tour- Not Final Copy. Tape marked: Only a couple minor changes made after this tape.\" Note attached addressed to John Riley detailing the process of creating the tape. Letter dated June 16, 1994. Maxell tape and case. TRT 41:09","Cassette tape labeled: SOG House on the Potomac. Other side of tape marked: Received from the VR for Michigan, 1975. Creator/Publisher: Mike Whorf, Inc.","Cassette tape labeled: The Sounds of Glory - Part 7, Washington, a Man to Remember. Other side of tape marked: Gift of the VR for Michigan, 1975. Creator/Publisher: Mike Whorf Inc.","Cassette tape labeled: Still First in the Hearts of His Countrymen: A Celebration of George Washington PSA's. Tape marked: Dolby B, Presented by the Mount Vernon Ladies' Association. (7 Copies)","Cassette tape titled Chuck Rich-Voice of America \"Mount Vernon.\" Tape marked: 4:38.","Cassette tape labeled: Washington Birthday Program 1975. Case marked: Received from the VR for Michigan 1975, Feb. Karl Haas, WTR Detroit. Ampex case, 42.","Cassette tape labeled: WETA radio interview April 12, 1985. Robert Aubry Davis. Tape marked: C35 even.","Cassette tape labeled With Good Reason, Vol. VI, No. XXVII, Made to Order: The Rise of General Washington, Zagarri (GMU) Chase (UVA). Maxell tape, C60. undated.","CD Rom containing lecture from historian Harlow Unger from the Beneath the Surface lecture series. Imation, Music CD-R, 700MB. Contributor: Harlow Unger.","CD Rom labeled Beneath the Surface Lecture 1, dated 7/19/06. Memorex, CD-R, 700MB.","CD Rom labeled D Palmer 8/3/06, CD-R, Memorex, 700MB. RP 2295, CD 6752","CD Rom labeled GW Symposium Nov 3-4, 2006. CD-R, Memorex, 700MB.","CD Rom labeled Chernow Lecture, CD-R, Memorex, 700 MB. Contributor: Ron Chernow","CD Rom labeled Lectures, Papers, Gingrich, GWS, dated 11-7-09, Memorex CD-R. Contributor: Newt Gingrich.","CD Rom containing a lecture by historian Scott Berg from the Michelle Smith Lecture Series at Mount Vernon. Imation, Music CD-R, 700MB. Contributor: Scott Berg.","CD Rom labeled Mrs. Thompson Religion in the Life of George Washington. Imation Music CD-R, 700Mb. Contributor: Mary Thompson.","CD Rom labeled Richard Brookhiser Smith Aud. Dated May 30, 2008. Imation, Music CD-R, 700MB. Contributor: Richard Brookhiser.","CD Rom recording of the morning session of the Sweet Briar College Seminar, dated 3/9/09. Imation, Music CD-R, 700MB.","CD Rom recording of the afternoon session of the Sweet Briar College Seminar dated 3/9/09. Imation, Music CD-R, 700MB.","CD Rom recording of a  a talk by Mary Thompson, dated 10-2008. Staples CD-R, 700MB. Contributor: Mary Thompson.","CD Rom, case labeled Wojie Design, Disk #000918.1755, Audio - Music CD Mt. Vernon Interview, 1A and 1B are Side A of Cassette, 2 is Side B of Cassette, September 2000. Physical disk labeled: Imation Disk, CD-R 700MB, Wojie, Music: @ Mt. Vernon Interview, Sept. 2000 Windows Audio CD. Publisher/Contributor: Wojie Design.","LP Record Charles Ives Symphony No.3: Music of the American Revolution. Arranged by Richard Bales, National Gallery Orchestra, Conducted by Richard Bales. 12\" Record. Creator: Richard Bales. Publisher: WCFM Recording Corp.","LP Record labeled: Dr. Douglas Southall Freeman address at U.D.C meeting in Alexandria in 1948. Made from tape recording in MVLA possession, 1966. Presented by George Washington Custis Lee Chapter of the United Daughters of the Confederacy. 12\" Record. Contributor: Dr. Douglas Southall Freeman. RP-70, MISC-4036.","LP Record of a Douglas Southall Freeman speech. Part 1 and Part 3 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 2 and Part 4 are included. Case marked: Running time overall allowing for record changing, about 36 minutes. 12\" record. Contributor: Dr. Douthall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 5 and Part 7 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 6 and Part 8 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record labeled: Easter Sunday at Mt. Vernon. 2 parts. Dated April 10, 1955. An interview by the radio station with employees Vicki (Victoria) Kasperski, floral arrangement, and briefly with Frank Morse. Discusses spring, flowers, and plants at Mount Vernon and how the Washingtons celebrated the holiday. 33 1/2 speed. 12\" record. Publisher/Creator: WCNR Station","LP Record labeled: Mount Vernon 100th Anniversary and introduction by Gov Battle. Case marked: The Regents greeting and Governor Battle's response. Reception, Saturday, P.M, 3-5 o'clock. Oct. 24, 1953. 78 RPM. 12\" record. Contributor: John Battle. R3.","LP Record labeled: Tour of Mount Vernon. Includes Part 1 and Part 2. 16 2/3 RPM. 7\" record. Creator/Publisher: The Solocast Company. 2 copies including RP-44, MISC-3246 A-B","LP Record labeled: Will Holland at the tomb. Gift of Edward Darlington, Radio Station WCNR, Bloomsburg, Pennsylvania, December 1958. 10\" Record. Creator/Publisher: WCNR Station. Contibutors: Will Holland, Edward Darlington. MISC-743","Magnetic reel-to-reel tape recording of Dr. Douglas Southall Freeman's talk comparing George Washington and Robert E. Lee, delivered January 19, 1949 at the George Mason Hotel under the auspices of the Alexandria Chapter of the United Daughters of the Confederacy. Master tape from the original recording in the collection of the Mount Vernon Ladies' Association of the Union. 5\"  3 3/4 ips, made from 4 records, 78 rpm, approx 34 min. BASF casing.","Magnetic reel-to-reel tape recording: East Lawn air traffic over Mount Vernon. The recording is 915 feet, approx. one hour and 45 minutes of play time. Reel case includes an MVLA memo detailing minutes and aircrafts uses. 7\" reel. RP-39, TAPE-3102.","Magnetic reel-to-reel tape recording of Essex Kent Scottish Regiment of Windsor Canada, dated Saturday - Octover 23, 1965. Guests of the Naval Air Reserve Training Unit at Andrews Air Force Base. Recorded approximately 100 feet at 3 1/4 ips. 7\" reel, Scotch brand case. RP-59, Tape-3393.","Magnetic reel-to-reel tape recording of Mr. Wall and Mr. Fritz Gutheim at graduate seminar on historic preseravtion at George Washington University. Dated Sept. 10, 1975. 7\" reel, Sears Silvertone Sound Recording Tape. Contributors: Mr. Wall, Mr. Fritz Gutheim","Scotch recording tape. Label reads \"June '64 III?\" Contents unknown. 7\" reel. (TRT) unknown.","Scotch recording tape. Labeled \"June '64 IV.\" Unknown content. (TRT) unknown. 7\" reel.","Magnetic tape. Labeled \"Jun '64 IV p. 33 Harr.\" and \"June 4 retaped p. 33 Harr. (?) Johnson '66\" Unknown content. (TRT) unknown. 7\" reel.","Audiotape magnetic recording tape. Labeled \"June V 1865-71?\" and \"June '64 V\" with note inside \"V with side 2 blank for Oct. - Nov. 1865 trouse (?) up to Dec. 3 which is on small reel.\" Unknown content. (TRT) uknown. 7\" reel.","Scotch magnetic tape. Label reads \"June '64 - 7\" with note that reads \"Reel 7 - '66-'69 beginning cards.\" Unknown contenct. (TRT) unknown. 7\" reel.","Magnetic tape reel. Label reads \"June '64 IX\" and \"Cont. on Morse half reel, 9 IX.\" Uknown content. (TRT) unknown. 7\" reel.","Magnetic reel-to-reel tape recording of the Longfellow papers by Elswyth Thane Beebe, March 1966. Plays at 3 3/4 ips, 5 3/4 audio reel, Irish Brand High Fidelity recording tape. RP-59, Tape-3392","Magnetic reel-to-reel tape recording labeled: Mount Vernon, March of 1964. 31 minutes in length. 5 3/4\" tape, Irish brand box.","Magnetic reel-to-reel tape recording. Used for a presentation for the Mount Vernon Capital Funds Campaign in 1979. Script for presentation inside box with tape recording (dated 10/10/1979) Tape includes Voice Outs, Voice Master, Music Tracks, Mix + Pulse Master. Box reads: \"DO NOT USE - See 11/28/79 for approved mix.\" 15 ips. 9\" reel. Creator/Publisher: Charles Webb and Co.","Magnetic reel-to-reel tape recording. Used for a presentation on the Mount Vernon Capital Funds Campaign in 1979. Tape includes Voice Master, Mix Master, Pulse Master. Box reads: \"See 10/15/79 for music used.\" 15 ips, 9\" reel. Creator/Publisher: Charles Webb and Co.","Magnetic reel-to-reel tape recording of Christine Meadows' presentation \"Mount Vernon: Creation and Recreation\" at the Antique Forum. Dated 1/26/78. 7\" reel, 3 3/4 speed, Full Mono, One Only Tape Direction, Crown Recorder, Neumann Microphone. Concertone Magnetic Recording Tape. Contributor: Christine Meadows.","Magnetic reel-to-reel tape recording of the Pageant of Patriots, a costume and military pageant on the bowling green, July 4, 1962. 7\" reel, 7 1/1 ips, Scotch brand IPS. RP-42, Tape-3245.","Magnetic reel-to-reel tape recording of a talk by Sir George Trevelyan made in the \"Banquet Hall,\" probably the New Room, during Council Oct. 24, 1959. The minutes describe the event as a \"lecture on English architecture from the medieval manor to the Industrial Revolution.\" Tape and script. 7\" reel, Audiotape brand box. Contributor: Sir George Trevelyan. RP-224, Misc-1010 a/b.","Magnetic reel-to-reel tape recording labeled: Slimbridge England Wildfowl trees up to 110, Native Bird calls of Southeast up to 347 presented by Mrs. Platt during Council in October 1965. 7\" reel, Scotch recording case. Contributor: Mrs. Platt, Vice Regent for Pennsylvania. RP-49, Tape-3380.","Magnetic reel-to-reel tape recording of the Sound and Light show, \"Father of Liberty,\" performed at Mount Vernon during the Bicentennial year, 1976.  7\" reel, 3 3/4 ips. BASF (Badische Anilin- \u0026 Soda-Fabrik AG). Label notes: (Side 1) Monot. 0-879","Magnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel I, Scotch Brand Case. Creater/Contributor: Walter Gutman. Publisher: Hawk Serpent Productions. RP-280 Tape-5460.","Magnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel 2, Scotch Brand Case. Creator/Contributor: Walter Gutman. Publisher:Hawk Serpent Productions. RP-280 Tape-5460.","Magnetic reel-to-reel tape recording of a tribute to Martha Washington by Guy Aelwood (or Aylwood), dated May 1962. Includes transcription of speech inside box. 5\" 7 1/2 ips - full track. Scotch Magnetic Tape case. \nContributors: Guy Aelwood. RP-36, Tape-3099","Magnetic reel-to-reel tape labeled: White House Tour, dated 2/18/62. Probably an audio copy of First Lady Jackie Kennedy's White House Tour in 1962. Note included with specific highlights of the tour including the Gilbert Stuart portrait, Washington Bust, an MVLA Gift, the President, and Music. 7\" reel, RCA case. RP-40, TAPE-310.","Magnetic reel to reel tape recording with Will Holland, Mount Vernon Tomb Guard. Recording by Edward Darlington and Radio Station WCNR in Bloomsbury, PA. Dated Dec. 1958, possibly spliced in 1980. 4\" reel. 33 1/3 speed. Creator: WCNR Station, Columbia-Montour Broadcasting Corp. Contributors: Will Holland, Edward Darlington. RP-42, Tape 32--","Betamax video cassette - no label but note inside case reads \"Credit VRDC\" (could be abbreviation for Vice Regent District of Columbia?) 1 tape Je Frand. Betamax, Maxell brand.","Betamax video cassette tape labeled: DUB \"Crowds-Gone\" L 750. No case.","Betamax video cassette tape labeled: 8pm Call-In From Mount Vernon. Large C-Span rights label placed over tape. Recorded 9/27/87. Creator/Publisher: C-Span.","Betamax video cassette tape labeled: Monticello Interview Show. Note marked: May 17, 1987. Bad tape - tape of a tape of an original. Creator/Producer: C-Span.","Betamax video cassette tape labeled: Demo Reel, Rudisill, Inc. Please Return. Case marked: Carol Rudisill, Rudisill, Inc. Creator/Publisher: Rudisill, Inc.","Betamax video cassette tape labeled: The Frugal Gourmet at Mount Vernon (30 mins) recorded 4/10/88. Maxell brand. Creator/Publisher: unknown.","Betamax video cassette tape labeled: George Washington II: Forging of a Nation, September 21-22, 1986. (2 copies) Both copies have label for Ventures in Video, McLean, Virginia. Scotch brand case.","Betamax video cassette tape labeled: GWII-1-2-3-4 hrs. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Jacques Cousteau. Case marked: Love to Remember Red River (?) Probably related to Cousteau's 75th birthday celebration at Mount Vernon in 1985.","Betamax video cassette tape labeled: Jacques Cousteau 75th Birthday Party, Mt. Vernon, June 9, 1985. Scotch brand tape and case. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Mount Vernon Conference: Tree Planting. Maxell case. Creator/Publisher: unknown.","Betamax video cassette tape with only one small label that reads: PM MAG. Possibly a recording from the syndicated TV broadcast PM Magazine, or PM/Evening Magazine. Maxell case. Creator/Publisher: unknown.","Betamax video cassette tape with only a note that reads: JR- This is the 30 sec. version of what I believe may be a 60 sec. spot. Smithsonian on PSA. Radio Shack case. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Smithsonian World - PBS. Tape also marked: C-Span Interview with Christine Meadows and W.W. Abbot. Creator/Producer: C-Span.","Betamax video cassette tape labeled: Today Show? No case and undated. Creator/Publisher: unknown.","DVD labeled: Video of The Ballad of Billy Lee starring Henry Brown. Selected Scenes. Written and directd by Len Lamensdorf. Forward by Prof. Joseph J. Ellis. DVD. (TRT) unknown.","DVD recording:  Billy Lee's Washington: A Musical by Evelyn Swensson \"World Premiere.\" DVD, (TRT) 60:00. Copyright 2006-2009. Creator/Publisher: Evelyn Swensson","DVD labeled: The John Marshall Foundation presents Conviction of Duty, George Washington and John Marshall Make a Pivotal Decision for America's Future. William A. Sommerfield as Washington, Mark K. Greenough as Marshall. Filmed at Mount Vernon. (TRT) unknown. c. 2005","\"Discover the Real George Washington\" Grand Opening TV Clips. DVD. (TRT) unknown.","DVD recording: Exploring Mount Vernon. (TRT) 56:42 (2 copies) Publisher/Creator: Alabama Public Television, c. 2011. Contributor: MVLA.","DVD recording: The General's Brother. Biographical film on Samuel Washington and his Harewood home, by Bob Asbury. (TRT) unknown. (2 copies) acc. 2015-A-040. Publisher/Creator: Sun West Productions. Contributor: Bob Asbury.","DVD recording: George Washington Papers Video, July 2010. (TRT) 3:50. Creator/Publisher: Siddall, Inc.","History Channel video program 150 Years of Saving Mount Vernon. DVD. (TRT) 10 mins. Creator/Publisher: A\u0026E Television Networks, c. 2010","DVD recording labeled: Bringing Them Home, Encoded Master File, Revised 3-15-10. Video: MPEG-2 Transport Stream, 30 Mpbs, Audio: MPEG 1, layer 2, 48K, 128kpbs. History Channel, Mount Vernon: Discover the Real George Washington. Disc 1/1 DVD. (TRT) unknown. Creator/Publisher: A\u0026E Television Networks, c. 2010","DVD recording labeled: Mount Vernon Exhibit Videos Compilation Reel, 8/8/06, The History Channel. Creator/Publisher: A\u0026E Television Networks.","DVD recording: \"Leader of Character\" Award Presentation and Interview J.W. Marriott, Jr. at Mount Vernon. 2006066 Marriott International Media Productions Department 52/935.25, 301-380-1024. acc. RP-3112, DVD-7088 (TRT) 56:27","DVD recording: Mister Chief Justice, undated. Creator/Publisher: The John Marshall Foundation.","DVD recording: Potomac by Air: Our Nation's River. Creator/Publisher: Maryland Public Televsion, MPT. (TRT) 56:52.","DVD recording: Reaching Out for Liberty and Light: The Life of Frances Payne Bolton. Copyright 2000. Creator/Publisher: TELOS Productions in association with History Enterprises. (TRT) 86:00","DVD recording: Real George Washington. Copyright 2008. Creator/Publisher: Fairfax County School Board, MVLA.","DVD video: Saving Mount Vernon: The Birth of Preservation in America. (TRT) 25 mins. Publisher/Creator: Madisonfilm, Mount Vernon Ladies' Association.","DVD recording: The Winter Patriots: Trenton and Princeton Campaign, 1776-1777. (TRT) 27:00. Creator/Publisher: MVLA, Wide Awake Films","Film reel labeled: George Washington's Mt. Vernon \"The American Institute of Architects\" LOGO. Public Service Announcement or commercial produced by the American Institute of Architects with audio. Actor portraying George Washington as a surveyor and highlighting \"proper land management.\" Case marked: #71247, CR# 6, Color Print DBVT, \"B\" Wind, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:38. Copy and paste this link for online access to the video: https://vimeo.com/288567283/fa3658b6d4","Film reel Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Bastille sketch, drafting tools, mirror, window, spyglass, library bookcase, Nellie portrait, Lawrence portrait. Case marked: 1 roll, B\u0026W/Color Print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281337809/00f11616b7","Film reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes. (Can 5) 1 roll, COL/B\u0026W Print Silent, Academy 35 mm. 7 1/2\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951515/a029733dee","Film reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Nellie's room, window, blue room, guest room, Lafayette room, third floor guest room. 1 roll. Color print. 35 mm Academy Aperture. 7 1/4\" reel.  (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281335387/20b8865888","Film reel labeled: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of G.W. apt. Martha dresser, Martha dressing table, fan, window, mantle clock, bible, GW bedroom. 1 roll, Color/B\u0026W Print, 35 mm Academy Aperture. 7 3/8\" reel (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281336523/75f64f1de6","Film reel of Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Little parlor, pantry, dishes, G.W. washroom, family dining room, linen closet, hall closet, washroom - shaving. Case marked: 1 roll, Color print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Verre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338268/8d6970d6dc","Film reel titled N/D \"7 Trims \u0026 Outs: Parlor, Dining Room: Formal Parlor, Pantry, Family Dining Room\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 250 feet. Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator/Publisher: Andre de la Varre. Copy and paste this link for online access to this video: https://vimeo.com/281650012/133a4578b3","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, out-takes of loom, shingles, sprintime, chairs on Piazza. Case marked: (Can 6) 1 roll, COL/B\u0026W Print Silent, Academy 35 mm. (TRT) unknown. 5 3/4\" reel.  (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951071/1d9bb3af88","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includees B-roll, trim, and out-takes of Kitchen garden, kitchen, kitchen entrance, New Tomb, Old Tomb, etc. Case marked: 1 roll, B\u0026W/Color Print, 35 mm Academy Aperture. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281339802/991fff79e6","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Manuscript letter, farm account ledger 1793, Five Farm map. Thomas ryan account, etc. (Can 7) 1 roll. B\u0026W Print Silent. 35 mm Academy Aperture. 7\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951196/865f2bfe11","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Storehouse A\u0026B, Powel coach, linen, horse, barn, etc. Case marked: (Can 5) \"Assorted Titles; Can#5A\" 1 roll, Color/B\u0026W Print Silent, Academy 35 mm. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280952076/de49a56af0","Film reel titled N/D \"9 Trims \u0026 Outs: Library - Bookplates, Bookcase, Drafting Tools, Lawrence Portrait, Main Hall, Doorknocker, Banquet Hall\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 335 feet, Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Copy and paste this link for online access to this video: https://vimeo.com/281657169/c8eb4f5ea8","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of formal garden, green house, school house, etc. Case marked: 1 roll, B\u0026W/Color Print,  35 mm Academy Aperture. 7\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338676/dd336a54e0","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of MV drawing, Vaughn plan, family portrais, decorative arts, Lafayette, and chairs on Piazza. Case marked: (Can 8) 1 roll, COL/B\u0026W Print, Academy 35 mm. 6 1/8\" reel.  (TRT) 03:17. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951857/738766c44a","Film reel \"The Face on the Dollar Bill\" by Samuel E. Friedman, Leonid Kipnis, and Lamont Moore with cooperation by the Mount Vernon Ladies' Association. Funded by Judge Friedman, Westport, Connecticut. Case marked: 1 roll, COL/B\u0026W w/sound DBVT, reg 16mm. 6 3/4\" reel. (TRT) 10:25. creator/Publisher: Samuel E. Friedman, Leonid Kipnis, Lamont Moore. RP-415, FILM-3728.External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281467532/4f0ac99ae5","Film reel labeled: Gift of Mrs. Holdsworth from her family collection. \"No Title\" Case marked: 1 roll, Kodachrome Orig. Silent \"B\" Wind. Reg. 8mm film. (TRT) 2:50. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949303/db1ed083ac","Film reel labeled: Lawson Whitesides Gift of Mrs. Betsy Holdworth (2015 gift) \"No Title\" Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. (TRT) 01:37. 3 15/16\" reel. Digitized 2015. (Faint vinegar smell) Contributer: Elizabeth Holdsworth. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949490/81056fc553","Film reel titled N/C \"Mrs. Johnson Garden.\" Depicts First Lady, Mrs. Johnson visiting Mount Vernon's gardens, undated. Case marked: 16 mm/ Color Reversal/ A Wind/ Acetate/ Silent, 200 feet, Digitized Sept. 2014. 5 1/4\" reel.  (TRT) 04:33. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/257965973/b5f5ff7577","Film reel labeled: George Washington's Mt. Vernon \"The Farming Father.\" Public Service Announcement or commercial by the National Cotton Council highlighting how \"founding farmers\" like George Washington and Thomas Jefferson influenced today's farming industry. Case marked: #71247 CR# 8, Color Print DBVT, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/4\" reel.  (TRT) 01:08. Copy and paste this link for online access to this video: https://vimeo.com/288560193/98511d0e43","Film by the National Cotton Council of America titled \"The Founding Farmers.\" Public Service Announcement or commercial, probably similar to AV_00252, but not digitized. Case marked: S.O.F Color. PSA 422. 16 mm. 2 7/8\" reel. (TRT) 00:59. Creator/Publisher: National Cotton Council of America.","Reel titled George Washington, Mt. Vernon. Case marked: WTOP-TV, Color, Acme film and videotape Laboratories. 16 mm, 15\" reel, (TRT) unknown. (Slight vinegar smell)","George Washington's Mount Vernon, a film by famous travelogue filmmaker Andre de la Varre. The Library has approximately 40 copies of the film in several formats including 16 mm and 35 mm film. These copies previously belonged to schools, former vice regents and other institutions. Digitized 7/20/2015, External hard drive Toshiba 71247. Includes AV_00285 - AV_00291 and AV_00297 - AV_00338. Copy and paste this link for online access to this video: https://vimeo.com/288569473/cbb7304432","Film reel of George Washington's Mt. Vernon No Title. Case marked: #71247, CR# 7, Color Reversal, MOS, \"A\" Wind, Reg 16mm. Digitized 7/20/15. 4\" reel. (TRT) unknown.","Film reel \"Ike Makes Surprise Visit to George Washington's Mount Vernon- Telenews Daily News Film\" Includes news footage of President Dwight. D. Eisenhower in 1958 on a surprise visit to Mount Vernon. Case marked: 16mm/B\u0026W Positive Print/ \"A\" Wind/ Silent/Acetate/ 44 feet/ Digitized Sept. 2014. 4\" reel.  (TRT) 1:30. Contributor: President Dwight. D. Eisenhower. Creator/Publisher: Telenews Daily News Film. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281672724/23d9140ef0","Film reel titled \"King George and Queen Elizabeth at Mount Vernon\" Case marked: 16 mm B\u0026W Reversal/ AGFA/ \"B\" Wind/Silent/Acetate/ 30 feet. Digitized September 2014. 3 3/4\" reel. (TRT) 1:01. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281673145/13cb070a82","Film reel labeled: George Washington's Mt. Vernon \"Maryland Shore 1962.\" Opening caption on film reads \"Maryland Shore: A Major Issue.\" Shows views of the Maryland shore of the Potomac River from Mount Vernon and the George Washington Memorial Parkway. Case marked: #71247 CR#4 Color reversal, silent film, MOS \"B\" Wind REG-16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 6 3/4\" reel. (TRT) 11:14. Copy and paste this link for online access to this video: https://vimeo.com/288427394/9b659cb584","Film created by the Mount Vernon Ladies' Association and Affiliated Film Producers, copyright 1951. Released by McGraw Hill Book Co. The AV Collection holds multiple copies of this film including AV numbers: AV_00277, AV_00278, AV_00280, AV_00283, AV_00321. 16mm and 35 mm copies. Creator/Publisher: Mount Vernon Ladies' Association and Affiliated Film Producers. Copy and paste this link for online access to this video: https://vimeo.com/291511198/386fe3c311","Reel marked Item 12, 71247. 9 1/4\" reel. No case. Possibly related to other films marked with Item numbers and 71247, Andre de la Varre film components. In De Luxe Laboratories bag. Unknown content. (Strong vinegar smell)","Film reel labeled: Mount Vernon Pictorial Reports 1956-1957-1958. Shows events and work done at Mount Vernon, 1956-1958. Case marked: 1,400 feet; 60 minutes at 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:02:57. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281282015/487b2cdfde","Title: Pictorial Reports, 1956: .21","1)\t.35 – 4.11:  The School Groups Commence their Tours\n2)\t4.21-4.36:  A nine O'Clock Opening in April\n3)\t4.46-8.27:  A Warm Sunday Afternoon in April\n4)\t8.40-10.39:  The Annual Pilgrimage of the School Boy Patrols, sponsored by the American Automobile Association\n5)\t10.50-12.50:  The Boat Signals Departure\n6)\t13.02-15.55:  The Grounds Approach Saturation after the Patrol Boys' Parade\n7)\t16.03-17.59:  A typical school group arrives\n8)\t18.08-19.37:  A Busy Garden Gate","Title: Pictorial Report for 1957:   19.48","1)\t19.55-28.43:  Mount Vernon 1957: Some of the colorful events: The friendly sons of St. Patrick place a floral tribute on March 16, escorted by Mr. Barclay\n2)\t28.45-30.09:  On May 1st a helicopter of French design is landed on the circle by the French pilots bearing a floral tribute\n3)\t30.19-31.03:  May 8th the President of the Republic of Viet-Nam escorted by Mr. Densmore\n4)\t31.13-32.19:  June 21st: The 27th National 4-H conference delegates place a floral tribute\n5)\t32.24-33.00:  June 22nd the Prime Minister of Japan escorted by Mr. Densmore\n6)\t33.07 – 34.56:  The Mansion at 8 a.m. during early July\n7)\t35.05 – 36.07:  And later during the Summer drought","Title: Pictorial Report for 1958:  36.19","1)\t36.30 – 38.01 :  Elizabeth II visits Washington October, 1957\n2)\t38.08 - 42.54:  The tulip poplar tree no. 57 planted by General Washington at the Flower Garden Gate received surgical treatment, November 1957\n3)\t43.00 – 44.47: The horsechestnut tree no.116 in the South Grove receives surgical treatment\n4)\t44.55 – 45.24:  The prominent growth on the stem of the large honeylocust tree no.101 is recorded before removal, November, 1957 \n5)\t45.28 – 45.59:  Our tree feeding technique is illustrated\n6)\t46.05 – 46.43:  Mohamed V King of Morocco escorted by the Director, November 26, 1957\n7)\t46.50 – 49.50:  A wet snow prostrates the dry boxwood stems north of the museum on December 4, 1957\n8)\t49.55 -  51.50 :  Dry limbs of redcedar trees are broken and bent under the weight\n9)\t 51.54 – 55.14:  The children of the American Revolution plant a memorial tree and install officers in ceremony April 20, 1958\n10)\t 55.18 – 55.34:  A crowd on the portico greets President Heuss of West Germany May, 1958\n11)\t55.40 – 57.18:  Our new hay baler in operation\n12)\t57.22 – 59.00 :  Handbook vending at the main gate Miss Felicity Cragg \n13)\t59.01 – 1.02.57: No Title : Horticulture: Greenhouse (b\u0026w)\n---END---","Film reel labeled: Mount Vernon Pictorial Reports 1959-1963. Shows events and work done at Mount Vernon, 1959-1962. Case marked: 1,400 feet; 60 minutes @ 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:15:18. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281271792/7f3ca7f821","Film reel labeled: Pictorial Reports: 1964, 1965, 1966. Shows events and work done at Mount Vernon 1964-1966. Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. 12 1/2\" reel (TRT) 46:54. Digitized 2015. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280946247/cd20327929","Film reel labeled: Pictorial Reports: 1967, 1968, 1969, 1970. Shows events and work at Mount Vernon 1967-1970. Case marked: Original Color/ B\u0026W Reversal, 16 mm, 1 roll. 11\" reel (TRT) 52:24. Digitized 2015. Copy and paste this link for online access to video: https://vimeo.com/280952774/7ef4b57f27","Film reel labeled: George Washington's Mount Vernon \"Mount Vernon, Virginia.\" Brief silent film, opening caption reads \"Mount Vernon Virginia,\" shows footage of the Mansion and grounds. Briefly shows visitors lining up for the Mansion tour and walking by the outbuildings. Case marked: CR#11, Color Positive MOS \"B\" Wind REG-8mm film. (TRT) 03:19. Creator/Publisher: Landmark Pictures, Inc. Digitized 7-20-2015, External hard drive Toshiba 71247. Copy and paste this link for online access to this video: https://vimeo.com/288597485/f953bc0045","Film reel: The New Universal Presents \"George Washington Country Gentleman\" Case marked: Variety View 1941, POS, B\u0026W print, DBVT, \"A\" Wind. Digitized April 2016. 7\" reel. (TRT) 9:43. Creator/Publisher: The New Universal. Copy and paste this link for online access to this video: https://vimeo.com/281461632/da7ec4a0d5","Film reel: Paramount News Release \"Year of Dark Contrasts\" by William C. Park, produced by Albert J. Richard in 1939. 1 Roll, B\u0026W Print VDT, Reg 16mm. 7 3/4\" reel. (TRT) 14:32. Creator: William C. Park and Albert J. Richard. Publisher: Paramount Pictures. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281465047/e77c583cf7","Film reel labeled: George Washington's Mount Vernon \"Paramount Pictorial.\" Opening caption reads \"Pictures obtained through the cooperation of the United States George Washington Bicentennial Commission and the courtesy of the Mount Vernon Ladies' Association.\" Footage of the exterior of the Mansion, gardens with workers, the summer house, and the New Tomb. Case marked: # 71247, CR# 5, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/2\" reel. (TRT) 02:59. Creator/Publisher: Paramount Pictures. Copy and paste this link for online access to this video: https://vimeo.com/288564898/3bb5f596a5","Film reel \"MVLA: Visit-President of Mexico 1 May 1947.\" Movietone News footage of the President of Mexico's visit to Mount Vernon. Case marked: 16mm/AGFA/b\u0026W Positive Print/ \"A\" Wind/DBVT Opt, S,T/ Acetate, 30 ft. Digitized Sept. 2014. 4\" reel. (TRT) 01:14. Creator/Publisher: Movietone News. External hard drive GW_MV_WIN_NT (G Drive mini 68569)Copy and paste this link for online access to this video: https://vimeo.com/281672967/8aa3b89131","Film reel labeled: \"Reconstruction of Wharf Causeway at Mount Vernon\" 16mm, Color reversal/b\u0026w Reversal Print, B wind, Silent, Acetate 800 ft. Digitized Sept. 2014. 9 1/4\" reel.  (TRT) 24:59.  External hard drive GW_MV_WIN_NT (G Drive mini 68569) Copy and paste this link for online access to this video: https://vimeo.com/281676320/c9af459251","Film reel including Re-enactment of 1789 departure for NY World's Fair promotion and the Visit of King George and Queen Elizabeth of Britain to Washington and Mount Vernon (1939). This film appears to have been made from splicing film of Paramount News footage of the reenactment of Washington leaving Mount Vernon, 1939 and Movietone News footage of the King and Queen's visit to Washington, D.C. and Mount Vernon, 1939. Color film showing the King and Queen's visit is also spliced in (unknown creator), along with captions describing the contents of the video. See also AV_00256 for duplicate footage of \"Washington is Re-elected.\" 16 mm, b/w Reversal, b/w Positive Print, AGFA, B wind, Silent, Acetate, DBVT, VDT, 700 feet, Digitized Sept. 2014. 8\" reel. (TRT) 16:20. (Slight vinegar smell). Copy and paste this link for online version: https://vimeo.com/281681633/9b0c9cc630","Film reel: R-K-O Pictures Presents \"Mount Vernon\" (Copyright 1937) produced by The Van Beuren Corp. World on Parade Series, narration by Alois Harilla, text By Harold Mckracken, released by R-K-O Pictures, a Van Beuren Production. Run at Silent Speed, 16 fps, with sound. Digitized April 2016. (TRT) 10:02. 7 \" reel. (Faint vinegar smell) Creator: RKO Pictures. Producer: The Van Beuren Corp. External hard drive, My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281463277/9637fa94a3","Film reel labeled: \"Springtime at Mount Vernon\" MVLA, 1956. Case marked: MV \"Home\" Movie, Original color reversal 16mm, silent film. 1 roll, Original color reversal, regular 16 mm. 11\" reel. (TRT) 51:55. (Slight vinegar smell) Creator/Publisher: MVLA. Copy and paste this link for online access: https://vimeo.com/280956677/263be04c18","Film reel labeled: Snow Wall-Shingles for Mount Vernon. Case marked: P50-E\u0026V. 1 roll. Color Rev. Orig. \"B\" Wind Silent. Reg. 8mm film. (TRT) 04:45. Copy and paste this link for online access to this video: https://vimeo.com/280956358/84ea72dcf8","Film reel titled \"Vice Regents\" Case marked: gift of Mrs. Carpenter, Vice Regent for Illinois. May 1939. 16 mm, b\u0026w Reversal/ \"B\" Wind/ Silent/ Diacetate/ 400 feet/ Digitized Sept. 2014. 6\" reel.  (TRT) 10:05. (Faint vinegar smell) External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281657739/530ac57f14","Film reel labeled: George Washington's Mt. Vernon \"VA United Press\" Footage of Soviet Agricultural Delegates laying a wreath at Washington's Tomb with Resident Director, Charles Wall, August 1955. Case marked: #71247, CR# 9, BW Print MOS, \"A\" Wind, silent film, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel. (TRT) 00:58. (Faint vinegar smell) Creator/Publisher: Virginia United Press. Copy and paste this link for online access to this video: https://vimeo.com/288563795/ed041f0f0b","Film reel labeled: George Washington's Mt. Vernon \"Leaving Office.\" Character actors re-enacting Washington's departure from Mount Vernon. See also AV_00250 for duplicate and extended footage and more filming information. Case marked: #71247, CR# 10, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Creator/Publisher: Paramount News. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:56. Copy and paste this link for online access to this video: https://vimeo.com/288568166/7f0c8902df","Reel titled The Washington Trail 2C. Film released in July of 1979 that \"reveals for the first time, the full ancestry of George Washington, based on the genealogical evidence, much of which had only recently been discovered\" Focused on the English ancestry of George Washington. Copy 2, 870 ft. 16 mm, 12 1/2\" reel, color film. Orange case. (TRT) 24 mins. Creator/Publisher: British Tourist Authority, Washington Development Corporation.","Film reel of video program: \"You Are There:\" December 4, 1783, Washington's Farewell to his Officers.\" Distributed by Young America Films, 1953. 1 Roll, B\u0026W Print w/Sound. Regular 16 mm. 9 1/8\" reel. (TRT) 25:09. Creator/Publisher: Young America Films. Digitized version available. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281470273/78f5c8869f","Laserdisc titled: George Washington: Pioneer Farmer 18th Century Brickmaking at Historic Mount Vernon, undated. One part of a two part program - the other portion is on woodworking and recreating the 16-sided barn. See AV_00169. Alpha 3M. Creator/Publisher: Horizons Television, Inc.","Laserdisc titled: Mount Vernon, GW:PF Barn Promo, Evolution of a Mansion, undated. Label on cover read \"#77114 Mt. Vernon Item #1.\" Laser Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: The Life of George Washington - Side 1. Dated 1997.  Alpha 3M. (TRT) unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Life of George Washington - Closed Captioned. Label on the original cover read \"#77114 Mt. Vernon Item #4.\" Laser Disc Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon Brickmaking and Woodworking - Side 1. Undated. Most likely part of the program George Washington: Pioneer Farmer with two parts on brickmaking and woodworking. Alpha 3M. (TRT) unknown. Creator/Publisher: Horizons Television, Inc. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon Long. Undated. Label on the cover read \"#7714 Mt. Vernon Item #2\" Laserdisc Recording Center, Inc. (TRT) unknown. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon - Long Version. Label on cover originally read \"#77114 Mt. Vernon Item #3\" with note that read \"Does not work per Sue (?) 11/10/1998 - Voice distorted, removed from service.\" Laser Disc Recording Center, Inc. TRT unknown.","Video recording related to the Bicentennial of George Washington's inauguration in 1989. Label on tape reads \"Mount Vernon 1.\" Label on case reads \"Mt. Vernon 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon April 16th 89 2.\" Label on cassette reads \"Day 1 Tape #2 Mount Vernon.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon/Old Towne 3.\" Label on cassette reads \"Mt. Vernon/Day 1 Old Towne #3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Gadsby Tavern inside speeches 4.\" Label on cassette reads \"Day 1 Tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Day 1 Tape 5 Merrbury [sic] House/outside.\" Label on cassette reads \"Day 1 Tape 5 Merrbury [sic] House inside/outside.\" Probably is a recording of events at the Marbury House in Washington, DC. Umatic (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Rectory Day #10.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 11.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 12.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton Mansion Omni Hotel.\" Label on cassette reads \"Hampton Mansion presentation one. Thru First 1/2 Wash.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton House.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Hampton House Mikes open.\" Label on cassette reads \"Hampton - interview inside (?)\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Perryville/Tavern.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Stand ups.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 Tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 tape 4,\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 Tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 5 tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 5.\" Umatic. (TRT)","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Geo. Wash to Presidency Philadelphia Tavern Day 5 tape 6.\" Umatic. (TRT) unknown","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 2 house/tavern.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads Day 6 tape 4.\" Umatic. (TRT) unknown","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 4.\" Umatic. (TRT) unknown","Video recording related to the  Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 8 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 5.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 6.\"","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Geo. Washington 200th Aniv. of his Presidency Tape 1A TO 12:42.\" Label on case reads \"Tape 1 Geo. Wash Bicentennial of the Presidency.\" Umatic. (TRT) may be 12:42.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaugural NY - Tape 2, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Washington Inaugural NY - Tape 3, 4/30/89.\" (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Tape 4, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Stand-ups - Parade Tape 5, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Parade, Tape 6, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. NY Parade, Tape 7, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. - NY Shots of Church, Tape 8, 4/30/89.\" Umatic. (TRT) unknown.","Video labeled: \"Front and Center Mt. Vernon Ladies.\" Case marked: \"This video tape is of me being interviewed by Hank Boudard on WPRI Channel 12.\" - Hope Alexander, Vice Regent. Umatic. (TRT) unknown.","Video recording labeled \"President Reagan at Mt. Vernon Laying Wreath and Remarks Part 2.\" Dated 22, Feb 1982. Umatic. (TRT) unknown. See also VHS tape AV_00229","Video recording labeled \"Mt. Vernon Speeches\" for George Washington's Bicentennial Inauguration Reenactment in 1989. Includes speech by Warren Burger. Umatic. (TRT) unknown.","Video recording with label \"Dub Willard at Mt. Vernon Air 2/22/85 - TODAY\". Weatherman Willard Scott filming at Mount Vernon for the Today Show on Washington's birthday, NBC News production. Umatic. (TRT) unknown.","Video titled Almanac of Travel W/Neil Horstman. VHS. (TRT) unknown. Contributor: Neil Horstman.","Video titled ASC-MVLA Conf. Tape #1 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #2 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #3 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #4 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #5 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video program featuring lecture by author Henry Wiencek titled \"An Imperfect God\" Tape marked: C-Span2 Booktv 9/20/03. VHS. (TRT) 29 minutes. Contributor: Henry Wiencek. RP 3070, VIDEO 7047.","Video program ' And Die By Inches: George Washington and the Encounter of Cultures on the Southern Colonial Frontier, lecture by Warren Hofstra. Shenendoah University. VHS. (TRT) unknown. Contributor: Warren Hofstra.","Video program \"Behind the Hero's Mask\" Ducat Segal Productions for the History Channel and Mount Vernon. Note: low res. Video, music and credits to be added. VHS. (TRT) 8:39. Creator/Publisher: Ducat Segal Productions.","Video titled A Ceremony Commemorating The Slave Memorial of Mount Vernon. Dated: Saturday, Spetember 21, 1990. (TRT) unknown.","Video titled Colonial Days. BASF brand. VHS. (TRT) unknown.","Video program of Colonial Days- March 1991. Footage of Colonial Days from Channel 8 News. VHS. (TRT) unknown.","Video titled \"Colonial Day At Mount Vernon\" VHS (TRT) unknown.","Video titled \"Colonial Days at Mt. Vernon\" Raw Footage. VHS. (TRT) unknown.","Video program The Creeks and the Americans in the Age of Washington, a lecture by Robbie Eheridge at the University of Mississippi. VHS. (TRT) unknown. Contributor: Robbie Eheridge.","George Washington: Founding Father. Documentary on the life of George Washington, part of the \"Biography\" series produced by A\u0026E Network. Color.  VHS. (TRT) 50 minutes.","Video titled Finley Films-Rough MV Footage-Interiors + People Summer 1988. VHS. (TRT) unknown. Creator/Publisher: Finley Films.","Video program George Washington, Dragging Canoe, and Southeastern Indian Resistance, lecture by Peter Wood. Duke University. VHS. (TRT) unknown. Contributor: Peter Wood.","Video program George Washington: Founding Father. Epic Biography, Show #3001. VHS. (TRT) unknown.\nCreator/Publisher: Perpetual Motion Films","Video program George Washington: Pioneer Farmer The Wood for Washington's Barn. One part of a two part program. VHS. (TRT) Loop tape. 60 min. See also AV_00390. Creator/Publisher: Horizons Televison, Inc. circa 1996-1997","Video program George Washington, the South, and the Petics of National Memory, lecture by Carla Mulford, Pennsylvania State University. VHS. (TRT) unknown. Contributor: Carla Mulford.","Video labeled: George Washington's Bi-Centennial \"Thank You\" VHS. (TRT) 23 minutes.","Video titled George Washington's Indian Policy: Civilizing Southeast Indians. Includes lecture by Theda Perdue at the University of North Carolina. VHS. (TRT) unknown. Contributor: Theda Perdue.","Video program The Great Experiment: George Washington and the Old South, lecture by Garrett Wendell, Sotheyby's. VHS. (TRT) unknown. Contributor: Garrett Wendell.","Video labeled: George Washington Project/Title: TBA. Version 08/18/2006. VHS. Video would later be titled \"We Fight to Be Free\" and was shown in the new Orientation Center. (TRT) 19:18 mins. (2 copies) Creator/Publisher: Greystone Films","Video program The Ground Beneath Our Feet: Virginia Fights WWII. Film highlighting the changes in Virginia during and after World War II. VHS. (TRT) 58:29. RP 3071, VIDEO 7048.","Video titled The \"Hell Hole\" 1993. EHG case. VHS. (TRT) unknown.","Video titled Home, ABC-TV, Nov. 8, 1991. VHS. (TRT) 90 minutes.","Video labeled:  In Search of America Live from Mount Vernon. Dated July 4th, 2002. Part of the TV series production \"In Search of America\" with Peter Jennings, ABC News. VHS. (TRT) 9 minutes. (2 copies)","Video titled Lawrence Washington at Sulgrave Manor. JVC case. VHS. (TRT) unknown.","Video titled Jim Lehrer-GW. SONY case. VHS. (TRT) unknown.","Video program The Life of George Washington: A Video Biography of America's Greatest Hero. Written by Robert B. Gibby. Introduction by Senator Bill Bradley. VHS. (2 copies) (TRT) 30 mins. Creator/Publisher: Finley Holiday Films, MVLA.","Video labeled:  Mansion Staircase Jan. 1992. Supertape case. VHS. (TRT) unknown.","Video labeled: Mansion Staircase 3/92. Tape marked: (John Clobas) Supertape case. VHS. (TRT) unknown.","Video titled Mapping the South: Image, Archive, and the Construction of Regional Identity in the Age of Washington. Includes lecture by Martin Brueckner at the University of Delaware. VHS. (TRT) unknown. Contributor: Martin Brueckner.","Video of the Masonic Dedication of the Ann Pamela Cunningham Library and Research Center. Video by: E Coffey. VHS. Kodak case. (TRT) unknown. Creator/Contributor: E. Coffey.","Video titled Mt. Vernon 26 Oct 1985. VHS. (TRT) unknown.","Video labeled: Mount Vernon 3 Minute Introduction, March 3, 1989. (5 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.","Video program \"Mount Vernon\" Tape marked: Bill Webster. VHS (TRT) 23:00. Creator/Publisher: Illustrated Man Productions. Contributor: Bill Webster.","Video labeled: Mount Vernon Cupola/Pier Restoration 1992. Scotch case. VHS. (TRT) unknown.","Video titled Mount Vernon Cupola Complete. Case marked: Edited, 1992-1993. BASF case. VHS. (TRT) unknown.","Video titled Mount Vernon In Virginia. Tape marked: 1950, approx 30 mins, black and white. Gift from Joseph Fields. VHS. (TRT) 30 min. Contributor: Joseph Fields.","Video titled MVLS-1989 Spring Trip. VHS. (TRT) 46 minutes.","Video labeled: Mount Vernon Ladies' Assn. France-Rochefort, Chateau Chavaniac, Lafayette, Boat trip to Maryland farm from M.V. Tape marked: Stewart Gamill III, (husband of Vice Regent Lynn Gammill)  1-6/01. VHS. (TRT) unknown. RP 986.","Video labeled: Mount Vernon Selected Scenes. Photography by Russ Finley, Holiday film Corp. VHS (although label says Betacam) (TRT) unknown. Creator/Publisher: Russ Finley, Holiday Films.","Video labeled: Mt. Vernon Small Dining Room. Note marked: Cupola interior 28 July 93. VHS. (TRT) unknown.","Video program Mount Vernon Tour Guide Cuts. 1988. (2 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.","Video labeled: Nelly Custis Bedroom Repair. EHG Case. VHS. (TRT) unknown.","Video labeled: Nellie Custis Room 1992-93, Complete. Scotch case. VHS. (TRT) unknown.","Video labeled: Reagan at Mt. Vernon Laying Wreath Part 2. Dated 22 Feb. 1982. Tape marked: GW 250 Anniversary of his death. See also Umatic tape AV_00220. VHS. (TRT) unknown.","Video labeled: Project Enlightenment I. Case marked: For project Enlightenment, 2/28 (no year), funeral procession. Polaroid case. VHS. (TRT) unknown.","Video program Memorial Service for General George Washington, Reenacted on this historical date Wednesday, December 29, 1999. Case marked: The Old Presbyterian Meeting House in the City of Alexandria formerly in The District of Columbia Five O'Clock in the Afternoon. VHS. (TRT) unknown. Creator/Publisher: Unknown.","Video production of the Reenactment of George Washington's Funeral at Mount Vernon. VHS. (TRT) 3:10:00 Creator/Publisher: C-Span.","Video production of the Reenactment of George Washington's Funeral. VHS. (TRT) 84 mins. Creator/Publisher: C-Span.","Video labeled: June 2, 1990 Military Re-enactment at Mount Vernon. Footage of Virginia and Maryland Encampment at Mount Vernon. VHS. (TRT) unknown. Creator/Publisher: unknown","Video program Re-mapping Boundaries in the Old Southwest, 1783-1795, lecture by Dan Usner. Cornell University. VHS. (TRT) unknown. Contributor: Dan Usner.","Video labeled: The Role of Race in the Making of the American Revolution, lecture by Sylvia Frey. Tulane. VHS. (TRT) unknown. Contributor: Sylvia Frey.","Video labeled: The Roof (May 93), Brick Laying 93, Shingle Splitting, Interior Plastering 94. Highlights renovations of the mansion and estate. VHS. (TRT) unknown.","Video program Save Our History: George Washington's Workshop. VHS. (TRT) unknown (2 copies) Creator/Publisher: A\u0026E Television Network.","Video program Save Our History: George Washington's Workshop. VHS. (TRT) 1:00:00. Ch 1/2 Fullmx. Creator/Publisher: A\u0026E Television Network","Video labeled: Small Dining Room Ceiling 6/92. VHS. (TRT) unknown.","Video program featuring lecture by Carol Berkin titled \"Southern Women in the Revolutionary War.\" Women of the South in the era of Martha Washingotn. University of Southern Mississippi. VHS. (TRT) unknown. Contributor: Carol Berkin. RP 3072, VIDEO 7049a","Video titled Highlights from Our Ladies and Their Hero, February 21, 1992 Spartanburg Day School, 1701 Skyln Drive Spartanburg, S.C. 29302. VHS. (TRT) unknown. RP 987, VIDEO 5417.","Video titled Our Ladies and Their Hero. Case marked: Ann Dobbs. VHS. (TRT) unknown.","Video program \"Our Ladies and their Hero or (What the Women Were Doing While the Men Forged a War) Case marked: Spartanburg Day School 1701 Skyln Drive Spartanburg, SC 29302. Contact: Ann Hemperley Dobbs. VHS. (TRT) 38 minutes.","Video program Sulgrave Manor: The British Heritage of George Washington. Highlights the home of Lawerence Washington, Sulgrave Manor, located in England. VHS. (TRT) unknown.","Video program This Gown… Was Much Admired and Caused Much Jealousy: Fashion and the Forging of Identities in French Colonial New Orleans, a lecture by Sophie White. Courtlaud Institute of Art, Univerosy of London. VHS. (TRT) unknown. Contributor: Sophie White.","Video program Today Show. Features Willard Scott Promo for Mount Vernon. Dated 22 February 1993, 7:33am. VHS. (TRT) unknown. Creator/Publisher: Today Show, NBC News.","Video recording of several news stations coverage of Queen Elizabeth's visit to Mount Vernon. Tape includes: CBS This Morning, WUSA (Channel 9), ABC World News Tonight, CBS Evening News, Fairfax County News (Channel 8), WRC (Channel 4), Fox News (Channel 5) VHS. (TRT) unknown.","Video program Washington and Three Women, lecture by Donald Higgenbotham,  University of North Carolina. VHS. (TRT) unknown. Contributor: Donald Higgenbotham.","Video titled Wharf/Cupola/Roof Exploration. Includes footage of restoration. VHS. (TRT) unknown.","Video labeled: Women of the South in the Era of Martha Washington University of Southern Mississippi. Tape marked: Library of Hattiesburg, Petal, and Forrestt County, Bellswood (Sylvia Frey) Catherine Allgor, Patricia Brady. VHS. (TRT) unknown.","VHS labeled: W \u0026 L (Washington and Lee University) 250th Anniversary celebration, Mount Vernon, October 17, 1998. Maxell VHS tape","Video recording labeled: Father of our Country. GWP long version. Tape marked: S.L.O HORS D'OEUVRES. Dated: 9/22/06. Digital Betacam SP. (TRT) unknown. Creator/Producer: Paramount Pictures.","Video recording labeled: Father of our Country. GWP short version. Dated: 9/22/06. Betacam SP. (TRT) unknown. Creator/Publisher: Paramount Pictures.","Video recording labeled: Father of our Country. Confidence Check. NTSC format.Dated: November 16, 2006. Betacam SP. (TRT) 24:58. Creator/Producer: Paramount Pictures.","Digital Betacam video cassette tape labeled: George Washington Funeral Reenactment for Mount Vernon exhibit, 2/22/2007. Silent version. (TRT) 1:30. Creator/Publisher: Henninger Media Services.","Video labeled: George Washington Output. Tape Marked: NDF. Dated: 9/12/06. Betacam SP. (TRT) unknown.","Video titled Mount Vernon: Evolution of the Mansion, Long Version. Dated: May 22, 1995. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Large Betacam. (TRT) unknown.","Video labeled: Mount Vernon Evolution of the Mansion Long Version. Dated: 06-07-1995. Betacam. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Betacam. (TRT) unknown. Creator/Publisher: Townhouse Post-Production.","Mini DV videocassette recording labeled: Mount Vernon Piano Recital Tape 1.","Mini DV videocassette recording labeled: Mount Vernon Piano Recital, Tape 2.","Large Digital Betacam videocassette labeled: Saving Mount Vernon DVD. (TRT) 62:00. 35mm, dated 1/15/03. DBCT Color Enhanced to D9 Clone. Creator: Madisonfilm. Producer: Mount Vernon Ladies' Association.","Hi8 MP 8mm videocassette tape labeled: Washington is No More. Tape marked: Trial Run, Full Footage. Dated 3/6/2000.","Video labeled: George Washington: We Fight To Be Free. Locked. Ford Orientation Center film. Betacam SP. DIA only, Avid Output. (TRT) 22:24. Creator/Publisher: Greystone Films.","Video recording labeled: George Washington: We Fight To Be Free. Tape marked: Short Versiokn, Final Opening Title, Wrong End Titles. Betacam SP. (TRT) unknown. Creator/Publisher: Greystone Films.","Video labeled: George Washington: We Fight To Be Free. Tape Marked: Picture Only, Ref Tape. Betacam SP. 29.97 fps. (TRT) unknown. Creator/Publisher: Greystone Films.","Videocassette recording labeled: We the People and the Mount Vernon Visitor Center.  . Digital Betacam. 24 fps. (TRT) 12:15. Creator/Publisher: Inland Sea Productions.","Video recording labeled: We the People and the Mount Vernon Visitors Center. Digital Betacam. 24 fps. (TRT) 26:46. Creator/Publisher: Inland Sea Productions.","Video recording labeled: We the People and the Mount Vernon Visitor Center. Tape marked: Original Transfer Master. Digital Betacam. 24 fps. (TRT) 27:36. Creator/Producer: Inland Sea Productions.","Mount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws.","Archives of the Mount Vernon Ladies' Association","Norton, Dean","English\n."],"collection_title_tesim":["Audio Visual Collection, 1928/2015"],"collection_ssim":["Audio Visual Collection, 1928/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A.AVC","/repositories/2/resources/53"],"unitid_tesim":["A.AVC","/repositories/2/resources/53"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_persname_ssim":["Norton, Dean"],"creator_corpname_ssim":["Archives of the Mount Vernon Ladies' Association"],"creators_ssim":["Norton, Dean","Archives of the Mount Vernon Ladies' Association"],"access_terms_ssm":["Mount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["approx. 35 Linear Feet 14 boxes (various sizes), and approximately 100 film reels in film cans on shelves"],"extent_tesim":["approx. 35 Linear Feet 14 boxes (various sizes), and approximately 100 film reels in film cans on shelves"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"arrangement_html_tesm":["\u003cp\u003e\nThe Audio Visual Collection is divided into two series, Audio and Video. These are further broken down into multiple sub-series according to physical format. Each sub-series lists items alphabetically by title. The series and subseries are arranged as follows: \u003c/p\u003e","\u003cp\u003eAudio\n-Audio Cassette Tapes\n-Compact Discs\n-LP Records\n-Magnetic Tape Audio Reels\u003c/p\u003e","\u003cp\u003eVideo\n-Betamax\n-DVD\n-Film Reels\n-Laserdisc\n-Umatic\n-VHS\n-Videotape\u003c/p\u003e  ","\u003cp\u003eThis series is broken down into sub-series based on format of the audio recording, including audio cassette, compact disc, LP records, and magnetic tape reels.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eThis series is broken down into sub-series based on format including Betamax, DVD, film reels, Laserdisc, Umatic, VHS, and Videotape (other)\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Audio Visual Collection is divided into two series, Audio and Video. These are further broken down into multiple sub-series according to physical format. Each sub-series lists items alphabetically by title. The series and subseries are arranged as follows:","Audio\n-Audio Cassette Tapes\n-Compact Discs\n-LP Records\n-Magnetic Tape Audio Reels","Video\n-Betamax\n-DVD\n-Film Reels\n-Laserdisc\n-Umatic\n-VHS\n-Videotape","This series is broken down into sub-series based on format of the audio recording, including audio cassette, compact disc, LP records, and magnetic tape reels.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","This series is broken down into sub-series based on format including Betamax, DVD, film reels, Laserdisc, Umatic, VHS, and Videotape (other)","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title."],"bioghist_html_tesm":["\u003cp\u003eThe Mount Vernon Ladies' Association of the Union was founded in 1853 by Ann Pamela Cunningham. The purpose of the Association was to purchase Mount Vernon, the home of George Washington, in order to restore the property and open the grounds to visitors and admirers who desired to see Washington's house and tomb. Ann Pamela Cunningham became interested in the preservation of Mount Vernon when her mother, traveling down the Potomac River in 1853, saw the house in its neglected and dilapidated state and wrote to her daughter of its condition. Both women thought it shameful to allow the first President's home to fall into ruin. A determined Ann Pamela Cunningham assembled twenty-two women of like mind together to raise money to purchase the property, pay off all debt, and return the gardens and grounds to the condition in which they were left by Washington himself. John Augustine Washington III, George Washington's great-grandnephew and the owner of Mount Vernon at the time, delayed several years in selling the home to the Ladies' Association. He preferred a sale to the State of Virginia or the federal government, both of which declined purchase. In 1858 he finally agreed to sell Mount Vernon to Ann Pamela Cunningham and the MVLA for $200,000. \u003c/p\u003e","\u003cp\u003eThe MVLA is the owner and executive board of Mount Vernon. Membership is made up of one Regent and 20-30 Vice Regents, each from a different state. All MVLA members assemble twice a year in April and October for Council, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations, and rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Mount Vernon Ladies' Association of the Union was founded in 1853 by Ann Pamela Cunningham. The purpose of the Association was to purchase Mount Vernon, the home of George Washington, in order to restore the property and open the grounds to visitors and admirers who desired to see Washington's house and tomb. Ann Pamela Cunningham became interested in the preservation of Mount Vernon when her mother, traveling down the Potomac River in 1853, saw the house in its neglected and dilapidated state and wrote to her daughter of its condition. Both women thought it shameful to allow the first President's home to fall into ruin. A determined Ann Pamela Cunningham assembled twenty-two women of like mind together to raise money to purchase the property, pay off all debt, and return the gardens and grounds to the condition in which they were left by Washington himself. John Augustine Washington III, George Washington's great-grandnephew and the owner of Mount Vernon at the time, delayed several years in selling the home to the Ladies' Association. He preferred a sale to the State of Virginia or the federal government, both of which declined purchase. In 1858 he finally agreed to sell Mount Vernon to Ann Pamela Cunningham and the MVLA for $200,000.","The MVLA is the owner and executive board of Mount Vernon. Membership is made up of one Regent and 20-30 Vice Regents, each from a different state. All MVLA members assemble twice a year in April and October for Council, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations, and rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant."],"odd_html_tesm":["\u003cp\u003eCD Rom recording of a reenactment of the Supreme Court case Ware vs. Hylton. Second part of a collaboration between the MVLA and the SCHS. Introduced by Ralph Lancaster and hosted by Justice Alito. Memorex, CD-R. Audio dated 10-21-10.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["CD Rom recording of a reenactment of the Supreme Court case Ware vs. Hylton. Second part of a collaboration between the MVLA and the SCHS. Introduced by Ralph Lancaster and hosted by Justice Alito. Memorex, CD-R. Audio dated 10-21-10."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Audio Visual Collection, Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia \u003c/p\u003e","\u003cp\u003eSee the Chicago Manual of Style for additional examples. \u003c/p\u003e  "],"prefercite_tesim":["[Name and date of item], Audio Visual Collection, Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia","See the Chicago Manual of Style for additional examples."],"relatedmaterial_html_tesm":["\u003cp\u003e- Publications and printed material of the MVLA\n- Oral history collection of the MVLA\n- Papers of the MVLA\n- Early Records of the MVLA\n- Papers of the Superintendent and Resident Director\n- Restoration Files\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["- Publications and printed material of the MVLA\n- Oral history collection of the MVLA\n- Papers of the MVLA\n- Early Records of the MVLA\n- Papers of the Superintendent and Resident Director\n- Restoration Files"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes audio and video resources related to Mount Vernon, the Mount Vernon Ladies' Association, and George Washington. Many audio and video recordings in the collection were either produced by, or made in cooperation with, the Mount Vernon Ladies' Association. However, there are also AV productions made by other institutions, corporations, and media companies. Content includes footage and recordings of events, interviews, lectures, VIP visitors, and views of the estate. Several documentaries, news broadcasts, and syndicated radio or television programs are also included as they pertain to the history of Mount Vernon. Highlights of the collection include: Pictorial Reports of the estate during the years 1955-1970 which feature footage of several famous visitors such as President Eisenhower, Princess Margaret and Lord Snowdon, and Fidel Castro; a feature film with B-Roll footage by travelogue filmmaker Andre de la Varre; video and audio recordings of Vice Regents and Mount Vernon staff. Most film reels have been digitized and are available by links within individual catalog records or via written/email request.\u003c/p\u003e  ","\u003cp\u003eCassette tape titled Dr. Douglass Southall Freeman Address at U.D.C Meeting in Alexandria, 1948. Tape marked: Washington-Lee Comparison. Inside note reads Address at United Daughters of the Confederacy meeting, 1948. Comparison - Washington and Lee. Recorded from phonograph record in MVLA collection RP 70; MISC 4036. Presented by George Washington Custis Lee Chapter of the UDC.\" TDK tape and case.\u003c/p\u003e","\u003cp\u003eAudio cassett tape labeled: Dr. Southall Freeman. Speech given in Alexandria. Case marked: approx 30 min- 3 3/4- Track A Mono 1, Copy from Records. 1st copy.  5\" reel. Contributor: Dr. Southall Freeman.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 1 includes speeches from Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer. Dated 11/8/93. 1 tape, Lanier case. Contributors: Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 2 includes the speech from Dr. J. Worth Estes. Dated 11/8/93. 1 tape, Lanier case. Contributor: Dr. J. Worth Estes.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 3 dated Mon, 8/11/93. 1 tape, Lanier case.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 4 dated Mon, 11/8/93. 1 tape, Lanier case.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 5 includes the speeches by Dr. Richard L. Willham and Dr. Alan Fusonie. 1 tape, Lanier case. Contributors: Dr. Richard L. Willham and Dr. Alan Fusonie.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar, \"Agriculture in the Age of Washington.\" Tape 6 is thought to include the speech by Dr. Donald E. Bixby. 1 tape, Lanier case. Contributor: Dr. Donald E. Bixby.\u003c/p\u003e","\u003cp\u003eCassette tape titled All Things Considered, NPR Interview. Case marked: J. Rhodehamel, CBS, April 1984. Contributor: John Rhodehamel\u003c/p\u003e","\u003cp\u003eCassette tape America's Favorite Places, Ride With Me: Williamsburg. Narrated by: Grover Gardner, tells the history of Williamsburg. 1990. Cassette. Creator/Producer: RWM Associates.\u003c/p\u003e","\u003cp\u003eCassette tape America's Favorite Places, Ride With Me: The Mount Vernon Story. Narrated by John MacDonald, Kimberly Schraf and Michael Russotto. Tells the history of Mount Vernon and it's historic owner. 1993, Cassette.\u003c/p\u003e","\u003cp\u003eCassette tape labeled Audio Demo Noble Creek Prod.S. 1 tape, Scotch case.\u003c/p\u003e","\u003cp\u003eCassette tape titled Beds, Beddings, and Bed Hangings. Author Jane C. Nylander. Tape marked: AASLH. Contributor: Jane C. Nylander.\u003c/p\u003e","\u003cp\u003eCassette tape titled Capital Conversation Ellen McCallister Clark. Tape marked: 6/14/87. Supertape.\u003c/p\u003e","\u003cp\u003ePart of a series of cassette tapes all labeled Capital Conversation. This recording is with Ellen McCallister Clark, 6/14/1987.\u003c/p\u003e","\u003cp\u003eCassette tape titled Capital Conversation Ellen McCallister Clark, John Riley, Ann Rausher. Tape marked: 9/6/87, Hour 4, Supertape.\u003c/p\u003e","\u003cp\u003eOne in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #1 with Mrs. Robert E. Lee IV and Christine Meadows, dated 9/6/1987.\u003c/p\u003e","\u003cp\u003eOne in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #2 with Christine Meadows, Herb Prevost, Jim Simms, and Dean Norton, dated 9/6/1987.\u003c/p\u003e","\u003cp\u003eOne of a series of cassette tapes labeled: Capital Conversation. This is Hour #3. Dated 9/6/1987.\u003c/p\u003e","\u003cp\u003eOne in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This is Hr. #4 with Ellen McCallister Clark, John Riley, and Ann Rauscher, date 9/6/87.\u003c/p\u003e","\u003cp\u003eCassette tape titled CC Wall's Talk to Interpreters C. Taped 1984. Certron tape.\u003c/p\u003e","\u003cp\u003eCassette tape titled Side 1 and Side 2. Tapes relating to The Character of George Washington Seminar on April 23, 1995. Radio Shack tape.\u003c/p\u003e","\u003cp\u003eCassette tape titled Side 3 and Side 4. Tapes relating to the Character of George Washington Seminar on April 23, 1995. Radio Shack tape.\u003c/p\u003e","\u003cp\u003eCassette tape titled Does He Take Sugar? American Edition. Tape marked: Marlene Pease, BBC. Century Magnetics tape. 60 minute tape.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mrs. de Forest, Gordon Talk. Nov 1, 1981. TDK tape.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: First Patriot: The Life and Legacy of George Washington. Tape marked: Produced by Radio America with the Mount Vernon Ladies' Association. Dolby B.\u003c/p\u003e","\u003cp\u003eCassette tape titled Four Narrators-Finley Holiday Films. TDK tape and case.\u003c/p\u003e","\u003cp\u003eCassette tape titled G.W. PSA's. Case marked: (8 60's, 8 30's) Master Copy, Radio America Public Service Announcements, February 1989. TDK tape and case.\u003c/p\u003e","\u003cp\u003eCassette tape titled Hail Columbia by Philip Phylo and Joseph Hopkins. Tape marked: The New American Brass Band from the Soundtrack of the War by Ken Burns. TDK tape and case.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Historical Sites Mountt. Vernon. Tape marked: DMC, 8/4/87, House Market Research Inc. Maxell tape.\u003c/p\u003e","\u003cp\u003eCassette tape titled \"Holiday\" - Washington - Lincoln. Memorex tape.\u003c/p\u003e","\u003cp\u003eCassette and Slide set of a Mount Vernon tour, produced by Finley Holiday Film Corp. Purchased from Museum Shop. 1 Cassette Tape, 40 Slides. Creator/Publisher: Finley Holiday Film Corp.\u003c/p\u003e","\u003cp\u003eJohn RhodehamelJohn RhodehamelJohn RhodehamelJohn Rhodehamel USI tape.\u003c/p\u003e","\u003cp\u003eCasette tape of a lecture by Chris Matthews, dated 5/17 no year. 1 tape, Maxell case. Contributor: Chris Matthews.\u003c/p\u003e","\u003cp\u003eCassette tape titled Dr. James R. Soles. Tape marked: Side A: Lecture at First Annual meeting of the George Washington Club. June 3, 1983. Side B: Question and Answers Following Lecture. Maxell tape and case. Contributor: James R. Soles.\u003c/p\u003e","\u003cp\u003eCassette tape of a lecture by Marc Leepson. Dated 6/6/06. 1 tape, Maxell case. Contributor: Marc Leepson.\u003c/p\u003e","\u003cp\u003eCassette tape recording of a lecture by Michael Novak, thought to be in relation to his book \"Washington's God,\" published in 2006. Tape dated 4/11/06. 1 tape, Maxell case. Contributor: Michael Novak\u003c/p\u003e","\u003cp\u003eCassette tape of a lecture by Peter Henriques. Dated 5/2/06. 1 tape, Maxell case. Contributor, Peter Henriques\u003c/p\u003e","\u003cp\u003eCassette tape of a lecture by Richard Brookhiser thought to be in relation to one of his books on George Washington. Dated 5/22/06. 1 tape, Maxell case. \nContributor: Richard Brookhiser.\u003c/p\u003e","\u003cp\u003eCassette tape of a lecture by Thomas Fleming. Dated 3/28/06/ 1 tape, Maxell case. Contributor: Thomas Fleming.\u003c/p\u003e","\u003cp\u003eCassette tape titled Martial Musick of Yorktown. Includes marches, quicksteps, dances, and songs. Titles include: The World Turned Upside Down, Royal Deux Ponts March, and many others of historical significance. Case marked: George Carroll. Stereo, Dolby, Cassette.\u003c/p\u003e","\u003cp\u003eCassette taped titled The Monticello Music Collection. Includes songs from Mozart, Beethoven, and Vivaldi amongst others. Dolby System. 1986.\u003c/p\u003e","\u003cp\u003eCassette tape of the Mount Vernon Audio Tour, dated 6/16/95. 1 tape, Maxell case. (TRT) 41:09\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mount Vernon Audio Tour, submitted for final approval. Dated 6-30-95. 1 tape, no case.\u003c/p\u003e","\u003cp\u003eCassette tape titled Mount Vernon Capital Campaign 3:25.\u003c/p\u003e","\u003cp\u003eCassette tape recording of the Grand Opening of the Education Center. Dated Oct. 22, 2006. 1 tape, Maxell case.\u003c/p\u003e","\u003cp\u003eCassette tape titled This Side is MTV Finance. Tape marked: Buildings, Rose Strachan (Vice Regent),Chair. Sony tape.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mount Vernon Capital Campaign. Tape marked: Recorded Script - Audio-Visual Show. (2 Copies)\u003c/p\u003e","\u003cp\u003eCassette tape labeled: English: Mount Vernon Ladies Association Magazine Show. Tape marked: 1/21/86, For: Farmer general Programs. USIA, Voice of America.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mount Vernon Music Selection Sample. Tape marked: Finley Holiday Film Corp. Whittier, CA. Creator/Publisher: Finley Holiday Film Corp.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: NEWSMARK: George Herman's Washington. Tape marked: CBS Inc. All Rights Reserved. Note marked: MV-237-262. Ampex tape. Creator/Publisher: CBS Inc.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mount Vernon Audio Tour. Tape case label reads \"Outbuildings Tour- Not Final Copy. Tape marked: Only a couple minor changes made after this tape.\" Note attached addressed to John Riley detailing the process of creating the tape. Letter dated June 16, 1994. Maxell tape and case. TRT 41:09\u003c/p\u003e","\u003cp\u003eCassette tape labeled: SOG House on the Potomac. Other side of tape marked: Received from the VR for Michigan, 1975. Creator/Publisher: Mike Whorf, Inc.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: The Sounds of Glory - Part 7, Washington, a Man to Remember. Other side of tape marked: Gift of the VR for Michigan, 1975. Creator/Publisher: Mike Whorf Inc.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Still First in the Hearts of His Countrymen: A Celebration of George Washington PSA's. Tape marked: Dolby B, Presented by the Mount Vernon Ladies' Association. (7 Copies)\u003c/p\u003e","\u003cp\u003eCassette tape titled Chuck Rich-Voice of America \"Mount Vernon.\" Tape marked: 4:38.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Washington Birthday Program 1975. Case marked: Received from the VR for Michigan 1975, Feb. Karl Haas, WTR Detroit. Ampex case, 42.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: WETA radio interview April 12, 1985. Robert Aubry Davis. Tape marked: C35 even.\u003c/p\u003e","\u003cp\u003eCassette tape labeled With Good Reason, Vol. VI, No. XXVII, Made to Order: The Rise of General Washington, Zagarri (GMU) Chase (UVA). Maxell tape, C60. undated.\u003c/p\u003e","\u003cp\u003eCD Rom containing lecture from historian Harlow Unger from the Beneath the Surface lecture series. Imation, Music CD-R, 700MB. Contributor: Harlow Unger.\u003c/p\u003e","\u003cp\u003eCD Rom labeled Beneath the Surface Lecture 1, dated 7/19/06. Memorex, CD-R, 700MB.\u003c/p\u003e","\u003cp\u003eCD Rom labeled D Palmer 8/3/06, CD-R, Memorex, 700MB. RP 2295, CD 6752\u003c/p\u003e","\u003cp\u003eCD Rom labeled GW Symposium Nov 3-4, 2006. CD-R, Memorex, 700MB.\u003c/p\u003e","\u003cp\u003eCD Rom labeled Chernow Lecture, CD-R, Memorex, 700 MB. Contributor: Ron Chernow\u003c/p\u003e","\u003cp\u003eCD Rom labeled Lectures, Papers, Gingrich, GWS, dated 11-7-09, Memorex CD-R. Contributor: Newt Gingrich.\u003c/p\u003e","\u003cp\u003eCD Rom containing a lecture by historian Scott Berg from the Michelle Smith Lecture Series at Mount Vernon. Imation, Music CD-R, 700MB. Contributor: Scott Berg.\u003c/p\u003e","\u003cp\u003eCD Rom labeled Mrs. Thompson Religion in the Life of George Washington. Imation Music CD-R, 700Mb. Contributor: Mary Thompson.\u003c/p\u003e","\u003cp\u003eCD Rom labeled Richard Brookhiser Smith Aud. Dated May 30, 2008. Imation, Music CD-R, 700MB. Contributor: Richard Brookhiser.\u003c/p\u003e","\u003cp\u003eCD Rom recording of the morning session of the Sweet Briar College Seminar, dated 3/9/09. Imation, Music CD-R, 700MB.\u003c/p\u003e","\u003cp\u003eCD Rom recording of the afternoon session of the Sweet Briar College Seminar dated 3/9/09. Imation, Music CD-R, 700MB.\u003c/p\u003e","\u003cp\u003eCD Rom recording of a  a talk by Mary Thompson, dated 10-2008. Staples CD-R, 700MB. Contributor: Mary Thompson.\u003c/p\u003e","\u003cp\u003eCD Rom, case labeled Wojie Design, Disk #000918.1755, Audio - Music CD Mt. Vernon Interview, 1A and 1B are Side A of Cassette, 2 is Side B of Cassette, September 2000. Physical disk labeled: Imation Disk, CD-R 700MB, Wojie, Music: @ Mt. Vernon Interview, Sept. 2000 Windows Audio CD. Publisher/Contributor: Wojie Design.\u003c/p\u003e","\u003cp\u003eLP Record Charles Ives Symphony No.3: Music of the American Revolution. Arranged by Richard Bales, National Gallery Orchestra, Conducted by Richard Bales. 12\" Record. Creator: Richard Bales. Publisher: WCFM Recording Corp.\u003c/p\u003e","\u003cp\u003eLP Record labeled: Dr. Douglas Southall Freeman address at U.D.C meeting in Alexandria in 1948. Made from tape recording in MVLA possession, 1966. Presented by George Washington Custis Lee Chapter of the United Daughters of the Confederacy. 12\" Record. Contributor: Dr. Douglas Southall Freeman. RP-70, MISC-4036.\u003c/p\u003e","\u003cp\u003eLP Record of a Douglas Southall Freeman speech. Part 1 and Part 3 are included. 12\" record. Contributor: Dr. Southall Freeman.\u003c/p\u003e","\u003cp\u003eLP Record of a Dr. Douglas Southall Freeman speech. Part 2 and Part 4 are included. Case marked: Running time overall allowing for record changing, about 36 minutes. 12\" record. Contributor: Dr. Douthall Freeman.\u003c/p\u003e","\u003cp\u003eLP Record of a Dr. Douglas Southall Freeman speech. Part 5 and Part 7 are included. 12\" record. Contributor: Dr. Southall Freeman.\u003c/p\u003e","\u003cp\u003eLP Record of a Dr. Douglas Southall Freeman speech. Part 6 and Part 8 are included. 12\" record. Contributor: Dr. Southall Freeman.\u003c/p\u003e","\u003cp\u003eLP Record labeled: Easter Sunday at Mt. Vernon. 2 parts. Dated April 10, 1955. An interview by the radio station with employees Vicki (Victoria) Kasperski, floral arrangement, and briefly with Frank Morse. Discusses spring, flowers, and plants at Mount Vernon and how the Washingtons celebrated the holiday. 33 1/2 speed. 12\" record. Publisher/Creator: WCNR Station\u003c/p\u003e","\u003cp\u003eLP Record labeled: Mount Vernon 100th Anniversary and introduction by Gov Battle. Case marked: The Regents greeting and Governor Battle's response. Reception, Saturday, P.M, 3-5 o'clock. Oct. 24, 1953. 78 RPM. 12\" record. Contributor: John Battle. R3.\u003c/p\u003e","\u003cp\u003eLP Record labeled: Tour of Mount Vernon. Includes Part 1 and Part 2. 16 2/3 RPM. 7\" record. Creator/Publisher: The Solocast Company. 2 copies including RP-44, MISC-3246 A-B\u003c/p\u003e","\u003cp\u003eLP Record labeled: Will Holland at the tomb. Gift of Edward Darlington, Radio Station WCNR, Bloomsburg, Pennsylvania, December 1958. 10\" Record. Creator/Publisher: WCNR Station. Contibutors: Will Holland, Edward Darlington. MISC-743\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of Dr. Douglas Southall Freeman's talk comparing George Washington and Robert E. Lee, delivered January 19, 1949 at the George Mason Hotel under the auspices of the Alexandria Chapter of the United Daughters of the Confederacy. Master tape from the original recording in the collection of the Mount Vernon Ladies' Association of the Union. 5\"  3 3/4 ips, made from 4 records, 78 rpm, approx 34 min. BASF casing.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording: East Lawn air traffic over Mount Vernon. The recording is 915 feet, approx. one hour and 45 minutes of play time. Reel case includes an MVLA memo detailing minutes and aircrafts uses. 7\" reel. RP-39, TAPE-3102.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of Essex Kent Scottish Regiment of Windsor Canada, dated Saturday - Octover 23, 1965. Guests of the Naval Air Reserve Training Unit at Andrews Air Force Base. Recorded approximately 100 feet at 3 1/4 ips. 7\" reel, Scotch brand case. RP-59, Tape-3393.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of Mr. Wall and Mr. Fritz Gutheim at graduate seminar on historic preseravtion at George Washington University. Dated Sept. 10, 1975. 7\" reel, Sears Silvertone Sound Recording Tape. Contributors: Mr. Wall, Mr. Fritz Gutheim\u003c/p\u003e","\u003cp\u003eScotch recording tape. Label reads \"June '64 III?\" Contents unknown. 7\" reel. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eScotch recording tape. Labeled \"June '64 IV.\" Unknown content. (TRT) unknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eMagnetic tape. Labeled \"Jun '64 IV p. 33 Harr.\" and \"June 4 retaped p. 33 Harr. (?) Johnson '66\" Unknown content. (TRT) unknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eAudiotape magnetic recording tape. Labeled \"June V 1865-71?\" and \"June '64 V\" with note inside \"V with side 2 blank for Oct. - Nov. 1865 trouse (?) up to Dec. 3 which is on small reel.\" Unknown content. (TRT) uknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eScotch magnetic tape. Label reads \"June '64 - 7\" with note that reads \"Reel 7 - '66-'69 beginning cards.\" Unknown contenct. (TRT) unknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eMagnetic tape reel. Label reads \"June '64 IX\" and \"Cont. on Morse half reel, 9 IX.\" Uknown content. (TRT) unknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the Longfellow papers by Elswyth Thane Beebe, March 1966. Plays at 3 3/4 ips, 5 3/4 audio reel, Irish Brand High Fidelity recording tape. RP-59, Tape-3392\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording labeled: Mount Vernon, March of 1964. 31 minutes in length. 5 3/4\" tape, Irish brand box.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording. Used for a presentation for the Mount Vernon Capital Funds Campaign in 1979. Script for presentation inside box with tape recording (dated 10/10/1979) Tape includes Voice Outs, Voice Master, Music Tracks, Mix + Pulse Master. Box reads: \"DO NOT USE - See 11/28/79 for approved mix.\" 15 ips. 9\" reel. Creator/Publisher: Charles Webb and Co.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording. Used for a presentation on the Mount Vernon Capital Funds Campaign in 1979. Tape includes Voice Master, Mix Master, Pulse Master. Box reads: \"See 10/15/79 for music used.\" 15 ips, 9\" reel. Creator/Publisher: Charles Webb and Co.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of Christine Meadows' presentation \"Mount Vernon: Creation and Recreation\" at the Antique Forum. Dated 1/26/78. 7\" reel, 3 3/4 speed, Full Mono, One Only Tape Direction, Crown Recorder, Neumann Microphone. Concertone Magnetic Recording Tape. Contributor: Christine Meadows.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the Pageant of Patriots, a costume and military pageant on the bowling green, July 4, 1962. 7\" reel, 7 1/1 ips, Scotch brand IPS. RP-42, Tape-3245.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of a talk by Sir George Trevelyan made in the \"Banquet Hall,\" probably the New Room, during Council Oct. 24, 1959. The minutes describe the event as a \"lecture on English architecture from the medieval manor to the Industrial Revolution.\" Tape and script. 7\" reel, Audiotape brand box. Contributor: Sir George Trevelyan. RP-224, Misc-1010 a/b.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording labeled: Slimbridge England Wildfowl trees up to 110, Native Bird calls of Southeast up to 347 presented by Mrs. Platt during Council in October 1965. 7\" reel, Scotch recording case. Contributor: Mrs. Platt, Vice Regent for Pennsylvania. RP-49, Tape-3380.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the Sound and Light show, \"Father of Liberty,\" performed at Mount Vernon during the Bicentennial year, 1976.  7\" reel, 3 3/4 ips. BASF (Badische Anilin- \u0026amp; Soda-Fabrik AG). Label notes: (Side 1) Monot. 0-879\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel I, Scotch Brand Case. Creater/Contributor: Walter Gutman. Publisher: Hawk Serpent Productions. RP-280 Tape-5460.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel 2, Scotch Brand Case. Creator/Contributor: Walter Gutman. Publisher:Hawk Serpent Productions. RP-280 Tape-5460.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of a tribute to Martha Washington by Guy Aelwood (or Aylwood), dated May 1962. Includes transcription of speech inside box. 5\" 7 1/2 ips - full track. Scotch Magnetic Tape case. \nContributors: Guy Aelwood. RP-36, Tape-3099\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape labeled: White House Tour, dated 2/18/62. Probably an audio copy of First Lady Jackie Kennedy's White House Tour in 1962. Note included with specific highlights of the tour including the Gilbert Stuart portrait, Washington Bust, an MVLA Gift, the President, and Music. 7\" reel, RCA case. RP-40, TAPE-310.\u003c/p\u003e","\u003cp\u003eMagnetic reel to reel tape recording with Will Holland, Mount Vernon Tomb Guard. Recording by Edward Darlington and Radio Station WCNR in Bloomsbury, PA. Dated Dec. 1958, possibly spliced in 1980. 4\" reel. 33 1/3 speed. Creator: WCNR Station, Columbia-Montour Broadcasting Corp. Contributors: Will Holland, Edward Darlington. RP-42, Tape 32--\u003c/p\u003e","\u003cp\u003eBetamax video cassette - no label but note inside case reads \"Credit VRDC\" (could be abbreviation for Vice Regent District of Columbia?) 1 tape Je Frand. Betamax, Maxell brand.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: DUB \"Crowds-Gone\" L 750. No case.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: 8pm Call-In From Mount Vernon. Large C-Span rights label placed over tape. Recorded 9/27/87. Creator/Publisher: C-Span.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Monticello Interview Show. Note marked: May 17, 1987. Bad tape - tape of a tape of an original. Creator/Producer: C-Span.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Demo Reel, Rudisill, Inc. Please Return. Case marked: Carol Rudisill, Rudisill, Inc. Creator/Publisher: Rudisill, Inc.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: The Frugal Gourmet at Mount Vernon (30 mins) recorded 4/10/88. Maxell brand. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: George Washington II: Forging of a Nation, September 21-22, 1986. (2 copies) Both copies have label for Ventures in Video, McLean, Virginia. Scotch brand case.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: GWII-1-2-3-4 hrs. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Jacques Cousteau. Case marked: Love to Remember Red River (?) Probably related to Cousteau's 75th birthday celebration at Mount Vernon in 1985.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Jacques Cousteau 75th Birthday Party, Mt. Vernon, June 9, 1985. Scotch brand tape and case. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Mount Vernon Conference: Tree Planting. Maxell case. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape with only one small label that reads: PM MAG. Possibly a recording from the syndicated TV broadcast PM Magazine, or PM/Evening Magazine. Maxell case. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape with only a note that reads: JR- This is the 30 sec. version of what I believe may be a 60 sec. spot. Smithsonian on PSA. Radio Shack case. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Smithsonian World - PBS. Tape also marked: C-Span Interview with Christine Meadows and W.W. Abbot. Creator/Producer: C-Span.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Today Show? No case and undated. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eDVD labeled: Video of The Ballad of Billy Lee starring Henry Brown. Selected Scenes. Written and directd by Len Lamensdorf. Forward by Prof. Joseph J. Ellis. DVD. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eDVD recording:  Billy Lee's Washington: A Musical by Evelyn Swensson \"World Premiere.\" DVD, (TRT) 60:00. Copyright 2006-2009. Creator/Publisher: Evelyn Swensson\u003c/p\u003e","\u003cp\u003eDVD labeled: The John Marshall Foundation presents Conviction of Duty, George Washington and John Marshall Make a Pivotal Decision for America's Future. William A. Sommerfield as Washington, Mark K. Greenough as Marshall. Filmed at Mount Vernon. (TRT) unknown. c. 2005\u003c/p\u003e","\u003cp\u003e\"Discover the Real George Washington\" Grand Opening TV Clips. DVD. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eDVD recording: Exploring Mount Vernon. (TRT) 56:42 (2 copies) Publisher/Creator: Alabama Public Television, c. 2011. Contributor: MVLA.\u003c/p\u003e","\u003cp\u003eDVD recording: The General's Brother. Biographical film on Samuel Washington and his Harewood home, by Bob Asbury. (TRT) unknown. (2 copies) acc. 2015-A-040. Publisher/Creator: Sun West Productions. Contributor: Bob Asbury.\u003c/p\u003e","\u003cp\u003eDVD recording: George Washington Papers Video, July 2010. (TRT) 3:50. Creator/Publisher: Siddall, Inc.\u003c/p\u003e","\u003cp\u003eHistory Channel video program 150 Years of Saving Mount Vernon. DVD. (TRT) 10 mins. Creator/Publisher: A\u0026amp;E Television Networks, c. 2010\u003c/p\u003e","\u003cp\u003eDVD recording labeled: Bringing Them Home, Encoded Master File, Revised 3-15-10. Video: MPEG-2 Transport Stream, 30 Mpbs, Audio: MPEG 1, layer 2, 48K, 128kpbs. History Channel, Mount Vernon: Discover the Real George Washington. Disc 1/1 DVD. (TRT) unknown. Creator/Publisher: A\u0026amp;E Television Networks, c. 2010\u003c/p\u003e","\u003cp\u003eDVD recording labeled: Mount Vernon Exhibit Videos Compilation Reel, 8/8/06, The History Channel. Creator/Publisher: A\u0026amp;E Television Networks.\u003c/p\u003e","\u003cp\u003eDVD recording: \"Leader of Character\" Award Presentation and Interview J.W. Marriott, Jr. at Mount Vernon. 2006066 Marriott International Media Productions Department 52/935.25, 301-380-1024. acc. RP-3112, DVD-7088 (TRT) 56:27\u003c/p\u003e","\u003cp\u003eDVD recording: Mister Chief Justice, undated. Creator/Publisher: The John Marshall Foundation.\u003c/p\u003e","\u003cp\u003eDVD recording: Potomac by Air: Our Nation's River. Creator/Publisher: Maryland Public Televsion, MPT. (TRT) 56:52.\u003c/p\u003e","\u003cp\u003eDVD recording: Reaching Out for Liberty and Light: The Life of Frances Payne Bolton. Copyright 2000. Creator/Publisher: TELOS Productions in association with History Enterprises. (TRT) 86:00\u003c/p\u003e","\u003cp\u003eDVD recording: Real George Washington. Copyright 2008. Creator/Publisher: Fairfax County School Board, MVLA.\u003c/p\u003e","\u003cp\u003eDVD video: Saving Mount Vernon: The Birth of Preservation in America. (TRT) 25 mins. Publisher/Creator: Madisonfilm, Mount Vernon Ladies' Association.\u003c/p\u003e","\u003cp\u003eDVD recording: The Winter Patriots: Trenton and Princeton Campaign, 1776-1777. (TRT) 27:00. Creator/Publisher: MVLA, Wide Awake Films\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"The American Institute of Architects\" LOGO. Public Service Announcement or commercial produced by the American Institute of Architects with audio. Actor portraying George Washington as a surveyor and highlighting \"proper land management.\" Case marked: #71247, CR# 6, Color Print DBVT, \"B\" Wind, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:38. Copy and paste this link for online access to the video: https://vimeo.com/288567283/fa3658b6d4\u003c/p\u003e","\u003cp\u003eFilm reel Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Bastille sketch, drafting tools, mirror, window, spyglass, library bookcase, Nellie portrait, Lawrence portrait. Case marked: 1 roll, B\u0026amp;W/Color Print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281337809/00f11616b7\u003c/p\u003e","\u003cp\u003eFilm reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes. (Can 5) 1 roll, COL/B\u0026amp;W Print Silent, Academy 35 mm. 7 1/2\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951515/a029733dee\u003c/p\u003e","\u003cp\u003eFilm reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Nellie's room, window, blue room, guest room, Lafayette room, third floor guest room. 1 roll. Color print. 35 mm Academy Aperture. 7 1/4\" reel.  (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281335387/20b8865888\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of G.W. apt. Martha dresser, Martha dressing table, fan, window, mantle clock, bible, GW bedroom. 1 roll, Color/B\u0026amp;W Print, 35 mm Academy Aperture. 7 3/8\" reel (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281336523/75f64f1de6\u003c/p\u003e","\u003cp\u003eFilm reel of Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Little parlor, pantry, dishes, G.W. washroom, family dining room, linen closet, hall closet, washroom - shaving. Case marked: 1 roll, Color print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Verre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338268/8d6970d6dc\u003c/p\u003e","\u003cp\u003eFilm reel titled N/D \"7 Trims \u0026amp; Outs: Parlor, Dining Room: Formal Parlor, Pantry, Family Dining Room\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 250 feet. Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator/Publisher: Andre de la Varre. Copy and paste this link for online access to this video: https://vimeo.com/281650012/133a4578b3\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, out-takes of loom, shingles, sprintime, chairs on Piazza. Case marked: (Can 6) 1 roll, COL/B\u0026amp;W Print Silent, Academy 35 mm. (TRT) unknown. 5 3/4\" reel.  (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951071/1d9bb3af88\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includees B-roll, trim, and out-takes of Kitchen garden, kitchen, kitchen entrance, New Tomb, Old Tomb, etc. Case marked: 1 roll, B\u0026amp;W/Color Print, 35 mm Academy Aperture. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281339802/991fff79e6\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Manuscript letter, farm account ledger 1793, Five Farm map. Thomas ryan account, etc. (Can 7) 1 roll. B\u0026amp;W Print Silent. 35 mm Academy Aperture. 7\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951196/865f2bfe11\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Storehouse A\u0026amp;B, Powel coach, linen, horse, barn, etc. Case marked: (Can 5) \"Assorted Titles; Can#5A\" 1 roll, Color/B\u0026amp;W Print Silent, Academy 35 mm. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280952076/de49a56af0\u003c/p\u003e","\u003cp\u003eFilm reel titled N/D \"9 Trims \u0026amp; Outs: Library - Bookplates, Bookcase, Drafting Tools, Lawrence Portrait, Main Hall, Doorknocker, Banquet Hall\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 335 feet, Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Copy and paste this link for online access to this video: https://vimeo.com/281657169/c8eb4f5ea8\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of formal garden, green house, school house, etc. Case marked: 1 roll, B\u0026amp;W/Color Print,  35 mm Academy Aperture. 7\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338676/dd336a54e0\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of MV drawing, Vaughn plan, family portrais, decorative arts, Lafayette, and chairs on Piazza. Case marked: (Can 8) 1 roll, COL/B\u0026amp;W Print, Academy 35 mm. 6 1/8\" reel.  (TRT) 03:17. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951857/738766c44a\u003c/p\u003e","\u003cp\u003eFilm reel \"The Face on the Dollar Bill\" by Samuel E. Friedman, Leonid Kipnis, and Lamont Moore with cooperation by the Mount Vernon Ladies' Association. Funded by Judge Friedman, Westport, Connecticut. Case marked: 1 roll, COL/B\u0026amp;W w/sound DBVT, reg 16mm. 6 3/4\" reel. (TRT) 10:25. creator/Publisher: Samuel E. Friedman, Leonid Kipnis, Lamont Moore. RP-415, FILM-3728.External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281467532/4f0ac99ae5\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Gift of Mrs. Holdsworth from her family collection. \"No Title\" Case marked: 1 roll, Kodachrome Orig. Silent \"B\" Wind. Reg. 8mm film. (TRT) 2:50. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949303/db1ed083ac\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Lawson Whitesides Gift of Mrs. Betsy Holdworth (2015 gift) \"No Title\" Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. (TRT) 01:37. 3 15/16\" reel. Digitized 2015. (Faint vinegar smell) Contributer: Elizabeth Holdsworth. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949490/81056fc553\u003c/p\u003e","\u003cp\u003eFilm reel titled N/C \"Mrs. Johnson Garden.\" Depicts First Lady, Mrs. Johnson visiting Mount Vernon's gardens, undated. Case marked: 16 mm/ Color Reversal/ A Wind/ Acetate/ Silent, 200 feet, Digitized Sept. 2014. 5 1/4\" reel.  (TRT) 04:33. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/257965973/b5f5ff7577\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"The Farming Father.\" Public Service Announcement or commercial by the National Cotton Council highlighting how \"founding farmers\" like George Washington and Thomas Jefferson influenced today's farming industry. Case marked: #71247 CR# 8, Color Print DBVT, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/4\" reel.  (TRT) 01:08. Copy and paste this link for online access to this video: https://vimeo.com/288560193/98511d0e43\u003c/p\u003e","\u003cp\u003eFilm by the National Cotton Council of America titled \"The Founding Farmers.\" Public Service Announcement or commercial, probably similar to AV_00252, but not digitized. Case marked: S.O.F Color. PSA 422. 16 mm. 2 7/8\" reel. (TRT) 00:59. Creator/Publisher: National Cotton Council of America.\u003c/p\u003e","\u003cp\u003eReel titled George Washington, Mt. Vernon. Case marked: WTOP-TV, Color, Acme film and videotape Laboratories. 16 mm, 15\" reel, (TRT) unknown. (Slight vinegar smell)\u003c/p\u003e","\u003cp\u003eGeorge Washington's Mount Vernon, a film by famous travelogue filmmaker Andre de la Varre. The Library has approximately 40 copies of the film in several formats including 16 mm and 35 mm film. These copies previously belonged to schools, former vice regents and other institutions. Digitized 7/20/2015, External hard drive Toshiba 71247. Includes AV_00285 - AV_00291 and AV_00297 - AV_00338. Copy and paste this link for online access to this video: https://vimeo.com/288569473/cbb7304432\u003c/p\u003e","\u003cp\u003eFilm reel of George Washington's Mt. Vernon No Title. Case marked: #71247, CR# 7, Color Reversal, MOS, \"A\" Wind, Reg 16mm. Digitized 7/20/15. 4\" reel. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eFilm reel \"Ike Makes Surprise Visit to George Washington's Mount Vernon- Telenews Daily News Film\" Includes news footage of President Dwight. D. Eisenhower in 1958 on a surprise visit to Mount Vernon. Case marked: 16mm/B\u0026amp;W Positive Print/ \"A\" Wind/ Silent/Acetate/ 44 feet/ Digitized Sept. 2014. 4\" reel.  (TRT) 1:30. Contributor: President Dwight. D. Eisenhower. Creator/Publisher: Telenews Daily News Film. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281672724/23d9140ef0\u003c/p\u003e","\u003cp\u003eFilm reel titled \"King George and Queen Elizabeth at Mount Vernon\" Case marked: 16 mm B\u0026amp;W Reversal/ AGFA/ \"B\" Wind/Silent/Acetate/ 30 feet. Digitized September 2014. 3 3/4\" reel. (TRT) 1:01. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281673145/13cb070a82\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"Maryland Shore 1962.\" Opening caption on film reads \"Maryland Shore: A Major Issue.\" Shows views of the Maryland shore of the Potomac River from Mount Vernon and the George Washington Memorial Parkway. Case marked: #71247 CR#4 Color reversal, silent film, MOS \"B\" Wind REG-16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 6 3/4\" reel. (TRT) 11:14. Copy and paste this link for online access to this video: https://vimeo.com/288427394/9b659cb584\u003c/p\u003e","\u003cp\u003eFilm created by the Mount Vernon Ladies' Association and Affiliated Film Producers, copyright 1951. Released by McGraw Hill Book Co. The AV Collection holds multiple copies of this film including AV numbers: AV_00277, AV_00278, AV_00280, AV_00283, AV_00321. 16mm and 35 mm copies. Creator/Publisher: Mount Vernon Ladies' Association and Affiliated Film Producers. Copy and paste this link for online access to this video: https://vimeo.com/291511198/386fe3c311\u003c/p\u003e","\u003cp\u003eReel marked Item 12, 71247. 9 1/4\" reel. No case. Possibly related to other films marked with Item numbers and 71247, Andre de la Varre film components. In De Luxe Laboratories bag. Unknown content. (Strong vinegar smell)\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Mount Vernon Pictorial Reports 1956-1957-1958. Shows events and work done at Mount Vernon, 1956-1958. Case marked: 1,400 feet; 60 minutes at 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:02:57. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281282015/487b2cdfde\u003c/p\u003e","\u003cp\u003eTitle: Pictorial Reports, 1956: .21\u003c/p\u003e","\u003cp\u003e1)\t.35 – 4.11:  The School Groups Commence their Tours\n2)\t4.21-4.36:  A nine O'Clock Opening in April\n3)\t4.46-8.27:  A Warm Sunday Afternoon in April\n4)\t8.40-10.39:  The Annual Pilgrimage of the School Boy Patrols, sponsored by the American Automobile Association\n5)\t10.50-12.50:  The Boat Signals Departure\n6)\t13.02-15.55:  The Grounds Approach Saturation after the Patrol Boys' Parade\n7)\t16.03-17.59:  A typical school group arrives\n8)\t18.08-19.37:  A Busy Garden Gate\u003c/p\u003e","\u003cp\u003eTitle: Pictorial Report for 1957:   19.48\u003c/p\u003e","\u003cp\u003e1)\t19.55-28.43:  Mount Vernon 1957: Some of the colorful events: The friendly sons of St. Patrick place a floral tribute on March 16, escorted by Mr. Barclay\n2)\t28.45-30.09:  On May 1st a helicopter of French design is landed on the circle by the French pilots bearing a floral tribute\n3)\t30.19-31.03:  May 8th the President of the Republic of Viet-Nam escorted by Mr. Densmore\n4)\t31.13-32.19:  June 21st: The 27th National 4-H conference delegates place a floral tribute\n5)\t32.24-33.00:  June 22nd the Prime Minister of Japan escorted by Mr. Densmore\n6)\t33.07 – 34.56:  The Mansion at 8 a.m. during early July\n7)\t35.05 – 36.07:  And later during the Summer drought\u003c/p\u003e","\u003cp\u003eTitle: Pictorial Report for 1958:  36.19\u003c/p\u003e","\u003cp\u003e1)\t36.30 – 38.01 :  Elizabeth II visits Washington October, 1957\n2)\t38.08 - 42.54:  The tulip poplar tree no. 57 planted by General Washington at the Flower Garden Gate received surgical treatment, November 1957\n3)\t43.00 – 44.47: The horsechestnut tree no.116 in the South Grove receives surgical treatment\n4)\t44.55 – 45.24:  The prominent growth on the stem of the large honeylocust tree no.101 is recorded before removal, November, 1957 \n5)\t45.28 – 45.59:  Our tree feeding technique is illustrated\n6)\t46.05 – 46.43:  Mohamed V King of Morocco escorted by the Director, November 26, 1957\n7)\t46.50 – 49.50:  A wet snow prostrates the dry boxwood stems north of the museum on December 4, 1957\n8)\t49.55 -  51.50 :  Dry limbs of redcedar trees are broken and bent under the weight\n9)\t 51.54 – 55.14:  The children of the American Revolution plant a memorial tree and install officers in ceremony April 20, 1958\n10)\t 55.18 – 55.34:  A crowd on the portico greets President Heuss of West Germany May, 1958\n11)\t55.40 – 57.18:  Our new hay baler in operation\n12)\t57.22 – 59.00 :  Handbook vending at the main gate Miss Felicity Cragg \n13)\t59.01 – 1.02.57: No Title : Horticulture: Greenhouse (b\u0026amp;w)\n---END---\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Mount Vernon Pictorial Reports 1959-1963. Shows events and work done at Mount Vernon, 1959-1962. Case marked: 1,400 feet; 60 minutes @ 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:15:18. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281271792/7f3ca7f821\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Pictorial Reports: 1964, 1965, 1966. Shows events and work done at Mount Vernon 1964-1966. Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. 12 1/2\" reel (TRT) 46:54. Digitized 2015. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280946247/cd20327929\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Pictorial Reports: 1967, 1968, 1969, 1970. Shows events and work at Mount Vernon 1967-1970. Case marked: Original Color/ B\u0026amp;W Reversal, 16 mm, 1 roll. 11\" reel (TRT) 52:24. Digitized 2015. Copy and paste this link for online access to video: https://vimeo.com/280952774/7ef4b57f27\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mount Vernon \"Mount Vernon, Virginia.\" Brief silent film, opening caption reads \"Mount Vernon Virginia,\" shows footage of the Mansion and grounds. Briefly shows visitors lining up for the Mansion tour and walking by the outbuildings. Case marked: CR#11, Color Positive MOS \"B\" Wind REG-8mm film. (TRT) 03:19. Creator/Publisher: Landmark Pictures, Inc. Digitized 7-20-2015, External hard drive Toshiba 71247. Copy and paste this link for online access to this video: https://vimeo.com/288597485/f953bc0045\u003c/p\u003e","\u003cp\u003eFilm reel: The New Universal Presents \"George Washington Country Gentleman\" Case marked: Variety View 1941, POS, B\u0026amp;W print, DBVT, \"A\" Wind. Digitized April 2016. 7\" reel. (TRT) 9:43. Creator/Publisher: The New Universal. Copy and paste this link for online access to this video: https://vimeo.com/281461632/da7ec4a0d5\u003c/p\u003e","\u003cp\u003eFilm reel: Paramount News Release \"Year of Dark Contrasts\" by William C. Park, produced by Albert J. Richard in 1939. 1 Roll, B\u0026amp;W Print VDT, Reg 16mm. 7 3/4\" reel. (TRT) 14:32. Creator: William C. Park and Albert J. Richard. Publisher: Paramount Pictures. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281465047/e77c583cf7\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mount Vernon \"Paramount Pictorial.\" Opening caption reads \"Pictures obtained through the cooperation of the United States George Washington Bicentennial Commission and the courtesy of the Mount Vernon Ladies' Association.\" Footage of the exterior of the Mansion, gardens with workers, the summer house, and the New Tomb. Case marked: # 71247, CR# 5, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/2\" reel. (TRT) 02:59. Creator/Publisher: Paramount Pictures. Copy and paste this link for online access to this video: https://vimeo.com/288564898/3bb5f596a5\u003c/p\u003e","\u003cp\u003eFilm reel \"MVLA: Visit-President of Mexico 1 May 1947.\" Movietone News footage of the President of Mexico's visit to Mount Vernon. Case marked: 16mm/AGFA/b\u0026amp;W Positive Print/ \"A\" Wind/DBVT Opt, S,T/ Acetate, 30 ft. Digitized Sept. 2014. 4\" reel. (TRT) 01:14. Creator/Publisher: Movietone News. External hard drive GW_MV_WIN_NT (G Drive mini 68569)Copy and paste this link for online access to this video: https://vimeo.com/281672967/8aa3b89131\u003c/p\u003e","\u003cp\u003eFilm reel labeled: \"Reconstruction of Wharf Causeway at Mount Vernon\" 16mm, Color reversal/b\u0026amp;w Reversal Print, B wind, Silent, Acetate 800 ft. Digitized Sept. 2014. 9 1/4\" reel.  (TRT) 24:59.  External hard drive GW_MV_WIN_NT (G Drive mini 68569) Copy and paste this link for online access to this video: https://vimeo.com/281676320/c9af459251\u003c/p\u003e","\u003cp\u003eFilm reel including Re-enactment of 1789 departure for NY World's Fair promotion and the Visit of King George and Queen Elizabeth of Britain to Washington and Mount Vernon (1939). This film appears to have been made from splicing film of Paramount News footage of the reenactment of Washington leaving Mount Vernon, 1939 and Movietone News footage of the King and Queen's visit to Washington, D.C. and Mount Vernon, 1939. Color film showing the King and Queen's visit is also spliced in (unknown creator), along with captions describing the contents of the video. See also AV_00256 for duplicate footage of \"Washington is Re-elected.\" 16 mm, b/w Reversal, b/w Positive Print, AGFA, B wind, Silent, Acetate, DBVT, VDT, 700 feet, Digitized Sept. 2014. 8\" reel. (TRT) 16:20. (Slight vinegar smell). Copy and paste this link for online version: https://vimeo.com/281681633/9b0c9cc630\u003c/p\u003e","\u003cp\u003eFilm reel: R-K-O Pictures Presents \"Mount Vernon\" (Copyright 1937) produced by The Van Beuren Corp. World on Parade Series, narration by Alois Harilla, text By Harold Mckracken, released by R-K-O Pictures, a Van Beuren Production. Run at Silent Speed, 16 fps, with sound. Digitized April 2016. (TRT) 10:02. 7 \" reel. (Faint vinegar smell) Creator: RKO Pictures. Producer: The Van Beuren Corp. External hard drive, My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281463277/9637fa94a3\u003c/p\u003e","\u003cp\u003eFilm reel labeled: \"Springtime at Mount Vernon\" MVLA, 1956. Case marked: MV \"Home\" Movie, Original color reversal 16mm, silent film. 1 roll, Original color reversal, regular 16 mm. 11\" reel. (TRT) 51:55. (Slight vinegar smell) Creator/Publisher: MVLA. Copy and paste this link for online access: https://vimeo.com/280956677/263be04c18\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Snow Wall-Shingles for Mount Vernon. Case marked: P50-E\u0026amp;V. 1 roll. Color Rev. Orig. \"B\" Wind Silent. Reg. 8mm film. (TRT) 04:45. Copy and paste this link for online access to this video: https://vimeo.com/280956358/84ea72dcf8\u003c/p\u003e","\u003cp\u003eFilm reel titled \"Vice Regents\" Case marked: gift of Mrs. Carpenter, Vice Regent for Illinois. May 1939. 16 mm, b\u0026amp;w Reversal/ \"B\" Wind/ Silent/ Diacetate/ 400 feet/ Digitized Sept. 2014. 6\" reel.  (TRT) 10:05. (Faint vinegar smell) External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281657739/530ac57f14\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"VA United Press\" Footage of Soviet Agricultural Delegates laying a wreath at Washington's Tomb with Resident Director, Charles Wall, August 1955. Case marked: #71247, CR# 9, BW Print MOS, \"A\" Wind, silent film, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel. (TRT) 00:58. (Faint vinegar smell) Creator/Publisher: Virginia United Press. Copy and paste this link for online access to this video: https://vimeo.com/288563795/ed041f0f0b\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"Leaving Office.\" Character actors re-enacting Washington's departure from Mount Vernon. See also AV_00250 for duplicate and extended footage and more filming information. Case marked: #71247, CR# 10, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Creator/Publisher: Paramount News. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:56. Copy and paste this link for online access to this video: https://vimeo.com/288568166/7f0c8902df\u003c/p\u003e","\u003cp\u003eReel titled The Washington Trail 2C. Film released in July of 1979 that \"reveals for the first time, the full ancestry of George Washington, based on the genealogical evidence, much of which had only recently been discovered\" Focused on the English ancestry of George Washington. Copy 2, 870 ft. 16 mm, 12 1/2\" reel, color film. Orange case. (TRT) 24 mins. Creator/Publisher: British Tourist Authority, Washington Development Corporation.\u003c/p\u003e","\u003cp\u003eFilm reel of video program: \"You Are There:\" December 4, 1783, Washington's Farewell to his Officers.\" Distributed by Young America Films, 1953. 1 Roll, B\u0026amp;W Print w/Sound. Regular 16 mm. 9 1/8\" reel. (TRT) 25:09. Creator/Publisher: Young America Films. Digitized version available. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281470273/78f5c8869f\u003c/p\u003e","\u003cp\u003eLaserdisc titled: George Washington: Pioneer Farmer 18th Century Brickmaking at Historic Mount Vernon, undated. One part of a two part program - the other portion is on woodworking and recreating the 16-sided barn. See AV_00169. Alpha 3M. Creator/Publisher: Horizons Television, Inc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Mount Vernon, GW:PF Barn Promo, Evolution of a Mansion, undated. Label on cover read \"#77114 Mt. Vernon Item #1.\" Laser Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: The Life of George Washington - Side 1. Dated 1997.  Alpha 3M. (TRT) unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Life of George Washington - Closed Captioned. Label on the original cover read \"#77114 Mt. Vernon Item #4.\" Laser Disc Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Mount Vernon Brickmaking and Woodworking - Side 1. Undated. Most likely part of the program George Washington: Pioneer Farmer with two parts on brickmaking and woodworking. Alpha 3M. (TRT) unknown. Creator/Publisher: Horizons Television, Inc. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Mount Vernon Long. Undated. Label on the cover read \"#7714 Mt. Vernon Item #2\" Laserdisc Recording Center, Inc. (TRT) unknown. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Mount Vernon - Long Version. Label on cover originally read \"#77114 Mt. Vernon Item #3\" with note that read \"Does not work per Sue (?) 11/10/1998 - Voice distorted, removed from service.\" Laser Disc Recording Center, Inc. TRT unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's inauguration in 1989. Label on tape reads \"Mount Vernon 1.\" Label on case reads \"Mt. Vernon 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon April 16th 89 2.\" Label on cassette reads \"Day 1 Tape #2 Mount Vernon.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon/Old Towne 3.\" Label on cassette reads \"Mt. Vernon/Day 1 Old Towne #3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Gadsby Tavern inside speeches 4.\" Label on cassette reads \"Day 1 Tape 4.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Day 1 Tape 5 Merrbury [sic] House/outside.\" Label on cassette reads \"Day 1 Tape 5 Merrbury [sic] House inside/outside.\" Probably is a recording of events at the Marbury House in Washington, DC. Umatic (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Rectory Day #10.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 11.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 12.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton Mansion Omni Hotel.\" Label on cassette reads \"Hampton Mansion presentation one. Thru First 1/2 Wash.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton House.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Hampton House Mikes open.\" Label on cassette reads \"Hampton - interview inside (?)\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Perryville/Tavern.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Stand ups.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 Tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 tape 4,\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 Tape 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 2.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 5 tape 4.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 5.\" Umatic. (TRT)\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Geo. Wash to Presidency Philadelphia Tavern Day 5 tape 6.\" Umatic. (TRT) unknown\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 2 house/tavern.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads Day 6 tape 4.\" Umatic. (TRT) unknown\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 2.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 4.\" Umatic. (TRT) unknown\u003c/p\u003e","\u003cp\u003eVideo recording related to the  Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 8 tape 2.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 4.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 5.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 6.\"\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Geo. Washington 200th Aniv. of his Presidency Tape 1A TO 12:42.\" Label on case reads \"Tape 1 Geo. Wash Bicentennial of the Presidency.\" Umatic. (TRT) may be 12:42.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaugural NY - Tape 2, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Washington Inaugural NY - Tape 3, 4/30/89.\" (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Tape 4, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Stand-ups - Parade Tape 5, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Parade, Tape 6, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. NY Parade, Tape 7, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. - NY Shots of Church, Tape 8, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: \"Front and Center Mt. Vernon Ladies.\" Case marked: \"This video tape is of me being interviewed by Hank Boudard on WPRI Channel 12.\" - Hope Alexander, Vice Regent. Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording labeled \"President Reagan at Mt. Vernon Laying Wreath and Remarks Part 2.\" Dated 22, Feb 1982. Umatic. (TRT) unknown. See also VHS tape AV_00229\u003c/p\u003e","\u003cp\u003eVideo recording labeled \"Mt. Vernon Speeches\" for George Washington's Bicentennial Inauguration Reenactment in 1989. Includes speech by Warren Burger. Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording with label \"Dub Willard at Mt. Vernon Air 2/22/85 - TODAY\". Weatherman Willard Scott filming at Mount Vernon for the Today Show on Washington's birthday, NBC News production. Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Almanac of Travel W/Neil Horstman. VHS. (TRT) unknown. Contributor: Neil Horstman.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #1 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #2 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #3 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #4 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #5 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program featuring lecture by author Henry Wiencek titled \"An Imperfect God\" Tape marked: C-Span2 Booktv 9/20/03. VHS. (TRT) 29 minutes. Contributor: Henry Wiencek. RP 3070, VIDEO 7047.\u003c/p\u003e","\u003cp\u003eVideo program ' And Die By Inches: George Washington and the Encounter of Cultures on the Southern Colonial Frontier, lecture by Warren Hofstra. Shenendoah University. VHS. (TRT) unknown. Contributor: Warren Hofstra.\u003c/p\u003e","\u003cp\u003eVideo program \"Behind the Hero's Mask\" Ducat Segal Productions for the History Channel and Mount Vernon. Note: low res. Video, music and credits to be added. VHS. (TRT) 8:39. Creator/Publisher: Ducat Segal Productions.\u003c/p\u003e","\u003cp\u003eVideo titled A Ceremony Commemorating The Slave Memorial of Mount Vernon. Dated: Saturday, Spetember 21, 1990. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Colonial Days. BASF brand. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program of Colonial Days- March 1991. Footage of Colonial Days from Channel 8 News. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled \"Colonial Day At Mount Vernon\" VHS (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled \"Colonial Days at Mt. Vernon\" Raw Footage. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program The Creeks and the Americans in the Age of Washington, a lecture by Robbie Eheridge at the University of Mississippi. VHS. (TRT) unknown. Contributor: Robbie Eheridge.\u003c/p\u003e","\u003cp\u003eGeorge Washington: Founding Father. Documentary on the life of George Washington, part of the \"Biography\" series produced by A\u0026amp;E Network. Color.  VHS. (TRT) 50 minutes.\u003c/p\u003e","\u003cp\u003eVideo titled Finley Films-Rough MV Footage-Interiors + People Summer 1988. VHS. (TRT) unknown. Creator/Publisher: Finley Films.\u003c/p\u003e","\u003cp\u003eVideo program George Washington, Dragging Canoe, and Southeastern Indian Resistance, lecture by Peter Wood. Duke University. VHS. (TRT) unknown. Contributor: Peter Wood.\u003c/p\u003e","\u003cp\u003eVideo program George Washington: Founding Father. Epic Biography, Show #3001. VHS. (TRT) unknown.\nCreator/Publisher: Perpetual Motion Films\u003c/p\u003e","\u003cp\u003eVideo program George Washington: Pioneer Farmer The Wood for Washington's Barn. One part of a two part program. VHS. (TRT) Loop tape. 60 min. See also AV_00390. Creator/Publisher: Horizons Televison, Inc. circa 1996-1997\u003c/p\u003e","\u003cp\u003eVideo program George Washington, the South, and the Petics of National Memory, lecture by Carla Mulford, Pennsylvania State University. VHS. (TRT) unknown. Contributor: Carla Mulford.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington's Bi-Centennial \"Thank You\" VHS. (TRT) 23 minutes.\u003c/p\u003e","\u003cp\u003eVideo titled George Washington's Indian Policy: Civilizing Southeast Indians. Includes lecture by Theda Perdue at the University of North Carolina. VHS. (TRT) unknown. Contributor: Theda Perdue.\u003c/p\u003e","\u003cp\u003eVideo program The Great Experiment: George Washington and the Old South, lecture by Garrett Wendell, Sotheyby's. VHS. (TRT) unknown. Contributor: Garrett Wendell.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington Project/Title: TBA. Version 08/18/2006. VHS. Video would later be titled \"We Fight to Be Free\" and was shown in the new Orientation Center. (TRT) 19:18 mins. (2 copies) Creator/Publisher: Greystone Films\u003c/p\u003e","\u003cp\u003eVideo program The Ground Beneath Our Feet: Virginia Fights WWII. Film highlighting the changes in Virginia during and after World War II. VHS. (TRT) 58:29. RP 3071, VIDEO 7048.\u003c/p\u003e","\u003cp\u003eVideo titled The \"Hell Hole\" 1993. EHG case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Home, ABC-TV, Nov. 8, 1991. VHS. (TRT) 90 minutes.\u003c/p\u003e","\u003cp\u003eVideo labeled:  In Search of America Live from Mount Vernon. Dated July 4th, 2002. Part of the TV series production \"In Search of America\" with Peter Jennings, ABC News. VHS. (TRT) 9 minutes. (2 copies)\u003c/p\u003e","\u003cp\u003eVideo titled Lawrence Washington at Sulgrave Manor. JVC case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Jim Lehrer-GW. SONY case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program The Life of George Washington: A Video Biography of America's Greatest Hero. Written by Robert B. Gibby. Introduction by Senator Bill Bradley. VHS. (2 copies) (TRT) 30 mins. Creator/Publisher: Finley Holiday Films, MVLA.\u003c/p\u003e","\u003cp\u003eVideo labeled:  Mansion Staircase Jan. 1992. Supertape case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mansion Staircase 3/92. Tape marked: (John Clobas) Supertape case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Mapping the South: Image, Archive, and the Construction of Regional Identity in the Age of Washington. Includes lecture by Martin Brueckner at the University of Delaware. VHS. (TRT) unknown. Contributor: Martin Brueckner.\u003c/p\u003e","\u003cp\u003eVideo of the Masonic Dedication of the Ann Pamela Cunningham Library and Research Center. Video by: E Coffey. VHS. Kodak case. (TRT) unknown. Creator/Contributor: E. Coffey.\u003c/p\u003e","\u003cp\u003eVideo titled Mt. Vernon 26 Oct 1985. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon 3 Minute Introduction, March 3, 1989. (5 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.\u003c/p\u003e","\u003cp\u003eVideo program \"Mount Vernon\" Tape marked: Bill Webster. VHS (TRT) 23:00. Creator/Publisher: Illustrated Man Productions. Contributor: Bill Webster.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon Cupola/Pier Restoration 1992. Scotch case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Mount Vernon Cupola Complete. Case marked: Edited, 1992-1993. BASF case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Mount Vernon In Virginia. Tape marked: 1950, approx 30 mins, black and white. Gift from Joseph Fields. VHS. (TRT) 30 min. Contributor: Joseph Fields.\u003c/p\u003e","\u003cp\u003eVideo titled MVLS-1989 Spring Trip. VHS. (TRT) 46 minutes.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon Ladies' Assn. France-Rochefort, Chateau Chavaniac, Lafayette, Boat trip to Maryland farm from M.V. Tape marked: Stewart Gamill III, (husband of Vice Regent Lynn Gammill)  1-6/01. VHS. (TRT) unknown. RP 986.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon Selected Scenes. Photography by Russ Finley, Holiday film Corp. VHS (although label says Betacam) (TRT) unknown. Creator/Publisher: Russ Finley, Holiday Films.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mt. Vernon Small Dining Room. Note marked: Cupola interior 28 July 93. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program Mount Vernon Tour Guide Cuts. 1988. (2 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.\u003c/p\u003e","\u003cp\u003eVideo labeled: Nelly Custis Bedroom Repair. EHG Case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Nellie Custis Room 1992-93, Complete. Scotch case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Reagan at Mt. Vernon Laying Wreath Part 2. Dated 22 Feb. 1982. Tape marked: GW 250 Anniversary of his death. See also Umatic tape AV_00220. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Project Enlightenment I. Case marked: For project Enlightenment, 2/28 (no year), funeral procession. Polaroid case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program Memorial Service for General George Washington, Reenacted on this historical date Wednesday, December 29, 1999. Case marked: The Old Presbyterian Meeting House in the City of Alexandria formerly in The District of Columbia Five O'Clock in the Afternoon. VHS. (TRT) unknown. Creator/Publisher: Unknown.\u003c/p\u003e","\u003cp\u003eVideo production of the Reenactment of George Washington's Funeral at Mount Vernon. VHS. (TRT) 3:10:00 Creator/Publisher: C-Span.\u003c/p\u003e","\u003cp\u003eVideo production of the Reenactment of George Washington's Funeral. VHS. (TRT) 84 mins. Creator/Publisher: C-Span.\u003c/p\u003e","\u003cp\u003eVideo labeled: June 2, 1990 Military Re-enactment at Mount Vernon. Footage of Virginia and Maryland Encampment at Mount Vernon. VHS. (TRT) unknown. Creator/Publisher: unknown\u003c/p\u003e","\u003cp\u003eVideo program Re-mapping Boundaries in the Old Southwest, 1783-1795, lecture by Dan Usner. Cornell University. VHS. (TRT) unknown. Contributor: Dan Usner.\u003c/p\u003e","\u003cp\u003eVideo labeled: The Role of Race in the Making of the American Revolution, lecture by Sylvia Frey. Tulane. VHS. (TRT) unknown. Contributor: Sylvia Frey.\u003c/p\u003e","\u003cp\u003eVideo labeled: The Roof (May 93), Brick Laying 93, Shingle Splitting, Interior Plastering 94. Highlights renovations of the mansion and estate. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program Save Our History: George Washington's Workshop. VHS. (TRT) unknown (2 copies) Creator/Publisher: A\u0026amp;E Television Network.\u003c/p\u003e","\u003cp\u003eVideo program Save Our History: George Washington's Workshop. VHS. (TRT) 1:00:00. Ch 1/2 Fullmx. Creator/Publisher: A\u0026amp;E Television Network\u003c/p\u003e","\u003cp\u003eVideo labeled: Small Dining Room Ceiling 6/92. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program featuring lecture by Carol Berkin titled \"Southern Women in the Revolutionary War.\" Women of the South in the era of Martha Washingotn. University of Southern Mississippi. VHS. (TRT) unknown. Contributor: Carol Berkin. RP 3072, VIDEO 7049a\u003c/p\u003e","\u003cp\u003eVideo titled Highlights from Our Ladies and Their Hero, February 21, 1992 Spartanburg Day School, 1701 Skyln Drive Spartanburg, S.C. 29302. VHS. (TRT) unknown. RP 987, VIDEO 5417.\u003c/p\u003e","\u003cp\u003eVideo titled Our Ladies and Their Hero. Case marked: Ann Dobbs. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program \"Our Ladies and their Hero or (What the Women Were Doing While the Men Forged a War) Case marked: Spartanburg Day School 1701 Skyln Drive Spartanburg, SC 29302. Contact: Ann Hemperley Dobbs. VHS. (TRT) 38 minutes.\u003c/p\u003e","\u003cp\u003eVideo program Sulgrave Manor: The British Heritage of George Washington. Highlights the home of Lawerence Washington, Sulgrave Manor, located in England. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program This Gown… Was Much Admired and Caused Much Jealousy: Fashion and the Forging of Identities in French Colonial New Orleans, a lecture by Sophie White. Courtlaud Institute of Art, Univerosy of London. VHS. (TRT) unknown. Contributor: Sophie White.\u003c/p\u003e","\u003cp\u003eVideo program Today Show. Features Willard Scott Promo for Mount Vernon. Dated 22 February 1993, 7:33am. VHS. (TRT) unknown. Creator/Publisher: Today Show, NBC News.\u003c/p\u003e","\u003cp\u003eVideo recording of several news stations coverage of Queen Elizabeth's visit to Mount Vernon. Tape includes: CBS This Morning, WUSA (Channel 9), ABC World News Tonight, CBS Evening News, Fairfax County News (Channel 8), WRC (Channel 4), Fox News (Channel 5) VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program Washington and Three Women, lecture by Donald Higgenbotham,  University of North Carolina. VHS. (TRT) unknown. Contributor: Donald Higgenbotham.\u003c/p\u003e","\u003cp\u003eVideo titled Wharf/Cupola/Roof Exploration. Includes footage of restoration. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Women of the South in the Era of Martha Washington University of Southern Mississippi. Tape marked: Library of Hattiesburg, Petal, and Forrestt County, Bellswood (Sylvia Frey) Catherine Allgor, Patricia Brady. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVHS labeled: W \u0026amp; L (Washington and Lee University) 250th Anniversary celebration, Mount Vernon, October 17, 1998. Maxell VHS tape\u003c/p\u003e","\u003cp\u003eVideo recording labeled: Father of our Country. GWP long version. Tape marked: S.L.O HORS D'OEUVRES. Dated: 9/22/06. Digital Betacam SP. (TRT) unknown. Creator/Producer: Paramount Pictures.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: Father of our Country. GWP short version. Dated: 9/22/06. Betacam SP. (TRT) unknown. Creator/Publisher: Paramount Pictures.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: Father of our Country. Confidence Check. NTSC format.Dated: November 16, 2006. Betacam SP. (TRT) 24:58. Creator/Producer: Paramount Pictures.\u003c/p\u003e","\u003cp\u003eDigital Betacam video cassette tape labeled: George Washington Funeral Reenactment for Mount Vernon exhibit, 2/22/2007. Silent version. (TRT) 1:30. Creator/Publisher: Henninger Media Services.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington Output. Tape Marked: NDF. Dated: 9/12/06. Betacam SP. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Mount Vernon: Evolution of the Mansion, Long Version. Dated: May 22, 1995. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Large Betacam. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon Evolution of the Mansion Long Version. Dated: 06-07-1995. Betacam. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Betacam. (TRT) unknown. Creator/Publisher: Townhouse Post-Production.\u003c/p\u003e","\u003cp\u003eMini DV videocassette recording labeled: Mount Vernon Piano Recital Tape 1.\u003c/p\u003e","\u003cp\u003eMini DV videocassette recording labeled: Mount Vernon Piano Recital, Tape 2.\u003c/p\u003e","\u003cp\u003eLarge Digital Betacam videocassette labeled: Saving Mount Vernon DVD. (TRT) 62:00. 35mm, dated 1/15/03. DBCT Color Enhanced to D9 Clone. Creator: Madisonfilm. Producer: Mount Vernon Ladies' Association.\u003c/p\u003e","\u003cp\u003eHi8 MP 8mm videocassette tape labeled: Washington is No More. Tape marked: Trial Run, Full Footage. Dated 3/6/2000.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington: We Fight To Be Free. Locked. Ford Orientation Center film. Betacam SP. DIA only, Avid Output. (TRT) 22:24. Creator/Publisher: Greystone Films.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: George Washington: We Fight To Be Free. Tape marked: Short Versiokn, Final Opening Title, Wrong End Titles. Betacam SP. (TRT) unknown. Creator/Publisher: Greystone Films.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington: We Fight To Be Free. Tape Marked: Picture Only, Ref Tape. Betacam SP. 29.97 fps. (TRT) unknown. Creator/Publisher: Greystone Films.\u003c/p\u003e","\u003cp\u003eVideocassette recording labeled: We the People and the Mount Vernon Visitor Center.  . Digital Betacam. 24 fps. (TRT) 12:15. Creator/Publisher: Inland Sea Productions.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: We the People and the Mount Vernon Visitors Center. Digital Betacam. 24 fps. (TRT) 26:46. Creator/Publisher: Inland Sea Productions.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: We the People and the Mount Vernon Visitor Center. Tape marked: Original Transfer Master. Digital Betacam. 24 fps. (TRT) 27:36. Creator/Producer: Inland Sea Productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes audio and video resources related to Mount Vernon, the Mount Vernon Ladies' Association, and George Washington. Many audio and video recordings in the collection were either produced by, or made in cooperation with, the Mount Vernon Ladies' Association. However, there are also AV productions made by other institutions, corporations, and media companies. Content includes footage and recordings of events, interviews, lectures, VIP visitors, and views of the estate. Several documentaries, news broadcasts, and syndicated radio or television programs are also included as they pertain to the history of Mount Vernon. Highlights of the collection include: Pictorial Reports of the estate during the years 1955-1970 which feature footage of several famous visitors such as President Eisenhower, Princess Margaret and Lord Snowdon, and Fidel Castro; a feature film with B-Roll footage by travelogue filmmaker Andre de la Varre; video and audio recordings of Vice Regents and Mount Vernon staff. Most film reels have been digitized and are available by links within individual catalog records or via written/email request.","Cassette tape titled Dr. Douglass Southall Freeman Address at U.D.C Meeting in Alexandria, 1948. Tape marked: Washington-Lee Comparison. Inside note reads Address at United Daughters of the Confederacy meeting, 1948. Comparison - Washington and Lee. Recorded from phonograph record in MVLA collection RP 70; MISC 4036. Presented by George Washington Custis Lee Chapter of the UDC.\" TDK tape and case.","Audio cassett tape labeled: Dr. Southall Freeman. Speech given in Alexandria. Case marked: approx 30 min- 3 3/4- Track A Mono 1, Copy from Records. 1st copy.  5\" reel. Contributor: Dr. Southall Freeman.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 1 includes speeches from Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer. Dated 11/8/93. 1 tape, Lanier case. Contributors: Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 2 includes the speech from Dr. J. Worth Estes. Dated 11/8/93. 1 tape, Lanier case. Contributor: Dr. J. Worth Estes.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 3 dated Mon, 8/11/93. 1 tape, Lanier case.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 4 dated Mon, 11/8/93. 1 tape, Lanier case.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 5 includes the speeches by Dr. Richard L. Willham and Dr. Alan Fusonie. 1 tape, Lanier case. Contributors: Dr. Richard L. Willham and Dr. Alan Fusonie.","Cassette tape containing the speeches from the seminar, \"Agriculture in the Age of Washington.\" Tape 6 is thought to include the speech by Dr. Donald E. Bixby. 1 tape, Lanier case. Contributor: Dr. Donald E. Bixby.","Cassette tape titled All Things Considered, NPR Interview. Case marked: J. Rhodehamel, CBS, April 1984. Contributor: John Rhodehamel","Cassette tape America's Favorite Places, Ride With Me: Williamsburg. Narrated by: Grover Gardner, tells the history of Williamsburg. 1990. Cassette. Creator/Producer: RWM Associates.","Cassette tape America's Favorite Places, Ride With Me: The Mount Vernon Story. Narrated by John MacDonald, Kimberly Schraf and Michael Russotto. Tells the history of Mount Vernon and it's historic owner. 1993, Cassette.","Cassette tape labeled Audio Demo Noble Creek Prod.S. 1 tape, Scotch case.","Cassette tape titled Beds, Beddings, and Bed Hangings. Author Jane C. Nylander. Tape marked: AASLH. Contributor: Jane C. Nylander.","Cassette tape titled Capital Conversation Ellen McCallister Clark. Tape marked: 6/14/87. Supertape.","Part of a series of cassette tapes all labeled Capital Conversation. This recording is with Ellen McCallister Clark, 6/14/1987.","Cassette tape titled Capital Conversation Ellen McCallister Clark, John Riley, Ann Rausher. Tape marked: 9/6/87, Hour 4, Supertape.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #1 with Mrs. Robert E. Lee IV and Christine Meadows, dated 9/6/1987.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #2 with Christine Meadows, Herb Prevost, Jim Simms, and Dean Norton, dated 9/6/1987.","One of a series of cassette tapes labeled: Capital Conversation. This is Hour #3. Dated 9/6/1987.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This is Hr. #4 with Ellen McCallister Clark, John Riley, and Ann Rauscher, date 9/6/87.","Cassette tape titled CC Wall's Talk to Interpreters C. Taped 1984. Certron tape.","Cassette tape titled Side 1 and Side 2. Tapes relating to The Character of George Washington Seminar on April 23, 1995. Radio Shack tape.","Cassette tape titled Side 3 and Side 4. Tapes relating to the Character of George Washington Seminar on April 23, 1995. Radio Shack tape.","Cassette tape titled Does He Take Sugar? American Edition. Tape marked: Marlene Pease, BBC. Century Magnetics tape. 60 minute tape.","Cassette tape labeled: Mrs. de Forest, Gordon Talk. Nov 1, 1981. TDK tape.","Cassette tape labeled: First Patriot: The Life and Legacy of George Washington. Tape marked: Produced by Radio America with the Mount Vernon Ladies' Association. Dolby B.","Cassette tape titled Four Narrators-Finley Holiday Films. TDK tape and case.","Cassette tape titled G.W. PSA's. Case marked: (8 60's, 8 30's) Master Copy, Radio America Public Service Announcements, February 1989. TDK tape and case.","Cassette tape titled Hail Columbia by Philip Phylo and Joseph Hopkins. Tape marked: The New American Brass Band from the Soundtrack of the War by Ken Burns. TDK tape and case.","Cassette tape labeled: Historical Sites Mountt. Vernon. Tape marked: DMC, 8/4/87, House Market Research Inc. Maxell tape.","Cassette tape titled \"Holiday\" - Washington - Lincoln. Memorex tape.","Cassette and Slide set of a Mount Vernon tour, produced by Finley Holiday Film Corp. Purchased from Museum Shop. 1 Cassette Tape, 40 Slides. Creator/Publisher: Finley Holiday Film Corp.","John RhodehamelJohn RhodehamelJohn RhodehamelJohn Rhodehamel USI tape.","Casette tape of a lecture by Chris Matthews, dated 5/17 no year. 1 tape, Maxell case. Contributor: Chris Matthews.","Cassette tape titled Dr. James R. Soles. Tape marked: Side A: Lecture at First Annual meeting of the George Washington Club. June 3, 1983. Side B: Question and Answers Following Lecture. Maxell tape and case. Contributor: James R. Soles.","Cassette tape of a lecture by Marc Leepson. Dated 6/6/06. 1 tape, Maxell case. Contributor: Marc Leepson.","Cassette tape recording of a lecture by Michael Novak, thought to be in relation to his book \"Washington's God,\" published in 2006. Tape dated 4/11/06. 1 tape, Maxell case. Contributor: Michael Novak","Cassette tape of a lecture by Peter Henriques. Dated 5/2/06. 1 tape, Maxell case. Contributor, Peter Henriques","Cassette tape of a lecture by Richard Brookhiser thought to be in relation to one of his books on George Washington. Dated 5/22/06. 1 tape, Maxell case. \nContributor: Richard Brookhiser.","Cassette tape of a lecture by Thomas Fleming. Dated 3/28/06/ 1 tape, Maxell case. Contributor: Thomas Fleming.","Cassette tape titled Martial Musick of Yorktown. Includes marches, quicksteps, dances, and songs. Titles include: The World Turned Upside Down, Royal Deux Ponts March, and many others of historical significance. Case marked: George Carroll. Stereo, Dolby, Cassette.","Cassette taped titled The Monticello Music Collection. Includes songs from Mozart, Beethoven, and Vivaldi amongst others. Dolby System. 1986.","Cassette tape of the Mount Vernon Audio Tour, dated 6/16/95. 1 tape, Maxell case. (TRT) 41:09","Cassette tape labeled: Mount Vernon Audio Tour, submitted for final approval. Dated 6-30-95. 1 tape, no case.","Cassette tape titled Mount Vernon Capital Campaign 3:25.","Cassette tape recording of the Grand Opening of the Education Center. Dated Oct. 22, 2006. 1 tape, Maxell case.","Cassette tape titled This Side is MTV Finance. Tape marked: Buildings, Rose Strachan (Vice Regent),Chair. Sony tape.","Cassette tape labeled: Mount Vernon Capital Campaign. Tape marked: Recorded Script - Audio-Visual Show. (2 Copies)","Cassette tape labeled: English: Mount Vernon Ladies Association Magazine Show. Tape marked: 1/21/86, For: Farmer general Programs. USIA, Voice of America.","Cassette tape labeled: Mount Vernon Music Selection Sample. Tape marked: Finley Holiday Film Corp. Whittier, CA. Creator/Publisher: Finley Holiday Film Corp.","Cassette tape labeled: NEWSMARK: George Herman's Washington. Tape marked: CBS Inc. All Rights Reserved. Note marked: MV-237-262. Ampex tape. Creator/Publisher: CBS Inc.","Cassette tape labeled: Mount Vernon Audio Tour. Tape case label reads \"Outbuildings Tour- Not Final Copy. Tape marked: Only a couple minor changes made after this tape.\" Note attached addressed to John Riley detailing the process of creating the tape. Letter dated June 16, 1994. Maxell tape and case. TRT 41:09","Cassette tape labeled: SOG House on the Potomac. Other side of tape marked: Received from the VR for Michigan, 1975. Creator/Publisher: Mike Whorf, Inc.","Cassette tape labeled: The Sounds of Glory - Part 7, Washington, a Man to Remember. Other side of tape marked: Gift of the VR for Michigan, 1975. Creator/Publisher: Mike Whorf Inc.","Cassette tape labeled: Still First in the Hearts of His Countrymen: A Celebration of George Washington PSA's. Tape marked: Dolby B, Presented by the Mount Vernon Ladies' Association. (7 Copies)","Cassette tape titled Chuck Rich-Voice of America \"Mount Vernon.\" Tape marked: 4:38.","Cassette tape labeled: Washington Birthday Program 1975. Case marked: Received from the VR for Michigan 1975, Feb. Karl Haas, WTR Detroit. Ampex case, 42.","Cassette tape labeled: WETA radio interview April 12, 1985. Robert Aubry Davis. Tape marked: C35 even.","Cassette tape labeled With Good Reason, Vol. VI, No. XXVII, Made to Order: The Rise of General Washington, Zagarri (GMU) Chase (UVA). Maxell tape, C60. undated.","CD Rom containing lecture from historian Harlow Unger from the Beneath the Surface lecture series. Imation, Music CD-R, 700MB. Contributor: Harlow Unger.","CD Rom labeled Beneath the Surface Lecture 1, dated 7/19/06. Memorex, CD-R, 700MB.","CD Rom labeled D Palmer 8/3/06, CD-R, Memorex, 700MB. RP 2295, CD 6752","CD Rom labeled GW Symposium Nov 3-4, 2006. CD-R, Memorex, 700MB.","CD Rom labeled Chernow Lecture, CD-R, Memorex, 700 MB. Contributor: Ron Chernow","CD Rom labeled Lectures, Papers, Gingrich, GWS, dated 11-7-09, Memorex CD-R. Contributor: Newt Gingrich.","CD Rom containing a lecture by historian Scott Berg from the Michelle Smith Lecture Series at Mount Vernon. Imation, Music CD-R, 700MB. Contributor: Scott Berg.","CD Rom labeled Mrs. Thompson Religion in the Life of George Washington. Imation Music CD-R, 700Mb. Contributor: Mary Thompson.","CD Rom labeled Richard Brookhiser Smith Aud. Dated May 30, 2008. Imation, Music CD-R, 700MB. Contributor: Richard Brookhiser.","CD Rom recording of the morning session of the Sweet Briar College Seminar, dated 3/9/09. Imation, Music CD-R, 700MB.","CD Rom recording of the afternoon session of the Sweet Briar College Seminar dated 3/9/09. Imation, Music CD-R, 700MB.","CD Rom recording of a  a talk by Mary Thompson, dated 10-2008. Staples CD-R, 700MB. Contributor: Mary Thompson.","CD Rom, case labeled Wojie Design, Disk #000918.1755, Audio - Music CD Mt. Vernon Interview, 1A and 1B are Side A of Cassette, 2 is Side B of Cassette, September 2000. Physical disk labeled: Imation Disk, CD-R 700MB, Wojie, Music: @ Mt. Vernon Interview, Sept. 2000 Windows Audio CD. Publisher/Contributor: Wojie Design.","LP Record Charles Ives Symphony No.3: Music of the American Revolution. Arranged by Richard Bales, National Gallery Orchestra, Conducted by Richard Bales. 12\" Record. Creator: Richard Bales. Publisher: WCFM Recording Corp.","LP Record labeled: Dr. Douglas Southall Freeman address at U.D.C meeting in Alexandria in 1948. Made from tape recording in MVLA possession, 1966. Presented by George Washington Custis Lee Chapter of the United Daughters of the Confederacy. 12\" Record. Contributor: Dr. Douglas Southall Freeman. RP-70, MISC-4036.","LP Record of a Douglas Southall Freeman speech. Part 1 and Part 3 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 2 and Part 4 are included. Case marked: Running time overall allowing for record changing, about 36 minutes. 12\" record. Contributor: Dr. Douthall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 5 and Part 7 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 6 and Part 8 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record labeled: Easter Sunday at Mt. Vernon. 2 parts. Dated April 10, 1955. An interview by the radio station with employees Vicki (Victoria) Kasperski, floral arrangement, and briefly with Frank Morse. Discusses spring, flowers, and plants at Mount Vernon and how the Washingtons celebrated the holiday. 33 1/2 speed. 12\" record. Publisher/Creator: WCNR Station","LP Record labeled: Mount Vernon 100th Anniversary and introduction by Gov Battle. Case marked: The Regents greeting and Governor Battle's response. Reception, Saturday, P.M, 3-5 o'clock. Oct. 24, 1953. 78 RPM. 12\" record. Contributor: John Battle. R3.","LP Record labeled: Tour of Mount Vernon. Includes Part 1 and Part 2. 16 2/3 RPM. 7\" record. Creator/Publisher: The Solocast Company. 2 copies including RP-44, MISC-3246 A-B","LP Record labeled: Will Holland at the tomb. Gift of Edward Darlington, Radio Station WCNR, Bloomsburg, Pennsylvania, December 1958. 10\" Record. Creator/Publisher: WCNR Station. Contibutors: Will Holland, Edward Darlington. MISC-743","Magnetic reel-to-reel tape recording of Dr. Douglas Southall Freeman's talk comparing George Washington and Robert E. Lee, delivered January 19, 1949 at the George Mason Hotel under the auspices of the Alexandria Chapter of the United Daughters of the Confederacy. Master tape from the original recording in the collection of the Mount Vernon Ladies' Association of the Union. 5\"  3 3/4 ips, made from 4 records, 78 rpm, approx 34 min. BASF casing.","Magnetic reel-to-reel tape recording: East Lawn air traffic over Mount Vernon. The recording is 915 feet, approx. one hour and 45 minutes of play time. Reel case includes an MVLA memo detailing minutes and aircrafts uses. 7\" reel. RP-39, TAPE-3102.","Magnetic reel-to-reel tape recording of Essex Kent Scottish Regiment of Windsor Canada, dated Saturday - Octover 23, 1965. Guests of the Naval Air Reserve Training Unit at Andrews Air Force Base. Recorded approximately 100 feet at 3 1/4 ips. 7\" reel, Scotch brand case. RP-59, Tape-3393.","Magnetic reel-to-reel tape recording of Mr. Wall and Mr. Fritz Gutheim at graduate seminar on historic preseravtion at George Washington University. Dated Sept. 10, 1975. 7\" reel, Sears Silvertone Sound Recording Tape. Contributors: Mr. Wall, Mr. Fritz Gutheim","Scotch recording tape. Label reads \"June '64 III?\" Contents unknown. 7\" reel. (TRT) unknown.","Scotch recording tape. Labeled \"June '64 IV.\" Unknown content. (TRT) unknown. 7\" reel.","Magnetic tape. Labeled \"Jun '64 IV p. 33 Harr.\" and \"June 4 retaped p. 33 Harr. (?) Johnson '66\" Unknown content. (TRT) unknown. 7\" reel.","Audiotape magnetic recording tape. Labeled \"June V 1865-71?\" and \"June '64 V\" with note inside \"V with side 2 blank for Oct. - Nov. 1865 trouse (?) up to Dec. 3 which is on small reel.\" Unknown content. (TRT) uknown. 7\" reel.","Scotch magnetic tape. Label reads \"June '64 - 7\" with note that reads \"Reel 7 - '66-'69 beginning cards.\" Unknown contenct. (TRT) unknown. 7\" reel.","Magnetic tape reel. Label reads \"June '64 IX\" and \"Cont. on Morse half reel, 9 IX.\" Uknown content. (TRT) unknown. 7\" reel.","Magnetic reel-to-reel tape recording of the Longfellow papers by Elswyth Thane Beebe, March 1966. Plays at 3 3/4 ips, 5 3/4 audio reel, Irish Brand High Fidelity recording tape. RP-59, Tape-3392","Magnetic reel-to-reel tape recording labeled: Mount Vernon, March of 1964. 31 minutes in length. 5 3/4\" tape, Irish brand box.","Magnetic reel-to-reel tape recording. Used for a presentation for the Mount Vernon Capital Funds Campaign in 1979. Script for presentation inside box with tape recording (dated 10/10/1979) Tape includes Voice Outs, Voice Master, Music Tracks, Mix + Pulse Master. Box reads: \"DO NOT USE - See 11/28/79 for approved mix.\" 15 ips. 9\" reel. Creator/Publisher: Charles Webb and Co.","Magnetic reel-to-reel tape recording. Used for a presentation on the Mount Vernon Capital Funds Campaign in 1979. Tape includes Voice Master, Mix Master, Pulse Master. Box reads: \"See 10/15/79 for music used.\" 15 ips, 9\" reel. Creator/Publisher: Charles Webb and Co.","Magnetic reel-to-reel tape recording of Christine Meadows' presentation \"Mount Vernon: Creation and Recreation\" at the Antique Forum. Dated 1/26/78. 7\" reel, 3 3/4 speed, Full Mono, One Only Tape Direction, Crown Recorder, Neumann Microphone. Concertone Magnetic Recording Tape. Contributor: Christine Meadows.","Magnetic reel-to-reel tape recording of the Pageant of Patriots, a costume and military pageant on the bowling green, July 4, 1962. 7\" reel, 7 1/1 ips, Scotch brand IPS. RP-42, Tape-3245.","Magnetic reel-to-reel tape recording of a talk by Sir George Trevelyan made in the \"Banquet Hall,\" probably the New Room, during Council Oct. 24, 1959. The minutes describe the event as a \"lecture on English architecture from the medieval manor to the Industrial Revolution.\" Tape and script. 7\" reel, Audiotape brand box. Contributor: Sir George Trevelyan. RP-224, Misc-1010 a/b.","Magnetic reel-to-reel tape recording labeled: Slimbridge England Wildfowl trees up to 110, Native Bird calls of Southeast up to 347 presented by Mrs. Platt during Council in October 1965. 7\" reel, Scotch recording case. Contributor: Mrs. Platt, Vice Regent for Pennsylvania. RP-49, Tape-3380.","Magnetic reel-to-reel tape recording of the Sound and Light show, \"Father of Liberty,\" performed at Mount Vernon during the Bicentennial year, 1976.  7\" reel, 3 3/4 ips. BASF (Badische Anilin- \u0026 Soda-Fabrik AG). Label notes: (Side 1) Monot. 0-879","Magnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel I, Scotch Brand Case. Creater/Contributor: Walter Gutman. Publisher: Hawk Serpent Productions. RP-280 Tape-5460.","Magnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel 2, Scotch Brand Case. Creator/Contributor: Walter Gutman. Publisher:Hawk Serpent Productions. RP-280 Tape-5460.","Magnetic reel-to-reel tape recording of a tribute to Martha Washington by Guy Aelwood (or Aylwood), dated May 1962. Includes transcription of speech inside box. 5\" 7 1/2 ips - full track. Scotch Magnetic Tape case. \nContributors: Guy Aelwood. RP-36, Tape-3099","Magnetic reel-to-reel tape labeled: White House Tour, dated 2/18/62. Probably an audio copy of First Lady Jackie Kennedy's White House Tour in 1962. Note included with specific highlights of the tour including the Gilbert Stuart portrait, Washington Bust, an MVLA Gift, the President, and Music. 7\" reel, RCA case. RP-40, TAPE-310.","Magnetic reel to reel tape recording with Will Holland, Mount Vernon Tomb Guard. Recording by Edward Darlington and Radio Station WCNR in Bloomsbury, PA. Dated Dec. 1958, possibly spliced in 1980. 4\" reel. 33 1/3 speed. Creator: WCNR Station, Columbia-Montour Broadcasting Corp. Contributors: Will Holland, Edward Darlington. RP-42, Tape 32--","Betamax video cassette - no label but note inside case reads \"Credit VRDC\" (could be abbreviation for Vice Regent District of Columbia?) 1 tape Je Frand. Betamax, Maxell brand.","Betamax video cassette tape labeled: DUB \"Crowds-Gone\" L 750. No case.","Betamax video cassette tape labeled: 8pm Call-In From Mount Vernon. Large C-Span rights label placed over tape. Recorded 9/27/87. Creator/Publisher: C-Span.","Betamax video cassette tape labeled: Monticello Interview Show. Note marked: May 17, 1987. Bad tape - tape of a tape of an original. Creator/Producer: C-Span.","Betamax video cassette tape labeled: Demo Reel, Rudisill, Inc. Please Return. Case marked: Carol Rudisill, Rudisill, Inc. Creator/Publisher: Rudisill, Inc.","Betamax video cassette tape labeled: The Frugal Gourmet at Mount Vernon (30 mins) recorded 4/10/88. Maxell brand. Creator/Publisher: unknown.","Betamax video cassette tape labeled: George Washington II: Forging of a Nation, September 21-22, 1986. (2 copies) Both copies have label for Ventures in Video, McLean, Virginia. Scotch brand case.","Betamax video cassette tape labeled: GWII-1-2-3-4 hrs. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Jacques Cousteau. Case marked: Love to Remember Red River (?) Probably related to Cousteau's 75th birthday celebration at Mount Vernon in 1985.","Betamax video cassette tape labeled: Jacques Cousteau 75th Birthday Party, Mt. Vernon, June 9, 1985. Scotch brand tape and case. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Mount Vernon Conference: Tree Planting. Maxell case. Creator/Publisher: unknown.","Betamax video cassette tape with only one small label that reads: PM MAG. Possibly a recording from the syndicated TV broadcast PM Magazine, or PM/Evening Magazine. Maxell case. Creator/Publisher: unknown.","Betamax video cassette tape with only a note that reads: JR- This is the 30 sec. version of what I believe may be a 60 sec. spot. Smithsonian on PSA. Radio Shack case. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Smithsonian World - PBS. Tape also marked: C-Span Interview with Christine Meadows and W.W. Abbot. Creator/Producer: C-Span.","Betamax video cassette tape labeled: Today Show? No case and undated. Creator/Publisher: unknown.","DVD labeled: Video of The Ballad of Billy Lee starring Henry Brown. Selected Scenes. Written and directd by Len Lamensdorf. Forward by Prof. Joseph J. Ellis. DVD. (TRT) unknown.","DVD recording:  Billy Lee's Washington: A Musical by Evelyn Swensson \"World Premiere.\" DVD, (TRT) 60:00. Copyright 2006-2009. Creator/Publisher: Evelyn Swensson","DVD labeled: The John Marshall Foundation presents Conviction of Duty, George Washington and John Marshall Make a Pivotal Decision for America's Future. William A. Sommerfield as Washington, Mark K. Greenough as Marshall. Filmed at Mount Vernon. (TRT) unknown. c. 2005","\"Discover the Real George Washington\" Grand Opening TV Clips. DVD. (TRT) unknown.","DVD recording: Exploring Mount Vernon. (TRT) 56:42 (2 copies) Publisher/Creator: Alabama Public Television, c. 2011. Contributor: MVLA.","DVD recording: The General's Brother. Biographical film on Samuel Washington and his Harewood home, by Bob Asbury. (TRT) unknown. (2 copies) acc. 2015-A-040. Publisher/Creator: Sun West Productions. Contributor: Bob Asbury.","DVD recording: George Washington Papers Video, July 2010. (TRT) 3:50. Creator/Publisher: Siddall, Inc.","History Channel video program 150 Years of Saving Mount Vernon. DVD. (TRT) 10 mins. Creator/Publisher: A\u0026E Television Networks, c. 2010","DVD recording labeled: Bringing Them Home, Encoded Master File, Revised 3-15-10. Video: MPEG-2 Transport Stream, 30 Mpbs, Audio: MPEG 1, layer 2, 48K, 128kpbs. History Channel, Mount Vernon: Discover the Real George Washington. Disc 1/1 DVD. (TRT) unknown. Creator/Publisher: A\u0026E Television Networks, c. 2010","DVD recording labeled: Mount Vernon Exhibit Videos Compilation Reel, 8/8/06, The History Channel. Creator/Publisher: A\u0026E Television Networks.","DVD recording: \"Leader of Character\" Award Presentation and Interview J.W. Marriott, Jr. at Mount Vernon. 2006066 Marriott International Media Productions Department 52/935.25, 301-380-1024. acc. RP-3112, DVD-7088 (TRT) 56:27","DVD recording: Mister Chief Justice, undated. Creator/Publisher: The John Marshall Foundation.","DVD recording: Potomac by Air: Our Nation's River. Creator/Publisher: Maryland Public Televsion, MPT. (TRT) 56:52.","DVD recording: Reaching Out for Liberty and Light: The Life of Frances Payne Bolton. Copyright 2000. Creator/Publisher: TELOS Productions in association with History Enterprises. (TRT) 86:00","DVD recording: Real George Washington. Copyright 2008. Creator/Publisher: Fairfax County School Board, MVLA.","DVD video: Saving Mount Vernon: The Birth of Preservation in America. (TRT) 25 mins. Publisher/Creator: Madisonfilm, Mount Vernon Ladies' Association.","DVD recording: The Winter Patriots: Trenton and Princeton Campaign, 1776-1777. (TRT) 27:00. Creator/Publisher: MVLA, Wide Awake Films","Film reel labeled: George Washington's Mt. Vernon \"The American Institute of Architects\" LOGO. Public Service Announcement or commercial produced by the American Institute of Architects with audio. Actor portraying George Washington as a surveyor and highlighting \"proper land management.\" Case marked: #71247, CR# 6, Color Print DBVT, \"B\" Wind, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:38. Copy and paste this link for online access to the video: https://vimeo.com/288567283/fa3658b6d4","Film reel Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Bastille sketch, drafting tools, mirror, window, spyglass, library bookcase, Nellie portrait, Lawrence portrait. Case marked: 1 roll, B\u0026W/Color Print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281337809/00f11616b7","Film reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes. (Can 5) 1 roll, COL/B\u0026W Print Silent, Academy 35 mm. 7 1/2\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951515/a029733dee","Film reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Nellie's room, window, blue room, guest room, Lafayette room, third floor guest room. 1 roll. Color print. 35 mm Academy Aperture. 7 1/4\" reel.  (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281335387/20b8865888","Film reel labeled: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of G.W. apt. Martha dresser, Martha dressing table, fan, window, mantle clock, bible, GW bedroom. 1 roll, Color/B\u0026W Print, 35 mm Academy Aperture. 7 3/8\" reel (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281336523/75f64f1de6","Film reel of Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Little parlor, pantry, dishes, G.W. washroom, family dining room, linen closet, hall closet, washroom - shaving. Case marked: 1 roll, Color print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Verre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338268/8d6970d6dc","Film reel titled N/D \"7 Trims \u0026 Outs: Parlor, Dining Room: Formal Parlor, Pantry, Family Dining Room\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 250 feet. Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator/Publisher: Andre de la Varre. Copy and paste this link for online access to this video: https://vimeo.com/281650012/133a4578b3","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, out-takes of loom, shingles, sprintime, chairs on Piazza. Case marked: (Can 6) 1 roll, COL/B\u0026W Print Silent, Academy 35 mm. (TRT) unknown. 5 3/4\" reel.  (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951071/1d9bb3af88","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includees B-roll, trim, and out-takes of Kitchen garden, kitchen, kitchen entrance, New Tomb, Old Tomb, etc. Case marked: 1 roll, B\u0026W/Color Print, 35 mm Academy Aperture. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281339802/991fff79e6","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Manuscript letter, farm account ledger 1793, Five Farm map. Thomas ryan account, etc. (Can 7) 1 roll. B\u0026W Print Silent. 35 mm Academy Aperture. 7\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951196/865f2bfe11","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Storehouse A\u0026B, Powel coach, linen, horse, barn, etc. Case marked: (Can 5) \"Assorted Titles; Can#5A\" 1 roll, Color/B\u0026W Print Silent, Academy 35 mm. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280952076/de49a56af0","Film reel titled N/D \"9 Trims \u0026 Outs: Library - Bookplates, Bookcase, Drafting Tools, Lawrence Portrait, Main Hall, Doorknocker, Banquet Hall\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 335 feet, Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Copy and paste this link for online access to this video: https://vimeo.com/281657169/c8eb4f5ea8","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of formal garden, green house, school house, etc. Case marked: 1 roll, B\u0026W/Color Print,  35 mm Academy Aperture. 7\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338676/dd336a54e0","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of MV drawing, Vaughn plan, family portrais, decorative arts, Lafayette, and chairs on Piazza. Case marked: (Can 8) 1 roll, COL/B\u0026W Print, Academy 35 mm. 6 1/8\" reel.  (TRT) 03:17. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951857/738766c44a","Film reel \"The Face on the Dollar Bill\" by Samuel E. Friedman, Leonid Kipnis, and Lamont Moore with cooperation by the Mount Vernon Ladies' Association. Funded by Judge Friedman, Westport, Connecticut. Case marked: 1 roll, COL/B\u0026W w/sound DBVT, reg 16mm. 6 3/4\" reel. (TRT) 10:25. creator/Publisher: Samuel E. Friedman, Leonid Kipnis, Lamont Moore. RP-415, FILM-3728.External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281467532/4f0ac99ae5","Film reel labeled: Gift of Mrs. Holdsworth from her family collection. \"No Title\" Case marked: 1 roll, Kodachrome Orig. Silent \"B\" Wind. Reg. 8mm film. (TRT) 2:50. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949303/db1ed083ac","Film reel labeled: Lawson Whitesides Gift of Mrs. Betsy Holdworth (2015 gift) \"No Title\" Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. (TRT) 01:37. 3 15/16\" reel. Digitized 2015. (Faint vinegar smell) Contributer: Elizabeth Holdsworth. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949490/81056fc553","Film reel titled N/C \"Mrs. Johnson Garden.\" Depicts First Lady, Mrs. Johnson visiting Mount Vernon's gardens, undated. Case marked: 16 mm/ Color Reversal/ A Wind/ Acetate/ Silent, 200 feet, Digitized Sept. 2014. 5 1/4\" reel.  (TRT) 04:33. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/257965973/b5f5ff7577","Film reel labeled: George Washington's Mt. Vernon \"The Farming Father.\" Public Service Announcement or commercial by the National Cotton Council highlighting how \"founding farmers\" like George Washington and Thomas Jefferson influenced today's farming industry. Case marked: #71247 CR# 8, Color Print DBVT, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/4\" reel.  (TRT) 01:08. Copy and paste this link for online access to this video: https://vimeo.com/288560193/98511d0e43","Film by the National Cotton Council of America titled \"The Founding Farmers.\" Public Service Announcement or commercial, probably similar to AV_00252, but not digitized. Case marked: S.O.F Color. PSA 422. 16 mm. 2 7/8\" reel. (TRT) 00:59. Creator/Publisher: National Cotton Council of America.","Reel titled George Washington, Mt. Vernon. Case marked: WTOP-TV, Color, Acme film and videotape Laboratories. 16 mm, 15\" reel, (TRT) unknown. (Slight vinegar smell)","George Washington's Mount Vernon, a film by famous travelogue filmmaker Andre de la Varre. The Library has approximately 40 copies of the film in several formats including 16 mm and 35 mm film. These copies previously belonged to schools, former vice regents and other institutions. Digitized 7/20/2015, External hard drive Toshiba 71247. Includes AV_00285 - AV_00291 and AV_00297 - AV_00338. Copy and paste this link for online access to this video: https://vimeo.com/288569473/cbb7304432","Film reel of George Washington's Mt. Vernon No Title. Case marked: #71247, CR# 7, Color Reversal, MOS, \"A\" Wind, Reg 16mm. Digitized 7/20/15. 4\" reel. (TRT) unknown.","Film reel \"Ike Makes Surprise Visit to George Washington's Mount Vernon- Telenews Daily News Film\" Includes news footage of President Dwight. D. Eisenhower in 1958 on a surprise visit to Mount Vernon. Case marked: 16mm/B\u0026W Positive Print/ \"A\" Wind/ Silent/Acetate/ 44 feet/ Digitized Sept. 2014. 4\" reel.  (TRT) 1:30. Contributor: President Dwight. D. Eisenhower. Creator/Publisher: Telenews Daily News Film. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281672724/23d9140ef0","Film reel titled \"King George and Queen Elizabeth at Mount Vernon\" Case marked: 16 mm B\u0026W Reversal/ AGFA/ \"B\" Wind/Silent/Acetate/ 30 feet. Digitized September 2014. 3 3/4\" reel. (TRT) 1:01. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281673145/13cb070a82","Film reel labeled: George Washington's Mt. Vernon \"Maryland Shore 1962.\" Opening caption on film reads \"Maryland Shore: A Major Issue.\" Shows views of the Maryland shore of the Potomac River from Mount Vernon and the George Washington Memorial Parkway. Case marked: #71247 CR#4 Color reversal, silent film, MOS \"B\" Wind REG-16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 6 3/4\" reel. (TRT) 11:14. Copy and paste this link for online access to this video: https://vimeo.com/288427394/9b659cb584","Film created by the Mount Vernon Ladies' Association and Affiliated Film Producers, copyright 1951. Released by McGraw Hill Book Co. The AV Collection holds multiple copies of this film including AV numbers: AV_00277, AV_00278, AV_00280, AV_00283, AV_00321. 16mm and 35 mm copies. Creator/Publisher: Mount Vernon Ladies' Association and Affiliated Film Producers. Copy and paste this link for online access to this video: https://vimeo.com/291511198/386fe3c311","Reel marked Item 12, 71247. 9 1/4\" reel. No case. Possibly related to other films marked with Item numbers and 71247, Andre de la Varre film components. In De Luxe Laboratories bag. Unknown content. (Strong vinegar smell)","Film reel labeled: Mount Vernon Pictorial Reports 1956-1957-1958. Shows events and work done at Mount Vernon, 1956-1958. Case marked: 1,400 feet; 60 minutes at 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:02:57. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281282015/487b2cdfde","Title: Pictorial Reports, 1956: .21","1)\t.35 – 4.11:  The School Groups Commence their Tours\n2)\t4.21-4.36:  A nine O'Clock Opening in April\n3)\t4.46-8.27:  A Warm Sunday Afternoon in April\n4)\t8.40-10.39:  The Annual Pilgrimage of the School Boy Patrols, sponsored by the American Automobile Association\n5)\t10.50-12.50:  The Boat Signals Departure\n6)\t13.02-15.55:  The Grounds Approach Saturation after the Patrol Boys' Parade\n7)\t16.03-17.59:  A typical school group arrives\n8)\t18.08-19.37:  A Busy Garden Gate","Title: Pictorial Report for 1957:   19.48","1)\t19.55-28.43:  Mount Vernon 1957: Some of the colorful events: The friendly sons of St. Patrick place a floral tribute on March 16, escorted by Mr. Barclay\n2)\t28.45-30.09:  On May 1st a helicopter of French design is landed on the circle by the French pilots bearing a floral tribute\n3)\t30.19-31.03:  May 8th the President of the Republic of Viet-Nam escorted by Mr. Densmore\n4)\t31.13-32.19:  June 21st: The 27th National 4-H conference delegates place a floral tribute\n5)\t32.24-33.00:  June 22nd the Prime Minister of Japan escorted by Mr. Densmore\n6)\t33.07 – 34.56:  The Mansion at 8 a.m. during early July\n7)\t35.05 – 36.07:  And later during the Summer drought","Title: Pictorial Report for 1958:  36.19","1)\t36.30 – 38.01 :  Elizabeth II visits Washington October, 1957\n2)\t38.08 - 42.54:  The tulip poplar tree no. 57 planted by General Washington at the Flower Garden Gate received surgical treatment, November 1957\n3)\t43.00 – 44.47: The horsechestnut tree no.116 in the South Grove receives surgical treatment\n4)\t44.55 – 45.24:  The prominent growth on the stem of the large honeylocust tree no.101 is recorded before removal, November, 1957 \n5)\t45.28 – 45.59:  Our tree feeding technique is illustrated\n6)\t46.05 – 46.43:  Mohamed V King of Morocco escorted by the Director, November 26, 1957\n7)\t46.50 – 49.50:  A wet snow prostrates the dry boxwood stems north of the museum on December 4, 1957\n8)\t49.55 -  51.50 :  Dry limbs of redcedar trees are broken and bent under the weight\n9)\t 51.54 – 55.14:  The children of the American Revolution plant a memorial tree and install officers in ceremony April 20, 1958\n10)\t 55.18 – 55.34:  A crowd on the portico greets President Heuss of West Germany May, 1958\n11)\t55.40 – 57.18:  Our new hay baler in operation\n12)\t57.22 – 59.00 :  Handbook vending at the main gate Miss Felicity Cragg \n13)\t59.01 – 1.02.57: No Title : Horticulture: Greenhouse (b\u0026w)\n---END---","Film reel labeled: Mount Vernon Pictorial Reports 1959-1963. Shows events and work done at Mount Vernon, 1959-1962. Case marked: 1,400 feet; 60 minutes @ 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:15:18. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281271792/7f3ca7f821","Film reel labeled: Pictorial Reports: 1964, 1965, 1966. Shows events and work done at Mount Vernon 1964-1966. Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. 12 1/2\" reel (TRT) 46:54. Digitized 2015. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280946247/cd20327929","Film reel labeled: Pictorial Reports: 1967, 1968, 1969, 1970. Shows events and work at Mount Vernon 1967-1970. Case marked: Original Color/ B\u0026W Reversal, 16 mm, 1 roll. 11\" reel (TRT) 52:24. Digitized 2015. Copy and paste this link for online access to video: https://vimeo.com/280952774/7ef4b57f27","Film reel labeled: George Washington's Mount Vernon \"Mount Vernon, Virginia.\" Brief silent film, opening caption reads \"Mount Vernon Virginia,\" shows footage of the Mansion and grounds. Briefly shows visitors lining up for the Mansion tour and walking by the outbuildings. Case marked: CR#11, Color Positive MOS \"B\" Wind REG-8mm film. (TRT) 03:19. Creator/Publisher: Landmark Pictures, Inc. Digitized 7-20-2015, External hard drive Toshiba 71247. Copy and paste this link for online access to this video: https://vimeo.com/288597485/f953bc0045","Film reel: The New Universal Presents \"George Washington Country Gentleman\" Case marked: Variety View 1941, POS, B\u0026W print, DBVT, \"A\" Wind. Digitized April 2016. 7\" reel. (TRT) 9:43. Creator/Publisher: The New Universal. Copy and paste this link for online access to this video: https://vimeo.com/281461632/da7ec4a0d5","Film reel: Paramount News Release \"Year of Dark Contrasts\" by William C. Park, produced by Albert J. Richard in 1939. 1 Roll, B\u0026W Print VDT, Reg 16mm. 7 3/4\" reel. (TRT) 14:32. Creator: William C. Park and Albert J. Richard. Publisher: Paramount Pictures. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281465047/e77c583cf7","Film reel labeled: George Washington's Mount Vernon \"Paramount Pictorial.\" Opening caption reads \"Pictures obtained through the cooperation of the United States George Washington Bicentennial Commission and the courtesy of the Mount Vernon Ladies' Association.\" Footage of the exterior of the Mansion, gardens with workers, the summer house, and the New Tomb. Case marked: # 71247, CR# 5, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/2\" reel. (TRT) 02:59. Creator/Publisher: Paramount Pictures. Copy and paste this link for online access to this video: https://vimeo.com/288564898/3bb5f596a5","Film reel \"MVLA: Visit-President of Mexico 1 May 1947.\" Movietone News footage of the President of Mexico's visit to Mount Vernon. Case marked: 16mm/AGFA/b\u0026W Positive Print/ \"A\" Wind/DBVT Opt, S,T/ Acetate, 30 ft. Digitized Sept. 2014. 4\" reel. (TRT) 01:14. Creator/Publisher: Movietone News. External hard drive GW_MV_WIN_NT (G Drive mini 68569)Copy and paste this link for online access to this video: https://vimeo.com/281672967/8aa3b89131","Film reel labeled: \"Reconstruction of Wharf Causeway at Mount Vernon\" 16mm, Color reversal/b\u0026w Reversal Print, B wind, Silent, Acetate 800 ft. Digitized Sept. 2014. 9 1/4\" reel.  (TRT) 24:59.  External hard drive GW_MV_WIN_NT (G Drive mini 68569) Copy and paste this link for online access to this video: https://vimeo.com/281676320/c9af459251","Film reel including Re-enactment of 1789 departure for NY World's Fair promotion and the Visit of King George and Queen Elizabeth of Britain to Washington and Mount Vernon (1939). This film appears to have been made from splicing film of Paramount News footage of the reenactment of Washington leaving Mount Vernon, 1939 and Movietone News footage of the King and Queen's visit to Washington, D.C. and Mount Vernon, 1939. Color film showing the King and Queen's visit is also spliced in (unknown creator), along with captions describing the contents of the video. See also AV_00256 for duplicate footage of \"Washington is Re-elected.\" 16 mm, b/w Reversal, b/w Positive Print, AGFA, B wind, Silent, Acetate, DBVT, VDT, 700 feet, Digitized Sept. 2014. 8\" reel. (TRT) 16:20. (Slight vinegar smell). Copy and paste this link for online version: https://vimeo.com/281681633/9b0c9cc630","Film reel: R-K-O Pictures Presents \"Mount Vernon\" (Copyright 1937) produced by The Van Beuren Corp. World on Parade Series, narration by Alois Harilla, text By Harold Mckracken, released by R-K-O Pictures, a Van Beuren Production. Run at Silent Speed, 16 fps, with sound. Digitized April 2016. (TRT) 10:02. 7 \" reel. (Faint vinegar smell) Creator: RKO Pictures. Producer: The Van Beuren Corp. External hard drive, My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281463277/9637fa94a3","Film reel labeled: \"Springtime at Mount Vernon\" MVLA, 1956. Case marked: MV \"Home\" Movie, Original color reversal 16mm, silent film. 1 roll, Original color reversal, regular 16 mm. 11\" reel. (TRT) 51:55. (Slight vinegar smell) Creator/Publisher: MVLA. Copy and paste this link for online access: https://vimeo.com/280956677/263be04c18","Film reel labeled: Snow Wall-Shingles for Mount Vernon. Case marked: P50-E\u0026V. 1 roll. Color Rev. Orig. \"B\" Wind Silent. Reg. 8mm film. (TRT) 04:45. Copy and paste this link for online access to this video: https://vimeo.com/280956358/84ea72dcf8","Film reel titled \"Vice Regents\" Case marked: gift of Mrs. Carpenter, Vice Regent for Illinois. May 1939. 16 mm, b\u0026w Reversal/ \"B\" Wind/ Silent/ Diacetate/ 400 feet/ Digitized Sept. 2014. 6\" reel.  (TRT) 10:05. (Faint vinegar smell) External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281657739/530ac57f14","Film reel labeled: George Washington's Mt. Vernon \"VA United Press\" Footage of Soviet Agricultural Delegates laying a wreath at Washington's Tomb with Resident Director, Charles Wall, August 1955. Case marked: #71247, CR# 9, BW Print MOS, \"A\" Wind, silent film, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel. (TRT) 00:58. (Faint vinegar smell) Creator/Publisher: Virginia United Press. Copy and paste this link for online access to this video: https://vimeo.com/288563795/ed041f0f0b","Film reel labeled: George Washington's Mt. Vernon \"Leaving Office.\" Character actors re-enacting Washington's departure from Mount Vernon. See also AV_00250 for duplicate and extended footage and more filming information. Case marked: #71247, CR# 10, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Creator/Publisher: Paramount News. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:56. Copy and paste this link for online access to this video: https://vimeo.com/288568166/7f0c8902df","Reel titled The Washington Trail 2C. Film released in July of 1979 that \"reveals for the first time, the full ancestry of George Washington, based on the genealogical evidence, much of which had only recently been discovered\" Focused on the English ancestry of George Washington. Copy 2, 870 ft. 16 mm, 12 1/2\" reel, color film. Orange case. (TRT) 24 mins. Creator/Publisher: British Tourist Authority, Washington Development Corporation.","Film reel of video program: \"You Are There:\" December 4, 1783, Washington's Farewell to his Officers.\" Distributed by Young America Films, 1953. 1 Roll, B\u0026W Print w/Sound. Regular 16 mm. 9 1/8\" reel. (TRT) 25:09. Creator/Publisher: Young America Films. Digitized version available. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281470273/78f5c8869f","Laserdisc titled: George Washington: Pioneer Farmer 18th Century Brickmaking at Historic Mount Vernon, undated. One part of a two part program - the other portion is on woodworking and recreating the 16-sided barn. See AV_00169. Alpha 3M. Creator/Publisher: Horizons Television, Inc.","Laserdisc titled: Mount Vernon, GW:PF Barn Promo, Evolution of a Mansion, undated. Label on cover read \"#77114 Mt. Vernon Item #1.\" Laser Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: The Life of George Washington - Side 1. Dated 1997.  Alpha 3M. (TRT) unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Life of George Washington - Closed Captioned. Label on the original cover read \"#77114 Mt. Vernon Item #4.\" Laser Disc Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon Brickmaking and Woodworking - Side 1. Undated. Most likely part of the program George Washington: Pioneer Farmer with two parts on brickmaking and woodworking. Alpha 3M. (TRT) unknown. Creator/Publisher: Horizons Television, Inc. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon Long. Undated. Label on the cover read \"#7714 Mt. Vernon Item #2\" Laserdisc Recording Center, Inc. (TRT) unknown. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon - Long Version. Label on cover originally read \"#77114 Mt. Vernon Item #3\" with note that read \"Does not work per Sue (?) 11/10/1998 - Voice distorted, removed from service.\" Laser Disc Recording Center, Inc. TRT unknown.","Video recording related to the Bicentennial of George Washington's inauguration in 1989. Label on tape reads \"Mount Vernon 1.\" Label on case reads \"Mt. Vernon 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon April 16th 89 2.\" Label on cassette reads \"Day 1 Tape #2 Mount Vernon.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon/Old Towne 3.\" Label on cassette reads \"Mt. Vernon/Day 1 Old Towne #3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Gadsby Tavern inside speeches 4.\" Label on cassette reads \"Day 1 Tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Day 1 Tape 5 Merrbury [sic] House/outside.\" Label on cassette reads \"Day 1 Tape 5 Merrbury [sic] House inside/outside.\" Probably is a recording of events at the Marbury House in Washington, DC. Umatic (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Rectory Day #10.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 11.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 12.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton Mansion Omni Hotel.\" Label on cassette reads \"Hampton Mansion presentation one. Thru First 1/2 Wash.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton House.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Hampton House Mikes open.\" Label on cassette reads \"Hampton - interview inside (?)\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Perryville/Tavern.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Stand ups.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 Tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 tape 4,\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 Tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 5 tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 5.\" Umatic. (TRT)","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Geo. Wash to Presidency Philadelphia Tavern Day 5 tape 6.\" Umatic. (TRT) unknown","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 2 house/tavern.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads Day 6 tape 4.\" Umatic. (TRT) unknown","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 4.\" Umatic. (TRT) unknown","Video recording related to the  Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 8 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 5.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 6.\"","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Geo. Washington 200th Aniv. of his Presidency Tape 1A TO 12:42.\" Label on case reads \"Tape 1 Geo. Wash Bicentennial of the Presidency.\" Umatic. (TRT) may be 12:42.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaugural NY - Tape 2, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Washington Inaugural NY - Tape 3, 4/30/89.\" (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Tape 4, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Stand-ups - Parade Tape 5, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Parade, Tape 6, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. NY Parade, Tape 7, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. - NY Shots of Church, Tape 8, 4/30/89.\" Umatic. (TRT) unknown.","Video labeled: \"Front and Center Mt. Vernon Ladies.\" Case marked: \"This video tape is of me being interviewed by Hank Boudard on WPRI Channel 12.\" - Hope Alexander, Vice Regent. Umatic. (TRT) unknown.","Video recording labeled \"President Reagan at Mt. Vernon Laying Wreath and Remarks Part 2.\" Dated 22, Feb 1982. Umatic. (TRT) unknown. See also VHS tape AV_00229","Video recording labeled \"Mt. Vernon Speeches\" for George Washington's Bicentennial Inauguration Reenactment in 1989. Includes speech by Warren Burger. Umatic. (TRT) unknown.","Video recording with label \"Dub Willard at Mt. Vernon Air 2/22/85 - TODAY\". Weatherman Willard Scott filming at Mount Vernon for the Today Show on Washington's birthday, NBC News production. Umatic. (TRT) unknown.","Video titled Almanac of Travel W/Neil Horstman. VHS. (TRT) unknown. Contributor: Neil Horstman.","Video titled ASC-MVLA Conf. Tape #1 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #2 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #3 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #4 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #5 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video program featuring lecture by author Henry Wiencek titled \"An Imperfect God\" Tape marked: C-Span2 Booktv 9/20/03. VHS. (TRT) 29 minutes. Contributor: Henry Wiencek. RP 3070, VIDEO 7047.","Video program ' And Die By Inches: George Washington and the Encounter of Cultures on the Southern Colonial Frontier, lecture by Warren Hofstra. Shenendoah University. VHS. (TRT) unknown. Contributor: Warren Hofstra.","Video program \"Behind the Hero's Mask\" Ducat Segal Productions for the History Channel and Mount Vernon. Note: low res. Video, music and credits to be added. VHS. (TRT) 8:39. Creator/Publisher: Ducat Segal Productions.","Video titled A Ceremony Commemorating The Slave Memorial of Mount Vernon. Dated: Saturday, Spetember 21, 1990. (TRT) unknown.","Video titled Colonial Days. BASF brand. VHS. (TRT) unknown.","Video program of Colonial Days- March 1991. Footage of Colonial Days from Channel 8 News. VHS. (TRT) unknown.","Video titled \"Colonial Day At Mount Vernon\" VHS (TRT) unknown.","Video titled \"Colonial Days at Mt. Vernon\" Raw Footage. VHS. (TRT) unknown.","Video program The Creeks and the Americans in the Age of Washington, a lecture by Robbie Eheridge at the University of Mississippi. VHS. (TRT) unknown. Contributor: Robbie Eheridge.","George Washington: Founding Father. Documentary on the life of George Washington, part of the \"Biography\" series produced by A\u0026E Network. Color.  VHS. (TRT) 50 minutes.","Video titled Finley Films-Rough MV Footage-Interiors + People Summer 1988. VHS. (TRT) unknown. Creator/Publisher: Finley Films.","Video program George Washington, Dragging Canoe, and Southeastern Indian Resistance, lecture by Peter Wood. Duke University. VHS. (TRT) unknown. Contributor: Peter Wood.","Video program George Washington: Founding Father. Epic Biography, Show #3001. VHS. (TRT) unknown.\nCreator/Publisher: Perpetual Motion Films","Video program George Washington: Pioneer Farmer The Wood for Washington's Barn. One part of a two part program. VHS. (TRT) Loop tape. 60 min. See also AV_00390. Creator/Publisher: Horizons Televison, Inc. circa 1996-1997","Video program George Washington, the South, and the Petics of National Memory, lecture by Carla Mulford, Pennsylvania State University. VHS. (TRT) unknown. Contributor: Carla Mulford.","Video labeled: George Washington's Bi-Centennial \"Thank You\" VHS. (TRT) 23 minutes.","Video titled George Washington's Indian Policy: Civilizing Southeast Indians. Includes lecture by Theda Perdue at the University of North Carolina. VHS. (TRT) unknown. Contributor: Theda Perdue.","Video program The Great Experiment: George Washington and the Old South, lecture by Garrett Wendell, Sotheyby's. VHS. (TRT) unknown. Contributor: Garrett Wendell.","Video labeled: George Washington Project/Title: TBA. Version 08/18/2006. VHS. Video would later be titled \"We Fight to Be Free\" and was shown in the new Orientation Center. (TRT) 19:18 mins. (2 copies) Creator/Publisher: Greystone Films","Video program The Ground Beneath Our Feet: Virginia Fights WWII. Film highlighting the changes in Virginia during and after World War II. VHS. (TRT) 58:29. RP 3071, VIDEO 7048.","Video titled The \"Hell Hole\" 1993. EHG case. VHS. (TRT) unknown.","Video titled Home, ABC-TV, Nov. 8, 1991. VHS. (TRT) 90 minutes.","Video labeled:  In Search of America Live from Mount Vernon. Dated July 4th, 2002. Part of the TV series production \"In Search of America\" with Peter Jennings, ABC News. VHS. (TRT) 9 minutes. (2 copies)","Video titled Lawrence Washington at Sulgrave Manor. JVC case. VHS. (TRT) unknown.","Video titled Jim Lehrer-GW. SONY case. VHS. (TRT) unknown.","Video program The Life of George Washington: A Video Biography of America's Greatest Hero. Written by Robert B. Gibby. Introduction by Senator Bill Bradley. VHS. (2 copies) (TRT) 30 mins. Creator/Publisher: Finley Holiday Films, MVLA.","Video labeled:  Mansion Staircase Jan. 1992. Supertape case. VHS. (TRT) unknown.","Video labeled: Mansion Staircase 3/92. Tape marked: (John Clobas) Supertape case. VHS. (TRT) unknown.","Video titled Mapping the South: Image, Archive, and the Construction of Regional Identity in the Age of Washington. Includes lecture by Martin Brueckner at the University of Delaware. VHS. (TRT) unknown. Contributor: Martin Brueckner.","Video of the Masonic Dedication of the Ann Pamela Cunningham Library and Research Center. Video by: E Coffey. VHS. Kodak case. (TRT) unknown. Creator/Contributor: E. Coffey.","Video titled Mt. Vernon 26 Oct 1985. VHS. (TRT) unknown.","Video labeled: Mount Vernon 3 Minute Introduction, March 3, 1989. (5 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.","Video program \"Mount Vernon\" Tape marked: Bill Webster. VHS (TRT) 23:00. Creator/Publisher: Illustrated Man Productions. Contributor: Bill Webster.","Video labeled: Mount Vernon Cupola/Pier Restoration 1992. Scotch case. VHS. (TRT) unknown.","Video titled Mount Vernon Cupola Complete. Case marked: Edited, 1992-1993. BASF case. VHS. (TRT) unknown.","Video titled Mount Vernon In Virginia. Tape marked: 1950, approx 30 mins, black and white. Gift from Joseph Fields. VHS. (TRT) 30 min. Contributor: Joseph Fields.","Video titled MVLS-1989 Spring Trip. VHS. (TRT) 46 minutes.","Video labeled: Mount Vernon Ladies' Assn. France-Rochefort, Chateau Chavaniac, Lafayette, Boat trip to Maryland farm from M.V. Tape marked: Stewart Gamill III, (husband of Vice Regent Lynn Gammill)  1-6/01. VHS. (TRT) unknown. RP 986.","Video labeled: Mount Vernon Selected Scenes. Photography by Russ Finley, Holiday film Corp. VHS (although label says Betacam) (TRT) unknown. Creator/Publisher: Russ Finley, Holiday Films.","Video labeled: Mt. Vernon Small Dining Room. Note marked: Cupola interior 28 July 93. VHS. (TRT) unknown.","Video program Mount Vernon Tour Guide Cuts. 1988. (2 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.","Video labeled: Nelly Custis Bedroom Repair. EHG Case. VHS. (TRT) unknown.","Video labeled: Nellie Custis Room 1992-93, Complete. Scotch case. VHS. (TRT) unknown.","Video labeled: Reagan at Mt. Vernon Laying Wreath Part 2. Dated 22 Feb. 1982. Tape marked: GW 250 Anniversary of his death. See also Umatic tape AV_00220. VHS. (TRT) unknown.","Video labeled: Project Enlightenment I. Case marked: For project Enlightenment, 2/28 (no year), funeral procession. Polaroid case. VHS. (TRT) unknown.","Video program Memorial Service for General George Washington, Reenacted on this historical date Wednesday, December 29, 1999. Case marked: The Old Presbyterian Meeting House in the City of Alexandria formerly in The District of Columbia Five O'Clock in the Afternoon. VHS. (TRT) unknown. Creator/Publisher: Unknown.","Video production of the Reenactment of George Washington's Funeral at Mount Vernon. VHS. (TRT) 3:10:00 Creator/Publisher: C-Span.","Video production of the Reenactment of George Washington's Funeral. VHS. (TRT) 84 mins. Creator/Publisher: C-Span.","Video labeled: June 2, 1990 Military Re-enactment at Mount Vernon. Footage of Virginia and Maryland Encampment at Mount Vernon. VHS. (TRT) unknown. Creator/Publisher: unknown","Video program Re-mapping Boundaries in the Old Southwest, 1783-1795, lecture by Dan Usner. Cornell University. VHS. (TRT) unknown. Contributor: Dan Usner.","Video labeled: The Role of Race in the Making of the American Revolution, lecture by Sylvia Frey. Tulane. VHS. (TRT) unknown. Contributor: Sylvia Frey.","Video labeled: The Roof (May 93), Brick Laying 93, Shingle Splitting, Interior Plastering 94. Highlights renovations of the mansion and estate. VHS. (TRT) unknown.","Video program Save Our History: George Washington's Workshop. VHS. (TRT) unknown (2 copies) Creator/Publisher: A\u0026E Television Network.","Video program Save Our History: George Washington's Workshop. VHS. (TRT) 1:00:00. Ch 1/2 Fullmx. Creator/Publisher: A\u0026E Television Network","Video labeled: Small Dining Room Ceiling 6/92. VHS. (TRT) unknown.","Video program featuring lecture by Carol Berkin titled \"Southern Women in the Revolutionary War.\" Women of the South in the era of Martha Washingotn. University of Southern Mississippi. VHS. (TRT) unknown. Contributor: Carol Berkin. RP 3072, VIDEO 7049a","Video titled Highlights from Our Ladies and Their Hero, February 21, 1992 Spartanburg Day School, 1701 Skyln Drive Spartanburg, S.C. 29302. VHS. (TRT) unknown. RP 987, VIDEO 5417.","Video titled Our Ladies and Their Hero. Case marked: Ann Dobbs. VHS. (TRT) unknown.","Video program \"Our Ladies and their Hero or (What the Women Were Doing While the Men Forged a War) Case marked: Spartanburg Day School 1701 Skyln Drive Spartanburg, SC 29302. Contact: Ann Hemperley Dobbs. VHS. (TRT) 38 minutes.","Video program Sulgrave Manor: The British Heritage of George Washington. Highlights the home of Lawerence Washington, Sulgrave Manor, located in England. VHS. (TRT) unknown.","Video program This Gown… Was Much Admired and Caused Much Jealousy: Fashion and the Forging of Identities in French Colonial New Orleans, a lecture by Sophie White. Courtlaud Institute of Art, Univerosy of London. VHS. (TRT) unknown. Contributor: Sophie White.","Video program Today Show. Features Willard Scott Promo for Mount Vernon. Dated 22 February 1993, 7:33am. VHS. (TRT) unknown. Creator/Publisher: Today Show, NBC News.","Video recording of several news stations coverage of Queen Elizabeth's visit to Mount Vernon. Tape includes: CBS This Morning, WUSA (Channel 9), ABC World News Tonight, CBS Evening News, Fairfax County News (Channel 8), WRC (Channel 4), Fox News (Channel 5) VHS. (TRT) unknown.","Video program Washington and Three Women, lecture by Donald Higgenbotham,  University of North Carolina. VHS. (TRT) unknown. Contributor: Donald Higgenbotham.","Video titled Wharf/Cupola/Roof Exploration. Includes footage of restoration. VHS. (TRT) unknown.","Video labeled: Women of the South in the Era of Martha Washington University of Southern Mississippi. Tape marked: Library of Hattiesburg, Petal, and Forrestt County, Bellswood (Sylvia Frey) Catherine Allgor, Patricia Brady. VHS. (TRT) unknown.","VHS labeled: W \u0026 L (Washington and Lee University) 250th Anniversary celebration, Mount Vernon, October 17, 1998. Maxell VHS tape","Video recording labeled: Father of our Country. GWP long version. Tape marked: S.L.O HORS D'OEUVRES. Dated: 9/22/06. Digital Betacam SP. (TRT) unknown. Creator/Producer: Paramount Pictures.","Video recording labeled: Father of our Country. GWP short version. Dated: 9/22/06. Betacam SP. (TRT) unknown. Creator/Publisher: Paramount Pictures.","Video recording labeled: Father of our Country. Confidence Check. NTSC format.Dated: November 16, 2006. Betacam SP. (TRT) 24:58. Creator/Producer: Paramount Pictures.","Digital Betacam video cassette tape labeled: George Washington Funeral Reenactment for Mount Vernon exhibit, 2/22/2007. Silent version. (TRT) 1:30. Creator/Publisher: Henninger Media Services.","Video labeled: George Washington Output. Tape Marked: NDF. Dated: 9/12/06. Betacam SP. (TRT) unknown.","Video titled Mount Vernon: Evolution of the Mansion, Long Version. Dated: May 22, 1995. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Large Betacam. (TRT) unknown.","Video labeled: Mount Vernon Evolution of the Mansion Long Version. Dated: 06-07-1995. Betacam. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Betacam. (TRT) unknown. Creator/Publisher: Townhouse Post-Production.","Mini DV videocassette recording labeled: Mount Vernon Piano Recital Tape 1.","Mini DV videocassette recording labeled: Mount Vernon Piano Recital, Tape 2.","Large Digital Betacam videocassette labeled: Saving Mount Vernon DVD. (TRT) 62:00. 35mm, dated 1/15/03. DBCT Color Enhanced to D9 Clone. Creator: Madisonfilm. Producer: Mount Vernon Ladies' Association.","Hi8 MP 8mm videocassette tape labeled: Washington is No More. Tape marked: Trial Run, Full Footage. Dated 3/6/2000.","Video labeled: George Washington: We Fight To Be Free. Locked. Ford Orientation Center film. Betacam SP. DIA only, Avid Output. (TRT) 22:24. Creator/Publisher: Greystone Films.","Video recording labeled: George Washington: We Fight To Be Free. Tape marked: Short Versiokn, Final Opening Title, Wrong End Titles. Betacam SP. (TRT) unknown. Creator/Publisher: Greystone Films.","Video labeled: George Washington: We Fight To Be Free. Tape Marked: Picture Only, Ref Tape. Betacam SP. 29.97 fps. (TRT) unknown. Creator/Publisher: Greystone Films.","Videocassette recording labeled: We the People and the Mount Vernon Visitor Center.  . Digital Betacam. 24 fps. (TRT) 12:15. Creator/Publisher: Inland Sea Productions.","Video recording labeled: We the People and the Mount Vernon Visitors Center. Digital Betacam. 24 fps. (TRT) 26:46. Creator/Publisher: Inland Sea Productions.","Video recording labeled: We the People and the Mount Vernon Visitor Center. Tape marked: Original Transfer Master. Digital Betacam. 24 fps. (TRT) 27:36. Creator/Producer: Inland Sea Productions."],"userestrict_html_tesm":["\u003cp\u003eMount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Mount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws."],"corpname_ssim":["Archives of the Mount Vernon Ladies' Association"],"persname_ssim":["Norton, Dean"],"names_ssim":["Archives of the Mount Vernon Ladies' Association","Norton, Dean"],"language_ssim":["English\n."],"total_component_count_is":344,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:03:07.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_53_c02"}},{"id":"vircu_repositories_5_resources_160_c05","type":"Series","attributes":{"title":"Videotapes, 1989/2003","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_160_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_160_c05","ref_ssm":["vircu_repositories_5_resources_160_c05"],"id":"vircu_repositories_5_resources_160_c05","ead_ssi":"vircu_repositories_5_resources_160","_root_":"vircu_repositories_5_resources_160","_nest_parent_":"vircu_repositories_5_resources_160","parent_ssi":"vircu_repositories_5_resources_160","parent_ssim":["Fan Free Clinic Records, 1971/2006"],"parent_ids_ssim":["vircu_repositories_5_resources_160"],"title_filing_ssi":"Videotapes","title_ssm":["Videotapes"],"title_tesim":["Videotapes"],"normalized_title_ssm":["Videotapes, 1989/2003"],"text":["Videotapes, 1989/2003","Fan Free Clinic Records, 1971/2006","box 7-11"],"parent_unittitles_ssm":["Fan Free Clinic Records, 1971/2006"],"parent_unittitles_tesim":["Fan Free Clinic Records, 1971/2006"],"normalized_date_ssm":["1989/2003"],"unitdate_inclusive_ssm":["1989, 1993, 2003, undated"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":75,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Fan Free Clinic Records, 1971/2006"],"containers_ssim":["box 7-11"],"has_online_content_ssim":["false"],"child_component_count_isi":17,"parent_access_restrict_tesm":["Collection open for research."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#4","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_160","ead_ssi":"vircu_repositories_5_resources_160","_root_":"vircu_repositories_5_resources_160","_nest_parent_":"vircu_repositories_5_resources_160","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_160.xml","title_filing_ssi":"Fan Free Clinic records","title_ssm":["Fan Free Clinic Records"],"title_tesim":["Fan Free Clinic Records"],"unitdate_ssm":["1971-2006"],"unitdate_inclusive_ssm":["1971-2006"],"normalized_date_ssm":["1971/2006"],"normalized_title_ssm":["Fan Free Clinic Records, 1971/2006"],"text":["Fan Free Clinic Records, 1971/2006","M 344","/repositories/5/resources/160","Fan Area Historic District (Richmond, Va.)","Clinics -- Virginia -- Richmond","Public health -- Virginia -- Richmond.","Community Health Centers.","Collection open for research.","The contents of this collection are arranged chronologically and alphabetically in seven series: Series I: Newspaper Clippings (1982-2007, undated); Series II: Organizational Files (1971-2005); Series III: Publications (1971-2006,undated); Series IV: Memorabilia (circa 1980s-2000s, undated); Series V: Videotapes (1989, 1993, 2003, undated ); Series VI - Oversize (undated); and Series VII - Photographs and Slides (1980s-2000s, undated).","The Fan Free Clinic, Inc. was organized in Richmond, Virginia in 1970 by volunteer medical professionals, pastoral counselors and community volunteers. 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The free clinic was further recognized and funded for its experience in preventive communication with the targeted high risk populations and training and networking with service providers to bridge the gaps in service that result from indigency, fear and stigma. The free clinic's volunteer resources have stretched the available public monies to provide services at a level that otherwise could not have afforded.","As it remains today, the Fan Free Clinic's mission is to provide medical treatment, health education, and social services to those in the Richmond Metro area with limited access to care. The free clinic place special emphasis on welcoming the least served.","[Information taken from a Fan Free Clinic Manual with its written history, an excerpt taken from Robert Bluford, Jr.'s account of the formation of the Fan Free Clinic and the mission taken from the Fan Free Clinic website in March 2007, www.fanfreeclinic.org]","The collection includes correspondence, memorabilia, videotapes, newspaper clippings, numerous photographs, various organizational minutes and reports, Fan Free Clinic newsletters, posters, and advertisements, and other published materials on Fan Free Clinic. The collection dates from the early 1970s to 2006. 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Since then, the clinic has moved to several different locations. As of 2007, Fan Free Clinic is located at 1010 North Thompson Street. Initially, the free clinic was an emergency response to the medical and emotional issues that accompanied the influx of ill prepared young people into the inner city environment of Richmond's Fan District. Simultaneously, the free clinic found that its services were in demand by the broader inner city population. This varied clientele shared similar problems that had not yet been addressed adequately by the health care system.","As public health developed its responses to these rapidly growing community health issues, the free clinic was recognized and funded for its unique ability to reach persons at high risk who were reluctant to utilize public health facilities; reach and treat Richmond's homeless, indigent and/or sheltered population; provide volunteer services at low cost to public health's limited dollars; and provide services during night hours for persons who could not patronize clinics during traditional work hours.","In the 1970s, public health's emphasis in prevention was early diagnosis and treatment. Beginning in the 1980s, with the emerging AIDS epidemic, prevention education was prioritized. The free clinic was further recognized and funded for its experience in preventive communication with the targeted high risk populations and training and networking with service providers to bridge the gaps in service that result from indigency, fear and stigma. The free clinic's volunteer resources have stretched the available public monies to provide services at a level that otherwise could not have afforded.","As it remains today, the Fan Free Clinic's mission is to provide medical treatment, health education, and social services to those in the Richmond Metro area with limited access to care. The free clinic place special emphasis on welcoming the least served.","[Information taken from a Fan Free Clinic Manual with its written history, an excerpt taken from Robert Bluford, Jr.'s account of the formation of the Fan Free Clinic and the mission taken from the Fan Free Clinic website in March 2007, www.fanfreeclinic.org]"],"prefercite_html_tesm":["\u003cp\u003eFan Free Clinic Records, Collection Number M 344, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Fan Free Clinic Records, Collection Number M 344, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes correspondence, memorabilia, videotapes, newspaper clippings, numerous photographs, various organizational minutes and reports, Fan Free Clinic newsletters, posters, and advertisements, and other published materials on Fan Free Clinic. The collection dates from the early 1970s to 2006. Within the collection there is an extensive amount of newspaper clippings focusing on the role of the clinic in Richmond, videotapes and photographs focusing on the Fan Free Clinic programs, special events such as the AIDSWALK: Richmond and the Tour de Friends in 2003, and HIV/AIDS awareness efforts and fundraisings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes correspondence, memorabilia, videotapes, newspaper clippings, numerous photographs, various organizational minutes and reports, Fan Free Clinic newsletters, posters, and advertisements, and other published materials on Fan Free Clinic. The collection dates from the early 1970s to 2006. Within the collection there is an extensive amount of newspaper clippings focusing on the role of the clinic in Richmond, videotapes and photographs focusing on the Fan Free Clinic programs, special events such as the AIDSWALK: Richmond and the Tour de Friends in 2003, and HIV/AIDS awareness efforts and fundraisings."],"corpname_ssim":["VCU James Branch Cabell Library","Fan Free Clinic (Richmond, Va.)"],"names_coll_ssim":["Fan Free Clinic (Richmond, Va.)","Schanz, Norma"],"persname_ssim":["Schanz, Norma"],"names_ssim":["VCU James Branch Cabell Library","Fan Free Clinic (Richmond, Va.)","Schanz, Norma"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":120,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_160_c05"}},{"id":"viur_repositories_4_resources_148_c02","type":"Series","attributes":{"title":"Virginia Conference AAUP Matters, 1947/2012","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_148_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series includes various administrative documents from the Virginia Conference of the AAUP. 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The University of Richmond chapter of AAUP was first formed in 1962 and was intermittently active until around 1996. It was reinstated in 2005 and the membership is currently active. During the active years of the UofR chapter, major issues recorded included tenure disputes resulting from faculty dismissal and dissent surrounding university restraint of the political involvement of faculty. In later years records primarily include documentation regarding faculty salaries and dues as well as informational pamphlets and magazines produced by the AAUP Virginia Conference.","This collection is arranged in two series and which date from 1947 to 2012. Series 1, which dates from 1959 to 2007 comprises AAUP dealings of the chapter at University of Richmond. This series includes primarily chapter formation documents, correspondence, meeting notes, faculty political action, membership applications, and organizational initiatives generated by the UofR chapter. 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Materials also relate to AAUP topics of interest including academic freedom, tenure, and constitutional resolutions.","Material from this folder is housed in Box 3","This collection contains various letters, referendums, and paper documents relating to the University of Richmond chapter of the American Association of University Professors dated from 1947 to 2012.","University of Richmond","English\n."],"collection_title_tesim":["American Association of University Professors at UofR, 1947/2012"],"collection_ssim":["American Association of University Professors at UofR, 1947/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-78","/repositories/4/resources/148"],"unitid_tesim":["MS-78","/repositories/4/resources/148"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["University of Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet"],"extent_tesim":["2.5 Linear Feet"],"physfacet_tesim":["Two boxes and one oversized box"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized in two series according to theme:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eUniversity of Richmond AAUP Matters \u003c/item\u003e\n      \u003citem\u003eVirginia Conference AAUP Matters\u003c/item\u003e\n    \u003c/list\u003e\n  ","\u003cp\u003eFiles are in chronological order, with the most recent year on top.\u003c/p\u003e","\u003cp\u003eFiles are in chronological order, with the most recent year on top.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["This collection is organized in two series according to theme:","University of Richmond AAUP Matters \n      Virginia Conference AAUP Matters","Files are in chronological order, with the most recent year on top.","Files are in chronological order, with the most recent year on top."],"bioghist_html_tesm":["\u003cp\u003eThe American Association of University Professors (AAUP) is the nation's principle organization for college professors, whose aim is to encourage the growth of faculty participation in university governance, strive for economic benefits, and to uphold academic freedom. 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In later years records primarily include documentation regarding faculty salaries and dues as well as informational pamphlets and magazines produced by the AAUP Virginia Conference."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-78, the American Association of University Professors at UofR Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-78, the American Association of University Professors at UofR Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is arranged in two series and which date from 1947 to 2012. Series 1, which dates from 1959 to 2007 comprises AAUP dealings of the chapter at University of Richmond. 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Records include newsletters, conference notes, reports and resolutions, and general correspondence. Materials also relate to AAUP topics of interest including academic freedom, tenure, and constitutional resolutions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is arranged in two series and which date from 1947 to 2012. Series 1, which dates from 1959 to 2007 comprises AAUP dealings of the chapter at University of Richmond. This series includes primarily chapter formation documents, correspondence, meeting notes, faculty political action, membership applications, and organizational initiatives generated by the UofR chapter. Series 2, which dates from 1947 to 2012, includes published media, newsletters, conference meeting notes, and referendums generated by the Virginia Conference of the AAUP and the National Office of the AAUP.","This series includes the various administrative records of the AAUP UR chapter. Records include chapter formation materials, meeting notes, correspondence between members, membership applications, initiatives, and political and media involvement. Materials also relate to AAUP topics of interest including equitable faculty salaries, faculty political involvement, and details regarding chapter formation.","This series includes various administrative documents from the Virginia Conference of the AAUP. Records include newsletters, conference notes, reports and resolutions, and general correspondence. Materials also relate to AAUP topics of interest including academic freedom, tenure, and constitutional resolutions."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterial from this folder is housed in Box 3\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Material from this folder is housed in Box 3"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f503bf8c1814cc9b0b153b0780007e16\"\u003eThis collection contains various letters, referendums, and paper documents relating to the University of Richmond chapter of the American Association of University Professors dated from 1947 to 2012.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains various letters, referendums, and paper documents relating to the University of Richmond chapter of the American Association of University Professors dated from 1947 to 2012."],"corpname_ssim":["University of Richmond"],"names_ssim":["University of Richmond"],"language_ssim":["English\n."],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_148_c02"}},{"id":"viu_repositories_3_resources_779","type":"collection","attributes":{"title":"Virginia Folklore Society records, 1905/2007","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis. Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"normalized_date_ssm":["1905/2007"],"normalized_title_ssm":["Virginia Folklore Society records, 1905/2007"],"text":["Virginia Folklore Society records, 1905/2007","MSS 9936","Archival Resource Key","/repositories/3/resources/779","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm.","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"collection_title_tesim":["Virginia Folklore Society records, 1905/2007"],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e  ","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e  ","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm."],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e  ","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"names_ssim":["Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":210,"online_item_count_is":173,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:38.998Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"normalized_date_ssm":["1905/2007"],"normalized_title_ssm":["Virginia Folklore Society records, 1905/2007"],"text":["Virginia Folklore Society records, 1905/2007","MSS 9936","Archival Resource Key","/repositories/3/resources/779","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm.","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"collection_title_tesim":["Virginia Folklore Society records, 1905/2007"],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e  ","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e  ","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm."],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e  ","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. 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